Virtual reality has already had a major impact in a range of different industries. IDTechEx predicts in its recent market research reportthat this technology will grow to $8Bn by 2030. One way that virtual reality has been used is in planning. VR technologies have recently been shown by an article in the Financial Times to be used by the City of London Corporation to help with planning decisions for future office areas. Virtual reality will be a key technology of the next decade, with IDTechEx predicting that the augmented and virtual reality market will grow to over $30Bn by 2030.
The City of London collaboration was between the City of London Corporation, Innovate UK, New London Architecture (NLA) and VU.CITY. The level of detail captured by the project is down to a 2cm accuracy in a nearly 3km square area. This is a first for an area of this size, and aims to help planners realize what “plans offer in terms of space, enhancement of the public realm and to the City,” according to Alastair Moss, Chair of the Planning and Transportation Committee at the City of London Corporation. The ability to plan cities with VR technology will allow for more highly advanced urban planning solutions.
Virtual, augmented and mixed reality products have continued to receive high levels of funding and investment during the 2010 decade. This is predicted to continue into the next decade. IDTechExforecasts that the AR/VR and MR to be over $30Bn by 2030. This market will impact many different industries and its use cases wide-reaching and the technology will continue to innovate and accelerate innovation in these industries.
Key Questions answered in these two reports include:
What are the major drivers for optic or display choice in an AR/MR or VR device?
What are the major drivers in the adoption of AR/MR and VR devices? Which use cases benefit the most from this technology?
How will the sales of VR and AR/MR devices evolve from 2020-2030 and what are the drivers behind future growth?
A timeline of some of the major AR and VR headsets of the past. Source: IDTechEx
What is the impact of COVID?
Recently the versatility of mixed and augmented reality products has come to the forefront of the news, with an Imperial led project at the Imperial College Healthcare NHS Trust. COVID has put the spotlight on this hands-free, interactive technology, and it is unlikely that this focus will move for some time. There will be a need for this technology in many new use cases, which previously did not require hands-free, or remote capabilities.
Where can I find more information?
More information on “Optics and Displays in AR, VR and MR 2020-2030” and “Augmented, Mixed and Virtual Reality 2020-2030” can be found at www.IDTechEx.com/Research/WT.
Two MIT Sloan MBAs will launch a new startup called Season Three this fall. The only direct-to-consumer company focused on the fashion lifestyle space in the accelerator, Adam Klein, MBA ’19, and Jared Johnson, MBA ’20, will offer a product line featuring all-weather Merino wool lined boots engineered at MIT.
“Our product fits an open space within the shoe industry that existing shoes have failed to fulfill. The boots are designed for all humans – they are unisex – making style and comfort accessible to everyone. They encourage the exploration of your surroundings, without sacrificing professionalism,” says Klein.
Johnson says, “The resources, support, and mentorship provided at MIT Sloan were invaluable. They helped us go from nothing to something.”
Meeting in MIT Sloan’s MBA Program, the team combined Johnson’s passion for fashion as well as design experience with Klein’s entrepreneurial, finance and legal experience to create an outdoors brand that they describe as a “marriage of fashion, comfort, and functionality.”
The idea began with a personal need, explains Johnson. “We were walking in Boston on a snowy, cold winter day in big chunky boots. We talked about how boots could be designed better not only in terms of style, but also thermal stability. We wanted to create a comfortable boot that anyone could wear to the office and then move throughout the city during the day and to events after work. Out of that came Season Three.”
Klein adds, “Jared brings a tremendous knowledge of footwear to this venture. Before MIT, he pursued design with the goal of working in the fashion and footwear sector.”
At MIT, they began working on the idea through the MITdesignX program in MIT’s School of Architecture and Planning and received support from the MIT Sandbox Innovation Fund. They also received support and mentorship from the Martin Trust Center for MIT Entrepreneurship as well as feedback from faculty, alumni, and classmates. Through classes, they refined their business plan and marketing strategy.
The cofounders designed the boot at MIT with their “Threedom footbed,” which provides shock absorbing qualities for comfort as well as greater absorption of moisture. The boot is temperature controlled by a combination of merino wool and weather-proof leathers.
“No other product caters to the new lifestyle of the ‘WeWork Generation,’ where someone working 60 hours a week needs fashion to seamlessly flow between professional environments, drinks with friends, and side hustles in between. As a unisex brand, we recognize an eagerness within all humans,” says Johnson. “We believe our boots are a product that advocates for collective unity.”
The founders will participate in the delta v program Demo Day presentations at MIT, New York City, and San Francisco in September. They plan to officially launch their online store in November. The boots will be their initial product and retail at $345.
“We’ve received a lot of interest because the boots were designed at MIT and we occupy a unique position in the fashion lifestyle space. We are taking everything we learned in school to build this company, and we look forward to our launch this fall,” says Jared.
The MIT Sloan School of Management is where smart, independent leaders come together to solve problems, create new organizations, and improve the world. Learn more at mitsloan.mit.edu.
MIT Sloan School of Management, Office of Media Relations 1 Main Street, Cambridge, MA 02142 United States
According to the National Institute of Neurological Disorders and Stroke, women are three times more likely to suffer from carpal tunnel syndrome than men, making even the most basic repetitive tasks like typing, using a computer, chopping vegetables and gardening painful. The associated pain or numbness in the hands and wrist that can radiate up the arm and hinder the ability to work is caused by the median or ulnar nerves in the wrist becoming compressed by repetitive motion. The good news is, the pain associated with carpel tunnel can be relieved without surgery. A good fitting wrist brace and a simple exercise, holding the arm out straight and flexing the hand at the wrist, can relieve the pressure on the nerve.
Testing for Carpal Tunnel Syndrome
There are two definitive tests that physicians use to diagnose carpal tunnel: Tinel’s and Phalen’s.
The Tinel’s Test. If tapping on the underside of the wrist causes shooting pains in the hand, it is considered positive.
The Phalen’s Test. If the hands feel heavy, tingling, burning, or numb when holding both wrists in a back-to-back position in front of the body, with the wrists bent at 90 degrees for 90 seconds, it is considered positive.
Carpal tunnel is sometimes mistaken for thoracic outlet syndrome. The tightness, soreness and restrictions in the neck, shoulder, chest muscles and/or a slight shift in one of the ribs – often attributed to thoracic outlet syndrome – can actually result in symptoms much like carpal tunnel. The good news is that easing the symptoms of both carpal tunnel syndrome and thoracic outlet syndrome may be accomplished with a correctly fitting wrist support.
Wrists are not one-size-fits-all. Women’s wrists are, on average, 10 percent narrower than men’s, so it’s important their wrist support is made just for them. The Wellgate for Women Perfect Fit Wrist Support, for example, helps to ease the painful symptoms of carpal tunnel, tendonitis, arthritis and sprains by keeping the wrist in a neutral position to relieve pressure on the median and ulnar nerves during the day and at night.
The American Physical Therapy Association offers these tips for women to limit their chances of getting carpal tunnel syndrome:
Consider using a wrist brace at night and when playing sports to support the wrist in a neutral position.
Take frequent breaks from activities that require repetitive motion, even cooking tasks.
Move only your fingers and keep your wrists straight when typing.
When typing, make sure your spine is flush with the chair back, your shoulders are relaxed, and your feet are flat on the floor.
Keep your computer monitor at eye level.
Women should not just assume they have to live with pain.
About the Author
Dr. Holly Herman has been a physical therapist for more than 43 years, with a full-time private practice in Cambridge, MA. Dr. Herman provides expert care for women and men seeking careful, considerate diagnosis and treatment of orthopedic and other medical conditions. She is dedicated to training physical therapy and other healthcare professionals worldwide.
Three-time GRAMMY® Award-nominated and BRIT Award-winning multiplatinum singer-songwriter James Bay will release his anxiously awaited second full-length album, Electric Lighton Friday, May 18, 2018 via [Republic Records]. Full track list below as well as the album pre-order Here!
Starting today fans can pre-order Electric Light which will unlock an instant download of critically acclaimed single “Wild Love” and brand-new track “Pink Lemonade.” Premiering as Apple Music Beats 1“World Record” today, “Pink Lemonade” illuminates another shade of Electric Light – showcasing Bay’s evolution with a louder sound and transistor guitars. The song comes out right in time for his NBC Saturday Night Live debut performance on Saturday, March10th with host Sterling K. Brown (This Is Us, Black Panther). Check out “Pink Lemonade”Here!
After selling out his spring headline tour, Bay is also announcing details for his expanded North American and European run. Adding nearly 30 new dates, the tour takes Bay across North America and Europe making stops at New York’s Beacon Theater on September 18th and Los Angeles’The Greek Theatreon October 7th. Fan pre-sale for these newly added shows will begin on Wednesday, March 14th at 10am local time, with the public on-sale taking place on Friday, March 16th at 10am local time. Fans can gain access to pre-sale tickets with purchase of any item from shop.jamesbay.com and every pair of online tickets comes with a copy of Electric Light (offer valid for US residents only). Tickets can be found at www.jamesbay.com.
Aspiring to push his own musical boundaries with Electric Light Bay noted: “If I had to describe my first album visually it would probably be a flame – while this new album is about a real sonic and artistic evolution for me. The feeling of a 100 watt bulb expanding and brightening is what I envisioned. Electric Light came to my mind and I knew it was perfect.”
Composed in East London’s Baltic Studios, Bay co-wrote and co-produced Electric Light with longtime friend and collaborator Jon Green and brought onboard Paul Epworth [Adele, Florence and The Machine] to add final production elements to the record. Released on February 8th, single “Wild Love” has already reached 10 million Spotify streams and counting in addition to racking up nearly 3 million views from its official music video co-starring Natalia Dyer of Stranger Things. Watch the “Wild Love” music video here. Across the globe it has earned widespread critical acclaim from NME,Forbes, Harpers Bazaar, Time, GQ UK,Rolling Stone, People, Clash, Billboard, and more.
Be on the lookout for more news from BAY and pre-order Electric LightHERE via Republic Records.
James Bay is the definition of a modern day rock star. Following the release of his debut album Chaos And The Calm, featuring—“Hold Back The River” and “Let It Go”— BAY was nominated for “Best Rock Album,” Best Rock Song,” and “Best New Artist” at the 2016 Grammy Awards. In the UK, the record became the “Biggest New Artist Album Release” that year and has been certified Gold in the United States, Germany, Australia, Switzerland, platinum in Canada, Ireland, Netherlands, Sweden, double platinum in the UK and has sold nearly 3.5 million albums in global consumption, and 2.7 billion streams worldwide. Receiving the BRIT’s Critics Choice award in 2015, BAY has gone on to receive a win for “Best Male Solo Artist” at the BRITS, International Newcomer at the ECHO Awards, “Best New Act” & “Best Solo Artist” at the Q Awards, “Most Performed Work” at the Ivor Novello Awards and was nominated for “Best New” & “Best PUSH” at the MTV EMA’s and a MTV VMA for “Best New Act.” On the other side of the globe, he has received a nod for “Best International Artist” at the ARIA Awards in Australia. In addition to selling out shows and performing at festivals across the globe, BAY lent a new version of his song “Running” for the 2016 Sports Relief charity, is an advocate for the international non-profit Wateraid, designed his own signature line for Topman, and Epiphone created the Limited Edition James Bay Signature “1966 Century” Guitar in his name.
ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.
Tonight, Beth Ditto returns to her home state of Arkansas to kick off a North American tour in support of Fake Sugar (Virgin Records), her solo debut album. After this eveningߣs show at Revolution Music Room in Little Rock, sheߣll head to Nashville, TN for a performance at the Mercy Lounge tomorrow, March 8. The run includes shows at New Yorkߣs Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27).
Ditto will perform on NBC Late Night with Seth Meyers on Tuesday, March 13. NPR has hailed her as the force-of-nature performer best known for fronting the pop-punk group Gossip. In a four-star live review, The Guardian said, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.
The New York Times praised Ditto as a powerhouse singer and noted that the albums songs have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger. The Wall Street Journal included Fake Sugar in its round-up of The Best Music of 2017 and observed, Great pop for grownups is a rare commodity BethDittodelivers. Paperchristened Ditto rock’s homecoming queen while People highlighted Fake Sugar as one of its Picks, observing, Whether it’s a glittering stomper (Oo La La) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout
Her cover of I‘m Alive written by Tommy James and first recorded in 1968 by R&B legend Johnny Thunder has been licensed by Max Factor for an international advertising campaign. In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which recently premiered at the Sundance Film Festival.
“impulses, restraints, tones” New Compositions by Hannah Quinlivan
Opening Reception: March 1, 2018, 6-8pm Exhibition Dates: March 1 – April 20, 2018
February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.
Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.
impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.
This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.
Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”
ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.
March 1, 2018
Daily Performances March 1 – 17, 2018 1-3pm
Artist Talk and Final Performance
March 17, 2018
“A perfectly balanced duo. They both have incredible skills. They both have wonderful voices. The harmonies are fabulous. And they play the heck out of the guitar…” – NPR Music
Capitol Records will releaseRetrograde, the new EP from Striking Matches, on February 9. The EP’s title track and “Desire” are selections from the band’s upcoming full-length album, due out later this year. The collection also includes the duo’s compelling version of Buffalo Springfield’s classic protest song, “For What It’s Worth.”
Striking Matches will join Phillip Phillips on the first leg of The Magnetic Tour. The North American run will include a two-night stand at The Sinclair in Cambridge, MA (February 14 & 15), a February 18 show at Irving Plaza in New York City and a concert at 3rd and Lindsley in Nashville on February 25. Tickets can be purchased at http://www.strikingmatches.com/#/tour.
The duo – comprising Sarah Zimmermann and Justin Davis – recently made its Sundance Film Festival debut, performing at the ASCAP Music Café. The pair was also featured on the NFL’s “Heart of the Game” webseries.
After releasing the Shameless EP onCapitol Recordslast fall, Striking Matches toured North America and Europe with JOHNNYSWIM. The Tampa Bay Times said, “Striking Matches are both an amazing acoustic songwriting duo and a pair of bluesy electrifying performers…Their voices vibrantly bounce off each other to fun harmonies, most notably in ‘Medicine,’ a song that got the crowd singing along almost immediately.”
Watch Striking Matches perform “Medicine” live from Capitol Studios in Hollywood in this video.
Shameless, which was produced by Kennedy Karate (Børns), follows the duo’s 2015 debut album, Nothing But The Silence, which has racked up more than 10 million cumulative streams worldwide.
Nothing But The Silence, which was produced by T Bone Burnett,won acclaim in the U.S. and abroad. NPR’s “World Café” hailed Striking Matches as an “Artist to Watch” andBuzzfeednamed the duo as one of the “Artists You Need In Your Life.” USA Today said, “Sarah Zimmermann and Justin Davis give off sparks as singers and writers, but they’re even hotter guitarists. Incendiary.” American Songwriter observed, “these songs crackle and sizzle.” Nothing But The Silence debuted at No. 1 on the iTunes UK Country Chart and several tracks were featured on BBC Radio 2’s playlist.
Zimmermann grew up outside Philadelphia, and mastered the guitar, clarinet and violin before middle school. Davis, who is from Atlanta, began playing guitar at an early age. A professor at Belmont University in Nashville paired them up for class projects, and they soon started writing together. Nine of their songs were performed in the first four seasons of the hit television show “Nashville.” In addition to numerous headline outings, Striking Matches have opened forTrainand toured the U.S. with The Secret Sisterson a co-headline tour.
Retrograde – Track Listing
For What It’s Worth
Striking Matches – 2018 Tour Dates
Supporting Phillip Phillips
2/10 – Charlotte, NC @ The Neighborhood Theatre
2/11 – Norfolk, VA @ The NorVa Theater
2/13 – Philadelphia, PA @ Union Transfer
2/14 – Cambridge, MA @ The Sinclair
2/15 – Cambridge, MA @ The Sinclair
2/17 – Silver Spring, MD @ The Fillmore
2/18 – New York, NY @ Irving Plaza
2/20 – Carrboro, NC @ Cat’s Cradle
2/22 – Athens, GA @ Georgia Theatre
2/23 – Atlanta, GA @ Variety Playhouse
2/24 – Macon, GA @ Cox Capitol Theatre
2/25 – Nashville, TN @ 3rd and Lindsley
2/27 – Charleston, SC @ Music Farm
2/28 – Saint Petersburg, FL @ Palladium Theatre
3/2 – Jacksonville, FL @ Florida Theatre
3/3 – Ft. Lauderdale, FL @ Revolution Live
email@example.com box 361566los angeles, ca 90036213.841.1841
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