Posts tagged with "Phoenix"

Rainbow Dreamland illustration by Heather Skovlund for 360 Magazine

Rainbow Dreamland Tour

VALLEY TO JOIN COIN ON RAINBOW DREAMLAND NORTH AMERICAN TOUR IN FALL 2021, TICKETS ON SALE NOW

LISTEN TO LIKE 1999 BY VALLEY HERE

PURCHASE TICKETS HERE

JUNO nominated, Canadian indie-pop band, VALLEY has announced their Fall 2021 North American tour in support of COIN. The 17-date tour run will begin on October 26 in Birmingham, AL, and go through November 21 in Houston, TX. The Rainbow Dreamland tour will be VALLEY’s return to the stage, bringing new music directly to their fans.

Most recently, VALLEY released their charmingly nostalgic single Like 1999 along with a video featuring TikTok star Boman. Fittingly, the track first gained momentum when the band posted a teaser of the song on their own TikTok. Since then, Like 1999 has garnered over 10 million global streams and become a form of escapism to fans waiting out the pandemic. Don’t miss your chance to see VALLEY live when shows return this Fall.

High-profile, high-octane – PAPER

A buoyant pop anthem full of emotion and fun, clever references, Like 1999 taps a sentimental vein Atwood Magazine

Taking the shape of a time capsule, the new track is an ode to the 1990s, shimmering with kaleidoscopic textures, sun-kissed melodies, and lush vocals that create an irresistible and dreamy sound. –  Gig Goer

In a world where, especially for artists, everything has been uncertain- VALLEY has cemented themselves as timeless. –  Unfiltered Zine

Tour Dates

October 26 – Birmingham, AL – Iron City Music Hall

October 27- Nashville, TN – Ryman Auditorium

October 29 – Chicago, IL – House of Blues

October 30 – St. Louis, MO – Del Mar

November 2 – Minneapolis, MN – Varsity Theater

November 3 – Kansas City, MO – The Truman

November 5 – Denver, CO – The Summit

November 6 – Salt Lake City, UT – The Complex

November 8 – Portland, OR – Revolution Hall

November 9 – Vancouver, BC Rio Theatre

November 11 – Seattle, WA – Showbox Sodo

November 13 – Los Angeles, CA – The Wiltern

November 15 – San Diego, CA – Observatory North Park

November 17 – Phoenix, AZ – The Van Buren

November 19 – Dallas, TX – South Side Ballroom

November 20 – Austin, TX – Emo’s

November 21 – Houston, TX – House of Blues

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Baseball illustration by Heather Skovlund for 360 Magazine

All American Grass

All American Grass at the Baseball Field

By: Lively Root

An American past time, baseball wouldn’t be quite what it is without the peanuts and popcorn and, of course, the field. Surprisingly, most fields don’t seem to give you any stats on the green so Livelyroot gives us the scoop:

Patterns
Most greens are taken care of by the groundskeepers at the park and, without a doubt, they take pride in the patterns they create. From checkerboards to logos, circles, and diamonds a-plenty, this process is known as lawn striping, and it’s done by using old-fashioned mowers that have a roller behind the blades. It’s this roller that bends the grass to create the patterns. To create a checkerboard, a mower would pass over the grass in side-by-side rows, first going north to south and then east to west, intersecting the stripes.

Varieties
At most ballparks, they use different types of grass depending on how they want to enhance the game and look of the field. Usually you’ll find fescues, rye, and bluegrass. If they use warm season grass, there’s likely less contrast to the patterns because they have to use Bermuda.


Learn more about the different types of grass at each stadium below.

Angel Stadium – Tifway 419 bermudagrass
A product of West Coast Turf, the playing surface used in Anaheim is the only one in MLB that is on native soil without a drainage system installed underneath it. The reason for the unusual distinction? The threat of a rainout is almost non-existent. In fact, the Angels have been rained out at home just once in the last 20 years (July 19, 2015). So, it doesn’t really matter that the grass here sits on top of soil rather than sand, as is the helpful for water drainage custom elsewhere.

AT&T Park – Tifway 419 bermudagrass
Grown in Stockton, CA by Delta Bluegrass Company. In the past, the Giants used a Kentucky bluegrass blend called “Blue Rye” that was provided by the same company to cover their field.

Busch Stadium – Kentucky bluegrass
Grown by Graff’s Turf Farms in Fort Morgan, CO, from where the first batch of sod used at the Cardinals’ stadium arrived in March 2006 via 28 flatbed trucks. The field has since been resodded multiple times using Graff’s grass.

Camden Yards – Kentucky bluegrass
Tuckahoe Turf Farms in Hammonton, NJ supplies the turf for Baltimore’s field and its sod farm, which is in center field, behind the batter’s eye. So, it’s from there where grass patches are pulled during the season when repairs are needed. And the Orioles haven’t always used Tuckahoe. For example, when resodding Camden Yards in November 2005 the team chose grass from Collins Wharf Sod Farm in Eden, MD.

Chase Field – Bull’s Eye Bermuda grass
Made by West Coast Turf, who commercially sells the stuff as BOBSod, a play on the nickname of Bank One Ballpark (BOB), the original name of Chase Field and what the D-backs’ home was called when Bull’s Eye Bermuda was installed in 1999. For its first season, the Phoenix ballpark used a zoysia blend called DeAnza, which browned badly over the summer. So, it was replaced by Bull’s Eye, which was designed to thrive in warm to hot climates and has the best shade tolerance of all bermuda grasses, therefore making it ideal for a desert-based retractable-roof stadium.

Citi Field – Kentucky bluegrass
According to Citi Field’s Twitter feed, the playing field consists of four different strains of Kentucky bluegrass. Apollo, Midnight Star, Moonlight and P105 are the specific strains.

Citizens Bank Park – Riviera Bermuda grass (outfield) and Kentucky bluegrass (infield)
To fully cover the Phillies’ field, 101,000 square feet of grass is needed, and all of it was provided by Collins Wharf Sod Farm of Eden, MD. In 2012, their Bermuda blend replaced entirely what had been an all-Kentucky bluegrass field partly due to its ability to better withstand Philadelphia’s weather extremes. However, in 2016 the thicker-than-Bermuda bluegrass was reinstalled in the infield, with the change made to slow down ground balls, which was desired by Phillies personnel, who made the request for the switch. Thus, two different types of Maryland-grown grass now cover the two distinct areas of Philly’s field.

Comerica Park – Kentucky bluegrass
Supplied by Graff’s Turf Farms in Fort Morgan, CO and was laid down in 2014, when Detroit’s field was fully resodded for the first time since 2007.

Coors Field – Kentucky bluegrass blend
The Rockies get their grass from a Colorado company, Graff’s Turf Farms, that is 75 miles northeast of where they play ball in Denver. The five-variety blend of dwarf type Kentucky bluegrass that is used at Coors Field is intended to have a lifespan of about six years.

Dodger Stadium – Tifway 419 bermudagrass overseeded with perennial ryegrass
Grown by West Coast Turf in Palm Desert, CA, where a Bermuda hybrid is overseeded with rye, which is better tolerant to the normally cool temperatures at the beginning of the season. By the summer months the more heat-tolerant Bermuda grass supplants the ryegrass.

Fenway Park – Kentucky bluegrass
The oldest ballpark in baseball gets its grass from New Jersey, and specifically Tuckahoe Turf Farms.

Globe Life Park – Tifway 419 bermudagrass
The Rangers’ grass is Texas grown, as it comes from Tri-Tex Grass, which appropriately has three Texas locations. The current Bermuda blend used in the infield replaced a zoysia in 2013. The outfield has been covered with the same Tifway 419 for a while.

Great American Ball Park – Perennial ryegrass mixture
Ryegrass replaced Kentucky bluegrass on Cincinnati’s field in 2007, when a five-way blend was laid down prior to the season, with the grass a mixture of stuff called Exacta II, Fiesta IV, Linedrive GLS, Panther GLS and SR4600. The original perennial ryegrass sod was used through 2012. When the Reds announced a new field of perennial ryegrass would debut in 2013, they noted it was grown at farms in southeastern Indiana.

Guaranteed Rate Field – Kentucky bluegrass
Really no information is available on the grass used on the South Side of Chicago, other than it’s tended to by “The Sodfather,” the nickname bestowed upon third-generation MLB head groundskeeper Roger Bossard, who assumed the White Sox job in 1983 after taking over for his father, Gene, who had been the head groundskeeper at old Comiskey Park since 1940. So the bluegrass sod at the Cell is watched over by the most experienced caretaker possible.

Kauffman Stadium – Grass blend that varies during the season
As the season progresses, the grass composition at the Royals’ stadium is altered. Its Bermuda is fine for the warm months but cooler times of the season see the grounds crew mixing in bluegrass, fescue or rye, choices which keep the field aesthetically pleasing when temperatures are not ideal for grass growth.

Marlins Park – Platinum TE paspalum
The ballpark debuted in 2012 with a field full of Celebration bermudagrass, began 2013 with an outfield of Tifway 419 Bermuda and infield of Platinum TE paspalum, and finally in 2014 the whole field was covered with the paspalum, which handles Miami’s hot and humid weather much better than the other two grasses the Marlins tried.

Miller Park – Kentucky bluegrass
The four-blend field of bluegrass that the Brewers use is covered during much of the offseason by a special tarp that helps it go through the proper growing cycle so that the playing surface is ready in time for Opening Day. The sod seen at Miller Park is a product of Robert Heath Farms in Coloma, WI.

Minute Maid Park – Seashore Paspalum
In late 2008, the Astros resodded their field with a new kind of turf grass called Platinum TE paspalum. Grown by Phillip Jennings Turf Farms in Soperton, GA, it was invented in 2007 by a company in Florida and is ideal for a retractable roofed stadium due to the lower sunlight requirements needed to maintain its dark green color. While what the Astros now get from Georgia goes by the name Seashore Paspalum, it’s not used on the ballpark’s most notable feature, Tal’s Hill, which is covered by zoysia grass.

Nationals Park – Kentucky bluegrass
When they played at RFK Stadium, the Nationals did so on a Bermuda grass field, mainly because that kind of sod was ideal for soccer and RFK was also home to a Major League Soccer team (D.C. United). When the Nationals finally got a home of their own in 2008, Kentucky bluegrass from New Jersey’s Tuckahoe Turf Farms was chosen for the baseball-only playing surface. The original crop lasted four years then was replaced by the same stuff, which the Nats say is a three-way blend of bluegrass, with Brilliant, Midnight Star and Princeton 105 the varieties used.

Oakland Coliseum – Kentucky bluegrass
The A’s (and Raiders) play on a field of Kentucky bluegrass and West Coast Turf grows what the Coliseum needs on one of their California-based farms. While the type of turf used in Oakland has changed over the years, because the Coliseum is the only venue to host MLB and NFL teams its field must be resodded every year, which happens about a month before the baseball season.

Petco Park – Bandera Bermuda
In 2014, the Padres made the decision to try a new type of Bermuda sod, replacing the “Bull’s Eye” variety that had always been used at Petco Park with what their grass provider, West Coast Turf, calls Bandera, a California-grown grass that doesn’t need much water to thrive.

PNC Park – Kentucky bluegrass
The sod that the Pirates use was grown in New Jersey at Tuckahoe Turf Farms, where four blends of bluegrass were mixed to produce the Pittsburgh playing field. As of the 2009 season, the varieties of bluegrass that comprise the Bucs’ mixture are: Brilliant, Midnight Star, Moonlight and P105. That’s different from when PNC Park opened, as strains with names such as Abbey and Ascot were a part of the Pirates’ original hybrid Kentucky bluegrass field, which came from Berrien Springs, Michigan and a place called the Magic Carpet Turf Farms.

Progressive Field – Kentucky bluegrass
The Indians are one of a handful of MLB clients of Tuckahoe Turf Farms, from whom they now get sod that is grown in New Jersey. The ballpark’s original Kentucky bluegrass came from a state much closer to Ohio, however, as it was grown in neighboring Indiana.

Rogers Centre – AstroTurf 3D Xtreme
The days of a fake field in Toronto are numbered, as the Blue Jays plan to install real grass inside their retractable-roofed home for the 2018 season. So, the now-used turf, which was first laid down in 2015, has only three baseball seasons to get through, although the Rogers Centre baseball field often must be rolled up so the floor underneath can be used for the numerous non-baseball events the venue hosts. The Jays’ current version of AstroTurf, which when removed equals 145 rolls, replaced the AstroTurf GameDay Grass 3D surface that debuted in 2010. AstroTurf is made in the “Carpet Capital of the World,” as Dalton, Georgia is often referred to.

Safeco Field – Kentucky bluegrass and perennial ryegrass mixture
The Mariners’ turf hails from the Washington state capital, as it’s grown by Country Green Turf Farms of Olympia. Except for as-needed repairs, the original playing surface went unaltered through the 2011 season, after which new 100% Kentucky bluegrass sod was installed in the infield. Elsewhere, the grass is a combination of four kinds of bluegrass and two types of perennial ryegrass.

SunTrust Park – Seashore Paspalum Platinum TE
The new home of the Braves is covered with 109,000 square feet of sod that was grown in Foley, AL at Bent Oak Farm before it was installed March 4-5, 2017 in the suburban Atlanta ballpark. SunTrust Park is about 15 miles northwest of Turner Field, where the Braves used the Alabama-grown paspalum grass only in the infield from 2012-2016, when the team used Tifway 419 bermudagrass in the outfield. Now the Braves’ field is completely covered with the same type of grass, which was grown a couple miles from the Gulf of Mexico, making “Seashore” an apt descriptive name for the type of paspalum used.

Target Field – Kentucky bluegrass
Graff’s Turf Farms grew the Twins their grass in Fort Morgan, CO, from where it was transported to Minneapolis in 19 refrigerated trucks. The team and manufacturer both refer to the sod that was installed at Target Field as a 4-way blend of Kentucky bluegrass.

Tropicana Field – TruHop Synthetic Turf
The Rays’ current carpet was installed in time for the 2018 season and was essentially a do-over for the previous surface, which was only used for the 2017 season, after which a replacement was deemed necessary for an aesthetic reason: the initial edition of the TruHop “Triple Crown” synthetic turf manufactured by Shaw Sports Turf didn’t look right on TV. So the 143,370 square feet of it was removed and replaced with a darker colored version of the same style of turf, which then became the sixth artificial field used in the Trop’s history. Prior to switching to a surface made by Calhoun, Georgia-based Shaw, the majors’ only remaining domed stadium had used a fake field supplied by another Georgia company, the well-known AstroTurf brand, as their GameDay Grass 3D was the field of choice for the Rays from 2011-2016.

Wrigley Field – Kentucky bluegrass
The Friendly Confines finds their grass in Colorado, where it’s grown for the Cubs by Graff’s Turf Farms. Since 2008, the sod at Wrigley has taken root on a level playing field. Prior to then, right field was uneven, and the field had a crown to assist in water drainage.

Yankee Stadium – Kentucky bluegrass
Since 2000, the Yankee Stadium grass has come from East Coast Sod & Seed in Pilesgrove, NJ. The sod farm there was purchased in 2000 by Long Island-based DeLea Sod Farms, from whom the Yankees had, on an on and off basis, purchased their field grass over the four decades preceding the opening of the current Stadium.

Field Facts

Kentucky bluegrass is easily the most popular type of playing surface found in major league baseball; it’s the full field grass of choice for 16 ballparks. Additionally, a 17th ballpark, Citizens Bank Park, has a Kentucky bluegrass infield. Eight ballparks have a bermudagrass field, with Tifway 419 the most common variety. Bandera, Bull’s Eye and Riviera bermudagrass are each used at a single ballpark. Tifway 419 bermudagrass gets its name from where it was developed: Tifton, Georgia. At least 10 grass farms provide sod for major league teams. Graff’s Turf Farms, Tuckahoe Turf Farms and West Coast Turf are each the grass growers for five MLB ballparks, which mean those three farms provide the sod for half of all ballparks. Fake grass, like AstroTurf and FieldTurf, has mostly become a field surface of the past thanks to the new generation of ballparks. Teams to directly move from a stadium with a turfed field into a new grass-filled ballpark are the Mariners (1999), Astros (2000), Pirates (2001), Phillies (2004) and Twins (2010). Outfield dimensions are what sets each ballpark’s playing field apart, since rulebook defined distances make all infields the same size and shape. As for the span of minimum and maximum measurements to straight away center field and the left and right field foul poles, they are: Left field: 310′ at Fenway Park to 355′ at Wrigley Field
Center field: 395′ at Dodger Stadium to 436′ at Minute Maid Park
Right field: 302′ at Fenway Park to 353′ at Wrigley Field

More about Lively Root

At Lively Root, the green spaces created have been instrumental in development as horticulturists, for an ideal green space. Lively Root’s plants are home-grown and full-scale fulfillment centers. They only sell eco-friendly products that are packaged and delivered right to your doorstep. Founding members have over a century of horticultural experience as growers, retailers, and landscapers, ranging from small plants to indoor plants, outdoor plants, large trees, and flowering shrubs. They have planted & maintained trees on residential and commercial properties. Plants improve health by purifying the air, soothing stress, making people feel happier, and offering style and ambiance. 

Film illustration by Heather Skovlund for 360 Magazine

Unforgettable Foreign Films

10 Foreign Films with the Most Unforgettable Love Stories

By Roberta Seret, PhD

I have two loves – literature and film. The most powerful love stories jump off the pages or off the screen, narrating different types of love turmoil, journeying through danger and obstacles to find love. The best love stories occur when love triumphs over evil. 

In the past twenty years, I have taught film through my NGO at the United Nations and at New York University. It is a love story that captures my students the most. Their 10 favorite love stories in foreign films deceit different ways of loving, but they all try to overcome these obstacles to find it. Although they may not always get their happy ending, it’s always worth the risk:

1.     JOJO RABBIT – (New Zealand) 2019, director Taika Waititi. During World War ll, ten-year-old Jojo is being brainwashed as a Hitler Youth. Strangely, his mother allows this, for it is her only way to protect him. We see how deeply a mother loves her son as she prepares him to be independent. Simultaneously, the director expresses his love for the future of children to do what’s right.

2.     HONEYLAND – (Republic of Northern Macedonia) 2019, directors Tamara Kotevska and Ljubomir Stefanov. Nominated for an Oscar for Best Documentary and Best Feature Film, this story recreates a Paradise Lost and its destruction by a greedy man. Love for beauty and nature, and the desire to recapture it, is represented by honey – becoming extinct – and man’s inhumanity to lose it.

3.     NEVER LOOK AWAY – (Germany) 2018, director Florian Henckel von Donnersmarck. Based on the life of the famous painter, Gerhard Richter, the director recreates the artist’s search for Truth. It is only through love for Art that the artist can find peace. It is this tumultuous search that pushes him/her to create.

4.     CAPERNAUM – (Lebanon) 2018, director Nadine Labaki. Lost children, abandoned, hungry, and forced to go against their conscience, are victims of war-torn Lebanon and Syria. The director opens her heart by using her hand-held camera to capture how children suffer in their struggle to survive. It is through her love for these children that we understand and want to help. 

5.     FACES PLACES – (France) 2017, directors Agnes Varda and JR. At 89-years-old and one year before her death, famed filmmaker, Agnes Varda embarks on a road trip to show her appreciation to the people of France. As a token of her deep love, she offers them a new type of art – photos of themselves – while she is making a film of their acceptance. Photography mixes with cinematography, the moving image fuses with still art, to show the director’s love for people and give them Art. 

6.     LION – (India/ Australia) 2016, director Garth Davis. The true story of 5-year-old Saroo, who gets lost on a train in India and cannot communicate in a different dialect to return home. He is placed in an orphanage and adopted by a couple from Tasmania, Australia. Twenty-five years later, his obsession to find his biological mother is proof of his filial love.

7.     TONI ERDMANN – (Germany / Romania) 2016, director Maren Ade. A father loves his ambitious, modern daughter and wants to help her understand what happiness and love are. But the generational gap proves to be stronger than his quest. Despite his struggles and sacrifices, she answers when she sings Whitney Houston’s song, “Learning to love yourself is the greatest love of all.”

8.     PHOENIX – (Germany) 2014, director Christian Petzold. Nelly survives World War II because she is obsessed at Auschwitz to be loved again by the man she loves. She does return to him but disfigured, and he does not recognize her. Deceitfully, he schemes to help her survive the traumas of her past. But as she learns the truth, will her love forgive him?

9.     IDA – (Poland) 2013, director Pawel Pawlikowski. Ida embarks on a spiritual journey to choose between a life of love and family, or God and religion. As she voyages toward the answer, she learns about her history and what the material world can offer. But she keeps repeating, “And then?” She realizes it is love for God and the spirit that can offer her the truest love.

10.  CASABLANCA – (USA/ Morocco) 1942, director Michael Curtiz. This is the best love story of all. For those who will see this film for the first time, I am jealous. This is an American movie made in Morocco with an anti-Hollywood ending. It shows and answers what is true love? What we see on the screen is a love that hurts – for all of us. And yet, love must be experienced, and this film must be seen!

Roberta Seret, Ph.D., is the director of Advanced English and Film at the United Nations for the Hospitality Committee and Founder of the NGO at the United Nations, International Cinema Education. She is the author of the Transylvanian Trilogy, with Love Odyssey releasing March 23, 2021. Visit her website for more information.

Kiana Ledé – KIKI

By Cassandra Yany

Platinum-selling artist Kiana Ledé released seven brand new songs Friday to expand her critically acclaimed album KIKI. These tracks help the Phoenix-born and LA-based singer to show more seduction, spirit and soul than she has before.

The deluxe version includes the single “Only Fan” featuring Jacquees, on which lustful verses, airy guitar and a steady beat create a throwback R&B energy. The two artists sing back and forth as Jacquees’ falsetto reaches a hypnotic peak. The album now contains a bonus track, “Youth” featuring GRAMMY Award-winning blues rock artist Gary Clark Jr., who brings smooth vocals and a head-bobbing riff to the song. 

KIKI was first released on April 3 and earned a spot in the Top 5 of the Billboard Top R&B Albums Chart, Top 5 of the Apple Music R&B/ Soul Albums Chart, Top 5 of the iTunes R&B/ Soul Albums Chart and Top 10 of the Apple Music Overall Albums Chart. It has garnered over 50 million streams and received praise from notable outlets such as ELLE, Billboard, Highsnobiety, Vibe and more.

Recently, Kiana Ledé teamed up with Usher for “This Day” from the Netflix original film Jingle Jangle: A Christmas Journey.

About Kiana Ledé

Just who is Kiana Ledé? On the one hand, you know her as a fierce and fiery force in R&B responsible for bangers such as the platinum-certified “EX,” “Mad At Me” and “Chocolate” feat. Ari Lennox and has received over 1 billion streams globally and praise from Complex, Vibe, Billboard, ROLLACOASTER Magazine and more. But, who is she? “KIKI,” she answers. On her aptly titled full-length debut, she reveals every side of herself: the vulnerability, the vitality, the anger, the lust, the loyalty, the joy, the darkness, and the truth as evinced on song.

Long before all of this, the songstress “from South Phoenix with Black, Mexican, Native American, and White ancestry” grew up between divorced parents. She played classical instruments and competed in pageants—but popped wheelies on dirt bikes and got under the hood to fix a car or two. Eventually, an adventurous spirit carried her from Arizona to Los Angeles where she began a journey that comes full circle in 2020.

Deluxe Album Tracklisting (Previously Unreleased)

  1. Ladylike
  2. Chocolate (LoFi Remix) [feat. Ari Lennox]
  3. Must Be Mine [feat. Ant Clemons]
  4. Amazing
  5. Only Fan [feat. Jacquees]
  6. None For You

Original Tracklisting

  1. Cancelled
  2. Movin
  3. Mad At Me
  4. Chocolate [feat. Ari Lennox]
  5. Forfeit [feat. Lucky Daye]
  6. Second Chances [feat. 6lack]
  7. Crazy
  8. Plenty More
  9. Skiterlude
  10. Labels [feat. Moneybagg Yo & Bia]
  11. Honest
  12. Feel A Way
  13. Good Girl [feat. Col3trane]
  14. Attention
  15. Separation [feat. Arin Ray]
  16. Protection
  17. No Takebacks
  18. Bonus: Youth [feat. Gary Clark, Jr.]

Listen to KIKI (Deluxe) here

Follow Kiana Ledé:

Instagram | Twitter | Facebook

**Photo Courtesy of Republic Records

Tyga illustration done by Mina Tocalini of 360 MAGAZINE.

Tyga Bites

Grammy-nominated hip-hop artist, Tyga, joins forces with renowned restaurateur Robert Earl and Earl’s son Robbie, for the launch of TYGA BITES, a celebrity-owned virtual dining concept. Now available through Grubhub, TYGA BITES is a delivery-only concept that specializes in antibiotic-free, oven-baked, boneless chicken bites. Grubhub will be offering free delivery on orders of $15 or more for the entire month of August to new and existing customers on their first purchase of TYGA BITES*.

With the idea conceived by Tyga, Earl paired the artist with acclaimed chef, author, and TV personality, Eric Greenspan, to create a carefully crafted, bite-sized all-natural chicken that’s baked, not fried. Tyga curated TYGA BITES by adding his own specialty spice dusts that sprinkle the chicken with the right amount of sweet and spice, along with a wide variety of dipping sauces to further enhance the flavors.

“I wanted to make sure the whole menu, flavors, and even the packaging was on point,” said Tyga. “The bites are baked just right; choose a dip then take a sip! I even threw in some chocolate chip cookies for dessert.”

TYGA BITES’ online menu offers crispy, oven-baked chicken bites in three different spice dusts including Black Garlic, Lemon Black Pepper, and Peri-Peri, a mix of tangy, sweet and spicy. The bites will also be served with the option of twelve different dips, along with regular or sweet potato Tyga Tots, chocolate chip cookies, and beverages.

“Tyga has been an inspiration to collaborate with on this brand—his instincts are spot-on,” said Robert Earl, Founder of Virtual Dining Concepts. “Consumers can now enjoy TYGA BITES at home through our partnership with Grubhub, offering contact-free delivery for everyone’s added comfort and peace of mind.”

“Today begins the independent restaurant revolution,” Robbie Earl elaborates. “We have created a blueprint that restaurants can truly benefit from with our VACs (virtual additional concepts). We are offering restaurateurs the opportunity to operate a second brand within their existing brick and mortar location, increasing their bottom line by also becoming a virtual kitchen owner.”

“Working with our partners at Virtual Dining Concepts on the new TYGA BITES brand, we have the exciting opportunity to provide our diners a new variety to choose from when ordering in,” stated Kevin Kearns, Senior Vice President, Restaurant Network at Grubhub. “We’re thrilled to give independent restaurants on our platform the opportunity to increase their total business by working with TYGA BITES, and by adding new locations across the country for our diners to try – it’s a win, win for everyone.”

TYGA BITES is now available in more than 30 major markets across the country, and with the support of independent restaurants, it is projected to have contracts with up to 500 locations by the end of August. Consumers based in Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, Denver, Las Vegas, Houston, Washington D.C., Austin, Seattle, Salt Lake City, Pittsburgh, Albuquerque, Sacramento, St. Paul, Kansas City, Scottsdale, Columbus, Minneapolis, and Louisville are among the first wave with many additional locations opening soon.

A delivery-only virtual restaurant launched by Grammy-nominated recording artist Tyga and restaurateur Robert Earl, TYGA BITES taps into kitchens of existing brick-and-mortar restaurants located across the U.S. and is delivered to your door thru Grubhub. The menu features tender chicken that is baked and flavored with a choice of seasoning dusts, accompanied with a wide selection of dipping sauces, sides, and cookies. TYGA BITES initial rollout includes the following cities: Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, and Denver. Additional locations will be added regularly. Consumers looking for a location near them should search for TYGA BITES on the Grubhub app. For more information please follow us @eattygabites on Instagram, Twitter, and Facebook.

Grubhub is a leading online and mobile food-ordering and delivery marketplace with the largest and most comprehensive network of restaurant partners, as well as nearly 24 million active diners. Dedicated to connecting diners with the food they love from their favorite local restaurants, Grubhub elevates food ordering through innovative restaurant technology, easy-to-use platforms and an improved delivery experience. Grubhub features nearly 300,000 restaurants and is proud to partner with more than 200,000 of these restaurants in over 4,000 U.S. cities. The Grubhub portfolio of brands includes Grubhub, Seamless, LevelUp, AllMenus and MenuPages.

Follow Tyga Bites: Facebook | Instagram | Twitter

Follow Grubhub: Facebook | Instagram | Twitter

Kailee Morgue – In Your Bedroom

KAILEE MORGUE TO RELEASE NEW EP HERE IN YOUR BEDROOM ON APRIL 24TH

DROPS VIDEO FOR NEW SINGLE “KNEW YOU”

WATCH HERE

Bedroom-pop sorceress Kailee Morgue announces her upcoming EP, Here In Your Bedroom, is set for release on April 24th. She also releases the video for her latest single off of the EP, “Knew You,” out now.

The video, which Morgue wrote the treatment for, was directed by Ricky Anthony. Ones To Watch hails “Knew You” as “an exhilarating new sound” for Morgue, while This Song Is Sick says, “Kailee Morgue is proving herself as a force to be reckoned with in the indie-pop world.”

Of the inspiration behind the video, Morgue says, “The idea for this video was to have me sort of contrasting the spaces I was in, with the way I was dressed and how messy my hair was against the soft, light backgrounds. It was also supposed to hint at a sort of intimacy and waiting for someone else to arrive in that bedroom or the diner.”

Stay tuned for more from Kailee Morgue!

ABOUT KAILEE MORGUE

After quietly establishing herself as an iconoclastic force with 60 million streams and widespread acclaim by everyone from The New York Times to Highsnobiety, the Phoenix-based siren unearths a torrent of intense emotions in 2020. A three-year journey from a part-time job slinging fast food to emerging as a subversive pop wunderkind allowed the 21-year-old to do so. Along the way, she unveiled a series of fan-favorite anthems, beginning with the breakthrough “Medusa,”  “Do You Feel This Way,” “Siren,” and “What The Hell Happened To Us” from Quinn XCII’s The Story of Us. Not to mention, she attracted tastemaker praise from The FADER, NYLON, Pigeons & Planes, PAPER, Vice’s i-D and Teen Vogue. Between packing houses coast-to-coast on tour, she joined forces with Hayley Kiyoko on the 2019 single “Headcase.” In addition to tallying 2.6 million Spotify streams, Ones To Watch pegged it as “an Early Contender for 2019’s Best Pop Moment,” and Billboard dubbed it, “a dreamy trip through the 20-year-old’s mind.” Along the way, she sharpened the edge of her signature sound with a powerful progression hinted at by “Knew You” and more to come.

FACEBOOK / INSTAGRAM / TWITTER

Jackson Hole Fine Art Fair Announces 2019 Exhibitors List

Jackson Hole Fine Art Fair (JHFAF) is pleased to announce the exhibitors for its inaugural edition, hosted on September 12-15, 2019 at the Snow King Sports and Events Center (100 E Snow King Ave). Surrounded by the Teton mountain ranges, the city of Jackson Hole is an unparalleled, non-coastal art destination. The four-day fair will include works from 50 national and renowned exhibitors, carefully chosen for their curated booths which best reflect Jackson Hole’s distinctive American tastes. The galleries will be bringing in works by established, American artists from both Contemporary and Modern, as well as Western, Native American and Wildlife genres.

Fair Director Rick Friedman says, “We are so excited to provide the local arts community with such a wide range of significant Modern and Contemporary artworks, many of which have not yet been seen in Jackson Hole. With 50 exhibitors, we have a completely sold out show that demonstrates the respect and enthusiasm the international art world has for the Jackson Hole arts scene. The fair presents a fresh selection of over a thousand important pieces and I can’t wait for fairgoers to experience this unforgettable event” 

Spanning from every region of the United States, the exhibitors hail from 29 different cities, including two local galleries, Tayloe Piggott Gallery and Diehl Gallery. The JHFAF exhibitors represent nationally acclaimed artists like Thomas Hart Benton, Emil Bisttram, Deborah Butterfield, Alexander Calder, Raymond Jonson, Jeremy Kidd, Elaine de Kooning, John Nieto and Ed Ruscha.

Recognized for its wildlife scene and natural beauty, Jackson Hole offers an unprecedented art experience for all. The town’s rocky landscape, Western charm, dedicated community and world class museums create a uniquely American art scene. JHFAF is pleased to present their roster of exhibitors for the inaugural fair:

2019 Galleries:
917 Fine Arts, Miami Beach, FL
Abend Gallery, Denver, CO
Addison Rowe Fine Art, Santa Fe, NM
Andrew Smith Gallery, Tucson, AZ
Bill Hester Fine Art, Santa Fe, NM
Bonhams, LA, NYC, London
Calabi Gallery, Santa Rosa, CA
Childs Gallery, Boston, MA
Diehl Gallery, Jackson, WY
Elizabeth Gordon Gallery, Santa Barbara, CA
Faust II, Santa Fe, Scottsdale
Gail Severn Gallery, Ketchum, ID
Gallery 1261, Denver, CO
Gary Snyder Fine Art, NYC, Bozeman
GF Contemporary, Santa Fe, NM
Green River Stone Company, Logan, UT
HG Contemporary Art, Flushing, NY
ILIAD, New York, NY
Imago Galleries, Palm Desert, CA
J Klein Gallery, Scottsdale, AZ
James Compton Gallery, Santa Fe, NM
K Contemporary, Denver, CO
Kiechel Fine Art, Lincoln, NE
L.A. Design, Missoula, MT
Legend Nano Gallery, Carlsbad, CA
Mai Wyn Fine Art, Denver, CO
Mark Sublette Medicine Man Gallery, Tucson, AZ
Matthew Rowe Fine Art, Santa Fe, NM
Maxwell Alexander, Los Angeles, CA
Maynard Dixon Museum, Tucson, AZ
Melissa Morgan Fine Art, Palm Desert, CA
Mike Clark Fine Art, Billings, MT
Nieto Fine Art, Rockwall, TX
Patricia Qualls Contemporary Art, Carmel Valley, CA
Peace Waters Collective, San Diego, CA
Prescott Gallery & Sculpture Garden, Santa Fe, NM
Redfern Gallery, Laguna Beach, CA
Rehs Contemporary Galleries, Inc., New York, NY
Seagrave Gallery, Santa Cruz, CA
Steidel Contemporary, Lake Worth, FL
Stevens Fine Art, Phoenix, AZ
Studio Greytak, Missoula, MT
T.H. Brennen Fine Art, Scottsdale, AZ
Tayloe Piggott Gallery, Jackson, WY
Thomas Paul Fine Art, West Hollywood, CA
Timothy Yarger Fine Art, Los Angeles, CA
Waddell Gallery, Scottsdale, AZ
Walker Fine Art, LTD, New York, NY
Wilde Meyer Gallery, Scottsdale, AZ
Woolff Gallery, London, UK

About Jackson Hole Fine Art Fair
The Jackson Hole Fine Art Fair is the latest addition to the luxury, regional fairs produced under the leadership of Fair Director, Rick Friedman. Other fairs produced by Friedman include: the Hamptons, Aspen, Houston, San Francisco, Palm Springs, Silicon Valley and Philadelphia. JHFAF is excited to contribute to Jackson Hole’s vibrant arts community.

2019 Sponsors: Bonhams Auction House, Family Management Corporation, artnet

The Opening Sneak “Peak”
Thursday, September 12, 3-6pm

Show Hours
Friday, September 13, 12-6pm
Saturday, September 14, 12-6pm
The Harvest Moon Art Benefit | 6-8pm
Sunday, September 15, 12-4pm
General admission tickets are $25pp and can be purchased online or at the door.

Photo:  Sarah Winkler, Metamorphic Dreamscape, Acrylic on panel with Gold Mica,  Iron Oxide, Marble Dust, 60 x 60 in. Courtesy of K Contemporary.

Phoenix Rising // Tyler Jacob x Rickstar

Singer songwriters Rickstar and Tyler Jacob join forces to give a universal approach to both music and fashion. Rickstar, from London has an edgy rock sound and style while Tyler Jacob from Camden, NJ is a crooner with a non-binary/ eclectic approach to his artistry.

Phoenix Rising
Phoenixes are amongst the strongest and most durable of supernatural creatures. They are quite powerful and almost impossible to kill. Spontaneous Combustion/Incineration Touch – In human form, a Phoenix can incinerate anyone/anything with a single touch.

Who is Rickstar?
Rickstar, was born in London, and is a singer-songwriter, dancer and model, currently based between London and Los Angeles. He spent much of his childhood in New York, where he discovered his love for music. Early influences included Motown singers Marvin Gaye and Stevie Wonder, later Michael Jackson, Janet Jackson and Prince. He was inspired to become an entertainer, following in the footsteps of his family, who include Jamaican dancehall musician Mr. Vegas, and Jamaican-Canadian reggae musician and producer Leroy Sibbles.
Instagram: @rickstarofficial

Who is Tyler Jacob?
East coast born and bred, Tyler Jacob is a singer/songwriter who got his start in the industry after being discovered singing on the trains of NYC. At the age of 5 years old, Tyler Jacob started singing and performing in school plays. Tyler says that “I’ve always wanted to sing. It was a natural thing for me.” His family recalls little Tyler putting on shows in the family living room. “I don’t come from a family of singers. I’m the only one.” But it wasn’t until his freshmen year in high school did he realize others thought he had a gift when he was accidentally placed in a choir class. “The choir teacher asked me to sing, so she could classify my voice.” The rest is history. After the choir teacher heard Tyler’s voice, she had him transferred to Creative Arts High School (CAHS) in Camden, New Jersey. Tyler’s passion to sing, write and perform his own music, in English and Spanish, pushed him after he graduated from CAHS to move to the Big Apple to pursue his singing career. Since then he has gone on to be a season 1 cast member of VH1’s “SIGNED,” performed on many stages across the US, opened up for Grammy Award winner, Brandy Norwood, and logged studio time with Carvin & Ivan (Chris Brown, Musiq Soulchild, Mario), and Andrea Martin (Leona Lewis, Monica, Mary J. Blige).
Instagram: @tylerjacobmusic

Styled by Cosmos Glam Squad: @cosmosglamsquad
who has styled acts such as Beyonce, Nicki Minaj, Miley Cyrus, Paris Hilton and many more

Photography by Bilal : @Biladejavu

Voyce Memos – “Catching Me in Stride”

Voyce Memos an indie group from Houston, Texas released their album Catching Me In Stride on April 19, 2019. With music similar to Tame Impala, Daft Punk, Phoenix, Radiohead and Death Cab For Cutie. The group is compromised of three people, Richard Borger, lead producer/audio engineer originally from Florida and currently working out of his own home studio (Meraki Recordings) in Houston, TX, began working shortly as a solo artist before meeting drummer, Stephen Mokulis, and multi-instrumentalist/producer, Akash Gupta. The group dedicated time primarily after their full-time work days and on weekends, turning casual jam sessions into a basis for songs and eventually recordings what would later become their first album.

Voyce Memos music captures the ideas of human changes and the decisions we make, especially in relationships, love, and self-understanding. Driving funky bass lines and guitar riffs, on top of ethereal vocals and mixed electronic/live drumming, meld into something to which everyone can relate and groove.

“This album, and musical endeavor in general stems from much introspection and self (and non-self) awareness. Sometimes a moment or series of events comes along in life that changes a lot of what you thought to be “true”, like the way things are supposed to be, or how you’re supposed to love, or where you’re supposed to work and live, etc. Opening a music studio, learning how to produce, and deciding to create an album was the result of that moment, and the album title “Catching Me in Stride” was the attempt at catching that type of emotion, especially when it came to relationships. The most exciting thing about it was that there was never a point where we decided to say “let’s stick to this type of music or sound or vocal.” We decided to let whatever came to mind and sound be exactly how it felt, and that lent itself to quite a variety of sounds on the album, while still being very much connected in theme. Us three, having various styles and influences growing up, ended up creating something we feel is quite it’s own. We know where we feel the influence when we hear it, but the end product always sounds unique and fresh. There are moments scattered throughout the album that bring out strong emotions, whether that belonging, confusion, sadness, anger, or understanding, and we believe it finally arrives at acceptance with the crescendo at the very end of the album on “Argentine.” This album has something for everyone in both musical taste and emotional connection and we hope you all enjoy it.”

The track list on the album includes:

1. Division
2. Quixotic
3. Hard Knot
4. Better Island
5. Benova
6. Indifferent
7. Whelmed (Interlude)
8. Catching Me in Stride
9. Lazy Radio
10. Reboot
11. Conversation
12. Wake With Me
13. Argentine

Watch the official Divisions music video here
Check out Voyce Memos website here.
Listen to Voyce Memos on Spotify here.

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai