Posts tagged with "JPEGMAFIA"

Headphones illustration by Alex Bogdan for use by 360 Magazine

BUTCH DAWSON RELEASES SINGLE × MUSIC VIDEO – GET MONEY

Rapper, producer, songwriter and “a leading voice in Baltimore’s evolving music scene” (Baltimore Sun) Butch Dawson unveils his latest single “Get Money” with accompanying music video. Self-recorded and produced, “Get Money” is raw and textured while showcasing Butch’s dexterous flow. The catchy single follows on the heels of “Hummer,” the lead track off his highly anticipated EP Stardust, out later this summer via Asylum Records.

Co-directed by Khufu Najee and Loris Russier, the “Get Money” video takes the viewer on a first-hand journey of a day and night in the life with Butch and his crew. Blending fast & eccentric footage with still photographs the visuals simultaneously create a real time and nostalgic adventure.

Click here to listen to “Get Money.”

Click here to watch the “Get Money” music video.

“Get Money was made last year. It’s about getting money any way possible and just the perfect montage to get money to,” Butch explains. “The inspiration came from a Kendrick Lamar cadence on ‘ELEMENT.,’ and I created the beat around my vocals. This song feels like an anthem for Baltimore and reminds me of the late single from Tim Trees called ‘Bankroll.’ It’s a simple beat but creates room for a catchy wordplay.”

Merging at the intersection of music and fashion, the West Baltimore native’s braggadocious bars and experimental perspective are all the right elements for a promising career. On his major label debut, Butch shares, “Stardust is about my transition into becoming a household name. The name derived from a project that I wanted to put out before covid called “Jazzstar.” Conceptually, I wanted to highlight all the qualities that makes me a star, and an interesting person. I want to leave my mark in the industry by setting an example and always doing something that breaks barriers. I’m dropping that star dust on the game.”

Stardust EP Track List:

  1. Celebrate
  2. Hummer
  3. All Mine
  4. One Heaven Away
  5. Sutter Hoe
  6. Get Money
  7. Momentum

“Maintains his inner punk side, continuing with his experimental energy, relishes in a more jazz-focused approach to raw hip-hop.” -HYPEBEAST

“Butch Dawson has long been at the forefront of Baltimore’s eclectic DIY rap scene.” -DJ Booth

Butch Dawson is a Rapper You Should Know Right Now – Read More Via DJ Booth

ABOUT BUTCH DAWSON:

Butch Dawson’s artistic journey is a testament to what can happen when someone doesn’t place any parameters around their creativity. The West Baltimore native has been a pivotal figure in his hometown’s hip-hop scene for a decade, starting as a battle rapper while still in high school. In the years following those embryonic stages, Butch’s artistry began to blossom as he developed his skills in constructing songs, producing for himself and others, while also finding innovative ways to promote what he and his peers were making. In the early half of the 2010’s, his music reflected the shit-talking, bounciness that rappers trying to get crowds to jump and down to their songs reflected at the time. But towards the middle of the decade, with songs like “Red Leather Chair,” his sound started to trend more towards a jazzy, melancholy direction where he was able to peel back his emotional layers in a way that he hadn’t before. As time progressed, Butch’s music has become a down-the-middle split between making you want to punch a hole through the wall and inspiring you to sit back and gather your thoughts about life, past, present and future.

And while his career evolved over this span of time, Butch was simultaneously helping usher in an alternative route for rappers trying to break out of Baltimore. He hails from the Pennsylvania Avenue section of West Baltimore, an area steeped in musical history. Clubs like the former Royal Theater regularly hosted Black musical icons like Billie Holiday and visiting artists as they hit the Chitlin’ Circuit. But during Butch’s lifetime, though still an essential part of Black Baltimore culture, Pennsylvania Avenue regressed into a shell of its former self, with the majority of nightlife destinations vanishing, while crime and dilapidation rose considerably. This pushed a young creative Butch who was hungry for inspiration to start looking past his neighborhood and other familiar parts of the city. What he found was Central Baltimore’s transplant-heavy alternative DIY scene, and it opened his mind to a new way to approach his work.

Getting into that scene helped me evolve artistically because, you know, I was more open to different shit, he says. Living in the hood and shit all day, you can be close-minded a little bit if you don’t go out and just see the world for yourself. So for me, just going out there and just seeing people soak all this music up, it allowed me to just open my mind creatively, and it made me become more experimental with my music.

As he was making his way in the alternative scene, tirelessly releasing collaborative projects with others in that orbit, establishing the Basement Rap collective with like-minded friends, and getting coverage from national music platforms, Butch was inspiring other kids from inner city Baltimore to spread their wings. It also made Baltimore a much more enticing destination for artists from elsewhere, like standout rapper and producer JPEGMAFIA who moved to the city in 2014 and began collaborating with Butch almost instantly. For this, Butch Dawson is already a pioneer, which makes his recent accomplishments all the more special.

In 2018, he released his breakout project Swamp Boy, an eight-track album that is the most complete representation of what makes him exceptional. It features songs like Division St. Blues, a somber ode to the street he grew up on and how it’s changed over the years. Around the same time, he began to model for and collaborate with fashion designer Telfar Clemens. In 2019, he followed Swamp Boy with Ollieworld, a more high octane project that felt like it was made with performing live in mind (he toured with JPEGMAFIA across North America that year). The majority of this was accomplished from Butch’s home studio in Baltimore. And now as he’s newly signed to Asylum Records, it feels like the rest of the world will finally be hip to the gifts that he’s been sharing for over ten years now.

Connect With Butch Dawson:

Instagram | Twitter | Youtube | Soundcloud

Image via the oriel company for 360 Magazine

Butch Dawson Partners with Tidal for Hummer Performance

Butch Dawson Partners with Tidal for Intimate Rendition of Hummer

WATCH LIVE PERFORMANCE HERE

WATCH OFFICIAL MUSIC VIDEO HERE

Upcoming Project Stardust to Be Released in August via Asylum Records

Butch Dawson has long been at the forefront of Baltimore’s eclectic DIY rap scene – DJ Booth

Maintains his inner punk side, continuing with his experimental energy, relishes in a more jazz-focused approach to raw hip-hop – HYPEBEAST

Rapper, producer, songwriter and a leading voice in Baltimore’s evolving music scene (Baltimore Sun), Butch Dawson puts a new spin on his latest single Hummer with a captivating live performance of the track. WATCH HIS TIDAL SESSION HERE.

Dawson’s wide variety in production and approach that sets him apart from other rappers is on full display with Hummer, which also marks his major label debut on Asylum Records. Self-produced and written by Butch, Hummer showcases his dexterous flow effortlessly amplified by a menacing and bass-heavy instrumental.

In the black and white visual, co-directed with ThugM0m, Butch buoyantly raps Drop top/ I might fuck up the summer/ Big body/ Ass look like a hummer yeah, offing a glimpse inside the inventive mind behind a clever lyricist. Raw and textured production making for an invigorating listen, his braggadocious bars and experimental perspective culminate to a genre-fluid rollercoaster.

Read More on Why Butch Dawson is a Rapper You Should Know Right Now

Hummer serves as the lead track from a forthcoming EP Stardust, out later this summer. More info to follow.

ABOUT BUTCH DAWSON

Butch Dawson’s artistic journey is a testament to what can happen when someone doesn’t place any parameters around their creativity. The West Baltimore native has been a pivotal figure in his hometown’s hip-hop scene for a decade, starting as a battle rapper while still in high school. In the years following those embryonic stages, Butch’s artistry began to blossom as he developed his skills in constructing songs, producing for himself and others, while also finding innovative ways to promote what he and his peers were making. In the early half of the 2010ߣs, his music reflected the shit-talking, bounciness that rappers trying to get crowds to jump and down to their songs reflected at the time. But towards the middle of the decade, with songs like Red Leather Chair, his sound started to trend more towards a jazzy, melancholy direction where he was able to peel back his emotional layers in a way that he hadn’t before. As time progressed, Butch’s music has become a down-the-middle split between making you want to punch a hole through the wall and inspiring you to sit back and gather your thoughts about life, past, present and future.

And while his career evolved over this span of time, Butch was simultaneously helping usher in an alternative route for rappers trying to break out of Baltimore. He hails from the Pennsylvania Avenue section of West Baltimore, an area steeped in musical history. Clubs like the former Royal Theater regularly hosted Black musical icons like Billie Holiday and visiting artists as they hit the Chitlin’ Circuit. But during Butch’s lifetime, though still an essential part of Black Baltimore culture, Pennsylvania Avenue regressed into a shell of its former self, with the majority of nightlife destinations vanishing, while crime and dilapidation rose considerably. This pushed a young creative Butch who was hungry for inspiration to start looking past his neighborhood and other familiar parts of the city. What he found was Central Baltimore’s transplant-heavy alternative DIY scene, and it opened his mind to a new way to approach his work.

Getting into that scene helped me evolve artistically because, you know, I was more open to different shit, he says. Living in the hood and shit all day, you can be close-minded a little bit if you don’t go out and just see the world for yourself. So for me, just going out there and just seeing people soak all this music up, it allowed me to just open my mind creatively, and it made me become more experimental with my music.

As he was making his way in the alternative scene, tirelessly releasing collaborative projects with others in that orbit, establishing the Basement Rap collective with like-minded friends, and getting coverage from national music platforms, Butch was inspiring other kids from inner city Baltimore to spread their wings. It also made Baltimore a much more enticing destination for artists from elsewhere, like standout rapper and producer JPEGMAFIA who moved to the city in 2014 and began collaborating with Butch almost instantly. For this, Butch Dawson is already a pioneer, which makes his recent accomplishments all the more special.

In 2018, he released his breakout project Swamp Boy, an eight-track album that is the most complete representation of what makes him exceptional. It features songs like Division St. Blues, a somber ode to the street he grew up on and how it’s changed over the years. Around the same time, he began to model for and collaborate with fashion designer Telfar Clemens. In 2019, he followed Swamp Boy with Ollieworld, a more high octane project that felt like it was made with performing live in mind (he toured with JPEGMAFIA across North America that year). The majority of this was accomplished from Butch’s home studio in Baltimore. And now as he’s newly signed to Asylum Records, it feels like the rest of the world will finally be hip to the gifts that he’s been sharing for over ten years now.

Connect with Butch Dawson via Instagram, Twitter, YouTube and Soundcloud.

Cardi B, Jorja Smith and MØ to play Roskilde Festival 2019

More than 180 music acts will play Roskilde Festival 2019. The Cure, Robyn, Travis Scott, Christine and the Queens, Tears for Fears and many more have already been announced, and they will be joined by 28 new artists from five different continents.

The queen of hip-hop
Straight out of the Bronx, 26-year-old Cardi B is set to headline Northern Europe’s biggest festival. The undisputed queen of hip-hop is responsible for chart-topping singles including Bodak Yellow and I Like It from her debut blockbuster album Invasion of Privacy. With seven Grammy nominations to her name, she is the first female rapper in 19 years to top the Billboard Hot 100 chart and the first ever to have three singles in the top 10 at the same time.

English R&B and pop revelation Jorja Smith is also heading for the stars: Having won the Critics’ Choice at the Brit Awards, Jorja Smith finally released her acclaimed debut album Lost & Found last year. The 21-year-old has worked with artists such as Kendrick Lamar, Kali Uchis and Stormzy, and it is no surprise that she is nominated for Best New Artist at the 2019 Grammys.

Early in her career, Danish superstar  enjoyed a breakthrough on Roskilde Festival’s talent stage. Off the back of her new album Forever Neverland, the Dane is ready to conquer the iconic Orange Stage once again.

Head of programme Anders Wahrén says:
“Cardi B, Jorja Smith and MØ are very different artists, but they’re all bonafide stars. From hip-hop to R&B to pop, they’re shaping the musical landscape, and we can’t wait to see them triumph at Roskilde Festival 2019.”

Bring Me the Horizon are back at Roskilde, this time for a rock lesson on the main stage. Reinvigorated stoner hip-hoppers Cypress Hill are also ready for a triumphant return, 23 years after their last visit, off the back of acclaimed new album Elephants On Acid.

All hail the songwriters of the future
Australian artist Stella Donnelly is one of the most hyped songwriters out there despite not yet having released a full album. Tackling very difficult subjects, her razor-sharp lyrics are personal and brutally honest. Julien Baker, equally, deals with tough issues such as sexuality and self-doubt. She is also part of the alternative supergroup boygenius together with Phoebe Bridgers and Lucy Dacus. The latter is also announced today, having released one of the most praised indie rock albums of 2018, Historian.

Virtually unknown outside of London, teenage quartet Black Midi are deemed the next big thing in the UK: Fans of math-rock and noise will have plenty to look forward to here. Plus there’s more from Sophie, Khruangbin, Girlpool and many more.

Roskilde Festival 2019 will be full of talents, and this is reflected in the festival’s Art Zone as well. Danish artists Alexander Tillegreen, Biba Fibiger and Ida Sønder Thorhauge are among the first to be announced for the arts programme along with acclaimed Brazilian artist Assume Vivid Astro Focus who will build a colourful, psychedelic stage in the Art Zone.

The following 28 artists are announced today:

CARDI B (US)
MØ (DK)
BRING ME THE HORIZON (UK)
CYPRESS HILL (US)
JORJA SMITH (UK)
THE ARMED (US)
BARSELONA (DK)
BLACK MIDI (UK)
FATOUMATA DIAWARA (ML)
GAYE SU AKYOL (TR)
HEAVE BLOOD & DIE (NO)
HUGO HELMIG (DK)
JPEGMAFIA (US)
JULIEN BAKER (US)
KHRUANGBIN (US)
LUCY DACUS (US)
NAKHANE (ZA)
SPEAKER BITE ME (DK)
STELLA DONNELLY (AU)
SOPHIE (UK)
SØREN HUSS (DK)
CARPENTER BRUT (FR)
GIRLPOOL (US)
ALEXANDER TILLEGREEN (DK)
BIBA FIBIGER (DK)
ASSUME VIVID ASTRO FOCUS (BR)
IDA SØNDER THORHAUGE (DK)

60 music acts have now been announced for Roskilde Festival 2019, including The Cure, Robyn, Travis Scott, Julia Holter, Tears for Fears and Christine and the Queens. A total of 180 acts will play across 8 stages at Roskilde 2019, which lasts for eight days between Saturday 29 June to Saturday 6 July. Find out more and book tickets at Roskilde-festival.dk.

  • Tickets to Roskilde Festival are on sale on roskilde-festival.dk.
  • Full festival tickets are DKK 2100 (approx. EUR 282) (including free access to camping).
  • More artists will be announced soon.
  • A total of 180 acts will play the festival’s eight stages.

ALL ACTS (A-Z)

ALEXANDER TILLEGREEN (DK)
ALMA (FI)
ASSUME VIVID ASTRO FOCUS (BR)
BARSELONA (DK)
BIBA FIBIGER (DK)
BLACK MIDI (UK)
BLAWAN (UK)
BRENN. (NO)
BRING ME THE HORIZON (UK)
BROCKHAMPTON (US)
CARDI B (US)
CARPENTER BRUT (FR)
CHRISTINE AND THE QUEENS (FR)
CONVERGE (US)
CYPRESS HILL (US)
DENZEL CURRY (US)
FATOUMATA DIAWARA (ML)
FLOHIO (UK)
FULL OF HELL & THE BODY (US) DOUBLE SHOW
GAYE SU AKYOL (TR)
GHETTO KUMBÉ (CO)
GIRLPOOL (US)
HEAVE BLOOD & DIE (NO)
HUGO HELMIG (DK)
IDA SØNDER THORHAUGE (DK)
JOEY PURP (US)
JON HOPKINS (UK)
JORJA SMITH (UK)
JPEGMAFIA (US)
JULIA HOLTER (US)
JULIEN BAKER (US)
JUNGLE (UK)
KARKHANA (EG)
KHRUANGBIN (US)
KONSTRUKT (TR)
LUCY DACUS (US)
MAURICE LOUCA ENSEMBLE (EG)
MØ (DK)
NAKHANE (ZA)
NENEH CHERRY (SE)
OCTAVIAN (UK)
PARQUET COURTS (US)
POWER TRIP (US)
RIVAL CONSOLES (UK)
ROBYN (SE)
ROSS FROM FRIENDS (UK)
SCARLET PLEASURE (DK)
SOPHIE (UK)
SØREN HUSS (DK)
SPEAKER BITE ME (DK)
SPIRITUALIZED (UK)
STELLA DONNELLY (AU)
TEARS FOR FEARS (UK)
TESTAMENT (US)
THE ARMED (US)
THE CURE (UK)
TIRZAH (UK)
TRAVIS SCOTT (US)

About Roskilde Festival:
Roskilde Festival is 100% non-profit. All profits are donated to social and cultural charities by the Roskilde Festival Charity Society. The festival is right next to the Danish capital of Copenhagen and easily connected by train, bus and flight (Copenhagen Airport).

With more than 180 music acts in the line-up performing on eight stages and over 130,000 passionate music lovers gathered for a full week, Roskilde Festival is among the most unique music festival experiences in the world. A position the festival has held since the early 1970s.

The full festival journey in Roskilde is an eight-day exploration of music, artistic expression, delicious food, sustainability, love, community and party.

COACHELLA 2019

Coachella returns to the Empire Polo Club in Indio, CA for two weekends set for April 12th  14th and April 19th 21st. Childish Gambino, Tame Impala and Ariana Grande will headline both weekends. (Full lineup as of January 2nd below).
Passes for Coachella Valley Music and Arts Festival go on sale Friday, January 4 at 11 AM PT at coachella.com, while supplies last. All taxes, shipping and fees are included in listed pass prices.

2019 III Points Line-Up

III Points will return for its sixth and largest installment on February 15-17, 2019 in Miami. SZA, Herbie Hancock, Tyler, The Creator, James Blake, Beach House, A$AP Rocky, Erykah Badu and Blood Orange will headline, with further highlights including Virtual Self, Yaeji, Four Tet, Peggy Gou, Ben UFO b2b Joy Orbison, SOB x RBE, DeanBlunt, DJ Stingray and many more. Tickets are available now via iiipoints.com.

“We’re so excited to celebrate our local scene on a national level— with some of the most creative minds in music and art— right here in Wynwood,” says III Points co-founder and Miami native, Erica Freshman. “This is our biggest and most diverse lineup to date and we look forward to sharing III Points 2019 with Miami and beyond.”

With over 100 musical performers and sets running until 5:00 a.m. each night, III Points blends visual art, film, food and style in Miami’s vibrant Wynwood Arts District. In addition to an international and wildly acclaimed lineup, respected curators will present stages of local, rising and experimental music. The festival’s visual arts lineup—taking over the 100,000 square foot Mana Wynwood—will be announced in the coming weeks.

III Points is proud to partner with Florida activism network Dream Defenders on a series of initiatives in the coming months. Dream Defenders is a diverse group of young people who build power by organizing and educating for community civic engagement and transformational justice. For more information, or to get involved, visit: www.dreamdefenders.org

III POINTS 2019

SZA, Tyler, The Creator, A$AP Rocky, Erykah Badu, James Blake, Beach House, Herbie Hancock, Blood Orange, The Internet, Virtual Self, Raekwon and Ghostface Killah performing “Only Built 4 Cuban Linx,” Khruangbin, Peggy Gou, Godspeed You! Black Emperor,
Pussy Riot, DJ Koze, Yaeji, Mariel Ito b2b Danny Daze, SOB x RBE, Ty Segall & White Fence, Ben UFO b2b Joy Orbison, Honey Dijon, Toro Y Moi (DJ Set), Masego, Mall Grab, David August, Kelsey Lu, Dean Blunt, Tim Hecker Live + The Konoyo Ensemble, John Maus, JPEGMAFIA, Keinemusik (&Me, Adam Port, Rampa), Moscoman, DJ Stingray, Laurel Halo, DJ Seinfeld, Yokoo, Baba Stiltz, Jacques Greene, Smerz, Stavroz, Egyptian Lover, Be Svendsen, Lena Willikens, Marvin & Guy, Channel Tres, PNTHN, Trill Sammy, Auntie Flo,
Simple Symmetry, Durante, Goddollars, VHS Collection, Nick Leon (Live), Paperwater, Aaaa (Live), Will Buck, Ms. Mada, Rat Bastard, Poorgrrrl, Nicholas G. Padilla, Plastic Pinks, Bear, Virgo, Thunderpony, Danyelino, Donzii, Austin Paul, Anshaw Black, Bird Feet Bird, Telescope Thieves, Tama Gucci, Seafoam Walls, INVT, Haute Tension, Brother Dan, Lilith, Butterfly Snapple, Ghost Flower, Loka, Dracula, True Vine, Eveava, Rick Moon, Goiz, Ackdaddy, Kamari Esson, Maccabi, Saki, Sister System and more to be announced.

Stages by: Omnidisc, Keinemusik, Disco Halal, Link Miami Rebels, Electric Pickle 10 Year Showcase, Extra Credit, Castaway, Internet Friends, Space Tapes

ABOUT III POINTS

III Points is an alternative music and art festival in Miami’s Wynwood neighborhood. The festival, which was founded by four friends in 2013, arose as a means to represent and unite a unique and diverse community. III Points is a platform that showcases Miami’s up and coming music acts, along with local artists from many disciplines, by placing them alongside the greatest musical and artistic minds in the world.

In loving memory of Lauren Perlstein.

Facebook: fb.com/iiiPoints | Twitter: @iiiPoints | Instagram: @iiiPoints | www.iiipoints.com