Posts tagged with "Baltimore"

Ashley Kutcher by Lindsey Byrnes for use by 360 Magazine

Ashley Kutcher – Fake Bitches

Rising pop singer/songwriter Ashley Kutcher unleashes her explosive new single Fake Bitches with accompanying music video out today on Interscope Records. The 22-year-old artist holds nothing back on the track, using her soaring vocal melodies to tear into fakes, flakes, and haters.

The idea for this song came about after talking about my transition from nursing to signing a record deal” says Ashley on the creation of ‘Fake Bitches.’ “While it’s an exciting stage of my life, I have also received a lot of unwanted “feedback” from people around me. This made me realize that as I’ve gotten older, I really only have a couple of real friends that truly have my back. I wanted to make a fun song that people can relate to when it comes to knowing who the real people in your life are, and of course, knowing who’s definitely not.”

The scathing, yet sincere track starts on the defensive. “I know I got a couple things to prove,” she admits in a bold, breathy croon. A moody guitar builds into a fist-pumping chorus as Kutcher flexes her vocals and shows her teeth. “One more basic conversation. Fuck no baby, I can’t take it,” she sings. With production by Los Angeles duo Afterhrs (who’ve co-written and co-produced tracks for artists including Louis Tomlinson, Maroon 5, and One Direction), “Fake Bitches” is a fun, feisty spin on Kutcher’s poignant, confessional songwriting.

“Fake Bitches” arrives amid a productive streak for Kutcher. She recently shared the sentimental single “Favorite What If” and the softly cinematic “If I Could,” the latter of which has gathered nearly 2 million Spotify streams since its April release. This recent run follows Kutcher’s breakout debut song, “Love You From A Distance,” which has amassed over 36M combined streams across Spotify and Apple Music, and earned placement on highly coveted playlists including Pop Rising, Fresh & Chill, Alone Again, and more.

With nearly 36K TikTok creates under her belt and radio placement from BBC Radio 1’s “Best New Pop” and Sirius XM’s “The Pulse,” the Baltimore native has started to embrace her place as one of pop music’s most affecting newcomers. Tracks like “Fake Bitches” show her songwriting prowess and range, something she’ll only continue to develop as she works on her debut EP, which is due to be released later this year on Darkroom / Interscope.

About Ashley Kutcher

Baltimore, MD, singer, songwriter, and artist Ashley Kutcher distinguishes herself as the kind of raw talent equally at home on the stage of a neighborhood watering hole or live on social media. Post-high school, she pursued a nursing degree at Towson University. While at Towson, a local bar came across a video of her singing online and invited her to perform on their stage. This opportunity opened the floodgates as Ashley quit her waitressing job shortly after and logged regular marathon sets, often playing four hours per night. During her senior year, she uploaded a demo of her original composition “Lust” to TikTok. The video instantly gained traction and garnered thousands of views in just 48 hours. To sustain this momentum, she released a follow-up demo called “Hands To Myself” to streaming platforms and the song quickly surpassed 1 million streams on Spotify. While her nascent fan base continued to grow, Ashley came across a tweet from blackbear that read “hit me up if you don’t like me. As her creative neurons began to fire, she used the tweet as inspiration and responded with her own song similarly named “HMU if U Don’t Like Me,” which went on to quickly rack up another million streams.  At this point, she realized the power of transforming a post into a song and did the same thing with “Love You From a Distance,” setting TikTok on fire with just a D.I.Y. performance clip from her bathroom. Produced by Eric Taft, the song quickly eclipsed 9.5 million Spotify streams as she signed to Darkroom/Interscope Records (now at over 36M combined). Amassing 20 million streams independently and 20 million TikTok views, Ashley’s heartfelt honesty captivates on a series of singles for Darkroom/Interscope and her forthcoming 2021 debut EP.

Headphones illustration by Alex Bogdan for use by 360 Magazine

BUTCH DAWSON RELEASES SINGLE × MUSIC VIDEO – GET MONEY

Rapper, producer, songwriter and “a leading voice in Baltimore’s evolving music scene” (Baltimore Sun) Butch Dawson unveils his latest single “Get Money” with accompanying music video. Self-recorded and produced, “Get Money” is raw and textured while showcasing Butch’s dexterous flow. The catchy single follows on the heels of “Hummer,” the lead track off his highly anticipated EP Stardust, out later this summer via Asylum Records.

Co-directed by Khufu Najee and Loris Russier, the “Get Money” video takes the viewer on a first-hand journey of a day and night in the life with Butch and his crew. Blending fast & eccentric footage with still photographs the visuals simultaneously create a real time and nostalgic adventure.

Click here to listen to “Get Money.”

Click here to watch the “Get Money” music video.

“Get Money was made last year. It’s about getting money any way possible and just the perfect montage to get money to,” Butch explains. “The inspiration came from a Kendrick Lamar cadence on ‘ELEMENT.,’ and I created the beat around my vocals. This song feels like an anthem for Baltimore and reminds me of the late single from Tim Trees called ‘Bankroll.’ It’s a simple beat but creates room for a catchy wordplay.”

Merging at the intersection of music and fashion, the West Baltimore native’s braggadocious bars and experimental perspective are all the right elements for a promising career. On his major label debut, Butch shares, “Stardust is about my transition into becoming a household name. The name derived from a project that I wanted to put out before covid called “Jazzstar.” Conceptually, I wanted to highlight all the qualities that makes me a star, and an interesting person. I want to leave my mark in the industry by setting an example and always doing something that breaks barriers. I’m dropping that star dust on the game.”

Stardust EP Track List:

  1. Celebrate
  2. Hummer
  3. All Mine
  4. One Heaven Away
  5. Sutter Hoe
  6. Get Money
  7. Momentum

“Maintains his inner punk side, continuing with his experimental energy, relishes in a more jazz-focused approach to raw hip-hop.” -HYPEBEAST

“Butch Dawson has long been at the forefront of Baltimore’s eclectic DIY rap scene.” -DJ Booth

Butch Dawson is a Rapper You Should Know Right Now – Read More Via DJ Booth

ABOUT BUTCH DAWSON:

Butch Dawson’s artistic journey is a testament to what can happen when someone doesn’t place any parameters around their creativity. The West Baltimore native has been a pivotal figure in his hometown’s hip-hop scene for a decade, starting as a battle rapper while still in high school. In the years following those embryonic stages, Butch’s artistry began to blossom as he developed his skills in constructing songs, producing for himself and others, while also finding innovative ways to promote what he and his peers were making. In the early half of the 2010’s, his music reflected the shit-talking, bounciness that rappers trying to get crowds to jump and down to their songs reflected at the time. But towards the middle of the decade, with songs like “Red Leather Chair,” his sound started to trend more towards a jazzy, melancholy direction where he was able to peel back his emotional layers in a way that he hadn’t before. As time progressed, Butch’s music has become a down-the-middle split between making you want to punch a hole through the wall and inspiring you to sit back and gather your thoughts about life, past, present and future.

And while his career evolved over this span of time, Butch was simultaneously helping usher in an alternative route for rappers trying to break out of Baltimore. He hails from the Pennsylvania Avenue section of West Baltimore, an area steeped in musical history. Clubs like the former Royal Theater regularly hosted Black musical icons like Billie Holiday and visiting artists as they hit the Chitlin’ Circuit. But during Butch’s lifetime, though still an essential part of Black Baltimore culture, Pennsylvania Avenue regressed into a shell of its former self, with the majority of nightlife destinations vanishing, while crime and dilapidation rose considerably. This pushed a young creative Butch who was hungry for inspiration to start looking past his neighborhood and other familiar parts of the city. What he found was Central Baltimore’s transplant-heavy alternative DIY scene, and it opened his mind to a new way to approach his work.

Getting into that scene helped me evolve artistically because, you know, I was more open to different shit, he says. Living in the hood and shit all day, you can be close-minded a little bit if you don’t go out and just see the world for yourself. So for me, just going out there and just seeing people soak all this music up, it allowed me to just open my mind creatively, and it made me become more experimental with my music.

As he was making his way in the alternative scene, tirelessly releasing collaborative projects with others in that orbit, establishing the Basement Rap collective with like-minded friends, and getting coverage from national music platforms, Butch was inspiring other kids from inner city Baltimore to spread their wings. It also made Baltimore a much more enticing destination for artists from elsewhere, like standout rapper and producer JPEGMAFIA who moved to the city in 2014 and began collaborating with Butch almost instantly. For this, Butch Dawson is already a pioneer, which makes his recent accomplishments all the more special.

In 2018, he released his breakout project Swamp Boy, an eight-track album that is the most complete representation of what makes him exceptional. It features songs like Division St. Blues, a somber ode to the street he grew up on and how it’s changed over the years. Around the same time, he began to model for and collaborate with fashion designer Telfar Clemens. In 2019, he followed Swamp Boy with Ollieworld, a more high octane project that felt like it was made with performing live in mind (he toured with JPEGMAFIA across North America that year). The majority of this was accomplished from Butch’s home studio in Baltimore. And now as he’s newly signed to Asylum Records, it feels like the rest of the world will finally be hip to the gifts that he’s been sharing for over ten years now.

Connect With Butch Dawson:

Instagram | Twitter | Youtube | Soundcloud

Saint Motel - It's All Happening - Artwork from Sydney Worden from Glenn Fukushima from Elektra for use by 360 Magazine

SAINT MOTEL ANNOUNCES U.S. AND EUROPEAN TOURS

Elektra recording group Saint Motel have announced U.S. and European tours in support of their forthcoming album The Original Motion Picture Soundtrack. The band’s U.S. tour will kick off this September with three special hometown shows at Los Angeles, CA’s The Roxy Theatre, and wrap on Halloween at Madison, WI’s Majestic Theater. In March of 2022, the band will return to the road for a European tour. The upcoming dates mark Saint Motel’s first live shows since their sold-out U.S. tour wrapped in March of 2020. Pre-sale tickets for all dates will be available beginning tomorrow, and general on sale begins this Friday, June 11 at 10:00am local time here.

Saint Motel’s highly anticipated new album The Original Motion Picture Soundtrack will be released on June 25, 2021. The album is available for pre-order now here. The band recently unveiled an official music video for the album’s current single “It’s All Happening”, co-directed by Saint Motel front man A/J Jackson and Mario Contini. Watch it on the band’s official YouTube channel here.

On The Original Motion Picture Soundtrack the Los Angeles-based band dreams up their own cinematic experience in album form, as its songs cycle through stories of love, danger, and impossible triumph. The album also embodies an opulent sound true to its ambitious scope. Co-produced by front man A/J Jackson and Grammy Award-winner Mark Needham (The Killers, Dolly Parton, Chris Isaak), The Original Motion Picture Soundtrack continues the Saint Motel custom of joyfully blurring genres, bringing in elements of everything from symphonic pop to big band.

Audiences began experiencing the album with the release of a pair of EPs: The Original Motion Picture Soundtrack: Pt.1 and The Original Motion Picture Soundtrack Pt. 2. Among many highlights, “Van Horn” has amassed nearly 20 million streams, while the band performed it on ABC’s JIMMY KIMMEL LIVE! Receiving critical acclaim, Dujour described “Preach” as “a bop,” while American Songwriter poured over the album’s concept in an in-depth interview with A/J. Further looks came from Ladygunn, Hollywood Life, and more. Now, fans get the full picture of Saint Motel’s vision with the complete The Original Motion Picture Soundtrack studio album.

In the lead up to the album, Saint Motel made history as “the first band to open their own virtual metaverse” powered by Mozilla Hubs. The virtual world is designed as a motel with each room dedicated to a song on The Original Motion Picture Soundtrack. The quartet’s launch of “New World” welcomed fans to the virtual space where Jackson performed a live acoustic set. In this 3D VR chatroom enabled for all headsets and browsers, audiences can enter an exclusive, immersive environment to engage directly with the band through virtual meet-and-greets and intimate, live performances, consume exclusive video content, and much more. Additionally, it doubles as a space for fans to congregate and get to know each other. Saint Motel’s “New World” upholds what has become a tradition of engaging with groundbreaking technology for the guys. Visit Saint Motel’s website to explore the “New World.” In 2016, they dropped their Elektra full length debut saintmotelevision as the first-ever Virtual Reality album and first-ever Augmented Reality album and accompanied the record with the free saintmotel AR/VR app.

Saint Motel U.S. Tour Dates

September 30, 2021 – Los Angeles, CA – The Roxy Theatre

October 01, 2021 – Los Angeles, CA – The Roxy Theatre

October 02, 2021 – Los Angeles, CA – The Roxy Theatre

October 04, 2021 – San Luis Obispo, CA – Fremont Theater

October 05, 2021 – Santa Ana, CA – Observatory

October 07, 2021 – Salt Lake City, UT – Depot

October 08, 2021 – Boulder, CO – Boulder Theater

October 09, 2021 – Fort Collins, CO – The Aggie

October 11, 2021 – Omaha, NE – Slowdown

October 12, 2021 – Columbia, MO – The Blue Note

October 13, 2021 – Urbana, IL – The Canopy Club

October 15, 2021 – Nashville, TN – Brooklyn Bowl

October 16, 2021 – Athens, GA – Georgia Theater

October 17, 2021 – Knoxville, TN – The Mill & Mine

October 18, 2021 – Asheville, NC – Orange Peel

October 20, 2021 – Louisville, KY – Mercury Ballroom

October 21, 2021 – Charlottesville, VA – Jefferson Theater

October 22, 2021 – Harrisburg, PA – Harrisburg University

October 23, 2021 – Baltimore, MD – Baltimore Sound Stage

October 26, 2021 – New Haven, CT – College Street Music Hall

October 27, 2021 – Burlington, VT – Higher Ground

October 29, 2021 – Buffalo, NY – Town Ballroom

October 30, 2021 – Grand Rapids, MI – The Intersection

October 31, 2021 – Madison, WI – Majestic Theater

Saint Motel European Tour Dates

March 31, 2022 – Berlin, Germany – Franz Club

April 02, 2022 – Hamburg, Germany – Stage Club

April 03, 2022 – Cologne, Germany – Luxor

April 05, 2022 – Munich, Germany – Hansa 39

April 06, 2022 – Milan, Italy – Circolo Magnolia

April 08, 2022 – Amsterdam, Netherlands – Paradiso Noord

April 09, 2022 – Brussels, Belgium – Botanique The Rotonde

April 10, 2022 – Paris, France – La Maroquinerie

April 12, 2022 – London, UK – Islington Assembly Hall

April 13, 2022 – Manchester, UK – Academy 2

Projecting pop hooks through an alternative lens with a flair for dramatic presentation, Saint Motel make music worthy of the big screen. Streamed and viewed over half-a-billion times, the platinum-selling Los Angeles quartet magnify this vision with immersive live experiences and one unpredictable move after another. The group initially came together at film school before introducing themselves on 2012’s Voyeur. Signing to Elektra Records, their 2014 My Type EP boasted both the gold-certified title track “My Type” and fan favorite “Cold Cold Man.” In 2016, saintmotelevision yielded the smash “Move.” Flipping the script once again, the musicians reimagined the record with a series of history-making first-of-their-kind innovations: an award-winning Virtual Reality version and an Augmented Reality version. In 2019, Saint Motel launched their most ambitious undertaking yet, unveiling their third full-length album in three parts. First up, they uncovered The Original Motion Picture Soundtrack Pt. 1 powered by the shimmy and shake of Alternative Top 15 lead single “Van Horn.” Between packing houses coast to coast on headline jaunts and earning acclaim from People, Billboard, and more, the four-piece rolled out Pt. 2 throughout 2020. In addition to unforgettable sets everywhere from Coachella and Lollapalooza to Bonnaroo, the boys lit up shows such as NBC’s TODAY, ABC’s Jimmy Kimmel Live!, and CBS’ The Late Late Show with James Corden, among others.

Saint Motel is: A/J Jackson (vocals), Aaron Sharp (guitar), Dak Lerdamornpong (bass), and Greg Erwin (drums).

Connect With Saint Motel

Saint Motel Website

Saint Motel – New World

Twitter

Facebook

Youtube

Instagram

Vaughn Hebron QxA

The Oval,” the hit BET show from Tyler Perry, will return to homes for its second season in Oct., and Vaughn Hebron is front and center.

Playing Barry, a man whose daughter was kidnapped by his ex-girlfriend, Hebron finds himself in the middle of a show about an interracial family living in the White House. Perfect on the outside but full of lies on the inside, the family brings some of the best drama to television.

Hebron was born in Baltimore and attended Pennsylvania’s Lafayette College on a Division 1 football scholarship. At Lafayette College, he joined Omega Psi Phi Fraternity and eventually graduated with a Bachelor of Arts Degree in Economics and Business and minor in Africana Studies.

He began a career in pharmaceuticals but eventually moved to Los Angeles to pursue acting. Early on he booked commercials, and he’ll appear in the Will Smith-led “King Richard” in 2021.

Hebron answered a few questions for 360 MAGAZINE regarding “The Oval,” the entertainment industry and his future.

360: Tell us about “The Oval” and your character and what we can look forward to in season 2.

Hebron: “The Oval” is a Tyler Perry soap, set in the White House, that centers around the First Family and their staff. Well, at least it did in the first season. The series has expanded and plunged into the personal and dramatic lives of each individual and is now a whirlwind of dramatics and juicy story lines. I play Barry Hallsen on the show, the son of the White House Head Butler. Barry is a young man in his early 20s trying to establish himself while providing for his daughter, Callie. In the first season, he faces extreme challenges in and out of the White House, namely having his daughter kidnapped by his baby mother, Ruth, who is part of a vicious cult. The first season follows his journey to finding his daughter and the many problems he creates for himself in doing so. What viewers can look forward to in the second season is Barry getting closer to finding his daughter but also getting closer to the imminent danger that surrounds her.

360: Before you became an actor, you were in pharmaceutical sales. How was the transition, and are you excited about the career change?

Hebron: The transition was a big adjustment, going from a steady, regular paycheck and working every day to not knowing when the next time I’ll be working but still getting paid for it. Basically, I had to start all over from square one and figure things out each step of the way. It was intimidating and uncertain, but it’s also been very fulfilling. It feels like I am being driven by something that I never felt in my corporate career: a new sense of purpose. The unknowingness was both scary and exciting.

360: What has been your biggest challenge thus far in the industry?

Hebron: Coming from a corporate background, I was used to a lot of structure. There were always deadlines, expectations that would be met, structured and upkept working conditions, and if there were any questions, someone there to help. There’s almost none of that in the industry. There are no set timelines on when we book jobs, no set path on how to be successful and reach a certain level in your career and no formal performance evaluations. Even asking for help could be just as bad as not asking for help. The biggest challenge for me was adjusting to this space of having to completely trust in the process and letting God take the wheel. I had to surrender to the journey and have faith that the things I was doing were going to work out the way they were meant to. I really had to believe that everything would happen for a reason. It was a complete mindset shift; a completely different life. I still struggle with it at times.

360: Where do you see your career in 5 years? 10 years?

Hebron: Well, one of the first lessons I learned in this industry is that you can’t put a timeline on things. At all. They could happen way sooner, or way later than you think, so just be open and ready when the time comes. My ultimate goal in this industry is to become an A-list storyteller. That’s the level I want to be at. However, storytelling comes in many different forms. Obviously acting is the main form of storytelling that I’m doing right now, but I’ve also written and pitched TV shows and see myself dabbing in that. I also see myself directing and producing one day as well. Additionally, I have a lot of ideas outside of the industry for my fitness and business, and of course I want to have a family one day.

360: Do you have any future projects that you’re allowed to talk about?

Hebron: Yes, I will be in the upcoming feature film “King Richard” starring Will Smith, as one of the main antagonists, hitting theaters Nov. 2021. We are working a couple other projects that are under wrap right now.

To learn more about Hebron, you can click right here.

You can also follow Hebron on Instagram and Twitter.

Mina Tocalini, 360 Magazine, Fireworks

4th of July Violence Across America

By Eamonn Burke

This year’s Fourth of July, while stifled by the coronavirus concerns and pleas from officials to stay in, was still a violent one.

39 people were shot in New York City on the night of July Fourth, including three confirmed deaths. All three victims were in their 20s, and two were in Harlem; the other in Brooklyn. One of the deaths, a 23 year old man, was the result of a party and the product of much confusion amidst fireworks. “You didn’t know where it was coming from because they were running this way and that way,” said a witness.

Among the other non-fatal violence was a 34 year old woman struck by a haywire bullet while walking her dog in the Bronx, a group of four men and one woman shot in Manhattan, and a man walking in Brooklyn with a friend who was shot and killed. Additionally, there were 13 reported stabbings in the city that night. The violent night comes after an overall above average level of violence in the city throughout the month of June.

Chicago saw an even bloodier night, as 67 people were shot over the weekend, killing 13. Two of the dead were children, 7 and 14, prompting a statement from Mayor Lori Lightfoot:

“As a city, we must wrap our arms around our youth so they understand there’s a future for them that isn’t wrapped up in gun violence.”

The death of the teen late Saturday resulted from the open fire that a group of four men unleashed on a large crowd, killing four people total. The 7 year old girl was shot in the head on the sidewalk outside a party at her grandmother’s house.

While LA seems relatively unscathed by gun violence over the holiday, the emergency services nevertheless had their hands full dealing with over 3,000 calls to the fire department, despite banning fireworks due to the coronavirus. The most severe of the cases was a fire that had engulfed an apartment complex in Northridge. The extensive use of fireworks in the city also lead to decreased air quality. It was one of worst firework cases the city had seen in years, according to air quality management executive Philip Fine.

Baltimore shootings over the weekend claimed the life of one in a double shooting, shortly after a quadruple shooting injured four more, and two other unrelated shootings, bringing the total injured to eight.

A family of five was shot in Detroit, killing the 39 year old mother and injuring four others. Two shootings injured four people in Philadelphia on Saturday night, and more violence followed on Sunday, including a six year old boy who died. A child is in critical condition after being shot in the head in St. Louis, and an eight year old girl was shot and injured in Cleveland. A nightclub shooting in Greenville left two people dead and injured eight others.

So far, no arrests have been made in the wake of any of these shootings.

Mina Tocalini, 360 Magazine, Frank Zappa

Frank Zappa – The Mothers 1970

Commemorating the 50th anniversary of Frank Zappa’s heralded but short-lived 1970 Mothers Of Invention lineup, The Mothers 1970, a new 4CD and digital collection of 70 unreleased live and studio recordings, is now available via Zappa Records/UMe. To celebrate this momentous release, co-producers Ahmet Zappa and Zappa Vaultmeister Joe Travers will host a special virtual listening party today, Friday, June 26 at 12 pm PDT/3 pm EDT, where everyone can collectively listen together to the unreleased studio recordings engineered by the then-unknown producer Roy Thomas Baker, which make up disc 1, while the hosts discuss the creation of The Mothers 1970 and the unreleased performances, tell stories about Zappa and answer questions. To join the party, click here.

Fans can also get into the spirit and show their love for Zappa on Instagram with a new filter unveiled today that superimposes his trademark mustache and soul patch onto their face. Click here to access the filter on the official Frank Zappa Instagram and Zappa-ify yourself.

Overseen by the Zappa Trust and produced by Ahmet Zappa and Joe Travers, The Mothers 1970 collects together more than four hours of previously unreleased performances by the celebrated lineup which lasted roughly seven months: Aynsley Dunbar (drums), George Duke (piano/keys/trombone), Ian Underwood (organ/keys/guitar), Jeff Simmons (bass/vocals) and Flo & Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion) of The Turtles who performed under these aliases to skirt contractual limitations of performing under their own names. This iteration of The Mothers, which likely began rehearsals fifty years ago in May 1970, came to an end in January of 1971 when Simmons quit the band during the making of the “200 Motels” movie.

The Mothers 1970 encapsulates the band’s brief but productive span, which included two visits to the studio – resulting in the fantastic 1970 album, Chunga’s Revenge – and tours across the U.S., Canada and Europe. Divided into four parts, the collection is anchored by top notch studio recordings recorded at the famed London-based Trident Studios on June 21-22 with a then-unknown producer in the engineer chair by the name of Roy Thomas Baker, several years before he’d go on to have massive success working with Queen, The Cars and Alice Cooper to name a few. An unreleased early mix by Baker of the Chunga’s Revenge track, “Sharleena,” is just one of the many highlights of the studio recordings that also boasts several unearthed rough mixes of the Zappa/Simmons co-write, “Wonderful Wino,” including a rare version that showcases vocals and an alternate guitar solo by Zappa that has been lost to the ages as the original multitrack stems were recorded over. Of the material recorded during this two-day span, “Sharleena” was the only song ever officially released – so tracks like “Red Tubular Lighter,” “Giraffe” and an unheard version of “Envelopes” are completely brand new to fans half a century later.

The band’s live prowess is represented with a slew of concert recordings, including the first official release of the off bootlegged “Piknik” performance originally broadcast on Dutch radio station VRPO, and live performances from concerts in Santa Monica, Calif. And Spokane, Wash. which have been edited together and presented as a hybrid concert since both shows were not fully captured. The release is rounded out with a selection of live highlights recorded around the U.S., interspersed with candid moments recorded in dressing rooms, motel lobbies and the stage by Zappa who took his personal UHER recorder everywhere. All recordings comprising The Mothers 1970 were sourced from their original tapes discovered in The Vault and digitally transferred and compiled by Travers in 2020. Some tracks were mixed by longtime Zappa Trust associate Craig Parker Adams and the collection was mastered by John Polito at Audio Mechanics.

It wasn’t until 1971 when Zappa would start documenting his gigs with a ½” 4-track recorder so the 1970 tours were not captured in typical fashion. Instead Zappa recorded as much as he could using his personal UHER recorder and it is these recordings that make up the second half of The Mothers 1970. Because of the nature of the recordings it was almost virtually impossible for Zappa to record full shows due to the limitations of the tape recorder and the fact he would oftentimes personally spool tape on the machine on stage while playing. Occasionally Zappa would have the soundman set up the recorder in the venue to tape the concert.  This resulted in ambient recordings which was the case for the Santa Monica and Spokane recordings as well as the live performances that make up the final disc. Similar to the Gail Zappa-created “Road Tapes” live series, these recordings contain audience noise allowing listeners to experience what it was like to be there. The set lists focus heavily on songs from the albums Freak Out!, Absolutely Free, We’re Only In It For The Money, Uncle Meat, the then-recently released Burnt Weeny Sandwich, and early workings of songs that would eventually be released months later on Chunga’s Revenge. Some of the many highlights include the extended guitar workouts, the first version of “Easy Meat” and rare live performances of “Would You Go All The Way?” and “Road Ladies.”  

Following Zappa’s especially productive year of 1969 (which saw him record and release several albums, including Uncle Meat and Hot Rats, produce Captain Beefheart’s outsider classic, Trout Mask Replica, as well as the one and only album for The GTO’s), the musician disbanded the original Mothers Of Invention and started experimenting with smaller lineups. Through a variety of circumstances and several chance encounters, Zappa began to assemble his new group of collaborators, with the only original Mother being Ian Underwood. As Travers writes in the enlightening liner notes, which also include a wealth of live and behind-the-scenes photos from this era: “It’s no secret that Frank was excited about this group. The cast of characters and their personalities, musically and personally, made for a very eventful and humorous chapter in Zappa’s career. Frank had a blast with these guys. Their sound was unique, their humor was like no other and yet their time was ultimately short lived.”

Fleeting as it may have been, this camaraderie is on full display and will now live on forever as the exciting new collection, The Mothers1970.

Follow Frank Zappa: Facebook | Instagram | Twitter | Youtube

Jahi Di’Allo Winston

By Abigail Baldwin

Jahi Di’Allo Winston plays the lead of the upcoming, highly acclaimed film, Charm City Kings. Based on the documentary 12 O’Clock, the film follows Mouse (Winston), a young boy who wants nothing more than to be a part of the Midnight Clique, a tough group of Baltimore bike riders who rule the summertime streets. As he navigates the challenges of coming of age in a complicated world, he learns the hard way that the choices you make early on can change your life forever.

Charm City Kings had its world premiere on January 27 at Sundance Film Festival and will be making its way to SXSW in March. The film is set for nationwide release on April 17, 2020.

Right now, you can watch Winston in Everything Sucks on Netflix and 2019’s Queen & Slim, available on Prime Video.

360 Mag: What attracted you to the story of Charm City Kings?

JAHI: What attracted me to Charm City Kings was the environment in which the story took place. Having an opportunity to shed light on an entire community that’s consistently misinterpreted and misunderstood in the media was extremely appealing to me. That, as well as having the chance to be at the center of an entire universe sounded like a pretty cool first time experience…And it was!

360 Mag: In what ways do you relate to your character, Mouse?

JAHI: I would say that I related to Mouse’s ambition and relentlessness most. He has a fierce drive that causes him to overcompensate and get himself into trouble. I can definitely relate to that, having a similar drive that sometimes causes me to get ahead of myself. 

360 Mag: When did you find out you’d be working with Meek Mill? How did you react?

JAHI: I can’t remember when I found out, but I do remember being intrigued by the idea that I was going to be able to be a part of Meek’s big acting debut. He’s amazing in this movie! I really think a lot of people are going to be impressed when they see him in it. You can really see his dedication to the work and how much he enjoys what he’s doing. 

360 Mag: What was something you learned from your director Angel Manuel Soto? 

JAHI: I learned so much from Angel. I feel like one of the biggest things I learned from him was how to maintain your vision and keep your cool in the midst of chaos. We were shooting in a very high-pressure environment and a lot of chaotic things were being thrown at us every day. Angel always maintained an optimistic attitude about it all. It was really inspiring to see. So that’s something that I definitely took away. 

360 Mag: What excited you most about being at Sundance?

JAHI: The most exciting thing about being at Sundance was seeing our movie colored and complete in front of an audience for the first time. I think we all were sort of holding our breath because most of us hadn’t seen it and we were experiencing it all with the audience for the first time. For most of the audience members seemingly walking away being so moved by it was the best thing any of us could’ve asked for. 

360 Mag: Who inspires you the most in the industry?

JAHI: I’m inspired by so many different people and entities. One that really stands out to me right now is Donald Glover (Childish Gambino). I really don’t get starstruck, but if I met him I’d probably be in awe. His work just means so much to me. From his screen work, to his music; his impact on my life and my work is just endless. I find so much commonality in everything that he does and says…He makes me feel seen. I could go on and on, but I won’t. He’s one of my inspirations, for sure. 

360 Mag: Dream roll?

JAHI: My dream role is any role that I write for myself. I believe in making your own dreams come true. 

360 Mag: Favorite fashion brands?

JAHI:  I’m just a fan of fashion period! I like different things about many different designers. One that has really caught my eye right now is this one South African brand called RICH MNSI.  They’re really contemporary and unique. 

360 Mag: Can you tell us about your NAACP awards look?

JAHI: My NAACP awards look was a piece by a UK designer by the name of Kyle Ho. It was the first look that my stylist, Apuje Kalu, and I tried on. It was edgy and elegant. I’m not afraid to take risks with fashion as long as it’s something I like. We had a whole rack of clothes, but we didn’t even try any of the other ones on…We just knew it was THE ONE!

360 Mag: What are your interests outside of acting? 

JAHI: Outside of acting, I’m most interested in being a leader, whatever that entails. I wanna be someone who pushes the culture forward, someone who does good work in marginalized communities across the world. Someone who challenges the world, rather than assimilating into it. That’s what I’m interested in…As I’m typing this, I realize you probably meant like, Baseball or something, and I just gave a long answer for no reason. Oh well…

MOONRISE FESTIVAL 2018

Moonrise Festival 2018 Returns to Pimlico Race Course August 10th and 11th

Moonrise Festival, Baltimore’s flagship electronic music festival, returns to Pimlico Race Course for a sixth consecutive year with headlining acts Tiesto, Excision, 21 Savage, Illenium, Alan Walker, Zhu, blackbear, Gryffin, San Holo, Ganja White Night, Seven Lions, Slushii, Kshmr, Yellow Claw, Jai Wolf, Smokepurpp, Space Jesus, Peekaboo, Nora En Pure, Shiba San, Justin Martin, and many more.

Hailed as one of the best and most diverse East Coast festivals, Moonrise annually draws in over 35,000attendees per day. Festival organizers Club Glow and Steez Promohave a proven track record for throwing unforgettable large-scale entertainment events, and with Moonrise touching all corners of the dance floor, from electro and dubstep to house and rap, this year’s highly anticipated festival will be no different.

Visit: www.moonrisefestival.com for tickets and more info.

Current contests include:

GA pair: http://app.hive.co/l/ppzqoand 4-Pack VIP: http://app.hive.co/l/ytvj1

Johnny Orlando’s Debut EP

Johnny Orlando Announces Debut EP, TEENAGE FEVER, Plots Headlining North American Tour &

Drops Dreamy New Single “SLEEP”

Singer-songwriter and fan favorite Johnny Orlando shows no sign of slowing down. Set to share his first solid musical statement in the form of his debut EP, Teenage Fever, out March 15, followed by a headlining North American tour this spring, the recent JUNO-Award nominee for Breakthrough Artist of the Year also drops his dreamy new single, Sleep today.

Tickets for the Teenage Fever Tour are on sale February 18 at johnnyorlandomusic.com. To pre-order Teenage Fever, click here. See full track listing below.

Sleep”, co-written by Orlando, his sister Darian and Swedish collaborators Linnea Södahl (Zara Larsson, Anne-Marie) and Hampus Lindvall (Zara Larsson), is the second single from Johnny’s upcoming debut EP. The pop Swedish-influenced song about living in the moment and not wanting that moment to end showcases Johnny’s maturing sound and songwriting skills.

“We wrote ‘Sleep’ for anyone who’s ever experienced that feeling of never wanting to be apart from someone who you love to spend time with. I felt that it was a very real and relatable thing that people experience at some point in their adolescence,” said Johnny. “Linnea first came up with the concept for ‘Sleep’ – it’s almost like there’s a word for it in Swedish, or it’s a common feeling, that we don’t really think about in English, and that’s why I think it’s so unique.”

Out March 15, Teenage Fever marks Orlando’s biggest release since signing with Universal Music Canada and Island Records. Emanating confidence and charisma over danceable electronic grooves and a subtle hip-hop bounce, Orlando levels up his take on pop. The EP highlights his ever-evolving songwriting skills as he co-writes all six tracks with his sister, Darian Orlando, and a range of acclaimed collaborators including Mike Wise (bülow, Dvbbs, RALPH), Linnea Södahl (Zara Larsson, Anne-Marie), Nick Ruth (Ryan Tedder), Jordon Manswell (Daniel Caesar) and Matthew Burnett (Jessie Reyez, Daniel Caesar). The EP also features previously released single, “Last Summer” which sits at over 17.3 million global streams (and growing) across all platforms.

“I’m very excited and so grateful that I have this opportunity to share my debut EP,” added Johnny. “‘Teenage Fever’, represents those experiences and feelings all teenagers have while trying to navigate their high school years. It tells the story of my journey, and I hope it will give people a more personal insight into my life and experiences. We spent about a year making this project and it means so much to me. I worked with so many cool people with different backgrounds and from different places, which gives it a lot of character and makes every song unique. I’m so happy to share new music with fans and hope they love it as much as I do – I can’t wait to see the reaction live on tour!”  

Stay tuned for much more to come from Johnny Orlando at johnnyorlandomusic.com.

Teenage Fever Track Listing:

  1. Sleep
  2. Last Summer
  3. Piece of My Heart
  4. Deep Down
  5. Waste My Time
  6. Why

TEENAGE FEVER TOUR DATES:

4/29/2019     Chicago, IL  – Park West

4/30/2019     Pontiac, MI – The Crofoot

5/2/2019       Toronto, ON – Danforth Music Hall

5/3/2019       Montréal, QC –  Corona Theatre

5/5/2019       Boston, MA –  Paradise Rock Club

5/6/2019       Philadelphia, PA – The Theatre of Living Arts

5/7/2019       New York, NY – Playstation Theater

5/8/2019       Baltimore, MD – Rams Head Live

5/10/2019     Charlotte, NC – The Underground

5/11/2019     Orlando, FL Plaza Live

5/13/2019     Houston, TX House of Blues

5/14/2019     Dallas, TX – House of Blues

5/16/2019     Tucson, AZ – Rialto Theatre  

5/17/2019     Los Angeles, CA – The Belasco Theatre

5/18/2019     San Francisco, CA – August Hall

5/20/2019     Portland, OR – Holocene

5/21/2019     Seattle, WA – Neumos

5/22/2019     Vancouver, BC – Rio Theatre

 

Chef Claudia at Vallarta Nayarit Gastronomica

Puerto Vallarta will continue celebrating its Centennial with another event of international importance when it hosts the 10th annual edition of the Vallarta-Nayarit Gastronomica scheduled to take place from October 14 -18. With over 48 of the most important international chefs, including 8 Michelin-awarded chefs, Puerto Vallarta is ready to reaffirm its position as Mexico’s Culinary Beach
Destination.

Under the slogan: Mexico, thanks for so much!, Vallarta Nayarit Gastronomica will be a combination of activities and events taking place all around food. Cooking demonstrations, classes and a trade exhibition will take place at the Hard Rock Hotel Vallarta and private gala dinners including one celebrating the career of Mexican chef Susana Palazuelos. Puerto Vallarta’s iconic Malecon will set the stage for the event’s first event on the 14 with its Centennial Reception.

In addition to participating international chefs, Puerto Vallarta will be well represented by Chef Raúl Altamirano and Chef Santiago Pérez, Hotel Sheraton; Chef Memo Wulff, Rest. Barrio Bistro, Chef Alex Gómez, Jardín Nebulosa and Chef Joel Ornelas, Rest. Tintoque, all of whom will be taking part in special classes or hosting events for participants.

Javier Aranda Pedrero, General Director of the Puerto Vallarta Tourism Board, said he was pleased to receive this type of international event, which reflects the great culinary amalgam, excellent service, attention and hospitality of the people of Vallarta, who continue to position the port city as the best option for gastronomic events.

Vallarta Nayarit Gastronómica will have invited guests from Chihuahua and Guanajuato, who will participate with renowned chefs. In addition, thanks to the significant growth of Guadalajara in the gastronomic sphere due to the diversity of its cuisine and the traditional dishes it has, it has been chosen as the guest city of this edition.

Participating chefs include eight from Michelin -awarded restaurants in Spain: Chef Ángel León (3 MICHELIN Stars and 3 Repsol Suns) Aponiente Restaurant, Cádiz; Chef Andoni Luis Aduriz (2 MICHELIN Stars and 3 Repsol Suns), Mugaritz Restaurant, Gipuzkoa; Chef Kiko Moya (2 MICHELIN Stars and 3 Repsol Suns) L´Escaleta Restaurant; Chef Diego Guerrero (2 MICHELIN Stars and 3 Repsol Suns) Dstage Restaurant; Chef Kisco García (1 MICHELIN Star and 2 Repsol Suns) Choco Restaurant; Chef Diego Gallegos (1 MICHELIN Star and 1 Repsol Sun) Sollo Restaurant; Chef Roberto Ruiz (1 MICHELIN Star and 2 Repsol Suns) Punto Mx Restaurant and Chef Paco Méndez (1 MICHELIN Star and 1 Repsol Sun) Hoja Santa and Niño Viejo Restaurant.

From the United States, the conference will host Chef Carlos Gaytán, the first Mexican chef to achieve a MICHELIN Star for his work at Mexique Restaurant in Chicago and Chef Marc Pauvert, Hotel Four Seasons, Baltimore – USA. In addition, the Puerto Vallarta Tourism Board will be hosting MasterChef US Season 6 Winner and Master Chef Latino Judge Chef Claudia.

For more information on Vallarta-Nayarit Gastronomica, please visit: www.vallartanayaritgastronomica.com

About the Puerto Vallarta Tourism Board

The Puerto Vallarta Tourism Board is responsible for promoting the destination in national and international markets. Nestled between the rugged, tropical Sierra Madre Mountains and Banderas Bay — Mexico’s largest natural bay and second largest on the American continent — on Mexico’s balmy Pacific coast, Puerto Vallarta is easily accessible from the U.S. and Canada. The city enjoys a warm tropical climate year-round, with average daytime temperatures of 80°F and cooler evening temperatures in winter months. Located 4 miles from downtown Puerto Vallarta, Gustavo Diaz International Airport receives more than 4 million visitors annually. The destination is home to 300,000 residents and offers an estimated 12,400 hotel rooms, with more than half in 4-star-plus properties.