Posts tagged with "movies"

For The Love of Comic Con 

By: Rodney Ramlochan × Elle Grant × Vaughn Lowery

New York City’s Comic Con is a key annual fan event dedicated to Western comics, graphic novels, anime, manga, video games, movies, television and more. First held in 2006, this classic event was canceled last year due to the Covid-19 pandemic, devastating fans who look forward to this mainstay of popular culture. Yet this year, Comic Con made its triumphant return, though it looked a little different in the attendance of both its exhibitors and fans. 360 MAGAZINE got the full scoop from well-versed fan Rodney Ramlochan on how this event has changed. He offers comments on the good, the bad, the Covid, and the in between for 360 readers. Read Ramlochan’s full testimony below:

To say that I love New York Comic Con is an understatement. For over a decade, as a pop-culture geek, I’ve enjoyed the fantastic guests, panels, original art, unique exhibitors, industry merchants, and one-of-kind exclusives. It has always been one of my favorite events to cover, and as a die-hard fan, I was deeply disappointed that the pandemic caused last year’s convention to go virtual. However, I was thrilled to hear that the event was coming back in person this year. Since much had changed over the past eighteen months, I thought it would be cool to experience the event as a fan rather than cover it as press. I also wanted to test-drive ReedPop’s Metaverse membership for ordering in-person tickets and focus on the overall fan experience, including Covid safety precautions and notable differences between this year and cons from yesteryear. Here are my post-Comic Con impressions. 

I purchased tickets a few months ago in July using the MetaVerse presale process. Of course, this was before the uptick caused by the Delta variant strain. I didn’t expect any issues with purchasing online as I’ve never really had a problem buying 4-day or single-day passes in the past. Still, I was interested in trying out the new Metaverse Membership that gives you first access to NYCC badges, photo ops & autographing tickets. My mission this year was to get both an autograph and photograph with William Shatner, epic space captain of the Starship Enterprise and now a real-life astronaut. In addition to getting first dibs on NYCC in-person tickets, the Superfan membership allows you to buy MCM Comic Con, Emerald City Comic Con, and C2E2 tickets. You can also get paid digital experiences, exclusive access to video content and celebrity panels, access to exclusive NYCC merchandise online. 

The Superfan Membership process was relatively seamless. I signed up at the end of June using the Metaverse Membership email and bought tickets using a dedicated link on my profile page within a few days. I purchased single day passes for each day of the convention, and I was contacted for the opportunity to purchase photo ops and autographs in addition at the end of September. Overall, I’d say the membership was worth it. It’s perfect for the fan who would rather have a more significant window of time to purchase tickets. Outside of remembering to click on the notification reminder emails and follow the presale, photo ops, and autographs links, ordering is straightforward.  There are no worries about getting tickets for the exact days you want to attend. If you are good with the allotted time frame afforded by the standard ordering process, then paying for the Superfan membership may not be beneficial at this time. However, I do wonder what the future holds for purchasing tickets in the future. Suppose the Superfan method of buying in-person tickets becomes more popular. Will it impact the standard order process and make it more challenging to obtain single-day passes post-pandemic?  Only time will tell. 

As far as Covid safety protocols, enforcement, and logistics, the ReedPop and the Javitz Center team did a great job managing this. Before attending, I was uncertain why New York Comic Con needed a partnership with CLEAR Health Pass. Especially since vaccination proof was a requirement for attending and could be validated using vaccine cards and existing apps like the NY Excelsior Pass. In hindsight, standardizing the application that everyone uses for admission was a smart move. At the very least, it streamlined the process and expedited entry for most. I picked up my green ReedPop vaccine wristband at the Javitz Crystal Palace a few nights before opening. It took me less than 5 minutes to show the CLEAR app and retrieve the band, and in many ways, this process foreshadowed the overall feel and attendance for the convention. NYC began requiring proof of vaccinations in early September, and the event was following suit. The mandate may have impacted attendance, as I read many social media comments from individuals that stated they wanted to return or sell their tickets because they didn’t know the vaccine would be mandated before purchasing. But, as a whole, most people in attendance complied with the requirements. I was there all four days and only encountered two individuals not wearing masks on the main floor. I didn’t notice security enforcing the mask mandate, but I did hear that a vendor and few individuals had been removed from the showroom floor for not following the rules.  At my William Shatner autograph and photo ops sessions, plexiglass partitions protected Shatner and the fans. Partitions were used at all reserved signings and photo op sessions. According to ReedPop, 150,000 paid in-person attendees were at the event this past weekend compared to 250,000 in previous years. Even with 100,00 fewer people, this was the largest indoor in-person event held in New York since 2019, showing a great evolution from where things were at the start of the pandemic. It was good to see that all of the proper safety protocols were in place. 

One of the most significant differences between this year’s Comic Con and past shows was the notable absence of large exhibitors like Disney, Marvel, DC, Image, Sony, Amazon, SYFY, and distributors like Funko and Midtown Comics. Of course, it didn’t come as a surprise, as we had been receiving no-show notices practically every week leading up to the event. I’m sure it deterred some folks from attending, but I think it helped provide a unique experience for those who did. It minimized the crowd and offered other smaller exhibitors an opportunity to showcase their properties and spend more time with fans. As a result, I spent a lot more time than I would typically have at smaller booths. For example, I met the great folks at Plunderlings, a boutique toy line presenting a fresh take on fantasy universes from a Caribbean perspective. Although some of the major players weren’t present, there was an excellent turnout for anime fans from Toei Animation, Funimation, VIZ Media, and Tamashii Nations. Without having to compete for floor space, it seemed as if their exhibits doubled in size. If you were a fan of these companies, it was probably the first time in years that you could casually stroll through their exhibits without waiting in line. Although it was less crowded, the show floor did not feel empty. As expected, Saturday and Sunday saw an increase in volume of attendees, but nothing compared to the previous years. 

One of the most extraordinary changes this year was the unveiling of the new Javits Center expansion project. It took a few minutes to figure out exactly where floors 4 and 5 were, but once you found them in the building adjacent to the old center, you were treated to the fantastic skyline and river views on the way up to the panel rooms and the new Empire Stage. There were a few blockbuster live panels, including Ghostbuster and The Boys; however, many panels like Sandman Act II and Wheel of Time were pre-recorded videos. I did sit in on the Sandman panel, but post-viewing, I felt a bit underwhelmed – watching a video of writer Neil Gaiman, audiobook director Dirk Maggs, actor James McCoy (who voices the title character), and actor/filmmaker Kevin Smith (who voices Merv Pumpkinhead) was not the same as seeing them in person. In addition, ReedPop introduced a new reservation system for the larger panels instead of the “badge tap-in” process used in the past. I have mixed feelings about this, as it didn’t appear that anyone’s reservations for the panels were being checked. It may have been because there was excess capacity remaining at the events I attended. However, I will note that the folks at the Tamashii Nations booth to purchase their exclusive Super Saiyan God Super Saiyan Son Goku figure did check for reservations. 

Overall, expanding the panels to the new venue resulted in two significant outcomes. First, it allowed more space to return to smaller fan-focused panels, which featured creators interacting with their fandom instead of pitching major studio events.  Second, moving the panels out of the main building allowed for Artist Alley to take back a prominent role I felt it had lost over the past few years. This year, the Alley was front and center, featuring principal mainstays like Fabian Nicieza, Chris Claremont, Rob Leifeld, and Scott Synder amongst many others. I especially enjoyed chatting with Ben Bishop, one of the key artists on TMNT’s The Last Ronin. 

Undoubtedly, many of this year’s Comic Con changes resulted from how best to host an event during a pandemic, but many of the changes also focused on improving the fan experience. As a result, NYCC 2021 felt more like the NYCC of 2011, but with a few notable improvements. Creators were able to connect more with their fandoms, fans were able to stop and appreciate exhibitors and artists more, and ReedPop unveiled a few new processes to streamline crowd control and help fans maximize their time at the event. It wasn’t perfect, but as a fan, it exceeded my expectations, and I’m even more looking forward to a pandemic-free NYCC next year. 

360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC.
Rodney Ramlochan attends NYCC on behalf of 360 MAGAZINE and meets William Shatner.

The Best Ways to Have Family Fun During a Lockdown

By: Marie Miguel

It hasn’t been easy trying to navigate everything during the pandemic. The tragic loss of life has been difficult for many families around the world. It’s also been hard adjusting to not being able to go out and do things that you normally like to do. If you’re raising kids, then you might feel as if you’re going stir crazy being stuck inside together with your family. 

The kids want to be able to do something fun, but you’re going through another lockdown. What are your best options to keep everyone occupied and happy? Keep reading to learn about the best ways to have family fun during a lockdown. This might give you a few good ideas that will make your time spent together at home a lot more entertaining. 

Play Board Games

Have you sat down as a family to play a board game recently? This is a tried and true family activity that has helped many families bond over the years. There are a wide variety of different board games out there that you can try out. You just need to find one that the entire family can enjoy and understand. 

If you have younger children, then you might wish to pick a board game that is a bit on the easier side. If you’re playing with older kids, then you might be fine playing more complex games such as Trivial Pursuit. Whether you’re going to play Monopoly together or if you want to have a rousing game of Scrabble, it’ll be a good time. It’s a fun way to pass the time that you should take advantage of. 

Play Video Games

What if your kids aren’t quite so into old-school board games? You could always try sitting down to play video games with them. Even if you don’t play a lot of video games, it’ll be fun to interact with your kids. There are all sorts of good family-friendly titles that you can choose from. The Nintendo Switch is a particularly good console choice if you’re looking for games that will be fun for kids (and adults) of all ages. 

You can start a little family rivalry in Mario Kart. Or you can work together to try to solve puzzles in games such as The Legend of Zelda: Breath of the Wild. There are hundreds of games that you could choose to play, but the important thing is to enjoy your time with your kids. Games can be magical because they can help you to escape when you need to the most. 

Arts & Crafts

Sitting down and doing arts & crafts with your kids could also be a good time. Sometimes it’s nice to just take it easy and try to create something artistic as a family. There are all sorts of little art projects you could take on if you’re so inclined. Create decorations for various holidays or help to teach your kids how to paint. 

Many have rediscovered their love of art during the pandemic. This could be a good weekend activity that you can enjoy with your significant other and your kids. You’ll simply need to ensure that you have the materials for whatever art project you’re interested in. You’ll be able to admire the results of your work when you’re finished, too. 

Listen to Music

What about just relaxing in the living room as a family and listening to music? Yes, sometimes it’s hard to agree on what to listen to when everyone in the family has different tastes in music. However, it can still be fun to share your favorites with your family. Some families have decided to let each kid pick one record, and they will sit down to listen to all of them on a special music day each weekend. 

Another idea is to share your love of music by teaching your kids how to play instruments. If you’re a musician, then this could be a good time. Of course, your kids will need to be interested in music or it might not be so fun for them. Music is powerful, and it can help you have a great time even when you’re stuck inside during a lockdown. 

Watch Family-Friendly Shows

Most families will spend copious amounts of time watching shows on Netflix or Disney Plus during the pandemic. Your family might wind up being no different. That doesn’t mean that watching some great shows with your family won’t be a valuable experience. You can enjoy movies and all sorts of other entertainment media together. 

With so much great content to watch, it’ll be easy to find a new movie to enjoy with your family each weekend. Make some popcorn and sit down in the living room to watch something together. It gives you something to look forward to as a family. Turning it into a fun occasion with snacks and mood lighting should be a good time. 

Cook Together

Have you thought about cooking together? Depending on how you feel about cooking, this might sound like a great idea or a terrible one. Cooking can be a lot of fun when you approach things with the proper attitude. It can also be valuable to teach your kids how to cook early on in life. 

You can make simple dishes together, and the kids will enjoy it. If you want to make things really easy, you can have kids help you with baking. When you’re making cookies it’ll be easy to let the kids cut out the cookie shapes with cookie cutters. Family cooking time could become a staple in your household even once the lockdown is finished. 

Remember That You’re Never Alone

Remember that you’re never alone when you’re starting to feel depressed or anxious. These are trying times, and you can reach out if you feel like you need help. BetterHelp has some awesome resources on parenting, which can help you get through difficult times. Whether you need parenting advice or if you just need to talk to someone about the stress that you’re experiencing, BetterHelp can assist you in the process of putting things into perspective. 

Don’t hesitate to contact an online therapist if you’re feeling uneasy about things in life. Online therapy has helped many people to work through significant problems. It’s easy to talk to a therapist from the comfort of home, and it’s great that this therapy option is so affordable. Look into things today if you’ve been having a tough time and would like to start feeling better. 

Award illustration done by Mina Tocalini of 360 MAGAZINE.

PCA Nomination Voting has Begun

The countdown is on to the 2021 People’s Choice Awards

In order to kick things off, the PCAs is calling for fan nominations. What movies have you obsessed over this past year? Which TV shows had you planted on the couch for an hours-long binge session? Who are the celebrities you just can’t get enough of? Which albums have you been playing on a loop since the day they were released?

Submit your top picks in TV, movies, music and pop culture during the fan favorite nomination phase starting today, Tuesday, Oct. 12 through Thursday, Oct. 14.

This means you’ll get to nominate your favorites before official voting even begins! Each day during this special phase, you’ll be able to submit up to 25 nominations per category, per platform—AKA the official PCAs voting site, Twitter or Facebook.

Participating is the perfect way to increase the likelihood that your pop culture picks make the cut, landing a spot on the PCAs ballot when official voting for the 40 award categories begins on Oct. 27.

Then, before you know it, the 2021 PCAs will be here on Tuesday, Dec. 7!

This year is particularly exciting as the PCAs will air simultaneously on E! and NBC. While the 2021 ceremony marks the fourth consecutive year the show has been broadcast on E!, this year will be the first time ever that the show will also be on NBC. 

Head to the PCAs voting site now to help the artists, movies, TV shows and pop culture moments you love get that much closer to the ballot!

To learn more, click HERE.

About the People’s Choice Awards

The People’s Choice Awards is an awards show currently run by E! News, recognizing people in the entertainment industry since 1975. Unlike other awards shows, anyone can vote for their favorite celebrity/entertainer.

LGBT flag illustration by Symara Wilson for 360 Magazine

Outfest 2021

If you’re looking for new entertainment, good news: Outfest L.A 2021 has released the dates, venues, and lineup for its 39th film festival. Outfest LA is returning to in-person screenings more than a year and a half after the Covid-19 pandemic. With nearly 200 films in every genre, Outfest includes voices and stories from the entire queer community.

The nation’s leading LGBTQ+ festival will be held from August 13 to 22 in-person. Alternatively, for those at-risk or those who are outside of the Los Angeles area, Outfest also announced that nearly every film will be available for streaming as well. The 2021 LGBTQ film festival kicks off with an opening night screening of Everybody’s Talking About Jamie directed by Jonathan Butterell, marking the festival’s first outdoor gala taking place at the Hollywood Forever Cemetery. On August 22, Fanny: The Right to Rock directed by Bobbi Jo Hart will be the closing night film screening at the Orpheum Theatre.

The Platinum Section will be showcasing creators of experimental LGBTQ media and performance, featuring films such as Sundance hit We’re All Going to the World’s Fair and UK documentary Rebel Dykes. The Legacy section will feature screenings of classic LGBTQ features including The Incredibly True Adventures of Two Girls in Love by director Maria Maggenti.

Not just film screenings, the festival will also include special appearances by Max Harwood and others, with live performances by BeBe Zahara Benet and more. The fifth annual Trans and Non-Binary Summit will be presented, in addition to other special events. Outfest will also present memorial tributes to Outfest alum Ash Christian and icon Cloris Leachman.

General admission tickets are $16. More information on exact prices and films can be found on the official website.

Full list of film screenings and activities listed below:

OPENING NIGHT

EVERYBODY’S TALKING ABOUT JAMIE dir. Jonathan Butterell

Including Special in-person appearances planned by Max Harwood, Lauren Patel, Jonathan Butterell as well as Bianca del Rio.

CLOSING NIGHT

FANNY: THE RIGHT TO ROCK dir. Bobbi Jo Hart

Live reunion performance after the screening by Fanny, including members Jean Millington, June Millington, Alice de Buhr, and Brie Darling, joined by Patti Quattro and Lee Madeloni.

U.S. CENTERPIECE

THE NOVICE dir. Lauren Hadaway

DOCUMENTARY CENTERPIECE

BEING BEBE dir. Emily Branham

Special live performance by BeBe Zahara Benet.

SPECIAL TRIBUTE CENTERPIECE

THE SIXTH REEL (World Premiere) dir. Charles Busch, Carl Andress

Special memorial tribute to producer and Outfest alum Ash Christian, who passed away during the development of this film in 2020.

U.S. NARRATIVE

  • ALL BOYS AREN’T BLUE dir. Nathan Hale Williams
  • FIRSTNESS dir. by Brielle Brilliant
  • HOMEBODY (World Premiere) dir. Joseph Sackett
  • LANGUAGE LESSONS dir. Natalie Morales
  • MA BELLE, MY BEAUTY (Online Only) dir. Marion Hill
  • POTATO DREAMS OF AMERICA dir. Wes Hurley
  • SEE YOU THEN dir. Mari Walker
  • WE NEED TO DO SOMETHING dir. by Sean King O’Grady

INTERNATIONAL NARRATIVE

  • THE BEST FAMILIES dir. Javier Fuentes-León
  • BOY MEETS BOY dir. Daniel Sánchez
  • A DISTANT PLACE dir. Kun-Young Park
  • FIREBIRD dir. Peeter Rebane
  • JUMP, DARLING dir. Phil Connell Screening will be accompanied by a celebrity memorial tribute to Cloris Leachman, as well as a rare, pre-recorded introduction by Cloris Leachman herself
  • KNOCKING (Theatrical Only) dir. Frida Kempff
  • LEADING LADIES dir. Ruth Caudeli
  • LOVE, SPELLS, AND ALL THAT dir. Ümit Ünal
  • SWEETHEART dir. Marley Morrison

DOCUMENTARY

  • BOULEVARD! A HOLLYWOOD STORY (World Premiere) dir. Jeffrey Schwarz
  • CRYSTAL DIARIES dir. Enyce Smith and Gina Lamb
    GEMMEL AND TIM (World Premiere) dir. Michiel Thomas
  • EVERYTHING AT ONCE dir. Alberto Fuguet
    INVISIBLE dir. T.J. Parsell – including live performance by Mary Gauthier, Jess Leary, Dianne Davidson, and other members of the cast
  • LADY BUDS dir. Chris J. Russo – Sneak Preview Screening
  • MY NAME IS PAULI MURRAY dir. Betsy West and Julie Cohen
  • NO STRAIGHT LINES: THE RISE OF QUEER COMICS dir. Vivian Kleiman
  • NORTH BY CURRENT dir. Angelo Madsen Minax
  • RAW! UNCUT! VIDEO! Dir. by Alex Clausen and Ryan A. White
  • SEDIMENTS (International Premiere) dir. Adrián Silvestre

PLATINUM SECTION

  • SOCKS ON FIRE dir. Bo McGuire – Platinum Centerpiece, will include a pre-show drag performance emceed by director Bo McGuire
  • DEATH AND BOWLING (World Premiere) dir. Lyle Kash
  • REBEL DYKES dir. Harri Shanahan and Siân A. Williams
  • WE’RE ALL GOING TO THE WORLD’S FAIR dir. Jane Schoenbrun

PLATINUM SHORTS SHOWCASE (89 min.)

  • EXORCISMS AND OTHER SUPPLICATIONS dir. Georden West
  • DWARF PLANET dir. Adrian Chiarella
  • HYENA dir. Zinzi LeMond
  • BODIES OF DESIRE dir. Varsha Panikar and Saad Nawab
  • THE CROWN WITH A SHADOW dir. JB Ghuman
  • MAN OF MY DREAMS dir. Tristan Scott-Behrends
  • NSFW (ANGRY YELLOW MEAT) dir. Woohee Cho
  • CHILDHOODS dir. Aaron Biscombe
  • F1-100 dir. Emory Chao Johnson
  • REBEL dir. Jose Alfredo and Coker Jones Garcia
  • MONSTER GIRL dir. Jake Mcclellan and Eric Griffin
  • RUN OUT GROOVE dir. Paige Henderson
  • JUPITER & EUROPA dir. Milo Ferguson
  • IN THE AIR TONIGHT dir. Tito Soto

SPECIAL EVENTSLive performance elements are subject to change as policy around Los Angeles’ mask mandate evolves.

  • AIDS DIVA: THE LEGEND OF CONNIE NORMAN
  • BALONEY – Screening will be accompanied by a live Baloney show and a Q&A moderated by RuPaul’s Drag Race star BenDeLaCreme
  • THE EXTINCTION OF FIREFLIES dir. James Andrew Walsh
  • LA QUEENCIAÑERA (World Premiere) dir. Pedro Peira
  • THE LEGEND OF THE UNDERGROUND dir. Giselle Bailey, Nneka Onuorah – (Free Screening)
  • PROGNOSIS – NOTES ON LIVING dir. Debra Chasnoff
  • SHIT & CHAMPAGNE dir. D’Arcy Drollinger – Champagne White will host a ridiculous pre-show with members of the cast and the world’s trashiest “strippers”
  • THIS IS JESSICA dir. Andrea Meyerson
  • TRANS & NON-BINARY SUMMIT
  • OUTFEST SCREENWRITING LAB LIVE READ

EPISODICS

  • BOY CULTURE – Episodes 1 & 2
  • NOAH’S ARC: THE ‘RONA CHRONICLES
  • BRIDESMAN World Premiere
  • THR PRESENTS: WORK IN PROGRESS Season 2 – FREE EVENT

LEGACY

  • THE INCREDIBLY TRUE ADVENTURES OF TWO GIRLS IN LOVE dir. Maria Maggenti
  • QUINCEAÑERA (15TH ANNIVERSARY) dirs. Richard Glatzer & Wash Westmoreland
    Theatrical Only
  • VESTIDA DE AZUL (DRESSED IN BLUE) – U.S. Restoration Premiere! Theatrical Only

SHORT FILMS

  • 1-888-5-BLUE-YOU dirs. Jake Mcclellan, Eric Griffin
  • 2 DOLLARS dir. Robin Cloud
  • ALL THOSE SENSATIONS IN MY BELLY dir. Marko Djeska
  • ALMOST A YEAR dir. Jamieson Baker
  • AND THEN dir. Ravenna Tran
  • ARE YOU STILL WATCHING? dirs. Tali Polichtuk, Kitty Chrystal, Alex Cardy
  • AT LAST dir. Lorena Gordon
  • AUTOETHNOGRAPHY dir. Iván Reina Ortiz
  • BEAUTIFUL THEY dir. Cloudy Rhodes
  • BEFORE THE ERUPTION dir. Roberto Pérez Toledo
  • BETWEEN US dir. Cailleah Scott-Grimes
  • BLACK BOY JOY dirs. Joshua Walker, Avery Archie
  • BODIES OF DESIRE dirs.Varsha Panikar, Saad Nawab
  • BOREKAS dir. Saleh Saadi
  • BRACHA dirs. Mickey Triest, Aaron Geva
  • BREAK IN dir. Alyssa Lerner
  • CHILDHOODS dir. Aaron Alexis
  • CHLOE MARY LYDIA dir. Megan Chumbley
  • COCOON LOVE dir. Xiaowen Wang
  • CODED dir. Ryan White
  • COMPLICATED dir. Isak Kohaly
  • COVID SUMMER dir. Todd Verow
  • DAISY BOY dir. Aj Knight, Darrin Bush
  • DREAMER dir. Stephanie Osuna-Hernandez
  • DUSTIN dir.Naïla Guiguet
  • DWARF PLANET dir. Adrian Chiarella
  • EDEN dir. Sven Spur
  • EGGSHELLS dir. Slava Doycheva
  • EXORCISMS AND OTHER SUPPLICATIONS dir. Georden West
  • F1-100 dir. Emory Chao Johnson
  • FAREWELL dir. Maria Åkesson
  • FERVOR dir. José Manuel Vélez
  • FISHBOWL dir. Jacqueline Chan
  • FISHERMAN dir. Nicky Miller
  • GAYME ON dir. Giovanni Adams
  • GIRL NIGHT STAND: CHAPTER TWO dir. Jenna Laurenzo
  • GIRLS & THE PARTY dir. Paloma Lopez
  • GIRLS SHOULDN’T WALK ALONE AT NIGHT dir. Katerine Martineau
  • GOD’S DAUGHTER DANCES dir. Sungbin BYUN
  • GRADUATION dir.Robin Wang
  • GROWING FANGS dir. Ann Marie Pace
  • HEADLOCK dir. Damon Laguna
  • HOMEGOING dir. Carlton Daniel JR.
  • HOT DREAMS dir. Darci Fulcher, Vaughn Greve
  • HOW MOVING dir. Owen Thiele
  • HOW TO BE QUEER dir. Monica Zanetti
  • HOW TO DIE YOUNG IN MANILA dir. Petersen Vargas
  • HOW TO RAISE A BLACK BOY dir. Justice Jamal Jones
  • HYENA dir. Zinzi LeMond
  • IN THE AIR TONIGHT dir. Tito Soto
  • IT WAS THE DOG THAT SAVED MY LIFE dirs. Adam Golub, Sylvaine Alfaro
  • IT’LL BE OVER SOON dir. Benjamin Rigby
  • JACK AND JO DON’T WANT TO DIE dir. Kantu Lentz
  • JUPITER & EUROPA dir. Milo Ferguson
  • KWÊSKOSÎW (SHE WHISTLES) dir. Thirza Cuthand
  • LITTLE MX. SUNSHINE dir. Alessandro Nori
  • LITTLE SKY dir. Jess X. Snow
  • LUV U CUZ dir. Eric Pumphrey
  • MAMA HAS A MUSTACHE dir. Sally Rubin
  • MIND OVER TIME dir. Will Holst
  • MOTHER BUNKER dir. George Metaxas
  • MOTTA dir. Nish Gera
  • MOUNTAIN LODGE dir. Jordan Wong
  • NARCISSISTER BREAST WORK dir. Narcissister
  • NI AQUÍ NI ALLÁ dir. Ley Comas
  • NIMZO dir. Adelina Anthony
  • NOOR & LAYLA dir. Fawzia Mirza
  • NSFW (ANGRY YELLOW MEAT) dir. Woohee Cho
  • NUCLEAR FAMILY dir. Faustine Crespy
  • OF SELF-BLESSING dir. golden lionheart collier
  • OLLIES ON THE MOON dir. Brittany Campbell
  • ONLY FOR THE NIGHT dir. LaQuan Lewis
  • OUR BED IS GREEN dir. Maggie Brennan
  • OVER MY DEAD BODY dir. Quinlan Orear
  • OVER MY DEAD BODY dir. Tamiah Bantum
  • PEACE dir. Adomako Aman
  • PINE dir. Bethany Michalski
  • PINK & BLUE dir. Carmen LoBue
  • PLAISIR dir. Molly Gillis
  • POOL BOY dir. Luke Willis
  • PRIVATE PHOTOS dir. Marcelo Grabowsky
  • PURE dir. Natalie Jasmine Harris
  • QUEER ISOLATION dir. Jordana Valerie Allen-Shim
  • QUINCEAÑERO dir. Justin Floyd
  • REBEL dir. Jose Alfredo Garcia
  • RIGHT TO TRY dir. Zeberiah Newman
  • ROADKILL dir. Aliza Brugger
  • RUN OUT GROOVE dir. Paige Henderson
  • RUTH dir. Beulah Pidakala
  • SEASICK dir. Lindsey Ryan
  • SENIOR PROM dir. Luisa Conlon
  • SMOKE, LILIES AND JADE dirs. Deondray and Quincy LeNear Gossfield
  • SQUISH dir. Xavier SERON
  • STEPHEN & JAMES: BEST GIRLFRIENDS dir. Dave Quantic
  • SUPREME dir. Youssef Youssef
  • SWIMMING TO THE END OF THE WORLD dir. Todd Verow
  • TAFFETA dir. Lovell Holder
  • TAFFY dir. Jon Crawford
  • THANK YOU FOR BEING HERE dir.Elizabeth Archer
  • THE BEAUTY PRESIDENT dir. Whitney Skauge
  • THE BINDING OF ITZIK dir. Anika Benkov
  • THE CROWN WITH A SHADOW dir. JB Ghuman, Jr.
  • THE DAILY WAR dir. Karla Legaspy
  • THE FUGITIVES dir. Dami Sainz Edwards
  • THE LIGHTS ARE ON, NO ONE’S HOME dir. Faye Ruiz
  • THE MAN OF MY DREAMS dir. Tristan Scott-Behrends
  • THE NIGHT TRAIN dir. Jerry Carlsson
  • THE NUMBER 12 dir. Jed Bell
  • THE RECORDER dir. Justine Lupe
  • THE SMALL THINGS dir. Natalie Jasmine Harris
  • THE WAY WE ARE dir. Amanda Ann-Min Wong
  • THE YOUNG KING dir. Larin Sullivan
  • THEY/THEM dir. Goldbloom Micomonaco
  • THƠ dirs. Jake Villadolid, Heather Muriel Nguyễn
  • TO THE FUTURE, WITH LOVE dir. Shaleece Haas
  • TRADE CENTER dir. Adam B Baran
  • UNLIVEABLE (INABITÁVEL) dir. Matheus Farias, Enock Carvalho
  • UNTIE dir. Lane Michael Stanley
  • VALIENTE (BRAVE) dir. Miguel Melo
  • VIRGIN MY ASS dir. Adar Sigler
  • WHAT’S LEFT INSIDE dir. Michael Varrati
Image via Jonathan Marder + Company for 360 Magazine

Havana Film Festival New York 2021

HAVANA FILM FESTIVAL NEW YORK IS BACK! 

SEPTEMBER 17-23, 2021

Celebrating Latin American Cinema since 2000

HFFNY returns to NYC in its 21st edition with Movie Premieres and Masterclasses

Showcasing top Latin talent at Village East Cinema and Instituto Cervantes

September 17-23, 2021 the 21st Havana Film Festival New York (HFFNY) is back in theaters, with an exceptional program of over 30 films from Cuba, Latin America, and the U.S. Featuring a diverse slate of films, HFFNY 2021 highlights the Cuban cultural legacy through its most inspiring creators in addition to new releases from across Latin America competing to win the Havana Star Prize in fiction and documentary. This year’s program also includes retrospectives, roundtables, and master classes guaranteed to open minds and start conversations.

The 21st HFFNY will showcase films from Argentina, Brazil, Chile, Colombia, Cuba, Guatemala, Mexico, Peru, Puerto Rico, Spain, and the United States. The festival offers a cinematic window into the multiple perspectives that make up the Latin American diaspora, and will foster an environment for industry professionals, film lovers, and Latinos to enrich and expand their vision of Latino culture. Filmmakers will join us from around the world to introduce audiences to their stories, interpretations, and approaches to the art of making movies.

Special guests to be announced. A full schedule of films will be announced August 11th. Visit

HFFNY’s website for regular updates.

FESTIVAL HIGHLIGHTS 

SCREENINGS AND FREE EVENTS

From a nostalgic tale of a childhood in Havana to an absurdist Argentinian drama in which a listless millennial sets out on a series of short encounters as the world flirts with possible apocalypse, HFFNY has a movie for everyone. Films will be screened during the afternoons and evenings with FREE panels at 11AM on Saturday and Sunday. Masterclasses, retrospectives, and other special events will be presented in partnership with local cultural organizations and educational institutions, free of charge and open to the public.

TRIBUTES TO THOSE WE LOST

In recognition of two Cuban filmmakers that we lost this year, Juan Carlos Tabío (1943-2021) and Enrique Pineda Barnet (1933-2021) the Havana Film Festival New York is celebrating their contributions to the field of filmmaking with screenings of the newly restored versions of some of their earlier films.

  • Se Permuta / House for Swap

Juan Carlos Tabío | Cuba | Fiction | 1983 | 103min

A charming farce about Cuba’s housing shortage, and the first sitcom produced by Cuba’s film

institute, it was widely received as a hilarious guide to the heart of Cuban society.

  • Giselle

Enrique Pineda Barnet | Cuba | Docu-Fiction | 1965 | 90min

A thrilling performance film that follows Cuba’s immortal ballerina, Alicia Alonso, in her

acclaimed portrayal of Giselle in the eponymous ballet that made her an international star

A SPECIAL PRESENTATION OF CLASSIC CINEMA

  • The Newsreels – Santiago Álvarez (ICAIC)

Produced weekly by Cuba’s foremost montage filmmaker from 1960 to 1990, these newsreels

captured Cuban revolutionary history and world events from a distinctly Latin American populist

perspective.

BOX OFFICE AND DISCOUNTS

HFFNY offers ticket discounts to students and senior citizens, and through its selection of Festival passes. It also advertises time-limited reduced price sales for screenings and events on its social media pages. For more information, follow us on social media at @hffny and visit the website.

HFFNY FESTIVAL VENUES

Village East Cinema: 181-189 2nd Ave, New York, NY 10003

Instituto Cervantes: 211 E 49th Street, New York, NY 10017

HFFNY Virtual Cinema. Follow HFFNY via Facebook, Twitter and Instagram.

illustration by Samantha Miduri for use by 360 Magazine

Prop Store Auction Brings in Incredible Sales

Prop Store – one of the world’s leading film and TV memorabilia companies – has announced the results from the first day of their three-day Los Angeles-based live auction of film and TV memorabilia, with items on offer expected to fetch in excess of $6.1M (£4.4 M).

Prop Store’s unique Entertainment Memorabilia Live Auction held its first day of sales yesterday, June 29th, and will continue today, June 30th, and tomorrow on July 1st. The auction is broadcast around the world via a Livestream, and hundreds of bidders from around the world took part in the first day which achieved outstanding results through the intensive bidding.

Highlight pieces from the first day of the auction included the sale of Indiana Jones’ (Harrison Ford) Fedora from Indiana Jones & The Temple of Doom (1984) which sold for $375,000 (£270.9k), Jean-Luc Picard’s (Patrick Stewart) Ressikan Flute from Star Trek: The Next Generation (1987 – 1994) which sold for $237,500 (£171.5k), and a screen-matched Jason Voorhees hockey mask from Jason Goes To Hell: The Final Friday (1993) which sold for $225,000 (£162.5k). 

An original wand and set of eyeglasses made for Daniel Radcliffe during production on Harry Potter and the Deathly Hallows – Parts 1 & 2 were donated by Warner Bros. and sold for a collective Hammer Price of $97,500 (£70.3k). 100% of the Hammer Price proceeds from these two original props and a limited edition boxed set of the seven Harry Potter books signed by J.K. Rowling, which sold on Tuesday for $8,000 (£5.7k), will benefit the charity Lumos Foundation USA, Inc.

Notable sales included (all figures stated are the total sale prices paid by the buyer, which include the buyer’s premium):

  1. Indiana Jones’ (Harrison Ford) Fedora from INDIANA JONES & THE TEMPLE OF DOOM (1984) sold for $375,000 (£270.7k)
  2. Jean-Luc Picard’s (Patrick Stewart) Ressikan Flute, Box and Costume Continuity Script from STAR TREK: THE NEXT GENERATION (T.V. SERIES, 1987 – 1994) sold for $237,500 (£171.4k)
  3. Screen-Matched Kane Hodder-Signed Jason Voorhees Hockey Mask from JASON GOES TO HELL: THE FINAL FRIDAY (1993) sold for $225,000 (£162.4k)                     
  4. Statler and Waldorf Muppet Heads from THE MUPPETS FRANCHISE (1975 – PRESENT) sold for $118,750 (£85.7k)
  5. Vasquez’s (Jeanette Goldstein) Screen-Matched Lightweight M-41A Pulse Rifle from ALIENS (1986) sold for $106,250 (£76.7k)
  6. R2-SHP Light-up Remote-Control Droid from STAR WARS – EP IX – THE RISE OF SKYWALKER (2019) sold for $100,000 (£72.1k)
  7. Jeannie’s (As Played by Barbara Eden) Bottle – I DREAM OF JEANNIE (T.V. SERIES, 1966-1969) sold for $75,000 (£54.1k)
  8. Darth Vader Touring Helmet from STAR WARS – EP V – THE EMPIRE STRIKES BACK (1980) sold for $75,000 (£54.1k)
  9. Harry Potter’s Eyeglasses from HARRY POTTER AND THE DEATHLY HALLOWS: PARTS 2 (2011) sold for $68,750 (£49.6k)
  10. Hero Biker Scout Blaster from STAR WARS – EP VI – RETURN OF THE JEDI (1983) sold for $68,750 (£49.6k)
  11. Carrie Fisher’s Heavily Annotated, Leather-Bound Fifth Draft Script from STAR WARS – EP V – THE EMPIRE STRIKES BACK (1980) sold for $62,500 (£45.1k)
  12. Christopher Lloyd and Thomas F. Wilson-Signed Grays Sports Almanac from BACK TO THE FUTURE PART II (1989) sold for $56,250 (£40.6k)
  13. Harry Potter’s Wand from HARRY POTTER AND THE DEATHLY HALLOWS: PART I (2010) sold for $53,125 (£38.3k)
  14. Roman Polanski (Rafal Zawierucha) and Sharon Tate’s (Margot Robbie) Green MG from ONCE UPON A TIME…IN HOLLYWOOD (2019) sold for $53,125 (£38.3k)
  15. Obi-Wan Kenobi’s (Ewan McGregor) Bladed Dueling Lightsaber from STAR WARS – EP III – REVENGE OF THE SITH (2005) sold for $53,125 (£38.3k)
  16. Eddie Valiant’s (Bob Hoskins) Screen-Matched Pistol Case, Toon .38 Pistol, and Dum-Dum Bullets from WHO FRAMED ROGER RABBIT (1988) sold for $53,125 (£38.3k)
  17. Anakin Skywalker’s (Hayden Christensen) Bladed Dueling Lightsaber from STAR WARS – EP III – REVENGE OF THE SITH (2005) sold for $50,000 (£36k)
  18. Anakin Skywalker’s (Hayden Christensen) Bladed Dueling Lightsaber from STAR WARS – EP III – REVENGE OF THE SITH (2005) sold for $50,000 (£36k)
  19. RoboCop’s (Robert John Burke) Jetpack with Hand-Drawn Craig Hayes Alternate Concepts from ROBOCOP 3 (1993) sold for $46,875 (£33.8k)
  20. Foam Floating Mask of Loki from THE MASK (1994) sold for $43,750 (£31.5k)

The auction continues today June 30th and tomorrow July 1st, which will see the sale of more memorabilia including Steve McQueen’s “Jake Holman” jeans from THE SAND PEBBLES (1966) and an original SFX Yamaha MT-09 motorcycle from JOHN WICK: CHAPTER 3 – PARABELLUM (2019).

Brandon Alinger, Prop Store’s COO commented on the auction: “Prop Store’s three-day Entertainment Memorabilia Live Auction out of Los Angeles had an amazing opening day. Bidding was incredibly strong with many pieces outperforming their pre-sale estimates. We were especially thrilled to see our bidders’ love for Indiana Jones remains strong, with Harrison Ford’s Temple of Doom fedora selling for $375,000. We are also very pleased with the sale of the Harry Potter wand, eyeglasses, and set of signed books that were sold to benefit the charity Lumos Foundation USA, Inc.  We thank the many film fans and collectors who have taken part in the auction so far and hope to see everyone for the remaining 800-plus lots in the auction’s final two days, June 30th and July 1st.”

Prop Store’s annual UK Entertainment Memorabilia Live Auction is back later this year, with an exciting two-day event, giving collectors another opportunity to get their hands on incredible pieces of movie history. Register for the auction now on Prop Store’s website.

Film festival illustration by Kaelen Felix for 360 Magazine

Savantis Supports Cinema Week to Promote Return of Theaters

Savantis Supports Inaugural Cinema Week to Promote the Return to Live Entertainment for Moviegoers

Savantis supports Cinema Week’s mission to enhance the moviegoing experience with its cloud-based, omnichannel Intelligent Entertainment Suite built on SAP.

Savantis, a leading provider of end-to-end solutions and support for the digital transformation of cinemas and entertainment venues, announced that they are pleased to support the inaugural Cinema Week campaign, a six-day nationwide event designed to energize moviegoers and encourage audiences to support local movie theaters. With a mission to celebrate the culture of going to the movies, the campaign showcases exclusive in-theater content, activations, giveaways, special offers for loyalty members, and celebrity guests with activities varying depending on the location. Cinema Week takes place June 22 to 27 across the US.

Savantis is proud to sponsor the first-ever Cinema Week, an exciting nationwide initiative to re-engage audiences and revive the cinema industry following a difficult and challenging year, during most of which theaters remained closed due to Covid-19, said Keith Hontz, CEO and President of Savantis. Both Cinema Week and Savantis are aligned in their mission to enhance the customer experience for moviegoers, so we felt very strongly that we must get involved and help preserve the culture, and the magic, of going to the movies, continued Hontz.

In November last year, Savantis announced the launch of its Intelligent Entertainment Suite (IES) omnichannel solution specifically developed for the entertainment industry as a flexible and scalable alternative to Vista and other legacy cinema management software. The application is fully integrated with SAP Commerce and SAP Cloud Platform, which delivers an unparalleled digital experience for end consumers of B2C enterprises.

IES offers a broad range of benefits, modern features, and functions for streamlined cinema management including rapid implementation with little to no downtime, seasonal scalability, and real-time business intelligence metrics, such as sales, cash office, venue occupancy, operations, and more. Hontz further explained that innovations such as: End-to-end contactless interactions, self-service kiosk ordering, personalized loyalty offers, and seamless, omnichannel engagement all work to enhance the moviegoer experience, attract new customers, and keep loyal guests coming back.

With its more than 25 consumer-facing and back-office accelerators, IES allows B2C businesses to build their brand and create lasting relationships with patrons while operations run more efficiently. IES by Savantis is available on the SAP Store, the digital marketplace for SAP partner offerings.

About Savantis

Since 1999, Savantis has been helping companies drive strategic initiatives for sustainable growth by delivering end-to-end solutions that integrate with world-leading business software from SAP. A leading strategic implementation partner within the SAP ecosystem, specialising in expert consulting, outsourcing, and IT staffing, Savantis has earned a reputation for delivering successful and cost-effective IT projects for its clients. Savantis enables organizations to operate more efficiently by solving challenges through digital innovation with the expertise of its people and the quality of its products and services. Through co-innovation, and by using the most advanced technologies to support organization’s digital transformation, Savantis offers solutions for businesses in all SAP-defined core industry segments. Savantis supports the complete enterprise SAP application portfolio – CRM and Customer Experience, ERP and Finance, and Business Technology Platform – and has industry-leading expertise in SAP S/4HANA, SAP CX, and other innovative technologies for retail, alcohol beverage, cinema, entertainment, high-tech, manufacturing, and more.

Savantis has two distinct business units, SAP GLOBAL SOLUTIONS and SAP STAFFING. Intelligent Industry Solutions and Intelligent Industry Portfolios of industry-specific solutions and services provide targeted Customer Experience and Enterprise Consulting, Cloud and Support Outsourcing, and Staffing Solutions, which are exclusively focused on engaging with clients to ensure their success. Headquartered in Exton, Pennsylvania, US, Savantis has a global team of over 750 employees servicing 280 customers worldwide. Visit Savantis’ website to learn more.

SAP and other SAP products and services mentioned herein as well as their respective logos are trademarks or registered trademarks of SAP SE in Germany and other countries. Please see SAP’s copyright guidelines for additional trademark information and notices. All other product and service names mentioned are the trademarks of their respective companies.

About Cinema Week

The Cinema Week campaign was launched to celebrate and preserve the culture of going to the movies by giving both a collective point in time to rally around. Cinema Week is a five-day nationwide event designed to energize moviegoers and is inclusive of exhibitors of all sizes. It showcases exclusive in-theater content curated and shared with the in-theater movie-going audience first, pop-up red carpets, and early access screenings.

Cybersecurity illustration by Heather Skovlund for 360 Magazine

Amazon × MGM Studios Merger

Amazon announced that it will be acquiring MGM Studios for $8.45 billion, in an effort to bolster the already growing Amazon studios and making it the second largest acquisition on Amazon’s part, following its $13.7 purchase of Whole Foods in 2017.

According to cybersecurity expert Mark Stamford, CEO of OccamSec, a deal of this scale will require a complete review of its cybersecurity infrastructure, as the process of fully merging these entities are rarely completed in the expected timescale.

Mark continues:

  • The standard “merger” due-diligence template goes into great detail looking at financial & legal status issues, but rarely seems to consider the potential liability associated with linking into an organization with a seriously compromised infrastructure. 
  • Trying to coherently map risks or produce an enterprise security plan for this type of environment is incredibly challenging, when multiple systems are coming together
  • With such notable deals, most attackers reside within the organization’s network for over 100 days before discovery, so there is a very real risk of starting work on merging infrastructure, whilst being observed by an interested resident attacker, who will be keenly looking out for an opportunity to vector into the core organization’s networks

Mark says, “Exercising strategic due-diligence during a merger or acquisition, is the most effective what for any organization, like Amazon, to protect itself from cyber threats.”

We had the opportunity to ask Mark Stamford some questions as far as the merger and his expert opinion(s):

Q: What changes can be expected with a merger like the Amazon/MGM Studio merger?

MS: The merging of two different cultures always prompts a lot of changes. In this case, MGM is going to become more like Amazon than the other way round.

Q: Do the benefits outweigh the risks with this type of merger?

MS: Yes, I assume so, from a cyber perspective, the main risk is joining two networks together that have different structures, and probably issues. So, for example I was called in to help with some M&A work once, the new network was plugged in…and brought a heap of malware with it which quickly spread into the acquirers’ network.  It later transpired that some of the IP, which was the very reason for the merger, had been stolen.

Q: What challenges is Amazon, an online retailer, facing when merging with MGM Studio?

MS: Both operate in different ways. The majority of movie making companies seem to follow the “if it ain’t broke don’t fix it” mantra. So, technology tends to be a hodge podge, along with processes etc.… Amazon meanwhile is a tech company, and while primarily known as a retailer, has considerable presence in the cloud (with AWS) so has a lot of cutting-edge technology at its disposal.

Q: What are some ways to help the process move along with ease?

MS: Again, in a cyber perspective there needs to be due diligence done on the MGM environment. At the same time, since both organizations probably have a range of security tools, seeing who has the best tool for the job can save money in the long term.

Also, not to be discounted is the human element in cyber security – any merger results in layoffs. So, the potential for a “disgruntled insider” increases. The way to help with that is communication – not more monitoring.

Q: How can Amazon prevent cyber-attacks during the process of the merger?

MS: MGM makes a nice target right now, since at some point their technology will be integrated into Amazon, and if I was a bad guy, I would assume they are the softer target of the two. Amazon should work with MGM to ensure their security is at a “good” level, and work on the integration aspects – two distinct cyber security teams need to become one, quickly.

Q: In your opinion, does Amazon face cyber risks from vendors or third parties with the onset of the merger?

MS: I think amazon always faces this risk, as does everyone. Since the organization is increasing in size, the “attack surface increases” so yes, they do face risks.

Q: What are the biggest cybersecurity threats at the moment?

MS: Motivated attackers, be that nation states, criminal groups, hacktavists, or others. Ransomware is getting a lot of press right now. However, I think the biggest threat is the endless cost spiral companies are trapped in trying to deal with this.

Q: What are some ways to ensure that the infrastructure is not compromised?

MS: Defense in depth continues to be the key. Layers of security, which work together, and consider the context of the organization (how it makes money or delivers its service) in order to support that mission.  I assume Amazon will expand their cyber security program across MGM fairly quickly, which checks a number of boxes and provides a good starting point.

One issue may be that a movie studio faces different kinds of attackers than Amazon. Movie studios are primarily about their IP, everything else always seemed to be secondary to that. Stealing a movie is a different attack then ransomware, which we have seen borne out in practice (various insider attacks to steal content for example).

Q: What are your certifications in the cybersecurity field?

MS: I have been involved in cybersecurity since I was 11. Was senior penetration tester for a global consulting company, ran a security program at a global investment bank, and have been running a security company for 10 years.

Q: What does effective cybersecurity look like to you?

MS: Cost effective, business aware, and layered.

Regal via Regal Cinemas for use by 360 Magazine

Regal Cinemas’ Reopen with New Locations in L.A.

As Covid regulations are decreasing and more and more people are getting vaccinated, regulations are starting to decrease and people are starting to go outside again, including to the local movie theatres.  Regal Cinemas is reopening, and is also proud to announce 3 additional locations will open in the Los Angeles area, with one in Camarillo, one in Irvine, and one in Hemet. These theatres will open Friday, May 21. 

Lionsgate’s Spiral, a horror movie and Saw spinoff,  will headline the new movies including Angelina Jolie and Nicholas Hoult’s new thriller: Those Who Wish Me Dead and Guy Ritchie’s Wrath of Man along with a full slate of additional titles. Future releases opening in the coming weeks include A Quiet Place Part II, Cruella and F9.

Reopening plans include a wide range of health and safety measures that adhere to the CinemaSafe protocol and guidelines, which have been created by the National Association of Theatre Owners (NATO) in order to help prevent Covid outbreaks in theatres.

About Regal

Regal, a subsidiary of the Cineworld Group, operates one of the largest and most geographically diverse theatre circuits in the United States, consisting of 6,979 screens in 526 theatres in 42 states along with the District of Columbia and Guam as of February 28, 2021. The size, reach and quality of the company’s theatre circuit provides its patrons with a convenient and enjoyable moviegoing experience. They are committed to being “The Best Place to Watch a Movie!” Additional information is available on Regal’s website, which can be found HERE.

GRAND OPENING DELAYED at REGAL NORTH HOLLYWOOD & 4DX

WHAT: Due to unforeseen circumstances, we regret to inform you that the official opening scheduled for today, Friday, May 21, of the Regal North Hollywood has been postponed. We look forward to officially opening the doors in the coming days and will follow up accordingly when we have the official date.

WHERE: Regal North Hollywood & 4DX                                                        (3251 20th Avenue, San Francisco, CA 94132)

Paint Splash via Mina Tocallini for use by 360 Magazine

ELLE Canada’s Exciting June Issue

KO Média is excited to unveil the June issue of ELLE Canada, featuring the stories of three inspiring women’s hockey players who believe equal sweat deserves equal opportunity. “A common misconception about women’s hockey is that we’re not skilled enough, but the game has changed drastically in the past 10 years and there are so many more opportunities allowing girls to work on their skills from a younger age and develop faster,” says Olympic silver medalist Brigette Lacquette, the first First Nations woman to play for Canada’s Olympic hockey team.

No stranger to discrimination, Kirby Howell-Baptiste of The Good Place and the upcoming live-action film Cruella opens up about her rise to fame and why it’s harder for Black actors to make it in London than in Hollywood–as well as what it says about a film set’s inclusivity when there’s no hair stylist who can do her hair.

In fashion, this month is all about how psychedelics are inspiring kaleidoscopic colors and botanical motifs on the runway. Meanwhile, Toronto-based designer Kathryn Bowen talks about her latest collection influenced by old competitive figure skating outfits she rediscovered while home during the pandemic (think youthful sentimentality, elevated sophistication and non-binary tailoring). And we peek behind the scenes at a Chanel runway show where Kristen Stewart was the only guest.

In accessories, we’re looking back on the history of the clog, from Holland to Hermès, and we’re featuring summer sunglasses that prove that la vie is truly en rose (or blue or purple). Plus, the new eyebrow trend everyone’s talking about (and how to do it at home); nautical-inspired styles; and a guide to the summer’s best swoon-worthy romance novels – including recommendations for what to read if you loved Bridgerton or Love Actually.

The June issue of ELLE Canada will hit stands on May 17, 2021.