Posts tagged with "Phoenix"

image from Nikki Crystal for use by 360 Magazine

DALLASK × LAUV — “TRY AGAIN”

Today, acclaimed producer/songwriter/artist DallasK unveiled his summery new single, “Try Again,” which features longtime friend and collaborator Lauv on vocals. With a wistful look back and a hopeful eye to the future, the track builds into an infectious, exhilarating plea to rekindle a romance that was perhaps never really over. You can download and stream “Try Again,” which was released today via Astralwerks, HERE. You can watch the lyric video HERE.

“Try Again” continues the collaboration that began when DallasK co-produced and co-wrote Lauv’s 2016 single “Breathe.” DallasK also co-produced and co-wrote “Sad Forever,” a single from Lauv’s 2020 debut album, ~how i’m feeling~, and collaborated on Lauv’s 2020 EP, Without You. The pair co-wrote “Try Again” with Michael Pollack (Lizzo, Zedd, Justin Bieber). In addition to producing, DallasK played all the instruments on the song.

DallasK, who is also known for his work with such artists as Tiësto, Fifth Harmony, BTS, Chromeo and KSHMR, says, “‘Try Again’ is actually the first dance record Lauv and I made together and it was super fun to create a unique record that encompasses both of our styles and influences.”

Lauv added, “Me and Dally made this song a couple years ago and we came back to it during quarantine and now we ready to put ‘er out into the world.”

Like the unforgettable ex in the song, the artists couldn’t resist returning to “Try Again,” a song that dates back to an informal 2016 recording session. Lauv and Michael Pollack joined Dallas at a lake house he’d rented in his hometown of Orlando, FL and there they created over a dozen songs.

“Several months later, Lauv’s artist project started to grow rapidly and he was suddenly on tour with Ed Sheeran and playing all around the world,” recalls DallasK. “We continued to work on his albums but ‘Try Again’ was always a favorite of ours that had gotten seemingly lost in the shuffle.”

After they rediscovered the track last year, Dallas FaceTimed Lauv with an idea for a more dance-focused version. Lauv loved it so much, he immediately re-recorded the vocals.

“Then we finished the record on a trip to Mexico for New Year’s and that’s the version you hear today!” says DallasK.

About DallasK:

Based in Los Angeles, DallasK (Dallas Koehlke) has released a string of acclaimed singles, including “All My Life,” “Self Control,” “I Know” and “Sometimes.” Praising the “relatable story” told on “Sometimes,” Billboard asked, “Does true love ever die? […] ‘Sometimes,’ the ghost of the past never really goes away. That’s the kind of love DallasK, Nicky Romero and XYLO wrote about on their summer heartbreak sing-along.”

DallasK is also known for his collaborations with such artists as Tiësto (“Show Me,” “Your Love”), Hardwell (“Area 51”) and KSHMR (“Burn”). He co-wrote and produced Fifth Harmony’s 5x Platinum single, “Work From Home” feat. Ty Dolla Sign as well as their singles “Down” and “He Like That.” He’s also remixed singles for such artists as Martin Garrix/Bebe Rexha, The Chainsmokers, MGMT, A-Trak/Andrew Wyatt, Skrillex and T.I./Pharrell/Robin Thicke.

Popdust observed, “It’s impossible to escape his influence. From Ariana Grande and Kesha to Lauv, Katy Perry and Fifth Harmony, Koehlke has curated a staggering number of today’s hits, whether behind the scenes or in the production chair.”

About Lauv:

Lauv has quietly and steadily become one of pop’s brightest rising stars. He has released his music completely independently with billions of streams to his name. He has written for some of the biggest stars in the world, performed on late night talk shows, played stadiums opening for Ed Sheeran, and sold out shows in 20+ countries as a headliner. And he did all of this without releasing an album.

That changed in early 2020, with Lauv’s official debut, ~how i’m feeling~. A 21-song tour de force, the project marks a breakthrough, a real moment of arrival, from a young singer/songwriter/producer who Rolling Stone called “Pop’s Up-and-Coming Heartbreak King.” The album released as a Top 20 album in 10 territories, including #9 in UK and #5 in AU, with over 1.5 billion combined streams to date.

Since then, Lauv has released a surprise new EP titled Without You, created during quarantine, and joined forces with rising global pop superstar Conan Gray on the new single “Fake.” Lauv has been open about his own struggles with anxiety and depression and has taken action on the issue with his Blue Boy Foundation, which supports programs that help young people feel more comfortable reaching out for help with mental health.

About Astralwerks:

Established in 1993 in New York City, Astralwerks was the brainchild of Caroline Records staffers who saw an opportunity for a label focused on the nascent electronic and ambient scene. Now based at the historic Capitol Records Tower in Hollywood, Astralwerks has emerged as a modern, artist-first label and the #1 market share leader for dance/electronic music in the U.S. Combining a scalable, independent and global-thinking ethos with the ability to tap into the resources of a major label has enabled Astralwerks to sign such artists as ILLENIUM, Jonas Blue, Alison Wonderland, EDEN, ZHU and Alesso. As a testament to its pioneering approach, Astralwerks has amassed 30 GRAMMY nominations, taken home six GRAMMY Awards and had historic releases from the likes of The Chemical Brothers, Swedish House Mafia, Halsey, Porter Robinson, Phoenix, Eric Prydz, Fatboy Slim and many others. The label has also released such massive singles as the 6x Platinum “Happier” by Marshmello + Bastille and FISHER’s “Losing It.”

Lindsey Stirling Tour Dates from Bari Lieberman for use by 360 Magazine

Lindsey Stirling’s Official Music Video – Masquerade

Ahead of this weekend’s official launch of her cross-country headlining Artemis U.S. Tour, platinum-selling electronic artist, violinist, and multi-talented entertainer Lindsey Stirling, known all over the world for her unique, futuristic violin-driven electronic music and exquisite live show, has gifted fans with a new music video for the song “Masquerade,” off her latest chart-topping studio album Artemis. Inspired by early 20th century silent films, the new visual for the instrumental track was filmed at The Orpheum Theatre in downtown Los Angeles and co-directed by Stirling and Stephen Mallett (Pentatonix, Logic, CHVRCHES). Press here to watch.

“While I was writing the song ‘Masquerade,’ I knew immediately that it would be about a wealthy over-the-top aristocratic woman,” shares Stirling. “The song has such a comedic feel to it, which made the music video really, really fun to plan and make.”

The Artemis U.S. Tour marks the first time Stirling will be performing the tracks off Artemis as well as her current single “Lose You Now” in front of an American audience. The 35-date outing, featuring special guest electro-pop artist Kiesza, kicks off this Saturday, July 3rd in Kansas City, MO and will stop in most major markets across the country including New York City (August 2nd at the Beacon Theatre), Los Angeles (August 30th at the Microsoft Theater), Denver (July 7th at Red Rocks Amphitheatre), Dallas, Houston, Nashville, Philadelphia, Chicago, Detroit, Cleveland, Boston, Phoenix, Portland, Seattle, and many others, before wrapping September 10th in Milwaukee at Summerfest. See below for full list of tour dates. Visit Lindsey Stirling’s website for all ticketing details including special VIP packages that are also available. Press here to watch the official promo video “First Tour In Forever.”

Stirling has also launched a national contest with Fandiem for the ultimate VIP experience at her San Diego show on August 31st. The winner will receive roundtrip airfare for two plus two-night hotel stay, premium reserved seats in the first 8 rows, meet & greet photo opportunity with Lindsey, lunch at Lindsey’s favorite restaurant, merch, and more, along with a 45-minute helicopter tour of San Diego courtesy of Imagine Jets. Proceeds from entry donations will support Stirling’s nonprofit charity outreach program The Upside Fund, helping families and individuals affected by Covid-19. Press here to enter.

“Lose You Now,” Stirling’s emotive pop hit about loss and grief with artist, producer, and songwriter Mako, stems from the instrumental-only track “Guardian” off her Artemis album. Since its release earlier this year, “Lose You Now” (BMG) has amassed over 9 million global streams, including over 3 million views on the song’s beautifully moving music video, as well as featured placements on American Idol and “Train Tracks” on SiriusXM The Pulse. Press here to watch the official music video for “Lose You Now.” The duo also issued an acoustic version of the song this spring, stripping it down to just piano and a full string accompaniment – Press here to listen to “Lose You Now (Acoustic).”

Artemis, Stirling’s fifth studio album released September 2019 via BMG, debuted at #1 on Billboard’s Dance/Electronic Albums Chart and remained on the chart for 15 combined weeks. The 13-track album, which has racked up over 200 million total global streams, features the singles “Underground,” “Artemis,” “Sleepwalking,” “Between Twilight” and “The Upside” featuring Elle King along with “Love Goes On and On” featuring Amy LeeArtemis has also been turned into a successful comic book series, with the sixth edition coming this summer. Press here to listen to Artemis and press here for info on the comic books.

Lindsey Stirling Tour Dates

Artemis U.S. Tour with special guest Kiesza

Saturday, July 3 – Kansas City, MO @ Starlight Theatre

Monday, July 5 – Dubuque, IA @ Five Flags Center

Tuesday, July 6 – Omaha, NE @ Baxter Arena

Wednesday, July 7 – Morrison, CO @ Red Rocks Amphitheatre

Thursday, July 8 – Vail, CO @ Gerald R. Ford Amphitheater

Friday, July 9 – Grand Junction, CO @ Amphitheater at Las Colonias Park

Saturday, July 10 – Salt Lake City, UT @ USANA Amphitheatre

Friday, July 23 – Dallas, TX @ The Pavilion at Toyota Music Factory

Saturday, July 24 – Houston, TX @ Cynthia Woods Mitchell Pavilion

Monday, July 26 – New Orleans, LA @ Saenger Theatre

Tuesday, July 27 – Rogers, AR @ Walmart Amphitheater

Thursday, July 29 – Raleigh, NC @ Red Hat Amphitheater

Saturday, July 31 – Nashville, TN @ Ascend Amphitheater

Monday, August 2 – New York, NY @ Beacon Theatre

Tuesday, August 3 – Philadelphia, PA @ The Met

Wednesday, August 5 – Vienna, VA @ Wolf Trap

Friday, August 6 – Cincinnati, OH @ PNC Pavilion

Saturday, August 7 – St. Louis, MO @ Saint Louis Music Park

Monday, August 9 – Minneapolis, MN @ The Armory

Tuesday, August 10 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island

Wednesday, August 11 – Indianapolis, IN @ The Amphitheater at White River State Park

Thursday, August 12 – Detroit, MI @ Michigan Lottery Amphitheatre at Freedom Hill

Saturday, August 14 – Cleveland, OH @ Jacobs Pavilion at Nautica

Monday, August 16 – Saratoga Springs, NY @ Saratoga Performing Arts Center

Tuesday, August 17 – Boston, MA @ Rockland Trust Bank Pavilion

Wednesday, August 18 – Wallingford, CT @ Toyota Presents Oakdale Theatre

Monday, August 30 – Los Angeles, CA @ Microsoft Theater

Tuesday, August 31 – San Diego, CA @ San Diego Civic Theatre

Wednesday, September 1 – Phoenix, AZ @ Arizona Federal Theatre

Friday, September 3 – Concord, CA @ Concord Pavilion

Saturday, September 4 – Reno, NV @ Grand Sierra Theatre

Monday, September 6 – Portland, OR @ Theater of the Clouds at Moda Center

Tuesday, September 7 – Seattle, WA @ WAMU Theater

Thursday, September 9 – Bonner, MT @ KettleHouse Amphitheater

Friday, September 10 – Milwaukee, WI @ Summerfest

About Lindsey Stirling:

Since the release of her 2012 self-titled debut, the Arizona-raised, Los Angeles-based artist has racked up tens of millions of followers worldwide and more than 3 billion total views on YouTube. Stirling’s sophomore album Shatter Me was certified Gold by the RIAA, after debuting at #2 on the Billboard Top 200 and #1 on the Dance/Electronic Albums Chart and holding the #1 spot on the Classical Albums Chart for 21 consecutive weeks. Her third studio album Brave Enough, featuring guest appearances from Dan + Shay, Christina Perri, Rivers Cuomo, Andrew McMahon and others, earned Stirling her second Billboard Music Award for “Top Dance/Electronic Album.” Stirling closed out 2020 with her all-new, live-streaming holiday special “Lindsey Stirling: Home for the Holidays,” which she independently created, produced, and financed. The hour-long ticketed special, which drew over 100,000 views from tens of thousands of fans and families worldwide, featured performances to seasonal favorites off Stirling’s chart-topping holiday album Warmer In the Winter in addition to the breathtaking performance of her hit “Crystallize,” where Stirling hung by her hair for a captivating Cirque du Soleil inspired aerial display – press here to watch. Additionally, Stirling co-wrote The New York Times best-selling book The Only Pirate at the Party with her sister Brook S. Passey, was the runner-up on Season 25 of “Dancing With the Stars” and has appeared on “America’s Got Talent.”

Follow Lindsey Stirling:

Website // Facebook // Instagram // Twitter // YouTube// Spotify // TikTok // Twitch

Music note illustration by Heather Skovlund for 360 Magazine

NEEDTOBREATHE – SUNSHINE – INTO THE MYSTERY

GRAMMY® Award-nominated rock band NEEDTOBREATHE have released “Sunshine” the fourth track off their forthcoming studio album Into The Mystery. The song is available to stream and download starting today hereInto The Mystery is due for release on July 30 via Elektra Records and is available for pre-order now here. Limited edition merch offerings are available exclusively through NEEDTOBREATHE’s online store here.

Last week NEEDTOBREATHE delivered the television debut performance of Into The Mystery’s current single “I Wanna Remember” alongside seven-time GRAMMY® Award winner Carrie Underwood at the 2021 “CMT Music Awards.” Watch their unforgettable performance here. Crowned as one of the most show-stopping moments of the evening by both US Weekly and Entertainment TonightBillboard shared “Bear Rinehart and Underwood’s vocals intertwining like leather and lace,” and praised, “the love song about wanting to remember an especially romantic moment felt particularly poignant as we head into a summer where new memories will be made after putting dreams on hold for more than a year.”

Into The Mystery was announced last month alongside the release of the album’s lead single and title track. Earlier this month, the band unveiled the album’s opening track “What I’m Here ForInto The Mystery’s early songs have received praise from Rolling Stone, Billboard, People, American Songwriter, and more. The album will also feature collaborations with Jon Foreman of Switchfoot and Natalie Hemby of The Highwomen.

This Fall, NEEDTOBREATHE will embark on their massive Into The Mystery Tour with support from Switchfoot and The New Respects. The 38-city trek will visit iconic venues such as Denver, CO’s Red Rocks Amphitheatre (fifth consecutive sold out appearance) and Los Angeles, CA’s Greek Theatre, and see the band perform their first-ever headline show at Nashville, TN’s Bridgestone Arena. The Into The Mystery Tour will kick off on September 7 in St. Louis, MO, and wrap on October 30 in Atlanta, GA. Tickets for all dates are available now here.

Just as their critically acclaimed 2020 album Out of Body impacted audiences, NEEDTOBREATHE capitalized on a rush of inspiration and rode the wave of creativity. Without telling a soul, the band decamped to a historic house-turned-recording studio in Columbia, TN to begin working on new music. Over the course of three weeks, they resided under one roof, laughed during meals, explored their surroundings, and recorded together with co-producer and engineer Konrad Snyder and special guests. Out of this de facto creative hub and “extended summer camp,” they handcrafted an album reflective of the moment, yet independent of all expectations, even their own. For as intimate as the story may seem, they filmed every minute of it for an upcoming documentary entitled, Into The Mystery. Watch a teaser for the film here.

The past 12 months represent one of the most prolific periods in the band’s career thus far. They recently unveiled Live from the Woods Vol. 2, a live album recorded during three sold out, socially distanced outdoor concerts at Pelham, TN’s famed The Caverns. The band previewed the album with a performance of “Alive” on CBS’s The Late Late Show with James Corden. Meanwhile, Out of Body debuted in the top 5 across three Billboard charts, and received critical acclaim from Billboard, Spin, Southern Living, American Songwriter, Taste of Country, and more.

Into The Mystery Tour Dates

September 07, 2021 – St. Louis, MO – Saint Louis Music Park

September 08, 2021 – Kansas City, MO – Midland Theatre

September 10, 2021 – Denver, CO – Red Rocks Amphitheatre – SOLD OUT

September 11, 2021 – Salt Lake City, UT – Sandy City Amphitheater

September 13, 2021 – Phoenix, AZ – Arizona Federal Theatre

September 14, 2021 – San Diego, CA – Cal Coast Credit Union OAT

September 16, 2021 – Los Angeles, CA – Greek Theatre

September 17, 2021 – Saratoga, CA – The Mountain Winery

September 18, 2021 – Bend, OR – Les Schwab Amphitheater

September 19, 2021 – Seattle, WA – Marymoor Amphitheater

September 21, 2021 – Missoula, MT – KettleHouse Amphitheater

September 23, 2021 – Fargo, ND – Bluestem Center for the Arts – Bluestem Amphitheater

September 24, 2021 – Minneapolis, MN – Armory

September 25, 2021 – Madison, WI – The Sylvee

September 26, 2021 – Indianapolis, IN – Amphitheater at White River State Park

September 28, 2021 – Cincinnati, OH – Andrew J Brady ICON Music Center

September 30, 2021 – Chicago, IL – Radius

October 01, 2021 – Detroit, MI – Michigan Lottery Amphitheatre at Freedom Hill

October 02, 2021 – Cleveland, OH – Nautica Pavilion

October 03, 2021 – Pittsburgh, PA – Robert Morris University – UPMC Events Center

October 07, 2021 – Philadelphia, PA – The Met Philadelphia

October 08, 2021 – Boston, MA – Leader Bank Pavilion

October 09, 2021 – New York, NY – The Rooftop at Pier 17

October 10, 2021 – Washington, DC – The Anthem

October 12, 2021 – Louisville, KY – The Louisville Palace Theater

October 14, 2021 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre

October 15, 2021 – Raleigh, NC – Red Hat Amphitheater

October 16, 2021 – Greenville, SC – Bon Secours Wellness Arena

October 17, 2021 – Charleston, SC – North Charleston Coliseum

October 19, 2021 – Rogers, AR – Walmart AMP

October 21, 2021 – Austin, TX – Moody Amphitheater

October 22, 2021 – Houston, TX – Smart Financial Centre

October 23, 2021 – Dallas, TX – The Pavilion at Toyota Music Factory

October 24, 2021 – Oklahoma City, OK – Zoo Amphitheatre

October 27, 2021 – Memphis, TN – Memphis Botanic Garden

October 28, 2021 – Birmingham, AL – Oak Mountain Amphitheatre

October 29, 2021 – Nashville, TN – Bridgestone Arena

October 30, 2021 – Atlanta, GA – Ameris Bank Amphitheatre

About NEEDTOBREATHE:

Since 1998, NEEDTOBREATHE have quietly emerged as a dynamic force in rock music, topping the charts, selling out historic venues, and generating hundreds of millions of streams to date. The band has gathered one platinum single, four gold singles, and a gold album. Along the way, “Multiplied” notched their first GRAMMY® nomination. Simultaneously, they performed to sold out crowds at arenas and amphitheaters coast to coast. In addition to garnering two nods at the Billboard Music Awards, they’ve attracted acclaim from People, Rolling Stone, Forbes, and many more. In 2020, they sowed the seeds for rebirth with Out of Body. It bowed in the Top 5 of three Billboard charts and reeled in acclaim. Within weeks of its release, the quintet, Bear Rinehart [vocals, guitar], Seth Bolt [bass, vocals], Josh Lovelace [keys, vocals], Randall Harris [drums], and Tyler Burkum [guitar], stole away to an old historic house in Columbia, TN where they lived together, ate together, laughed together, and recorded together for three weeks in the fall of 2020. They returned home with their eighth album and documentary Into The Mystery [Elektra Records]. It’s the kind of record that could only be made by a band who has been through it all and still has enough faith to keep encouraging one another. It’s NEEDTOBREATHE.

Stay Connected with NEEDTOBREATHE

NEEDTOBREATHE Website

Facebook

Twitter

Instagram

Youtube

Coheed and Cambria Tour Image via Ross Anderson for use by 360 Magazine

Coheed and Cambria X The Used Announce Tour

Special guests Meet Me @ The Altar and carolesdaughter will join the co-headlining tour on select dates.

Tickets on sale starting Friday, June 18 at LiveNation.com

Celebrated American rock bands Coheed and Cambria and The Used today announced their upcoming summer outdoor co-headlining amphitheater tour. The 18-city U.S. tour, produced by Live Nation, will begin on Friday, Aug 27 in Irvine, CA and make stops in Phoenix, Dallas, Cleveland, New Jersey, Worcester, and more. The late summer journey will feature special guests Meet Me @ The Altar and carolesdaughter on select dates, and will culminate with a performance at Daily’s Place in Jacksonville, FL on Sept 24.

Most tickets for the tour will go on sale to the general public beginning this Friday, June 18th at 10AM local time at LiveNation.com. A full listing of dates can be found below along with additional information on both CoheedAndCambria.com and TheUsed.net

It’s been over two years since Coheed and Cambria’s 2018 album, Vaxis I: The Unheavenly Creatures, was released as the band’s “return to concept” album. After stepping away with a more introspective album in 2015, frontman Claudio Sanchez and the band returned to the sci-fi universe of The Amory Wars in what was said to be the first of a 5-part series of albums. With 2021 upon us, and a major summer tour now announced, the volume of fans’ chatter for Vaxis 2 and what that will entail are loading up the band’s social media pages.

Coheed and Cambria is a rare band whose music can transcend scenes and effortlessly cross genres of rock – from indie to progressive, to metal and pop-punk to classic rock. The band is frequently compared to progressive, operatic rock bands of the ‘70s, ala Queen, Supertramp, or Rush due to their thrilling concept albums which take you on a grand journey of sounds and often clock-in around 110 mins, but still somehow include sugary pop-laden hooks.

The group’s following has grown steadily every album, partly due to their ferocious live show that brings fans to their knees with an equally expansive light show. This summer, the band will be performing songs from their expansive catalog, and we can only imagine they’ll pull a few new tricks up their sleeves.

Both bands began their careers 20 years ago this year and last toured together in 2003.

Painful and perverse, intimate, and obnoxious, aggressively heavy and irresistibly catchy, confusingly profound and primitively pedestrian – The Used transforms songs into anthems. The reckless honesty and unrelenting dedication that saw The Used kick down doors at radio and MTV, for a generation of disenfranchised post-hardcore provocateurs, persists today. It is newly remade with a sly shimmer that never sacrifices the band’s enchanting anarchy or restless soul.

Heartwork, the band’s eighth studio album (2020), arrives with the unbound spirit of the pair of platinum albums that first introduced The Used to the world, mixed with the dramatic flair of their gold-certified third. The emotion, sincerity, and vulnerability found on The Used (2002) and In Love and Death (2004) are more urgent and insistent than ever on Heartwork, a diverse 16-song offering filled with double entendre upon triple entendre. It traverses a thematic gamut of self-examination, hyper-literate exploration, political pyromania, and keenly self-aware yet unrestrained whimsy.

Coheed and Cambria and The Used will be making the following appearances across the U.S. this August and September.

TOUR DATES

Aug 27: Los Angeles, CA @ FivePoint Amphitheatre*

Aug 28: Phoenix, AZ @ Mesa Amphitheatre*

Aug 30: Salt Lake City, UT @ The Complex – Outdoors*

Aug 31: Denver, CO @ Levitt Pavilion Denver*

Sep 02: Irving, TX @ The Pavilion at Toyota Music Factory

Sep 04: Austin, TX @ Germania Insurance Amphitheater*

Sep 05: Houston, TX @ The Cynthia Woods Mitchell Pavilion*

Sep 07: Wichita, KS @ WAVE – Outdoors*

Sep 08: St. Louis, MO @ Saint Louis Music Park*

Sep 11: Columbus, OH @ Express Live! – Outdoors*

Sep 12: Cleveland, OH @ Jacobs Pavilion at Nautica*

Sep 14: Cincinnati, OH @ The Andrew J Brady ICON Music Center*

Sep 15: Indianapolis, IN @ TCU Amphitheater at White River State Park*

Sep 18: Worcester, MA @ The Palladium – Outdoors*

Sep 19: Holmdel, NJ @ PNC Bank Arts Center*

Sep 21: Baltimore, MD @ MECU Pavilion^

Sep 22: Raleigh, NC @ Red Hat Amphitheater^

Sep 24: Jacksonville, FL @ Daily’s Place^

* with special guest Meet Me @ The Altar

with special guest carolesdaughter

1500 Sound Academy x ASU — Music Program for use by 360 Magazine

1500 SOUND ACADEMY × ASU — MUSIC PROGRAM

COURSES OFFER ASPIRING MUSIC STUDENTS UNIQUE OPPORTUNITY TO LEARN ABOUT MUSIC PRODUCTION, RECORDING AND ENGINEERING, SONGWRITING, MIXING, BUSINESS AND BRANDING FROM INDUSTRY PROS

1500 Sound Academy, a music education institution based in Inglewood, California headed by Grammy award-winning singer-songwriter producers James Fauntleroy and Larrance “Rance” Dopson, and entrepreneur Twila True, has announced a new partnership with Arizona State University (ASU). The institutions have joined forces to launch a co-branded, certificate-based, self-paced online music program.  Courses will provide top notch instruction in music production, engineering, songwriting, mixing, music business and artist branding, and are available today, with enrollment for the program now open to all students and the general public. You can enroll by clicking HERE.

Together, with their educational expertise in the music industry, 1500 Sound Academy and ASU’s Herberger Institute for Design and the Arts School of Music, Dance and Theatre, with contributions from active music professionals, have formed a unique program titled “Professional Certificate in Music Production,” that offers valuable insight to help students discover the many career paths available in the music industry. Courses include a focus on skill development as well as exposure to leading experts in the music industry with interview sessions led by Professor of Practice Daniel Bernard Roumain, PhD.

Said Fauntleroy: “We are thrilled to launch our first collegiate partnership. Arizona State University has been in-tune when it comes to the ethos of 1500 Sound Academy and sharing the knowledge of the music industry’s inner-workings. Added Dopson, “Our goal has always been to lead by example and share our knowledge and insights of the business with people. We’re honored ASU acknowledges and celebrates this idea.”

“ASU is proud to join with 1500 Sound Academy to create practical, technological experiences,” said Heather Landes, director of the ASU School of Music, Dance and Theatre. “Dr. Roumain and our director of the popular music program, Erin Barra-Jean, along with acclaimed artists like DJ Spooky, Black Violin, Hollywood film composer Tamar Kali, and founder of the MAGIK*MAGIK orchestra Minna Choi provide an immersive survey of best practices and innovation in the recording and collaborative arts,”  added Dr. Landes.

The “Professional Certificate in Music Production” will include six specialized music courses:

Music Production Techniques with Ableton Live: This course offers today’s music creators with a foundation on the necessary concepts, terminology and techniques of modern studio track composition.

Recording & Engineering Fundamentals: The digital audio workstation (DAW) is the centerpiece of the recording studio. Students learn the fundamentals of getting sound into the DAW and shaping the sound using EQ, compression and other techniques.

The Contemporary Songwriter: Songwriters create timeless emotion from nothing but melody and lyrics. This course demystifies the songwriting process and arms the modern songwriter with melodic and lyrical concepts to deepen their craft.

Mixing Essentials: The mix can make or break a song and when it is done right, it goes unnoticeable. This course teaches how to listen and knowing how to make songs sound like you want them.

The Business of Music 101: Music creators are copyright owners, brand owners and publishing companies, whether they know it or not. This course outlines the pillars of a music creator’s corporate structure.

Branding for the Contemporary Artist: This course digs deeply into the psyche of the artist, as well as the practical side of being an artist and setting up an authentic brand and performance.

About 1500 Sound Academy:

1500 Sound Academy strives to produce passionate sound creators with mentorship, positive mindset, and professional development. Featuring state-of-the-art facilities, an award-winning staff and unique curriculum, 1500 Sound Academy functions as a gateway between school and career by providing instruction in current and emerging business practices of the music industry for creators around the world. The academy is led by an accomplished team, consisting of Grammy award-winning R&B/Pop singer-songwriter James Fauntleroy, musician and Grammy award-winning producer Larrance “Rance” Dopson, and successful entrepreneur and executive, Twila True, Co-Founder of True Family Enterprises, a privately held family office based in Orange County, California. 1500 Sound Academy is a subsidiary of Volume Ventures, LLC, an independent, multi-faceted entertainment company that provides comprehensive music and video production, publishing, and education services to aspiring and established recording artists, songwriters, musicians and music videographers. 1500 Sound Academy has a top-notch curriculum that has featured some of the biggest music stars. Guest lecturers at the academy have included such world-renowned artists as: Kendrick Lamar, Bruno Mars, Sean “Diddy” Combs, Master P and Snoop Dogg, to name a few. Brand partners include: Dolby, Fender, Roland and Zildjian.

About Arizona State University:

Arizona State University has developed a new model for the American Research University, creating an institution that is committed to access, excellence and impact. ASU measures itself by those it includes, not by those it excludes. As the prototype for a New American University, ASU pursues research that contributes to the public good, and ASU assumes major responsibility for the economic, social and cultural vitality of the communities that surround it.

About the ASU School of Music, Dance and Theatre:

The School of Music, Dance and Theatre in the Herberger Institute for Design and the Arts at Arizona State University is widely recognized for preparing artists, scholars, visionaries and entrepreneurs to become innovative leaders who transform society through their creativity. Our internationally recognized faculty artists, scholars and guest artists are motivating and compassionate mentors who work with students to cultivate excellence and personal growth. Our nationally recognized programs feature a comprehensive range of degrees plus minors and certificates and more than 600 concerts, events, performances, productions and recitals each year. Located in the culturally rich Southwest in one of the most vibrant, expanding urban centers, our programs afford students access to a diverse environment and engagement in Phoenix’s flourishing arts community. Above all, we value the creativity, personal experience and voice each student brings to the school.

Geneva Supply illustration by Heather Skovlund for 360 Magazine

Geneva Supply Increases Minimum Wage

Geneva Supply Increases Minimum Wage to $15 for Hourly Employees

Co-Founders Jeff Peterson and Mark Becker lead efforts to boost worker wages in Wisconsin, South Carolina, and Arizona and offer new day-of-hire benefits.

Geneva Supply Co-Founders Jeff Peterson and Mark Becker, along with the company’s human resource team, Mariann Hunter and Emma Hobday, have announced a pay adjustment and wage increase to $15.00 per hour for all full-time hourly employees. The increase became effective on April 5, 2021. 

  • In addition, employees are now eligible for medical, dental, and vision benefits on the day of hire. 
  • Workers also can choose to be vested in the company retirement plan as soon as they have started their employment with Geneva Supply. 

The moves have impacted workers operating from five U.S. cities across three states, including employees at Geneva Supply’s corporate headquarters in Delavan (Wisconsin) and business locations in Wilmot (Wisconsin), Menomonee Falls (Wisconsin), Charleston (South Carolina), and Phoenix (Arizona).

“This has been an ongoing matter of great importance to us, and the employee feedback and support for these positive changes continues to enliven us,” said Jeff Peterson, CEO of Geneva Supply. “As we move ahead, we will keep focused on our workers and acknowledge the significance of what this increase means to each of them – their families – and the communities they live in.”

Wisconsin and South Carolina’s minimum wage is currently set at $7.25, the same level as the federal minimum wage. Arizona’s state minimum wage rate bumped to $12.15 per hour in early 2021. Although this is a considerable recalculation for Geneva Supply, it is one which Jeff and Mark feel is essential when offering competitive wages to current workers and for attracting potential employees. 

“As Geneva Supply continues to grow, we have made it a priority to invest in our people. Adjusting our full-time minimum wage to $15.00 per hour contributes to the people-first momentum our incredibly hard-working employees support each day. This adjustment is necessary, and we have no doubt it will open more doors for our workers and company in the future,” said Mark Becker, COO of Geneva Supply.

Part of Jeff and Mark’s mission has always included focusing on company culture and employee retention. By raising the minimum wage for all full-time hourly employees, the Small Business Administration award-winning entrepreneurs and leadership team are confident Geneva Supply is taking another step in the right direction.

“Raising our wages is also a smart business move. We know that paying people fairly leads to greater employee retention, which reduces the cost of hiring and training new people to replace employees who leave,” said Mariann Hunter, Human Resource Manager of Geneva Supply. “More important though, we value the people that choose to work here and hope that by increasing the hourly wage, they see and feel that.”

For more information, visit Geneva Supply or for available career opportunities, head to Geneva Supply Careers.

The Struts image shot by Photo credit: Gary Williamson via Collin Citron at Elektra Music Group for use by 360 Magazine

THE SNUTS ANNOUNCE FALL US HEADLINE TOUR

TICKETS AVAILABLE NOW HERE

CRITICALLY ACCLAIMED DEBUT ALBUM W.L. AVAILABLE NOW HERE

Rising Scottish indie rockers The Snuts have announced they will embark on their first ever US headline tour this Fall. The tour will kick off on October 5 in Baltimore, MD, and wrap on October 14 in San Francisco, CA. Girlhouse will provide support. Tickets for all dates are on sale beginning today HERE.

Last month, The Snuts released their critically acclaimed debut album W.L. The album debuted at number 1 in the UK, and marked the biggest debut from a British band in five years. Additionally, The Snuts became the first Scottish band to achieve a UK Number 1 with their debut album in 14 years. W.L. is available physically and digitally via Parlophone Records/Elektra Records now HERE.

W.L. is highlighted by current single “Glasgow, heartfelt ballad “Somebody Loves You,” the hip-hop driven “Elephants,” the anthemic “Always,” and festival-ready track, “All Your Friends.” Dork Magazine praised, “W.L. is a masterclass in ballads and risk-taking that proves music works best when it comes from the heart.” NME proclaimed “The Scottish rockers are creating an arsenal of anthems for festival season’s return.” Atwood Magazine hailed, “The four-piece have rewritten the song sheet for British indie bands with their open-ended and genre-merging record.”

Hailing from Whitburn, West Lothian, The Snuts have truly found their stride on W.L. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream, to becoming one of the UK’s most exciting new bands.

Adored for their uninhibited, sweat-drenched live shows, the band will also embark on a largely sold-out tour of the UK and Ireland this Fall. The massive trek will include a run of special unplugged dates, as well as three sold out hometown shows at Glasgow’s Barrowland. A complete list of upcoming live dates and ticket information can be found HERE.

The Snuts US Tour Dates – JUST ANNOUNCED

October 05, 2021 – BALTIMORE, MD – Metro Gallery

October 06, 2021 – PHILADELPHIA, PA – Underground Arts

October 08, 2021 – NEW YORK, NY – Music Hall of Williamsburg

October 09, 2021 – CAMBRIDGE, MA – The SInclair

October 13, 2021 – LOS ANGELES, CA – The Echo

October 14, 2021 – SAN FRANCISCO, CA – The Independent

The Snuts UK and Ireland Tour Dates

September 01, 2021 – GLASGOW – Oran Mor Auditorium (17:30)* – SOLD OUT

September 01, 2021 – GLASGOW – Oran Mor Auditorium (20:00)* – SOLD OUT

September 02, 2021 – GLASGOW – Oran Mor Auditorium (17:30)* – SOLD OUT

September 02, 2021 – GLASGOW – Oran Mor Auditorium (20:00)* – SOLD OUT

September 07, 2021 – EDINBURGH – The Caves* – SOLD OUT

September 08, 2021 – EDINBURGH – The Caves* – SOLD OUT

September 12, 2021 – MANCHESTER – Blues Kitchen* – SOLD OUT

September 13, 2021 – LEEDS – Wardrobe* – SOLD OUT

September 14, 2021 – KINGSTON – Pryzm* – SOLD OUT

September 20, 2021 – GLASGOW – Barrowland – SOLD OUT

September 21, 2021 – GLASGOW – Barrowland – SOLD OUT

September 22, 2021 – GLASGOW – Barrowland – SOLD OUT

September 28, 2021 – ABERDEEN – Tunnels* – SOLD OUT

September 29, 2021 – ABERDEEN – Tunnels* – SOLD OUT

September 30, 2021 – DUNDEE – Church* – SOLD OUT

October 03, 2021 – DUNDEE – Church* – SOLD OUT

October 16, 2021 – BIRMINGHAM – O2 Institute

October 24, 2021 – DUBLIN – Button Factory – SOLD OUT

October 25, 2021 – BELFAST – Empire

October 28, 2021 – EDINBURGH – Corn Exchange – SOLD OUT

November 02, 2021 – EXETER – Phoenix

November 03, 2021 – CARDIFF – Globe – SOLD OUT

November 04, 2021 – LONDON – O2 Forum Kentish Town

November 06, 2021 – DERBY – The Venue – SOLD OUT

November 07, 2021 – OXFORD – O2 Academy

November 08, 2021 – NORWICH – Waterfront

November 13, 2021 – HULL – Asylum

November 14, 2021 – LEEDS – Stylus – SOLD OUT

November 15, 2021 – BRISTOL – Fleece

November 18, 2021 – MIDDLESBROUGH – Town Hall Crypt – SOLD OUT

November 19, 2021 – SHEFFIELD – Leadmill – SOLD OUT

November 22, 2021 – BRIGHTON – Concorde 2

November 23, 2021 – COLCHESTER – Arts Centre

November 24, 2021 – BLACKPOOL – Waterloo – SOLD OUT

November 26, 2021 – MANCHESTER – O2 Ritz – SOLD OUT

* Unplugged with strings

The Snuts are: Jack Cochrane (vocals/guitar), Joe McGillveray (guitar), Callum Wilson (bass) and Jordan Joko’ Mackay (drums).

*Photo credit: Gary Williamson

The Snuts Fall North American tour poster image Photo credit: Gary Williamson via Collin Citron at Elektra Music Group for use by 360 Magazine

car sharing phoenix for use by 360 Magazine

Car Sharing Has Benefits Related to Sustainability

The individuals who focus on using car-sharing services sometimes do so because it’s a sustainable choice. While many people focus on the personal benefits associated with ride and car sharing, plenty of other customers care just as much about the broader social benefits of these services.

Reduced Driving

People who need car sharing services in cities like Phoenix should be able to call ahead and successfully get a ride whenever it’s necessary. Plenty of modern customers do use a ride and car-sharing services frequently. However, the people who have private vehicles at home will still probably drive more frequently than the customers who primarily use car-sharing services.

Driving can be a leisurely experience to get off of the house. Some might not have a specific destination in mind. Driving has been a recreational activity for a while by this point. When experts consider the environmental impact of automobiles, they often discuss the more practical reasons why people tend to drive cars.

However, there have still been people all throughout the twentieth century who tended to drive just because they liked to do so. Those individuals usually didn’t consider the environmental consequences of recreational driving. Even if public transportation had been easily accessible and available to them, they wouldn’t have chosen it instead, because the act of driving itself was the point.

Car sharing customers usually won’t decide to get rides just for their own sake. They might enjoy these rides, but they wouldn’t pay for the rides if they weren’t trying to reach a particular location.

While it’s possible to help the environment in many ways, the people who drive less frequently will promote environmental sustainability particularly successfully. Some people truly can’t take fewer rides, but many other individuals can make that lifestyle change.

It will be genuinely difficult to reach some sustainability goals if modern people continue to drive the way car owners did throughout the twentieth century. The widespread use of car-sharing services is helping a lot of people find a viable alternative all at once.

Cultural Changes

In many ways, car-sharing teaches people to focus on the wider impacts of each individual car ride. Many car owners have a very casual approach to driving and operating vehicles. They drive regardless of whether it’s strictly necessary, and they drive because they feel like spending time outside. Some of these people might not mind spending more money on gasoline, even as gasoline prices increase.

It’s easy for people to avoid thinking of the implications of these kinds of actions. For a long time, it’s been normal for people to approach driving in a very individualistic way. However, many people are now trying to modify their normal habits to make society more sustainable. It’s particularly important for all people to use less fuel and energy, especially regarding driving.

Drivers might also feel that unless they use a car consistently and frequently enough, they’ll have wasted money by purchasing the machine in the first place. Those people will be able to hold onto the cars that they do have for longer periods of time if they start using car sharing services, of course. They might be able to avoid buying new cars again for a while, potentially saving a little money.

People certainly don’t need to stop driving altogether to adopt more sustainable lifestyles. It’s common for some individuals to drive for several hours every day. When millions of people have habits like this, it can have negative environmental effects. If millions of people are riding in cars sparingly as they use car-sharing services, all society will quickly use less fuel.

Chloe Moriondo illustration by Heather Skovlund (photo credit: Jimmy Fontaine) for 360 Magazine

Chloe Moriondo × Blood Bunny

CHLOE MORIONDO DEBUTS NEW ALBUM BLOOD BUNNY RECORD CROWNED AS NEW YORK TIMES CRITIC’S PICK

BODYBAG OFFICIAL MUSIC VIDEO STREAMING NOW

NORTH AMERICAN FALL HEADLINE TOUR ON-SALE TODAY DATES KICK OFF SEPTEMBER 30TH IN CLEVELAND, OH

CHLOE MORIONDO BODYBAG OFFICIAL MUSIC VIDEO

18-year-old artist Chloe Moriondo has shared her major-label debut album Blood Bunny. The release is accompanied by an official video for track Bodybag, which is streaming now on Moriondo’s official YouTube channelBlood Bunny is available now on all streaming platforms via Public Consumption Recording Co./Fueled By Ramen.

In celebration of the record, Chloe Moriondo will embark on a fall headline tour, kicking off September 30th in Columbus, Ohio. The trek will make stops at The Roxy in Los Angeles, CA and New York City’s Bowery Ballroom before wrapping up with a home-state performance at El Club in Detroit, MI (tour itinerary attached). General on-sale begins today at 12pm local time. For up-to-date ticketing information, please visit the Chloe Moriondo website.

The New York Timescrowned the 13-track Blood Bunny a Critic’s Pick, and exclaimed On the robust and vividly plain-spoken ‘Blood Bunny,’ Moriondo is a pop-punk whiz, deftly hopping between musical approaches from spare to lushly produced, and emphasizing intimate, cut-to-the-bone lyrics. The Line of Best Fit hailed the record as Moriondo’s boldest, brightest and most ambitious project to date, while Dork Magazine raved, it’s obvious that [Blood Bunny] is a big deal in a five-star review. FLOOD Magazine praised the record’s intricate production blending cozy pop and rock riffs and UPROXX declared, Blood Bunny is a departure from the sound on Moriondo’s previous work, employing a full band to create alternative rock songs that sound absolutely massive with excellent songwriting.

Blood Bunny was heralded by the release of April single I Eat Boys, a deceptively breezy track inspired by the queer cult classic film Jennifer’s Body, twisting an instance of street harassment into a cannibalistic daydream. In addition to Éc;I Eat Boys,Éd; the albumfeatures previously released singles Manta Rays, GIRL ON TV, and I Want To Be With You, the latter of which was lauded by The New York Times as acutely observed bedroom pop served with a side of arena-emo triumph. Recently labeled one of 2021’s Artists To Watch by PEOPLE and NME, Chloe has racked up praise from BillboardUPROXXRefinery29them., E!, and more. The artist has also become a sought-after collaborator, recently appearing as a featured artist on tracks with Frances Forever, mxmtoon and Ricky Montgomery.

At age eighteen, Chloe Moriondo professes to be an internet kid, yet she tackles overwhelming infatuation, listless daydreams, and first love with keen empathy that’s unsearchable online. With her relatable, confessional lyrics and idiosyncratic humor, the singer-songwriter has built a devoted fanbase of millions, sharing her authentic self to create a genuine connection with her listeners.

CHLOE MORIONDO 2021 HEADLINE TOUR DATES

Thu, SEP 30 Mahalls Cleveland, OH

Fri, OCT 1 Bottom Lounge Chicago, IL

Sat, OCT 2 7th Street Entry Minneapolis, MN

Tue, OCT 5 Lost Lake Lounge Denver, CO

Thu, OCT 7 Kilby Court Salt Lake City, UT

Sat, OCT 9 Holocene Portland, OR

Sun, OCT 10 The Vera Project Seattle, WA

Tue, OCT 12 Rickshaw Stop San Francisco, CA

Thu, OCT 14 The Roxy Theatre Los Angeles, CA

Sat, OCT 16 House of Blues San Diego San Diego, CA

Sun, OCT 17 The Rebel Lounge Phoenix, AZ

Fri, NOV 12 Antone’s Austin, TX

Sat, NOV 13 The Secret Group Houston, TX

Sun, NOV 14 Dada Dallas Dallas, TX

Tue, NOV 16 The Basement East Nashville, TN

BLOOD BUNNY Tracklisting:

Rly Don’t Care

I Eat Boys

Manta Rays

GIRL ON TV

I Want To Be With You

Slacker

Take Your Time

Bodybag

Favorite Band

Samantha

Strawberry Blonde

Vapor

What If It Doesn’t End Well

Rainbow Dreamland illustration by Heather Skovlund for 360 Magazine

Rainbow Dreamland Tour

VALLEY TO JOIN COIN ON RAINBOW DREAMLAND NORTH AMERICAN TOUR IN FALL 2021, TICKETS ON SALE NOW

LISTEN TO LIKE 1999 BY VALLEY HERE

PURCHASE TICKETS HERE

JUNO nominated, Canadian indie-pop band, VALLEY has announced their Fall 2021 North American tour in support of COIN. The 17-date tour run will begin on October 26 in Birmingham, AL, and go through November 21 in Houston, TX. The Rainbow Dreamland tour will be VALLEY’s return to the stage, bringing new music directly to their fans.

Most recently, VALLEY released their charmingly nostalgic single Like 1999 along with a video featuring TikTok star Boman. Fittingly, the track first gained momentum when the band posted a teaser of the song on their own TikTok. Since then, Like 1999 has garnered over 10 million global streams and become a form of escapism to fans waiting out the pandemic. Don’t miss your chance to see VALLEY live when shows return this Fall.

High-profile, high-octane – PAPER

A buoyant pop anthem full of emotion and fun, clever references, Like 1999 taps a sentimental vein Atwood Magazine

Taking the shape of a time capsule, the new track is an ode to the 1990s, shimmering with kaleidoscopic textures, sun-kissed melodies, and lush vocals that create an irresistible and dreamy sound. –  Gig Goer

In a world where, especially for artists, everything has been uncertain- VALLEY has cemented themselves as timeless. –  Unfiltered Zine

Tour Dates

October 26 – Birmingham, AL – Iron City Music Hall

October 27- Nashville, TN – Ryman Auditorium

October 29 – Chicago, IL – House of Blues

October 30 – St. Louis, MO – Del Mar

November 2 – Minneapolis, MN – Varsity Theater

November 3 – Kansas City, MO – The Truman

November 5 – Denver, CO – The Summit

November 6 – Salt Lake City, UT – The Complex

November 8 – Portland, OR – Revolution Hall

November 9 – Vancouver, BC Rio Theatre

November 11 – Seattle, WA – Showbox Sodo

November 13 – Los Angeles, CA – The Wiltern

November 15 – San Diego, CA – Observatory North Park

November 17 – Phoenix, AZ – The Van Buren

November 19 – Dallas, TX – South Side Ballroom

November 20 – Austin, TX – Emo’s

November 21 – Houston, TX – House of Blues

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