Posts tagged with "up and coming"

Illustration By Alex Bogdan for use of 360 Magazine

Sam Fscher – Hopeless Romantic

Following the release of his duet with Demi Lovato on ‘What Other People Say’, hit single ‘This City’ and recent fan track ‘Simple’, Sam Fischer has shared his emotional and uplifting new single ‘Hopeless Romantic’, available now through Sony Music UK/RCA Records. Check it out HERE.

In true Sam style, ‘Hopeless Romantic’ wears its heart on its sleeve and discusses the struggles Sam has faced as an artist and romanticizes what every-day life should be. While the song is lyrically deep and emotional, musically it is a melodic and uplifting pop song that builds to a catchy and bold chorus. Sam says; “There have been times over the past 2 years where I really felt like I’d never get to do the things I’d always dreamed about doing as an artist. With every virtual performance that ended with a deep silence from my furniture, it just started making me really sad, and at the same time guilty, because I wasn’t appreciating what I have at all. I was actively refusing to accept the reality and instead romanticizing a version of life that just simply didn’t exist. That’s really what Hopeless Romantic is about. Though I will say, having just come off of my first headline tour, where I got to meet my fans for the first time, who are the people who give me this life, I’m in a much better place.”

Sam’s debut single ‘This City’ currently stands at over 500 million worldwide streams and stayed in the UK Top 20 for 11 weeks. The track is also double platinum in Australia, platinum in the UK and Gold in the US, New Zealand and Switzerland. Sam also performed the track on US TV, including The Ellen DeGeneres Show, Jimmy Kimmel Live! and The Late Late Show With James Corden. He recently completed his first live tour in the UK, including a packed out London Garage performance and will be bringing the tour to the US in January 2022.

Australian born Sam Fischer first introduced himself with his Not A Hobby EP and has achieved incredible and well deserved attention through his soulful voice and heartfelt lyrics. Touring North America with his friend Lewis Capaldi, he wowed crowds with his buoyant personality and pure love and talent for song-writing. Now based in LA, he not only has received acclaim for his own work, but he continues to solidify his spot as one of the hottest current writers, having worked with global pop superstars including Ciara, Lennon Stella, Louis Tomlinson, Elle King, Jessie J, Virginia To Vegas and many more.

However, it hasn’t all been plain sailing for Sam, who endured his own heartache to achieve his dreams. With the promise of a recording contract in the bag, he set off to LA only for the deal to be pulled away. After months of couch-surfing, he finally and deservedly received his break with This City and project Homework, which has been just the amazing start of an exciting new chapter in Sam’s career.

sometimes artwork from Nicole Hajjar, Republic Records Media, for use by 360 Magazine

CAMYLIO DROPS NEW SINGLE – SOMETIMES

Primed to leap from TikTok ubiquity to mainstream pop stardom, buzzing vocal phenomenon Camylio unveils his new single “sometimes” today via Republic Records—listen here.

On the track, Camylio’s voice glides over sparse synths laced with icy guitar, recounting memories from a frayed relationship. This minimalism gives way to vocal fireworks on the hook as he cries out, “Sometimes love just isn’t enough. Sometimes perfect couples break up. And I hope you find the love you can trust, but sometimes I just wish it was us.” Emotion bleeds through the cracks of his emotionally raw delivery.

Of the meaning behind the song, Camylio says, “At this point you’ve been broken up for a while, and the anger has faded. Your memory might be a little biased as you struggle to get used to being alone, but regardless, you miss them. You start going to all the places you used to go, partially out of nostalgia, partially to convince yourself that you’re moving on and can handle it. Whether you see them out on a first date at the coffee shop where you first met or just overhear the news from a mutual friend, you find out they’ve started seeing someone new. Ouch. The person you loved and imagined a future with is starting a future with someone else.”

He continues, “You’re happy for them, but at the end of the day you still wish they could have found happiness with you. It’s hard to watch someone you still love be with someone else, but some things just aren’t meant to be, and sometimes love just isn’t enough.”

“Sometimes” arrives on the heels of the singer, songwriter, and producer’s debut single “love and hate,” which has amassed over 3 million total streams to date. Right out of the gate, Variance Magazine assured, “his buzzworthy status online isn’t a fleeting one,” and noted, “Camylio leans in on his own vocals, delivering an emotional performance which has a Shawn-Mendes-meets-Dermot-Kennedy energy to it.” Alfitude predicted he “will undeniably hit the mainstream very rapidly,” and he left Sweety High so “blown away” they raved, “his voice is truly out of this world, and the lyrics of this single are heartbreaking, yet relatable.” “sometimes” and “love and hate” set the stage for Camylio’s forthcoming debut EP, all while he has impressively attracted 3.3 million TikTok followers and generated 38.7 million “likes” in the process.

Stay tuned for more music to come from Camylio soon!

About Camylio:
Clad in a classic black shirt against a dark backdrop, Camylio leans into his microphone, presses down on the ivory of his keyboard, and sings with enough passion and power to stir the world to its feet. It’s a scene meant for a stadium, but he’s in his bedroom framed by a smartphone camera yet beamed out to an audience of millions on social media. Throughout 2021, he performed like this at a dizzying pace and quietly emerged as a phenomenon renowned for a Richter Scale-registering voice. For his 16th birthday, his parents allowed him to choose either “a car or a laptop.” Thankfully, he chose the latter, spending countless hours pouring over song credits and learning how to produce via YouTube and Twitch. During November 2020, he launched his TikTok with one video daily. He filled an Amazon shopping cart with a $200 backdrop, ten black hoodies, ten black long-sleeve shirts, and five black short-sleeve shirts in order to maintain a consistent aesthetic. His cover of “Dusk Till Dawn” by Sia and ZAYN exploded with 7 million-plus views. Eventually, he broke the internet as his take on SLANDER’s “Love Is Gone” feat. Dylan Matthew generated north of 50 million views in under ten days. He caught the attention of Republic Records and signed to the label. After shaking the internet, the 20-year-old New York singer, songwriter, multi-instrumentalist, and producer properly introduces himself with a series of singles and his debut EP.

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Willow Kayne from Derek Sherron, Epic Records for use by 360 Magazine

Willow Kayne shares high-energy single – I Don’t Wanna Know

Please meet UK pop provocateur Willow Kayne, who has shared her new single “I Don’t Wanna Know” today. Listen here at all DSPs.

After releasing a slew of independent singles, Willow signed with Sony this year and released her major label debut single “2 Seater” just a few months back to buzz and acclaim, even receiving early love from BBC Radio 1. Now, the 19 year old is throwing her hat in the ring as one of the most vivid, genre-blurring pop provocateurs in music today. A keen visual artist with influences as far-reaching as fashion design giant Nigo and production mastermind Pharrell, she pools together the most lucid touchpoints of all her inspirations to build a sound as diverse as her creative palette. Willow can trace this eclecticism directly back to her childhood, being raised by a hip-hop and house-obsessed father and a mother who produced videos for the likes of Erasure and the Prodigy. James Brown, Nas, and MF DOOM were all significant early influences, and soon she was making her own musical discoveries, falling hard for artists as diverse as Tyler The Creator, the Sex Pistols, Gorillaz, and Portishead.

Teaming up with UK hitmaker Oscar Scheller, “I Don’t Wanna Know” takes all of the attitude Willow has started to become synonymous with and ramps it up to 11 – taking cues from the old school rave culture that she is obsessed with by sticking a middle finger up to trolls over a drum & bass indebted production. It’s a high energy example of just how unpredictable a talent Willow is, and how easy she makes it look; the track is packed with hilarious one-liners that cut those who have bullied her online to size. An empowering anthem that deals with real life issues with a sense of confidence that feels refreshing in the landscape of pop today. The official video, along with a debut project and a HUGE announcement are all coming soon…

Watch previous music video “2 Seater” here.

“…a future star…” – i-D Magazine

“…playful lyricism, smooth refrains, and ‘90s-indebted grooves.” – NME

“…the artists that stick out from the pack are always those who are willing to switch things up, and quite clearly, Kayne isn’t afraid to do so…” – Lyrical Lemonade

“The Gen Z talent links together huge opposing forces, creating her own potent brand of rebel-pop.” – Clash Magazine

“A sizzling rallying-call from the Bristol-based artist all about living your own life and doing your own thing, ‘Two Seater’ blends rap verses with 90s-tinged pop influences, resulting in an instantly catchy debut.” – DIY Magazine

Socials:

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Headphones illustration by Alex Bogdan for use by 360 Magazine

BUTCH DAWSON RELEASES SINGLE × MUSIC VIDEO – GET MONEY

Rapper, producer, songwriter and “a leading voice in Baltimore’s evolving music scene” (Baltimore Sun) Butch Dawson unveils his latest single “Get Money” with accompanying music video. Self-recorded and produced, “Get Money” is raw and textured while showcasing Butch’s dexterous flow. The catchy single follows on the heels of “Hummer,” the lead track off his highly anticipated EP Stardust, out later this summer via Asylum Records.

Co-directed by Khufu Najee and Loris Russier, the “Get Money” video takes the viewer on a first-hand journey of a day and night in the life with Butch and his crew. Blending fast & eccentric footage with still photographs the visuals simultaneously create a real time and nostalgic adventure.

Click here to listen to “Get Money.”

Click here to watch the “Get Money” music video.

“Get Money was made last year. It’s about getting money any way possible and just the perfect montage to get money to,” Butch explains. “The inspiration came from a Kendrick Lamar cadence on ‘ELEMENT.,’ and I created the beat around my vocals. This song feels like an anthem for Baltimore and reminds me of the late single from Tim Trees called ‘Bankroll.’ It’s a simple beat but creates room for a catchy wordplay.”

Merging at the intersection of music and fashion, the West Baltimore native’s braggadocious bars and experimental perspective are all the right elements for a promising career. On his major label debut, Butch shares, “Stardust is about my transition into becoming a household name. The name derived from a project that I wanted to put out before covid called “Jazzstar.” Conceptually, I wanted to highlight all the qualities that makes me a star, and an interesting person. I want to leave my mark in the industry by setting an example and always doing something that breaks barriers. I’m dropping that star dust on the game.”

Stardust EP Track List:

  1. Celebrate
  2. Hummer
  3. All Mine
  4. One Heaven Away
  5. Sutter Hoe
  6. Get Money
  7. Momentum

“Maintains his inner punk side, continuing with his experimental energy, relishes in a more jazz-focused approach to raw hip-hop.” -HYPEBEAST

“Butch Dawson has long been at the forefront of Baltimore’s eclectic DIY rap scene.” -DJ Booth

Butch Dawson is a Rapper You Should Know Right Now – Read More Via DJ Booth

ABOUT BUTCH DAWSON:

Butch Dawson’s artistic journey is a testament to what can happen when someone doesn’t place any parameters around their creativity. The West Baltimore native has been a pivotal figure in his hometown’s hip-hop scene for a decade, starting as a battle rapper while still in high school. In the years following those embryonic stages, Butch’s artistry began to blossom as he developed his skills in constructing songs, producing for himself and others, while also finding innovative ways to promote what he and his peers were making. In the early half of the 2010’s, his music reflected the shit-talking, bounciness that rappers trying to get crowds to jump and down to their songs reflected at the time. But towards the middle of the decade, with songs like “Red Leather Chair,” his sound started to trend more towards a jazzy, melancholy direction where he was able to peel back his emotional layers in a way that he hadn’t before. As time progressed, Butch’s music has become a down-the-middle split between making you want to punch a hole through the wall and inspiring you to sit back and gather your thoughts about life, past, present and future.

And while his career evolved over this span of time, Butch was simultaneously helping usher in an alternative route for rappers trying to break out of Baltimore. He hails from the Pennsylvania Avenue section of West Baltimore, an area steeped in musical history. Clubs like the former Royal Theater regularly hosted Black musical icons like Billie Holiday and visiting artists as they hit the Chitlin’ Circuit. But during Butch’s lifetime, though still an essential part of Black Baltimore culture, Pennsylvania Avenue regressed into a shell of its former self, with the majority of nightlife destinations vanishing, while crime and dilapidation rose considerably. This pushed a young creative Butch who was hungry for inspiration to start looking past his neighborhood and other familiar parts of the city. What he found was Central Baltimore’s transplant-heavy alternative DIY scene, and it opened his mind to a new way to approach his work.

Getting into that scene helped me evolve artistically because, you know, I was more open to different shit, he says. Living in the hood and shit all day, you can be close-minded a little bit if you don’t go out and just see the world for yourself. So for me, just going out there and just seeing people soak all this music up, it allowed me to just open my mind creatively, and it made me become more experimental with my music.

As he was making his way in the alternative scene, tirelessly releasing collaborative projects with others in that orbit, establishing the Basement Rap collective with like-minded friends, and getting coverage from national music platforms, Butch was inspiring other kids from inner city Baltimore to spread their wings. It also made Baltimore a much more enticing destination for artists from elsewhere, like standout rapper and producer JPEGMAFIA who moved to the city in 2014 and began collaborating with Butch almost instantly. For this, Butch Dawson is already a pioneer, which makes his recent accomplishments all the more special.

In 2018, he released his breakout project Swamp Boy, an eight-track album that is the most complete representation of what makes him exceptional. It features songs like Division St. Blues, a somber ode to the street he grew up on and how it’s changed over the years. Around the same time, he began to model for and collaborate with fashion designer Telfar Clemens. In 2019, he followed Swamp Boy with Ollieworld, a more high octane project that felt like it was made with performing live in mind (he toured with JPEGMAFIA across North America that year). The majority of this was accomplished from Butch’s home studio in Baltimore. And now as he’s newly signed to Asylum Records, it feels like the rest of the world will finally be hip to the gifts that he’s been sharing for over ten years now.

Connect With Butch Dawson:

Instagram | Twitter | Youtube | Soundcloud

LFREAQ x Lissyelle single artwork by Anna Azarov from Leigh Greaney, Big Hassle Media for use by 360 Magazine

L’FREAQ shreds her puppet strings – Gimmick

“Fans of FKA Twigs and Banks would be remiss not to check out synth-pop enchantress L’Freaq” -Billboard

L’FREAQ’s blend of gothic sensibilities and sultry soulfulness manages to continually hit the marks of bona de pop bangers.” -Nylon

L’FREAQ has a sexy, neo-goth, synth pop sound.” -Bust

“world-building music… colossal” -Refinery29

Today, LA-based dark-synth pop artist, L’FREAQ, shares a music video for her latest single “Gimmick,” the debut single from the forthcoming release and sophomore EP, Showgirl, due out on August 27, 2021 via Position Music. The first visual from the upcoming release is absolutely stacked with metaphor, all-star fashion, witchy vibes and an important message about the role media plays with children – especially young women. From puppet to powerhouse, L’FREAQ breaks free of the monotony and shreds through the brainwashed stereotypes, as she literally shreds on a guitar.

Describing the video, L’FREAQ says, “While the song is about my experience on a singing show and the judge who made me doubt myself, I wanted the video to have a bit of a darker message. My director and I, Shepherd Flashman Lowrey, came up with the idea to have a little girl watching me on a growing TV screen, a symbol for how the media consumes and controls us. I came up with the puppet master idea to go along with it, showing that what we see on our screens is not always what is happening in reality.”

The new track embodies the theme of resiliency in a time of self-doubt. “Gimmick” combines heart-pounding beats with passionate lyrics about believing in the power that everyone inherently owns and nobody else can take away, while and emphasizing L’FREAQ’s expansive “robust range” (Refinery29).

Describing the song L’FREAQ says, “After a grueling audition for a singing show in late 2019, I felt incredibly disempowered. One of the judges called me “gimmicky” and I felt as if my career had ended. What I didn’t realize was that this one person, one show, and one opportunity just wasn’t the right fit for me. After months struggling with mental health, I wrote this song as a way for me to empower myself and others, and a tongue in cheek diss to the judge that made me doubt my power.”

Having recently performed for Backline’s “Set Break” live stream alongside Alanis Morissette, Tom Morello, Ben Folds, Sara Bareilles and more to raise funds and awareness for mental health services to be distributed to music industry for free, L’FREAQ has been a champion for her community. This song is another chapter of that consistent commitment to rise up and bring people with her.

L’FREAQ, continues to remain an open book of emotions for fans as she lays out her own experience with rejection and struggles with mental health. L’FREAQ belts, “Got the courage to be vulnerable, got the guts to wear the crown, cause I dare to bare it all, I refuse to water down,” as a testament of truthfulness and self-confidence even when it’s hard. Intimacy on this level allows L’FREAQ to push the storyline forward when it comes to believing in dreams as a reality, especially in the face of adversity. NYLON says, “Look at L’FREAQ, draped in jewels and Cleopatra-esque eye makeup; then look a little harder. Behind the artifice, integrity abounds.”

L’FREAQ is all about being inclusive, and she is outspoken when it comes to defending the underdog. As an ally of everyone on the spectrum of gender and sexuality, bullies, racists and sexists are not allowed in L’FREAQ’s kingdom. She also shows her love for those closest to her, by highlighting their work: namely her fashion photographer mom, Kelly Cappelli (as seen in Vogue), who does all the photography and artwork for L’FREAQ.

The new release follows L’FREAQ’s debut EP, Weird Awakenings, which played with themes of self-discovery, as well as her 2021 single “Make Me Move.” Armed with a full book of poetry, L’FREAQ took pieces of her work and composed songs with Mike Irish, who also produced and mixed the EP at Shifted Recording Studios. The EP was mastered by Stuart Hawkes at Metropolis London Music. They took their time in discovering a sound that felt genuine, one that explored all the raw places she had been longing to find. Together, they created a modern amalgamation of L’FREAQ’s dark, thoughtful poetry and her raw musical instincts, which inevitably alchemized into songs that are all at once aggressive, sensual and moving.

Having shared a stage with ABBA, India.Arie and Jakob Dylan, it’s important to note her live performance prowess, even without tour dates on the books (speaking of longing). L’FREAQ played a packed NYC performance debut at SoHo House, and channeled Britney Spears (especially during her ferocious “Toxic” cover”), Nick Cave and Beats Antique vibes. The Deli Magazine later dubbed her “NYC’s Favorite Emerging Artist.”

With over 500k streams, 240K plays on YouTube, and songs featured in “Riverdale,” Playboy, Netflix’s “Dating Around, “Good Trouble,” “FBI,” “The Voice,” “City on a Hill” and more – all born from her 5-song debut EP, it’s safe to say this follow-up EP is highly anticipated. Stay tuned for more visual components to follow, along with brand new singles. Showgirl is on the way.

Track listing: SHOWGIRL EP

  1. Gimmick
  2. Showgirl
  3. Take You Down
  4. LOUD
  5. Nothing on Me

Previous Releases By L’FREAQ:

Listen To “Make Me Move”: Here

Watch “New Skin”: Here

Listen To Weird Awakenings Ep: Here

Watch “Weird Awakenings” Video: Here

Watch “Moonlight” Video: Here

About L’FREAQ:

L’FREAQ is the alias of Brooklyn and LA-based singer/songwriter Lea Cappelli, who crafts songs inspired by pop and R&B but with a biting edge. Some highlights of her career include performing privately for Muhammad Ali, sharing the stage with Jakob Dylan, and performing with Grammy-winning artist India.Arie.

L’FREAQ released her EP, Weird Awakenings, to critical acclaim in October 2018 and was voted one of NYLON’s 20 Best Releases. The EP has also garnered radio play and enthusiastic reviews in the US, UK, Europe, and Australia. Her second music video was premiered by Billboard while her most recent music video, “New Skin,” was released exclusively through NYLON which noted “integrity abounds” throughout.

Playboy recently used the title track “Weird Awakenings” in its groundbreaking video of actor Ezra Miller, while another song from the EP, “I’ve Become a Thief” has been featured in the trailer for the CW’s hit show “Riverdale.” L’FREAQ was recently voted “NYC’s Favorite Emerging Artist” in an open poll sponsored by The Deli Magazine, and can be seen this fall on her upcoming west coast tour in support of the Weird Awakenings EP.

Stay Connected with L’FREAQ:

Website | Instagram | Facebook | Twitter | SoundCloud | Spotify

Image via Interscope Records for 360 Magazine

SPOTEMGOTTEM – Dirty Diana Music Video

SPOTEMGOTTEM UNVEILS OFFICIAL MUSIC VIDEO FOR DIRTY DIANA

WATCH HERE

MADE TELEVISION DEBUT PERFORMING BEAT BOX DURING 2021 BET AWARDS PRE-SHOW

Rising Florida rap star SpotemGottem unveils the dynamic music video for track Dirty Diana from Most Wanted, the aptly titled mixtape released earlier this year that affirmed his status as Florida’s next up. Fresh off going platinum with his breakout single Beat Box, SpotemGottem’s Dirty Diana video is a Rice Cognac directed visual in which SpotemGottem effortlessly raps while the record pulsates around him with authentic street energy.

Watch the video above or listen to the full project at all digital retailers HERE.   

On Sunday, SpotemGottem made his television debut during the 2021 BET Awards pre-show where he performed a high-energy minute-long performance of his viral hit Beat Box alongside JuneBug. Watch the clip HERE.

About SpotemGottem 

At just 19 years of age, SpotemGottem caught the attention of the Florida rap scene and is ready to take over. In April 2020, the Jacksonville-based artist released Final Destination, a 13-track project featuring the explosive viral sensation Beat Box that has taken the world by storm. The immense cultural impact of the record is evident in the range of remixes that the massive hit has seen over the past few months. With heavyweights like DaBaby, Mulatto, Shenseea, Pooh Sheisty, Polo G, and NLE Choppa (among many others) having adopted their own remixes, the song continues to rise alongside SpotemGottem’s momentum. In just the past few months alone the artist has gained playlist adds from Spotify’s coveted Rap Caviar, Teen Party, and Most Necessary as well as Apple Music’s Rap Life, Global Hits, Future Hits and The Plug. He’s also landed playlist covers from Spotify’s Internet People and Apple Music’s On Repeat. This past week, Beat Box rose to the #1 spot at Urban Radio as Geffen’s second #1 record just this year. The song, which rose to the #1 spot in dramatic fashion as the greatest spin gainer of the week, also just reached the major milestone of surpassing the Platinum mark with 1 million equivalent sales.  

With cosigns of major hip hop heavyweights for his seemingly effortless freestyles and hard-hitting beats, SpotemGottem has officially earned his place among one of the most recognized talents to come from the Florida scene. Now at nearly 6M monthly listeners on Spotify alone, and over 1M created on TikTok with Beat Box, his explosive rise continues to reach previously untapped corners of the music scene. The song alone has gained recognition from VULTURE, PAPER, COMPLEX, STEREOGUM, XXL and HIP HOP DX to name a few, and landed him on COMPLEX’s coveted Rappers To Watch in 2021 list. The young talent shows no signs of slowing down and continues to prove himself as one of the top artists to watch in 2021 and beyond. Now, while he continues to collaborate with some of the top names in music to add their own spin to Beat Box, he is gearing up to deliver his forthcoming project out later this year. 

Follow SPOTEMGOTTEM via his Instagram, Twitter, Facebook and YouTube.

I was I am Artwork via Republic Media Records for use by 360 Magazine

Noah Kahan – I was/I am

Hot off the heels of the release of his latest single, “Part of Me,” Noah Kahan announces his highly-anticipated sophomore album, I Was/I Am, will be released on September 17th. I Was/I Am is available for pre-order now HERE.

The critically acclaimed Vermont singer and songwriter took two years of milestones and transformed them into I Was/I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.

Kahan says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”

To celebrate the announcement, Kahan drops the music video for “Part of Me” today—watch it HERE. The song, an introspective anthem that captures his signature storytelling and evocative lyrics, is his fastest-growing song streaming-wise to date—amassing nearly 4 million Spotify streams and counting.

About Noah Kahan

Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen Colbert, Late Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.

Profile Photo via Adrian Nieto for Fader for use by 360 Magazine

Clairo – Blouse

Clairo revealed her new single, “Blouse,” as well as the news of her forthcoming sophomore studio album, Sling, will see its global release on July 16th via FADER Label/Republic Records.

Written and recorded in up-state New York at Allaire Studios, Sling was co-produced by Clairo and Golden Globe/GRAMMY® Award-winning producer Jack Antonoff and was announced last night following Clairo’s live performance of “Blouse” on NBC’s The Tonight Show Starring Jimmy Fallon. The American singer-songwriter also shared the album artwork along with the announcement that in addition to FADER Label, she has since signed a worldwide deal with esteemed label giants Republic Records.

Praised for her diary-worthy stories earmarked by her devilishly sharp commentary and angelically intimate vocals. The singer, songwriter, multi-instrumentalist, and producer has quietly threaded these stories into the fabric of popular culture since she first surfaced as a phenomenon out of her dorm bedroom. Following the success of her 2018 debut, Diary 001 EP, Clairo unveiled her 2019 full-length debut album, Immunity. The now 22-year-old received critical acclaim from the likes of Billboard, The New York Times, Los Angeles Times, NME, NPR, Pitchfork, Rolling Stone, and more. 

Beyond performing on TV shows like Jimmy Kimmel LIVE!, and most recently The Tonight Show Starring Jimmy Fallon, she has notably sold out headline tours as well as joined the bills of Coachella and Lollapalooza. Clairo’s growing catalog includes the platinum-certified “Pretty Girl” and gold-certified “4Ever” and “Flaming Hot Cheetos,” in addition to “Are You Bored Yet?”—her platinum collaboration with Wallows. To date, she has amassed over 3 billion streams and counting. In 2021, she turns the page on the next chapter with her highly anticipated sophomore album, Sling—out worldwide on July 16th.

Image courtesy of Infamous PR for use by 360 Magazine

Muzi – Need Dat featuring The Temple

MUZI RETURNS WITH A SONIC ODE TO KWAITO IN NEED DAT FT. THE TEMPLE, OUT NOW, BUY/STREAM HERE, MUSIC VIDEO HERE, MUZI’S LATEST SINGLE IS A SONIC ODE TO OLD SCHOOL KWAITO AND FEATURES EXCITING, UPCOMING DUO, THE TEMPLE 

Following the release of the globally acclaimed, Interblaktic single, MUZI returns with a salute to the South African kwaito of old in Need Dat featuring The Temple. Dropping worldwide on Thursday, 3 June accompanied by another Clout Killed the Kids directed music video, the distinctly South African track is geared to get those young and old, reminiscing on the dance floor. 

Over the past five years Muzi has been redefining the musical landscape of modern South Africa, while simultaneously having a global impact. Channeling the rich, and until recently overlooked, house music history of South Africa with the Zulu traditions of his childhood, the country’s Bubblegum era and local genres like Maskandi, Kwaito and Isicathamiya, Muzi is making music that is universally danceable but with a rich sense of place.

Muzi’s path has seen him evolve from bedroom beat producer, to DJ, to now a fully fledged performer and vocalist. A boundless and exuberantly joyful artist, Muzi has wowed crowds on tastemaking stages around the world and is confident enough in his own vision to design his own clothing and artwork, direct his own videos, and collaborate with artists ranging from Kaytranada and Chris Martin, while earning co-signs from Stormzy and Damon Albarn. 

His upcoming album, INTERBLAKTIC is Muzi re-shaping this moment, a rejection of the solitude and loneliness of the past year, it’s music to heal and uplift, music to dance and smile too. It’s a transformative journey that we could all do with taking right now.

Connect with MUZI on Spotify, Apple Music, Instagram, Twitter, Facebook, and YouTube

Feral State via Feral State for use by 360 Magazine

New Film Feral State to Release Soon

Vertical Entertainment is set to release Jon Carlo’s feature directorial debut Feral State on May 28, 2021. Written and directed by Carlo (Mob Town, First We Take Brooklyn), Feral State stars AnnaLynne McCord, Octavio Pisano, Ronnie Gene Blevins, Jaden Piner, Baldur Thor and Sif Saga. Director Jon Carlo produced the film, along with producer B.D. Gunnell. Executive Producers include Ian Michaels, Marianne Tamposi, and Nicholas Tamposi, with Associate Producers Octavio Pisano, and Antony Tamposi. Music is by Lionel Cohen.

Tucked far away from the white sandy beaches and amusement parks is a Florida that few outsiders ever see. Nestled alongside the gator infested swamps and rundown trailer parks lives a charismatic yet dangerous grifter named Mack Monroe (Blevins) who takes in orphans and runaways off the street. A self-proclaimed father to the forgotten, Mack gives these lost souls a semblance of a home, but trains his ragtag gang in the art of thievery and crime, filling their vulnerable minds with vigilante gospels and together wreaking havoc by knocking off drug dealers and meth labs. Hot on their tail is Detective Ellis (McCord), a tough as nails cop who not only fights crime but is also forced to fight for respect in a patriarchal police force. Mack and the gang’s world get flipped upside down with the arrival of a mysterious young girl, who at first seems like the perfect new recruit but turns out to be something far more dangerous than anyone could have imagined.

Actress AnnaLynne McCord is known for her badass roles, from 90210 to TNT’s Dallas,  dominating as a detective in Feral State, with some surprises up her sleeve. AnnaLynne brings complexity to the character and her unmatched charisma shows through. Breakout up & comer Baldur Thor also stars. He is a dual citizen of both Iceland and America, and fluent in both languages. He just recently finished filming IMoredicai where he is featured in the role of Steve

The film will premiere on Apple TV and Amazon, as well as VOD (ComcastDirecTV, Cox, Charter/Time Warner, Dish, Verizon, AT&T Uverse, Frontier and other regional providers), and digital (iTunes, Amazon Video, VUDU, Google Play, Microsoft Movies & TV, Sony Playstation, FandangoNow, Redbox On Demand).

Full Cast

AnnaLynne McCord, Octavio Pisano, Ronnie Gene Blevins (Mack Monroe), Jaden Piner, Baldur Thor, Sif Saga, Donnell Siler, Veronica Burgess, Ronald James Hoff Jr., Chris Plourde, Nando Del Castillo, Charlotte Catherine Barlow, Willow Hand, Kacey Fisher, Ciera Dean, Jasmine Tamposi, Sally Del Castillo, Anthony Tamposi, Alicia Harris, Alex Merrifield, Randal Roy Carroll, Keith Raym and Jon Carlo.

For the official trailer, click HERE.

Baldur Thor via Feral State for use by 360 Magazine

Baldur Thor via Skyler June for Feral State for use by 360 Magazine