Posts tagged with "Tyler the Creator"

Made in America Music Art Festival in Philadelphia via 360 MAGAZINE

MADE IN AMERICA FESTIVAL

MADE IN AMERICA‘S CAUSE VILLAGE, POWERED BY SHEIN, GIVES FESTIVAL-GOERS THE OPPORTUNITY TO BE CHANGEMAKERS VIA 21 ON-SITE PHILANTHROPIC ORGANIZATIONS 

The Philanthropic Hub Returns for the Tenth Year featuring REFORM Alliance, Share Food Program, Dare 2 Hope, and more

The highly anticipated JAY-Z curated two-day festival (Sept 3-4), Made in America, announced the 21 philanthropic organizations participating in their annual social good hub, Cause Village Powered by SHEIN, today. 
 
The music festival has held advocacy at its core since 2012, averaging 20,000 social actions taken each year. Organizations for the 2022 Cause Village focus on an array of causes, ranging from animal welfare, arts & culture, criminal & social justice reform, education, youth development, health & wellness, and voter rights, and more. 
 
Cause Village has continued to make an impact on not only the Made in America festival and attendees, but in the greater Philadelphia community,” said Dania Diaz, Managing Director, Team Roc. “We are really looking forward to giving these Cause Village organizations another opportunity to be involved in this effort to engage and bring awareness to the issues that affect our everyday lives.” 
 
This year marks Made in America‘s 10th year of performances, boasting a powerful and diverse lineup with headliners Bad Bunny and Tyler, The Creator. Since its inception, the festival has brought the biggest names in music and up-and-coming superstars to the City of Brotherly Love, while remaining rooted in the city’s culture. The festival has generated over $150 million in economic impact for the city of Philadelphia since its inception in 2012. 
 
“Share Food Program is excited to be with Made in America this year as we’ll be able to share our goals with the rest of the Philadelphia community,” said George Matysik, Executive Director of Share Food Program. “We’re thrilled to be able to be involved in such an engaging environment as we’ll be able to form meaningful connections with other passionate people in the community.” 
 
“We are looking forward to being present at the festival this year to raise awareness on breaking the stigmas surrounding mental health while promoting a healthy lifestyle,” said Sarah-Ashley Andrews, MS, Founder of Dare 2 Hope. “Music is a helpful tool in managing mental health and a positive way to build a solid foundation through hobbies and the connections we make along the way.” 
 
Current list of Cause Village organizations with more to be included: 

For the latest on the Made in America Festival visit HERE and their social channels, @miafest on Instagram, @miafest on TikTok, @MIAFestival on Twitter and @MadeInAmericaFest on Facebook. 

The Last Artful, Dodgr Album "Hits Of Today" Cover Art via U Music Group for use by 360 MAGAZINE

DODGR × YOUNG M.A

THE LAST ARTFUL, DODGR RELEASES NEW TRACK “CLOVERFIELD” FT. YOUNG M.A ANNOUNCES NEW ALBUM HITS OF TODAY OUT AUGUST 19 LISTEN HERE

Today, The Last Artful, Dodgr (she/they) announces new album Hits Of Today that will release on August 19.  In conjunction with the announcement, she tags Young M.A for a new version of her previously released hard-hitting track “Cloverfield.”  The track is a rap anthem for women, about women so it only made sense that these two collaborated.  The album will feature “Cloverfield” and “Hullabaloo” which was released earlier this year.  HIGHSNOBRIETY commended Dodgr’s “exceptional, elastic voice and a bewitching grasp of melody.”  With co-signs from Anderson .Paak, Mark Ronson, Portugal. The Man, and more, Dodgr is set for a breakthrough year, leading up to the debut album this summer.

  1. Ode Feelings
  2. HOT
  3. Understood
  4. Hullabaloo 
  5. Asi9ine
  6. Infinity
  7. The Thickening (an interlude)
  8. Lightwork 
  9. Midnight
  10. Cloverfield feat. Young M.A
  11. IT
  12. Choker f. Siren and the Sea
  13. Not A Duet (but another interlude)
  14. If Ever There’s A Chance
  15. Better Safe Than Social
  16. YOU
  17. Whiteclaw

ABOUT THE LAST ARTFUL, DODGR

Close your eyes and try to imagine the musical lovechild of The-Dream and Diane Warren. The person you should see is The Last Artful, Dodgr. The rapper and singer-songwriter (pronouns: she/they) defies the boundaries of hip-hop and the binary with heady bops like “Hullabaloo” and “Better Safe Than Social.” Both an artist and a muse, Dodge captivates with a trippy aesthetic that comes alive through their fashion, music videos, and socials. 

Born and raised in Los Angeles, Dodgr—whose name is a reference to both their hometown team and Oliver Twist—didn’t start secretly writing music until college at Cal Poly Humbolt. But there were so many signs pointing them in that direction. For example, they started to master words and language early as a baby; and their formative musical inspirations included Missy Elliott, Princeand Sam Cooke. Living in an artist “greenhouse” in undergrad and scribing songs that they kept to themselves, Dodgr knew that she was incredible. But that musical ingenuity blossomed when they made the fateful decision to move to Portland. 

Dodgr, ever sui generis, grew a following in Portland, despite the city’s reluctance to hip-hop, and dropped their first mixtape 199NVRLND in 2013. Collaborating with other local talent in the area and dropping singles like “Oofda” and “Jelly Hunt,” she established herself as a lyrical heavyweight with an edgy creative ear. This is what put them in the orbit of Aminé, who invited Dodgr to lend their colorfully animated voice as a background vocalist during their performance on Late Night with Jimmy Fallon in 2016. In 2017, they appeared as a feature on Anderson Paak’s Oxnard alongside Snoop Dogg and in 2019 they were tapped by Mark Ronson to contribute to the soundtrack for the animated film Spies in Disguise. Even hip-hop legend, Black Thought wanted in on Dodgr’s action, recruiting her for several songs on his 2020 album, Streams of Thought, Vol. 3: Cane & Able. But Dodgr’s most notable hit to date is their smooth, infectious 2020 single “Hot,” which snagged a placement on the Emmy-winning HBO series Euphoria

Now signed to Interscope Records and hard at work on a debut album, Dodgr is offering a 360 creative experience like other multi-hyphenates like Tierra Whack, Smino, and Tyler, the Creator. They stay true to their roots as a wordsmith, writing lyrics that are thought-provoking. But Dodgr is playful and light-hearted, not above waxing poetic about ass and titties, either. Combining her lavishly buoyant voice with unrestrained visual artistry, she pours into her music videos, style, and live performances as she does the records she produces. In a nutshell: Dodgr is a musician on a completely different plane. 

Today Dodgr identifies as a genderfluid, masc presenting femme. They stay balanced with a Gemini sun and Taurus moon. What we have here is the next queer icon. 

FOLLOW THE LAST ARFUL, DODGR

Website | Facebook | Instagram | Twitter | YouTube | TikTok

Lil Nas X illustration by Kaelen Felix for use by 360 magazine

The Grammy Awards

Sunday, April 3, the 64th Grammy Awards were held at the MGM Grand Garden Arena in Las Vegas. Trevor Noah hosted the esteemed award show where looks were turned on the red carpet, performances were given and winners were crowned.

A good number of awards were bestowed before the telecast commenced, including The Best Rap Album award won by Tyler, the Creator’s Call Me If You Get Lost. The Grammy’s have had a longstanding history of opposition with hip-hop dating all the way back to 1989. A pattern of not broadcasting or platforming hip-hop has grown to be infamous with the Grammy’s, hinting as to why many artists in the genre were not in attendance and have even boycotted the show.

Of the most captivating performances of the night included Olivia Rodrigo, who walked away with a stunning three Grammy Awards by the end of the night. She took to the stage while performing her breakout 2021 hit, ‘Drivers License,’ which ultimately won the Grammy for Best Pop Solo Performance.

Other noteworthy acts included Billie Eilish’s rendition of her hit ‘Happier Than Ever,’ and Lil Nas X joined by Jack Harlow to perform fan favorite ‘Industry Baby.’

Ukrainian president Volodymyr Zelenskyy sent in a pre-taped message to the Vegas showing in which he spoke on the significance of music and support for Ukraine right now. While words were spoken, John Legend took to the stage to perform “Free,” with Ukrainian artists Siuzanna Iglidan, Mika Newton and Lyuba Yakimchuck.

Zelenskyy began his speech, stating, “The war doesn’t let us choose who survives and who stays in eternal silence, […] Our musicians wear body armor instead of tuxedos. They sing to the wounded in hospitals. Even to those who can’t hear them. But the music will break through anyway.

“We defend our freedom. To live. To love. To sound. On our land, we are fighting Russia which brings horrible silence with its bombs. Fill the silence with your music. Fill it today. Tell our story. Tell the truth about the war on your social networks and TV. But not silence.”

One of the most touching moments of the night came from Jazmine Sullivan‘s superb acceptance speech as her album was named the R&B Album Grammy winner.

Sullivan spoke to the inspiration of the piece, and how the album embodied a voice for Black women, while stating, “I wrote this project to deal with my own shame and unforgiveness around decisions I made in my 20s that weren’t favorable. But what it ended up being was a safe space for Black women to tell their stories, for us to learn from each other, laugh with each other, and not be exploited at the same time. That’s what I’m most grateful for. Shoutout to all Black women who are just living their lives and being beautiful.”

We also saw Doja Cat and SZA receive their first wins for Best Pop Duo/Group Performance for their collaboration on “Kiss Me More.” Their acceptance speech rung more lighthearted, with both artists cracking jokes about Doja rushing to the bathroom prior to the announcement. SZA teased, “Bro, you went to the bathroom for five minutes. Are you serious?” to which Doja replied, “I have never taken such a fast piss in my whole life.”

The pair continued to thank express their gratefulness to each other and those around them, to which Doja showed emotional rawness while raving, “I like to downplay shit, but this? It’s a big deal. Thank you, everybody.

See the full list of 2022 Grammy Award winners.

Record of the Year

“Leave the Door Open,” Silk Sonic

Album of the Year

“We Are,” Jon Batiste

Song of the Year

“Leave the Door Open,” Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic)

Best New Artist

Olivia Rodrigo

Best Pop Solo Performance

“Drivers License,” Olivia Rodrigo

Best Pop Duo/Group Performance

“Kiss Me More,” Doja Cat featuring SZA

Best Traditional Pop Vocal Album

“Love for Sale,” Tony Bennett and Lady Gaga

Best Pop Vocal Album

“Sour,” Olivia Rodrigo

Best Dance/Electronic Recording

“Alive,” Rüfüs Du Sol

Best Dance/Electronic Music Album

“Subconsciously,” Black Coffee

Best Alternative Music Album

“Daddy’s Home,” St. Vincent

Best Contemporary Instrumental Album

“Tree Falls,” Taylor Eigsti

Best Rock Performance

“Making a Fire,” Foo Fighters

Best Metal Performance

“The Alien,” Dream Theater

Best Rock Song

“Waiting on a War,” Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, songwriters (Foo Fighters)

Best Rock Album

“Medicine at Midnight,” Foo Fighters

Best R&B Performance

“Leave the Door Open,” Silk Sonic

“Pick Up Your Feelings,” Jazmine Sullivan

Best Traditional R&B Performance

“Fight for You,” H.E.R.

Best R&B Song

“Leave the Door Open,” Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic)

Best Progressive R&B Album

“Table for Two,” Lucky Daye

Best Rock Album

“Medicine at Midnight,” Foo Fighters

Best R&B Performance

“Leave the Door Open,” Silk Sonic

“Pick Up Your Feelings,” Jazmine Sullivan

Best Traditional R&B Performance

“Fight for You,” H.E.R.

Best R&B Song

“Leave the Door Open,” Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic)

Best Progressive R&B Album

“Table for Two,” Lucky Daye

Best Country Duo/Group Performance

“Younger Me,” Brothers Osborne

Best Country Song

“Cold,” Dave Cobb, J.T. Cure, Derek Mixon and Chris Stapleton, songwriters (Chris Stapleton)

Best Country Album

“Starting Over,” Chris Stapleton

Best New Age Album

“Divine Tides,” Stewart Copeland and Ricky Kej

Best Improvised Jazz Solo

“Humpty Dumpty (Set 2),” Chick Corea, soloist

Best Jazz Vocal Album

“Songwrights Apothecary Lab,” Esperanza Spalding

Best Jazz Instrumental Album

“Skyline,” Ron Carter, Jack DeJohnette and Gonzalo Rubalcaba

Best Large Jazz Ensemble Album

“For Jimmy, Wes and Oliver,” Christian McBride Big Band

Best Latin Jazz Album

“Mirror Mirror,” Eliane Elias With Chick Corea and Chucho Valdés

Best Gospel Performance/Song

“Never Lost,” CeCe Winans

Best Contemporary Christian Music Performance/Song

“Believe for It,” CeCe Winans; Dwan Hill, Kyle Lee, CeCe Winans and Mitch Wong, songwriters

Best Gospel Album

“Believe for It,” CeCe Winans

Best Contemporary Christian Music Album

“Old Church Basement,” Elevation Worship and Maverick City Music

Best Roots Gospel Album

“My Savior,” Carrie Underwood

Best Latin Pop Album

“Mendó,” Alex Cuba

Best Música Urbana Album

“El Último Tour Del Mundo,” Bad Bunny

Best Latin Rock or Alternative Album

“Origen,” Juanes

Best Regional Mexican Music Album (Including Tejano)

“A Mis 80’s,” Vicente Fernández

Best Tropical Latin Album

“Salswing!,” Rubén Blades y Roberto Delgado & Orquesta

Best American Roots Performance

“Cry,” Jon Batiste

Best American Roots Song

“Cry,” Jon Batiste and Steve McEwan, songwriters (Jon Batiste)

Best Americana Album

“Native Sons,” Los Lobos

Best Bluegrass Album

“My Bluegrass Heart,” Béla Fleck

Best Traditional Blues Album

“I Be Trying,” Cedric Burnside

Best Contemporary Blues Album

“662,” Christone “Kingfish” Ingram

Best Folk Album

“They’re Calling Me Home,” Rhiannon Giddens with Francesco Turrisi

Best Regional Roots Music Album

“Kau Ka Pe’a,” Kalani Pe’a

Best Reggae Album

“Beauty in the Silence,” Soja

Best Engineered Album, Non-Classical

“Love for Sale,” Dae Bennett, Josh Coleman and Billy Cumella, engineers; Greg Calbi and Steve Fallone, mastering engineers (Tony Bennett and Lady Gaga)

Producer of the Year, Non-Classical

Jack Antonoff

Best Remixed Recording

“Passenger” (Mike Shinoda Remix); Mike Shinoda, remixer (Deftones); track from: “White Pony” (20th Anniversary Deluxe Edition)

Best Global Music Performance

“Mohabbat,” Arooj Aftab

Best Global Music Album

“Mother Nature,” Angelique Kidjo

Best Children’s Music Album

“A Colorful World,” Falu

Best Spoken Word Album

“Carry On: Reflections for a New Generation From John Lewis,” Don Cheadle

Best Comedy Album

“Sincerely Louis C.K.,” Louis C.K.

Best Musical Theater Album

“The Unofficial Bridgerton Musical,” Emily Bear, producer; Abigail Barlow and Emily Bear, composers/lyricists (Barlow & Bear)

Best Compilation Soundtrack for Visual Media

“The United States vs. Billie Holiday,” Andra Day

Best Score Soundtrack for Visual Media

“The Queen’s Gambit,” Carlos Rafael Rivera, composer

“Soul,” Jon Batiste, Trent Reznor and Atticus Ross, composers

Best Song Written For Visual Media

“All Eyes On Me [From Inside],” Bo Burnham, songwriter (Bo Burnham)

Best Immersive Audio Album

“Alicia,” George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Ann Mincieli, immersive producer (Alicia Keys)

Best Immersive Audio Album (for 63rd Grammy Awards)

“Soundtrack of the American Soldier,” Leslie Ann Jones, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Dan Merceruio, immersive producer (Jim R. Keene and the United States Army Field Band)

Best Engineered Album, Classical

“Chanticleer Sings Christmas,” Leslie Ann Jones, engineer (Chanticleer)

Producer of the Year, Classical

Judith Sherman

Best Orchestral Performance

“Price: Symphonies Nos. 1 & 3,” Yannick Nézet-Séguin, conductor (Philadelphia Orchestra)

Best Opera Recording

“Glass: Akhnaten,” Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Choral Performance

“Mahler: Symphony No. 8, ‘Symphony of a Thousand,’” Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)

Best Chamber Music/Small Ensemble Performance

“Beethoven: Cello Sonatas – Hope Amid Tears,” Yo-Yo Ma and Emanuel Ax

Best Classical Instrumental Solo

“Alone Together,” Jennifer Koh

Best Classical Solo Vocal Album

“Mythologies,” Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)

Best Classical Compendium

“Women Warriors – The Voices of Change,” Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers.

Best Contemporary Classical Composition

“Shaw: Narrow Sea,” Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)

Best Instrumental Composition

“Eberhard,” Lyle Mays, composer (Lyle Mays)

Best Arrangement, Instrumental or A Cappella

“Meta Knight’s Revenge (From ‘Kirby Superstar’),” Charlie Rosen and Jake Silverman, arrangers (The 8-Bit Big Band featuring Button Masher)

Best Arrangement, Instruments and Vocals

“To The Edge Of Longing (Edit Version),” Vince Mendoza, Arranger (Vince Mendoza, Czech National Symphony Orchestra and Julia Bullock)

Best Recording Package

“Pakelang,” Li Jheng Han and Yu, Wei, Art Directors (2nd Generation Falangao Singing Group and the Chairman Crossover Big Band)

Best Boxed or Special Limited Edition Package

“All Things Must Pass: 50th Anniversary Edition,” Darren Evans, Dhani Harrison and Olivia Harrison, art directors (George Harrison)

Best Album Notes

“The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966,” Ricky Riccardi, album notes writer (Louis Armstrong)

Best Historical Album

“Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967),” Patrick Milligan and Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)

Best Music Video

“Freedom,” (Jon Batiste); Alan Ferguson, video director; Alex P. Willson, video producer.

Best Music Film

“Summer of Soul,” (Various Artists); Ahmir “Questlove” Thompson, video director; David Dinerstein, Robert Fyvolent and Joseph Patel, video producers.


Vince Staples via Courtney Lowery for use by 360 Magazine

Vince Staples – Magic

Esteemed hip-hop artist Vince Staples today debuted his new single “Magic.” The Mustard-produced track is the first single off his highly anticipated forthcoming album Ramona Park Broke My Heart. Dedicated to his hometown–the Ramona Park neighborhood of Long Beach, CA–the new album will be released in April via Blacksmith Recordings/Motown Records.

“It’s symbolic of home,” Staples says of the album’s title. “And everyone has a home. Even though it’s very personal to me, everyone can relate to it. That’s why I thought it would work for this chapter.”

Released on Valentine’s Day, “Magic” is meant to provide warm feelings. But the love Staples’ expresses on the track is broader and more complex than its charming beat suggests. It’s a celebration of how he was able to beat the inner city blues and a system designed to keep him seeped in the adversity he was raised in. “It’s handshakes and hugs when I come around,” he raps just before acknowledging that there are foes around who don’t enjoy seeing him win. “I think it’ll put the listener in a good state of mind,” Staples says. “The mood of it defines the project.” 

“Magic” is available to stream or download HERE

Staples also recently began his run as a supporting act on Tyler, the Creator’s 34-date North American Call Me If You Get Lost tour, which kicked off February 8th and also features Kali Uchis and Teezo Touchdown. The celebrated rapper will also return to Coachella to perform this April on the 17th and 24th.

At the top of March, Staples will release his debut graphic novel: Limbo Beach. Releasing via Z2 Comics and co-written by industry vets Bryan Edward Hill (Batman & the Outsiders; Titans), Chris Robinson (Children of the Atom), and Buster Moody (Teenage Mutant Ninja Turtles), it follows the journey of the newest member of The Wunderlosts, a band of misfit teenage raiders, on a journey to discover the truth about the park—and himself—in a tale that is equal parts Lord of the Flies and The Warriors.”

Ramona Park Broke My Heart follows Staples’ 2021 critically acclaimed self-titled LP that welcomed fans to his hometown (the Ramona Park neighborhood of Long Beach, CA) in addition to introducing personal friends and family.  Entirely produced by Kenny Beats, The Rolling Stone praised Staples for his “brilliantly concise songwriting” and “knack for combining brevity and sly wordplay” with Pitchfork calling Staples and Beats “unstoppable forces” saying, “there’s fire to be found even in the duo’s quietest moments,” while NPR called the project “powerful,” and NME described it as “another spectacular record.” There’s a direct correlation,” Staples says of 2021’s Vince Staples, and 2022’s Ramona Park Broke My Heart. “They were kind of created at the same time. I was in a similar state of mind. I’m still working through things and the questions that life poses. This album will make even more sense if you heard the previous one.” There is a key change, though. “This one has more answers.”

Alive Coverage for use by 360 Magazine

BUKU Music and Art Festival

BUKU has just announced the lineup for their 10-year anniversary music and art project festival. This is the first time that the event has been held since 2019 and will take place March 25-26 2022 in New Orleans.

Set along the backdrop of the Market Street Power Plant along the coast of the Mississippi River, BUKU offers attendees the full New Orleans experience. With many indoor and outdoor stage sets, art installations and interesting constructions from local graffiti artists, the festival is sure to be an extraordinary and memorable time.

The lineup includes some noteworthy artists like the iconic Tyler, The Creator, rock band Tame Impala and Colombian R&B singer Kali Uchis. Full lineup will be listed below.

Apart from the entertaining festivities of the festival, BUKU continues to foster the mission of the Take Action Project (“TAP”). The task at hand for the program pairs the platform of BUKU to boost recognition around varying social and environmental issues. The mission is continued this upcoming year alongside Upbeat Academy, a non-profit the inspires the New Orleans youth through musical teaching and trainings.

Presale registration for tickets is available on the BUKU site HERE.

Artist Lineup

TYLER, THE CREATOR

TAME IMPALA

$UICIDEBOY$

100 GECS

A HUNDRED DRUMS

ALISON WONDERLAND

AMELIE LENS

BABY KEEM

BAS

CHEE B2B TSURUDA

CLOZEE

DOM DOLLA

FLO MILLI

FOUSHEÉ

GLASS ANIMALS

GLBL WRMNG

  1. WORRA

JOHN SUMMIT

KALI UCHIS

KENNYHOOPLA

KUMARION B2B REAPER

LANE 8

LIQUID STRANGER

MAXO KREAM

MERSIV

MOORE KISMET

NENO CALVIN

PORTER ROBINSON

REZZ

SFAM

SHYGIRL

SULLIVAN KING

SVDDEN DEATH

TAKING BACK SUNDAY

TEEZO TOUCHDOWN

TIERRA WHACK

TRIPPIE REDD

TROYBOI

TSHA

TSU NAMI

TVBOO

VINCE STAPLES

WRECKNO

504ICYGRL

ANTWIGADEE!

BLUSHAKURX

BUCKTEN B2B DON PEYOTE

CHINUA

GØ PINK

GUWAP DASHH

LADY LAVENDER

LANGO

LEGATRON PRIME

NCOGNITA

ODD THE ARTIST

ROB49

STONE COLD JZZLE

TATYANNA XL

TREETY

ZIGGMONSTER

Willow Kayne from Derek Sherron, Epic Records for use by 360 Magazine

Willow Kayne shares high-energy single – I Don’t Wanna Know

Please meet UK pop provocateur Willow Kayne, who has shared her new single “I Don’t Wanna Know” today. Listen here at all DSPs.

After releasing a slew of independent singles, Willow signed with Sony this year and released her major label debut single “2 Seater” just a few months back to buzz and acclaim, even receiving early love from BBC Radio 1. Now, the 19 year old is throwing her hat in the ring as one of the most vivid, genre-blurring pop provocateurs in music today. A keen visual artist with influences as far-reaching as fashion design giant Nigo and production mastermind Pharrell, she pools together the most lucid touchpoints of all her inspirations to build a sound as diverse as her creative palette. Willow can trace this eclecticism directly back to her childhood, being raised by a hip-hop and house-obsessed father and a mother who produced videos for the likes of Erasure and the Prodigy. James Brown, Nas, and MF DOOM were all significant early influences, and soon she was making her own musical discoveries, falling hard for artists as diverse as Tyler The Creator, the Sex Pistols, Gorillaz, and Portishead.

Teaming up with UK hitmaker Oscar Scheller, “I Don’t Wanna Know” takes all of the attitude Willow has started to become synonymous with and ramps it up to 11 – taking cues from the old school rave culture that she is obsessed with by sticking a middle finger up to trolls over a drum & bass indebted production. It’s a high energy example of just how unpredictable a talent Willow is, and how easy she makes it look; the track is packed with hilarious one-liners that cut those who have bullied her online to size. An empowering anthem that deals with real life issues with a sense of confidence that feels refreshing in the landscape of pop today. The official video, along with a debut project and a HUGE announcement are all coming soon…

Watch previous music video “2 Seater” here.

“…a future star…” – i-D Magazine

“…playful lyricism, smooth refrains, and ‘90s-indebted grooves.” – NME

“…the artists that stick out from the pack are always those who are willing to switch things up, and quite clearly, Kayne isn’t afraid to do so…” – Lyrical Lemonade

“The Gen Z talent links together huge opposing forces, creating her own potent brand of rebel-pop.” – Clash Magazine

“A sizzling rallying-call from the Bristol-based artist all about living your own life and doing your own thing, ‘Two Seater’ blends rap verses with 90s-tinged pop influences, resulting in an instantly catchy debut.” – DIY Magazine

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Carly Gibert "Interstellar" image via Abby Harari at Def Jam Recordings and 10:22PM for use by 360 Magazine

Carly Gibert QxA

Carly Gibert is a 19-year-old house, R&B, and pop music artist, who recently was signed to 10:22PM/Def Jam Recordings. The bi-lingual, Spanish born singer just released her groovy single, “Interstellar,” which reflects on her move from Spain to LA. The disco-inspired bop appears on NOW Volume 79, and can be listened to HERE. Gibert has been making music since the age of four, and her passion for creating is evident in all of her releases. We sat down with the rising house star to speak about the inspiration behind her latest release, her songwriting process, and whats to come next in 2021.

  1. What inspired you to write “Interstellar?”

“Interstellar” is about trying to make someone care for you as much as you care for them. You would do anything for the other person, but they only think about what’s best for them. When I moved to LA from Spain–where I was born and raised–I kind of started a new life, it felt like living in another universe. “Interstellar” actually means “living between stars,” and that is how LA felt to me. It only took me moving to the other side of the planet to realize that I wasn’t taking care of myself. It also references the movie Interstellar (which is one of my favorite movies of all time) with its theme of leaving your life behind and starting over in an entirely different setting.

  1. How would you describe the sound of “Interstellar” in three words?

Futuristic, disco and progress.

  1. What musicians influence your music style the most?

Not specifically for this song, but I grew up with and have always been very inspired by Beyoncé, Jay-Z, Kanye West, Frank Ocean, Mac Miller and Tyler the Creator. I definitely grew up on house music as well, since my dad would play it at home all the time; and I think you can actually hear that on “Interstellar.” The song has a kind of house vibe to it.

  1. What does your song writing process usually look like? Was this process the same for the writing of “Interstellar”?

I usually start off with one of the 100,000 notes on my phone. I write notes every single day–anywhere, anytime. You never know when the inspiration is going to hit, so this is how I keep track of my thoughts. When I find a lyric idea or a concept that resonates with how I’m feeling, I start writing random lines around it. At first, it honestly doesn’t make any sense and nothing rhymes. At that point, it’s all about placing the right lines in the right places and making them fit into a melody. This was also the writing process of “Interstellar.” I sometimes like to start with the melodies, though, and just build the lyrics based on the melody.

  1. If you could design your dream music festival where you were the headlining act, who would you choose to perform alongside?

If we’re talking about VERY ambitious dreams, I would obviously say Beyoncé, Jay-Z and Kanye. Then, of course, Frank Ocean, Tyler the Creator, A$AP Rocky, Doja Cat, Audrey Nuna, SZA, BIA, Anderson .Paak, Rosalía, Saint Bodhi, Little Simz, Kali Uchis, Kaytranada, Rico Nasty, Tinashe, Ryan Beatty, Daniel Caesar, Miguel, Jorja Smith…there are too many great artists.

  1. What has it been like being signed and working with 10:22PM/DefJam?

If someone told me 3 years ago that I would be working with the people I’m working with today, I wouldn’t believe them. The people I’ve met and am surrounded by are some of the people I look up to the most, and I’m so grateful for everyone who made it possible. I have a very close relationship with everyone on my team. I speak to my A&R literally every day, and I’m so lucky to be able to talk directly to the label if I ever need something. I’m super involved in all aspects of my career, so having a direct relationship with the label is very reassuring.

  1. What is something about you or your music that fans might not expect?

I would definitely say singing in Spanish. It’s something I’ve never done before, and I’m so excited to do it. I don’t have any full songs in Spanish at the moment, but I do have some verses here and there. The next song I’m releasing actually includes Spanish verses. Growing up, I was very insecure about singing in Spanish because I thought my accent was weird. It didn’t flow as naturally as English did, even though Spanish is my first language. Through the years, I’ve been practicing improving my diction and I feel a lot more comfortable now. I guess I just had to make it my own and embrace the “Spanish person who can’t articulate Spanish” aspect of myself.

  1. What is next to come from you in 2021?

I have two more songs that I really love coming out in the next couple of months. Hopefully an EP by the end of the year? (Nobody confirmed that—I just made it up—but I’m putting it out in the world). To be honest, all I want to do this year is release all the music I’ve been working on for the past 2 years. These songs are so special to me, and I can’t wait for everyone to listen to what I have to say.

Carly Gibert "Interstellar" image via Abby Harari at Def Jam Recordings and 10:22PM for use by 360 Magazine

Pharrell Williams illustrated by Rita Azar for 360 MAGAZINE

Pharrell Williams – Entrepreneur

Today, Pharrell Williams shares a new single and music video entitled “Entrepreneur” [feat. JAY-Z].

Watch the video HERE.

Get it HERE via Columbia Records.

He makes a powerful statement with the song and the accompanying visual. The video proudly features and spotlights the achievements of over a dozen black entrepreneurs. It includes Issa RaeNipsey HussleTyler, The CreatorRobert HartwellSix SevTyAnthony Davis [Founder of Vox Collegiate Junior High], Vincent Williams [Founder of Honey’s Kettle], Iddris SanduBeatrice Dixon [Founder of Honey’s Pot], Arthell Darnell Isom[Founders of D’ART Shtajio], Neighbors SkateShopAlrick AugustineDenise Woodard [Founder of Partake Cookies],Chace Infinite [Founder of Harun Coffee Shop], Chef Alisa[Founder of My Two Cents], Debbie Allen [Founder of Tribe Midwifery], Angela Richardson [Founder of PUR Home], Miss Bennett FitnessBlack and MobileTrill Paws Dog AccessoriesThird Vault Yarns, and “The First Black Valedictorian of Princeton” Nicholas Johnson. They all make cameos as title cards introduce their accomplishments. Over a slick and soulful bounce, Pharrell carries an uplifting and undeniable affirmation punctuated by his instantly recognizable high register. This anthem arrives at just the right time.

Pharrell also joined forces with TIME for a very special cover project entitled The New American Revolution. He personally curated a series of essays and conversations between Black leaders that explore America’s oppressive past and visions for a more equitable future, with perspectives from Kenya Barris, Imara Jones, Naomi Osaka, Tyler, the Creator, and more. To bring this dialogue to the forefront, he unites the likes of Yara Shahidi and Angela Davis in once-in-a-lifetime interviews. Hank Willis Thomas contributed the cover art.

About the issue, Pharrell wrote, “In assembling this project, I asked some of the most qualified people I know in every field—from Angela Davis to Tyler, the Creator, to Representative ­Barbara Lee—to talk with us, and with one another, about the way forward. I wanted to convey a vision of a future filled with the artists, creators and entrepreneurs who can fulfill the promise of this country’s principles.” 

The issue is on newsstands now.

Maj – “Supreme”

Maj, the Dallas-based singer–songwriter–producer whose grunge-inflected production, nocturnal hip-hop, and soulful confessional storytelling has earned him nearly 10 million total global streams in less than two years, releases “Supreme,” his brand new single + lyric video (directed by Ice The Endless), available at all DSPs today via Def Jam Recordings.

Supreme” is the first new music from Maj since the release of Majestic, his Def Jam label debut EP released in March. The eight track EP comprised five previously released songs (“Sloppy Seconds,” “Come Here,” “Trial & Error,” “Tesla,” and “2drunk” featuring 24kGoldn); plus three previously unreleased titles (“Love Always,” “Start A War,” and “Fucked Me Over”).

ABOUT MAJ:

Born in Pine Bluff, Arkansas, and raised in Dallas, Maj turned to music as a creative outlet after his parents divorced, and soon developed a diverse palette that ranged from Tyler, The Creator’s Bastard and Goblin, to Nirvana’s In Utero and Bleach among other influences. Maj conceived and launched a YouTube channel on which he posted commentary and analysis reaction videos to songs and albums that interested him. He piled up over 4 million views but his days as an “analyst” were numbered, as he began making low-key recordings of his own original material. “I didn’t even let my family know.”

His first upload out the gate, “Leave Me Alone” racked up over 100,000 streams. Collaborating with producer Nick Mira [XXXTentacion, Juice WRLD], “You and I” and “Sloppy Seconds” each surpassed one million mark, while “The Heartbreak” (produced by Nimbus Beats) neared 1.5 million Soundcloud plays alone.  Into 2019,  “Come Here” and “Trial & Error” showed his artistic progression, and ultimately caught the attention of Def Jam, the world’s most important hip-hop destination.

Maj strikes a working balance between listening and speaking, and his growing legion of fans seem to appreciate that he is out there listening and, most importantly, singing. “You might feel lost,” he sums up, “but you could also be happy as hell and still fuck with what I’m doing. This is meant to be a place for everybody.”

FOLLOW MAJ: Instagram | Twitter | Youtube | Spotify | SoundCloud

Teyana Taylor Debuts Self-Directed Video

TEYANA TAYLOR DEBUTS STAR-STUDDED, SELF-DIRECTED VIDEO FOR “ISSUES/HOLD ON”

Guest stars include ASAP Rocky, ASAP Ferg, Tyler The Creator, Kristen Crawley and Lori Harvey

WATCH NOW

Listen to K.T.S.E.  HERE