Posts tagged with "rita azar"

“The Tax Collector”

by Justin Lyons

2020 sure has been an interesting year for movies. We’ve missed our fair share of big releases, but here we are in September with a new film from David Ayer, a director who has seemingly taken nothing but criticism over the past half decade. Maybe some of that has been warranted, maybe some of it hasn’t, but here he stands with a new movie available for rent.

Ayer is re-teaming with Shia LaBeouf, whom he directed in one of the best performances of his career in 2014’s “Fury.” LaBeouf is past the point of only being recognized for the “Transformers” series. He’s truly one of the most gifted actors working right now, and this nice, little roll he’s found himself on since exiting Michael Bay’s billion dollar franchise has solidified him as a top tier talent.

He’s coming off a fantastic 2019 with “Honey Boy” and “The Peanut Butter Falcon,” so it was no surprise seeing him marketed as a co-lead in “The Tax Collector.” It was, however, a shock to see him in a supporting role in the film itself, and that’s the movie’s biggest problem.

It might be better said that the movie’s biggest problem is that none of the characters, aside from LaBeouf’s character, called Creeper, are very interesting. Each and every one is built upon a foundation that we’re familiar with, including those in other David Ayer movies. Their principles and motivations never sincerely stand out.

David, the main character played by Bobby Soto, drives around Los Angeles collecting a percentage of gang profits for his boss, a man called Wizard. He does it to protect and provide for his non-gang-affiliated family, who are in fact good. When Wizard’s ex-rival returns to town, dead set on taking over Los Angeles, David’s allegiances and strength are put to the test.

Again, we’ve seen that before, so viewing it again, in a mostly predictable manner that doesn’t make “The Tax Collector” stand out among memories of other gang movies and stories, doesn’t let it resonate. It never pushes for that emotional connection to the characters or story that I was looking for. Possibly the most unfortunate part is that there’s evidence of potential here. There is potential in these characters and in this world that makes me think there’s a decent movie in here somewhere, but it needed more time to give the characters the life and development they deserved.

The story itself also feels disjointed in an effort to develop the relationships with characters, even though those relationships don’t benefit from the sacrificing of story. Most beats, particularly toward the end of the film, seem to just happen without express purpose. There is a guiding narrative pushing David against the rival gang leader, but most events in the story don’t have the build up that I had hoped for. Things just kind of occur without any rhyme or reason. We have a character whom we’re supposed to immediately latch onto and a character whom we’re supposed to immediately hate, and none of the story beats ever allow the characters to breathe and change.

Each scene is also played at the highest possible level. Subtlety isn’t always a synonym for high quality, but constant high octane sequences never helped David’s character. Despite being a lover of action sequences, I found myself more intrigued by David’s moments with his family. He shows the struggle of balancing his roles as a protector and as a “tax collector,” but it’s never enough to round out the character.

It feels like Ayer is going through the motions, which is disappointing from a director who has obvious talent. He didn’t fall into the screenplay for “Training Day,” and he surely didn’t accidentally direct “Fury” and “End of Watch” with the skill and charisma of those films. That filmmaking talent is in there, but in going back to a story reminiscent of his earlier work, it appears he is recycling his own techniques. Even the visual look of the movie, which Ayer typically excels with, feels bland. He does pull a couple of visual tricks from his repertoire in flashbacks and high-intensity action sequences, but the flashbacks feel played out, and one specific moment of slow motion was enough to pull me out of a movie that appeared to go for gritty reality.

There are positives to take away from “The Tax Collector.” Again, Shia LaBeouf is immensely talented, and that shows in this film. Every single time he’s on-screen, it’s tough to look away. He does take a supporting role in the movie, but he steals the show right out of Bobby Soto’s hands. Some of that is due to the writing as Creeper is a far more compellingly written character than David, but LaBeouf commits so hard to every single word, and he’s an absolute blast to watch.

The scenes in which David and Creeper drive around Los Angeles, spewing mostly throwaway dialogue, are easily the most fun in the film. Creeper is the muscle of the duo, but I enjoyed his humanity. I have to credit LaBeouf because when Creeper is thinking, it’s easy to watch the wheels in his brain spin. He has these survival instincts, and he’s skilled with weapons and intimidation tactics, but he’s not a robot. He diets, meditates and wants to be included in David’s personal life.

“The Tax Collector” isn’t memorably bad. It’s just not memorable at all, and that is the most frustrating thing about the film. There is potential in the story, the characters and the story world, but it’s so easy to think of scenes that should have been cut in favor of scenes that should have been added. There’s also so much inspiration behind Creeper, but he’s not the focus of the film, which I think would have made the movie much more engaging.

There comes a certain point in the film where nothing is left to care about, and the story revisits a relationship that doesn’t feel earned. Had it spent more time developing that relationship, I might have been invested in the final act, but one short sequence and one small show of good faith wasn’t enough to make me believe that some of these characters would show the support they’re asked to show. Nevertheless, I’m happy to discuss Shia LaBeouf in a positive way. Maybe with that tattoo on his chest forever he’d be better suited in a similar role as a lead performer.

“The Tax Collector” is streaming now on Amazon.

Rita Azar Illustrates a Basketball Article for 360 MAGAZINE

Jaylen Brown x George Floyd Bill

by Justin Lyons

Jaylen Brown, Boston Celtics wing, in a press conference Sunday said he would like to see the city of Boston pass the George Floyd bill.

Brown, who has been one of the more active players in social justice conversations throughout the NBA, was asked about the Celtics’ commitment to spend $25 million over the next ten years to fight social injustice.

He said it was a great step, and that change happens over a period of time, but he thinks there are things that can be catalysts for change right now.

“One thing I would like to see in Boston is the George Floyd bill enacted,” Brown said, adding that conversations need to be had about police and qualified immunity. “Some things just need to be held accountable, and hopefully Boston can be a place where a tone is set that can be transpired in other cities.”

Brown went on to say that he thinks Boston is moving in the right direction, but he would still like to see more companies and organizations be diversified as well as more opportunities for people of color.

“I’m proud to be a part of the Celtics organization. I’m proud to have an ownership group, or a leadership group, that’s willing to take these steps because they recognize that we need to live in a better, more forward progressing world.”

The George Floyd bill, or H.R.7120, aims to achieve a few goals.

First, it would lower the criminal intent standard to convict an officer of law enforcement. The standard currently requires that officers act willfully, while H.R.7120 would only necessitate that officers act knowingly or recklessly.

Second, it would limit qualified immunity, which grants officers immunity in lawsuits regarding violations of constitutional rights of civilians.

Third, it would allow the Department of Justice to issue authorizations to investigate departments demonstrating patterns of discriminatory practices.

It would also create a national registry of police misconduct, lay the bricks for prohibition of racial profiling and implement new standards for training regarding racial profiling and use of body cameras.

It passed in the House of Representatives by a vote of 236-181, and it will move to the Senate.

Brown’s comments come just weeks after NBA players boycotted games on behalf of Jacob Blake, whom was shot seven times by police in Kenosha, Wisconsin, and victims of police brutality everywhere.

A reporter asked Brown if he thought the boycott’s message was still effective even as players returned to the court.

“These issues have been here for a very, very long time, and they’re still going to be here regardless of if we protest or not or boycott or not. I think sports plays a huge role in society, and I’m very aware of that, so using our platform is something I’m always going to support,” Brown answered.

While he said the cure for racism might not come from the NBA, the players can always use their platform to let the world know that these issues are important.

Brown, who wears the word “Liberation” on the back of his jersey, scored 21 points and picked up eight rebounds to help the Celtics defeat the Toronto Raptors Friday by a score of 92-87. They advanced to the Eastern Conference Finals where they will meet up with the Miami Heat, who are playing on six days of rest after eliminating the Milwaukee Bucks in just five games.

The first game of the series begins Tuesday at 6:30 p.m. EST with the Celtics favored by a point and a half.

Rita Azar illustrates NBA basketball story for 360 MAGAZINE.

NBA Protests

by Justin Lyons

The clock struck 4:05 p.m. on Aug 26 in Orlando, and neither the Magic nor the Bucks were on the court for the tip-off of the fifth game of their playoff series.

Playing their home games just 40 miles from Kenosha, Wisconsin, it’s safe to say that the shooting of Jacob Blake by Kenosha police literally hit close to home for the Bucks players.

The Orlando Magic originally took the court for their game, but they decided to leave when it appeared the Bucks weren’t coming. That court was now empty aside from the NBA logos, the regulation markings and “Black Lives Matter” in bold text across the side closest to the scorer’s table.

Then, the tweet from ESPN’s Adrian Wojnarowski came at 4:13 p.m. Orlando time saying that the Bucks officially decided to boycott the fifth game of the series.

News broke later that the Rockets, Thunder, Trail Blazers and Lakers all decided to boycott their games, as well, in a show of unity.

It was the spark that started the fire, as basketball wouldn’t be played again until Aug. 29.

Bucks guard George Hill was one of the most outspoken players on the team regarding the shooting of Jacob Blake, making it very clear that he couldn’t continue to play basketball to distract from the reality of what’s happening in the United States.

The Brewers, the Milwaukee baseball team that plays its home games just a short drive from where the Bucks play, also decided to cancel their Aug. 26 game against the Reds.

Brewers star Christian Yelich said it was a unanimous decision from the team to not play.

“I think the Bucks spearheaded it for us,” Yelich said. “They started the discussion. It gave us a conversation to have. It was eye-opening for us, and we felt like it was the right thing to do.”

The NHL also joined in the protests, postponing games Aug. 27 and Aug. 28.

Later on the night of Aug. 26, Shams Charania reported via Twitter that the Lakers and Clippers, both of which are still contenders for the title, voted to boycott the rest of the season. LeBron James reportedly led the movement to cancel the season, which is no surprise given his history of fighting for social justice.

Giannis Antetokounmpo said the Bucks were able to get in contact with Blake’s father very quickly. Blake’s father was moved to tears by the gesture.

According to an article from ESPN, Antetokounmpo said, “Obviously, it’s gonna be games that you come in and score 30, 35, 50 or whatever the case might be, but that you’re going to remember. The way we felt, we’re going to remember the way we felt for the rest of our lives.”

The Bucks were eliminated from the playoffs Tuesday, which begs the question of how they will respond. Hill expressed disappointment that he had to be in the Orlando bubble instead of fighting for justice, so it should be interesting to see where the Bucks go from here.

Eyes are also shifting to the NFL, which starts Thursday. The entire nation will have its eyes on protests and social justice initiatives from a league that has been just as outspoken as the NBA.

Rita Azar illustrates adult beverages and popsicles in 360 Magazine

Drake’s Organic Spiked Ice Pops

Drake’s Organic Spirits announced today that its Drake’s Organic Spiked Ice freeze-and-eat adult pops are outselling established national vodka and tequila brands in California, according to sales numbers from Southern Glazer Wine & Spirits, the largest wine and spirits distributor in the United States.

Drake’s Organic Spiked Ice are handheld ice pops that feature 15% ABV and only 80 calories each. Spiked Ice is available in four flavors: Mango Rum Punch, Vodka Lemonade, Watermelon Martini and Classic Mojito. Award-winning all-organic, ultra-premium vodka and white rum makes up Drake’s Organic Spirits. As a result, they contain no artificial colors or flavors and freeze with twice the ABV as other brands.

“We know consumers care about the ingredients that go into the products they’re eating and drinking.”  No state is as committed to organic products and sustainability than California. In California, 90% of households buy organic on a regular basis. Drake’s Organic Spirits commits to producing spirits made with the highest quality organic, non-GMO ingredients. These are better for the body and planet,” said Drake’s Founder and CEO Mark Anderson.

Drake’s Organic Spirits is the first and only spirit line in the world to be certified USDA organic, non-GMO Project Verified, gluten-free, vegan and kosher. As a result, the five certifications ensure a cleaner drinking option that comes only from the highest quality organic ingredients.

Drake’s Organic Premium Vodka was awarded Double Gold and Drake’s Organic White Rum received Gold at the most recent Wine & Spirits Wholesalers of America (WSWA) Convention & Exposition in Orlando, FL. The judges are industry experts who blind taste-test each spirit. Therefore, the most prestigious in the industry recognizes and respects Drake’s Organic White Rum.

Drake’s Organic Spiked Ice, Organic Vodka, Organic White Rum, Organic Spiced Rum and Organic Mixes are available at hundreds of locations throughout California including select Ralphs, Save Mart, Lucky, FoodMaxx, Albertsons, Vons and Target stores. However, if you would like a complete list of locations offering Drake’s products, click HERE.

About Drake’s Organic Spirits

In 2017 Minneapolis-based Drake’s Organic Spirits launched.  Drake’s sources the highest quality USDA organic and non-GMO Project Verified ingredients to create a line of ultra-premium spirits and mixers. The Drake’s spirit line currently consists of Drake’s Organic Vodka, Drake’s Organic White Rum and Drake’s Organic Spiced Rum. Organic cane sugar, rather than grain, which produces a smooth, clean aftertaste, makes up Drake’s Organic Spirits.  Drake’s Spirits are all 12-times distilled, creating an ultra-premium hand-crafted spirit at a price that beats the leading premium brands.  Drake’s recently began producing bulk sanitizer to meet the need for cleaner, safer environments.

Follow Drake’s Organic Sprits

Website | Facebook | Instagram | Twitter

 

Mulan illustration by Maria Soloman for 360 Magazine.

Mulan Boycott

by Justin Lyons

A new movement is taking over social media as pro-democracy activists try to spread a boycott of the new Disney film Mulan.

Disney’s live-action remake of the 1998 original film hit Disney’s streaming service Disney+ this weekend. On top of the monthly subscription fee, those wanting to see Mulan would have to pay $29.99 to unlock it.

Social media users in Hong Kong, Taiwan and Thailand called for movie fans and Disney lovers to avoid the new film because of comments from Liu Yifei, who plays the titular Mulan.

In Aug. 2019, Liu expressed via Weibo, a Chinese social media site, that she supported Hong Kong police. The comments came amid pro-democracy protests in Hong Kong.

Liu was met with instant backlash, but now that her movie is available to stream, the widespread boycott seems to have intensified.

Joshua Wong, a Hong Kong activist, has been particularly outspoken regarding the situation. He asked everyone who believes in human rights to boycott the film.

He also retweeted multiple tweets from other activists. One of which was from Twitter user Gwyneth Kwai-lam Ho, who linked a story about the boycott from The Guardian.

“Not while the true Mulans are suffering in the darkness of a Chinese jail,” the tweet said.

Mulan currently sits at 78% on Rotten Tomatoes among critics but 55% among audience members. It had a production budget of $200 million.

Netflix CEO illustrated by Maria Soloman for 360 MAGAZINE.

Netflix Co-CEO on Ads

by Justin Lyons

Netflix co-founder and co-CEO Reed Hastings sat down with Variety recently to discuss his new book and everything regarding Netflix. From business strategies to hiring strategies to creative strategies, Hastings seemed to be quite open about his ideas for the streaming service.

One of the biggest questions everyone seems to have about Netflix revolves around its revenue strategy. The home of shows like “Stranger Things,” “Orange is the New Black,” “House of Cards” and other award-winning, binge-inducing shows has been ad-free since its inception.

Hastings said the decision to rely entirely on a subscription model is more of a judgement call than a strict rule for Netflix.

“You know, advertising looks easy until you get in it. Then you realize you have to rip that revenue away from other places because the total ad market isn’t growing, and in fact right now it’s shrinking,” Hastings told Variety.

Hastings went on to say there’s more opportunity for growth in the consumer market than there is in the advertising business, also citing 20 years of success to back his point.

A 2019 report from eMarketer said Google, Facebook and Amazon received upwards of two-thirds of advertising dollars in the United States, so it would make sense to believe the room for growth in advertising is limited.

The New York Times reported in April that Netflix gained nearly 16 million subscribers early in the year, pushing the total number of subscribers to more than 182 million.

Hastings also touched on production during COVID-19’s shutdown, saying Netflix was able to shoot some originals, like the fourth season of “The Crown,” before shutting down production. He added that Netflix is currently producing in Europe and Asia.

While producing in Europe and Asia is more practical than producing in the United States right now, it also goes along with goals Hastings has for Netflix.

He said he wants Netflix to become a first-class developer all around the world, not just in Hollywood. Hastings said shows like “Dark,” from Germany, and “La Casa de Papel,” from Spain, have aided that movement.

On the future of Netflix, Hastings said, “What’s next is becoming a great Turkish developer of content, becoming a great Egyptian developer of content and sharing that with the world.”

He closed the interview with a discussion about other streaming platforms. Hastings compared Netflix to Starbucks, serving a specific product, while Amazon is more of a Walmart, serving every need.

With the number of streaming services growing exponentially, it might be easy to assume doom for the original streaming platforms. Even with Disney+ reaching 60 million subscribers, Hastings isn’t worried, calling the streaming industry a “healthy situation.”

“Because you’ll continue to push each other to innovate and entertain people. It’s only in the old communist states of the 1960s when you’d have a single network. No one wants to create that,” Hastings said.

A rising tide lifts all boats, right? There is no doubt that Netflix remains king of the streaming industry, and we can probably assume we’re safe from ads on Netflix for now. That, along with the possible development of more content from other countries and cultures, makes it an exciting time to be a Netflix subscriber.

For now, we’ll continue to rely on Netflix’s ad-free experience while studios that rely on theatrical releases are slowed down.

To read the entire interview from Variety, you can click right here.

Rita Azar illustrates Madison Beer for 360 MAGAZINE.

MADISON BEER – BABY

VIDEO OUT NOW

TAKEN FROM DEBUT

ALBUM LIFE SUPPORT

WATCH HERE

Madison Beer release her latest single “Baby” via Sing It Loud/First Access Entertainment on exclusive license to Epic Records. With the drop of the single comes a dreamy voyeuristic video that finds Madison plucked from a picturesque scene and dropped into the dark reality of life. “Baby” is taken from Madison’s forthcoming debut full length album Life Support, out later this year. You can listen to the single here.

“Coming out of a dark time mentally I inevitably had to build my confidence back up,” says Madison. “Writing ‘Baby’ made me feel in control of myself and my body again in the best way. When I wrote ‘Baby’ I was not only reminding myself that I can have what I deserve but also warning the next person that comes into my life that being with me is conditional . ‘If you wanna be my baby’ then know I’m going to be loud, quiet, wild, sexy, shy, high, low. I’m not going to apologize for who I am or shrink myself down anymore so if you can’t deal, then keep walking. I am regaining my confidence and this song truly makes me feel powerful and I hope it supplies anyone who might need a boost of confidence the same thing.”

Madison’s debut album, a strong personal and artistic statement, is slated for release later this year. “Her soon to be released album,” states V Magazine, “will surely pay homage to her years of growth in the spotlight with an entirely new depth of clarity.” Life Support sees Madison where she thrives – commanding complete creative control through writing her own songs, producing and creating her own visuals. The album will feature previous releases “Good In Goodbye,” “Selfish,” and “Stained Glass” which have a combined total stream count of over 282 million. “Selfish” is now also certified Gold in the US.

Prior to signing with Epic Recordslate last year, Madison Beer achieved unprecedented success as an independent artist with her partner First Access Entertainment. Her debut EP As She Pleases boasts over 950 million streams and made her the first independent female solo artist to break into the Top 20 radio charts, after having debuted in the Top 5 on iTunes in 18 countries and in the Top 10 in 42 countries worldwide. Globally, Beer has over 2 billion streams across her catalogue.

She’s attracted the endorsement of Time, NME, V MagazineBillboard who named her among its coveted “21 Under 21” list and Rolling Stone who hailed her as a “raising pop star.” Madison will be debuting “Baby” on The Late Late show with James Corden on August 26th.

FOLLOW MADISON BEER HERE:

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Rolls-Royce Dawn convertible illustration by Rita Azar for 360 Magazine

DAWN SILVER BULLET

  • Rolls-Royce releases the first official images of Dawn Silver Bullet, taken outdoors and on the open road
  • Collection Car photographed on the shores of Lake Garda, showcasing the car in its natural habitat
  • Selection of images perfectly capture Dawn Silver Bullet’s powerful, high-shouldered outline, distinctive Aero Cowling and the ultra-metallic paint finish

Rolls-Royce today releases the first official images showing Dawn Silver Bullet in its natural habitat – on the open road, as the first of the client commissioned Collection Cars roll off the production line at the Global Centre of Luxury Manufacturing Excellence, in Goodwood, West Sussex.

Photographed on the shores of Lake Garda, a series of in-motion and drone shots capture Dawn Silver Bullet in locations including mountain hairpins and corniche roads. The new photographic portfolio also includes static images, taken in the open air, highlighting the car’s charismatic expression.

Under the Italian sun, Dawn Silver Bullet lives up to its name, travelling with speed and precision. Its ultra-metallic Brewster Silver Paint is a vibrant nod to the epic trails cars of the past, such as the Silver Dawn, Silver King, Silver Silence and Silver Spectre.

The four-seat Rolls-Royce Drophead is transformed into an adaptable two-seat roadster, by the addition of a rakish Aero Cowling with vapour-blasted titanium finisher, heightening the Collection’s sense of speed and purpose.

Launched in 2020, Dawn Silver Bullet is a contemporary interpretation of the classic roadster spirit and driving experience, offering committed drivers a sublime blend of serenity and sophistication with an exhilarating sense of uncompromised freedom.

Dawn Silver Bullet is strictly limited to just 50 examples worldwide.

Rolls-Royce convertible Dawn inside 360 MAGAZINE
SSPBA endorses Donald Trump for President as announced by 360 MAGAZINE and illustrated by Rita Azar.

SSPBA endorses Donald Trump

Southern States Police Benevolent Association, Inc. (SSPBA) announced today that it is endorsing Donald Trump for President in the 2020 election. SSPBA board members and representatives met with Vice President Mike Pence in Raleigh today to announce the endorsement. SSPBA is composed of over 60,000 law enforcement officer members throughout the Southeast. This is the association’s first presidential endorsement in over twenty years.

“With the stakes as high as they are for the law enforcement profession today, we felt that we must speak up in support of the true law enforcement candidates,” said Chris Skinner, SSPBA president.

“President Trump has been unwavering in his support of law enforcement,” President Skinner continued.  “He has shown time and again that he stands behind the men and women who put on their uniform and badge and go to work each day,” President Skinner said.  “In these times when many are attacking the law enforcement profession, it is imperative that law enforcement officers know that they are not on their own as they face the dangers of their job.  We believe that President Trump and Vice President Pence have demonstrated that they understand and appreciate the honor and sacrifice of serving as a law enforcement officer.”

“The number one priority of government is to provide for safety and protection of the citizens. We are convinced that President Trump recognizes the fact that law enforcement and law enforcement officers are vital to the strength and stability of our communities,” President Skinner added. “We support President Trump and Vice President Pence because we know that they are the candidates who will continue to support us.”

Southern States Police Benevolent Association, Inc. is a non-profit professional organization dedicated to improving the law enforcement profession. PBA members are active or retired employees of federal, state, county and municipal law enforcement and correctional agencies. This professional association provides legal, legislative, disciplinary and other representation to member officers as well as a salary replacement death benefit to members’ beneficiaries. The PBA prohibits members from engaging in or condoning any strike by law enforcement officers, electing instead to represent members through aggressive political action. For more information, please visit our website at www.sspba.org.

Tyler Perry illustrated for 360 magazine by Rita Azar

TYLER PERRY SITCOMS

Watch and share the official trailer here

“TYLER PERRY’S HOUSE OF PAYNE” and “TYLER PERRY’S ASSISTED LIVING” will premiere on BET Wednesday, September 2nd at 9 PM ET and 10 PM ET, respectively. Two half-hour episodes will air for each show.

“TYLER PERRY’S HOUSE OF PAYNE,” returning for its seventh season, is a hilarious comedy about retired fire chief Curtis Payne (LaVan Davis) and his lovely wife Ella (Cassi Davis Patton) that picks up five years later, as they continue to navigate the problems of life with their quirky modern-day family.

“TYLER PERRY’S HOUSE OF PAYNE” stars LaVan Davis as Curtis Payne, Cassi Davis Patton as Ella Payne, Lance Gross as Calvin Payne, Demetria McKinney as Janine Payne, China Anne McClain as Jazmine Payne, Keshia Knight Pulliam as Miranda and Allen Payne as CJ Payne.

In the new sitcom “TYLER PERRY’S ASSISTED LIVING,” Jeremy (Na’im Lynn), a patriarch of a young family with teenage children, loses his job and decides to move to the backwoods of Georgia to help his crazy grandfather.  Grandpa Vinny (J. Anthony Brown) has foolishly purchased a terribly run-down home for the elderly and he is in way over his head, but comedy ensues as Mr. Brown (David Mann) and Cora (Tamela Mann) show up at the right time as needy investors.

“TYLER PERRY’S ASSISTED LIVING” stars David Mann as Mr. Brown, Tamela Mann as Cora, J. Anthony Brown as Vinny, Na’im Lynn as Jeremy, Courtney Nichole as Leah, Tayler Buck as Sandra and Alex Henderson as Phillip.

For more information on “TYLER PERRY’S ASSISTED LIVING” click here.

For more information on “TYLER PERRY’S HOUSE OF PAYNE” click here

“TYLER PERRY’S HOUSE OF PAYNE” and “TYLER PERRY’S ASSISTED LIVING” are executive produced, written, and directed by Tyler Perry. Michelle Sneed serves as Executive Producer of both series for Tyler Perry Studios.