Posts tagged with "The Honey Pop"

Amelia Moore – crybaby

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True to her social media handle (@icryatwork), Amelia Moore approaches her music with a fierce commitment to total emotional transparency an irresistible counterpart to her kaleidoscopic alt-pop sound. Both qualities shine on her new single, crybaby. Moore’s bluesy, fluttering vocals cut to the quick as she addresses an ex, “do u like to make me cry baby / cuz u do it all the time baby / when did god give u control of the rain.”

Frequent collaborators Pink Slip and Inverness produced the track. Download / stream crybaby, which is from the young singer/songwriter/multi-instrumentalist’s forthcoming EP, HERE.

Moore, who recently wrapped up a sold-out North American tour with Capitol Records label mate FLETCHER, amassed over 10 million combined global streams and two million video views with her first three singles: sweet and sour, vinegar and moves. In less than six months, she’s already approaching 70,000 followers on Spotify.

Ones To Watch named Moore as one of The 25 Artists to Watch in 2022 and she’s been the subject of features in Billboard, DORK, Notion, among others. Hailing her as “our newest alt-pop princess,” The Honey Pop said, “There couldnߣt have been a better song than sweet and sour to introduce us to Amelia’s wildly unpredictable sound.“ PAPER praised vinegar for having “the most powerful chorus of 2022.” Billboard put moves on its list of 10 Cool New Pop Songs, while The Line of Best Fit observed, “moves has an intoxicating energy and joyous playfulness, setting a new gold standard for an artist used to shattering expectations.“

EARMILK declared, “Amelia Moore is destined for greatness.” Learn more about the 21-year-old Georgia natives journey from homeschool to Hollywood HERE.

New Alison Wonderland Tour/Album

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Alison Wonderland announced a series of North American tour dates in support of her forthcoming album. The shows promise to be massive, with brand new visuals, lighting and production, live musicians, and, of course, new music from an album that, as Alison explains to her manager, Garth, in this clip, she’s just not ready to reveal the title of just yet.

The “I am not quite ready to share my album title or artwork yet” Tour will include Alison’s previously announced April 1 concert at the Shrine Expo Hall in Los Angeles plus headline shows in Brooklyn, Minneapolis, Chicago, Boston, and Berkeley. The initial dates also include festival performances at Brownies & Lemonade Spring Break, Ultra, BUKU, Ubbi Dubbi, and Forecastle. See below for the itinerary. Additional shows will be announced soon.

Tickets for the Los Angeles show are already on sale HERE. A ticket pre-sale will kick off on February 2 at 10:00 AM local time for the additional headline shows. Tickets will go on sale to the general public Friday, February 4, at 10:00 AM local time. For further details, click HERE.

Alison’s 2021 tour highlights included a sold-out, multi-night run at Red Rocks, Colorado, and her 80,000 strong performance at Lollapalooza, where she teased “Fuck U Love U,” which has amassed over three million combined global streams since its subsequent release in December 2021. Billboard praised the song’s “head-banging brilliance” while Run the Trap observed, “Alison keeps the tension and suspense with a hook that will play in your head all day.”

While the title and artwork for her new album are still under wraps, the official video for her first single of 2022, “Fear of Dying” (Astralwerks) shows Alison embarking on her new journey. View HERE. American Songwriter said, “The unsteadying song and visual has depth and a precarious sense of security. And when the drop hits. Boom!” YourEDM hailed the track as “nothing short of a masterpiece.” The Honey Pop declared, “We are fully on board the Alison Wonderland train.” Dancing Astronaut noted, “Alison Wonderland is primed to put together a commanding run for 2022” and EDM.com concurred that she is “primed for a monster year.” “Fear of Dying” has already racked up more than 1.2 million combined global streams.

One of electronic music’s most acclaimed artists, Alison scored her second No. 1 debut on Billboard’s Top Dance/Electronic Albums chart with 2018’s Awake. “Bad Things,” one of her 2020 singles, has attained over 18.6 million cumulative streams.

In 2021, Alison ventured into the NFT space with her fantasy-themed “Wonderquest,” a project that generated over $3 million AUD in the initial sale and spent time in the global Top 20. Her other recent endeavors include creating a five-star sanctuary in Animal Crossing, discussing the paranormal with Loserfruit on Twitch, delivering acclaimed sets from lockdown (including Digital Mirage and Lollapalooza), continued production of her globally broadcast radio show “Radio Wonderland” plus starting a side hustle as a YouTuber.

The “I am not quite ready to share my album title or artwork yet” Tour

3/21-25 – Puerto Vallarta, MX – Brownies & Lemonade Spring Break

3/25-27 – Miami, FL – Ultra Music Festival

3/26 – New Orleans, LA – BUKU Music + Art Project 2022

4/1 – Los Angeles, CA – Shrine Expo Hall

4/8 – Minneapolis, MN – Armory

4/9 – Chicago, IL – Byline Bank Aragon Ballroom

4/14 – Boston, MA – House of Blues

4/15 – Brooklyn, NY – Avant Gardner

4/23-24 – Ennis, TX – Ubbi Dubbi Festival

5/29 – Louisville, KY – Forecastle Festival6/11 – Berkeley, CA – The Greek Theatre @ UC Berkeley

KIDD G × YNW BSLIME – LEFT ME

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Rising country artist Kidd G unveiled his first new song of 2022, “Left Me,” with YNW Bslime. The collaboration track highlights the blend of country passion from Kidd G with a modern spirit from YNW Bslime, with lyrics that emphasize expressive emotions. Kidd G proclaims, “I don’t know why you left me… Now you’re nothing but a memory.” The track also releases paired with a music video that was shot in Keystone, Colorado.

Listen to “Left Me” HERE and watch the music video HERE.

Kidd G’s rise to notoriety landed him a spot in The New York Times’ Best Albums of 2021 with his most recent album, Down Home Boy. The deluxe version of the album released this past December, gaining critical acclaim. Kidd G co-wrote each piece on the 18- track series that highlights his Southern foundations. The deluxe album sees his unveiling radio single, “Summer In A Small Town,” along with just out tracks, “Paper Hearts (F-150),” “Whiskey & Wine,” and fan favorite “If Heaven Had A Phone.”

Before the publication of the deluxe album, Down Home Boy already attracted attention on its own. The album itself accumulated over 15 million streams on Spotify, enticing appeal to The New York Times who named it “the year’s best country debut album.” The Honey Pop, too, applauded the album, stating, “blending elements of genres like old-school country, hip-hop, and pop, he breaks the barriers of being stuck to any particular area of music.” Country Swag referred to the album’s uniqueness, declaring the album as, “like nothing you have ever listened to before.”

About Kidd G

Born and raised in the small Georgia town of Hamilton, Kidd G first gained widespread recognition through TikTok and SoundCloud. Kidd G posted some songs that he recorded online with his friend Nolie Beats, and in 2020 Rebel Music signed him. Though his preliminary single “Sorry” had a modern hip-hop flare, he soon after began adding in his Southern roots to his songwriting. Continuing his music on SoundCloud, his fans became loyal and fond of his southernly appeal.

Kidd G’s first viral hit came from his song “Dirt Road,” with its video amassing over 5 million views on YouTube in a little over one month. Hank Williams Jr. serves as one of Kidd G’s leading inspirations, as he states, “I love country because it feels so natural to me, and you can really tell stories in the songs.” Now emersed in his music career, he accumulates around 1.5M monthly Spotify listeners. His music has been played across KIX Country Radio in Australia, as well as country playlists involving Amazon Music’s ‘Country Heat’ (rose to No. 2) and Spotify’s ‘Hot Country’ (rose to No. 3).

Now embarking on his introduction solo tour and his partnership with Big Machine Label Groups’ The Valory Music Co., Kidd G heads in the year of 2022 with the sky as the limit.

Aidan Bissett – Get Dumped

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Aidan Bissett returns with an introspective, headbanging, feel-good anthem for anyone who’s ever been dumped. Listen to Dumped, which he co-produced with Ryan Daly (Fitz and the Tantrums, Adam Lambert, Cyn), HERE. After writing the guitar-driven break-up song, Bissett took to TikTok to explain how the track came together in this tongue-in-cheek clip.

Getting dumped is the worst feeling in the world, but screaming this song will make you feel a whole lot better, says Aidan Bissett. The song is about learning that you are better off on your own and that it’s okay to be alone.

Director Brooke James (Troye Sivan) matches the energy of Bissett’s performance with the vibrant, kinetic official video for Dumped. Holed up in a typical teen bedroom, Bissett thoughtfully unpacks his heartbreak on the verses, then rages with his guitar on the scream-along chorus as the camera spins and zooms with equal frenzy. View the video HERE.

Dumped is the follow-up to So High which Euphoria praised as a certified summer bop this song demands to be played after dark either by the pool or the beach with a fire roaring nearby and drinks being passed around among friends. The Honey Pop declared, Aidan Bissett is an artist that everyone needs to be paying attention to. We have a feeling this is only the beginning of his genius artistry.

Born in Florida, Bissett was raised on classic rock bands like Led Zeppelin and AC/DC. He moved to Oregon with his family when he was five and started playing electric guitar in second grade. When his family moved back to Florida, he began teaching himself to produce his own music. Just a year ago, Bissett released his first single,Different, which immediately gained traction online.

As he amassed a sizable following on TikTok, he next put out Worst Girls of All Time, an anti-love-song spiked with moody guitar riffs that landed on Spotify’s Fresh Finds playlist, and More Than Friends. Written, recorded, and produced entirely by Bissett, the songs earned him major buzz and landed the 18-year-old a deal with Capitol Records before he had even graduated from high school. Combined global streams of Bissett’s first three tracks and his Capital debut single, Communication are nearing 11 million.

TROUSDALE — “THIS IS IT”

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Single Out Now via Independent, click HERE to Listen

“Trousdale blends elements of Americana with sleek pop” – CMT

Fast-rising indie-folk trio Trousdale have released the music video for their latest single, “This Is It,” which urges listeners to stop, take a breath and recognize happiness in the moment. You can click HERE to watch the Nina Kramer directed and produced video, and you can click HERE to check out CMT’s premiere of the video, where Trousdale discusses the motivation behind an all-female crew for the shoot.

Their desire to empower young women and spread a universal message of love and self-acceptance can be found rooted in both the message and the video for “This Is It.”

Capturing the friendship behind Trousdale, the music video “shows our goofy, fun-loving side. It is somewhat of the antithesis of our last EP, Look Around. We’ve previously released songs that focus on heartbreak and loss. Alternatively, this song was born out of a genuinely fun night drinking and laughing at our favorite bar. With the song and video, we aim to highlight the importance of savoring the simple joys in life, because they so often go unnoticed.”

The infectious optimism and enthusiasm of “This Is It” has resonated with both media and fans. Spotify and Apple championed the single with adds to multiple key playlists including Fresh Finds County, Next Gen Singer-Songwriters, and Country Risers while indie mainstay Consequence featured the friendship anthem in their weekly New Sounds round up and The Honey Pop proclaimed “‘This Is It’ is magical and we had to stan.”

Blending unflinching vocals and raw, transparent storytelling that mirrors their real-world vitality, Trousdale has developed a devoted and engaged community on TikTok and other corners of the internet with “This Is It” mirroring the success of their previous releases. Their fanbase, along with supporters like the Jonas Brothers, Dan and Shay, John Mayer, Jensen McRae and Betty Who, have propelled the trio’s self-produced single “Wouldn’t Come Back” to over 2 million streams and their cover of “Wouldn’t It Be Nice” by The Beach Boys to over 1 million streams.

Trousdale has garnered comparisons to Kacey Musgraves, The Chicks and HAIM, and prompted A1234 to compare their passionate lyrics and evocative storytelling to icons like Taylor Swift and her latest critically acclaimed albums Folklore and Evermore. Additionally, their singles “Better Off” and “Happy Anymore” along with “Wouldn’t Come Back” from their debut EP Look Around led to The Radar Station naming them the #1 Emerging Global Roots Artist and the #7 Emerging Global Artist, while landing on some of Apple Music and Spotify’s top Americana, Folk, Singer-Songwriter and Mood playlists including Roots Rising, Women of Folk, and Infinite Indie Folk.

NALIYA – ROLLER COASTER

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Emerging as a dynamic pop presence with widespread critical acclaim, buzzing artist, producer, and songwriter Naliya shares a new single Roller Coaster. Once again, her smooth delivery, quotable lyrics, and elite beat-making shine. The track affirms her unpredictable approach with hypnotic verses before dropping into another massive chorus. As always, she invites audiences along for the ride on Roller Coaster.

Right out of the gate, “Handshakes” gathered over 500,000 streams to date and picked up critical acclaim. The Honey Pop raved, “she blew our minds with her first single ‘Handshakes’,” and went on to promise, “You’re going to listen to it non-stop, it’s guaranteed.” EDM.com described it as “a dreamy inaugural release,” and A1234 called it a “buoyantly simple yet elegant track that uses a sparse production to bring out the emotive nature of the lyrics, drawing us into her soundscape and way of thinking.” Sheesh Media praised “Handshakes” as a “tender and sentimental banger” and “filled to the brim with electronically filtered vocals and near-lullaby vibes.”

Naliya is putting the finishing touches on her forthcoming debut EP—coming soon. She continues to assert herself as an artist-to-watch this year. Stay tuned for more!

ABOUT NALIYA

Naliya personally touches every element of her music. Behind a desk running Ableton Live by herself, she’ll conjure up a beat before picking up a pen to write lyrics and finally grabbing a microphone to bring the production and words to life. Raised between Canada and France, the Los Angeles-based singer, songwriter, and producer architects an unfiltered and undeniable take on pop warmed by handcrafted beats and lyrics so intimate they could be a DM.

During a Shark Tank-style Instagram Live hosted by powerhouse songwriter J Kash (Maroon 5, Charlie Puth, Selena Gomez), she shared a composition and landed a deal. With Kash in her corner, she co-wrote Jason Derulo’s “Lifestyle” (feat. Adam Levine) and Tate McRae’s “Rubberband.” After amassing nearly 6 million streams independently and quietly cooking up songs for industry heavyweights, she formally introduces herself on a series of 2021 singles and her forthcoming debut EP to be released via Immersive / Sandlot / Interscope Records.

CLAIRE ROSINKRANZ – 6 OF A BILLION

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GEN Z POP PHENOM CLAIRE ROSINKRANZ RELEASES NEW EP: 6 OF A BILLION

LISTEN TO 6 OF A BILLION HERE

“”Remi Wolf and Benee fans, take note of TikTok breakout Claire Rosinkranz, who will surely be your next favorite.” – Billboard

“2020 may have been a banner year for Rosinkranz, but it’s a culmination of the work she’s put into her craft.” – American Songwriter

After building anticipation for its arrival, Gen Z singer-songwriter Claire Rosinkranz releases her anxiously awaited sophomore EP, 6 Of A Billion, today via slowplay/Republic Records.

Listen to 6 Of A Billion—HERE.

She heralded the project with her most recent single “Boy In A Billion.” In a week, it has already amassed over 1 million total streams. Attracting critical praise, The Honey Pop fittingly described Claire as “what’s next in pop music.” In addition to plugs from DORK and more, Clash raved the track “underlines her alt-pop prowess.” The project also boasts “Frankenstein,” which has reeled in 6 million streams and counting.

The EP could double as the ultimate Gen Z teen flick with the star as its narrator. The opener “Hotel” glides on a bouncy beat wrapped in sunny guitar as she details the art of sneaking out (without getting caught) and promises, “One day I’ll write a story that’ll sit on a shelf about partying with my friends at some random hotel.” On the opening track, Claire says, “I wrote this song about the feeling of sneaking out, partying with friends, driving fast and eating pasta.”

Her voice seesaws over a sparse riff on “Pretty Little Things” as she laments with a soft croon, “All these pretty little things in life we have to learn to ignore.“ Everything culminates on the jazz-y feels of “LAX.” Her powerful delivery echoes in tandem with a bold horn section on one last crescendo.

Check out the full tracklisting below.

Claire definitely asserts herself as one of a billion and a new kind of pop outlier! Stay tuned for more soon.

6 Of A Billion Tracklist

Hotel
Pretty Little Things
Boy In A Billion
Fall Apart
Frankenstein
LAX

ABOUT CLAIRE ROSINKRANZ

Southern California singer, songwriter, ballerina, and multi-instrumentalist Claire Rosinkranz grafts the Gen-Z coming-of-age experience onto quirky D.I.Y. soundscapes often cooked up by her dad in the garage. Within a year, the 17-year-old phenomenon has eclipsed over half-a-billion total streams and received widespread acclaim courtesy of Rolling Stone, Variety, Coup de Main, Buzzfeed, Genius, and more. OnesToWatch championed her as one of its “Top Artists To Watch in 2021,“ while New York Times and Billboard named her breakout anthem “Backyard Boy” among “The Best Songs of 2020.“ Speaking of “Backyard Boy,” it inspired over 3 million TikTok videos and fueled the trailer for Amazon’s The Map of Tiny Perfect Things. Along the way, she collaborated with the likes of Jeremy Zucker, Role Model, and Clinton Kane and earned the support of Olivia Rodrigo, Tai Verdes, Lexi Jayde, and 347aidan. Now, she presents an unfiltered perspective on being a teen through her 2021 sophomore EP introduced by the lead single “Frankenstein.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Tassia Zappia – When I Was Four

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Increasing buzz following her critically acclaimed debut, Melbourne singer songwriter Tassia Zappia unveils a new single and music video entitled “When I Was Four” via Republic Records today. Listen to “When I Was Four” here. Watch the lyric video here.

On the autobiographical track, her voice glides over soft piano as she details her journey from humble beginnings in Australia to the door of a seemingly impossible dream. The momentum builds towards a powerhouse hook evocative of her range. The accompanying video begins with a grainy confessional by Tassia as she explains her resolve to make this dream real. The clip follows her alone through Los Angeles before intercutting original home video footage of her performing as a kid. It all culminates on an uplifting finale.

Tassia introduced herself with her very first single “You Don’t Want Me.” Right out of the gate, it amassed playlist support from the territories around the world. Additionally, the debut received widespread acclaim with press raving, “We already know it’s going to be on heavy rotation for us.”

Right now, she’s preparing her debut EP for release this year. Stay tuned!

Tassia Zappia, Italian born in Melbourne, doesn’t gloss over the little things in her music. She approaches her lyrics with a keen eye for detail only amplified by her show-stopping delivery, outsized vocal flare, and free spirit. Listening to the Australian singer and songwriter can feel like being in the room right next to her during some momentous turning point.

As a kid, Tassia discovered Elvis Presley, Aretha Franklin, Barbra Streisand, and Frank Sinatra through her parents, developing an appreciation for “super old school classics.” Feeling like an outsider, she turned to poetry and music. By 12-years-old, she began writing songs. She discovered Amy Winehouse and Lauryn Hill and incorporated all of these inspirations into a raw, unfiltered, and soulful style. In 2019, she took a trip to Los Angeles for a music camp that wasn’t all it was cracked up to be. Instead, it “felt like Fyre Fest,” but she ended up with her first break, nevertheless. After performing her original composition “WHEN I WAS FOUR” during a visit from chart-topping songwriter Heidi Rojas [Little Mix, Cheryl Cole], she left the audience in tears. Rojas asked for Tassia’s phone number, and they met for coffee a few days later. The following day Heidi took Tassia to a session with Lauren Christy, formerly of The Matrix [Avril Lavigne, David Bowie, Dua Lipa, Bebe Rexha, Rihanna], and this led to Tassia signing a development deal with Heidi and Lauren’s production company. Along the way, she inked a deal with Republic and crafted her debut single “You Don’t Want Me.”

“Tassia Zappia wastes no time to prove just how powerful her voice is with those high notes, reminiscent of the late Amy Winehouse, in the opening measures in ‘You Don’t Want Me.’” – The Honey Pop
“…she’s going to take over the world by storm” – Alfitude
“Tassia Zappia is making sure your first impression of her music is a spicy one” – PLNKWIFI

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Donna Missal – “How Does It Feel”

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Today, Donna Missal shared “How Does It Feel,” the soaring slice of luscious shoegaze that opens her new album, Lighter, which will be released on July 10 via Harvest Records. Download/stream “How Does It Feel” HERE and listen on YouTube HERE.

Donna – who has amassed over 33 million global streams in her career to date – wrote the track with Andrew Wells (X Ambassadors, Bebe Rexha, Fitz and the Tantrums), who produced the album, and Anthony Rossomando, whose credits include co-writing the Oscar-winning song “Shallow.”

“I hope this song finds the cracks in your heart and fills them with light,” says Donna Missal. “I hope this song can turn your disconsolateness into aspiration, and wrap its arms around you the way I wish I could right now. I hope this song meets your unrest with a challenge to desire and believe in dreaming for more.”

Lighter is an album about fragility, self-acceptance and self-discovery. It’s a timeless work from an artist who’s not playing by anyone else’s rules. Fans who pre-order the album in digital format will instantly receive “How Does It Feel” plus the singles “Let You Let Me Down” and “Hurt By You.”

“Donna Missal is a powerhouse vocalist” declared Flaunt in this recent feature article. MTV News observed, “‘Let You Let Me Down’ [is] a rock-infused breakup ballad…Her smoky vocals simmer to a satisfying crescendo in the final refrain.” The Honey Pop noted, “[Donna] can pull you through various emotions just with her voice, and ‘Let You Let Me Down’ is a prime example of her talent. It’s got powerful, poetic lyrics… a self-realization anthem.” “Hurt By You” was named as one of the “Best Songs Of The Spring” by Refinery29. NYLON noted, “This song was made for rolling the windows down and speeding on the backroads.” Praising Donna’s 2018 debut album, This Time (Harvest Records), Earmilk said, “A sound like this cannot be missed…we’re in full orbit around this star.”

Donna supported the album with a sold-out, 20-date U.S. headline tour. She has also played numerous festivals – including Austin City Limits and Bonnaroo – and toured with such artists as King Princess, Lewis Capaldi, Bishop Briggs, K.Flay, Joywave, Sir Sly, and Barns Courtney.

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