Posts tagged with "Blondie"

Blondie the band via 360 Magazine

BLONDIE

In what has become another major year for Blondie, the New York legends mark a career milestone with the release of the first-ever authorized and in-depth archive in their history, a rarity for a band almost 50 years into their career with 40 million records sold. Blondie: Against The Odds 1974-1982 will be released on August 26th via UMe and The Numero Group and is available to pre-order now.

See the unboxing of the Super Deluxe Collectors’ Edition HERE, and listen to Blondie’s previously unreleased recording of Moonlight Drive, out today.

Remastered from the original analog tapes and cut at Abbey Road Studios, this expansive box set is available in four formats (Super Deluxe Collectors’ Edition, Deluxe 4LP, Deluxe 8CD, and 3CD editions). Housed in a foil-wrapped carton, Against The Odds includes extensive liner notes by Erin Osmon, track by track commentary from Debbie Harry, Chris Stein, Clem Burke, Jimmy Destri, Nigel Harrison, Frank Infante, and Gary Valentine, essays by producers Mike Chapman, Richard Gottehrer, and Ken Shipley, a 120-page illustrated discography, and hundreds of period photographs.

Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music’s core DNA. What the seven members of Blondie, made up of iconic frontwoman/songwriter Debbie Harry, guitarist/conceptual mastermind Chris Stein, powerhouse drummer Clem Burke, keyboardist Jimmy Destri, bassist Gary Valentine, guitarist Frank Infante, and bassist Nigel Harrison, set to tape over those first eight years remains among the most timeless music of its era.

This archive box set—the first band-authorized collection in their 50-year history—is a collective moment to celebrate their legacy and be immersed into Blondie’s genre-bending sonic universe, including their first six studio albums recorded for Chrysalis; Blondie, Plastic Letters, Parallel Lines, Eat To The Beat, Autoamerican, The Hunter, and in turn their catalogue of era-defining hits Heart Of Glass, Atomic, Tide Is High, Sunday Girl, Rapture, and Call Me. These six groundbreaking albums have been expanded to include over four dozen demos (including the group’s first-ever recording session), alternate versions, and studio outtakes, creating a near-complete document of Blondie’s studio sessions before their 1982 hiatus.

Debbie Harry said, “It really is a treat to see how far we have come when I listen to these early attempts to capture our ideas on relatively primitive equipment. Fortunately, the essence of being in a band in the early 70s held some of the anti-social, counter-culture energies of the groups that were the influencers of the 60s. I am excited about this special collection. When I listen to these old tracks, it puts me there like I am a time traveler. As bad as it was sometimes, it was also equally as good. No regrets. More music.”

“I am hopeful that this project will provide a glimpse into the ‘process’ and some of the journey that the songs took from idea to final form,” guitarist Chris Stein said. “Some of this stuff is like early sketches; the old tape machines are like primitive notebooks. The trickiest thing for me was always about getting the melodies out of my head into reality and the changes that would happen along the way.”

“It is amazing that after all this time, and against the odds, our Blondie archival box set will finally be released. It’s been a long time coming and we are all very happy and excited with the final results,” drummer Clem Burke added.

“From the moment I walked into Chris Stein’s barn and saw a wall of tapes I knew we were on the precipice of something extraordinary,” producer Ken Shipley said. “Against The Odds is a treasure chest disguised as a box set.”

”Blondie is a group of extraordinary artists,” producer Steve Rosenthal said. “Years of searching, months of mixing, mastering and restoration, days of decisions went into this box set to highlight the unique path they traveled —from CBGBs to MSG.”

Against The Odds has an unusual beginning; for nearly two decades, the bulk of Blondie’s audio and visual archive sat inside Chris Stein’s unassuming barn just outside Woodstock, New York. One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London’s Hammersmith Odeon. All of it lay in wait through twenty humid summers and twenty frigid winters.

From this chaotic hoard of ephemera, the long-gestating Against The Odds project was born, serving now as a new map of musical history.

Undeniably one of the most trailblazing and influential bands of our time, Blondie is pioneering frontwoman/songwriter Debbie Harry, guitarist/conceptual mastermind Chris Stein and powerhouse drummer Clem Burke, along with now long-standing bandmates bassist Leigh Foxx, guitarist Tommy Kessler, and keyboardist Matt Katz-Bohen. 

Among their hits is the groundbreaking rock-disco hybrid Heart of Glass the equally influential hip-hop fantasia Rapture the stalker-love song One Way Or Another and the lilting calypso The tide Is High. It’s a thrilling journey back to when Blondie pushed punk onto the dance floor and introduced a wider audience to hip-hop sounds, all the while building a catalogue of enduring hits along the way. 

For the last four decades, Blondie has become and still remains a true global icon; one whose influence both shaped and continues to inform the worlds of music, fashion, and art. From an irreverent Lower East Side punk outfit to bona fide international ambassadors of New York cool, Blondie will forever be synonymous with that punk spirit that lives somewhere in all of us. Their chart-topping success, fearless spirit, and rare longevity led to an induction into the Rock ‘N’ Roll Hall of Fame in 2006 and more than 40 million albums sold worldwide to date. As we look back at the band’s storied career, it makes Blondie’s current vibrancy that much more stunning after 40 years of entertaining all of us.

Pre-Order Blondie: Against The Odds 1974-1982 ​​ HERE.

Beth Ditto

Tonight, Beth Ditto returns to her home state of Arkansas to kick off a North American tour in support of Fake Sugar (Virgin Records), her solo debut album. After this eveningߣs show at Revolution Music Room in Little Rock, sheߣll head to Nashville, TN for a performance at the Mercy Lounge tomorrow, March 8. The run includes shows at New Yorkߣs Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27).

Ditto will perform on NBC Late Night with Seth Meyers on Tuesday, March 13. NPR has hailed her as the force-of-nature performer best known for fronting the pop-punk group Gossip. In a four-star live review, The Guardian said, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.

The New York Times praised Ditto as a powerhouse singer and noted that the albums songs have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger. The Wall Street Journal included Fake Sugar in its round-up of The Best Music of 2017 and observed, Great pop for grownups is a rare commodity BethDittodelivers. Paperchristened Ditto rock’s homecoming queen while People highlighted Fake Sugar as one of its Picks, observing, Whether it’s a glittering stomper (Oo La La) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout

Her cover of Im Alive written by Tommy James and first recorded in 1968 by R&B legend Johnny Thunder has been licensed by Max Factor for an international advertising campaign. In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which recently premiered at the Sundance Film Festival.

Beth Ditto ߝ 2018 North American Tour Dates

3/7 ߝ Little Rock, AR @ Revolution Music Room

3/8 ߝ Nashville, TN @ Mercy Lounge

3/10 ߝ Washington, DC @ The 9:30 Club

3/11 ߝ Philadelphia, PA @ Union Transfer

3/14 ߝ Brooklyn, NY @ Brooklyn Steel

3/15 ߝ Cambridge, MA @ The Sinclair

3/16 ߝ Montreal, QC @ Fairmount Theatre

3/17 ߝ Toronto, ON @ Mod Club

3/19 ߝ Chicago, IL @ Lincoln Hall

3/23 ߝ Los Angeles, CA @ The Fonda Theatre

3/24 ߝ Pomona, CA @ The Glass House

3/25 ߝ San Francisco, CA @ Regency Ballroom

3/27 ߝ Portland, OR @ Wonder Ballroom

3/28 ߝ Vancouver, BC @ Imperial

3/29 ߝ Seattle, WA @ Showbox

Beth Ditto x I’m Alive

Beth Ditto‘s compelling version of “I’m Alive” is out today and available for download and streaming HERE. View the static video HERE. Max Factor has licensed the track for an international advertising campaign that will begin airing in the U.K. in February. Written by Tommy James, “I’m Alive” was first recorded in 1968 by R&B legend Johnny Thunder.

“Being alive is radical right now! So let’s live!” said Beth Ditto, who adds she was drawn to the song’s simple, elemental joy, which feels defiant in the darkness of the current social and political landscape.

Ditto will kick off her first tour of 2018 on March 7 in her home state of Arkansas, performing at Revolution Music Room in Little Rock. Tickets are on sale now for the North American run, which includes shows at New York’s Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27). See below for itinerary or visit www.bethditto.com.

Hailed by NPR as the “force-of-nature performer best known for fronting the pop-punk group Gossip,” Ditto recently released her debut solo album, Fake Sugar (Virgin Records). The official video for “Fire,” which has over two million views, can be seen HERE. Other clips include “We Could Run” and the animated lyric video for “In And Out.”

In a four-star live review The Guardian said, “Ditto has said this is her southern record, and opener Oh My God kicks in with a funk-rock beat as she channels the mid-80s power vocals of Bonnie Tyler, complete with a front-of-stage electric fan to give her the perfect windswept look. On In and Out and Fake Sugar, she closes her eyes and draws out the tender trill in her voice, giving her the air of a heartbroken Nashville queen. And like Dolly Parton, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.”

The Wall Street Journal included Fake Sugarin its round-up of “The Best Music of 2017” and observed, “Great pop for grownups is a rare commodity…Beth Ditto delivers.” The New York Times praised Ditto as a”powerhouse singer” and noted that the album’s songs”have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger.” Paperchristened Ditto “rock’s homecoming queen” while People highlighted Fake Sugar as one of its “Picks,” observing, “Whether it’s a glittering stomper (‘Oo La La’) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout…”

In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which premieres at the Sundance Film Festival today.