Posts tagged with "Virginia"

Elena Brody "Rock Steady" image via Jon Bleicher for use by 360 Magazine

Elana Brody Q×A

By: Emily Bunn

Celebrating the beauty of human experience and the universality of dance, Elana Brody enchants fans with her exhilarating dance-pop music. Her most recent single, “Rock Steady,” showcases the singer’s joyous choreography and passionate songwriting ability. The “Rock Steady” music video can be viewed HERE. The bold, emotional ballad was produced by Max Martin protégé, Dominic Fallacaro. Brody spoke with 360 Magazine about the spirituality that courses through her songs, her music production process, and upcoming releases.

Your recent material was written during the pandemic. How did you manage to find inspiration during lockdown?

As a songwriter, lockdown – with all its grief and deep, life-changing themes- was a very fertile time for me. For one, I retreated from NYC to my childhood homestead in Virginia – in one of the most remote places East of the Mississippi. While there in the Appalachian Mountains of Virginia, with the music world at a stand-still, I found myself with very little to do but be in nature and play music. My then-partner had come with me, and we spent much of our time playing music together. I also felt called to offer musical prayer services online for those who needed inspiration and connection to Spirit. Because of this, I began by writing new prayer music – which felt right for the time. But, after my partner decided to split with me, as you can imagine – the folk songs started pouring out. This break-up, combined with being my original creative habitat, the pandemic, the Black Lives Matter uprising, the political election-year insanity, and a life far from community, took me the deepest I’ve been in my writing for a long time – especially as a lyricist. I think some of the lyrics you will hear on my upcoming EP are possibly my best yet.

What does your songwriting process look like?

It depends on the song. Sometimes snippets of lyrics, with a bit of their melody, come first. Sometimes a really awesome piano hook comes first. Over the last many years, I have found my songwriting process to be mostly a long-winded jam session where I sing out my heart for hours, creating spontaneous free-style lyrics. Many of those lyrics disappear forever, but at least a few of them make the cut! Once I get a sense of the general narrative of the song, I think about phrases that will help move the story along, and then build new lyrics around the original “spontaneous-gems” to flesh it out. Over the pandemic, lyrics were everything – and I found myself caring more about them than the music. The music could have been 3 chords, and I’d be totally okay with that, as long as the lyrics were telling the story. But, in other phases of my life as a writer, I would basically compose a piano concerto! And then, lyrics come in afterwards. I love and live music. And honestly, I don’t have to work hard to have music flow through me. I have found the best music and lyrics that I have written, have written themselves. It’s actually that simple. “Rock Steady” was a bit like that.

Are you still looking to release your EP eventually, or have you decided to shelve it in favor of tracks like “Rock Steady”?

Yes, to the EP! If all works out with piecing it together (because it was recorded in many different settings over the pandemic) then I would really like to release it in the late fall. But! Because “Rock Steady” is such a banger and I want to make more songs like that, I decided to quickly write and record a new song called “Quicksand,” which is another pop-influenced song, to release as a follow up – before I transition into my folk music.

Why did you choose Costa Rica as the location for the “Rock Steady” music video?

It chose me! My friend lives there and she invited me to come out to visit. I said I would, but under the one condition – that we film a music video! She is a great networker and knows so many people to reach out to and work with. She also happens to be an ecstatic dance facilitator and DJ and was planning a dance on the weekend of my visit. So, naturally, we organized to film the dance party at an already scheduled and high-vibe (to use a very Costa Rican term) dance party! It couldn’t have been more perfect. We also did all our beach filming at a beach called Roca Beach – aka Rock (Steady) beach!

How does your spirituality factor into the way you create music?

Once, after I auditioned for the first season of USA’s XFactor, I left the stage (a story for another time!) and was interviewed by a faceless producer speaking to me from behind a black curtain. This producer asked me, “When you sing, it seems as if you are connecting to some higher power. Is this true for you? And what is that higher power?” At the time, I wouldn’t have considered myself a prayer-leader or religious at all, but I knew the answer to that right away. I said, “Yes. God.”

God can bring up a lot for people. And for me too. Growing up in rural Virginia, the idea of “God” sometimes felt like some kind of angry, repressive, overpowering righteousness. But – in my family – and in my own experience – God was gentler than that. The spirit between things. As a youth, I was surrounded by the most beautiful, untouched nature – and witness to the seasons in their full force. With below-zero cold and windy winters, slow-to-pop springs, abundant green summers with my folks’ organic gardens in full bloom, and then the rainbows of colorful Appalachian autumns – I knew what Spirit had to offer us humans. And music had always been my human way to offer Spirit back to Spirit, if that makes sense. It’s a giving and receiving from the big, wild wonders of creation, and then music is my way to return it back. Now that I have dived into my Jewish roots, and studied the traditions, I would say that song is the modern equivalent of sending burnt offerings up to the Creator. Instead of smoke, we let our voices rise. And I don’t see prayer music and pop music as all that different. Different themes, different stories, but ultimately, what we sing or speak is all prayer. And, especially now that I am very involved in prayer-leadership, as I create more songs, I do think about that in my writing.

What do you anticipate the reaction to “Rock Steady” will be like?

A fun one! Hopefully one that makes people dance and dance some more! Because I haven’t released much of my other music yet on the bigger platforms, most people won’t know the difference. Like, how did that happen? All of a sudden, I’m a pop star! The truth is, I’ve always been a pop star. Christina Aguilera and Celine Dion were my first vocal idols, and all of the first music I ever wrote sounded like it could have been in a Disney Channel original movie. Anyhow, I had this thought that I should go about my career in the opposite way of other folk artists, a la Jewel circa “Intuition,” and drop in with the fun and danceable stuff first. I don’t see myself ever being too genre-confined, anyway. Life is too short not to write whatever you feel and whatever is coming through you! I did think, “oh, maybe I should sell this song to Rhianna or another artist who could do it amazingly.” But honestly, this route of self-producing is very fun, and maybe even better. Now I get to be heard singing like a pop star too!

What other artists, musicians, or bands serve as inspirations for your music?

It’s a long list…

Joni Mitchell is my in-utero and post-utero,songwriting teacher. I used to call her my piano teacher, because I learned to play by playing so many of her songs. Several other musicians of my parents’ 60s/70s era also come in close as primary inspirations – including Paul Simon, Bob Dylan, Carole King, and the Beatles. They have shaped what a well-written song could be for me.

It’s hard to decipher what is an influence now because it’s just one big, long-cooked stew or spicy mole at this point.

I have always liked lyric-forward music, with bands like Of Montreal (his candidness in writing was life-changing for me!) and Death Cab for Cutie (the simple metaphors and speaking-style of his writing) and the Decemberists (storytelling, bard-like songs.) And the orchestral and lyrical artistry of the Fleet Foxes is stellar.

I have also always liked some good classic, chunky, Rock’n’roll and music that gets ya’ dancing, like Led Zeppelin and CCR. And the blues, especially blues piano music, has played a role in my music education since early childhood.

Then, there’s the eternal list of female influences. My most listened to, other than Joni, from the beginning are Ani DiFranco and Sarah McLachlan. Then: Jesca Hoop, My Brightest Diamond, Regina Spektor and Kate Bush. And now: artists like Gillian Welch, Brandi Carlile, Sylvan Esso, and Sarah Jarosz have taken up a lot of my listening time. Sarah Jarosz’s album World on the Ground was really powerful to listen to last year during the pandemic. I hope that I can achieve that level of presence and intelligence in the instrumentation when I go to make my full-length album next year!

I also derive a LOT of influence from pop music. I can’t help it. I definitely fell in love with Ariana Grande’s album positions this year, and right now I am going down a Dua Lipa rabbit hole. I would say Rhianna is my number one, though. And I finally fell in love with Lady Gaga after seeing A Star is Born and listening to Joanne. Her belt has inspired me a lot. And I love vocalists in general. I have spent a lot of time really listening to vocalists like Ella Fitzgerald, Billie Holiday, Judy Collins, Barbra Streisand. These days, Elvis is my number one!

I will also never not want to listen to albums of bands like Nickel Creek, the [Dixie] Chicks, Bela Fleck, Mandolin Orange/Watchhouse, or the band Solas, to bring me the feeling of my early mountain roots and make me feel good.

I am truly a world music fan. I love to listen to the magic of music across the world. I am really inspired to hear virtuosity, no matter what genre. I love vocal virtuosos and am listening right now to the artist Nusrat Fateh Ali Khan. I am curious as to when I’ll be able to imitate him. (I’m really good at imitating!) Bobby McFerrin has also been a teacher in real life. He inspires me to become more accurate in my improvisations.

I also listen to prayer music, but mostly of the Sikh or Kundalini yoga genre. Sometimes you’ll find me jamming out to Jewish artists (many of them friends of mine) or Gospel music. Anita Wilson, a modern gospel singer, has been a vocal inspiration for me because she really sings with the lows of her range.

Musical theater music is also a major influence. That Roger and Hammerstein stuff pours out of me like it were an extension of my soul! Lastly, at this point, after spending time at Berklee College of Music, I have been greatly inspired by jazz and R&B.

Besides “Rock Steady” and the EP, can fans look forward to any other releases to come in 2021-2022?

Yes! I mentioned that I am wanting to get cracking on my full-length album that will be mostly in the Americana, New Orleans blues, Rock-and-Roll, and folk pop styles. I am really, really excited about it. But I’m not sure yet who I will work with on it. An exciting unknown. I imagine it will end up feeling like a magnum opus when it is finished because I’ve been with these songs for so long. Nothing will be more amazing than when they are out in the world surrounded by strings, the right instrumentation and arrangements. I also would like to produce my song “City of Man” in a big vaudevillian, brassy style. [I want to] make a little music-video theater piece out of it. I have also been sitting on this one for a long time. It sort of harkens to the fall of capitalism…that is going on in our world and the post-Trump era– it’s due time that I get that one out. Look out for it all!

Lake Mead from Andrea Heerdt, The Vox Agency for use by 360 Magazine

Lake Mead Mohave Adventures Invites Visitors to Share Memories for Prizes

Visitors are invited to share their most memorable photos and stories at Lake Mead Mohave Adventures’ (LMMA) properties for chances to win gift vouchers redeemable for small, motorized boat and kayak rentals. Each marina location, including Callville Bay Marina, Cottonwood Cove Resort & Marina, Willow Beach Marina & Campground and Temple Bar Resort & Marina, will award a first-place winner a $500 credit and two second-place winners each a $250 credit, totaling $4,000 in prizes across all (LMMA) properties.

The photo and story contest is open now through September 30, 2021. To submit photos and stories, click here.

“To say thanks for making Lake Mead Mohave Adventures a part of so many visitors’ family vacations and other memorable moments, we will be giving away $4,000 worth of gift vouchers across all four of our marinas,” said Chad Taylor, director of sales and marketing, Lake Mead Mohave Adventures. “We can’t wait to see all the photos and read all the unforgettable stories our guests will share with us.”

For more information on Lake Mead Mohave Adventures, go to Lake Mead Adventures’ website.

About Guest Services

Since 1917, Guest Services, Inc. has earned the reputation as a premier hospitality management company and national and state park concessionaire that has taken great care and pride in delivering best-in-class food, lodging, retail and recreation services. The Fairfax, Virginia-based company and its subsidiaries employ more than 3,500 staff at more than 250 facilities, which welcome approximately 30 million guests annually across the United States. Guest Services, Inc. is proud to welcome visitors at Mount Rainier National Park, North Cascades National Park and Lake Roosevelt National Recreation Area in Washington, several parks in the Washington, D.C. area, and state parks such as Bear Mountain in New York, in addition to Missouri’s newest state park in the Ozarks – the much anticipated Echo Bluff State Park. To learn more visit Guest Services.

illustration by Maria Soloman for use by 360 magazine

Over 150 people shot, more than 400 shootings over the weekend

By: Kai Yeo

In June, the total reported number of shootings were at 272. According to data compiled by the Gun Violence Archive (GVA), at least 150 people were killed by gun violence in more than 400 reported shootings across the country as major cities nationwide confront a surge in gun violence during the Fourth of July weekend. The 72-hour data chart includes shooting accidents and gun violence victims and has constantly been updating.

New Yorkers saw 21 shootings that injured 26 people between Friday and Sunday, according to the New York Police Department, is a decrease from the same period last year when 30 people were shot in 25 shootings. On July 4, NYC experienced 12 shooting incidents that involved 13 victims, an increase from last year when there were eight shootings and eight victims.

Gun violence incidents in New York have spiked almost 40% over the same period in 2020, with 767 shootings and 885 victims.

In Chicago, 92 people were shot over the holiday weekend, 16 of whom died. According to the Chicago Sun-Times, the 76 wounded include six children and teenagers, and two Chicago police officers who were dispersing a crown on the city’s West Side.

The homicide rate in Chicago this year is 2% lower than the same period in 2020, but the number of victims is still 14% higher.

Mass Shootings

GVA defines a mass shooting “based only on the numeric value of four or more shot or killed, not including the shooter.”

Eight people were injured in a shooting near a car wash in Fort Worth, Texas, early Sunday morning after a group of men got into an argument. Fort Worth Police released a statement on Twitter than an officer heard gunfire around 1:30am and found eight people with gunshot wounds upon arrival at the scene.

A KTLA report shows that two men were killed and seven people were injured in a neighborhood late Sunday night in North Las Vegas. Police say that victims were chased through Venice neighborhood before deadly car-to-car shooting.

In Norfolk, Virginia, four children were shot on Friday afternoon – a 6-year-old girl, a 14-year-old boy, a 16-year-old girl, and 16-year-old boy – the 6-year-old girl was reported to have life-threatening injuries; however, she is now considered to be in stable condition. Detectives have charged a 15-year-old boy with the following: malicious wounding, attempted malicious wounding, shooting into an occupied building, possession of a firearm by a juvenile, and two counts of use of a firearm.

In suburban Atlanta, police responded to a report on Saturday and found golf professional Gene Siller shot near the green of the 10th hole of the Pinetree Country Club in Kennesaw. This was also where he worked as the golf pro, according to the Cobb County police. Siller was found unresponsive with an “apparent gunshot wound to the head” and pronounced dead at the scene, along with two other gunshot victims on the course.

One juvenile dead and eleven others were injured in a shooting at a block party in Toledo, Ohio on Sunday night. According to Police Chief George Kral, more than 80 rounds were fired from multiple guns. Two victims, a 51-year-old and a 19-year-old, are in critical condition, Kral said, and the other nine people wounded are in stable condition, their ages ranging from an 11-year-old to three 19-year-olds.

Cincinnati police said two males (16 and 19) were killed and three others were injured at a holiday celebration at a park late Sunday night. The two were “engaged in a verbal altercation that resulted in them exchanging gunfire” and the other victims were caught in the crossfire. Two girls (16 and 17) and a 15-year-old boy were wounded in the shooting. According to Cincinnati police Chief Eliot Isaac, the 17-year-old girl is in critical condition while the other two victims suffered gunshot wounds that were not life-threatening.

Dallas police responded to two separate shootings on July 4. A 61-year-old man was killed in the first incident after being shot “multiple times in the street during a disturbance” and died at a local hospital. The second incident involved five men who were shot, and three of the victims were pronounced dead after being transported to a nearby hospital.

Lindsey Stirling Tour Dates from Bari Lieberman for use by 360 Magazine

Lindsey Stirling’s Official Music Video – Masquerade

Ahead of this weekend’s official launch of her cross-country headlining Artemis U.S. Tour, platinum-selling electronic artist, violinist, and multi-talented entertainer Lindsey Stirling, known all over the world for her unique, futuristic violin-driven electronic music and exquisite live show, has gifted fans with a new music video for the song “Masquerade,” off her latest chart-topping studio album Artemis. Inspired by early 20th century silent films, the new visual for the instrumental track was filmed at The Orpheum Theatre in downtown Los Angeles and co-directed by Stirling and Stephen Mallett (Pentatonix, Logic, CHVRCHES). Press here to watch.

“While I was writing the song ‘Masquerade,’ I knew immediately that it would be about a wealthy over-the-top aristocratic woman,” shares Stirling. “The song has such a comedic feel to it, which made the music video really, really fun to plan and make.”

The Artemis U.S. Tour marks the first time Stirling will be performing the tracks off Artemis as well as her current single “Lose You Now” in front of an American audience. The 35-date outing, featuring special guest electro-pop artist Kiesza, kicks off this Saturday, July 3rd in Kansas City, MO and will stop in most major markets across the country including New York City (August 2nd at the Beacon Theatre), Los Angeles (August 30th at the Microsoft Theater), Denver (July 7th at Red Rocks Amphitheatre), Dallas, Houston, Nashville, Philadelphia, Chicago, Detroit, Cleveland, Boston, Phoenix, Portland, Seattle, and many others, before wrapping September 10th in Milwaukee at Summerfest. See below for full list of tour dates. Visit Lindsey Stirling’s website for all ticketing details including special VIP packages that are also available. Press here to watch the official promo video “First Tour In Forever.”

Stirling has also launched a national contest with Fandiem for the ultimate VIP experience at her San Diego show on August 31st. The winner will receive roundtrip airfare for two plus two-night hotel stay, premium reserved seats in the first 8 rows, meet & greet photo opportunity with Lindsey, lunch at Lindsey’s favorite restaurant, merch, and more, along with a 45-minute helicopter tour of San Diego courtesy of Imagine Jets. Proceeds from entry donations will support Stirling’s nonprofit charity outreach program The Upside Fund, helping families and individuals affected by Covid-19. Press here to enter.

“Lose You Now,” Stirling’s emotive pop hit about loss and grief with artist, producer, and songwriter Mako, stems from the instrumental-only track “Guardian” off her Artemis album. Since its release earlier this year, “Lose You Now” (BMG) has amassed over 9 million global streams, including over 3 million views on the song’s beautifully moving music video, as well as featured placements on American Idol and “Train Tracks” on SiriusXM The Pulse. Press here to watch the official music video for “Lose You Now.” The duo also issued an acoustic version of the song this spring, stripping it down to just piano and a full string accompaniment – Press here to listen to “Lose You Now (Acoustic).”

Artemis, Stirling’s fifth studio album released September 2019 via BMG, debuted at #1 on Billboard’s Dance/Electronic Albums Chart and remained on the chart for 15 combined weeks. The 13-track album, which has racked up over 200 million total global streams, features the singles “Underground,” “Artemis,” “Sleepwalking,” “Between Twilight” and “The Upside” featuring Elle King along with “Love Goes On and On” featuring Amy LeeArtemis has also been turned into a successful comic book series, with the sixth edition coming this summer. Press here to listen to Artemis and press here for info on the comic books.

Lindsey Stirling Tour Dates

Artemis U.S. Tour with special guest Kiesza

Saturday, July 3 – Kansas City, MO @ Starlight Theatre

Monday, July 5 – Dubuque, IA @ Five Flags Center

Tuesday, July 6 – Omaha, NE @ Baxter Arena

Wednesday, July 7 – Morrison, CO @ Red Rocks Amphitheatre

Thursday, July 8 – Vail, CO @ Gerald R. Ford Amphitheater

Friday, July 9 – Grand Junction, CO @ Amphitheater at Las Colonias Park

Saturday, July 10 – Salt Lake City, UT @ USANA Amphitheatre

Friday, July 23 – Dallas, TX @ The Pavilion at Toyota Music Factory

Saturday, July 24 – Houston, TX @ Cynthia Woods Mitchell Pavilion

Monday, July 26 – New Orleans, LA @ Saenger Theatre

Tuesday, July 27 – Rogers, AR @ Walmart Amphitheater

Thursday, July 29 – Raleigh, NC @ Red Hat Amphitheater

Saturday, July 31 – Nashville, TN @ Ascend Amphitheater

Monday, August 2 – New York, NY @ Beacon Theatre

Tuesday, August 3 – Philadelphia, PA @ The Met

Wednesday, August 5 – Vienna, VA @ Wolf Trap

Friday, August 6 – Cincinnati, OH @ PNC Pavilion

Saturday, August 7 – St. Louis, MO @ Saint Louis Music Park

Monday, August 9 – Minneapolis, MN @ The Armory

Tuesday, August 10 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island

Wednesday, August 11 – Indianapolis, IN @ The Amphitheater at White River State Park

Thursday, August 12 – Detroit, MI @ Michigan Lottery Amphitheatre at Freedom Hill

Saturday, August 14 – Cleveland, OH @ Jacobs Pavilion at Nautica

Monday, August 16 – Saratoga Springs, NY @ Saratoga Performing Arts Center

Tuesday, August 17 – Boston, MA @ Rockland Trust Bank Pavilion

Wednesday, August 18 – Wallingford, CT @ Toyota Presents Oakdale Theatre

Monday, August 30 – Los Angeles, CA @ Microsoft Theater

Tuesday, August 31 – San Diego, CA @ San Diego Civic Theatre

Wednesday, September 1 – Phoenix, AZ @ Arizona Federal Theatre

Friday, September 3 – Concord, CA @ Concord Pavilion

Saturday, September 4 – Reno, NV @ Grand Sierra Theatre

Monday, September 6 – Portland, OR @ Theater of the Clouds at Moda Center

Tuesday, September 7 – Seattle, WA @ WAMU Theater

Thursday, September 9 – Bonner, MT @ KettleHouse Amphitheater

Friday, September 10 – Milwaukee, WI @ Summerfest

About Lindsey Stirling:

Since the release of her 2012 self-titled debut, the Arizona-raised, Los Angeles-based artist has racked up tens of millions of followers worldwide and more than 3 billion total views on YouTube. Stirling’s sophomore album Shatter Me was certified Gold by the RIAA, after debuting at #2 on the Billboard Top 200 and #1 on the Dance/Electronic Albums Chart and holding the #1 spot on the Classical Albums Chart for 21 consecutive weeks. Her third studio album Brave Enough, featuring guest appearances from Dan + Shay, Christina Perri, Rivers Cuomo, Andrew McMahon and others, earned Stirling her second Billboard Music Award for “Top Dance/Electronic Album.” Stirling closed out 2020 with her all-new, live-streaming holiday special “Lindsey Stirling: Home for the Holidays,” which she independently created, produced, and financed. The hour-long ticketed special, which drew over 100,000 views from tens of thousands of fans and families worldwide, featured performances to seasonal favorites off Stirling’s chart-topping holiday album Warmer In the Winter in addition to the breathtaking performance of her hit “Crystallize,” where Stirling hung by her hair for a captivating Cirque du Soleil inspired aerial display – press here to watch. Additionally, Stirling co-wrote The New York Times best-selling book The Only Pirate at the Party with her sister Brook S. Passey, was the runner-up on Season 25 of “Dancing With the Stars” and has appeared on “America’s Got Talent.”

Follow Lindsey Stirling:

Website // Facebook // Instagram // Twitter // YouTube// Spotify // TikTok // Twitch

music note illustration by 360 magazine

GoldLink – HARAM!

Today, GoldLink, one of the most innovative artists in hip-hop, releases his third studio album, HARAM!, via Squaaash Club/RCA Records. Click here to listen.

Containing 15 tracks with features by Flo MilliNLE ChoppaSantigoldBibi BourellyRich The Kid, emerging international act Fire! and more, HARAM! represents the destruction and rebuilding of a new GoldLink, yet stays true to his lyrical prowess. Joe Perez (Kanye West, Nicki Minaj, Pusha T) helmed the creative direction for the album.

Continuing to redefine what a “rap star” is meant to be, HARAM! is GoldLink’s most personal, genius, adventurous and riskiest piece of work to date. Filled with unfiltered braggadocios raps, challenging flows – yet feels more specific, like a biopic – the album is one that poses questions rather than give answers. The metaphoric use of the harsh, gritty telephone effect against his iconic cadence signifies that GoldLink is purposefully imperfect; he doesn’t want to be perfect. With HARAM!, GoldLink’s quest is to challenge the idea of rap titles in art in his pursuit to becoming a musical deity.

This Saturday (6/19), GoldLink will be performing during Luminosity Gaming’s “Luminosity Live” event, presented by F9. Catch him on Twitch at 10pm EST on the Luminosity Twitch Channel.

HARAM! Track list:

01 Extra Clip feat. NLE Choppa

02 202

03 White Walls

04 Spit On It feat. Rizloski

05 Terrordome

06 Evian feat. PinkPantheresss, Rizloski & Rax

07 Raindrops feat. Flo Milli

08 Twin feat. Rich The Kid

09 Girl Pacino

10 Thump Chronicles Vol. 1 feat. Pressa & Digga

11 Culture Clash feat. Fire!

12 Wayne Perry feat. LukeyWorld

13 Wild and Lethal Trash! feat. Fire! & Santigold

14 Don’t Cry Over Spilled Milk feat. Jesse Boykins III

15 Cindy’s Daughter feat. Bibi Bourelly

Listen here: HARAM!

About GoldLink:

Where the intersections of the DMV (DC, Maryland and Virginia) collide, GoldLink is a direct product. Washington, D.C., and the broader DMV area, have long been treated like a musical Rubik’s cube. There are bursting, technicolor patches of musical brilliance, but the component parts never line up in a way that made sense to those on the outside. GoldLink is not interested in spelling out all the nuances of his hometown; what he does aim to do is synthesize his environment’s litany of influences and inspirations into something unique, singular, and all together his own.

With his RIAA-certified Gold debut studio album At What Cost (Squaaash Club/RCA) – helmed by the monstrous single “Crew” – released in March 2017, he’s done just that. By merging the sensibilities of go-go with the African diaspora, he’s done what hip-hop has done from its inception: repurpose what’s available into something magical.

The success of At What Cost and 4x Platinum single “Crew” saw GoldLink achieve a number of career firsts — from his Grammy nomination for Best Rap/Sung Collaboration to the iHeartMedia Music Awards nomination for Best New Hip-Hop Artist to his BET Awards nomination for Best New Artist. Adding to his accomplishments was a Grammy Nomination for Best Rap/Sung Collaboration the following year with “Like I Do” with Christina Aguilera.

Following up in 2019 with Diaspora, GoldLink continued to show his sonic range and influences as shown on singles “Zulu Screams” ft. Maleek Berry & Bibi Bourelly, and “Joke Ting” ft. Ari Pensmith. The album was recognized by Pitchfork as “the best music of his career,” and Highsnobiety declared “GoldLink can conceive of and execute his ideas better than most anyone in hip-hop today.” Diaspora made several Best Albums of The Year lists including Complex, UpRoxx, Hot New Hip Hop and more, while “Zulu Screams” made The New York Times “54 Best Songs of 2019” list, calling it “a supremely catchy international collaboration.”

Connect with GoldLink

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Saint Motel - It's All Happening - Artwork from Sydney Worden from Glenn Fukushima from Elektra for use by 360 Magazine

SAINT MOTEL ANNOUNCES U.S. AND EUROPEAN TOURS

Elektra recording group Saint Motel have announced U.S. and European tours in support of their forthcoming album The Original Motion Picture Soundtrack. The band’s U.S. tour will kick off this September with three special hometown shows at Los Angeles, CA’s The Roxy Theatre, and wrap on Halloween at Madison, WI’s Majestic Theater. In March of 2022, the band will return to the road for a European tour. The upcoming dates mark Saint Motel’s first live shows since their sold-out U.S. tour wrapped in March of 2020. Pre-sale tickets for all dates will be available beginning tomorrow, and general on sale begins this Friday, June 11 at 10:00am local time here.

Saint Motel’s highly anticipated new album The Original Motion Picture Soundtrack will be released on June 25, 2021. The album is available for pre-order now here. The band recently unveiled an official music video for the album’s current single “It’s All Happening”, co-directed by Saint Motel front man A/J Jackson and Mario Contini. Watch it on the band’s official YouTube channel here.

On The Original Motion Picture Soundtrack the Los Angeles-based band dreams up their own cinematic experience in album form, as its songs cycle through stories of love, danger, and impossible triumph. The album also embodies an opulent sound true to its ambitious scope. Co-produced by front man A/J Jackson and Grammy Award-winner Mark Needham (The Killers, Dolly Parton, Chris Isaak), The Original Motion Picture Soundtrack continues the Saint Motel custom of joyfully blurring genres, bringing in elements of everything from symphonic pop to big band.

Audiences began experiencing the album with the release of a pair of EPs: The Original Motion Picture Soundtrack: Pt.1 and The Original Motion Picture Soundtrack Pt. 2. Among many highlights, “Van Horn” has amassed nearly 20 million streams, while the band performed it on ABC’s JIMMY KIMMEL LIVE! Receiving critical acclaim, Dujour described “Preach” as “a bop,” while American Songwriter poured over the album’s concept in an in-depth interview with A/J. Further looks came from Ladygunn, Hollywood Life, and more. Now, fans get the full picture of Saint Motel’s vision with the complete The Original Motion Picture Soundtrack studio album.

In the lead up to the album, Saint Motel made history as “the first band to open their own virtual metaverse” powered by Mozilla Hubs. The virtual world is designed as a motel with each room dedicated to a song on The Original Motion Picture Soundtrack. The quartet’s launch of “New World” welcomed fans to the virtual space where Jackson performed a live acoustic set. In this 3D VR chatroom enabled for all headsets and browsers, audiences can enter an exclusive, immersive environment to engage directly with the band through virtual meet-and-greets and intimate, live performances, consume exclusive video content, and much more. Additionally, it doubles as a space for fans to congregate and get to know each other. Saint Motel’s “New World” upholds what has become a tradition of engaging with groundbreaking technology for the guys. Visit Saint Motel’s website to explore the “New World.” In 2016, they dropped their Elektra full length debut saintmotelevision as the first-ever Virtual Reality album and first-ever Augmented Reality album and accompanied the record with the free saintmotel AR/VR app.

Saint Motel U.S. Tour Dates

September 30, 2021 – Los Angeles, CA – The Roxy Theatre

October 01, 2021 – Los Angeles, CA – The Roxy Theatre

October 02, 2021 – Los Angeles, CA – The Roxy Theatre

October 04, 2021 – San Luis Obispo, CA – Fremont Theater

October 05, 2021 – Santa Ana, CA – Observatory

October 07, 2021 – Salt Lake City, UT – Depot

October 08, 2021 – Boulder, CO – Boulder Theater

October 09, 2021 – Fort Collins, CO – The Aggie

October 11, 2021 – Omaha, NE – Slowdown

October 12, 2021 – Columbia, MO – The Blue Note

October 13, 2021 – Urbana, IL – The Canopy Club

October 15, 2021 – Nashville, TN – Brooklyn Bowl

October 16, 2021 – Athens, GA – Georgia Theater

October 17, 2021 – Knoxville, TN – The Mill & Mine

October 18, 2021 – Asheville, NC – Orange Peel

October 20, 2021 – Louisville, KY – Mercury Ballroom

October 21, 2021 – Charlottesville, VA – Jefferson Theater

October 22, 2021 – Harrisburg, PA – Harrisburg University

October 23, 2021 – Baltimore, MD – Baltimore Sound Stage

October 26, 2021 – New Haven, CT – College Street Music Hall

October 27, 2021 – Burlington, VT – Higher Ground

October 29, 2021 – Buffalo, NY – Town Ballroom

October 30, 2021 – Grand Rapids, MI – The Intersection

October 31, 2021 – Madison, WI – Majestic Theater

Saint Motel European Tour Dates

March 31, 2022 – Berlin, Germany – Franz Club

April 02, 2022 – Hamburg, Germany – Stage Club

April 03, 2022 – Cologne, Germany – Luxor

April 05, 2022 – Munich, Germany – Hansa 39

April 06, 2022 – Milan, Italy – Circolo Magnolia

April 08, 2022 – Amsterdam, Netherlands – Paradiso Noord

April 09, 2022 – Brussels, Belgium – Botanique The Rotonde

April 10, 2022 – Paris, France – La Maroquinerie

April 12, 2022 – London, UK – Islington Assembly Hall

April 13, 2022 – Manchester, UK – Academy 2

Projecting pop hooks through an alternative lens with a flair for dramatic presentation, Saint Motel make music worthy of the big screen. Streamed and viewed over half-a-billion times, the platinum-selling Los Angeles quartet magnify this vision with immersive live experiences and one unpredictable move after another. The group initially came together at film school before introducing themselves on 2012’s Voyeur. Signing to Elektra Records, their 2014 My Type EP boasted both the gold-certified title track “My Type” and fan favorite “Cold Cold Man.” In 2016, saintmotelevision yielded the smash “Move.” Flipping the script once again, the musicians reimagined the record with a series of history-making first-of-their-kind innovations: an award-winning Virtual Reality version and an Augmented Reality version. In 2019, Saint Motel launched their most ambitious undertaking yet, unveiling their third full-length album in three parts. First up, they uncovered The Original Motion Picture Soundtrack Pt. 1 powered by the shimmy and shake of Alternative Top 15 lead single “Van Horn.” Between packing houses coast to coast on headline jaunts and earning acclaim from People, Billboard, and more, the four-piece rolled out Pt. 2 throughout 2020. In addition to unforgettable sets everywhere from Coachella and Lollapalooza to Bonnaroo, the boys lit up shows such as NBC’s TODAY, ABC’s Jimmy Kimmel Live!, and CBS’ The Late Late Show with James Corden, among others.

Saint Motel is: A/J Jackson (vocals), Aaron Sharp (guitar), Dak Lerdamornpong (bass), and Greg Erwin (drums).

Connect With Saint Motel

Saint Motel Website

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Old house illustration by Heather Skovlund for 360 Magazine

Most Endangered Historic Places

­America’s 11 Most Endangered Historic Places—2021 List UNVEILED

As the nation begins to reopen after a long period of waiting and uncertainty, the National Trust for Historic Preservation unveils its much-anticipated list of America’s 11 Most Endangered Historic Places. Last year, despite the country’s focus on the pandemic and the 2020 election, the 11 Most list brought critical public attention and support to the endangered places that were highlighted. The 2021 list will again demonstrate the power of historic places to capture the public imagination, revealing lesser-known stories and reminding us of the courage, perseverance, and creativity that characterizes our shared American narrative.

“This list draws attention to historic places we must protect and honor—not only because they define our past, but also because the stories they tell offer important lessons for the way forward together,” said Paul Edmondson, President of the National Trust for Historic Preservation. “These 11 places celebrate the fact that our past is a multicultural fabric that, when pieced together, reveals our true identity as Americans.”

Annually, this list spotlights important examples of our nation’s architectural and cultural heritage that, without applied action and immediate advocacy, will be lost or face irreparable damage. Due to the efforts of the National Trust and the passionate work of our members, donors, concerned citizens, nonprofit and for-profit partners, government agencies, and others, placement on the 11 Most list is often the saving grace for important cultural landmarks. In the 34-year history of the 11 Most Endangered Historic Places List, less than five percent of the more than 300 places spotlighted by the list have been lost.

“These 11 Most Endangered Historic Places,” said Katherine Malone-France, the Trust’s Chief Preservation Officer, “demonstrate that the act of preservation is a powerful form of activism itself that makes a tangible difference in the way we understand ourselves as a nation. The stories told by each of these 11 places demonstrate that our history is often not simple or easy, but it is always powerful. That is why saving and stewarding these places and their stories is so important. They help us more accurately define who we are as a people, recognize our intricate cultural connections with each other, and inspire us to work together to build a more just and equitable future.”

To learn more about the places on this year’s list and find out what you can do to help preserve them, go to Saving Places.

The 2021 list of America’s 11 Most Endangered Historic Places (alphabetical by state):

Selma to Montgomery March Camp SitesSelma, Alabama

In March 1965, as thousands of Civil Rights demonstrators marched from Selma to Montgomery to campaign for full voting rights, three African American farm owners along the 54-mile route courageously offered their properties as overnight camp sites for the marchers, including Dr. Martin Luther King, Jr., Coretta Scott King, and Congressman John Lewis. These families are among those who Dr. King called the “ordinary people with extraordinary vision” as they risked their lives in support of the Civil Rights movement. Today, several of these sites—the David Hall Farm and Robert Gardner Farm—are still proudly owned by the same families and are situated along the Selma to Montgomery National Historic Trail, but their incredible stories remain largely untold. Many of the farm properties now need stabilization, repair, and interpretation to expand the narrative of this significant landscape in Civil Rights history and share the stories of these families, whose tremendous bravery helped to change American history.

Summit Tunnels 6 & 7 and Summit Camp SiteTruckee, California

The Summit Tunnels 6 & 7 and Summit Camp Site tell the story of thousands of Chinese railroad workers who constructed the Transcontinental Railroad through the Sierra Nevada mountains from 1865 to 1867. These workers, making up approximately 90 percent of the Central Pacific Railroad workforce, risked their lives to cut and build railroad beds and dig tunnels in incredibly difficult working conditions and extremely dangerous terrain and weather—all while being paid less than their white counterparts. Vandalism currently threatens the tunnels, resulting in extensive graffiti, as well as physical damage to cultural and natural resources at the site. The Tahoe National Forest protects the archaeological remains of Summit Camp, but visitors who don’t understand its significance are not always respectful of the site’s remaining artifacts. Highlighting how Chinese laborers accelerated the development of the American West, and better interpreting and protecting these sites, would honor this important and often overlooked part of our country’s history.

Trujillo AdobeRiverside, California

Constructed in 1862 by the Trujillo (pronounced true-HEE-yo) family, and today the oldest known building in Riverside, the Trujillo Adobe tells the story of migration and settlement in inland southern California. Lorenzo Trujillo, who built the Adobe in what was then a part of Mexico, was a Genízaro—one of many Native Americans who were captured, sometimes held in slavery, sometimes baptized and raised by Spanish colonists. Trujillo led many expeditions as a scout across the Old Spanish Trail, enabling immigrants to settle inland California, and his home became the beating heart of a community known as La Placita de los Trujillos, Spanish Town, and Agua Mansa. The Adobe is now deteriorated and fragile, protected only by a wooden structure (also in need of repair) that hides the Adobe from view. Local advocates hope to transform the Adobe into a cultural and educational site to recognize and take pride in the multiple cultures that shaped and continue to define the region. 

Georgia B. Williams Nursing HomeCamilla, Georgia

The Georgia B. Williams Nursing Home was the residence of Beatrice Borders, a Black midwife who used the space to serve communities in southwest Georgia during the Jim Crow era. Over several decades, Mrs. Borders and her assistants persevered through local and systemic racism to deliver more than 6,000 babies, and the Nursing Home provided the only known birthing center of its kind for thousands of Black women in the rural South during times of challenging economic and living conditions. The vacant nursing home, now uninhabitable, suffers from water damage and deterioration. Local advocates are leading a campaign to rehabilitate the facility as a museum and educational center where they can share Mrs. Borders’ story as well as the stories of the children delivered by “Miss Bea.” 

Morningstar Tabernacle No.88 Order of Moses Cemetery and HallCabin John, Maryland.

Morningstar Tabernacle No. 88 Order of Moses Cemetery and Hall were established around 1885 alongside a post-Emancipation Black settlement known as Gibson Grove. Residents, some of whom had been formerly enslaved, established a local benevolent society to care for the sick and destitute, bury the deceased, and provide overall support to the local Black community. In an act of racial injustice, highway construction in the 1960s ran through the Gibson Grove community and took a portion of the cemetery site. Today, foundations are all that remain of Moses Hall, and the planned expansion of the Washington, D.C.-area Beltway further threatens the cemetery, where known burials span from 1894 to 1977. A coalition of neighbors and descendants is leading the effort to save this place by advocating that new Capital Beltway construction avoid the cemetery and hall site. 

Boston Harbor IslandsBoston, Massachusetts

The Boston Harbor Islands, now part of a National and State Park, are home to a wealth of historic resources dating back 12,000 years, including the most intact Native American archaeological landscape remaining in Boston, historic Fort Standish, the Boston Light, and more. Storm surges, which are intensifying due to climate change and sea level rise, are causing accelerated coastal erosion resulting in the escalated loss of archeological sites and other historic resources. Protecting these sites before their stories are lost requires greater public attention, funding for mitigation efforts and archeological studies, and strategies to document and protect historic and natural resources from climate-related storm surges. 

Sarah E. Ray HouseDetroit, Michigan

Sarah Elizabeth Ray was a Civil Rights activist who filed a successful discrimination case after the SS Columbia, a steamboat that carried passengers to Detroit’s Bob-Lo Island Amusement Park, ejected her on the basis of race. Her 1948 case was eventually decided in Ray’s favor by the U.S. Supreme Court and was an important precursor to the Brown v. Board of Education decision, which struck down the doctrine of separate but equal educational facilities in 1954. Ray’s Civil Rights work in Detroit continued over her lifetime. Following the violent confrontations between Black residents and the city’s police department in the summer of 1967 in Detroit, Ray and her husband opened a community center called Action House to stabilize their neighborhood, promote racial tolerance, and enrich the lives of local children. They also bought the house next door for their primary residence, where Ray lived until her death in 2006. While the Action House was eventually demolished, Ray’s home remains. It is vacant and deteriorated, but still contains her personal papers, photos, books, and memorabilia. The Sarah Elizabeth Ray Project is leading the effort to save the house, conserve its contents, and elevate the story of this little-known Civil Rights activist. 

The Riverside HotelClarksdale, Mississippi

In 1944, Mrs. Z.L. Ratliffe opened The Riverside Hotel as a boarding house for Blacks, eventually extending the building to include 20 guest rooms over two floors. As one of the only Black hotels and boarding homes in Jim Crow-era Mississippi, The Riverside played host to a who’s who of musical legends such as Muddy Waters, Sam Cooke, Howlin’ Wolf, and Duke Ellington, making it central to American musical history as a landmark of the legendary Delta Blues sound and—literally—one of the birthplaces of rock and roll. Owned by the Ratliffe family since 1957, The Riverside is also the only hotel related to blues history that is still Black owned in Clarksdale. But the building, which has not been operational since storm damage in April 2020, needs significant rehabilitation. The current owners are seeking partnerships and funding to repair and reopen the hotel so it can continue to serve as a destination for musicians, tour groups, and other blues aficionados. 

Threatt Filling Station and Family FarmLuther, Oklahoma

The entrepreneurial Threatt (pronounced THREET) family first sold produce from their 150-acre family farm outside Luther, Oklahoma, in the early 1900s, and over time expanded their offerings to include a filling station (built in 1915), ballfield, outdoor stage, and bar. The filling station was the only known Black-owned and -operated gas station along Route 66 during the Jim Crow era, making it a safe haven for Black travelers. The farm also reportedly provided refuge to Blacks displaced by the 1921 Tulsa Race Massacre. The Threatt family still proudly owns the property and envisions revitalizing this site in time for the 2026 Centennial of Route 66, starting Route 66’s second century off with a more representative narrative of the legendary “Mother Road.” But they need partners and financial support to fully restore the filling station and bar and do justice to its stories of Black entrepreneurship and travel.  

Oljato Trading PostSan Juan County, Utah

The Oljato Trading Post (pronounced ole-JAY-toe) is a rare example of a once-ubiquitous mainstay in Navajo communities—trading posts that offered a wide assortment of goods, provided Navajo producers a place to sell or trade their products, and acted as community centers and social hubs. Built in 1921 by a licensed Anglo trader, the National Register-listed Oljato complex includes a trading room, living area, storage for wares, and a traditional hogan (or sacred home) for overnighters. The trading post is now entirely in Oljato and Navajo hands, providing an opportunity to adapt the trading post in a way that brings more resources, attention, economic opportunity, and social benefits to the tribal communities. However, the deteriorated facility needs $1.3 million for rehabilitation so it can have a new life as a community center and cultural tourist destination.

Pine Grove Elementary SchoolCumberland, Virginia

Built in 1917 as a Rosenwald School, the two-room Pine Grove Elementary School served its African American agricultural community as a center for education, programs, and Civil Rights activities during the era of segregation. After it closed in 1964, the building was saved twice by Black community leaders, alumni, and descendants of alumni. However, the proposed construction of a nearby landfill now threatens the Pine Grove Elementary School. According to the Green Ridge Recycling and Disposal Facility, the landfill intends to accept up to 5,000 tons of waste daily and operate 24 hours a day, six days per week. Moreover, the disposal unit will be located within one thousand feet of Pine Grove Elementary School. Advocates believe that the proposed landfill could negatively impact their goal of using the school as a community center.

Follow us on Twitter and join the conversation using the hashtag #11Most.

ABOUT THE NATIONAL TRUST FOR HISTORIC PRESERVATION

The National Trust for Historic Preservation, a privately funded nonprofit organization, works to save America’s historic places: Saving Places.

ABOUT THE 11 MOST ENDANGERED HISTORIC PLACES LIST

America’s 11 Most Endangered Historic Places has identified over 300 threatened one-of-a-kind historic treasures since 1988. Whether these sites are urban districts or rural landscapes, Native American landmarks or 20th-century sports arenas, entire communities or single buildings, the list spotlights historic places across America that are threatened by neglect, insufficient funds, inappropriate development, or insensitive public policy. The designation has been a powerful tool for raising awareness and rallying resources to save endangered sites from every region of the country. At times, that attention has garnered public support to quickly rescue a treasured landmark; while in other instances, it has been the impetus of a long battle to save an important piece of our history.

The Struts illustration by Heather Skovlund for 360 Magazine

The Struts × New Tour Dates

THE STRUTS ANNOUNCE RESCHEDULED AND NEW DATES FOR ‘STRANGE DAYS ARE OVER TOUR’

The Struts have announced rescheduled, and newly added, headline dates for their “Strange Days Are Over Tour.”   Having to postpone the tour last year The Struts will kick off the newly routed tour on August 31st in St. Petersburg, FL at Jannus Live with new dates added including a night at New York City’s newly remodeled Irving Plaza.  Tickets for the new “Strange Days Are Over Tour” will go on sale to the general public on Friday, May 28 at 10am local. All rescheduled dates are on sale now.  Visit The Struts to purchase tickets.

The Struts will also be performing at the already announced Reading & Leads Festival this summer Bonnaroo in September and a handful of dates supporting Shinedown.  See below for a complete itinerary.

The Struts recently released a scorching version of “We Will Rock You,” the classic hit by Queen, and have unveiled a beautiful piano performance of the songwith lead singer Luke Spiller playing solo in an empty theatre. Watch the clip HERE. “We Will Rock You” follows The Struts’ recent collaboration with paris jackson on Low Key In Love” which was released last month along with a video directed by Bryson Roatch.

Below is a complete list of upcoming tour dates for The Struts:

Aug. 27  Leeds, UK  Leeds Festival
Aug. 29  Reading, UK  Reading Festival
Aug. 31  St. Petersburg, FL   Jannus live*- rescheduled
Sept. 1   Fort Lauderdale, FL  Revolution* – rescheduled
Sept. 3   Orlando, FL   The Beachum*- rescheduled
Sept. 4   Atlanta, GA   The Masquerade*- rescheduled
Sept. 5  Manchester, TN  Bonnaroo
Sept. 7  Richmond, VA  The National rescheduled
Sept. 9   Asbury Park, NJ   The Stone Pony*- rescheduled
Sept. 10  Philadelphia, PA  The Mann Center- NEW
Sept. 11  Port Chester, NY   The Capitol Theatre*- rescheduled
Sept. 12  Pittsburgh, PA   Stage AE –NEW
Sept. 14  Chicago, IL   Riviera Theater*- rescheduled
Sept. 15 South Bend, IN    Four Winds Field – w/Shinedown
Sept. 17 Milwaukee, WI   Summerfest  w/Shinedown
Sept. 19  Des Moines, IA    Vel Air Ballroom- NEW
Sept. 21  Kansas City, MO   Providence Medical Center Amphitheater w/Shinedown
Sept. 22  Lincoln, NE    Pinewood Bowl Theater w/Shinedown
Sept. 24   Oklahoma City, OK   Zoo Amphitheatre w/Shinedown
Sept 25   Irving, TX    The Pavilion at Toyota Music Factory w/Shinedown
Sept 26   Rogers, AR    Walmart Arkansas Music Pavilion w/Shinedown
Sept 28   Sugarland, TX    Smart Financial Centre w/Shinedown
Sept. 29  Austin, TX   Emos- NEW
Oct. 2   New Orleans, LA   HOB- NEW
Oct. 6   Cincinnati, OH    Ovation- NEW
Oct. 8   New York, NY    Irving Plaza – NEW

Formed in Derby, England, in 2012, The Struts have found themselves massively embraced by some of the greatest icons in rock-and-roll history. Along with opening for Foo Fighters, The Rolling Stones, The Who, and Guns N’ Roses, the UK-bred four-piece band was handpicked by Mötley Crüe to serve as the supporting act for their last-ever performances. Releasing their debut album Everybody Wants in 2016 and sophomore album YOUNG & DANGEROUS in 2018, they’ve toured incessantly since their formation, including worldwide headline shows and major festivals like Lollapalooza, Governors Ball, and Isle of Wight. When COVID-19 brought touring to a halt, The Struts created their third album Strange Days over the course of a charmed and frenzied burst of creativity last spring. After getting tested for COVID-19, the band moved into the L.A. home of producer Jon Levine and, within just ten days, laid down nine original tracks alongside their masterful cover of a KISS B-side.

For more information on The Struts, visit:

Instagram | Twitter | Facebook

Tech Illustration by Rita Azar for use by 360 Magazine

Most Cybercrime by State

According to Atlas VPN analysis, the top 10 US states by losses to cybercrime are California, New York, Texas, Florida, Ohio, Illinois, Missouri, Pennsylvania, Virginia, and Colorado.

Last year, citizens in these states lost $2.39 billion to various types of internet crime. In the earliest reporting period – 2013, losses reached $327.89 million. Meaning, accumulated monetary damages in these states jumped by 629% over an eight-year period.

The data is compiled from the last eight annual Internet Crime Reports published by the Federal Bureau of Investigation (FBI). The FBI shares data provided by victims from all over the country to alert US citizens to the ever-increasing rates of internet crime.

To no surprise, California experienced the largest damages in 2020. Californians lost over $621 million in 2020 and a staggering $2.55 billion since 2013.  

The average annual loss growth (AAGR) of cybercrime damages reaches 33% in sunny California. On a similar note, financial losses jumped by 491% when comparing 2013 to 2020.

The second place goes to the largest city in the US – New York. Here, people lost nearly $416 million in 2020. The total losses from cybercrime amount to $1.15 billion, counting from 2013.

The average annual growth rate of losses to cybercrime exceeds that of California and stands at 50%. In 2013, New Yorkers lost $38 million to internet crime, which means that in the eight-year span, damages grew by 993%.

Texas takes third place, with close to $314 million in capital loss last year. Through the last eight years, fraudsters swindled over $1.01 billion from unsuspecting citizens.

Texans lost $56 million in 2013. Meaning, cybercrime damages in Texas jumped by 455% from 2013 to 2020. Here, AAGR stands at 30%, which is the lowest of the top 10 states.

Fourth is Florida, with $295 million in losses to various types of internet crime. From 2013 until 2020, citizens in Florida lost a whopping $1.16 billion of their hard-earned money.

To read the full article, head over to: https://atlasvpn.com/blog/an-analysis-of-the-top-10-most-cybercrime-ridden-states

Alex Henry Foster illustration by Heather Skovlund for 360 Magazine

Alex Henry Foster

ALEX HENRY FOSTER’S STANDING UNDER BRIGHT LIGHTS IMPACTS BILLBOARD SALES CHARTS WORLDWIDE AMIDST GLOBAL ACCLAIM

Triple-Vinyl / Double-CD, Concert Film Hits No. 4 In Canada,

No. 6 In Australia, No. 13 In The UK, No. 18 Emerging Artists

Rolling Stone, American Songwriter, Montreal Gazette,

Vancouver Sun, Glide Magazine More Praise Album

Alternative, post-rock’s Alex Henry Foster impacts album sales charts worldwide with his live triple-vinyl / double-CD and concert film Standing Under Bright Lights following its release April 16. In its first week available at digital and streaming outlets everywhere from Hopeful Tragedy Records, the recording hit No. 4 in Canada (No. 1 iTunes Top Albums), debuted at No. 6 in Australia and reached No. 13 in the UK. The album also landed at No. 18 on Billboard’s Emerging Artists and No. 31 on its Current Album Sales charts while fans also quickly depleted the vinyl collector’s boxes available at his label’s store.

From Montreal and now residing in the highlands of Virginia, Foster’s full production, 11-piece band concert Standing Under Bright Lights was recorded live in front of a sold out Club Soda (July 2019) while Foster headlined the Montreal International Jazz Festival. The concert was named one of the top five events not to be missed by Canada’s national TV/Radio broadcaster CBC. Originally set to release October 8, 2020, which would have been his late father’s birthday, Foster decided to utilize the extra time the worldwide pandemic would give him to produce the recording and concert film.

With Rolling Stone labeling the album’s lead single, “The Son of Hannah,” “simply fascinating,” and the Montreal Gazette hearing “a remarkable buzz around the world with his challenging alternative rock,” Foster’s Standing Under Bright Lights has garnered acclaim across the globe. Along with an NRT Now “Next Big Thing” podcast interview, Foster has been recently featured by Prog MagazineICI Premiere (CBC), Louder Than WarBrooklynVeganBetween The Grooves, PAN M 360FYI Music NewsTVKRebel NoiseAll RockMr. Vinyl and many more.

  • “[Standing Under Bright Lights] captivated concert-goers every second with improv, emotions, darkness, poetry laden lyrics, spoken word vocals and experimental music that transported everyone in attendance to a different plane.” – American Songwriter
  • “This is the kind of live album that used to establish artists…” – Vancouver Sun
  • “An Intimate, Impassioned, Astonishing record.” – Metro UK
  • ★★★★★ – “Standing Under Bright Lights is a deeply spiritual hymn to the warmth and light that burns inside us all.” – 3 Songs & Out
  • ★★★★ 1/2 – “Think Pink Floyd visiting Radiohead…” – Le Devoir
  • ★★★★ 1/2 “…an avalanche of progressive alternative rock music… feverish poetry and progressive impetus which defends our spirit at each listening.” – ARP Media
  • Standing Under Bright Lights is…a mesmerizing experience. …the event feels vibrant, it grips you even…”– Le Soleil
  • “Alex Henry Foster has earned his due and has helped transcend post-rock into a realm of prog possibilities encompassing the world where Steven Wilson and Porcupine Tree meet Godspeed You! Black Emperor.” – Glide Magazine
  • “…this is a release of such absolute quality, such exquisite poise…It is an absolute statement piece that, if there is any justice, will place Alex Foster Henry into a place where he will be rightfully regarded amongst the creme of emerging talent on the world stage.” – Uber Rock
  • “…one of the most dedicated and passionate works of art from a musician in recent memory.” – Interview Under Fire
  • “Just like the crescendo of the song ‘The Son of Hannah,’ there is a raw, cathartic release of tension that is born of anger, but released as hope.” – Montreal Rocks
  • “Rarely are we presented with such raw emotion in music or performance.” – Sound Vapors

Along with lead singles “The Son of Hannah” and “Winter Is Coming In” that have received hundreds of thousands of plays across numerous playlists, Standing Under Bright Lights features every song from Foster’s debut solo album, Windows in the Sky, which hit No. 1 multiple times on the Billboard Canadian Albums chart, staying in the Top 40 on the chart for a full year after its release. The songs from this celebrated album were re-invented for the live recording as the band performed along with a movie projection produced by Foster. Almost 2 hours and 30 minutes long, the concert at which Standing Under Bright Lights was recorded is now considered among the best concerts throughout the 40 years of the Montreal International Jazz Festival.

Playing the new music and fan favorites on tour, Foster and his band are preparing to tour internationally with 23 dates in Europe set to begin next month, pandemic allowing.

For all the latest Alex Henry Foster tour, music news and more, go to WebsiteFacebookYouTubeInstagramTwitterSpotifyApple MusicBandcamp and Hopeful Tragedy Records Store.