Posts tagged with "guitar"

Nordista Freeze album cover from Jim Merlis, Big Hassle Media, for use by 360 Magazine

Nordista Freeze – All I Wanna Do

Nashville-based psych-pop singer-songwriter and showman extraordinaire Nordista Freeze has announced today’s premiere of a stellar new single. “ALL I WANNA DO” which is available now at all DSPs and streaming services; an official music video – directed by Nashvillian Hayes Harmon premieres today via YouTube.

“‘All I Wanna Do’ is a love song, inspired by The Hollies & the 60s Merseybeat-style. It’s a song about driving all night to see your sweetheart. Together, my band and I tracked a majority of the song on tape, layering vocals, 12-string guitar & autoharp for a warm, timeless sound.” – Nordista Freeze

“All I Wanna Do” is the second song from Nordista Freeze’s eagerly awaited new album, BIG SKY PIPE DREAM, due everywhere on Friday, September 10. Listen to “All I Wanna Do” and pre-order Big Sky Pipe Dream here.

Watch “All I Wanna Do” here.

Nordista Freeze will celebrate BIG SKY PIPE DREAM with tour dates around the country, beginning July 27 at Grant’s Lounge in Macon Georgia. Additional dates will be announced – for updates and ticket information, please see the Nordista Freeze website.

Tour Dates

August 7 – Lexington, KY @ The Burl

August 8 – Chicago, IL @ Empty Bottle

August 14 – Chattanooga, TN @ Arts Avenue

August 21 – Clarksville, TN @ Possum Stock

August 27 – West Columbia, SC @ New Brookland Tavern

August 28 – Westminster, SC @ Hyp-Fest

September 10 – Nashville, TN @ Fairlane Hotel

September 11 – Nashville, TN @ Drkmttr

September 12 – Knoxville, TN @ New Ground Music Festival

September 13 – Asheville, NC @ Grey Eagle

September 15 – Memphis, TN @ Hi Tone

September 16 – Tulsa, OK @ Mercury Lounge

September 17 – Hot Springs, AR @ Maxine’s Live

September 18 – Oklahoma City, OK @ 51st Street Speakeasy

September 19 – Lawrence, KS @ Replay Lounge

September 24-26 – Boise, ID @ Treefort Music Fest

September 27 – Sisters, OR @ Suttle Lodge & Boathouse

September 29 – San Francisco, CA @ DNA Lounge

September 30 – Los Angeles, CA @ Silverlake Lounge

October 2 – Reno, NV @ Off Beat Music Festival

October 7 – Trinidad, CO @ Trinidad Lounge

October 8 – Pueblo, CO @ Blo Back Gallery

October 9 – Manitou Springs, CO @ Lulu’s Downstairs

October 10 – Denver, CO @ Hi-Dive

Track Listing

Dolphin

Wysteria

First Time

Hey GiGi

All I Wanna Do

Leaving Me Master

Wonderball

Slow It Down

Text Me Back

Fight Song

Connect With Nordista Freeze

WebsiteInstagram | Facebook | Twitter | Youtube

The Warning Evolve art from Taylor Vaughn, Republic Records, for use by 360 Magazine

HARD ROCK TRIO THE WARNING NEW SINGLE – EVOLVE

As they continue racking up fans, followers, and acclaim from the media and music icons alike, the Monterrey Mexico hard rock sister trio The Warning have emerged to unveil “EVOLVE,” their new single released via LAVA/Republic Records.

“We wrote ‘EVOLVE’ about humanity’s dangerous obsession with evolving,” the band said. “And how sometimes that evolution leads us to slowly leave our humanity behind. Is this dehumanizing evolution right or wrong?”

Produced by the legendary David Beneath (Paramore, Bring Me The Horizon, Breaking Benjamin), “Evolve” is a musical journey led by Daniela Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]. Dany’s vocals simmer with intensity, building tension before exploding into a chorus that unleashes the full force of the energy the sisters bring to every performance. With its signature changes and transformational truth-telling, “EVOLVE” is a track that will keep listeners on the edge of their seats throughout the entire sonic ride. The video, recorded with 16 iPhones and a drone, is a dangerous, fast-paced trip that visually amplifies the anxiety of “EVOLVE” in stunning fashion.

“EVOLVE” comes hot on the heels of the release of their Lava Records debut single, “CHOKE,” for which the band took part in a streamed event/interview with legendary rock tastemaker Matt Pinfield. “CHOKE” cracked over a million streams right out of the gate, drawing acclaim from Loudwire, Rolling Stone Mexico, and Billboard Argentina. Adding to the praise, Pau was called out by the band’s musical peers Olivia Rodrigo and WILLOW for her stunning drum covers of their songs “brutal” and “t r a n s p a r e n t s o u l” on TikTok.

Coming soon: the band has been tapped by Metallica for a cover of “Enter Sandman,” the track that first sent the trio into viral music stardom. The single will be featured on The Metallica Blacklist album, the 30-year anniversary reissue of Metallica’s iconic self-titled 5th album, also known as The Black Album. The reissue is set for release on September 10. In addition, fans will be able to catch The Warning on the road as they perform at the Welcome To Rockville Festival, open for the Foo Fighters in front of a 60,000-person crowd at Mexico City’s Foro Sol, and at a two-night sold-out run at the Troubadour in January 2022.

Stay tuned for more music and news to come as The Warning continues to surge to the forefront of hard rock!

Follow The Warning

The Warning Band Website // Instagram // TikTok // YouTube // Facebook

About The Warning

The Warning infuse rock music with a much-needed shot of adrenaline. The Monterrey, Mexico trio of sisters—Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—charge forward with head-spinning riffs, unpredictable rhythms, stadium-size beats, and skyscraping vocals. They stand out as the rare presence equally at home on network television and on stage at Heaven & Hell Festival. If anybody can usher rock’s comeback along, it’s these three ladies. After exploding online with one viral moment after another, The Warning parlayed this momentum into a series of independent releases, including Escape the Mind EP [2015], XXI Century Blood [2017], and Queen of the Murder Scene [2019]. They graced a stacked bill at Mother of All Rock Festival as the only Mexican band and opened up two sold out Monterrey shows for The Killers and for Def Leppard in Mexico City and Guadalajara. After quietly amassing over 120 million YouTube views and 10 million streams, they surge to the forefront of hard rock with a series of new music being released on LAVA Records in 2021.

About Republic Records

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Music Notes by Mina Tocalini for use by 360 Magazine

Role Model Releases New Single and Video – forever&more

Role Model (a.k.a. Tucker Pillsbury) is back with a brand-new single entitled “forever&more” along with the music video. The track is a mid-summer bop that glides along on a sun-soaked guitar loop and glitchy beat as he details the bliss of new love. With its nostalgic hook and vivid lyrics, “forever&more” marks a new chapter for Tucker as he enters the next phase of his music career. Role Model’s “forever&more” is available now at all digital retail providers via Interscope Records.

Click here to listen.

Role Model says about the track, “It’s obviously a love song. I really wanted to set up scenes of how my relationship started and the little moments that got us to where we are. This is the first time I’m letting people into the relationship and giving them visuals of those early stages and how I see it going in my head forever and more.”

The music video for “forever&more” was directed by Dylan Knight and finds Tucker happy and in love. The camera pans between shots of Role Model amongst his friends and alone time with his love interest while he chronicles the indescribable, euphoric feeling of being in love, and knowing it’s going to last forever. While the song and video parallel his real-life experience, it’s clear that this relationship has made Tucker the best version of himself.

Click here to watch the music video.

About Role Model

Tucker Pillsbury assembles, disassembles, and reassembles different vibes, sounds, and emotions into Role Model. One moment, he’s crooning about his crush’s earrings over crunchy chords. The next, he’s spitting bars about staying home. Either way, the intimacy of his songwriting beckons connection. You’ll experience doubt, anxiety, infatuation, and even love right next to him. His story kicked into high gear back in 2017. Following the Soundcloud success of “Cocaine Babe” and “Girl In New York,” he earned the respect of late idol Mac Miller and Benny Blanco. Trading Maine for California, he made waves with the oh, how perfect EP in 2019, generating tens of millions of streams on “hello,” “notice me” [feat. BENEE], and “that’s just how it goes.” A year later, his momentum only increased with the follow-up our little angel EP. The single “blind” eclipsed 40 million Spotify streams, while coup de main hailed it as “must-listen.” The Line of Best Fit praised his “songs with tenderness and Gen Z apathy.” After gathering nearly 200 million streams and receiving acclaim from HYPEBEAST, DIY, Earmilk, and many more, he illuminates every side of himself on newest single “forever&more” with more music to come.

To Buy or Stream “forever&more”:

Retail

Amazon

Apple Music

Deezer

iTunes

Pandora

Soundcloud

Spotify

Tidal

YouTube Music

Follow Role Model:

Instagram | Facebook | Twitter | Tiktok

image by Sara Davidson for use by 360 Magazine

Third Man announces Bob Dylan – Springtime In New York

Third Man Records is excited to announce Vault Package #49: Bob Dylan – Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985). In conjunction with Sony/Legacy, Third Man will release this 4xLP collection (pressed at Third Man Pressing in Detroit) full of previously unreleased outtakes, mixes and more, complete with a 16-page booklet of liner notes and track notations and four uniquely-colored LPs in their own individual LP sleeves, all housed together in an impressive custom slipcase. The songs on the Third Man Vault will be the ONLY vinyl release of those 42 songs. There is NO material overlap between the 2xLP version from Sony/Legacy and the 4xLP release from Third Man. Sign up is open now through July 31 at midnight CT.

In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. The latest in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan’s vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. Bob Dylan – Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan’s albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.

Third Man Records, in conjunction with Sony/Legacy, is humbled to release a limited edition 4LP vinyl collection of Bob Dylan – Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) as their 49th Vault package. Pressed on gold, violet, orange and purple discs at the state-of-the-art Third Man Pressing facility in Detroit, the set includes a 16-page booklet of liner notes and track notations, as well as individual LP sleeves all housed together in an impressive slipcase.

Bob Dylan – Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) is also available in a deluxe 5xCD boxset as well as 2xCD and 2xLP 12” vinyl highlight packages. The songs on the Third Man Vault will be the ONLY vinyl release of those 42 songs. There is NO material overlap between the 2xLP version from Sony/Legacy and the 4xLP release from Third Man.

LP One of Bob Dylan – Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) was recorded in 1980 and 1981 and finds Dylan rehearsing a variety of his own catalog compositions (“Señor (Tales of Yankee Power)”), rearranging some traditional folk tunes (“Jesus Met the Woman at the Well,” “Mary of the Wild Moor”) and revving up a selection of surprising covers (“Mystery Train” featuring Ringo Starr, “Fever,” “Abraham, Martin and John”) with a group of musicians including Frank Fred Tackett (guitar), David Mansfield (mandolin), Willie Smith (keyboards), Tim Drummond (bass), Jim Keltner (drums) and background vocals by Clydie King, Carolyn Dennis, Gwen Evans, and Regina McCrary.

LP Two of Bob Dylan – Springtime In New York (1980-1985) is devoted to outtakes and alternate takes of recordings, produced by Chuck Plotkin for Shot of Love, as well as material Bob Dylan wrote for Infidels, performed by the all-star band assembled for the album, produced by Bob Dylan and Mark Knopfler, which featured Knopfler (guitar), Mick Taylor (guitar), Alan Clark (keyboards), Robbie Shakespeare (bass) and Sly Dunbar (drums).

LP Four of the album includes live tracks (“Enough Is Enough” from Slane Castle, Ireland, and “License to Kill” from Late Night with David Letterman, March 22, 1984) alongside alternate takes and outtakes from the Empire Burlesque sessions, produced by Bob Dylan, including the premiere of the new song “Straight A’s in Love.”

According to the Producer’s Note in the album: “The alternate takes selected for this set are different than the ones released on previous volumes of The Bootleg Series. They are included here to illustrate the musical journey Bob Dylan undertook during these years.”

In his liner notes for Bob Dylan – Springtime In New York, Damien Love writes, “And that’s the real story of this gloriously untrammeled collection. The songs. The songs stripped free of trappings, tampering, passing tastes, and judgements. The songs broken down to the sound of people really doing this, right now, acting on instinct. The songs rough and rowdy, bruised and tender, joking and crying, nagging and striving and yearning. The songs were always there, and here they are still, keeping pace with us.”

Fans have only until July 31st to subscribe to Third Man Records Vault, where they will automatically receive this package. Visit here to sign up.

Bob Dylan

Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985)

Third Man Records 4-LP Set

Track List: 

LP-1

  1. Señor (Tales of Yankee Power) – Rehearsal
  2. Jesus Met the Woman at the Well – Rehearsal
  3. Mary of the Wild Moor – Rehearsal
  4. A Couple More Years – Rehearsal
  5. This Night Won’t Last Forever – Rehearsal
  6. Mystery Train – Shot of Love outtake
  7. We Just Disagree – Rehearsal
  8. Let’s Keep It Between Us – Rehearsal
  9. Fever – Rehearsal
  10. Abraham, Martin and John – Rehearsal
  11. Angelina – Shot of Love outtake

LP-2

  1. Price of Love – Shot of Love outtake
  2. I Wish It Would Rain – Shot of Love outtake
  3. Let It Be Me – International 7” Single B-side*
  4. Donߣt Ever Take Yourself Away – Shot of Love outtake*
  5. Cold, Cold Heart – Shot of Love outtake
  6. Is It Worth It? – Shot of Love outtake
  7. Borrowed Time – Shot of Love outtake
  8. Yes Sir, No Sir – Shot of Love outtake
  9. This Was My Love – Infidels outtake
  10. Donߣt Fall Apart on Me Tonight [version 2] – Infidels alternate take
  11. Neighborhood Bully – Infidels alternate take

LP-3

  1. Too Late [acoustic version] – Infidels outtake
  2. Clean Cut Kid – Infidels outtake
  3. Baby What You Want Me to Do – Infidels outtake
  4. Foot of Pride – Infidels outtake
  5. I and I – Infidels alternate take
  6. Green, Green Grass of Home – Infidels outtake
  7. Union Sundown – Infidels alternate take
  8. Lord Protect My Child – Infidels outtake
  9. Tell Me – Infidels outtake

LP-4

  1. Enough is Enough [live] – Slane Castle, Ireland
  2. License to Kill [live] – Late Night with David Letterman, March 22, 1984
  3. Angel Flying Too Close to the Ground – Infidels outtake
  4. Julius and Ethel – Infidels outtake
  5. I’ll Remember You – Empire Burlesque alternate take
  6. When the Night Comes Falling from the Sky [slow version] – Empire Burlesque alternate take
  1. Tight Connection to My Heart (Has Anybody Seen My Love) – Empire Burlesque alternate mix
  2. Emotionally Yours – Empire Burlesque alternate take
  3. Clean Cut Kid – Empire Burlesque alternate take,
  4. Straight A’s in Love – Empire Burlesque outtake
  5. When the Night Comes Falling from the Sky [fast version] – Empire Burlesque alternate take

All tracks previously unreleased except *

Image via Big Hassle Media for 360 Magazine

Ronnie Wood – Mr. Luck Live Album

RONNIE WOOD and the RONNIE WOOD BAND MR. LUCK, A TRIBUTE TO JIMMY REED LIVE AT THE ROYAL ALBERT HALL, OUT SEPTEMBER 17, 2021

Ronnie Wood and the Ronnie Wood Band return to the blues with the second installment of his live album trilogy – Mr. Luck – A Tribute to Jimmy Reed: Live at the Royal Albert Hall.

New release date for Mr. Luck – A Tribute to Jimmy Reed: Live at the Royal Albert Hall will now be released by BMG on September 17, 2021. The 18-track album features The Ronnie Wood Band including Mick Taylor with incredible special guests, Bobby Womack, Mick Hucknall, Paul Weller, and pays tribute to one of Ronnie’s musical heroes and major influences, the Mississippi electric blues pioneer Jimmy Reed.

The album is recorded live on a memorable night at the Royal Albert Hall on November 1, 2013. It features stunning tracks including Good Lover and Ghost of A Man. With unique album artwork specially created by Ronnie, Mr. Luck will be available digitally, on CD, as a vinyl release, and as a beautiful limited-edition dual-tone smoky blue vinyl.

A Tayle of Two Sidemen

When self-taught guitarist Eddie Taylor imparted his skills onto his friend Jimmy Reed, he surely couldn’t have imagined the effect this was to have on the Chicago blues scene. Backing up such luminaries as John Lee Hooker, he is best remembered for his work with his former student.

Sweet coincidence, then, that in 1974 another Taylor, Mick, would make way for Ronnie Wood in the Rolling Stones, paving the way for these two friends and celebrated guitarists to work on projects ever since. The culmination of this to date is Taylor’s place in The Ronnie Wood Band at the Royal Albert Hall for 2013’s Blues fest, where they played the now-legendary set that would come to birth to this recording.

In regard to Mr. Luck, Ronnie comments, Jimmy Reed was one of the premier influences on the Rolling Stones and all the bands that love American blues from that era until the present day. It is my honor to have the opportunity to celebrate his life and legacy with this tribute.

This album marks the second iteration in a trilogy of special and personal albums by Wood and the band, celebrating Ronnie’s musical heroes. The first album, Mad Lad explored the work of Chuck Berry as an emotional commemoration after Berry’s passing just over two years ago. Ronnie toured with Berry and was a lifelong fan.

Tracklist

  1. Essence
  2. Good Lover
  3. Mr. Luck
  4. Let’s Get Together
  5. Ain’t That Loving You Baby
  6. Honest I Do
  7. High & Lonesome
  8. Baby What You Want Me To Do
  9. Roll and Rhumba
  10. You Donߣt Have To Go
  11. Shame Shame Shame
  12. I’m That Man Down There
  13. Got No Where To Go
  14. Big Boss Man
  15. I Ain’t Got You
  16. I’m Going Upside Your Head
  17. Bright Lights Big City
  18. Ghost of a Man

ABOUT RONNIE WOOD

Ronnie Wood is one of the foremost rock guitarists in the world, and a two-time inductee into the Rock and Roll Hall of Fame, with the Rolling Stones and the Faces. Ronnie has also pursued a remarkable parallel career as a highly regarded artist and, as a natural raconteur, has won a record three prestigious Sony Radio Personality awards.

Kate Vargas Rumpumpo album art from Tamara Simons, BANDALOOP RECORDS for use by 360 Magazine

ARTIST KATE VARGAS SHARES NEW ALBUM – RUMPUMPO

“Kate Vargas’ ‘Glorieta to the Holy Place’ creaks and sighs with otherworldly atmosphere” – Rolling Stone

“Frequently labeled as ‘junkyard folk,’ Vargas’ work is marked with deep intention, frequently emerging as some of the most ‘honest, authentic’ in the Americana scene.” – American Songwriter

“Eccentric experimental indie darling Kate Vargas explores anxiety, sobriety, the dark side of humans and their flaws in her music.” – Atwood

“Vargas is definitely a dynamic addition to any musicians-to-watch list” – Elmore Magazine

“quirky phrasing, erotic substratum” – Robert Christgau, Noisey

“Her poetic lyricism is rooted in the folklore and storytelling” – NPR

“There is an unlimited amount of potential in this superstar on the rise” – The Huffington Post

Listen to Rumpumpo here.

The New York City-based, New Mexico native shares her album Rumpumpo with the world. Kate Vargas, the “junkyard folk” artist, has put aside the party for meditation, yoga, clean eating, and a fresh perspective on life as she hones in on her music.

Weeks before Vargas was scheduled to record her new album, the pandemic struck. At an impasse, she struggled to move forward in her craft. Months later, in a conversation with a friend about feeling stuck, he stated Newton’s First Law: “An object in motion stays in motion and an object at rest stays at rest unless acted upon by an outside force,” which subsequently inspires the first single and title track off her album, “Rumpumpo.”

Rumpumpo features the previously released singles “Church of Misdirection,” and “Glorieta to the Holy Place”, an ode to her home of New Mexico that celebrates the pilgrimage to Chimayo. Each year, thousands of people travel over 30 miles to El Santuario de Chimayo on Good Friday to commemorate the crucifixion of Jesus. The church is said to have healing powers, particularly the sand inside. Vargas sings about a young girl who hears of this holy place and takes it upon herself to make the pilgrimage for the sake of her suffering family amidst the pandemic.

With Rumpumpo, Vargas continues her meteoric rise with songs that stir the emotional cauldron, blazing a genre-bending path that is both sonically and lyrically daring.

Kate Vargas

Rumpumpo

Tracklisting

  1. Rumpumpo
  2. Honeydripper
  3. Left Shoe
  4. Everything Forever
  5. Animal
  6. Spit 3 Times
  7. Someday
  8. Church of the Misdirection
  9. Lighter
  10. Glorieta to the Holy Place
  11. Like Apollo

About Kate Vargas:

The New Mexico-raised, NYC-based artist is building ever more mindfully on her sound, and the music press is taking notice, Vargas receiving praise from a variety of respected outlets including Billboard, NPR, Noisey, and the Huffington Post, the latter assessing, “There is an unlimited amount of potential in this superstar on the rise.”

Vargas has packed houses from Ireland’s Westport Folk and Bluegrass Festival to The Troubadour in London, The Mansion on O Street in Washington D.C. to New York’s Bowery Electric. Featuring her singular folk-style storytelling, Vargas’ songs are grounded in a darkly melodic, reverb-washed sonic palette of dreampop, dusty folk and junkyard blues, all carried by rough-hewn vocals and guitar playing. In equal measure, she channels a surprising array of artists, from Tom Waits, Fiona Apple, and 16 Horsepower to Lana Del Rey and K. Flay.

In March of 2020, the pandemic brought the world to a screeching halt just weeks before Vargas was scheduled to record her new album. With plans on indefinite hold, Vargas found herself struggling to find a way forward. Months later, while talking to a friend about her feeling that she had stalled out, he simply stated Newton’s 1st law – an object in motion stays in motion, an object at rest stays at rest, unless acted upon by an external force. She needed an external force.

Around the same time, in a fortuitous twist of fate, Vargas found herself on the west coast just as her producer was relocating out west as well. An external force. Not one to squander an opportunity, Vargas quickly made plans to record in Los Angeles. Two more problems emerged. One, Vargas’ beloved Gibson guitar was twenty-eight hundred miles away in her apartment in New York and two, she still needed to write one more song for the album. Ever resourceful, calls were made and in the eleventh hour, Vargas found herself writing a song based on Newton’s 1st law on a guitar on loan from Jackson Browne. That song would become the title track, Rumpumpo.

“Gotta make the levee break, let the tonic take, double-stroking in a swim-or-syncopation; Well you won’t if you don’t get to doing, it’s Newtonian.”

Always challenging, Rumpumpo is peppered with restless moments, from the title track to the mesmerizing “Glorieta to the Holy Place”, a New Mexico-based story of a young girl’s pilgrimage to the town of Chimayo as a test of faith during the pandemic. Vargas escorts us to dark and uncomfortable places, but always with an arm around the shoulder and a reassuring grin. In the swampy “Spit 3 Times”, we are taken on a musical Mr. Toad’s Wild Ride, exploring the nooks and crannies of obsession, then thrust into the stripped-down ballad “Someday”, a love song at once morbid, disturbing and yet beautiful that reaches a peak reminiscent of George Martin and The Beatles (circa 1967). Whether drawn from folklore or direct experience, Vargas injects an intimate feel into each song via her poetic lyricism and jagged vocal delivery. At times, Vargas damn near hypnotizes, her compositions seeping to the edge of the subconscious, hardwiring listeners to ponder questions that, in other contexts, might make them squirm.

Vargas’ childhood in Corrales, New Mexico, had a profound impact on the woman and artist she would become. This artist and farming village just outside Albuquerque was populated with Mexican-Catholic families like hers, as well as creatives and a variety of seekers. It was a community rich in oral tradition and folklore, steeped in tales of good and evil, ghosts and witches, sin, The Devil, even extraterrestrial visitors. “It was a strange and wonderful place that I’ve really come to appreciate as an adult. There was a culture of storytelling, and the stories were often dark: the way I write songs now is rooted in that tradition. The paranormal and the supernatural always seem to make their way in. It was a great place for an imagination to run wild. If I told my mother I was bored, she’d tell me, ‘Go outside and pretend something.’”

Still, the slow pace of rural small-town life was excruciating at times for Vargas, who longed for the action and possibility of the big city. She began playing the flute at a young age and by the time she was in high school developed an interest in jazz that led her to Boston where she studied music at Berklee. Once there, she consistently found herself coming back to writing and guitar after classes. Upon graduating from Berklee, Vargas relocated to New York City, playing an open mic night every Monday at the now defunct P & G Bar on the Upper West Side. “People were so disgustingly positive,” she says, “and that kept me coming back.”

Eventually, the club gave her a showcase spot and more gigs followed. With people continually asking her for a CD, Vargas knew the time had come to make an album. Her debut, the DIY affair Down to My Soul, was released in 2014, hinting at the promise of a vibrant new voice. Her follow-up, 2016’s Strangeclaw, was recorded at New York’s Mercy Sound Studios (Blondie, Macy Gray) and mastered at the legendary Abbey Road Studios in London, capturing Vargas’ impressive growth as an artist in gorgeous fidelity.

Vargas really hit her stride with 2018’s For the Wolfish & Wandering, connecting with audiences like never before, culminating in invitations to perform on NPR’s Mountain Stage, an official showcase at Nashville’s AmericanaFest, several performances at the 30A Songwriters Festival, as well as her songs appearing on television shows Stumptown (ABC), Midnight, Texas (NBC) and Good Trouble (Freeform).

With Rumpumpo, Vargas continues her meteoric rise with songs that stir the emotional cauldron, blazing a genre-bending path that is both sonically and lyrically daring.

L'FREAQ image provided by Leigh Greaney and Big Hassle for use by 360 MAGAZINE

L’FREAQ Shares Showgirl

Today, LA-based dark-synth pop artist, L’FREAQ, shares battle cry title track, “Showgirl,” from her sophomore EP, Showgirl, due out on September 23, 2021 via Position Music. Furthering the story from the debut single and music video for “Gimmick,” it’s clear that the upcoming EP is absolutely stacked with metaphor, all-star fashion, witchy vibes and an important message about the role media plays with children — especially young women. L’FREAQ is turning trauma into triumph, tapping into her heart and getting out of her head.
From puppet to powerhouse (just like in The “Gimmick” video), L’FREAQ breaks free of the monotony and shreds through the brainwashed stereotypes, as she literally shreds on a guitar. “Gimmick” showed L’FREAQ embodying themes of resiliency in a time of self-doubt, combining heart-pounding beats with passionate lyrics about believing in the power that everyone inherently owns and nobody else can take away. It also emphasizes L’FREAQ’s expansive “robust range (Refinery29),” which is also on full display in her recent live and unplugged version of “Gimmick.” This new track follows in those footsteps and takes it further into a deeper love of music, family and personal freedom.
On the title track, L’FREAQ says:
“My mother on I have been on an incredible journey together. She is my collaborator, photographer, and inspiration. I was about 8 years old when my parents divorced which sent me into a deep spiral of sadness, and shortly after that, she started dating a musician who was an all-around bad character. This made my relationship with music complicated and eventually forced me to rediscover why I love it. The experience of being beholden to him from around age 8-18 was incredibly difficult, but my bond with my mother actually strengthened through this and I wrote this as a battle cry for her “hold your hands up to the sky, feel the freedom as you cry POWER.” This song is a testimony to my relationship with my mother, a dedication to my delicate youth, and a reminder to anyone who needs it to stand in their deservingness and power.”
Having recently performed for Backline’s “Set Break” live stream alongside Alanis Morissette, Tom Morello, Ben Folds, Sara Bareilles and more to raise funds and awareness for mental health services to be distributed to music industry for free, L’FREAQ has been a champion for her community. This song is another chapter of that consistent commitment to rise up and bring people with her.
L’FREAQ, continues to remain an open book of emotions for fans as she lays out her own experience with rejection and struggles with mental health. L’FREAQ belts, “Got the courage to be vulnerable, got the guts to wear the crown, cause I dare to bare it all, I refuse to water down,” as a testament of truthfulness and self-confidence even when it’s hard. Intimacy on this level allows L’FREAQ to push the storyline forward when it comes to believing in dreams as a reality, especially in the face of adversity. NYLON says, “Look at L’FREAQ, draped in jewels and Cleopatra-esque eye makeup; then look a little harder. Behind the artifice, integrity abounds.”
L’FREAQ is all about being inclusive, and she is outspoken when it comes to defending the underdog. As an ally of everyone on the spectrum of gender and sexuality, bullies, racists and sexists are not allowed in L’FREAQ’s kingdom. She also shows her love for those closest to her, by highlighting their work: namely her fashion photographer mom, Kelly Cappelli (as seen in Vogue), who does all the photography and artwork for L’FREAQ.
The new release follows L’FREAQ’s debut EP, Weird Awakenings, which played with themes of self-discovery, as well as her 2021 single “Make Me Move.” Armed with a full book of poetry, L’FREAQ took pieces of her work and composed songs with Mike Irish, who also produced and mixed the EP at Shifted Recording Studios. The EP was mastered by Stuart Hawkes at Metropolis London Music. They took their time in discovering a sound that felt genuine, one that explored all the raw places she had been longing to find. Together, they created a modern amalgamation of L’FREAQ’s dark, thoughtful poetry and her raw musical instincts, which inevitably alchemized into songs that are all at once aggressive, sensual and moving.
Having shared a stage with ABBA, India.Arie and Jakob Dylan, it’s important to note her live performance prowess, even without tour dates on the books (speaking of longing). L’FREAQ played a packed NYC performance debut at SoHo House, and channeled Britney Spears (especially during her ferocious “Toxic” cover”), Nick Cave and Beats Antique vibes. The Deli Magazine later dubbed her “NYC’s Favorite Emerging Artist.” She’s also currently playing Amy Winehouse in Las Vegas show “27”, and has been featured on the news several times for her iconic portrayal of Winehouse, who inspired her to sing in the first place, leaving audiences moved to tears from the experience.
With over 500k streams, 240K plays on YouTube, and songs featured in “Riverdale,” Playboy, Netflix’s “Dating Around,” “Good Trouble,” “FBI,” “The Voice,” “City on a Hill” and more all born from her 5-song debut EP, it’s safe to say this follow-up EP is highly anticipated. Stay tuned for more visual components to follow, along with brand new singles. Showgirl is on the way.
Govt Mule Tour poster Photo via Bari Lieberman of Press Here Publicity for use by 360 Magazine

GOV’T MULE ANNOUNCES NEW TOUR DATES

Gov’t Mule Announces Six Co-Headlining Shows with Trombone Shorty & Orleans Avenue

Also Appearing on Willie Nelson’s 2021 Outlaw Music Festival Tour

Gov’t Mule are headed back on the road this summer and fall. The acclaimed quartet has announced a run of six co-headlining shows with GRAMMY-nominated singer, songwriter, and horn-blower Trombone Shorty & Orleans Avenue, kicking off on August 25th in Salt Lake City. The dates will feature full, equal length sets from both bands, with the closing set rotating per show, and will adhere to local regulations as pertains to seating, capacity, and overall public health safety protocols.

Fans can also catch Gov’t Mule performing select headlining shows, including a just-announced date in Boston with special guest Margo Price. The band will then join Willie Nelson’s 2021 Outlaw Music Festival Tour from September 10th through October 24th performing alongside Nelson, Sturgill Simpson, The Avett Brothers, and more. Tickets are on sale now, with the newly announced shows including Shakopee, MN on sale Wednesday, July 21st at 10am local time and all others going on sale this Friday, July 23rd at 10am local time. See below for full tour routing. For more details, please visit this website.

“Getting back out on the road and embarking on a true tour is something we’ve been looking forward to for almost 2 years,” shares Gov’t Mule front man and GRAMMY Award-winning vocalist, songwriter, producer, and revered guitarist Warren Haynes. “This upcoming tour is really unique in that it offers so many different options: some shows with Trombone Shorty and his amazing band, some 2-set Gov’t Mule only shows where we can really stretch out, and some as part of the absolutely stacked Outlaw Tour where we get to play alongside (and with) so many of our friends.”

Coming up later this winter, Gov’t Mule return to Jewel Paradise Cove Resort in Runaway Bay, Jamaica for Island Exodus 12, the ultimate “concert-cation” experience from January 16-20, 2022. Hosted by Gov’t Mule, who will perform three full two-set shows, and Warren Haynes, offering his unique, interactive “Q and Play” set, a hybrid concert performance and storytelling session, the multi-day experience will also feature intimate beachfront concerts from Dawes and The War and Treaty, who will perform multiple sets, and special guest Ron Holloway, who will present an extended afternoon “Sax On The Beach” set. Attendees who arrive early for Exodus Eve on January 15th will see “RoHo” part of Melvin Seals & JGB + Ron Holloway’s “Legion of Melvin” show. Visit here for more info and ticketing details.

Gov’t Mule recently delivered three streaming-only albums via Evil Teen Records including Live At The Cotton Club (PRESS HERE to listen/stream), which features the band’s original line-up and was recorded in Georgia where the band was formed, Live At The Angel Orensanz Center (PRESS HERE to listen/stream), recorded during the second of back-to-back shows as part of their New Year’s run in 2008, and Live At The Beacon Theatre, recorded on New Year’s Eve 2017 when the band rang in the new year with special guest Jackie Greene as part of their annual New York City residency (PRESS HERE to listen/stream).

ABOUT GOV’T MULE & WARREN HAYNES

Gov’t Mule – Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – has galvanized a global fan base with their honest, organic and daring music and improvisational virtuosity, leading them to be recognized as one of the most timeless, revered and active bands in the world whose spot amongst rock titans remains unshakable. Led by visionary GRAMMY Award-winning and guitar legend Warren Haynes – a cornerstone of the American music landscape – the enduring, globally revered group has showcased its intelligence and breadth over the course of 20+ studio and live albums, thousands of memorable performances and millions of album and track sales. Gov’t Mule has become a human encyclopedia of great American music while adding to that canon with their signature sound. Their live album and full concert-length film Bring On The Music Live at The Capitol Theatre, is out now –PRESS HERE to listen to Pt. 1 and PRESS HERE to listen to Pt . 2. The band’s flexible interplay in the studio and on stage makes them a true living, breathing ensemble and Haynes is lauded as one of the most formidable guitarists and vocalists of the modern era and a prolific songwriter and producer. Throughout his prolific career as part of three of the greatest live groups in rock history – Allman Brothers Band, Gov’t Mule and the Dead – and an acclaimed solo artist, he has become one of music’s most treasured storytellers.

St. Vincent DOWN AND OUT DOWNTOWN album cover from BB GUN PRESS for use by 360 Magazine

St. Vincent – Down And Out Downtown – Live Stream Concert

Today, St. Vincent has officially announced Down And Out Downtown, the GRAMMY-award winning artist’s full length live streamed concert debut. Airing exclusively via the premium digital live platform Moment House on Wednesday, August 4th and Thursday, August 5th (depending on territory). Down And Out Downtown will showcase the live premieres of several new tracks from St. Vincent’s acclaimed new album Daddy’s Home in addition to new arrangements of hits and deep cuts from her illustrious catalogue, all performed alongside her top shelf Down And Out Downtown Band comprised of Justin Meldal-Johnsen (bass), Jason Falkner (guitar), Rachel Eckroth (keys), Mark Guiliana (drums), and backing vocalists Nayanna Holley, Sy Smith and Neka Hamilton. 

Directed by Bill Benz (Portlandia), who also directed the forthcoming film The Nowhere Inn co-written by and starring St. VincentDown And Out Downtown is a sepia toned tour de force of gritty grooves, hungover glamour and spellbinding musicality. From rollicking full band rave-ups to delicate acoustic interludes, Down And Out Downtown brings the 70s-inspired sensibilities of Daddy’s Home to life in a celebration of unforgettable songs and peerless musicians.

For one night only, St. Vincent’s moment will be broadcast to various territories around the world including North and South America, Asia, Australia & New Zealand, and the UK, Europe and Africa. Tickets are now on sale here.

LIVESTREAM DATES/TIMES BY TERRITORY:

North + South America

August 4th, 6 PM PDT

Australia & New Zealand

August 5th, 7 PM AEST

Asia

August 5th, 8 PM JST

Europe, UK & Africa

August 5th, 6 PM BST

Out now via Loma Vista Recordings, Daddy’s Home was produced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhart, Lynne Fiddmont and Kenya Hathaway.

ABOUT ST. VINCENT

Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Each of St. Vincent’s subsequent albums has met with critical acclaim and commercial success eclipsing that of its predecessor. These albums would include Actor (2009), Strange Mercy (2011), and her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album, making her only the second female artist ever to win in that category. In addition to these solo works, St. Vincent joined with David Byrne to record and release the collaborative album Love This Giant in 2012, and performed with Dave Grohl, Krist Novoselic and Pat Smear of Nirvana at the band’s 2014 induction into the Rock and Roll Hall of Fame. In 2017, working with co-producer Jack Antonoff, St. Vincent created a defining statement with MASSEDUCTION. The album broke St. Vincent into the U.S. and UK top 10s while landing atop Best of 2017 lists of The New York Times, The Guardian, AV Club, Billboard, Entertainment Weekly, NME, Q, USA Today, and more, not to mention winning two GRAMMYs (Best Rock Song for its title track, and Best Recording Package). Most recently, St. Vincent channeled the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC into the triumphant Daddy’s Home, released in May 2021 to near universal acclaim. In a glowing five-star review of the album, Mojo Magazine said “It’s masterful stuff: a full conceptual realization, filled with great melodies, deep grooves, colourful characterisations, and some sonic detail that reveals itself over repeated plays.” Outside of recording and performing, St. Vincent has directed the short horror film The Birthday Party, and co-written and starred as a fictionalized version of herself in the upcoming film The Nowhere Inn.

ABOUT MOMENT HOUSE

Moment House is the premium digital live platform that connects artists and their core fans for global, elevated ticketed experiences – called Moments. With a mission to bring people together through art and technology, Moment House is uniquely crafted with a focus on artist-friendliness, elegant design, user experience, and support for seamless merchandise integrations, global payments, and more.

Founded in 2019 out of the Jimmy Iovine & Dr. Dre Academy for Innovation at USC, Moment House has hosted “Moments” by a range of artists including Tame Impala, Halsey, Kygo, Kaytranada, Brockhampton, MARINA, Charlotte Lawrence, Ruel, Yungblud, Grouplove, Bryson Tiller, the My Brother, My Brother and Me podcast, Omar Apollo and more. They also hosted the live stream for both nights of Clive Davis’ Grammy gala this year. Coming up, Moment House will continue presenting moments with some of the most exciting names in entertainment including the Tiny Meat Gang podcast, KSI and more. The company is backed by leading investors across Silicon Valley and the entertainment industry, including: Troy Carter, Scooter Braun, Jared Leto, Forerunner, former TikTok CEO Kevin Mayer, Google Ventures CEO David Krane, Box CEO Aaron Levie, Patreon CEO Jack Conte and Palm Tree Crew Investments (Kygo and Myles Shear). For more information on Moment House, visit here.

Connect With St. Vincent:

Website | Instagram | Facebook | Twitter

Connect With Moment House:

Facebook | Twitter | Instagram

WBW better luck next time album art from Hayley Brinkman (Big Picture Media) for use by 360 Magazine

Written By Wolves × Trenton Woodley – Better Luck Next Time

New Zealand’s highest streaming rock band, Written By Wolves, have recruited Trenton Woodley of Hands Like Houses for a reimagined version of “Better Luck Next Time.” Stream here.

The new single takes a tongue-in-cheek look at one of the only inevitable facts of life: no matter what we do, no one gets out alive. Woodley not only contributed vocals, but also co-produced/mixed the track and starred in the corresponding music video directed by Written By Wolves guitarist, Bahador Borhani.

“Better Luck Next Time” is the second single from Written By Wolves’ upcoming EP, The Collab Project, due out on September 17 (self-release). The 5-track EP is a collection of re-imagined collaborations of tracks from their debut album Secrets, released in late 2019. In addition to Woodley, Kellin Quinn (Sleeping With Sirens), Sonny Sandoval (P.O.D.) and others have collaborated on tracks for the EP.

Written By Wolves vocalist Michael Murphy shares, “The Collab Project is an on-going initiative to try and spread awareness, and to remind our fans and our followers, that no matter what they are going through, no matter what mental health struggles or demons they are going through right now, they don’t have to do it alone and they don’t have to deal with it on their own.” He adds, “The aim is to help normalize talking about our mental health issues and to help to breakdown the stigma attached to mental health.” Watch the band’s video explanation of The Collab Project here.

Written By Wolves are a fresh and progressive cinematic rock band and one of the most exciting new rock acts to come from New Zealand in recent years. Renowned for their highly energetic live show, the band have already shared the stage with international heavyweights such as Machine Gun Kelly, Limp Bizkit, Pendulum, Sublime With Rome, Suicidal Tendencies, We The Kings and Four Year Strong, to name just a few. Since forming in 2014, the band has amassed over 310,000 monthly listeners and more than 36 million streams on Spotify, as well as over 100,000 subscribers and 46 millions views on YouTube.

Written By Wolves Are:

Michael Murphy (Vocals)

Davie Wong (Guitar)

Bahador Borhani (Guitar)

Karl Woodhams (Drums)

Oli Lyons (Percussion, Samples, Electronic wizardry)