Posts tagged with "Cambridge"

Valley Last Birthday The After Party EP Art via Capitol Music Group for use by 360 Magazine

Valley – The After Party

Following a whirlwind 2021, JUNO nominated, alternative-pop band Valley kicked off the new year with the release of a three-track EP, The After Party, out now via Capitol Records.

The After Party is released as an extension of the band’s previous EP, Last Birthday (October 2021) and as lead singer, Rob Laska notes “our most personal songs we’ve ever written as a band to date.” The three new songs mirror the upbeat energy of the previous EP, taking a more somber approach to the music and lyrics. “Last Birthday” is a standout track on this latest project which Valley worked on over the past two years and signifies the final release of the Last Birthday era. “The song really explains what we’ve been trying to put into words for a long time,” the band explains, “in a way it feels like the first song we’re singing directly to ourselves and our fans.” To illustrate the significance of “Last Birthday,” the band shared a Song Stories video explaining the process of writing and creating the new song. Watch the Song Story for “Last Birthday” HERE.

Last year was nonstop for Valley with a steady release schedule, each song capturing the feeling of relatable moments in time while being perfectly danceable. The explosive first single of 2021, “Like 1999” whose genesis traces back to a viral TikTok post that drove the band to finish the track in under 48 hours and went on to push their catalog to over 280 million global streams. The band performed “Like 1999” for the 2021 MYX Awards in the Philippines. Back at home, Valley was selected as Apple Music’s Up Next artist for Canada in September, joining the vast Up Next roster of past Canadian talent including Grammy-nominated and critically lauded talent like 6lack, Daniel Caesar, Jessie Reyez, Orville Peck, and Tate McRae.

Valley burst back into playing live last year, reconnecting with fans across North America. The band played their first American festivals over the summer and recently sold out shows with COIN on a 17-date North American tour. The band finished the year with two epic hometown shows at The Opera House in Toronto. Valley is gearing up for the ‘I’ll Be With You Tour,’ the band’s first-ever headlining tour with 30 dates across North America. The tour is almost entirely sold out with tickets and details available on Valley’s website.

THE AFTER PARTY EP Tracklisting

  1. Last Birthday
  2. 7 Stories
  3. Paper Cup (sorry for myself)

‘I’ll Be with You’ North American Tour Dates 

February 16 Cambridge, MA The Sinclair SOLD OUT

February 18 New York, NY Irving Plaza

February 19 Philadelphia, PA The Foundry at the Fillmore SOLD OUT

February 20 Washington, DC Songbyrd SOLD OUT

February 22 Nashville, TN Basement East SOLD OUT

February 23 Atlanta, GA The Loft

February 25 Austin, TX Antones SOLD OUT

February 26 Dallas, TX Cambridge Room @ House of Blues SOLD OUT

March 1 Phoenix, AZ Rebel Lounge SOLD OUT

March 3 Los Angeles, CA The Troubadour SOLD OUT

March 4 San Francisco, CA Popscene @ Rickshaw Stop

March 5 Santa Cruz, CA The Atrium @ Catalyst

March 8 Portland, OR Holocene

March 9 Seattle, WA The Crocodile Second Stage SOLD OUT

March 11 Salt Lake City, UT The Grand @ The Complex SOLD OUT

March 12 Denver, CO Bluebird Theatre

March 15 Chicago, IL Subterranean SOLD OUT

March 16 Minneapolis, MN 7th Street Entry SOLD OUT

March 18 Winnipeg, MB Park Theatre

March 19 Saskatoon, SK Amigos

March 22 Victoria, BC Capital Ballroom

March 23 Vancouver, BC Biltmore Cabaret

March 25 Edmonton, AB The Starlite Room

March 26 Calgary, AB Commonwealth

April 14 St Catharines, ON Warehouse

April 15 London, ON Rum Runners

April 16 Waterloo, ON Maxwell’s

About Valley

Valley, comprised of Rob Laska, Karah James, Mickey Brandolino, and Alex DiMauro, has spent the past two years developing organic buzz through a personal and intimate connection with their fans. Valley put together alternative pop with the care, adventurousness, and personal touch of a handmade burned CD. Cycling through moods like your favorite throwback Pinterest board, the Toronto quartet amplify sticky hooks through eloquent songcraft that’s cognizant of what came before, yet ready for the future. In 2016, Valley formed by accident when a local studio double booked them. During high school, Mike and Karah played in one band, while Rob and Alex played in another. They introduced themselves with self-written, self-produced releases, including the EP This Room Is White (2016), the full-length debut MAYBE (2019) and their EP sucks to see you doing better (2020). They joined Lennon Stella and The Band CAMINO on sold out tours across North America and even picked up a 2020 JUNO Award nomination in the category ofBreakthrough Group of the Year.” Most recently, the band released their latest EP Last Birthday via Capitol Records and joined COIN for a North American tour.

ANTARA MOVIE OWNERS TO SELL RIGHTS VIA NFT

In a groundbreaking move, film distributors must pay the owners of the Antara Movie NFT to distribute the film in theatres and streaming channels

Arabian Camels today announced the launch of an ‘Antara Movie NFT,’ that will grant buyers up to 50 percent of the intellectual property rights to “Antara,” a $50 million dollar feature film. Antara is based on the life of Antarah Ibn Shaddad, an ancient Arabian knight and poet, famous for his adventurous life. Prospective film distributors would pay the owners of the Antara Movie NFT to distribute the movie in theatres and/or streaming channels, tying the Arabian Camel community into millions of dollars worth of value in the real world. The NFT drop is anticipated this December.

The Arabian Camels envision merging Movies and NFTs with DeFi, Gaming, and the Metaverse, with a focus on community, extracting value from the booming transmedia space, and sharing the value entertainment properties with the Arabian Camel community. 

“While other NFT projects were busy manipulating their floor price and buying up their own NFTs, the founder of Arabian Camels, stayed low key, quietly working on building long-term quality. The result is game-changing tokenomics and strategies that enable the Arabian Camels to define a new era of the movie business,”  said Alexander Amartei, Producer of Antara, and inventor of Movie NFTs. “The Arabian Camels is the only NFT community that has managed to position itself uniquely between movies and NFTs. As a new pop culture brand, we are now ready to launch our movie strategy, gaming strategy, and token launch on major exchanges.” 

Arabian Camels have also collaborated with Dominic Ryder, CEO of vEmpire, whose token has recently rocketed 1500 percent and reached a market cap of $100M. Dominic Ryder’s protocol is in the process of designing and creating the ANTARA Play-To-Earn game, which has already gotten the attention of very prominent VC firms. The multiplayer raiding game is expected to plant the Arabian Camels brand and the Antara IP firmly into the Metaverse, and add another layer of value for Arabian Camels holders. The game is set to bring fun and reliable income to thousands of players in developing countries and will run off a scholarship model. The Arabian Camels NFTs are now to be a commodity and have functionality within the game. In conjunction, they will also be launching their very own gaming token, the in-game currency that is set to be listed on major Cryptocurrency exchanges.

The production of the movie was meticulously put together with the help of professors of Arabic Literature from Oxford, Cambridge, Yale, and the School of Oriental and African studies, meaning it’s not another Marvel. It has a very rich, intelligent, and powerful historical appeal. It was originally set to be shot in NEOM, Saudi Arabia, but Abu Dhabi, as a modern tech hub, has also shown a keen willingness to accommodate the production, to be credited as the ones that helped to bring this epic story to the world. The production team is currently assessing which of the Middle Eastern regions can offer the best incentives and working conditions for the production.

The story of Antara is reminiscent of both Alexander the Great and Romeo and Juliet, of the Middle East. His story has been told repeatedly for the past 1,500 years. He was a black slave in ancient/pre-Islamic Arabia, who won his freedom and became a lofty knight. He rose to stardom in the 5th century, not only due to his character and prowess on the battlefield but also, his miraculous talent as a poet. His poetry was held in such high regard, that it was actually sewn in gold, and suspended on the Kaaba in Mecca before the days of Islam. To this day, if one studies Arabic Literature in Oxford or Cambridge, the poetry of Antara is still studied and revered.

ABOUT ANTARA 

Antara is a feature film directed by one of the most sought after Hollywood Directors, that covers the life and adventures of Antara Ibn Shaddad, a desert warrior from ancient pre Islamic Arabia. The film is the first big-budget film to be funded by an NFT, before its theatre and streaming debut, as well as the first NFT to facilitate this type of royalty sharing. As part of the ‘Antara IP’ a transmedia rollout, the film is a part of a franchise that includes 3 sequels, a crypto infused ‘Assassins Creed Styled’ multi-player game, a comic, and a strong brand with a long term merchandising and licensing strategy.

Cryptograph platform announced by the 360 MAGAZINE.

The next decade’s most disruptive technology

Virtual reality has already had a major impact in a range of different industries. IDTechEx predicts in its recent market research reportthat this technology will grow to $8Bn by 2030. One way that virtual reality has been used is in planning. VR technologies have recently been shown by an article in the Financial Times to be used by the City of London Corporation to help with planning decisions for future office areas. Virtual reality will be a key technology of the next decade, with IDTechEx predicting that the augmented and virtual reality market will grow to over $30Bn by 2030.

The City of London collaboration was between the City of London Corporation, Innovate UK, New London Architecture (NLA) and VU.CITY. The level of detail captured by the project is down to a 2cm accuracy in a nearly 3km square area. This is a first for an area of this size, and aims to help planners realize what “plans offer in terms of space, enhancement of the public realm and to the City,” according to Alastair Moss, Chair of the Planning and Transportation Committee at the City of London Corporation. The ability to plan cities with VR technology will allow for more highly advanced urban planning solutions.

Virtual, augmented and mixed reality products have continued to receive high levels of funding and investment during the 2010 decade. This is predicted to continue into the next decade. IDTechExforecasts that the AR/VR and MR to be over $30Bn by 2030. This market will impact many different industries and its use cases wide-reaching and the technology will continue to innovate and accelerate innovation in these industries.

IDTechEx has a range of market research reports covering virtual reality, augmented reality, and mixed reality products. Part of the wearables portfolio, the parent report “Augmented, Mixed and Virtual Reality 2020-2030” and the detailed technology analysis of “Optics and Displays in AR, VR and MR 2020-2030: Technologies, Players and Markets” provide the key insights and deep analysis of this innovative technology for the next decade.  The detailed market research report “Augmented, Mixed and Virtual Reality 2020-2030” from IDTechEx reviews and analyzes over 100 products and details of over 80 companies, to create detailed conclusions about the future of this market. Alongside this, IDTechEx offers a second deeper dive report into the optics and display technologies in AR/MR/VR devices.

Key Questions answered in these two reports include:

  • What are the major drivers for optic or display choice in an AR/MR or VR device?
  • What are the major drivers in the adoption of AR/MR and VR devices? Which use cases benefit the most from this technology?
  • How will the sales of VR and AR/MR devices evolve from 2020-2030 and what are the drivers behind future growth?

A timeline of some of the major AR and VR headsets of the past. Source: IDTechEx

What is the impact of COVID?

Recently the versatility of mixed and augmented reality products has come to the forefront of the news, with an Imperial led project at the Imperial College Healthcare NHS Trust. COVID has put the spotlight on this hands-free, interactive technology, and it is unlikely that this focus will move for some time. There will be a need for this technology in many new use cases, which previously did not require hands-free, or remote capabilities.

Where can I find more information?

More information on “Optics and Displays in AR, VR and MR 2020-2030” and “Augmented, Mixed and Virtual Reality 2020-2030” can be found at www.IDTechEx.com/Research/WT.

Two MIT Sloan MBAs launch new startup

Two MIT Sloan MBAs will launch a new startup called Season Three this fall. The only direct-to-consumer company focused on the fashion lifestyle space in the accelerator, Adam Klein, MBA ’19, and Jared Johnson, MBA ’20, will offer a product line featuring all-weather Merino wool lined boots engineered at MIT.

“Our product fits an open space within the shoe industry that existing shoes have failed to fulfill. The boots are designed for all humans – they are unisex – making style and comfort accessible to everyone. They encourage the exploration of your surroundings, without sacrificing professionalism,” says Klein.

Johnson says, “The resources, support, and mentorship provided at MIT Sloan were invaluable. They helped us go from nothing to something.”

Meeting in MIT Sloan’s MBA Program, the team combined Johnson’s passion for fashion as well as design experience with Klein’s entrepreneurial, finance and legal experience to create an outdoors brand that they describe as a “marriage of fashion, comfort, and functionality.”

The idea began with a personal need, explains Johnson. “We were walking in Boston on a snowy, cold winter day in big chunky boots. We talked about how boots could be designed better not only in terms of style, but also thermal stability. We wanted to create a comfortable boot that anyone could wear to the office and then move throughout the city during the day and to events after work. Out of that came Season Three.”

Klein adds, “Jared brings a tremendous knowledge of footwear to this venture. Before MIT, he pursued design with the goal of working in the fashion and footwear sector.”

At MIT, they began working on the idea through the MITdesignX program in MIT’s School of Architecture and Planning and received support from the MIT Sandbox Innovation Fund. They also received support and mentorship from the Martin Trust Center for MIT Entrepreneurship as well as feedback from faculty, alumni, and classmates. Through classes, they refined their business plan and marketing strategy.

The cofounders designed the boot at MIT with their “Threedom footbed,” which provides shock absorbing qualities for comfort as well as greater absorption of moisture. The boot is temperature controlled by a combination of merino wool and weather-proof leathers.

“No other product caters to the new lifestyle of the ‘WeWork Generation,’ where someone working 60 hours a week needs fashion to seamlessly flow between professional environments, drinks with friends, and side hustles in between. As a unisex brand, we recognize an eagerness within all humans,” says Johnson. “We believe our boots are a product that advocates for collective unity.”

The founders will participate in the delta v program Demo Day presentations at MIT, New York City, and San Francisco in September. They plan to officially launch their online store in November. The boots will be their initial product and retail at $345.

“We’ve received a lot of interest because the boots were designed at MIT and we occupy a unique position in the fashion lifestyle space. We are taking everything we learned in school to build this company, and we look forward to our launch this fall,” says Jared.

The MIT Sloan School of Management is where smart, independent leaders come together to solve problems, create new organizations, and improve the world. Learn more at mitsloan.mit.edu.

MIT Sloan School of Management, Office of Media Relations 1 Main Street, Cambridge, MA 02142 United States

Top Tips to Help Women Treat Carpal Tunnel

According to the National Institute of Neurological Disorders and Stroke, women are three times more likely to suffer from carpal tunnel syndrome than men, making even the most basic repetitive tasks like typing, using a computer, chopping vegetables and gardening painful. The associated pain or numbness in the hands and wrist that can radiate up the arm and hinder the ability to work is caused by the median or ulnar nerves in the wrist becoming compressed by repetitive motion. The good news is, the pain associated with carpel tunnel can be relieved without surgery. A good fitting wrist brace and a simple exercise, holding the arm out straight and flexing the hand at the wrist, can relieve the pressure on the nerve.

Testing for Carpal Tunnel Syndrome

There are two definitive tests that physicians use to diagnose carpal tunnel: Tinel’s and Phalen’s.

 

  • The Tinel’s Test. If tapping on the underside of the wrist causes shooting pains in the hand, it is considered positive.
  • The Phalen’s Test. If the hands feel heavy, tingling, burning, or numb when holding both wrists in a back-to-back position in front of the body, with the wrists bent at 90 degrees for 90 seconds, it is considered positive.

 

Carpal tunnel is sometimes mistaken for thoracic outlet syndrome. The tightness, soreness and restrictions in the neck, shoulder, chest muscles and/or a slight shift in one of the ribs – often attributed to thoracic outlet syndrome – can actually result in symptoms much like carpal tunnel. The good news is that easing the symptoms of both carpal tunnel syndrome and thoracic outlet syndrome may be accomplished with a correctly fitting wrist support.

Wrists are not one-size-fits-all. Women’s wrists are, on average, 10 percent narrower than men’s, so it’s important their wrist support is made just for them. The Wellgate for Women Perfect Fit Wrist Support, for example, helps to ease the painful symptoms of carpal tunnel, tendonitis, arthritis and sprains by keeping the wrist in a neutral position to relieve pressure on the median and ulnar nerves during the day and at night.

The American Physical Therapy Association offers these tips for women to limit their chances of getting carpal tunnel syndrome:

  • Consider using a wrist brace at night and when playing sports to support the wrist in a neutral position.
  • Take frequent breaks from activities that require repetitive motion, even cooking tasks.
  • Move only your fingers and keep your wrists straight when typing.
  • When typing, make sure your spine is flush with the chair back, your shoulders are relaxed, and your feet are flat on the floor.
  • Keep your computer monitor at eye level.

 

Women should not just assume they have to live with pain.

 

About the Author

Dr. Holly Herman has been a physical therapist for more than 43 years, with a full-time private practice in Cambridge, MA. Dr. Herman provides expert care for women and men seeking careful, considerate diagnosis and treatment of orthopedic and other medical conditions. She is dedicated to training physical therapy and other healthcare professionals worldwide.

 

James Bay

Three-time GRAMMY® Award-nominated and BRIT Award-winning multiplatinum singer-songwriter James Bay will release his anxiously awaited second full-length album, Electric Lighton Friday, May 18, 2018 via [Republic Records]. Full track list below as well as the album pre-order Here!

Starting today fans can pre-order Electric Light which will unlock an instant download of critically acclaimed single “Wild Love” and brand-new track “Pink Lemonade.” Premiering as Apple Music Beats 1“World Record” today, “Pink Lemonade” illuminates another shade of Electric Lightshowcasing Bay’s evolution with a louder sound and transistor guitars. The song comes out right in time for his NBC Saturday Night Live debut performance on Saturday, March10th with host Sterling K. Brown (This Is Us, Black Panther). Check out “Pink Lemonade”Here!

After selling out his spring headline tour, Bay is also announcing details for his expanded North American and European run. Adding nearly 30 new dates, the tour takes Bay across North America and Europe making stops at New York’s Beacon Theater on September 18th and Los Angeles’The Greek Theatreon October 7th. Fan pre-sale for these newly added shows will begin on Wednesday, March 14th at 10am local time, with the public on-sale taking place on Friday, March 16th at 10am local time. Fans can gain access to pre-sale tickets with purchase of any item from shop.jamesbay.com and every pair of online tickets comes with a copy of Electric Light (offer valid for US residents only). Tickets can be found at www.jamesbay.com.

Aspiring to push his own musical boundaries with Electric Light Bay noted: “If I had to describe my first album visually it would probably be a flame – while this new album is about a real sonic and artistic evolution for me. The feeling of a 100 watt bulb expanding and brightening is what I envisioned. Electric Light came to my mind and I knew it was perfect.”

Composed in East London’s Baltic Studios, Bay co-wrote and co-produced Electric Light with longtime friend and collaborator Jon Green and brought onboard Paul Epworth [Adele, Florence and The Machine] to add final production elements to the record. Released on February 8th, single “Wild Love” has already reached 10 million Spotify streams and counting in addition to racking up nearly 3 million views from its official music video co-starring Natalia Dyer of Stranger Things. Watch the “Wild Love” music video here. Across the globe it has earned widespread critical acclaim from NME,Forbes, Harpers Bazaar, Time, GQ UK,Rolling Stone, People, Clash, Billboard, and more.

Be on the lookout for more news from BAY and pre-order Electric LightHERE via Republic Records.

Electric Light Tracklist

1. Intro

2. Wasted On Each Other

3. Pink Lemonade

4. Wild Love

5. Us

6. In My Head

7. Interlude

8. Just For Tonight

9. Wanderlust

10. I Found You

11. Sugar Drunk High

12. Stand Up

13. Fade Out

14. Slide

JAMES BAY 2018 TOUR DATES:

March 15th •London • Brixton Electric SOLD OUT*

March 25th •Seattle, WA • The Showbox                    SOLD OUT*

March 27th •San Francisco, CA • The Fillmore                      SOLD OUT*

March 28th • Los Angeles, CA • Belasco Theater • SOLD OUT*

March 31st • Chicago, IL • Metro • SOLD OUT*

April 2nd • Washington, D.C. • Lincoln Theatre • SOLD OUT*

April 3rd •Brooklyn,NY • Brooklyn Steel •   SOLD OUT*

April 5th • Royale NightClub • SOLD OUT*

April 6th • Philadelphia, PA • Theatre of Living Arts (TLA) • SOLD OUT*

April 8th • Toronto, ON • Danforth Music Hall • SOLD OUT*

NEW TOUR DATES ANNOUNCED:

May 27th • SWANSEA • Radio 1 Biggest Weekend+

May 29th • London • The Roundhouse+

May 30th • Manchester • Albert Hall+

June 1st • Sheffield • O2 Academy+

June 2nd • Bristol • Colston Hall+

June 3rd • Cambridge • Corn Exchange+

June 5th •Newcastle • 02 Academy+

June 6th • Leicester • De Montfort Hall+

June 23rd • Newcastle • Isle of Wight Festival+

June 8th • Paris • Elysee Montmartre+

June 11th • Amsterdam • Melkweg+

June 12th • Berlin • Huxleys+

June 29th • Glasgow • TRNSMT Festival+

August 17th • RIZE Festival • Chelmsford- Hyland Park+

September 13th • Atlanta, GA • Coca Cola Roxy Theatre+

September 14th • Nashville, TN • Ascend Amphitheater+

September 15th • Durham, NC • Durham Performing Arts Center +

September 18th • New York, NY • Beacon Theater+

September 20th • Washington, DC • The Anthem+

September 25th • Philadelphia, PA • Penn’s Landing – Festival Pier+

September 26th • Boston, MA • Blue Hills Bank Pavilion+

September 28th • Toronto, ON • Woodbine Park+

September 29th • Detroit, MI • Masonic Temple Theatre+

October 1st • Chicago, IL • Aragon Ballroom+

October 2nd • Minneapolis, MN • State Theatre+

October 5th • Salt Lake City, UT • Union event Center+

October 7th • Los Angeles, CA • The Greek Theatre+

October 11th • Berkeley, CA • The Greek Theatre+

October 13th • Vancouver, BC • Doug Mitchell Thunderbird Sports Centre+

October 14th • Seattle, WA • Paramount Theatre+

October 15th • Portland, OR • Rose Garden – Theater of the Clouds+

*Previously Announced Tour

+ New Tour Dates

For Tickets for all shows, please go to www.jamesbay.com

James Bay Links:

www.jamesbaymusic.com

www.facebook.com/jamesbaymusic

twitter.com/jamesbaymusic

www.youtube.com/user/jamesbayofficial

www.instagram.com/jamesbaymusic

James Bay is the definition of a modern day rock star.  Following the release of his debut album Chaos And The Calm, featuring—“Hold Back The River” and “Let It Go”— BAY was nominated for “Best Rock Album,” Best Rock Song,” and “Best New Artist” at the 2016 Grammy Awards. In the UK, the record became the “Biggest New Artist Album Release” that year and has been certified Gold in the United States, Germany, Australia, Switzerland, platinum in Canada, Ireland, Netherlands, Sweden, double platinum in the UK and has sold nearly 3.5 million albums in global consumption, and 2.7 billion streams worldwide. Receiving the BRIT’s Critics Choice award in 2015, BAY has gone on to receive a win for “Best Male Solo Artist” at the BRITS, International Newcomer at the ECHO Awards, “Best New Act” & “Best Solo Artist” at the Q Awards, “Most Performed Work” at the Ivor Novello Awards and was nominated for “Best New” & “Best PUSH” at the MTV EMA’s and a MTV VMA for “Best New Act.” On the other side of the globe, he has received a nod for “Best International Artist” at the ARIA Awards in Australia. In addition to selling out shows and performing at festivals across the globe, BAY lent a new version of his song “Running” for the 2016 Sports Relief charity,  is an advocate for the international non-profit Wateraid, designed his own signature line for Topman, and Epiphone created the Limited Edition James Bay Signature “1966 Century” Guitar in his name.

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.

Beth Ditto

Tonight, Beth Ditto returns to her home state of Arkansas to kick off a North American tour in support of Fake Sugar (Virgin Records), her solo debut album. After this eveningߣs show at Revolution Music Room in Little Rock, sheߣll head to Nashville, TN for a performance at the Mercy Lounge tomorrow, March 8. The run includes shows at New Yorkߣs Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27).

Ditto will perform on NBC Late Night with Seth Meyers on Tuesday, March 13. NPR has hailed her as the force-of-nature performer best known for fronting the pop-punk group Gossip. In a four-star live review, The Guardian said, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.

The New York Times praised Ditto as a powerhouse singer and noted that the albums songs have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger. The Wall Street Journal included Fake Sugar in its round-up of The Best Music of 2017 and observed, Great pop for grownups is a rare commodity BethDittodelivers. Paperchristened Ditto rock’s homecoming queen while People highlighted Fake Sugar as one of its Picks, observing, Whether it’s a glittering stomper (Oo La La) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout

Her cover of Im Alive written by Tommy James and first recorded in 1968 by R&B legend Johnny Thunder has been licensed by Max Factor for an international advertising campaign. In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which recently premiered at the Sundance Film Festival.

Beth Ditto ߝ 2018 North American Tour Dates

3/7 ߝ Little Rock, AR @ Revolution Music Room

3/8 ߝ Nashville, TN @ Mercy Lounge

3/10 ߝ Washington, DC @ The 9:30 Club

3/11 ߝ Philadelphia, PA @ Union Transfer

3/14 ߝ Brooklyn, NY @ Brooklyn Steel

3/15 ߝ Cambridge, MA @ The Sinclair

3/16 ߝ Montreal, QC @ Fairmount Theatre

3/17 ߝ Toronto, ON @ Mod Club

3/19 ߝ Chicago, IL @ Lincoln Hall

3/23 ߝ Los Angeles, CA @ The Fonda Theatre

3/24 ߝ Pomona, CA @ The Glass House

3/25 ߝ San Francisco, CA @ Regency Ballroom

3/27 ߝ Portland, OR @ Wonder Ballroom

3/28 ߝ Vancouver, BC @ Imperial

3/29 ߝ Seattle, WA @ Showbox

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com

RETROGRADE

 

“A perfectly balanced duo. They both have incredible skills. They both have wonderful voices. The harmonies are fabulous. And they play the heck out of the guitar…” – NPR Music

Capitol Records will release Retrograde, the new EP from Striking Matches, on February 9. The EP’s title track and “Desire” are selections from the band’s upcoming full-length album, due out later this year. The collection also includes the duo’s compelling version of Buffalo Springfield’s classic protest song, “For What It’s Worth.”

 

Striking Matches will join Phillip Phillips on the first leg of The Magnetic Tour. The North American run will include a two-night stand at The Sinclair in Cambridge, MA (February 14 & 15), a February 18 show at Irving Plaza in New York City and a concert at 3rd and Lindsley in Nashville on February 25. Tickets can be purchased at http://www.strikingmatches.com/#/tour

 

The duo – comprising Sarah Zimmermann and Justin Davis – recently made its Sundance Film Festival debut, performing at the ASCAP Music Café. The pair was also featured on the NFL’s “Heart of the Game” webseries.

 

After releasing the Shameless EP onCapitol Recordslast fall, Striking Matches toured North America and Europe with JOHNNYSWIM. The Tampa Bay Times said, “Striking Matches are both an amazing acoustic songwriting duo and a pair of bluesy electrifying performers…Their voices vibrantly bounce off each other to fun harmonies, most notably in ‘Medicine,’ a song that got the crowd singing along almost immediately.”

 

Watch Striking Matches perform “Medicine” live from Capitol Studios in Hollywood in this video.

Shameless, which was produced by Kennedy Karate (Børns), follows the duo’s 2015 debut album, Nothing But The Silence, which has racked up more than 10 million cumulative streams worldwide.

 

Nothing But The Silence, which was produced by T Bone Burnett,won acclaim in the U.S. and abroad. NPR’s “World Café” hailed Striking Matches as an “Artist to Watch” andBuzzfeednamed the duo as one of the “Artists You Need In Your Life.” USA Today said, “Sarah Zimmermann and Justin Davis give off sparks as singers and writers, but they’re even hotter guitarists. Incendiary.” American Songwriter observed, “these songs crackle and sizzle.” Nothing But The Silence debuted at No. 1 on the iTunes UK Country Chart and several tracks were featured on BBC Radio 2’s playlist.

 

Zimmermann grew up outside Philadelphia, and mastered the guitar, clarinet and violin before middle school. Davis, who is from Atlanta, began playing guitar at an early age. A professor at Belmont University in Nashville paired them up for class projects, and they soon started writing together. Nine of their songs were performed in the first four seasons of the hit television show “Nashville.” In addition to numerous headline outings, Striking Matches have opened for Train and toured the U.S. with The Secret Sisters on a co-headline tour.

 

Retrograde – Track Listing

 

  1. Retrograde
  2. Desire
  3. For What It’s Worth

 

Striking Matches – 2018 Tour Dates

Supporting Phillip Phillips

 

2/10 – Charlotte, NC @ The Neighborhood Theatre

2/11 – Norfolk, VA @ The NorVa Theater

2/13 – Philadelphia, PA @ Union Transfer

2/14 – Cambridge, MA @ The Sinclair

2/15 – Cambridge, MA @ The Sinclair

2/17 – Silver Spring, MD @ The Fillmore

2/18 – New York, NY @ Irving Plaza

2/20 – Carrboro, NC @ Cat’s Cradle

2/22 – Athens, GA @ Georgia Theatre

2/23 – Atlanta, GA @ Variety Playhouse

2/24 – Macon, GA @ Cox Capitol Theatre

2/25 – Nashville, TN @ 3rd and Lindsley

2/27 – Charleston, SC @ Music Farm

2/28 – Saint Petersburg, FL @ Palladium Theatre

3/2 – Jacksonville, FL @ Florida Theatre

3/3 – Ft. Lauderdale, FL @ Revolution Live