Posts tagged with "NLE Choppa"

SPOTEMGOTTEM – KILLERS ON THEY SHIT

SPOTEMGOTTEM RELEASES BRAND NEW RECORD “KILLERS ON THEY SHIT

WATCH THE OFFICIAL VIDEO HERE

Rising Florida star SpotemGottem is back today with thrilling new single “Killers On They Shit”. On the track, Spotem lays out the ruthless logistics of a hit, rapping menacingly while the record pulsates around him with authentic street energy. “Killers On They Shit” has all the aggression and on-the-ground detail that fans have come to expect from the Jacksonville native. Watch the ShotbyGG-directed video for the track HERE, or listen to all digital retailers HERE.

“Killers On They Shit” marks the beginning of a new era of music for SpotemGottem, as he prepares to follow up his critical and commercially acclaimed project ‘Most Wanted’ which was released earlier this year. Most Wanted was the culmination of a rise that began when SpotemGottem released “Beat Box” last year. With a mellow, but ominous trap beat, ferocious bars, and delivery filled with sporadic shouts, the song picked up serious momentum since its release with established artists like DaBaby, Pooh Sheisty, Polo G, NLE Choppa, and more tapping in for remixes. With the momentum of “Beat Box” still at his back, nearly 6 million monthly Spotify listeners, and Most Wanted hitting streaming platforms everywhere, SpotemGottem remains poised to fully take over. Recently, the young talent also made his television debut during the 2021 BET Awards pre-show where he performed a high-energy minute-long performance of his viral hit “Beat Box” alongside JuneBug. Revisit the performance HERE.

illustration by Alex Bogdan for use by 360 Magazine

DABABY, HOMOPHOBIA × CANCEL CULTURE

By: Andrew Shibuya

No one thought that the return to normalcy – or at least the path towards it – would be without hurdles. Indeed, the past six months have proven similarly difficult to the previous twelve, and the coming few seem to promise no respite. And so, in the now past and brief interlude in mask mandates and lockdowns in the United States, surely one would think that crowded events such as music festivals would be about celebrating reunion and unity.

Unfortunately, with the precedent of a certain performer at Rolling Loud, it is clear that unity was not the first thing on everyone’s mind. No one has made this more clear than rapper DaBaby. During his performance at the festival, the rapper is reported to have said several homophobic comments including, “If you didn’t show up today with HIV, AIDS, or any of them deadly sexually transmitted diseases that’ll make you die in two to three weeks, then put your cellphone lighter up,” as well as the peculiar, “Fellas, if you ain’t sucking d**k in the parking lot, put your cellphone lighter up.”

Of course, the Internet had something to say, and the deserved virtual tirade against DaBaby began. Twitter users in particular took up arms against DaBaby’s comments, lambasting the rapper for what they deemed to be some mixture of idiocy and ignorance.

And while fools’ remarks should hardly be considered worth coverage alone, the following onslaught and festivals’ responses are worth discussing. In the past week, numerous notable festivals have pulled DaBaby from their lineups, including Lollapalooza, New York’s Governors Ball, and Day N Vegas. The festivals all shared similar messages to their social media channels regarding the change, citing the need for and value of inclusion and diversity. The former’s message read: “Lollapalooza was founded on diversity, inclusivity, respect. And love. With that in mind, DaBaby will no longer be performing at Grant Park tonight.” Read our coverage of Lollapalooza and its implications with COVID HERE.

These festival changes seemed to have induced an apology from DaBaby, who, at first, was reluctant to apologize or recognize any wrongdoing. In response to the first wave of criticism, the rapper responded on his Instagram Story, stating, “What I do at a live show is for the audience at the live show. It’ll never translate correctly to somebody looking at a little five, six-second clip from their goddamn crib on their phone. Because, regardless of what y’all motherfuckers are talking about and how the internet twisted up my motherfucking words, me and all my fans at the show, the gay ones and the straight ones, we turned the fuck up.”

This was just the first response of many, with each becoming increasingly apologetic as more of his shows were cancelled. The most recent of his apologies, which many on Twitter have dubbed “DaApology,” reads: “I want to apologize to the LGBTQ+ community for the hurtful and triggering comments I made. Again, I apologize for my misinformed comments about HIV/AIDS and I knew education on this is important.” And while some fans online deemed his response to be acceptable, many did not see it as adequate.

Celebrities similarly took to Twitter and other social media platforms to offer their two cents on the situation. Many decried DaBaby’s words, such as his recent collaborator Dua Lipa, who claims to be incredibly taken aback by this side of DaBaby. Other big names in the music industry such as singer-songwriter Elton John and pop legend Madonna have similarly criticized the ignorance and inaccuracy of DaBaby’s comments on HIV and AIDS. Most recently, Miley Cyrus has shared on social media that she has reached out to DaBaby to “learn from each other” in the wake of this incident.

And still, some rappers and other industry names have come to DaBaby’s defense. Some, like rapper NLE Choppa, insist that this is just a slight hiccup in DaBaby’s career, with NLE Choppa recently tweeting, “Dababy Gone Come Out Bigger Than Ever While Y’all Tryna Down Play The Man.” Rapper T.I. similarly called for more equality and fair treatment for DaBaby, seeming to suggest the praise Lil Nas X has recently received. In an Instagram comment, T.I. wrote, “If Lil Nas X can kick his s**t in peace… so should DaBaby.”

DaBaby’s comments come after a recent onslaught of homophobic vitriol directed toward Nas X this past summer. Following the release of the rapper’s successful singles “MONTERO (Call Me By Your Name)” and “Industry Baby” and brazen accompanying videos, many – both fans and other rappers – took to Twitter. And while many people did support Nas X as T.I. seems to allude to, the openly gay rapper received far from unanimous praise.

In addition to spurring an inundation of homophobic sentiment online from quotidian users, Nas X proved to be similarly divisive amongst other rappers in the hip hop industry. While some voiced their support and praised the rapper’s bravery and bold works, some were similarly quick to voice their disproval. Many condemned the rapper for what seemed to them to be brazen lewdness, though many Twitter users thinly veiled homophobia.

The discourse over “cancelling” is rather interesting in light of so much present discussion over the actual existence of cancel culture and its implications. Especially in the music industry, where the effects of “cancelling” someone seem to be diminished – Chris Brown still plays on the radio, Dr. Luke still produces number-one hits, and most recently “cancelled” country singer Morgan Wallen has seen his popularity grow tremendously despite this year’s earlier controversy. This is in contrast with the film industry, where, although far from free from offenders, certain players have been blackballed far more effectively and efficiently.

Surely, all those people could be an argument against the existence of cancel culture. The consequences to their actions seem to have faded as quickly as people’s memories of their wrongdoings. And so, as to the question of whether or not DaBaby has been “cancelled” is unclear. The action against him – at least at the level of cancelling his headlining performances and shows – has so far managed to induce at least a single apology from the rapper. And while what lies in store for DaBaby remains unclear, one certainty remains – the Internet has at least some power to affect change in the real world.

music note illustration by 360 magazine

GoldLink – HARAM!

Today, GoldLink, one of the most innovative artists in hip-hop, releases his third studio album, HARAM!, via Squaaash Club/RCA Records. Click here to listen.

Containing 15 tracks with features by Flo MilliNLE ChoppaSantigoldBibi BourellyRich The Kid, emerging international act Fire! and more, HARAM! represents the destruction and rebuilding of a new GoldLink, yet stays true to his lyrical prowess. Joe Perez (Kanye West, Nicki Minaj, Pusha T) helmed the creative direction for the album.

Continuing to redefine what a “rap star” is meant to be, HARAM! is GoldLink’s most personal, genius, adventurous and riskiest piece of work to date. Filled with unfiltered braggadocios raps, challenging flows – yet feels more specific, like a biopic – the album is one that poses questions rather than give answers. The metaphoric use of the harsh, gritty telephone effect against his iconic cadence signifies that GoldLink is purposefully imperfect; he doesn’t want to be perfect. With HARAM!, GoldLink’s quest is to challenge the idea of rap titles in art in his pursuit to becoming a musical deity.

This Saturday (6/19), GoldLink will be performing during Luminosity Gaming’s “Luminosity Live” event, presented by F9. Catch him on Twitch at 10pm EST on the Luminosity Twitch Channel.

HARAM! Track list:

01 Extra Clip feat. NLE Choppa

02 202

03 White Walls

04 Spit On It feat. Rizloski

05 Terrordome

06 Evian feat. PinkPantheresss, Rizloski & Rax

07 Raindrops feat. Flo Milli

08 Twin feat. Rich The Kid

09 Girl Pacino

10 Thump Chronicles Vol. 1 feat. Pressa & Digga

11 Culture Clash feat. Fire!

12 Wayne Perry feat. LukeyWorld

13 Wild and Lethal Trash! feat. Fire! & Santigold

14 Don’t Cry Over Spilled Milk feat. Jesse Boykins III

15 Cindy’s Daughter feat. Bibi Bourelly

Listen here: HARAM!

About GoldLink:

Where the intersections of the DMV (DC, Maryland and Virginia) collide, GoldLink is a direct product. Washington, D.C., and the broader DMV area, have long been treated like a musical Rubik’s cube. There are bursting, technicolor patches of musical brilliance, but the component parts never line up in a way that made sense to those on the outside. GoldLink is not interested in spelling out all the nuances of his hometown; what he does aim to do is synthesize his environment’s litany of influences and inspirations into something unique, singular, and all together his own.

With his RIAA-certified Gold debut studio album At What Cost (Squaaash Club/RCA) – helmed by the monstrous single “Crew” – released in March 2017, he’s done just that. By merging the sensibilities of go-go with the African diaspora, he’s done what hip-hop has done from its inception: repurpose what’s available into something magical.

The success of At What Cost and 4x Platinum single “Crew” saw GoldLink achieve a number of career firsts — from his Grammy nomination for Best Rap/Sung Collaboration to the iHeartMedia Music Awards nomination for Best New Hip-Hop Artist to his BET Awards nomination for Best New Artist. Adding to his accomplishments was a Grammy Nomination for Best Rap/Sung Collaboration the following year with “Like I Do” with Christina Aguilera.

Following up in 2019 with Diaspora, GoldLink continued to show his sonic range and influences as shown on singles “Zulu Screams” ft. Maleek Berry & Bibi Bourelly, and “Joke Ting” ft. Ari Pensmith. The album was recognized by Pitchfork as “the best music of his career,” and Highsnobiety declared “GoldLink can conceive of and execute his ideas better than most anyone in hip-hop today.” Diaspora made several Best Albums of The Year lists including Complex, UpRoxx, Hot New Hip Hop and more, while “Zulu Screams” made The New York Times “54 Best Songs of 2019” list, calling it “a supremely catchy international collaboration.”

Connect with GoldLink

Facebook | Twitter | Instagram | Online

Stereo Illustration x Heather Skovlund for use by 360 Magazine

Quin NFN Releases New Music Video

Today, Austin, Texas rapper Quin NFN releases the music video, shot by Dan2Thel, for his latest single “Having My Way.” The single and music video are available now via 10K Projects. 

The first song Quin ever made was a remix of a track by Chicago’s teenage drill rapper Lil Mouse. The song earned him a local buzz in his neighborhood and Austin at large, as the city began to take notice of the then-15-year-old who was just beginning to make noise. His momentum only grew when he released the video for “Gametime Pt. 2,” a track that finds Quin at his most aggressive, and promoted the clip on the SayCheese platform. Quin stayed consistent while maneuvering the pitfalls of Austin’s small scene and, a year later, he shared a snippet of the song that would change his life. Within days, the video for “Talkin’ My Shit,” a bass-heavy dose of Quin’s charisma and swagger, went viral, and his promise to his mom became a guarantee.

After signing with Elliot Grange’s 10K Projects in 2019, Quin released his debut album 4NUN, with features from PnB Rock and NLE Choppa. The project, which has garnered over 115 million U.S. streams since its release, found Quin challenging himself to push his rowdy sound further. But his latest project QUINCHO, out March 27, is a full-on showcase of his impressive versatility. Though he makes sure to still deliver turn-up anthems, like the rambunctious single “Ok Cool,” Quin also leans into his melodic bag to deliver catchy tracks like “All Blue.”

Despite all his success, Quin still lives in Austin, where he can be near his mom and where he’s most comfortable. He wants to be an example of how to handle growing rap fame for those that come after him in Austin, something he had to learn largely on his own. “I don’t really feel like I had a chance to look back and reflect on everything yet,” he says. Given how quickly he blew up, Quin says he’s now focused on mastering his craft. “There’s still a whole lot of stuff I’m learning and trying to perfect,” he says. “But I get better every time I go to the studio.”

WATCH THE “HAVING MY WAY” MUSIC VIDEO HERE

Quin NFN x New Music Video For "Having My Way" for use by 360 Magazine

Quin NFN releases new music video for “Having My Way” featuring Derez De’Shon

 

KyleYouMadeThat illustration by Heather Skovlund (Photo Credit: Amaiya Davis) for 360 Magazine

KyleYouMadeThat New Single

KYLEYOUMADETHAT RELEASES NEW SINGLE AND VISUALIZER “ALL ABOUT CAKE” WITH COI LERAY & KAASH PAIGE

Increasing his momentum, rising Toronto artist and producer KyleYouMadeThat joins forces with Coi Leray and Kaash Paige on his high-energy new track “All About Cake” today.

Listen to “All About Cake:” HERE

The track is the soundtrack to one of this year’s biggest TikTok dance trends yet. With over one million TikTok dance videos created to the song by some of pop culture’s biggest talent including LizzoCharli D’amelio and more, KyleYouMadeThat added budding pop star Coi Leray and the buzzing R&B singer Kaash Paige to the track to trade bag chasing bars on the beat.

In the visualizer, a bikini-clad girl gang armed with super soakers wilds out by a pool, chowing down on cake and, inevitably, getting into a confectionary ingredient everywhere. You need to see it to believe it.

Watch “All About Cake:” HERE

It arrives hot on the heels of HOOPLA—the collaboration between KyleYouMadeThat and NLE Choppa, It has already racked up over 1.3 million streams and earned critical acclaim. HotNewHipHop enthusiastically described it as “a bouncy banger.

“HOOPLA” initially exploded on Tik Tok when KyleYouMadeThat shared nothing more than the beat on his page. Dance influencer Karaleigh Cannella shared a viral dance soundtracked by the production, and Seventeen praised it among “The Hottest TikTok Dances You Can’t Stop Doing.

KyleYouMadeThat already moved the internet, and now he’s set to move the culture. Soundtracking 16 million-plus videos on Tik Tok and generating views in the billions by 2021, the Toronto-born artist, producer, and creative cooks up genre-defiant anthems and curates’ viral moods. After years producing for the likes of Trey SongzRyan Leslie, and Tinashe, he found himself stuck at home at the onset of the Global Pandemic. He leveled up all-around, becoming more proficient at graphic design, photo editing, and video editing. He also studied Tik Tok and pledged to “get a viral hit. He didn’t just go viral; he practically broke the platform. “Crystal Dolphin” incited videos by dozens of influencers such as Charli D’Amelio [102 million followers], Addison Rae [71 million followers], SpencerX [50 million followers], and Loren Gray [50 million followers] as well as superstar Jason Derulo. Not to mention, the success translated to other platforms with 56 million streams on Spotify. Meanwhile, “All About Cake” inspired videos by everyone Kimberlyloazia [31.8 million followers] and Tony Lopez [23 million] to three posts from Lizzo. It would be his off-kilter sonic sensibility that shined through the loudest though, defining a whole wave in the process under the radar. Now, he asserts himself as both a trend architect and precise hitmaker on a series of 2021 singles for The Heavy Group/Republic Records, tipped off by “HOOPLA” with NLE Choppa.

Photo Credit: Amaiya Davis

Justin Rarri – No Flaws

Justin Rarri premiered the new music video for his song “No Flaws” Wednesday, and you can check it out by clicking right here.

The green, red and gold visuals in the video are all tied together with costume design and set design that match the colorful lighting and cinematography.

The song was part of Rarri’s EP titled “Youngest In Kharge,” which released in July.

The EP is a master class in versatility from Rarri, and the 11-song track list features artists like Smoove’L, Lil Poppa and Stunna 4 Vegas.

This new video release comes off Rarri’s release of the video for “Neighborhood Supplier,” which has racked up almost 3 million views.

Just before the release of the video for “Neighborhood Supplier,” Rarri dropped the video for “2 Seater,” which collected almost 2 million views.

He also performed at the virtual version of the Rolling Loud Festival with Swae Lee, Polo G, NLE Choppa and more.

Rarri has received plenty of praise from outlets like XXL, who said, “The Bronx has birthed another teen rap star,” while Remezcla said Rarri is “quickly making his way from underdog to throning himself as one of the genre’s most exciting up-and-coming acts to date.”

You can follow Justin Rarri on Facebook, Twitter and Instagram.

Blocboy JB & NLE Choppa – “Chop Bloc Pt. 3”

Blocboy JB and NLE Choppa continue their run as ruthless emcees on “Chop Bloc Pt. 3,” a strong comeback since their last link up on “Chop Bloc Pt. 2.” Representing Memphis, the rappers take no prisoners while exchanging bars about handling their foes expeditiously. The visuals, directed by Young Tada, show the emcees ready for war while having a little fun.

Watch HERE.

The track arrives after consistent releases like, “Count Up,” “No Dribble” and “Red Light” freestyles in addition to the fiery tracks, “Do What It Do” and the Complex-premiered single, “Swervin.”

BlocBoy JB has made a name for himself in the game thanks to hit singles like “Shoot,” and the “Look Alive” ft. Drake. In addition to working with the likes of 2020 XXL Freshman NLE Choppa and Lil Uzi Vert, Bloc himself was featured on the infamous XXL Freshman List in 2018. In the same year, he picked up a BET Hip Hop Award for “Best Mixtape” for his critically acclaimed project, Simi. Amassing over four million listens a month on Spotify, his next project is expected this fall.

Image curtesy of Interscope Records

Fredo Bang – Monsters

“’Monsters’ is a record about people who hide their true nature and intentions. In life you come across many different monsters… from being in this business to the average person you meet. With everything happening around justice and equality, it’s my way of letting people know to be careful of who you trust.” – FREDO BANG


“Fredo delivers his nastiest effort to date. Most Hated is equal parts grimy and triumphant.”  – DJ BOOTH

“With the 2015 arrest that threatened to derail his rising career now decidedly in the rearview, Fredo is back with a newfound sense of purpose: more viral, more hardworking, and more determined to advance than ever before.” – FADER 

“New Gen Winter 2019–His city’s favored up-and-comer and its most versatile rising act. Songs like ‘No Mo’ show his penchant for soul-searching narratives and music-as-medicine melodies; the success of ‘Oouuh’ proves he has a one-of-a-kind ability to reach all sides of the hip-hop and R&B spectrum.” – HYPEBEAST

“Known for his tales of life in the streets, the rapper behind records like “Story to Tell” and “Oouuh” shows just how it goes down in his hometown.” – XXL 

Fredo Bang, whose non-stop string of viral street anthems have generated over 154 million streams in the U.S. (over 165 million globally), keeps the momentum boiling this summer with “Monsters,” the brand new single + video available today via Def Jam Recordings.

LISTEN TO “MONSTERS”
VIEW THE “MONSTERS” VIDEO


With over 79 million global streams, Most Hated (released in April), Fredo’s fourth mixtape in less than two years, was his most successful to date. Included on Most Hated are “Get Even” featuring Lil Baby, “Trust Issues,” “Saucy,” “Waitin 4,” “Vest Up,” and “Yo Slime.”  Most Hated was executive produced by Moneybagg Yo, who appears on the tracks along with Lil BabyYNW MellyTee Grizzley, and Ceefineass.   Rolling Stonemagazine named Fredo #1 on its ‘Breakthrough 25’: The Fastest Rising Artist Of The Month list for April 2020.
 

LISTEN TO MOST HATEDHERE
 

Fredo Bang made his mixtape debut in 2018, with 2 Face Bang (containing “Oouuh”). Fredo’s brand was established on Big Ape, his eponymous 20-song mixtape (with “Story To Tell” (Remix) and “Gangsta Talk” featuring NLE Choppa). Shortly after entering a partnership with Def Jam in the fall, Fredo issued the 16-song Pain Made Me Numb, containing the singles “Cap A Lot” and “Slidin.”

Prior to the Covid-19 hiatus, Fredo was looking forward to hitting the road as the highest-billed supporting act on Moneybagg’s 26-city cross-country “Time Served Tour,” with dates running from March through May. Details of the rescheduled tour will be announced soon.

ABOUT FREDO BANG:
With his deep, barking drawl and a natural affinity for melody, Fredo Bang (Fredrick Givens) is the next rhymer to rise out the Bayou. The highs and lows of his life encompass turning down a scholarship at Texas Southern U. in order to study closer to home, and a stiff jail sentence for aggravated battery that was commuted in 2018. At age 23, the Baton Rouge native’s rhymes have now won the South. He has collabo­ra­ted with everyone from YNW Melly to Moneybagg Yo to Kevin Gates. 2018’s 2 Face Bang mixtape put Fredo on the map with the breakout single “Oouuhh” and a streak of hits including “Shootas on the Roof” and “Father” (over 22 million YouTube views). The street took deeper notice in 2019, with the Big Ape mixtape and a non-stop string of regional single + video hits that included “Oouuh” Remix featuring Kevin Gates, “Gangsta Talk” featuring NLE Choppa, and “Story To Tell” (Remix) featur­ing Moneybagg Yo. Fredo entered into a partnership with Def Jam in the fall 2019. The hits continued unabated with “Face Down” and “Vest Up,” then “Yo Slime,” and “Waitin 4” (with a beat from Hard­body B-Eazy and DJ Chose). Fredo’s next mixtape, Pain Made Me Numb hit in November, with the single + video releases “Cap A Lot” and “Slidin.” April 2020 brought the back-to-back releases of the single + video “Trust Issues,” and Fredo’s fourth mixtape, Most Hated. Fredo’s next string of new releases, “Receipts,” “Top,” and “Monsters” point the way to his fifth mixtape, In The Name Of Gee, coming soon.

Polo G New Song

POLO G RELEASES NEW SONG “GO STUPID” FEATURING STUNNA 4 VEGAS & NLE CHOPPA

PRODUCED BY MIKE WILL MADE-IT AND TAY KEITH

WATCH THE MICHAEL GARCIA DIRECTED MUSIC VIDEO HERE

Hip Hop breakout Polo G has released his new single “Go Stupid” featuring Stunna 4 Vegas & NLE Choppa. The single was produced by Mike WiLL Made-It and Tay Keith.

Watch Polo’s concept visualized with the energetic music video directed by Michael Garcia HERE.

POLO CELEBRATES HIS HOMETOWN OF CHICAGO ALL STAR WEEKEND

Polo G celebrated his city of Chicago for All-Star Weekend with billboards around the city. He performed at Chance The Rapper’s celebrity basketball game which enlisted all of Chicago’s talent, popped up at local high schools and will wrap up the weekend with a special Polo G & Friends charity concert. Hosted by Audiomack and dedicated to kids fighting depression, the show will also have a special tribute to late Chi Town legend and multi-platinum star Juice WRLD. Headlined by Polo G, the bill also boasts G Herbo, Calboy, Dreezy, NLE Choppa, Tink, HappyBirthdayCalvin, Heavy Steppers, Ann Marie, and special guests. A portion of ticket sales will go to Polo G’s AAU Boys Basketball Team, Erika’s Lighthouse, and The Boys & Girls Club of Chicago. Tickets are available HERE.

Polo G’s ongoing momentum with his gold certified debut album DIE A LEGEND has landed him honorable mentions. Mentions include Billboard, UPROXX and Complex Best of 2019 year end lists. Polo G is predicted to be one of 2020’s major contenders with the highly anticipated release of his sophomore album.

Follow Polo G:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER

Polo G, Adrien Per, Go Stupid, 360 MAGAZINE,

PC: Adrien Per

Polo G, Adrien Per, Go Stupid, 360 MAGAZINE

PC: Adrien Per

Republic Records Celebrates Grammy’s

REPUBLIC RECORDS CELEBRATES THE GRAMMY AWARDS AT SPRING PLACE BEVERLY HILLS

IN PARTNERSHIP WITH BARCLAYS CENTER, CÎROC VODKA, CROCS, FIJI WATER, HEINEKEN, & LYFT

GUESTS INCLUDED STEVIE WONDER, JOE JONAS, SOPHIE TURNER, HAILEE STEINFELD, PARIS JACKSON, JAMES BAY, ZEDD, JULIA MICHAELS, SOFIA CARSON AND MORE

Last night, Republic Records hosted a star-studded post-GRAMMY® Award celebration at Spring Place Beverly Hills.

In addition to a DJ set from SG Lewis, the event featured attendees such as Alex da Kid, Anthony Ramos, Ashley Tisdale, Avery Lipman, Baby Goth, Brainwash, Bryan ‘Birdman’ Williams and Ronald ‘Slim’ Williams, bulow, Conan Gray, Derek Hough, Dinah Jane, Evvie McKinney, Fat Joe, Grey, Hailee Steinfeld, Hill Harper, Jackie Cruz, Jacquees, James Bay, Joe Jonas, Julia Michaels, Keiynan Lonsdale, Kiana Lede, Lil Reek, Macy Gray, Madison Beer, Monica Martin, Monte Lipman, NETSKY, Nina Dobrev, NLE Choppa, Omar Benson Miller, Paris Jackson, Picture This, Ryan Destiny, Sabrina Carpenter, Scotty Pippen, Shay Mitchell, Sofia Carson, Sophie Turner, Stanaj, Stevie Wonder, Zedd and more.

The event was hosted in partnership with Barclays Center, CÎROC Vodka, Crocs, FIJI Water, Heineken, and Lyft

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Sabbath, Florence + the Machine, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Julia Michaels, Kid Cudi, Liam Payne, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Tïesto), Cash Money (Drake, Jacquees, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd, Belly, NAV), Young Money (Drake, Lil Wayne, Nicki Minaj), Roc Nation (Jaden Smith, Justine Skye, The Dream), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records, and Universal Music Latin Entertainment.  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR, The Four), and NBC TV (The Voice), as well as other notable film and television franchises.

ABOUT SPRING PLACE

Spring Place is an innovative and collaborative workspace and private membership social club. Launched in New York City’s TriBeCa neighborhood in June of 2016, the club caters to a global community of leading professionals and entrepreneurs shaping the business of contemporary culture. Spring Place regularly hosts events and global conferences with leading partners such as Barneys New York, Google, IMG, Independent Art Fair, TriBeCa Film Festival, and Vanity Fair as well as culinary pop-ups from the world’s best chefs and restaurants including Caviar Kaspia, Casa Cruz, among others. Spring Place comprehensively blends both collaborative and private workspaces with full scale food & beverage social spaces for enjoying and entertaining—that combine the services of a world-class professional office suite, boutique hotel-style amenities, and innovative cultural and wellness programming. Spring Place Beverly Hills, the club’s second location and first West Coast outpost, opened in October of 2018. Future locations will include London, Milan, and Paris. For additional information, please visit www.springplace.com.