Posts tagged with "Lollapalooza"

image of Bob Moses by Zackery Michael for use by 360 Magazine

Bob Moses Announces New Album

GRAMMY® Award-winning duo Bob Moses have announced the upcoming release of their highly anticipated third album, The Silence in Between. Due out March 4, The Silence in Between will mark the Los Angeles-based band’s first release since signing to Astralwerks in a unique global partnership with Domino Recording Co. In celebration of the album announcement, Bob Moses have also shared their exhilarating new single “Love Brand New.

One of the most anthemic moments on The Silence in Between, “Love Brand New” finds Vancouver-bred musicians/producers Tom Howie and Jimmy Vallance tapping into their deep-rooted love for ’90s alt-rock and left-of-center dance music. Written with Michel Zitron and John Martin (a Swedish production duo known for their work with the likes of Avicii and Swedish House Mafia), the track encompasses a glorious collision of moody guitar tones, mercurial textures, and wildly propulsive beats as Bob Moses channel the dizzying euphoria of new romance. Billboard declares, “Love Brand New” is a dark, brooding slow build that pulsates with moody lust, growls power riffs and shows off a heavier sound for the duo.”

“‘Love Brand New’ is about being newly in love and trying not to lose yourself as you navigate the world feeling as though you’re seeing everything for the first time, as if it’s brand new,” Bob Moses reveal. “It was written with our friends Michel Zitron and John Martin and started in L.A. just before Coachella in 2019. We knew there was something there, but touring intervened. We finally got back to it in 2020, and it became one of the first finished for our new album. We shot the video in a freezing warehouse in Montreal this past December — we look warm though.”

Directed by photographer/director Adrian Villagomez and Derek Branscombe, the video for “Love Brand New” unfolds as Bob Moses deliver a frenetic performance within that warehouse, fully embodying the track’s explosive vitality. Meanwhile, the intimately shot visual cycles through a series of tender vignettes featuring an eclectic cast of characters from all walks of life. The result is a gorgeously cinematic piece, at turns electrifying and profoundly moving.

Also featuring their recent single “Time And Time Again (a November release accompanied by a spellbinding video), The Silence in Between follows Bob Moses’ JUNO Award-nominated 2020 project Desire and marks their first full-length since Battle Lines (a 2018 effort featuring the hit single “Back Down”). The duo’s past efforts also include their 2015 debut album Days Gone By, featuring such standouts as “Tearing Me Up” — a top 15 US Alternative radio hit nominated for two GRAMMY® Awards, with a remix from RAC winning in the category of Best Remix Recording (Non-Classical). As their boldest and most viscerally charged output to date, The Silence in Between amplifies the unbridled energy that’s made Bob Moses a repeat winner of Resident Advisor’s Best Live Act prize.

Soon after the arrival of The Silence in Between, Bob Moses will embark on a headlining tour of North America. Kicking off on March 20 in Tucson, Arizona, the 25-date run will continue through May 21 in Vancouver, with stops at such iconic venues as The Greek Theatre in Los Angeles and The Warfield in San Francisco. Later this year, Bob Moses will head overseas for tour dates at Melkweg in Amsterdam and KOKO in London. See below for the full itinerary.

Tour dates for Bob Moses

March 20 Tucson, AZ Rialto Theatre*

March 21 Phoenix, AZ The Van Buren*

March 22 Albuquerque, NM Sunshine Theater*

March 24 Austin, TX Stubb’s Waller Creek Amphitheater* 

March 25 Houston, TX White Oak Music Hall*

March 26 Dallas, TX South Side Music Hall*

March 28 Atlanta, GA Variety Playhouse*

March 30 Washington, DC 9:30 Club*

March 31 Richmond, VA The National*

April 2 Brooklyn, NY Great Hall at Avant Gardner*

April 5 Boston, MA Big Night Live*

April 7 Toronto, ON History*

April 8 Montreal, QC Mtelus*

April 9 Ithaca, NY State Theatre*

April 10 Pittsburgh, PA Stage AE*

April 12 Columbus, OH Newport Music Hall*

April 13 Chicago, IL Riviera Theatre*

April 14 Minneapolis, MN First Avenue*

April 15 Lawrence, KS Granada Theater*

April 16 Denver, CO Ogden Theatre*

May 12 San Francisco, CA The Warfield~

May 13 Los Angeles, CA The Greek Theatre^

May 19 Portland, OR Wonder Ballroom~

May 20 Seattle, WA Showbox SoDo~

May 21 Vancouver, BC Malkin Bowl~

Nov 8 Amsterdam, NL Melkweg

Nov 16 London, UK KOKO

* Support from Amtrac

~ Support TSHA

^ Support from Jon Hopkins 

ABOUT BOB MOSES

Since forming in New York City in 2012, Bob Moses have earned massive acclaim for their transcendent blend of house music and emotionally charged pop. Made up of Vancouver-bred musicians/producers Tom Howie and Jimmy Vallance, the Los Angeles-based duo delivered their debut album Days Gone By in 2015 and immediately drew praise from tastemaking outlets like Mixmag (who stated that “[i]t’s hard to think of anyone who walks the line between electro-pop and deep dancefloor grooves quite as coolly as Tom Howie and Jimmy Vallance”). Days Gone By featured such standouts as “Tearing Me Up”: an intensely poignant track nominated for two GRAMMY® Awards, with a remix from RAC winning in the category of Best Remix Recording (Non-Classical). In 2018, Bob Moses returned with Battle Lines, which featured the hit single “Back Down” and led to a performance on “Ellen.” Hailed by The Line of Best Fit as “versatile, dynamic party music, made by masters of their craft,” Battle Lines also landed on Billboard’s Best Electronic Albums of 2018 list. The duo’s most recent triumphs include 2019’s Unplugged EP, Falling into Focus – Live 2020 (a concert film documenting an hour-long set performed at an abandoned radio tower in Topanga, California), and Desire (a JUNO Award-nominated 2020 project that PopMatters lauded as “exceptional, its classic trance rhythms crafted with a sense of multidimensionality”). A longtime festival favorite, Bob Moses have also repeatedly claimed the Best Live Act title from Resident Advisor, appearing at leading festivals like Coachella, TomorrowWorld, Lollapalooza, Ultra Music Festival, and Bonnaroo. Newly signed to Astralwerks in partnership with Domino Recordings, the duo will release their highly anticipated third album The Silence in Between on March 4

AW via Jared Tinetti for use by 360 Magazine

Allison Wonderland – Fuck U Love U

Alison Wonderland, one of electronic music’s most adored producer/DJ’s, closes out 2021 with her new single “Fuck U Love U.” The song is a masterclass in tension and relief with a tough as nails hook and Alison’s stargazing, fragile vocals more ‘upfront’ than ever. Listen HERE and watch the lyric video, which was directed by electro-pop singer/producer/songwriter Elohim, HERE.

Excitement hit fever pitch after Alison teased the track at her multi-night sold out Red Rocks shows and her strong performance at Lollapalooza. “Fuck U Love U,” inspired by the sounds of Kanye and Whyte Fang, is a soaring and spiritual track which highlights themes of polarity and duality of man as Alison sings of her journey through the music industry. 

Alongside writing, recording, and producing furiously from lockdown, 2020/2021 has been far from a write-off for Alison. She created a five-star sanctuary in Animal Crossing, talked paranormal stuff with Loserfruit on Twitch, did a number of acclaimed sets from lockdown e.g., Digital Mirage + Lollapalooza, continued producing her globally broadcast radio show Radio Wonderland plus started a side hustle as a Youtuber. Earlier this year Alison ventured into the NFT space going live with a fantasy themed NFT project called ‘Wonderquest.’ You can read more about it: HERE.  Alison sold over $3 MILLION AUD in the initial sale and for a period the collection was Top 20 in the world. One of the rare “dragons” originally sold for $350 AUD now sells for over 10K AUD.

About Alison Wonderland

Since emerging in 2009, Alison Wonderland‘s sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella,” captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively (debut album ‘Run’ and sophomore album ‘Awake), headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and clocked upwards of 500   million streams.

Grinding it out with regular night club sets around Australia and a series of remixes for everyone from Little Dragon to Justin Bieber, she ignited an international splash in 2015 with the full-length debut, Run. Not only did it reach gold status down under, but it earned a pair of nominations at the ARIA Awards. Arriving with a bang, she made her live introduction stateside at Coachella. Fast forward to 2017, she achieved the “Best New Artist” honor at the first-ever Electronic Dance Music Awards, while her remix of Dua Lipa’s “New Rules” soared to #1 on the Billboard Dance Charts.

Alison‘s 2018 sophomore effort, Awake, levelled up every element. She joined forces with an all-star cast of collaborators such as Joel Little [Lorde], Illangelo [The Weeknd], Party Favor [Mad Decent], and longtime cohort Lido. She teamed up with innovators including Chief Keef on “Dreamy Dragon” and Trippie Redd on “High.” The record became the multi-talented phenomenon’s second straight #1 bow on the Billboard Top Dance/Electronic Albums Chart as “Church” leapt past the 14 million-mark on Spotify in a few months’ time, leading her to become Billboard Dance’s ‘Breakout Artist of 2018’ and the magazine’s 2019 Dance Issue cover star.

In 2019, between headline slots at festivals around the world, Alison also played her own headline concerts which sold over 100,000 tickets globally ߝ most recently selling out two acclaimed shows at the Red Rocks Amphitheatre in Colorado (filmed in multi-camera 4K VR) in addition to producing and self-promoting her own worldwide ‘Wonderland Warehouse Project’ tour.

Simultaneously, Alison’s Radio Wonderland show clocked 5 million-plus iTunes downloads as well as broadcasting to over 20 countries and featuring prominently on the Sirius XM channel Diplo’s Revolution.

Of Monsters and Men – New Album

Marking an important milestone, multiplatinum Icelandic collective Of Monsters and Men announce My Head Is An Animal (10th Anniversary Edition) to be released on October 29th.

To celebrate a decade since the arrival of their platinum-certified debut My Head Is An Animal, the group is releasing a version of the album as it was when it was released in Iceland in 2011. This version has a total of four tracks that were not on the 2012 US release, including two never-before-released songs: “Phantom” and “Sugar In A Bowl.” The anniversary album will also be accompanied by commemorative merchandise and a limited-edition vinyl as a special thank you for fans.

Pre-order/Pre-save My Head Is An Animal (10th Anniversary Edition) album and view exclusive merchandise—HERE.

Watch the trailer for new single “Phantom” HERE.

Regarding this moment, the band commented: “It’s been 10 years since the original edition of MHIAA was released in Iceland and because of that we wanted to do something special so we’re releasing a 10th anniversary edition of the album as well as performing some fun live, intimate anniversary shows from Iceland from the venue where we played our first album release party ever. 

The track list matches the one from that first edition of the album that came out in Iceland in 2011 plus two unreleased bonus tracks that sort of got left behind when making the record.

This album is how most of you got to know us and how we got to know you and for that we are forever grateful. 

Thank you to everyone that listened to and supported us this past decade.

Here is to another 10 years!

Love, OMAM”

While “Phantom” and “Sugar In A Bowl” are newly recorded songs, they are not new to the band. “Phantom” was first performed by Of Monsters and Men in 2010 at the renowned Músíktilraunir music competition. It was one of the two songs performed when they took home first place in the competition helping to jumpstart their career. The album features another unreleased track entitled “Sugar In A Bowl”—also composed and conceptualized over decade ago but never recorded.

Continuing the celebration of their anniversary the band also announce their first and only live shows of 2021: Of Monsters and Men: The 10 Year Anniversary Celebration of My Head Is An Animal where they will be performing two intimate shows at Gamla Bíó (the venue where they held the album release party for the album in 2011) on November 9th and 10th. The band will play the album in its entirety as well as other OMAM favorites both older and newer. Pre-sale for Of Monsters and Men: The 10 Year Anniversary Celebration of My Head Is An Animal  starts October 13th at 10am GMT and general on sale begins on October 14th at 10am GMT. Fans can head to http://ofmonstersandmen.com for more details.

Upon release in 2011, My Head Is An Animal scaled the Billboard Top 200, bowing at #6. It also boasted the quintuple-platinum “Little Talks,” which became “the first song by an Icelandic band to cross 1 billion streams on Spotify,” and the gold-selling “Dirty Paws.” To date the album has been streamed nearly 5 billion times globally and was the starting point for the band’s long career.

Since the start of the pandemic, the band has been keeping busy in Iceland. They released a cover of Post Malone’s “Circles,” in April 2020 that the band performed on The Ellen DeGeneres Show (see performance here). Last Fall they released new original track “Visitor,” which generated over 14 million streams worldwide and performed on The Tonight Show with Jimmy Fallon. The performance was shot in Iceland in the landmark theater IÐNO in central Reykjavik. See the incredible performance here. The track was also remixed by indie darlings MUNA who gave new life to the track (listen here).

In 2019, the group welcomed listeners into the embrace of their critically acclaimed third full-length album, FEVER DREAM. Not only did the record tally 80 million-plus total streams to date, but it also attracted acclaim from BillboardNPRThe Line of Best FitIndependentPaste, and more. Clash Magazine claimed, “The songs also have an emotional content to them that is hard to ignore.” Q Magazine praised it as “a dizzying rush of exuberance and emotion…their transformation into an arena-ready pop beast is complete.” Notably, the single “Alligator” made history by completing “their quickest climb to #1 on the Adult Alternative Songs Airplay Chart, as reported by Billboard. In addition to selling out dates coast-to-coast on the FEVER DREAM Tour, the group delivered rapturous television performances on Jimmy Kimmel LIVE! ,The Tonight Show Starring Jimmy Fallon, and Ellen.

OF MONSTERS AND MEN went from the talk of Iceland to the top of the global conversation on their 2011 debut, My Head Is An Animal which landed the band a performance on Saturday Night Live. The group appeared on official soundtracks for franchises such as The Hunger GamesThe Walking Dead, and Beat Bugs, to name a few. In addition to performing at festivals such as Coachella, Lollapalooza, Firefly, and beyond, they supported Florence + the Machine on a high-profile arena tour. In the midst of this rapid rise, 2015’s Beneath The Skin bowed in the Top 3 of the Billboard Top 200 and the band had a coveted cameo in an episode of HBO’s Game of Thrones in the same year.

My Head Is An Animal (10th Anniversary Edition) Tracklist:
1.) Dirty Paws
2.) King and Lionheart
3.) Numb Bears
4.) Sloom
5.) Little Talks
6.) From Finner
7.) Six Weeks
8.) Love Love Love
9.) Your Bones
10.) Lakehouse
11.) Yellow Light
12.) Sinking Man
13.) Phantom*
14.) Sugar In A Bowl*
*Never before released song

Ambassel via Interscope Records for use by 360 Magazine

J.I.D – Ambassel

Atlanta rapper/artist J.I.D has released visualizer for his track “Ambassel,” which appears on the recently released NFL Madden 22 video game soundtrack. The video spotlights the East Atlanta ‘playboy’—and former highschool/college football star—at the famed Mercedes Benz stadium, home of the Atlanta Falcons performing along to the head bopping, dizzying track. Watch the video in full HERE. The song and video is a teaser of what fans can expect from J.I.D as he works on his next album, The Forever Story. Later this month, fans will be able to catch J.I.D and his Dreamville cohort at the Red Rocks Amphitheatre in Morrison, CO returning to the live stage to do what he does best.  

About J.I.D

Born and raised in East Atlanta, Grammy nominated J.I.D grew up on his parents’ collection of classic funk/soul LPs, and broke onto the scene with his 2015 EP, DiCaprio. The EP saw him collaborating with hip-hop duo EARTHGANG, whom he’d previously joined on a 2014 tour also including Bas and Ab-Soul. This is where he was spotted by J.Cole who promptly signed J.I.D to his Interscope Records venture, Dreamville Records. Soon after signing to Dreamville, J.I.D made his major-label debut with the widely celebrated The Never Story (2017). The effort was closely followed by critically acclaimed album DiCaprio 2 (2018) which received major looks from Rolling Stone, Billboard, NPR and more. In 2019, J.I.D continued his momentum as rap’s most exciting additions with stellar contributions on Dreamville’s Platinum certified compilation Revenge of the Dreamers III which went on to debut #1 on the Billboard Top 200 charts and received multiple GRAMMY nominations including “Best Rap Album” and “Best Rap Performance.” 

J.I.D’s nimble, head-nodding lyricism and lightning fast flow has awarded him a loyal and cult-like fanbase who have joined the rapper at countless sold out shows across the globe. A mainstay on the festival circuit, J.I.D has brought down arena level crowds at Lollapalooza, Laneway Festival and would have made his Coachella debut if not for the pandemic. Not much seems out of reach for this Atlanta native who’s rise to superstardom seems almost imminent.

Black Music Month via Alex Bogdan for use by 360 Magazine

TREVOR DANIEL RELEASES NEW SINGLE “ALONE”

New EP “That Was Then” To Be Released in November

“Trevor Daniel’s Emotive Music Is Selling Out Shows and Topping Charts” — Rolling Stone

“Chartbreaker Artist of January 2020” — Billboard Magazine

Houston bred/LA based singer, songwriter Trevor Daniel releases his new single “Alone” along with the music video today via ALAMO/RCA Records. The video is directed by Danny Ghost. “Alone” is the first release for Trevor through his new ALAMO/RCA Records deal. “Alone” which interpolates the Alice DJ smash “Better Off Alone” follows Trevor’s most recent release Fingers Crossed” with Julia Michaels which was released to much celebration earlier this year. Additionally, Trevor has announced his new EP That Was Then” will be released this November.

When asked about “Alone” Trevor says, “The original song by Alice DJ was a song that I’ve listened to nonstop since elementary school. On the way to a studio session, I was listening to the song and got inspired to do an interpretation of it because of the feelings I was going through from a breakup at the time.”

About “That Was Then,” Trevor says, “This project is essentially a bunch of things made throughout quarantine, inspired by the random points and emotions of where my head was throughout the year in comparison to where I’m at now….THAT WAS THEN”.

Fresh off of star-turning performances at both Lollapalooza and Life is Beautiful, Trevor is slated for additional performances at Firefly this weekend and Outside Lands next month.

Earlier this year Trevor released his debut album Nicotine,  a ten track, tightly produced album which includes the anthemic single “Past Life” which was co-produced by Grammy winning songwriter and Billie Eilish collaborator, Finneas O’Connell. The Billboard Magazine “Chartbreaker” artist titled the album Nicotine to reflect on the addictive nature of love and heartbreak.  Originally from Houston, TX, (now based in LA) Trevor became an artist to watch with the success of his melancholic trap-infused single “Falling” — which after a second boost on Tik Tok, peaked at #25 on the Hot 100 charts and in the Top 20 in over 40 countries becoming a Global artist almost overnight.

About Trevor Daniel

Trevor Daniel inhabits his songs like a method actor. He recalls exactly where he was, what he saw, and how he felt as he replays each moment and memory with a vivid level of lyrical detail, projecting a first-person perspective and immersing his entire being within smoked-out alternative pop soundscapes boosted by trap grit. Through the haze, the Houston, TX multi platinum singer, songwriter, and producer forges an unbreakable bond with listeners. In 2018, he caught the attention of Internet Money Founder and super producer Taz Taylor [XXXTentacion, Juice WRLD]. Together, they cooked up “Falling” along with KCsupreme and Charlie Handsome.  The track took the internet and the culture by storm, generating 1.1 billion Spotify streams, going triple-platinum, and cracking the Top 20 of the Billboard Hot 100. During 2020, he dropped his full-length debut, Nicotine. It immediately incited tastemaker praise from OnesToWatch and Teen Vogue, while Rolling Stone christened him “a truly modern star.” On its heels, he teamed up with Selena Gomez for “Past Life,” generating hundreds of millions of streams in the process. Along the way, he contributed to the Spongebob Soundtrack and performed at LollapaloozaOutside LandsFirefly Festival, and more. Collaborations followed with everyone from Ty Dolla $ign, Bebe Rexha, Becky G and Tainy to Zara Larsson, Travis Barker, and Don Diablo before he served up “Fingers Crossed” with Julia Michaels in 2021. Now, Trevor welcomes audiences deeper into his world on a series of 2021 singles for ALAMO/RCA Records ignited by “Alone.”

Jessia – First Call

Following her certified smash “I’m not Pretty”, today platinum certified pop songstress JESSIA unveiled her gorgeous new single “First Call” off her forthcoming debut EP officially set for release on October 15 via Ryan Tedder’s Artist Driven Records in partnership with Republic Records.

A deceptively lush, dreamy, pop confection buoyed by JESSIA’s sparkling voice, “First Call” mines that sweet spot between knock-kneed ballad and daring missive in classic and authentic JESSIA style, underscoring her ambition to make listeners feel validated and understood.

“’First Call’ is the oldest song on the forthcoming EP,” shares JESSIA. “I wrote it two years ago when I was hopeful that I would reconnect with someone that I lost. I thought he was my forever, but I eventually came to the realization that he was actually just there to teach me a lot of lessons.”

“First Call” arrives amid a productive streak for JESSIA.  Earlier this year she shared the platinum-certified body acceptance anthem “I’m not Pretty”, which (to date) has garnered over 215 million global streams and 10 million video views and earned placement on highly coveted playlists and more. The anthemic track exploded on TikTok with JESSIA introducing the song via an acapella hook, racking up millions of views in a single day and catching the attention of singer, songwriter and four-time JUNO Awards nominated artist/producer elijah woods and later, Grammy-Award nominated artist Bebe Rexha who joined on the remix.

Certified Platinum in Canada where “I’m not Pretty” hit #4 at HOT AC radio, #8 at Top 40, and #33 in the U.S., JESSIA was featured as Billboard’s “Charbreaker” for the month of June (2021) and made her festival debut at Chicago’s Lollapalooza this summer. “I’m not Pretty” topped Billboard Canada’s Emerging Artists chart (at #1) for 13 consecutive weeks and introduced JESSIA to audiences around the world with its ability to connect via her brutally honest narrative and unapologetic story – the same story that has garnered a collective 264 million global streams to date and attracted Grammy Award–winning singer, songwriter, and producer Ryan Tedder, who was knocked flat by JESSIA, signing her to his Artist Driven Records in partnership with Republic Records.

JESSIA’s accessible but very complex music — self-summarized as “unpolished and unapologetic” — will make you feel understood and accepted. Think of JESSIA as a safe space to vent about all the ebbs and flows of being human – beguiling and super-relatable.  Yet this is just the beginning of what this extraordinary artist has to offer.

image from Darren Baber for use by 360 Magazine

NESSA BARRETT — “i hope ur miserable until ur dead”

DEBUT PRETTY POISON EP ARRIVES ON SEPTEMBER 10

DELIVERS INTERNET-BREAKING SURPRISE PERFORMANCE AT LOLLAPALOOZA

Ready to make a major mark after gathering millions of streams and receiving widespread critical acclaim, rising singer-songwriter Nessa Barrett uncovers a new single and music video entitled “i hope ur miserable until ur dead” today. Listen to “i hope ur miserable until ur dead” HERE and watch the music video HERE.

Nessa delivers a Gen-Z grunge bop underlined by caustic guitars and a hypnotically spectral hook. Her voice teems with raw emotion as she lets everyone know exactly how she feels! In the accompanying video directed by the incomparable Hannah Lux Davis [Ariana Grande, Halsey], Nessa emerges from a television set Poltergeist­-style in order to haunt a deserving ex with her undeniable presence (and totally stealable nineties prom goth looks).

Regarding the song, she said, “‘i hope ur miserable until ur dead’ is the anger you hold inside when people betray you—when people hurt you so bad and you unapologetically hope they get what they deserve.”

Most importantly, the song heralds the arrival of her debut pretty poison EP out September 10 on Warner Records. Pre-order pretty poison HERE. Illuminating the scope of her signature style, she leans into a lullaby melody on the darkly catchy “grave,” while “i wanna die” feels tailor-made for the closing credits of a classic nineties slasher flick. Her jazzy intonation adds raw emotion to “scare myself” as she admits, “Sometimes I even scare myself.” Over wobbling distortion on the title track “pretty poison,” she urges, “Say my name, say my name like you know it’s holy.”

Check out the full tracklisting below.

Nessa broke the internet last weekend when she joined jxdn for a surprise duet of “la di die” on the Main Stage at Lollapalooza. It immediately trended across social media, generating millions of impressions. Meanwhile, she continues to attract critical acclaim. Of her latest release “counting crimes,” Clash Music wrote, “The single itself showcases Barrett’s vocal power alongside a backdrop of guitar and piano overlaid with glitchy production.” In addition to plugs from the likes of UPSET Magazine and more, The Line of Best Fit hailed her as “On The Rise,” going on to rave, “She is the architect of her own, grunge-indebted netherworld, leaning into the pop-punk revival close enough to brush shoulders with it, and yet retaining an extraordinary sense of self that belies her eighteen years.” 

Earlier this year, Nessa linked up with jxdn on “I’m Dead” as part of the Official Soundtrack for the new scripted podcast Prom In Hell, the four part horror-musical-comedy series which debuted as the #1 Apple Music Podcast in April. “I’m Dead” notably marks the second collaboration by Nessa and jxdn following their breakout hit “la di die,” produced by the legendary Travis Barker. The latter has already amassed over 200 million streams, cracked the Top 15 at alternative radio and reached #27 at top 40 radio. The duo made their late-night television debut performance with “la di die” on Jimmy Kimmel Live! and also performed on The Ellen Degeneres Show. The song has received widespread acclaim from MTV, Elite Daily, Buzzfeed Radio.com and Nylon declared, “As the last line of ‘la di die’ says: She’s gonna be a superstar.”

pretty poison TRACKLISTING:

1.    pretty poison

2.    keep me afraid

3.    i hope ur miserable until ur dead

4.    grave

5.    scare myself

6.    i wanna die

7.    sincerely

image from Darren Baber for use by 360 Magazine

Nessa Barrett — Photo Credit: Kenneth Cappello

illustration by Alex Bogdan for use by 360 Magazine

DABABY, HOMOPHOBIA × CANCEL CULTURE

By: Andrew Shibuya

No one thought that the return to normalcy – or at least the path towards it – would be without hurdles. Indeed, the past six months have proven similarly difficult to the previous twelve, and the coming few seem to promise no respite. And so, in the now past and brief interlude in mask mandates and lockdowns in the United States, surely one would think that crowded events such as music festivals would be about celebrating reunion and unity.

Unfortunately, with the precedent of a certain performer at Rolling Loud, it is clear that unity was not the first thing on everyone’s mind. No one has made this more clear than rapper DaBaby. During his performance at the festival, the rapper is reported to have said several homophobic comments including, “If you didn’t show up today with HIV, AIDS, or any of them deadly sexually transmitted diseases that’ll make you die in two to three weeks, then put your cellphone lighter up,” as well as the peculiar, “Fellas, if you ain’t sucking d**k in the parking lot, put your cellphone lighter up.”

Of course, the Internet had something to say, and the deserved virtual tirade against DaBaby began. Twitter users in particular took up arms against DaBaby’s comments, lambasting the rapper for what they deemed to be some mixture of idiocy and ignorance.

And while fools’ remarks should hardly be considered worth coverage alone, the following onslaught and festivals’ responses are worth discussing. In the past week, numerous notable festivals have pulled DaBaby from their lineups, including Lollapalooza, New York’s Governors Ball, and Day N Vegas. The festivals all shared similar messages to their social media channels regarding the change, citing the need for and value of inclusion and diversity. The former’s message read: “Lollapalooza was founded on diversity, inclusivity, respect. And love. With that in mind, DaBaby will no longer be performing at Grant Park tonight.” Read our coverage of Lollapalooza and its implications with COVID HERE.

These festival changes seemed to have induced an apology from DaBaby, who, at first, was reluctant to apologize or recognize any wrongdoing. In response to the first wave of criticism, the rapper responded on his Instagram Story, stating, “What I do at a live show is for the audience at the live show. It’ll never translate correctly to somebody looking at a little five, six-second clip from their goddamn crib on their phone. Because, regardless of what y’all motherfuckers are talking about and how the internet twisted up my motherfucking words, me and all my fans at the show, the gay ones and the straight ones, we turned the fuck up.”

This was just the first response of many, with each becoming increasingly apologetic as more of his shows were cancelled. The most recent of his apologies, which many on Twitter have dubbed “DaApology,” reads: “I want to apologize to the LGBTQ+ community for the hurtful and triggering comments I made. Again, I apologize for my misinformed comments about HIV/AIDS and I knew education on this is important.” And while some fans online deemed his response to be acceptable, many did not see it as adequate.

Celebrities similarly took to Twitter and other social media platforms to offer their two cents on the situation. Many decried DaBaby’s words, such as his recent collaborator Dua Lipa, who claims to be incredibly taken aback by this side of DaBaby. Other big names in the music industry such as singer-songwriter Elton John and pop legend Madonna have similarly criticized the ignorance and inaccuracy of DaBaby’s comments on HIV and AIDS. Most recently, Miley Cyrus has shared on social media that she has reached out to DaBaby to “learn from each other” in the wake of this incident.

And still, some rappers and other industry names have come to DaBaby’s defense. Some, like rapper NLE Choppa, insist that this is just a slight hiccup in DaBaby’s career, with NLE Choppa recently tweeting, “Dababy Gone Come Out Bigger Than Ever While Y’all Tryna Down Play The Man.” Rapper T.I. similarly called for more equality and fair treatment for DaBaby, seeming to suggest the praise Lil Nas X has recently received. In an Instagram comment, T.I. wrote, “If Lil Nas X can kick his s**t in peace… so should DaBaby.”

DaBaby’s comments come after a recent onslaught of homophobic vitriol directed toward Nas X this past summer. Following the release of the rapper’s successful singles “MONTERO (Call Me By Your Name)” and “Industry Baby” and brazen accompanying videos, many – both fans and other rappers – took to Twitter. And while many people did support Nas X as T.I. seems to allude to, the openly gay rapper received far from unanimous praise.

In addition to spurring an inundation of homophobic sentiment online from quotidian users, Nas X proved to be similarly divisive amongst other rappers in the hip hop industry. While some voiced their support and praised the rapper’s bravery and bold works, some were similarly quick to voice their disproval. Many condemned the rapper for what seemed to them to be brazen lewdness, though many Twitter users thinly veiled homophobia.

The discourse over “cancelling” is rather interesting in light of so much present discussion over the actual existence of cancel culture and its implications. Especially in the music industry, where the effects of “cancelling” someone seem to be diminished – Chris Brown still plays on the radio, Dr. Luke still produces number-one hits, and most recently “cancelled” country singer Morgan Wallen has seen his popularity grow tremendously despite this year’s earlier controversy. This is in contrast with the film industry, where, although far from free from offenders, certain players have been blackballed far more effectively and efficiently.

Surely, all those people could be an argument against the existence of cancel culture. The consequences to their actions seem to have faded as quickly as people’s memories of their wrongdoings. And so, as to the question of whether or not DaBaby has been “cancelled” is unclear. The action against him – at least at the level of cancelling his headlining performances and shows – has so far managed to induce at least a single apology from the rapper. And while what lies in store for DaBaby remains unclear, one certainty remains – the Internet has at least some power to affect change in the real world.

Clairo Sling Artwork from Nicole Hajjar, Universal Music Group for use by 360 Magazine

CLAIRO’S NEW ALBUM SLING DEBUTS AT #1

Clairo’s critically acclaimed sophomore album Sling, released on July 16th via FADER Label/Republic Records, debuted at #1 on Billboard Alternative Albums Chart, #2 on Top Rock Albums Chart, and Top 20 on Top 200 Chart. This is the highest album charting debut for the 22-year-old American artist, songwriter, and producer. Listen to Sling here.

Co-produced with Grammy® Award winning producer Jack Antonoff, Sling was recorded at Allaire Studios in Upstate New York and features 12-tracks including “Blouse,” which the 22-year-old performed live on NBC’s The Tonight Show Starring Jimmy Fallon last month. Watch the breath-taking performance here.

In celebration of the widely adored record, Clairo recently announced her 2022 headlining North American tour dates, which are quickly selling out. Tickets are on sale now at here.

Praised for her diary-worthy stories earmarked by her devilishly sharp commentary and angelically intimate vocals. The singer, songwriter, multi-instrumentalist, and producer has quietly threaded these stories into the fabric of popular culture since she first surfaced as a phenomenon out of her dorm bedroom. Following the success of her 2018 debut, Diary 001 EP, Clairo unveiled her 2019 full-length debut album, Immunity (FADER Label). The now 22-year-old received critical acclaim from the likes of Billboard, The New York Times, Los Angeles Times, NME, NPR, Pitchfork, Rolling Stone, and many more. Beyond performing on TV shows like Jimmy Kimmel LIVE!, and most recently The Tonight Show Starring Jimmy Fallon, she has notably sold out headline tours as well as joined the bills of Coachella and Lollapalooza. Her growing catalog includes the platinum-certified “Pretty Girl” and gold-certified “4Ever” and “Flaming Hot Cheetos,” in addition to “Are You Bored Yet?”—her platinum collaboration with Wallows. To date, she has amassed over 3 billion streams and counting. In 2021, she turns the page on the next chapter with her highly anticipated sophomore album, Slingout everywhere now.

Clairo: Instagram | Twitter | Facebook | Youtube | Website

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

illustration by Alex Bogdan for use by 360 Magazine

LOLLAPALOOZA × DELTA VARIANT

By: Clara Guthrie

Public health experts are warning that the crowded Lollapalooza music festival in downtown Chicago this past weekend may lead to a dramatic surge in Covid-19 cases, especially given the increasing risk of the Delta variant. Festival organizers estimate 100,000 people attended the event each of the four days, and neither social distancing nor mask wearing (for vaccinated attendees) was enforced.

Despite concerns from medical professionals and a steady rise in Delta variant cases leading up the festival, both the Chicago Department of Public Health and Lollapalooza’s health experts approved the production of the festival as planned ahead of time.

Although operating at full capacity, the festival did have certain security measures in place in order to protect its guests; to enter, people had to show either their Covid-19 vaccination card or proof of a negative Covid-19 test from the preceding 72 hours. According to the festival’s website, they also required those who are unvaccinated to wear a mask.

In a statement released Monday by festival organizers, it was revealed that 91% of the attendees showed proof of vaccination, and 8% showed negative Covid-19 tests. The last 1% were denied entry due to a lack of proper documentation.

These statistics are complicated, however, by a claim from a Chicago Tribune photo intern, Vashon Jordan Jr., that fake vaccination cards were being used at the event. On August 1st, he tweeted, “Fake Covid-19 vaccination cards are 100% a thing at Lollapalooza in Chicago. You can get it with a single-day wristband for $50. I have confirmed that it does work.” In a separate tweet he clarified, “And by ‘fake’ I mean it doesn’t belong to the holder.” Jordan Jr. also recorded maskless concert goers dancing in large crowds and boarding public transportation—where masks are explicitly required—after the day’s events.

According to Dr. Tina Tan, a professor at the Northwestern University Feinberg School of Medicine who specializes in infectious diseases, the precautions taken by Lollapalooza were simply insufficient given the prevalence of the Delta variant. Tan said that a safer event would have maintained smaller crowds, enforced social distancing and masks, and only allowed vaccinated individuals to attend. “When you have 100,000 or more people who are in a fairly enclosed space and there’s no social distancing, the vast majority are not wearing masks, you are going to get some transmission of the Covid-19 Delta variant,” she said.

As of August 2nd, Chicago was reporting an average of 206 new cases each day, and many of those who are being hospitalized for Covid-19 are not vaccinated. These data reflect a recent and definite uptick in cases as the Delta variant poses a serious threat across the globe. Given the roughly two to 14 day incubation period for Covid-19, it is currently unclear just how Lollapalooza will affect these numbers in Chicago and its surrounding areas. According to Dr. Robert Citronberg, an infectious disease physician with Advocate Aurora Health, “The next couple of days you could potentially see cases. I think by next weekend we’re probably going to be having a good idea about how much transmission occurred because of Lollapalooza.”

What experts already know with certainty is that any transmission from Lollapalooza will not only affect Chicago and its suburbs but also the areas that people return home to after the festival, seeing as thousands of people travelled to Chicago just for the weekend. “The real problem is not so much that a bunch of young people who come into Chicago getting COVID at this event. The real problem is them taking it back to places that have very low vaccination rates,” Dr. Emily Landon, executive director for infection prevention and control at the University of Chicago Medical Center, said.

According to the New York Times, roughly 70% of American adults have received at least one shot: a goal that President Biden set for the country to hit by July 4th but that took almost an extra month to achieve. And many individual states are struggling to vaccinate their population and thus are grappling with new Covid-19 cases and Covid-related hospitalizations. Alabama and Mississippi have the lowest vaccination rates in the country, at 43.2% and 44% respectively. Illinois falls somewhere in the middle with 59% of its adults being fully vaccinated.

Lollapalooza’s controversy did not stop at Covid-19 concerns. On Sunday, the final day of performances, rapper DaBaby was pulled from his headlining spot after festival organizer caught wind of his previous homophobic comments. While performing at the Rolling Loud festival in Miami on July 25, DaBaby made discriminatory and incorrect comments about gay men and HIV, which he later defended in a series of 19 videos on his Instagram stories. “What I do at a live show is for the audience at the live show,” he said. “It’ll never translate correctly to somebody looking at a little five, six-second clip from their goddamn crib on their phone. […] Me and all my fans at the show, the gay ones and the straight ones, we turned the fuck up.”

Lollapalooza officials tweeted to announce DaBaby’s removal, saying, “Lollapalooza was founded on diversity, inclusivity, respect, and love. With that in mind, DaBaby will no longer be performing at Grant Park tonight.” Fellow rappers Young Thug and G Herbo took his place. On Monday, DaBaby took to Instagram to apologize “for my misinformed comments about HIV/AIDS and I know education on this is important.”

Looking beyond the festival’s drama, Rolling Stone took a moment to celebrate the most positive and powerful moments from Lollapalooza, saying, “it was full of life-affirming musical moments.”