Posts tagged with "tracklist"

NEEDTOBREATHE illustration by Heather Skovlund for 360 Magazine

NEEDTOBREATHE

NEEDTOBREATHE RELEASE NEW LIVE ALBUM

LIVE FROM THE WOODS VOL. 2

LISTEN HERE

WATCH THE BAND PERFORM, ALIVE, ON

THE LATE LATE SHOW WITH JAMES CORDEN HERE

GRAMMY Award-nominated rock band NEEDTOBREATHE has released their much-anticipated new live album Live from the Woods Vol. 2. The album is available to stream and download starting today HERE via Elektra Records. Limited edition merch bundles can be purchased exclusively through NEEDTOBREATHE’s online store HERE.

Live from the Woods Vol. 2 was recorded during three sold out, socially distanced outdoor concerts at Pelham, TN’s famed The Caverns last month. NEEDTOBREATHE decided to invite local audiences to experience these unforgettable shows, while simultaneously capturing them for listeners worldwide. The band previewed the album with an appearance on CBS’s The Late Late Show with James Corden last month. Watch their interview and performance of Alive HERE.

Live from the Woods Vol. 2 features electrifying performances of tracks from the platinum-selling group’s catalog, songs off their chart-topping new album Out of Body, and more. The album follows NEEDTOBREATHE’s 2015 live album Live from the Woods and was recorded during the band’s first concerts in front of a live crowd since January 2020.

NEEDTOBREATHE’s critically acclaimed 2020 studio album Out of Body is available physically and digitally via Elektra Records/Centricity Music nowHERE. The albumdebuted in the top 5 across three Billboard charts, and received critical acclaim from Billboard, People, Spin, Taste of Country, and more. American Songwriter commended the band’s phenomenal and dedicated songwriting and Southern Living crowned the group “our favorite Southern rock” band. All Music praised Out of Body as their tightest and most consistent set in years, adding this is an album designed to empower and motivate through life’s tough times.

Stay tuned for more news from NEEDTOBREATHE soon.

Live from the Woods Vol. 2 Tracklisting

1. Mercy’s Shore

2. Prisoner

3. Alive

4. Who Am I

5. Great Night

6. Feet, Don’t Fail Me Now

7. Banks

8. Garden

9. Bridges Burn / Forever On Your Side

10. Riding High / Honky Tonk Women

11. Hang On

12. Survival

13. With A Little Help From My Friends / Brother

14. Child Again

15. Encore Medley: Something Beautiful, White Fences & Washed By The Water

Learn more about NEEDTOBREATHE

NEEDTOBREATHE Website

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Julia Michaels illustration by Heather Skovlund (photo credit Danielle Gonzalez) for 360 Magazine

Julia Michaels

GRAMMY NOMINATED SINGER AND SONGWRITER JULIA MICHAELS REVEALS NEW DETAILS FOR HIGHLY ANTICIPATED DEBUT ALBUM
 
NOT IN CHRONOLOGICAL ORDER ARRIVING APRIL 30
 
NEW SONG “LOVE IS WEIRD” DROPS WITH ALBUM PRE-ORDER LAUNCH TODAY
 
COVERS EUPHORIA MAGAZINE
 
LISTEN TO “LOVE IS WEIRD” HERE
WATCH “LOVE IS WEIRD” LYRIC VIDEO HERE
PRE-ORDER NOT IN CHRONOLOGICAL ORDER HERE

Grammy Award-nominated multiplatinum singer and songwriter JULIA MICHAELS reveals the title and track listing to her long-awaited debut album, Not In Chronological Orderwhich arrives April 30th.  To accompany the announce, she shared a new song from the album, “Love Is Weird,” with the launch of the album pre-order via Republic Records
 
Listen to “Love Is Weird”HERE.
Pre-order Not In Chronological Order — HERE
 
In support of the release, JULIA spoke with Zane Lowe on Apple Music 1 Radio’s New Music Daily Show
 
Offering another glimpse into what fans can expect from the upcoming album, “Love Is Weird,” weaves together airy production and soft acoustic guitar, while she delicately likens relationships to “Playing Operation trying to put me back together, before candidly admitting, “Love is weird. Don’t know how I wound up here…It shows up and disappears. This honest and hypnotic melody highlights her uncanny ability to tune into raw emotion and unfiltered lyricism, with her signature vocal tone and delivery.
 
The new song sets the stage for the release of her anxiously awaited full-length debut album, Not In Chronological Order, out on April 30, 2021.  Presenting a full 360-degree perspective on the critically acclaimed songstress, it examines every facet of her life emotionally and spiritually in a 10-song body of work that finds Julia piecing together the chapters of her life in one place work – pre-order Not In Chronological Order HERE.
 
“When I was looking at the tracklisting, it literally was not in chronological order of the events that it took place in my life,” she says. “The way that I saw the tracklisting in my head, a lot of the heartbreak came in the middle, and finding new love came at the end. That’s the arc of this album: I’m not bitter about love anymore. I know what functional love is like and being in love and being hesitant about that love because it feels so perfect.”
 
JULIA’S current single “All Your Exes” arrived at critical acclaim upon its release. Co-written with Grammy nominated singer and songwriter JP Saxe“All Your Exes,” Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized, “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”  
 
JULIA currently features on the cover of Euphoria Magazine where she talks more about the album HERE.
 
Watch the video for the new single “ALL YOUR EXES” HERE
 
Get ready to experience Julia Michaels Not In Chronological Order
 
Not In Chronological Order Tracklist:

  1. All Your Exes
  2. Love Is Weird
  3. Pessimist
  4. Little Did I Know
  5. Orange Magic
  6. Lie Like This
  7. Wrap Around
  8. History
  9. Undertone
  10. That’s The Kind Of Woman

 
ABOUT JULIA MICHAELS
Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.
 
In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.
 
In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.” 
 
SOCIALS: OFFICIAL // FACEBOOK // TWITTER // INSTAGRAM

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Julia Michaels 
Photo owner: Danielle Gonzalez
Photo owner: Danielle Gonzalez
NF image shot by Jonathan Taylor Sweet for use by 360 Magazine

NF – CLOUDS (THE MIXTAPE)

NF RELEASES NEW PROJECT CLOUDS (THE MIXTAPE) TODAY.

SHARES MUSIC VIDEO FOR “STORY”, WATCH THE VIDEO HERE.

After a series of internet-busting moves and racking up over 60 million streams pre-release, chart-topping Michigan rapper NF unleashes his anxiously awaited new project CLOUDS (THE MIXTAPE) today. Listen to CLOUDS (THE MIXTAPE) via NF Real Music/Virgin Music HERE.

To celebrate the arrival of the project, he also shares the music video for the cinematic new single “STORY.” Co-produced and co-directed by NF and Patrick Tohill, the visual quite literally brings the song’s unbelievable drama to life without sparing its intensity. As his lyrics detail a particularly painful memory culminating in catastrophe, the metronomic keys give the beat raw tension as it underscores a harrowing armed robbery.

Watch it HERE.

NF set the stage for CLOUDS (THE MIXTAPE) with the title track “CLOUDS,” which has gathered over 17 million views on the music video. It notably trended as #1 on YouTube globally, notched his highest debut on the Billboard Hot 100 at #53, and surpassed over 55 million global streams.

The follow-up single “LOST” (feat. HOPSIN) crashed YouTube with its music video, peaking at #2 on trending and has over 21 million streams.

CLOUDS (THE MIXTAPE) finds parity between some of NF’s most technically dazzling rhymes and the apex of his vulnerable and confessional storytelling. On “THAT’S A JOKE,” he strings rap around an airy beat as the crack of a whip cuts through horns and he spits, “I’m not on your radar, then your radars broke, dont blame me for that yalls jokes fall flat.” Elsewhere, he devours the production with stop-and-start cadences on “TRUST” where he admits, ”Life I lives more like a sci-fi flick. The ride culminates on “PAID MY DUES.” He launches into breathless breakneck flows, punctuated by the declaration, “Im on a rampage.The game isn’t safe with NF on the prowl.

NF has quietly cemented himself as one of the most impactful artists in the world without ever compromising or changing who he is. The artist, director, and producer has eclipsed 18 billion streams, picked up over a dozen gold and platinum certifications, sold-out arenas, and regularly maintained a place in the “Top 500 Most Listened-To Artists on Spotify. He also logged two consecutive #1 debuts on the Billboard Top 200 with Perception [2017] and The Search [2019]. However, NF shows no signs of stopping or slowing down as he continues to leave a mark on the mainstream as arguably the underground’s biggest artist.

CLOUDS (THE MIXTAPE) TRACKLIST 

  1. CLOUDS
  2. THAT’S A JOKE
  3. JUST LIKE YOU
  4. STORY
  5. PRIDEFUL
  6. LOST (feat. HOPSIN)
  7. LAYERS
  8. DRIFTING
  9. TRUST (feat. TECH N9NE)

10. PAID MY DUES

About NF

NF is the stage name of Michigan rapper and composer Nate Feuerstein, who emerged with his debut album, Mansion, in 2015. The raw emotion and honesty in his music continued on Therapy Session, building the foundation of an incredibly strong and loyal fan base. In 2017, Perception gave NF his first No. 1 album on Billboard’s Top 200 Chart, and delivered the multi-platinum hit single, “Let You Down,” which reached #1 at Pop Radio. In the summer of 2019, NF released his fourth album, The Search, earning his second consecutive No. 1 on Billboard’s Top 200 Chart. Now certified Platinum, The Search featured Top 10 Pop radio hit “Time” and propelled NF to the global stage, selling out 19 dates on “The Search World Tour,” including shows in Australia and Europe. With nearly 30 RIAA certifications and 18 billion streams, NF recently earned a spot in the Top 50 most streamed artists of 2020. His fifth album and first ever mixtape, CLOUDS (THE MIXTAPE) was released on March 26, 2021. Fans can expect NF to take his signature blend of lyrical introspection and powerful thematic elements to the next level on this 10-track project.

Lord Huron Long Lost Album Cover (By Ben Schneider) of Republic Records for use by 360 Magazine

Lord Huron – Long Lost

LORD HURON ANNOUNCE NEW ALBUM LONG LOST OUT MAY 21ST

NEW SINGLE “MINE FOREVER” OUT NOW WITH OFFICIAL MUSIC VIDEO

Who is Tubbs Tarbell? (Letter)

After causing a whole lot of chatter amongst audiences and critics alike, Lord Huron have begun to unwind the little riddle they’ve been spinning over the past few months and announce their fourth full-length album, LONG LOST, out May 21st via Whispering Pines Studios Inc./Republic Records, featuring new single “MINE FOREVER.

Pre-orderLong Lost HERE, listen to “Mine Forever HERE, and watch the official music video for Mine Forever (Directed by Anthony Wilson) HERE.

At the same time, the news only raises more questions. What can fans expect? What did the band lose and how long has it been lost? And who the hell is WBUB’s Mr. Tubbs Tarbell? All these questions (and more) have been brewing as easter eggs from the upcoming album have been revealed during Lord Huron’s Alive from Whispering Pines series.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Last night on Alive From Whispering Pines, Lord Huron performed their triple-platinum single “The Night We Met,” as well as fan favorites “Ghost on The Shore” and “Never Ever.”

To help answer all these lingering questions, Tubbs has put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE and below.

Long Lostwill also include previously released track “Not Dead Yet.” The single has already racked up 1.5 million Spotify streams and 500K video views. Additionally, the guys hit the stage at Jimmy Kimmel LIVE! for a show-stopping television debut performance of “Not Dead Yet.” Watch it HERE. Spin claimed, “they sharpened their teeth, while UPROXX described the track as “driving. In addition to plugs from Stereogum and more, Brooklyn Vegan touted it among “Our Favorite Songs of the Week.” See full track list for Long Lost below.

The last episode of Alive From Whispering Pines will broadcast in April, with more surprises to come. Fans can purchase tickets to each episode, a season pass to all four shows, and exclusive merch at Lord Huron’s website.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

Long Lost Track List:

  1. The Moon Doesn’t Mind
  2. Mine Forever
  3. (One Helluva Performer)
  4. Love Me Like You Used To
  5. Meet Me in The City
  6. (Sing For Us Tonight)
  7. Long Lost
  8. Twenty Long Years
  9. Drops in the Lake
  10. Where Did the Time Go
  11. Not Dead Yet
  12. (Deep Down Inside Ya)
  13. I Lied
  14. At Sea
  15. What Do It Mean
  16. Time’s Blur

About Lord Huron
Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after released Strange Taleswhich featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive, provocative and powerful rock, the record garnered praise from NPRTimeLos Angeles TimesSpinStereogumRefinery29UPROXX, and more as singles such as Wait by the River (which the band performed on “Late Night with Seth Meyers”) and When the Night is Over generated tens of millions of streams. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo.

Tune Prism Cover Artist Spotlight: Lord Huron and the Long Lost Sounds of Yore Words and Memories by Tubbs Tarbell

Friends,

I been thinkin’ a lot about the past again. I guess if you know me, that’s nothin’ new. Yeah, I smell what you’re sniffin’ at: “Oh boy, here goes ol’ Tubbs again, ramblin’ about those good ol’ bygone days of yore.” Well, sure, I’ll allow you that’n. Maybe I do tend to take a good hard glance into the rearview before I step my boot on the gas. But don’t we all? Or shouldn’t we, in any case?

It just seems to me that, these days, the past is everywhere you look. Hell, take another peek at that sentence again. The first time you read it is already in the past. Funny how time just keeps clickin’ along. These days, anyway.

So, sometime in what’s now the not-too distant past, I was sittin’ in my usual seat inside Whispering Pines, cozied up to a glass of something cozy, when, from outta nowhere, this particular tune crept into my ear. It was a funny thing, because it immediately felt familiar to me, as a song that creeps into your ear usually has to be—’specially for somebody like me who don’t write ’em…I just roll ’em. (You’ve heard me say that one more than a few times, no doubt.) But then the more I thought about it, and the more I listened to this little tune janglin’ around upstairs, I realized that I couldn’t place it as somethin’ I’d ever heard before. (And take my word for it: the ol’ upstairs is a titanium steel trap for tunes, even now.) It was a conundrum.

That little number stuck with me for more than a few days. I’d be doing something mindless— scrubbin’ my cup, combin’ my hat—when all of a sudden, here it came again: It’s hard to make friends when you’re half in the grave, but I ain’t dead yet and I’ve got something to say. It was the loveliest thing, and dang me if it didn’t keep sounding chummier and chummier. It was sublime—that drivin’ jangle of the guitar, the steady thump of the drums, those breezy, liltin’ voices—but I just couldn’t place it. Could it have been that ol’ Tubbs here had somehow tapped into that cosmic eternal and unwittingly written his first tune without even knowin’ it?

A week (or was it a month?) went by and the tune never went too far from my head. There’s a stranger in my eyes again… It almost got to where I was more used to the tune bein’ there under my hat than my own face. …I swear to God I don’t know him. But then it happened, somethin’ I’ll never forget for as long as I live: My little tune came to life before my very eyes.

Now, be patient. I’ll tell you how.

That day, one of my all-time favorite acts happened to be booked in Whispering Pines for a recordin’ spell, those good-time bootscooters and rhythm rascals known as the Lord Huron. As always, the boys showed up early—but not earlier than ol’ Tubbs here—and made haste toward the studio’s live room.

“Howdy, fellers,” says I. “Headed for the big room, I see.” (If Whispering Pines was a church—it ain’t, mind you, but iffin’ it were—the live room would be the holy pulpit, I reckon.)

Ben (he’s the singer) just looked at me, touched the brim of his hat, and nodded. “Thought we might try somethin’ different this time, good buddy,” says he.

So I just gave him my grandest grand welcome and stepped aside, happy to have them back. Those boys know what they’re doin’, havin’ made quite a few of their records with us. But the live room, this was gonna be a first, and a real treat. I tried my best to keep my grin to a simmer, sat down at the board, and watched as Mark, Miguel, Tom, and Ben started tunin’ her up

If you’ve ever had the pleasure of recordin’ at the Pines, then you know that nothin’ in the place is off limits. Guitars, cymbals, pianos, pedal steel, mandolins, microphones, saxophones—what’s ours is ours, that’s my motto. And as the Huron boys are basically my own brothers by now— well, nephews, maybe, but who’s countin’—I was glad to see their hands on all of it. I even heard ’em talk about recordin’ a gigantic string and woodwind orchestra in some dang place like Sweden or somewhat…those fellers really shoot the moon, I tell ya.

I’d barely had time to pour my coffee and hit the big red button when they settled into a dusky groove so quick I could hardly believe it. Must have been all that time playin’ out on the road together—even headlined that dang Bowl they got out in Hollywood since last I laid eyes. Hell, they’ve known each other since grade school so it don’t surprise…that’s the rumor, anyway.

Now, I’ve loved all their hits—“The Night We Met,” “Time to Run,” “When the Night is Over”—but this new stuff they started in on just sounded…well, it just sounded like somethin’ eerily familiar, as it were. Like somethin’ from a past life I’d heard before, but brand new, all at once. Like a note plucked long ago that had moseyed through time to finally belly up to my bar once and for all. It was a conundrum.

The first number they called “The Moon Doesn’t Mind,” and I say it reminded me of one of those cowboy pictures where the lone horseman is singin’ his heart out to the audience from atop his brave steed. But somethin’ about the pang in Ben’s voice made it seem like that feelin’ was more lonesome than just simply lone—or maybe it was just my view from the sidestage, as it were. Maybe the light catches a singer a little different when you’re not starin’ at him head-on, or even through a lens. I always did wonder if those cowboys were really as rootin’ and tootin’ as they looked on TV. I gave the boys a good round of applause before they launched into a real sunset of a song they called “Mine Forever,” a swingin’, full-on heart-renderer with a bubbly sound. All of a sudden I heard handclaps and female voices—I swear those ladies must have risen up outta the floorboards! Never saw ’em come in, and didn’t see ’em leave. That’s just the magic of the Pines, I suppose. Door knockin’s for strangers.

The next one, “Love Me Like You Used To,” brought to ear of one of those classic lovelorn country ballads, like one sung by Handsome Scott or even ol’ Roy Casey himself. “Long Lost” and “I Lied” both slowed the tempo down a notch or two, but sounded no less grand. The boys were really firin’ on all cylinders that day, I tell ya, fillin’ the air of that grand live room—and my own soul—with those tales of hard luck, heartbreak, and redemption. It was as if the boys had become conduits for the spirits of the room and were usin’ them to tap into that same cosmic eternal I’ve always felt—known—was hoverin’ around inside Whispering Pines.

I was feelin’ pretty fine. Our old pine clock on the wall had long stopped tickin’ and the boys surely didn’t need any help from little ol’ me, so I helped myself to a little somethin’ cozy and kicked my boots up on the board. And it was then, in that instant, that I heard it…my tune.

All messed up with nowhere to go, I stare at myself in the mirror alone… It’s hard to make friends when you’re half in the grave…

That drivin’ guitar jangle, the steady drum thump, those breezy, liltin’ voices…it was all unmistakable. My tune! It had somehow crept out from that titanium trap I keep under my hat and sneaked into the live room to serenade me from behind the glass studio wall. Time seemed to stand still, even more than it usually does around here. It was like some long, lost dream come to life, a forgotten classic from a parallel dimension, the echo of a memory that wasn’t mine. But the feelin’ was real.

“Say, boys, what’s that one called?” I hollered into the talkback, trying to seem casual.

They looked at one another, laughed. “Well, I’m not sure,” Ben replied. “What does it feel like it’s called to you?”

As he spoke, I caught a glimpse of myself in the unpolished studio glass, and somethin’ hit me, somethin’ I’ve never been able to explain. “Well, I reckon it’s called ‘Not Dead Yet,’” I reckoned. And wouldn’t you know it? Turned out, it was.

The Huron kept at it for a little while longer that day, but I must have drifted off peaceful-like in somethin’ of a cosmic slumber, with my tune—all of the tunes, in fact, as all of them were now mine—janglin’ heavy and happy in my heart. When I woke, the light from the next day was just startin’ to ease into the Pines, and I was alone. I stood up, stretched my creaky back, scratched a little stubble. As I turned to grab my leavin’ hat off its peg, somethin’ caught my eye: A hand- scratched note bound to a faded vinyl record sleeve was layin’ on the floor.

I bent down to snatch it up. The record was called “Long Lost,” and it looked as if it had been layin’ there on the floor since before Whispering Pines was even a whisper itself. I brushed the dust off the cover and saw that the artist was none other than the boys themselves—Lord Huron.

“Say, Tubbs,” the note read. “Time washes aways what man creates, but ‘Long Lost’ might convince you that a note can live on. Be good now. The Boys.”

And just like that, they were gone.

As ever, friends, may you live until you die, Tubbs

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Serpant Image

The Serpent Soundtrack

Dubois Records releases a soundtrack album for the BBC and Netflix limited series The Serpent.

The album features selections of the show’s original music composed by Dominik Scherrer who has worked on The Missing, Primeval, Ripper Street, The Widow, and Requiem.

The Serpent is developed by Tom Shankland & Richard Warlow and stars Tahar Ramin, Jenna Coleman, Billy Howle, Mathilde Warnier, Ellie Bamber, Alice Englert, Gregoire Isvarine, Sahajak Boonthanakit and Fabien Frankel. The 8-part drama tells the true story of Charles Sobhraj, a murderer, thief and seductive master of disguise, who was the the chief suspect in the unsolved murders of up to 20 young Western travelers on Asia’s hippie trail in the mid-70s.

The Mammoth Screen production currently airs in the UK every Sunday night on BBC One and will premiere worldwide on Netflix later this year.

“This is a real story: a very fascinating one, but also an extremely disturbing and frightening one. The victims were real, and some of the characters are still alive. The material needed to be treated with respect and sensationalism avoided,” said composer Dominik Scherrer on his inspiration for scoring the serial killer drama.

Lead director Tom Shankland and I already discussed this project five years ago. It had been in preparation for a long time. In terms of the music, Tom wanted the story to be told through a haze of psychedelic 1970s upheaval: drugs, ruthless politics, the old world order changed,” continued Scherrer.

For a story set in the 70s, it would have been all too easy to resort to cliches such as funky Wah-wah guitars. We wanted the music to live in this tumultuous, cultural restlessness, and to create an environment, where Sobhraj’s brutality could breed, and go undetected for so long.

Charles Sobhraj was an admirer of Nietzsche, dominating and subjugating his victims, as if he saw himself perhaps as the superior ‘Ubermensch’. I was keen to infuse the musical strands with a kind of Zarathustran drive to banish otherworldly values. The young hippies were in search of these otherworldly values, they wanted to explore the teachings of Eastern spirituality, and Sobhraj put a brutal end to their journeys.

In the 1970s, composers like Steve Reich and Philip Glass started to draw influence from Asian music. Their study of southeast Asian music, such as gamelan, on its subsequent influence on Western minimalism was an inspiration for the score of The Serpent. Their music felt forward-thinking, which was important as we wanted to avoid the notion of ‘retro’ throughout the score. ‘Retro’ would have resulted in cosy nostalgia, the opposite of what we wanted.

“Score recording took part in London  and Bangkok, where most of the filming took place as well. At Karma Sound Studios, some of the country’s finest singers and instrumentalists played gongs, ranat ek (Thai marimba), phin (Thai mandolin), khaen (Thai harmonica), together with a Western line-up, and myself on piano in the same room. Other solos were simply recorded in Bangkok hotel rooms. The idea was not to pursue ethnic authenticity, but to evoke the aforementioned cultural tumult clashing with the kind of eastern spirituality as explored by George Harrison and John Lennon.”

“Another influence were the new developments in advanced synthesis, which in the mid 1970s was seen a major new avenue in music creation and performance. In the early 70s, a huge, room-filling modular synthesiser called “Tonto” was built and musicians created extraordinary sounds with what is still now the largest polyphonic analogue synth ever built. It was subsequently used by Steve Wonder and Michael Jackson. It still exists, and our synth programmer Stephan Baer, who happened to use the same technician who also serviced ‘Tonto’, managed to recreate patches of that synth, which contribute to the sound of “The Serpent” with unexpected and brutal elements.”

Sight & Sound said, “Dominik Scherrer’s marvellous score, a riot of analogue synths and percussion drawing on exploitation movie soundtracks of yore to intoxicating effect, and adding just a hint of illicit viewing pleasure to spice up the schedules.”

About Dominik Scherrer:

Dominik Scherrer has created award-winning music for some of the finest film and television dramas in recent years. He was nominated for a Primetime Emmy for the critically-acclaimed series The Missing, and recently won his second Ivor Novello Award for his score on Netflix’s Requiem, which he co-composed with Natasha Khan, aka Bat for Lashes.

Dominik first won the prestigious British Ivor Novello Award and received a Royal Television Society (RTS) nomination for his riveting score on Ripper Street. He earned two additional Ivor Novello nominations for Amazon’s The Collection and the British crime series Agatha Christie’s Marple.

Dominik recently reunited with the Williams brothers to score Amazon’s thriller series The Widow, starring Kate Beckinsale. He also scored the landmark dramas An Inspector Calls and Monroe.

Equally accomplished in film scoring, Dominik’s credits include The Nine Lives of Tomas Katz for which Dominik won the Best Music Award at Spain’s Estapona Film Festival; Alice Through The Looking Glass starring Kate Beckinsale; Alina Marazzi’s Tutto Parla Di Te (All About You); and Scenes of a Sexual Naturestarring Ewan McGregor and Hugh Bonneville. He scored Appetitestarring Ute Lemper, and wrote the film’s title song which reached No. 2 on the UK classical charts.

Dominik also created, directed and composed the kinetic operaHell for Leather, which premiered at Sundance and won 10 awards on the festival circuit.

In addition to scoring film and TV, he produces sound design and composes for fine art installations – most notably for artist Suki Chan – and creates performance music for theatre.

Dominik is a British-Swiss composer and works from his studio in London.

Tracklist

1. He likes to Escape (1:50)
2. State of Flux (2:46)
3. Herman in the Rain (1:14)
4. Drive to Kanit House (1:08)
5. Discotheque Darkness (0:29)
6. Teresa Knowlton (3:47)
7. Afghanistan Driving (2:24)
8. Embassy Phone Calls (1:04)
9. Malevolent Beach Game (0:54)
10. Searching Apartment 504 (1:47)
11. Homocidal Übermensch (1:31)
12. Colonel Somphol of Interpol (1:59)
13. Dominique’s Passport (2:51)
14. Gem Dealers (2:42)
15. Front Page News (1:50)
16. Copy Shop (1:08)
17. Cashing Cheques (1:08)
18. Tihar Jail, Delhi (3:02)
19. Epic Journey (2:11)

RUN DMC × 12on12 - limited edition vinyl

RUN DMC × 12on12 – limited edition vinyl

Following their acclaimed project with Travis Scott and fashion house Saint Laurent, 12on12 announced their latest collaboration with cultural icons and hip-hop legends RUN DMC.

The pioneering New York group have curated an exclusive limited edition 12″ vinyl-only compilation with bespoke artwork by rising LA artist Reena Tolentino, aka ‘RT’. 12on12 RUN DMC limited edition vinyl will be released on the 8th December by 12on12.

The 12on12 deluxe, double disc package is limited to 500 hand-numbered editions and embodies the story of RUN-DMC’s legacy within the handpicked iconic track-listing, featuring songs that inspired, affected and changed the ground-breaking group’s music.

The first release in celebration of the 35th anniversary of seminal 1986 album Raising Hell, RUN DMC pay tribute to their late bandmate Jam Master Jay and dedicate this project in his honour.

The release offers a fascinating insight into RUN DMC, one of the most influential groups of all time. Alongside tracks by early rap trailblazers The Sugarhill Gang and Afrika Bambaataa, the group have also highlighted songs that helped form the sonic foundations of the nascent hip hop sound as it emerged and evolved in New York in the early 1980s, including the breaks-goldmine of MFSB’s Love Is The Message and Kraftwerk’s game-changing Trans-Europe Express, a song rarely licensed for any compilation.

The unique work of art for the record has been designed by one of the most exciting names on the LA art scene, Reena Tolentino. A visual artist and actor, RT’s work rose to prominence after her acclaimed mural of late basketball icon Kobe Bryant. In addition to providing artwork and portraits of RUN DMC for the project she has also reinterpreted one of the most iconic hip-hop logo’s of all time with a rework of the classic RUN DMC logo.

The release continues to cement 12on12’s reputation for unique ‘vinylworks’ and bespoke collectors’ editions that live at the intersection of music, art and pop culture, providing a unique canvas for cultural icons to curate the soundtracks to their lives.

With global trends growing around nostalgia and legacy artists dominating consumption both within rising vinyl sales and across streaming platforms, 12on12 continue to prove themselves an exciting creative brand capturing an incresingly powerful part of the zeitgeist.

BTS ARTWORK CREATION : 

https://www.youtube.com/watch?v=9ll2QJACpMg

For more information on 12on12 visit:

TWITTER @12on12vinyl​

INSTAGRAM @12on12vinyl 

FACEBOOK @12on12vinyl

YOUTUBE – @12on12vinyl

 TRACKLISTING 

Side A

Superrappin’ by Grandmaster Flash & The Furious Five

Seven Minutes of Funk by The Whole Darn Family

Side B

Planet Rock by Afrika Bambaataa & Soul Sonic Force

Trans Europe Express by Kraftwerk

Walk This Way by Aerosmith

Rock Box by RUN DMC

Side C

Apache (Jump On It) by The Sugarhill Gang

Brand Nubian by Brand Nubian

Good Times by Chic

Side D

Love Is the Message by MFSB

The Look Of Love by Kenny G

You Bring Me Joy by Anita Baker

ABOUT RUN DMC​​

INNOVATORS. ORIGINATORS. RUN DMC’s influence on the music of the new millennium goes every bit as deep as that of Elvis Presley or The Beatles. With a career that has spanned over 30 years and 30 million record sales, the trio set the stage not only for themselves, but for an industry, for a generation and for generations to come.

Joseph “DJ Run” Simmons, Darryl “DMC” McDaniels, and the late great Jason “Jam Master Jay” Mizell roared out of Hollis, Queens with 1983’s “It’s Like That”/”Sucker MCs”, transforming R&B party funk with a new combination of sparse beats and hard production textures. Within a year, they took another giant step by combining rock guitar with hip-hop in the single “Rock Box.”

The huge popularity of RUN DMC produced rap’s first gold album (RUN-DMC, 1984) and its first platinum album (King of Rock, 1985). RUN DMC’s 1986 album ”Raising Hell” caused an even greater cross-cultural explosion with their hard-core hip-hop classic “My Adidas” and collaboration with Aerosmith on “Walk This Way” – a track that redefined genre boundaries and put rap in the Billboard Pop Top 10 for the first time ever.

RUN DMC have always been trailblazers, the first rappers to appear on MTV, American Bandstand, Saturday Night Live and the cover of Rolling Stone magazine. They were the first rap act nominated for a Grammy Award (Best R&B Vocal Performance by a Group, 1986 for Raising Hell). Tragedy struck the group when Jam Master Jay was murdered in his recording studio on October 30, 2002. Shocked and saddened by the loss of their band mate Run and DMC went their separate ways. As they told the media, “We lost our drummer, we’re not RUN DMC without Jay.”

In 2009 RUN DMC were inducted into the Rock n Roll Hall of Fame and in 2011 Rolling Stone named them one of the 50 Greatest Artists of All Time. Rev Run and DMC started performing together again at select shows to help bring attention and funding to the Jam Master Jay Foundation, continuing to inspire new generations of fans with the same verve they showed over three decades

ABOUT 12on12

12on12 is a music brand living at the intersection of Music, Fashion, Sport, Art, Visual Media and Pop Culture. Drawing on decades of experience in product ideation and creative execution, 12on12 invites notable figures in culture to select 12 songs that have had an influence on their life and collaborate with sought-after brands and visual artists to produce limited edition vinyl. Successful collaborations include creating records with burlesque superstar Dita Von Teese; Travis Scott x Saint Laurent and with Complex featuring artwork by Takashi Murakami.

www.12on12.com 

ABOUT RT

Reena Tolentino AKA “RT” is an American-Filipino Artist based out of Los Angeles. RT’s signature “stencil” style is hand painted in layers. Her vibrant and colorful palette explores narratives that include the symbolic and the reflective, while employing the duality between the negative and positive dynamism that brings life into each piece of work; each subject matter having a historical and contemporary cultural relevance. Learn more @reenatolentino.

Barenaked Ladies Celebrate 20th Anniversary

Barenaked Ladies celebrate a milestone 20th anniversary of their fifth studio album Maroon with an Exclusive Double Vinyl and Deluxe Digital edition for the first time ever. Originally released on September 12, 2000, Maroon debuted at #1 in Canada, and #5 on the U.S. Billboard 200, selling over 1M records in the U.S. alone, spawning the classic hit singles, Pinch Me, Too Little Too Late, and Falling for the First Time.

As of today, fans are able to pre-order an exclusive vinyl package that features 180-gram double vinyl in a beautiful, gatefold sleeve. A limited number of maroon-colored vinyl will also be available. The original twelve tracks are featured on both the vinyl and digital Deluxe versions’ along with rarities, b-sides and demos, including an alternative version of ‘Green Christmas’. Pre-order and stream HERE. The hilarious video for the hit song Pinch MeÉd; features brand new 2020 band commentary. Watch the World Exclusive premiere on ET Canada HERE.

Also launched today is an exclusive merch capsule collection celebrating Maroon featuring hoodies, tees and other fun items inspired by the Pinch Me drive-thru restaurant. Visit BNL’s webstore HERE.

Maroon 20th Anniversary Deluxe Edition Track List:

  1. Too Little Too Late
  2. Never Do Anything
  3. Pinch Me
  4. Go Home
  5. Falling For The First Time
  6. Conventioneers
  7. Sell Sell Sell
  8. The Humour Of The Situation
  9. Baby Seat
  10. Off The Hook
  11. Helicopters
  12. Tonight Is The Night I Fell Asleep At The Wheel
  13. Hidden Sun
  14. Powder Blue
  15. Inline Bowline
  16. Born Human
  17. Falling For The First Time (Demo)
  18. Green Christmas (Alternative version)

The multi-platinum band recently announced a pay-per-view live stream show featuring footage from BNL’s 2015 Red Rocks performance to take place on Saturday, September 12 at 7pm Eastern time.

Recorded at the fabled Morrison, CO amphitheater in June 2015 during the Ladies’ Last Summer on Earth tour, the footage captures the rock icons’ incredible live energy, camaraderie, and musicianship that stand as a testament to the bandߣs remarkable longevity in an ever-changing musical landscape. The live stream features a new exclusive interview where the band discuss their most fun and memorable stories from performing at Red Rocks over the years, as well as commentary from Ed and Tyler throughout the show. The show’s opening will be shown on the band’s Facebook and YouTube. From there you will be able to purchase a ticket for the rest of the show at Nugs.net.

Purchase tickets now.

BNL have been staying busy during quarantine with weekly Facebook Livestreams along with their #SelfieCamJams, performing deep cuts and fan favorites from their homes, even bringing in surprise guests. In April, they did a family-fun “Snacktime” #SelfieCamJam for kids of all ages. Many familiar faces made a special appearance to share their favorite snack, like Sarah McLachlan, Tom Greene, KT Tunstall, The Count, and Darius Rucker of Hootie and the Blowfish, who Barenaked Ladies toured with in 2019. The band also teamed up with Michael Buble and Sofia Reyes for a timely single Gotta Be Patient with all proceeds to be donated to charity.

BNL’s recent TikTok video in which Ed takes you Behind The Song on how he wrote the Big Bang Theory theme song has been viewed over 2.4 million times. Watch it HERE.

Scissor Sisters Concert Stream

Scissor Sisters, the glam-rock provocateurs who originally made waves in the 2000s and 2010s, have announced a stream of their acclaimed 2007 residency at London’s O2 Arena, which was recorded over July 26, 27 and 28th 2007 and originally appeared in that year’s concert DVD Hurrah! A Year of Ta-Dah. The stream will air exclusively on the Scissor Sister’s Official YouTube Channelon August 1, 2020 at 12 p.m. PT. Band members BabyDaddyJake Shears and Del Marquis will join in the chat to interact with fans and take their questions in real time. To join and view the concert, click HERE

This exclusive concert stream will mark the debut digital appearance of Hurrah! A Year of Ta-Dah’s visual component in its entiretysince it was released 13 years ago. Until now, only a truncated audio version of the 19-track concert existed on Spotify. Many fans are exploring new ways to entertain themselves at home, this reprise of Hurrah! A Year of Ta-Dah will give Scissor Sisters diehards — and the uninitiated — a reason to dance and have fun. 

Scissor Sisters arrived on the New York scene as gender-blurring, sex-positive firebrands, burst onto the scene with their 2004 disco makeover of Pink Floyd’s “Comfortably Numb.” Their debut album Scissor Sisters reached number one in the UK and was the best-selling album of 2004, later certified platinum by the BPI, and earned them three BRIT Awards in 2005. In 2006, their follow up single “I Don’t Feel Like Dancin’ hit No. 1 in England and, along with that year’s Ta-Dah, which the track appeared on, vaulted them to superstardom and international accolades. In 2010, Scissor Sisters released Night Work, which peaked at No. 18 on the Billboard 200, and in 2012, they released Magic Hour, which featured guests like Kylie Minogue, Pharrell Williams and Azealia Banks.

The stream of the O2 concert will feature a donate button for the Trans Lifeline. Trans Lifeline is a trans-led 501(c)(3) non-profit organization offering direct emotional and financial support to trans people in crisis through their Hotline and Microgrants programs. They’re for the trans community, by the trans community The Hotline was, and still is, the only service in the U.S. and Canada in which all operators are transgender. Because of the particularly vulnerable relationship transgender people have with police, it is also one of few services with a policy against non-consensual active rescue. Trans Lifeline also recognizes that some problems can’t be solved by emotional support alone, which is why their Microgrants program gives trans people money to legally change their name and gender alongside specialized support for trans people who are imprisoned or detained.

Scissor Sisters, both as a band and individually, have remained intrinsically connected to the fringes of queer culture throughout their career, and in particular have continued to support the queer community in their hometown of New York City. As such, the Trans Lifeline is a charity close to their hearts and they are delighted to be spotlighting them. The collection and dispersal of the funds will be facilitated by YouTube’s Giving program. Fans can donate to Trans Lifeline during the premiere and during the seven-day VOD (video on demand) period afterward.

Next Saturday, get on your dancing shoes and witness this band tear up a stage — and show fans how Scissor Sisters remain germane to the creative and social-justice landscape 13 years on.

Hurrah! A Year of Ta-Dah Track Listing

  1. She’s My Man
  2. I Can’t Decide
  3. Tits on the Radio
  4. Laura
  5. Lights
  6. The Skins
  7. Contact High
  8. Take Your Mama
  9. Music Is the Victim
  10. Might Tell You Tonight
  11. The Other Side
  12. Comfortably Numb
  13. Kiss You Off
  14. Paul McCartney
  15. Land of a Thousand Words
  16. Filthy/Gorgeous
  17. Mary
  18. Return to Oz
  19. I Don’t Feel Like Dancin’
Taylor Swift illustration done by Mina Tocalini of 360 MAGAZINE.

Taylor Swift – Folklore

By Eamonn Burke

Taylor Swift‘s surprise album “Folklore” exceeds 1.3 Million Sold Globally in 24 Hours. She announced its release to fans on Instagram in a chain of posts, describing how “Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen.”

In under 24 hours, Taylor Swift’s 5 Star album folklore sold over 1.3 million copies around the world. It also shattered “the global record for first-day album streams on Spotify by a female artist” with 80.6 million streams and delivered “the most-streamed pop album on Apple Music in 24 hours” with 35.47M streams. Additionally, folklore set the U.S. and Worldwide Amazon Music Indie/Alternative Streaming Record.

Folklore sets spotify global record for first day album streams by a female artist with 80.6M.

Folklore sets record as the most streamed pop album on Apple Music in
24 Hours with 35.47M

Folklore sets U.S. and worldwide Amazon Music indie/alternative streaming record

Folklore is the ten-time GRAMMY® Award-winning, record-breaking superstar’s eighth album. folklore arrives as Taylor’s highest rated critically acclaimed album on Metacritic, currently ranked 96.5.

“Before this year I probably would’ve overthought when to release this music at the “perfect” time, but the times we’re living in keep reminding me that nothing is guaranteed,” said Taylor.

This spectacular 16-song album was produced by Aaron Dessner, Jack Antonoff and Taylor Swift and features a musical collaboration with Bon Iver. Vinyl, CD and Cassette editions of the album will feature one bonus track.

“Cardigan” – the first official single release from folklore – is also released today. It is written by Taylor Swift and Aaron Dessner and produced by Aaron Dessner. The accompanying music video was directed by Taylor Swift.

Though Swift was initially unsure about the release of the album, she says she came to realize that if “My gut is telling me that if you make something you love, you should just put it out into the world.” Country singer turned pop star, Taylor Swift has had a long history of feuds and drama, but it appears she is putting that behind her on this album, as she did on her 2019 album “Lover.” “I’ve poured all of my whims, dreams, fears,and musings into (the album)” she says.

“Folklore” Track List

“The 1″

“Cardigan”

“The Last Great American Dynasty”

“Exile” (featuring Bon Iver)

“My Tears Ricochet”

“Mirrorball”

“Seven”

“August”

“This is Me Trying”

“Illicit Affairs”

“Invisible String”

“Mad Woman”

“Epiphany”

“Betty”

“Peace”

“Hoax”

“The Lakes” (Bonus Track)

Follow Taylor Swift: Facebook | Instagram | Twitter | YouTube

music, note, orange, black

The Kid Laroi Tracklist

The Kid Laroi releases tracklist for debut mixtape F*ck Love:

Out Friday July 24th

F*CK LOVE

1. BOOTY CALL (skit)

2. MAYBE

3. WRONG (feat. Lil Mosey)

4. I WISH

5. NOT FAIR (feat. Corbin)

6. BATHROOM (skit)

7. GO (feat. Juice WRLD)

8. TELL ME WHY

9. SAME THING

10. NEW GUY (skit)

11. ERASE U

12. RUNNING

13. WISH YOU WELL (skit)

14. NEED YOU MOST (So Sick)

15. SELFISH