Posts tagged with "photographer"

Rolls-Royce illustration by Heather Skovlund for 360 Magazine

Making A Legend

ROLLS-ROYCE MARKS WORLD BOOK DAY WITH ‘MAKING A LEGEND’

  • Rolls-Royce celebrates UNESCO World Book Day on 23 April 2021 with Making A Legend
  • The new book explores the unique blend of hand-craftmanship, and world-class technology embodied in the present generation of Rolls-Royce motor cars
  • Authors Simon Van Booy and Harvey Briggs granted exclusive behind-the-scenes access with photographer Mariano Vilarós at Rolls-Royce’s Global Centre of Luxury Manufacturing Excellence at Goodwood
  • Foreword provided by Rolls-Royce Motor Cars Chief Executive, Torsten Müller-Ötvös
  • Hardcover, 296 pages, full-colour photographs throughout; now available from all good retailers

“When the authors approached us with their proposal for this book, we welcomed them with open arms. Simon and Harvey are both distinguished writers with great perceptiveness, integrity and enthusiasm. They joined us at the Home of Rolls-Royce in Goodwood, West Sussex, where we gave them our full support, granting access to whatever and whoever they wanted to see and talk about. Their words, combined with the images captured by Mariano Vilarós, make this a definitive history of the marque, right up to and including, the present day. Its publication represents a worthy addition to the literature of Rolls-Royce, a fine celebration of our unique products and people, and a perfect book with which to acknowledge World Book Day.”Torsten Müller-Ötvös, Chief Executive, Rolls-Royce Motor Cars

Rolls-Royce marks the UNESCO World Book and Copyright Day with Making A Legend – a new book exploring how today’s generation of Rolls-Royce motor cars is designed and handcrafted at Rolls-Royce’s Global Centre of Luxury Manufacturing Excellence in Goodwood, England.

An important and worthy addition to the extensive Rolls-Royce literary canon, Making A Legend takes in a broad sweep of the company’s history, featuring cars from the marque’s very earliest days in the 1900s, right up to new Ghost launched in 2020.

The book provides an intimate, highly contemporary account of life at the house of luxury, with the aim of connecting readers with the people who make the best car in the world. The narrative follows the process of transforming a customer’s idea into a finished product, through interviews with individuals from all departments including Bespoke designers, skilled craftspeople and assembly specialists.

Over almost 300 lavishly illustrated pages, every detail of how a Rolls-Royce motor car is designed, engineered and meticulously hand-built, is examined. Chapters include Design and Customization, Paint and Finish, Chassis Assembly, Woodwork, Leather and Testing; there is also an entire section devoted to the Spirit of Ecstasy, the figurine that has graced the bonnet of Rolls-Royce motor cars for over 100 years.

Emmy-winning automotive journalist Harvey Briggs, novelist Simon Van Booy and photographer Mariano Vilarós were granted unprecedented behind-the-scenes access to Rolls-Royce’s facilities and people over several months before the Covid-19 pandemic struck.

Briggs, who grew up in America’s Motor City, Detroit, and has reviewed every new Rolls-Royce model since Wraith in 2013, recalls being surprised at how much work is still performed by hand, even in the assembly process. He was also struck by the level of innovation in today’s Rolls-Royce motor cars, and the marque’s commitment to delivering impeccable quality.

Harvey Briggs commented, “The first time I visited Rolls-Royce in Goodwood, I was in awe of the exceptional creativity and skill of the people who design and build these remarkable cars. I knew I had to tell those stories.”

Simon Van Booy added, “The friendly perfectionism for craft, displayed by everyone we interviewed and Mariona photographed, was inspiring to the point where we knew the book had to be something rare and marvelous and functional – rather like a Rolls-Royce itself.”

Organized by UNESCO, World Book and Copyright Day celebrates the role of books and reading as a link between the past and the future, the bridge across generations and cultures. The date, 23rd April, is symbolic in world literature, marking the deaths of playwright and poet William Shakespeare, the creator of Don Quixote, Miguel de Cervantes, and the early Peruvian writer, Inca Garcilaso de la Vega.

Making A Legend is published in hardback by ACC Art Books, and is now available from all good retailers including Amazon.

Mare Monstrum/Drown in My Magic, a digital exhibition by David Uzochukwu on Artsy for use via 360 Magazine

David Uzochukwu – Mare Monstrum/Drown in My Magic

Mare Monstrum/Drown in My Magic, a digital exhibition by David Uzochukwu on Artsy

2016 – ongoing.
Italy, Senegal, Germany

Artist statement:

Mare Monstrum / Drown In My Magic channels the power of myth by explicitly visualizing Black merfolk. It envisions water as expanse which the characters can cut through, be safe in. No longer are they subject to whims of the tide, or drift into a void that holds the potential for destruction. Instead, the portrayed are equipped to survive and find freedom in the monstrous.

It almost seems as though Blackness is inevitably linked to a passage through the waters of the Atlantic Ocean, the Mediterranean Sea, Evros River, whether historic or recent. The potential of self-actualisation lapping at someone’s feet always calls to mind the blood, sweat and tears of those who have come before them. Can new lore shift the entanglement of Black bodies and their environments, making unquestionably clear that they belong?

About the series:

David Uzochukwu’s photographs deliver you into warm and sensitive worlds where humans and nature entwine in search of belonging. Expanses of sand, water or sky embrace Black bodies emanating strength and resilience. Often their limbs morph into fantastical forms against hyper-real landscapes that offer a space for contemplation or escape. It’s this interplay between the natural and supernatural, between the visible and invisible, that imbues the artist’s images with an arresting presence.

Uzochukwu’s ongoing body of work, Mare Monstrum / Drown In My Magic, uses the central idea of Black mermaids to explore both the historical relationship between the African diaspora and the water, and contemporary politics around illegal migration. A great part of the images were made in Senegal in 2018 and show mermen emerging from the seas protecting and healing one another. The most recent images came together in Germany and introduce a whole community of hybrid merfolk in states of solace and rebirth. An incubated baby, a proud centaur and a tender couple, among others, inhabit a boundless realm.

The Austrian-Nigerian artist was born in 1998 in Innsbruck. His photographic practice began as a teenager with intimate self-portraiture that soon gained recognition. He’s enjoyed collaborations with artists including FKA Twigs, Pharrell Williams, Ibeyi and Iris van Herpen. Since joining Galerie Number 8, he’s exhibited at Bozar, Photo Vogue Festival, Unseen Amsterdam, Off Biennale Dakar and LagosPhoto. He was named ‘One to Watch’ by the British Journal of Photography in 2020, and his first co-directed short film, Götterdämmerung, was selected for Max-Ophüls-Preis in 2021. He is currently studying philosophy at HU Humboldt University of Berlin.

“The long history of oppression experienced by people of color in the West makes an unlikely context for art devoted to the fantastical. All the more so when you consider recent developments such as the racist rhetoric and anti-immigration policies of the Trump administration, the chilling roll call of African-Americans killed by US police (Freddie Gray, Eric Garner, Philando Castile) and the bigotries unleashed in Britain by Brexit (monkey chants at football matches and a spike in xenophobic hate crimes). Under such conditions, it’s worth asking if a turn to the fantastic by black artists is driven by a desire to escape from the charged and painful circumstances of daily life. Yet the opposite seems to be true. What characterizes much of the imagery being produced today is an eagerness to grapple with urgent questions of culture, identity and history– albeit through imagery that accentuates the extraordinary rather than the everyday. (…)

Ultimately, the Berlin-based David Uzochukwu – whose recent Drown in my Magic project situates a panoply of mythical water creatures within arid landscapes – may speak for all the artists currently finding inspiration in fantasy. The goal, as Uzochukwu puts it, is to reclaim the narrative of fantasy’ by embracing ‘the alien otherness projected onto black bodies in a way that could be read as pure empowerment.’”
-Extract of the essay “A Fantastic Turn” by Ekow Eshun for Unseen Magazine.

Drown in My Magic will go live starting April 16th 2021 on Artsy HERE.

Mare Monstrum/Drown in My Magic, a digital exhibition by David Uzochukwu on Artsy for use via 360 Magazine

Mare Monstrum/Drown in My Magic, a digital exhibition by David Uzochukwu on Artsy for use via 360 Magazine

Taylor Swift illustration by Heather Skovlund (Photo Credit: Kevin C. Winter) for 360 Magazine

TAYLOR SWIFT – ALBUM OF THE YEAR

Taylor Swift Wins Album of the Year at Grammys

Taylor Swift × Disney+

Taylor’s announcement video on Twitter and Instagram

Watch Trailer HERE

Taylor Swift, Aaron Dessner (The National), Jack Antonoff (Bleachers) and Justin Vernon (Bon Iver) created an album that crossed genres — a musical journey that allows us to cry and laugh, and during these trying times, makes us feel like we’re not quite so alone. They recorded “folklore” thousands of miles apart from each other and had never been in the same room together…

…until now

“folklore: the long pond studio sessions” was filmed in upstate New York in September 2020 and will premiere exclusively on Disney+ on Wednesday, November 25, at 12:01AM PT. Taylor, accompanied by co-producers Aaron Dessner and Jack Antonoff along with a guest appearance by Justin Vernon (Bon Iver), performs each song in order of her critically adored, five star album, “folklore” and for the very first time, reveals the stories and secrets behind all 17 songs.

“folklore: the long pond studio sessions” was directed by Taylor Swift and filmed on 6 x Lumix S1H mirrorless cameras with Leica lenses embedded in the studio, along with a one Alexa LF with an Angenieux 24-290 on a Furio robotic camera with 30+ feet of curved track.

Twitter: @DisneyPlus

Instagram: @DisneyPlus

Facebook: @DisneyPlus

About Disney+

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. As part of Disney’s Media and Entertainment Distribution segment, Disney+ is available on most internet-connected devices and offers commercial-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content. Alongside unprecedented access to Disney’s incredible library of film and television entertainment, the service is also the exclusive streaming home for the latest releases from The Walt Disney Studios. Disney+ is available as part of a bundle offer that gives subscribers access to Disney+, Hulu (ad-supported), and ESPN+. Visit DisneyPlus.com to subscribe and/or learn more about the service.

TAYLOR SWIFT RELEASES FEARLESS (TAYLOR’S VERSION) ALBUM 

LISTEN HERE 

Today Taylor Swift released Fearless (Taylor’s Version).

The 27-track album of new recordings was produced by Taylor Swift, Chris Rowe, Aaron Dessner and Jack Antonoff and features musical collaborations with Colbie Caillat, Keith Urban and Maren Morris.

Fearless (Taylor’s Version) includes six never before released songs, including “Mr. Perfectly Fine” and “You All Over Me (Taylor’s Version)” featuring Maren Morris, which marks Taylor’s 130th Billboard Hot 100.  Taylor Swift now has the most entries in the Billboard Hot 100 of any female artist in history.

Taylor Swift released her second studio album, Fearless in 2008. It is the most awarded Country album of all time and received GRAMMY’s most prestigious accolade, Album of The Year Award in 2010. Taylor is the only female artist ever to have been honored in this category three times (Fearless1989 and folklore).

Fearless (Taylor’s Version) tracklisting

  1. Fearless (Taylor’s Version)
  2. Fifteen (Taylor’s Version)
  3. Love Story (Taylor’s Version)
  4. Hey Stephen (Taylor’s Version)
  5. White Horse (Taylor’s Version)
  6. You Belong with Me (Taylor’s Version)
  7. Breathe (Taylor’s Version) Featuring Colbie Caillat
  8. Tell Me Why (Taylor’s Version)
  9. You’re Not Sorry (Taylor’s Version)
  10. The Way I Loved You (Taylor’s Version)
  11. Forever & Always (Taylor’s Version)
  12. The Best Day (Taylor’s Version)
  13. Change (Taylor’s Version)
  14. Jump Then Fall (Taylor’s Version)
  15. Untouchable (Taylor’s Version)
  16. Forever & Always (Piano Version) (Taylor’s Version)
  17. Come in with the Rain (Taylor’s Version)
  18. Superstar (Taylor’s Version)
  19. The Other Side of the Door (Taylor’s Version)
  20. Today Was a Fairytale (Taylor’s Version)
  21. You All Over Me (from the Vault) Featuring Maren Morris
  22. Mr. Perfectly Fine (from the Vault)
  23. We Were Happy (from the Vault)
  24. That’s When (from the Vault) Featuring Keith Urban
  25. Don’t You (from the Vault)
  26. Bye Bye Baby (from the Vault)
  27. Bonus Track: Love Story (Taylor’s Version) – Elvira Remix
Rendition of John D. Gerdes's painting illustrated by Heather Skovlund for 360 Magazine

Florida Outsider Art

An Irresistible Urge to Create

The Monroe Family Collection of Florida Outsider Art On view through September 5 at the Boca Raton Museum of Art

The passion for Outsider Art runs deep in Florida, where self-taught artists have forged an indelible mark of special attention on the creative landscape of the state. An Irresistible Urge to Create: The Monroe Family Collection of Florida Outsider Art is the most comprehensive exhibition of its kind, on view at the Boca Raton Museum of Art until September 5th. This is the first time a museum has presented this definitive group of artists with an exhibition of this size and scope. Against the odds, many of these artists created obsessively to escape from their worlds that were often full of deep conflict and personal struggles.

Starting in the early 1990s, the photographer Gary Monroe drove throughout the state of Florida for more than ten years― from Key West to Jacksonville to Pensacola― on a mission to find what he calls “Florida’s renegade artists.” Thirty years later, after collecting, protecting and archiving more than 1,000 works by outsider artists, the result is an exhibition that leaves viewers spellbound.

“When I made these journeys across Florida to seek out and connect with these outlier artists, it was before the internet and it was quite laborious,” says Monroe. During his decade-long quest across the state, Monroe personally met nearly all of these artists one by one and became part of their lives. At the time this required a major personal commitment: he had to earn their trust to be allowed into their reclusive worlds. “It was an adventure,” adds Monroe. “Especially since there were no cell phones or GPS. Just good old road maps and phone booths. “Monroe’s odyssey culminated in 2003 when his book Extraordinary Interpretations: Florida’s Self-Taught Artists was published by the University Press of Florida.

The Museum has selected 86 of these works by 44 Florida artists for this landmark exhibition, which has already been tapped to travel to two other museums. “This new project opens a welcome window into another world. The world of wonders that lies outside the artistic establishment” says Irvin Lippman, the Executive Director of the Boca Raton Museum of Art. “This confounds our understanding of contemporary art, in a good way.”

“Outliers, boundary-crossers, pilgrims, exiles”

An Irresistible Urge to Create presents 86 works, many never seen before, by 44 Florida artists including: Purvis Young, George Voronovsky, Aurelia “Mama” Johnson, Frank Ritchie, Ruby “Miss Ruby” Williams, Gene Beecher, Kathy d’Adesky, Brian Dowdall, Floryan (Florian) Ludwig, Reva Freedman, Ozzie Lee “OL” Samuels, Sybil Gibson, Joey Smollon, Polly Bernard, Milton Ellis, Janice Kennedy, John Gerdes, Susanne Blankemeier, Morgan Steele, Alyne Harris, and Ed Ott. “For these artists, making art was as essential as breathing,” says Irvin Lippman. “Their artistic freedom was a pure, sincere and intimate means of communication.”

The artists in this exhibition were not interested in monetary gain or acclaim, they just wanted to create. “People who admire the independent spirit that unites these artists are awed by their sense of urgency. Their art is genuine. They let it flow from deep within their interior selves, they did not promote their work,” says Monroe. Most of George Voronovsky’s works, for example, have never been seen before. “I’ve been a custodian of his life’s work for the past 38 years,” adds Monroe.

The show is accompanied by an exhibition catalog with a specially commissioned poem by Campbell McGrath about artists’ urge to create. Titled Florida Primitives, the poem starts: “All Florida artists are primitives, so feral in their soil, so lush, endemic and elemental . . . All Florida artists are outsiders, outliers, highwaymen, boundary-crossers, pilgrims, exiles . . .,” and ends with: “art is an urge as irresistible as Florida.” The state, after all, continues to be known for its high strangeness. Home to 21 million people and growing more every day – especially after the pandemic– Florida also attracts more than 100 million tourists each year, adding to its population. The warm weather has also historically attracted homeless citizens from the colder regions, and people who live on the margins. Since its beginnings, Florida has always been known as a curious destination for artists of all types. Often what happens in Florida can serve as a lens to view upcoming cultural trends for the rest of the country too. The exhibition catalog explores how, over time, the vocabulary that is used to describe these “outsider “artists has evolved as the art world shifts its perception about what art is, and what art can be. “None of these artists were trained technicians, yet they each found their own way to technically transcribe their intuitions,” adds Monroe.

The History of Outsider Art

The interest in what is frequently called Outsider Art began in the early 20th-century with psychiatrists who studied artists who were institutionalized. In 1922, the book Artistry of the Mentally Ill became influential to the Surrealists. Later, in 1948, Jean Dubuffet and others founded the Compagnie de l’Art Brut, a collection of what they called “raw art” – art made outside the traditions of fine art. According to Kathleen Goncharov, the Senior Curator of the Boca Raton Museum of Art: “This interest has recently increased exponentially, as more mainstream institutions celebrate these kinds of artists. ‘Outsider’ artists are now most definitely ‘In.’ Many controversial terms have been bandied about to describe them, such as self-taught (in addition to ‘outsider’), but no truly definitive name yet. I suggest we call all creative works that are arresting, intriguing, and interesting conceptually, as simply ‘art’ and leave it at that. Jean Dubuffet said it best when he declared that art’s best moments are when it forgets what its own name is,” says Goncharov. “Artists create – that’s what they do.”

Up until 20 years ago, this work was not widely accepted as fine art. It wasn’t shown in museums and professionals from the art world looked down upon it. “This challenges the primary beliefs of traditional artmaking and has added a lot to the plurality of art,” says Monroe. “Being surrounded by such a large collection of artworks made by self-taught artists are invigorating. Especially because of their visual resolve to express themselves without convention.”

No Distance

These artists were not learning from their predecessors, their works are all coming from deep within themselves. Many of them dealt with deep emotional loss in their lives and debilitating conflict. Yet at the same time, they each experienced an overwhelming surge of creativity in their lives. “A lot of times, when going to see a museum or gallery show the viewer experiences a sense of distance, exhibitions can feel standoffish,” says Monroe. “Here, there is no distance between you and these self-taught artists. I think it’s because the work is so visceral. There’s no pretense whatsoever, no artifice, there are no rules.”

Most of the artists in this exhibition worked in total isolation. There were no political points to be made. These are people who created solely by delving into their own psyche and expressing themselves purely. Their art is not part of anything else except their own reality, they were not following canon. “There’s nothing between you and their art because it is so heartfelt,” adds Monroe. “This project gives you a glimpse into their psyche, which is so different from ours. Their whole being comes across. As the title suggests, they were driven to create.”

Virtual Art Experiences from the Museum’s Digital Galleries

The Boca Raton Museum of Art has created virtual tours and activities for art lovers from around the world to enjoy online, including this exclusive video presentation by Gary Monroe discussing the lives and work of under-recognized Florida artists, and Only in Florida! Your Story, Your Art with Dr. Caren Neile, a dynamic performance/lecture that weaves together the creative impulses and talents of storytellers and outsider visual artists – both groups who were long considered unworthy of serious recognition and study (funded through a grant from the Florida Humanities with funds from the National Endowment for the Humanities). Support is provided by Art Bridges Foundation for the Museum’s virtual programming #BocaMuseumatHome and #KeepKidsSmartwithArt.

More About the Exhibition and the Catalogue

After originating at the Boca Raton Museum of Art through September 5, the exhibition will travel to the Tampa Museum of Art (November 4, 2021 – May 22, 2022), and then to the Mennello Museum of American Art (June 10, 2022 – October 16, 2022). The exhibition catalog, published by the Boca Raton Museum of Art, is available for purchase at the museum store.

About the Museum

Kicking off its eighth decade in 2021, the Boca Raton Museum of Art encompasses a creative campus that includes the Museum in Mizner Park and the Art School. As one of South Florida’s cultural landmarks, the Museum has provided cultural and artistic service to the community, and to many visitors from around the world, since it was founded by artists in 1950. Visit the museum website to enjoy the Museum’s current online content, including video tours and digital gallery guides. Support for #BocaMuseumatHome and #KeepKidsSmartwithArt virtual programming is provided by Art Bridges Foundation. Museum hours, admission prices and more visitor information available here.

About Gary Monroe

Gary Monroe is a Florida photographer and author. He received a master’s degree in fine arts from the University of Colorado at Boulder. Monroe has photographed people and culture in numerous countries and throughout Florida, including the endings of the old-world Jewry that once characterized Miami’s South Beach, with extensive travels throughout Haiti, tourists on their “rite of passage” at Disney World, and corporate effects on the landscape. In addition, Mr. Monroe has written ten books about Florida art, including the seminal book, The Highwaymen: Florida’s African-American Landscape Painters, which explores uncharted cultural territories and constitutes a meaningful part of our social history.

Frank Pena for 360 Magazine

Jonte’ Moaning × Brian Thomas

360 Magazine had the opportunity to collaborate with Jonte’ Moaning and Brian Thomas for an editorial fashion shoot that encompasses the new age of fashion. The incredibly talented duo worked together to produce a photoshoot that displays high fashion and uniqueness. The creative director of the shoot was Franklin Peña and the production was done by Brian Rubiano

This shoot features two exquisite looks which Moaning carries off flawlessly. The chained shirt, paired with leather shorts and unique, gladiator boots creates a modern-day, stylish armor. The second look features a silver overcoat with red and black dripping detail falling from the jacket’s shoulders. When paired with this statement red and grey hat, the look comes together effortlessly. 

Jonte’ Moaning has been a pioneer for the entertainment industry worldwide. He has influenced major pop artists with his unique discography. His work can recently be seen in the Black is King film which was directed, written and executively produced by Beyoncé. Jonte’ has been of major importance for the LGTBQ+ community and has broken down barriers for men to explore their gender expression. 

Jonte’ is best known for taking part in curating the iconic “Sasha Fierce” persona of BeyoncéAlthough, he has also worked closely with a number of other notable artists such as Janet Jackson, Cassie, Tamar Braxton, Blackpink and many more.

Jonte’ released his first solo single, “Bitch You Betta” in 2008 and has continued to release music from there. The artist has stated that he was inspired to work on his solo career while he was working alongside performing artists and felt that he “could do it better.”

As a performer, Jonte’ is known for his androgynous look and trademark high heels which challenge classic gender norms. He has worked into the elite status and continues to produce music that embodies all he represents. His music, along with his style makes waves within the entertainment industry and this editorial shoot is no different. 

You can read more about Jonte’s successful career on his website, HelloJonte.com.

The photographer for the shoot, Brian Thomas, is an astound choreographer and photographer who is best known for working with legend Michael Jackson. Throughout his career, he has gained a great deal of experience and works closely with a variety of performing artists. Thomas also owns Spinkick Pictures in New York City, which produces extraordinary films. 

Thomas has had major success in the directing industry and some of his credits include “Amy’s Victory Dance,” an award-winning documentary as well as, “Follow, Lead, Love” and “P.S. Love Robby,” two documentaries currently in production. He also directed the short film, “Dark Matter” which features dancer Desmond Richardson

Thomas has also won the GLAM award for various music videos including “Higher Love,” which stares Carishma. He has also worked as the Associate Director for the Cirque du Soleil  Flash mob Time Square performance. 

As well as being an accredited director, Thomas has choreographed for many notable stars. He has worked with stars such as Michael Jackson, Mary J. Blige, Pink, Whitney Houston, Usher, Jason Durelo and Alicia Keys, all giant names within the music industry. He has also worked closely with stars like Destiny’s Child, Jamie Foxx, Mya, Brian McKnight, Deborah Cox, India Arie, Liza Minnelli, Gloria Gaynor and Marc Anthony to produce stellar choreography. 

Thomas has also choreographed for companies such as Sesame Street, The Electric Company, New York City Knicks Dancers, Brooklynettes, Optimum triple play, Are We There Yet, and numerous other TV and live stage events.

Thomas explained that his mission is to promote empathy through his work with Visual Art. He wants to further conversations about Equality, Representation, and Diversity which he certainly does with his films.   

Read more about Brian Thomas and his success on his website, http://brianthomasfilms.com/

The creative direction of the shoot was executed by Franklin Peña, a professional dancer and fashion model from New York City. He has always been heavily involved in the entertainment industry and in 2016 decided to make the move from the Bronx to Los Angeles. There, he appeared on E Network’s reality show, What Happens at The Abbey. This series takes a glance inside of The Abbey in West Hollywood, which is known as the “Best Gay Bar in the World.” The show follows the workers of the bar as they interact with celebrities and navigate love and drama. 

Pena was also tapped by 360 Magazine as a red carpet correspondent in 2017. He continues to grow his success working with a variety of other creatives in the industry. 

This shoot was produced by Brian Rubiano. As a first-generation immigrant from the Philippines, Brian Rubiano has gained success as an actor and producer. He also started “Humanize It,” his own Film Production and Brand Strategy consultation company. 

Rubiano has worked closely with Brian Thomas on many similar films for Spinkick Pictures. Rubiano worked as the Post-Production Producer for both the Award-Winning feature documentary “Amy’s Victory Dance” and the short film “Dark Matter,” both of which Thomas also worked on. 

Rubiano has a goal to use his platform, skills & knowledge in order to help artists and the creative community to expand their brand’s purpose. He aspires to be a vessel to the voiceless, marginalized & underrepresented by using film production as his medium.

You can keep up with Moaning, Thomas, Peña and Rubiano on their Instagrams. 

Model: Jonte’ Moaning 

Photographer: Brian Thomas 

Creative Direction: Franklin Peña

Producer: Brian Rubiano

Frank Pena for 360 Magazine

Frank Pena for 360 Magazine

Roger Moenks photography inside 360 MAGAZINE

With a Style of Their Own

The NuAuthentic Celebrates Fluid And Transgender Individuals
 
By Photographer Roger Moenks with Shelly Brown
 
Roger Moenks is a leading celebrity and fashion photographer who has published several books highlighting inspirational beauty including The Class of Click (featuring Click Agency’s most notable models), Inheriting Beauty, and I Am Eco-Warrior: Portraits From The Front Lines Of The Sustainability Revolution. However, The NuAuthentic is his first book portraying the transgender community through individual personal expression, creative freedom, and the ability to embrace one’s identity and proclaim it with a spectacular boldness.
 
The NuAuthentic is a 196-page visual exploration and portrayal of 100 of the most intriguingly beautiful genderfluid and transgender individuals in New York City.  The book by photographer Roger Moenks with curator Shelly Brown sets out to underscore the triumphs, struggles and powerful beauty of its non-conformist subjects who are “free to be” through self-expression, self-acceptance and love. Life may have been much simpler when people were divided into two genders, male and female,  but today’s new reality reveals that a full-spectrum of beauty may be found through the freedom to express oneself in non-traditional ways and through a rainbow of colors. 
 
“Today gender is actually an ever-expanding continuum comprised of authentic warriors who dared to be who they want to be and claim their right to express themselves freely, making them all the more beautiful and intriguing subjects to photograph,” says Roger Moenks. “The exciting thing about today’s social landscape is that you can’t assume anyone is either a ‘he’ or a ‘she,’ nor can you presume they are just one of those two possibilities. It’s up to them to tell you how they identify, and you just might be surprised by what they say.”
 
“Gender is optional, expression is everything,” adds Shelly Brown.  “Diversity and differences are to be celebrated and supported. My role as curator for The NuAauthentic was a labor of love since I recently lost my 28-year old trans sister who struggled in life and found solace and love in the transgender community which gave her the freedom and acceptance to reveal her beautiful soul. The book is a testament to those trailblazers who took abuse from their families, schools, communities, and stayed true to their individual beauty. We salute you with love, acceptance and respect.”
 
Transgender and genderfluid people have always come to the nightlife, a world of inclusion where one is accepted and applauded for the very features that may have gotten them bullied in the high school cafeteria and ostracized in everyday life.
 
Susanne Bartsch known as “Queen of the Night” for her iconic club nights, special events and show productions representative of New York City nightlife graces the cover of The NuAuthentic.  She was instrumental in promoting the drag queen and House Ball scenes and also gave rise to the careers of such notables as RuPaul and Marc Jacobs. She continues to create an Avant Garde club landscape in which people are art and use their looks to make bold fashion statements and continues to provide the space and freedom for people to express themselves.
 
Rob Smith, CEO and founder of The Phluid Project, the world’s first gender-free retail store and global movement, is also portrayed in the book. The concept of non-gender clothing designed by Phluid and independent artists were carried by Phluid and featured throughout the book. 
 
MILA JAM is a model, actress and pop recording “artivist” who had always celebrated diversity and the different gender expressions. According to MILA JAM, “The NuAuthentic is a snapshot in time that commemorates the trans movement as another slice of life to be celebrated. As we find strikingly beautiful differences in plant and animal species, we can also find exquisite differences in how we view humanity.”
 
The NuAuthentic speaks to Bradley Miller, who is also portrayed in the book, because it is representative of “who I am.” “The trans community has to face pain and adversity to be who we are, but it also shows the world that we can be loved and beautiful.”
 
Trans people are continually targeted with bigotry and hatred. And so, trans and gender nonconforming people are left to fight the battles of everyday life, which they do with flair, activism, and chutzpah. The NuAuthentic captures them in all their gutsy glory and will retail for $75.00 on Amazon.com beginning December 10th.  Proceeds from The NuAuthentic will be 100% donated to LGBTQ youth programs.
 

About Photographer Roger Moenks

German-born Roger Moenks is a celebrity and fashion photographer who has called New York City home for almost 20 years. Best known for his portraiture, he has previously published three books: The First Class of CLICK; Moving Still; and Inheriting Beauty, featuring 90 women from around the world at the forefront of society and industry—a group that includes such high-profile figures as Roberta Armani, Delphine Arnault, Kiera Chaplin, Francesca Versace, and many more. In cooperation with Montblanc and UNICEF, Moenks also created images of 12 leading actresses for a Sotheby’s auction, the proceeds of which raised a quarter of a million dollars for the charity. Moenks’ work has appeared in such magazines as L’Officiel, Harper’s Bazaar, GQ, Interview, Visionaire, and Flaunt. He has directed music videos for Blank & Jones, commercials for Van Cleef & Arpels and Moët & Chandon, and created the documentary Shooting Milk, featuring survivors of the Andy Warhol era and including never-before-seen footage of the artist himself. In the past several years Moenks has dedicated much of his time to socially conscious causes. His last book “I Am Eco Warrior” features 53 innovator environmentalist around the world trying to save our planet featuring Jane Goodall, Ted Turner, Richard Branson, Stella McCartney and many more. 

For additional information on Roger Moenks go HERE.

Conison, Blake Holmes and Connor Morton article inside 360 MAGAZINE

CONISON: OUR CHAT WITH HIGH-END STREETWEAR LABEL FOUNDER, CONNOR MORTON 

By Blake Holmes

A celebration of the LA dream, Conison is an up-and-coming, high-end streetwear brand from Melbourne, Australia. 
Recently, we caught up with Founder and Creative Director, Connor Morton, to chat vision, inspiration and what’s in store for the year ahead. 

TELL US ABOUT CONISON..

Conison is a high-end streetwear and design brand. 

At the heart of Conison is a message of inspiration. I want to encourage people to express themselves, providing an avenue for them to explore their own sense of style and creative potential through fashion and design. 

WHAT’S YOUR WHY? 

I’ve always endeavoured to express my creativity through outlets available to me, from DJing and music, to clothing customisation and art. I think everyone deserves this opportunity and my dream is that Conison will provide that for others; an inspiration source that spreads positivity and reinforces the idea that everyone has the power to shape their reality. 

WHAT’S IN STORE FOR YOUR UPCOMING COLLECTION? 

Collection 2 Rise & Fall is a two-part capsule. This collection celebrates an ascension to your highest self and the fall of negative energy. These ideas are expressed in my messaging and I’ve catered to both the NZ/Aus and US/Euro markets, with different materials and designs. 

WHO/WHAT INSPIRES YOU? 

There are countless brands and creators that fuel my fire. Designers like Reese Cooper and Heron Preston, brands like Riot Hill and photographers like Kyle Caulfield to name just a few. 

HOW DO YOU STAY MOTIVATED? 

I believe motivation is something you have to seek constantly. This can be challenging at times and the interruptions of this year have been a prime example. 

Regularly contacting my mentors, listening to podcasts, and painting have kept me in the zone this year. There’s always motivation to be found if you look hard enough. 

WHAT DOES A TYPICAL DAY LOOK LIKE FOR YOU? 

Every day is different but I start and end them in the same way. I usually wake up with a warm/cold soak to get focused, then have breakfast while watching motivational content on YouTube. From then I work ‘til i’ve felt i’ve done enough, which means late nights a lot of the time. I also work other jobs and fit in time at the gym or some form of exercise each day. I end the day with business content on YouTube to get inspired for the day ahead.

WHAT’S THE BIGGEST FINANCIAL STRAIN WHEN RUNNING YOUR OWN BRAND? 

Being a one-man band with no backing at 22 has been a struggle. There are definitely financial challenges and they’ve taken a lot of practice, help from mentors and learning to overcome. In saying that, I’m feeling confident in the belief that now is the time to be bold, take risks and bet on myself. When you believe in your brand and the message you’re trying to share, anything is possible. 

WHAT’S THE BEST PIECE OF ADVICE YOU’VE EVER RECEIVED? 

My mentor sent me a message a few weeks back. I think it’s spot on and something I struggle with at times. “Your art is not about how many people like your work, your art is about if your heart likes your work, if your soul likes your work, it’s how honest you are with yourself”. I try to follow this ethos daily and remind myself of this at times I’m questioning my vision and creative direction. I’ve implemented this into my work daily and it’s become more authentic as a result. 

WHAT’S NEXT FOR CONISON? 

The sky’s the limit. I want to push creative boundaries, not just with Conison but in the global fashion and lifestyle brand space. This means everything from painting collections and exclusive pieces to furniture. 
Most importantly, I want to continue telling the Conison story in an authentic way. Giving people a story to truly connect with is what drives me and the best way to keep people engaged and on-board for the journey. 

I’m learning and growing every day and Conison will continue to evolve with me. I can’t wait to share it with everyone.

LEAVE US WITH A FAVOURITE QUOTE..

I’ve got a few. ‘Ignore the boos, they usually come from the cheap seats’. This one has been really important to me. As a young person, you often face a lot of negativity and doubt from others about your ability to step outside the norm and succeed. I’ve learnt not to take this to heart and stay true to myself, which is something I think we should all strive to do. 

Another favourite is, ‘an arrow can only be shot forward by pulling it backward’. This one’s all about resilience to me, and the idea that on the other side of struggle and hardship is success, fortune and prosperity. I try to remember this with every minor setback and keep a positive mindset no matter the circumstances. When you do, nothing can discourage you from achieving your dreams. This is what Conison is all about. 

Rise & Fall Part 1 drops 7th December, 7:00pm EST
at www.conisondesigns.com 

James Marcus Haney plans to release his debut photo book – FANATICS

James Marcus Haney, the LA based photographer and director of the acclaimed music documentary “No Cameras Allowed,” announces the release of his first photo book, “FANATICS.”

WATCH A TRAILER FOR THE BOOK HERE

The book is available for pre-order today via https://stop-and-fix.com/.

Haney pulls together photographs of fans from his time touring with Coldplay, Elton John, and Mumford & Sons, alongside the countless festivals and shows he’s been to across the world. Capturing the spirit and sheer elation of witnessing live music with friends, the book features imagery from concerts in 35 different countries, spanning the decade of 2010-2020.

Accompanying these images are stories and testimonials from musicians Haney has toured alongside, including Chris Martin of Coldplay, Alex Ebert of Edward Sharpe, Maggie Rogers, Lars Ulrich from Metallica, Marcus Mumford of Mumford & Sons, Albert Hammond JR of The Strokes and many more, all talking about the importance of fans and anecdotes and memories of their own as fans themselves. The book opens with a foreword penned by Elton John, who Haney has also been out on the road with.

Explaining the inspiration behind the book, Haney recalls, “Back when I was in college, I couldn’t afford to go to music festivals so I would sneak into them with my friends. Often, I used a borrowed camera from school and posed as a press photographer. I filmed all the bands I loved and used the guise of a fake press pass to get as close to the stage as possible. After a few festivals, I cut together a short documentary of my friends and I sneaking into Coachella and Bonnaroo. At another show, I handed a roadie a burnt DVD copy of my short doc, who then passed it onto the band he was teching for, Mumford & Sons. Soon, I found myself on an old-school vintage train chugging across America with Mumford & Sons, Edward Sharpe & The Magnetic Zeros, and Old Crow Medicine Show as part of the Railroad Revival Tour.”

“My passion for touring came at a cost though: as my time on the road coincided with my final exams at film school. I forfeited a college degree but made some of the best friends of my life and embarked on a career adventure that I could never have dreamed of. Through touring the world with artists like Mumford & Sons, Elton John, and Coldplay, I was able to immerse into all sorts of cultures and musical worlds and all sorts of wild crowds and fans. I found myself taking photos of fans everywhere – there was something so captivating about watching people completely lost in the music, witnessing that spiritual experience.”

This book is a culmination of a decade of touring the world and the truckload of film negatives that have amassed in that time. It captures the emotions, fashions, and faces of the 2010 decade through live music. And it is only now, from the depths of a pandemic, do these photographs remind us of a time, so recent yet so different, and represent the ultimate experience to look forward to again.

Words on FANATICS by Elton John:

“FANATICS is a book that celebrates that dedication, that music fan’s rite of passage, what you might call the magical festival spirit. It’s partly the sense that you can do whatever you want – get drunk, get high, have sex, whatever – at least for a weekend. And it’s partly that the one thing that’s bonding everyone together at a festival is the love of music. You can see that spirit, that common humanity, in the photos in this book.

Marcus has captured that indomitable festival spirit brilliantly through these photographs. With his trusted camera in hand, he’s the ultimate fly on the wall, or the fly on the canvas of the tent. He seizes these moments, almost like the invisible man, catching people in every imaginable state – in rapture and in decay, the ecstasy and the agony.”

Interview with Contemporary Photographer

In an interview of contemporary photographer Christy Lee Rogers by the Colnaghi Foundation, a non-profit London organization with the purpose of promoting Old Masters, art historian Isabelle Kent compares Rogers’ works to Ruben.

Kent, who lectures at the Victoria and Albert Museum and was a Curatorial Assistant at the Wallace Collection, said:

“[Rogers] is best known for her pioneering use of water and pools in her photography… [Rogers’] art plays with themes of strength and vulnerability, loss and beauty… creating ethereal and otherworldly images full of color and billowing fabrics. They have often been compared to Baroque paintings, in particular the likes of Caravaggio and I certainly think her multi-figure works, with all of their movement, really remind me of Rubens.”

In the interview Rogers, who won first prize in the Sony World Open Photographer of the Year Award and was recently commissioned by Apple, said, “There is a message in my work – it is connected to that Baroque feeling about something greater than ourselves, a drama and passion and motion.”

Listen to the interview here:

www.instagram.com/p/CEHj4scHHal/