Posts tagged with "npr"

CREEM Winter 2022 by Jeremy Dean via 360 MAGAZINE.

CREEM Winter 2022

CREEM Reveals New 2nd Issue Cover Art + Merch By Jeremy Dean (The Rolling Stones, Black Flag, Grateful Dead)

Henry Rollins & Joe Rogan Feature Out Now

Issue #002 Coming December 15

ft. Smashing Pumpkins / Hole Photo Diary, A Look Into David Berman’s Final Days, A Creedence Clearwater Revival CIA Scandal, The Winklevoss Twins & More

Early Black Friday Sale Starts Today With 25% Off Annual Subscriptions

Today, the iconic and newly reborn CREEM revealed the cover art and the table of contents for its second issue since the magazine’s audacious relaunch earlier this year. Inspired by the punk zines of yesteryear, CREEM’s new cover and limited edition apparel capsule are designed by visionary artist Jeremy Deanbest known for his “Wonders of Black Flag” tees mashing up Grateful Dead & Black Flag iconography, alongside working with The Rolling Stones, Circle JerksCeremony & more.

“I think that my love for zines and that sort of photocopied and degraded look was really interesting to me, and I try to pay tribute in my work,” Dean explains. “We live in a world where everyone has a professional camera in their pocket, not to mention software like Photoshop. I like when photos are a little blurry, when someone’s art is imperfect, messy, and even a little fucked up.”

The Winter 2022 issue will hit subscribers’ mailboxes and online December 15, just in time for the holidays. Customers can now enjoy an unprecedented 25% off an annual print subscription to CREEM, as part of an early Black Friday sale running through November 27 – Subscribe here.

Readers can also pre-order items from the related limited edition capsule, featuring four shirts and two art prints with original designs by Dean, exclusive to CREEM.

Get an early taste for the issue with a feature by Michael Friedrich that pointedly connects the cultural dots from Henry Rollins to Joe Rogan, released today at CREEM.com, available to those who subscribe or sign up for a 30-day free trial, along with the entire CREEM archive.

Included in the Winter 2022 issue will also be Melissa Auf der Maur‘s never-before-seen Smashing Pumpkins & Hole photo diary, a Creedence Clearwater Revival CIA scandal, an insider account of the last days with David Bermana feature by Sam McPheeters on billionaire CEOs like the Winklevoss twins “purchasing” rock-star status and more.

One of the most unlikely and successful media launches of the year, CREEM debuted its first magazine issue since 1989 in September, along with the CREEM Archive featuring every issue from the magazine’s original 20 year run. Vanity Fair revealed the first print cover for the new oversized subscription-only premium quarterly, featuring original art by the legendary Raymond Pettibon (responsible for Sonic Youth’s Goo album cover & others), along with stories on The Who, Terry AllenSpecial Interest & KeiyaA, a reassessment of The Osmonds’ metal album and revival of their Stars Cars column with Slash.

Founded in 1969 Detroit, CREEM grew from underground paper to national powerhouse – an essential source of music journalism for twenty years. It reflected and shaped the culture, cultivating some of the most legendary writing talent of the era: Lester Bangs, Cameron Crowe, Patti Smith, Robert Christgau and Jaan Uhelszki, who now returns as editor. The magazine’s original rise and fall is chronicled in the critically-acclaimed 2020 documentary CREEM: America’s Only Rock ‘n’ Roll Magazine, which earned praise everywhere from The New York Times to CBS This Morning.

Today, CREEM Entertainment is led by former VICE publisher John Martin as CEO, alongside Chairman JJ Kramer (son of original CREEM co-founder & publisher Barry Kramer). In addition to Uhelszki, the new CREEM editorial staff includes VP of Content Fred Pessaro formerly of VICE’s NoiseyExecutive Editor Dan Morrissey from Entertainment Weeklyand Senior Editor Maria Shermanfollowing her work at NPR, Rolling Stone, BuzzFeed, Jezebel, Netflix, ELLE and her critically acclaimed book, LARGER THAN LIFE: A History of Boy Bands. Editorial Director Dave Carnie has worked with Jackass, ESPN, Big Brother, and PenthouseGrace Scott joins as Associate Editor after her work with VICE & The Toronto Star, and Zachary Lipez as Editor at Large, following his work with Pitchfork, The Washington Post and others. This fall, CREEM welcomed Stephanie Augello as Photo Editor. Augello is an entertainment photographer and editor who has worked with Live Nation, Shutterstock Editorial, and ABC.

CREEM Issue #002:

The Hole Truth

Melissa Auf der Maur lived through this.

BY DAN MORRISSEY

Freak on a Leash

LustSickPuppy is CREEM’s new top dog. Awooooo!!!

BY LEAH MANDEL

Purple Mountains’ Majesty

The final days of David Berman.

BY TIM ABBONDELO

Compliance Rock o’ Clock

A look at the recent trend of billionaire CEOs arrogant enough to think they can purchase rock-star status.

BY SAM McPHEETERS

Double Fantasy

The undeniable horniness of playing music with someone.

BY ROB GOYANES

PLUS: Duet Till the Wheels Fall Off The CREEM staff rates rock couples.

Heavy Metal

Justin Borucki’s masterful tintype photography.

When Henry Met Joe…

In the DIY ethos of Roganism, all roads lead back to Rollins.

BY MICHAEL FRIEDRICH

Dilly Dally Feel Free

You’re indie rock’s critical darlings until you’re not. So when one of the biggest bands on the planet invited Dilly Dally on tour, who were they to say no?

BY KATE KILLET WITH MARIA SHERMAN

Eleganza: Like Mods to a Flame

Remembering moth, the fad that was too cool to be true.

BY ZACHARY LIPEZ

Unfortunate Son

How the CIA stole $5 million from Creedence Clearwater Revival to bust commies.

BY ROBERT SKVARLA

Beat Generation

Makaya McCraven helped turn hip-hop-savvy listeners on to jazz. Now he’s unveiled a soothing suite for dark times.

BY HANK SHTEAMER

Be Our Guest

A pictorial by Jackie Lee Young.

About CREEM Entertainment:

CREEM Entertainment is the modern-day reincarnation of Detroit’s legendaryCREEM Magazine. During its initial twenty-year run, CREEM launched the careers of countless iconic music journalists and bands, while never hesitating to lampoon those who took themselves too seriously. Today’s CREEM, powered by the next generation of cage-rattling truth tellers and provocateurs, delivers the best content, merchandise, and experiences to rock ‘n’ roll fans of all ages. Boy Howdy!

WILLOW via 360 MAGAZINE

WILLOW – COPINGMECHANISM

NEW ALBUM 

<COPINGMECHANISM>

OUT TODAY

MUSICAL GUEST ON SATURDAY NIGHT LIVE  TOMORROW OCTOBER 8TH

ur a <stranger>” MUSIC VIDEO PREMIERE

Her best [album] yet… WILLOW’s musical ambition has always been there, but here it’s matched by larger-than-life rock that borrows from multiple eras, smashing those influences into something new.

Rolling Stone

“An adventurous step forward for an already-versatile young artist, as well as her deepest dive yet into rock music.”

Billboard

WILLOW has finally found her lane in the space where bouncy pop-punk and anguished emo-rock converge.”

The New York Times

Her most fully realized record yet… Her raw R&B-infused vocals, like a dagger draped in silk, are a megaphone for Gen Z’s caustic angst.”

Entertainment Weekly

“Further evidence that the young artist is impossible to pigeonhole.”

The AV Club

“The singer-songwriter pushes herself into a heavier sound and finds catharsis on her fifth album.”

Consequence

“WILLOW embodies the rock star she was destined to be.”

NPR

“Consistently takes unexpected turns yet culminate in her most cohesive project to date… Bears traces of everywhere WILLOW has been throughout her career, which feels both storied and like it’s only just beginning.” 

Exclaim

WILLOW releases her highly anticipated new album <COPINGMECHANISM> today, along with the self-directed music video for the fiery “ur a <stranger>,” co-starring Paris Jackson

<COPINGMECHANISM> was produced by WILLOW and Chris Greatti and follows 2021’s explosive release, lately I feel EVERYTHING.

WILLOW is set to play Saturday Night Live tomorrow, October 8th with host Brendan Gleeson

Additionally WILLOW has announced a pair of release shows in Los Angeles at The Novo on October 31st and New York at Terminal 5 on November 3rd. Don’t miss the opportunity to experience <COPINGMECHANISM> live!

Track List:

1. <maybe> it’s my fault

2. Falling Endlessly

3. curious/furious

4. WHY?

5. <Coping Mechanism>

6. Split

7. hover like a GODDESS

8. ur a <stranger>

9. Perfectly Not Close To Me (feat. Yves Tumor)

10. No Control

11. BATSHIT!

FOLLOW WILLOW ON

WEBSITE | TIK TOK | INSTAGRAM | TWITTER | FACEBOOK

SPOTIFY | YOUTUBE | APPLE MUSIC

cover art of HEARTACHE & LSD: ACT II via Republic Records for use by 360 Magazine

HAUSKEY – Heartache & LSD: Act II

Following the release of Emilee: Act I earlier this summer, Australian artist, producer, and one-to-watch Hauskey reveals the second act of his three-part mixtape project entitled Heartache & LSD: Act II, out via slowplay/Republic Records on August 12th—listen HERE. Exploring the highs and lows of Hauskey’s mental health journey over the past two years, the psychedelic Act II finds him attempting to break free from his depression (“Emilee”) and confronting his mental health and sense of self.

Hauskey says, “In Act II, Heartache & LSD, the struggle begins. I start to break away from Emilee and wrestle my sense of self and mental health back. I deal with that all important first LSD trip in the title track, my struggles with body image and self-love in ‘Love Me’, my innate habit to doubt myself in ‘Second Guess’, and reflecting on a childhood that wasn’t so drowned in anxiety in ‘Head In The Clouds’.”

All songs in the mixtape series were written, produced, performed, and mixed by Hauskey. Praising Act INotion described the second and third acts as “a trippy re-examination of self and the well-earned resolution in which he now resides.”

He previously shared the meaning behind Emilee, saying, “I really wanted to name my depression and make it a character in the story. I landed on singing names ending with ‘e’ by chance, googled a few ideas and found Emilee means ‘rival, laborious’ and figured that fit pretty damn well. With my nemesis named, the song may as well have written itself.”

Hauskey first debuted in 2020 with his breakout hit “Slow.” The sunshine bop was followed by a slew of fan favorite singles, like “Somewhere” and “Silver Lining,” and his critically acclaimed debut EP, Slow. In 2021, Hauskey followed up this early success with “Go Wrong,” “Cream Shirt,” and his first collaboration, “One Minute” featuring Hope Tala, along with sold out headline shows across Australia. Along the way, he confirmed himself as an artist to watch—receiving international support from triple j and BBC Radio 1, as well as praise from press around the globe, including NPRBillboard, MTV NewsSPINNMEClashThe Line Of Best FitNotionDIYDorkCoup De MainOnes To Watch, and many more. Not to mention, during a very special live performance at the 2021 APRA Music Awards, Hauskey teamed up with Sycco and Stevan for a cover of Tame Impala’s “Lost In Yesterday,” bringing Kevin Parker and his family to tears—watch the performance HERE.

Stay tuned for Act III to come from Hauskey this fall.

HEARTACHE & LSD: ACT IITRACKLIST

  1. “Heartache & LSD”
  2. “Love Me”
  3. “Head In The Clouds”
  4. “Second Guess”

ABOUT HAUSKEY
2020 and 2021 proved to be landmark years for Australian artist and producer Hauskey. He introduced himself to the world with his breakout single “Slow,” released his debut EP of the same name, sold out dates across Sydney and Melbourne, and dropped fan favorite singles “Go Wrong,” “Cream Shirt,” and more, tallying millions of streams along the way. He also incited widespread critical applause from NMEClashThe Line of Best FitNotionDIY MagazineDORK MagazineBillboardCoup De Main, and Ones To Watch, to name a few. Last year, Hauskey graced the stage of the APRA Music Awards for a seismic rendition of Tame Impala’s “Lost In Yesterday” with Sycco and Stevan, which left frontman Kevin Parker and his family in tears of joy. However, Hauskey only parlayed this momentum into his most ambitious creative output to date, the three-act mixtape Emilee, Act 1, Act 2, and Act 3. The ebb and flow of the first installment, Act 1, sets the stage for an honest, yet hard-hitting and heartfelt exploration of mental health struggles in one of the darkest periods of Hauskey’s life. He explains, “The project follows my mental health journey from low to high—from being suicidal to loving life again. There’s a song for every stage; from utter depression, to getting help, to dealing with my self-worth and body image, to seeing how things might be brighter.”

Doechii New Single "she / her / black bitch" Cover Art via U Music Group for use by 360 MAGAZINE

DOECHII – SHE

Today Doechii drops her first EP for Top Dawg Entertainment / Capitol Records she / her / black bitch. Listen HERE.

The EP includes production from Kal Banx, Hit-Boy, Bankroll Got It and Devin Malik, and is Executive Produced by Anthony ‘Top Dawg‘ Tiffith and Anthony Moosa Tiffith Jr.

The project cements the Tampa native as a distinct voice whose versatile talents range from quick-fire bars to seductive singing. On she / her / black bitch Doechii outlines different layers of her life experience: from villainous to confident to soft and sad, and to overall proving that she matters. As NPR stated Doechii reclaims and spits back at anyone who dares to diminish her power.

Many times I’ve been referred to as a bitch as a way to gaslight me out of certain spaces, something I think many people can relate to in one way or another,” says Doechii. “Lots of people will call you various names for doing something differently.

So I decided to take ownership of the black bitch and title my EP she/ her/ black bitch and reclaim that motherf***ing power, Doechii continues. So if you’ve ever been put down for being yourself, just remember you’re powerful and unapologetic- these songs are for you.”

In 2022 the Doechii came out swinging, chosen as an XXL Freshman and tapped as an Artist to Watch in Rolling Stone, NPR, Vulture, Complex, Uproxx, Pigeons and Planes, FADER, and more. Doechii performed on both The Tonight Show with Jimmy Fallon and on the mainstage on the BET Awards. She was also chosen as the RADAR US Cover Artist at Spotify; the VEVO DSCVR Artist for June; the BET Artist of the Month; MTV‘s Push Artist for July; and Billboard crowned her both Artist of the Month and a Queer Game-Changer. Doechii‘s record Persuasive also made Obama‘s Summer playlist.

Doechii has dominated since the release of her unwaveringly original EPs 2020s, Oh the Places You‘ll Go, featuring the viral smash Yucky Blucky Fruitcake, and 2021’s BRA-LESS. This new release continues a hot streak for Doechii following the brazen Bitch I’m Nice the rebellious Crazy and the seductive Persuasive (which SZA later jumped on).

Expect more unparalleled, genre-bending music from the multi-faceted Doechii, the self-proclaimed swamp princess.

India Shawn New Video "Caught In The Middle" via Epic Records for use by 360 MAGAZINE

INDIA SHAWN – CAUGHT

INDIA SHAWN RELEASES “CAUGHT IN THE MIDDLE” VIDEO WATCH NOW

NEW ALBUM BEFORE WE GO DEEPER OUT NOW

Listen to her full-length debut album, Before We Go Deeper, via Epic Records  HERE.

Flaunting a myriad of moods, her spirt shines on the single “CAUGHT IN THE MIDDLE. Clean throwback guitar threads through a head-nodding tambourine-driven beat as she relives the ups and downs of a rocky romance in a call-and-response chorus. At the heart of the track, she flexes her expansive vocal range, stretching from intimate intonation into moments of heavenly high register. The video is directed by Dennis Leupold.

With early pick up from Rated R&BVIBE MagazineUPROXXYouKnowIGotSoulandOkayplayer – BEFORE WE GO DEEPER evokes every side of INDIA’s inimitable style. “WHEN I CALL” glides on an otherworldly bounce as she urges, “Give me love, when I call, pick it up. Her voice flutters above acoustic guitar on the intimate “SAME FLOOR, while “JUST YOU” serves as sweet conclusion punctuated by a funky riff, swooning strings, and organic percussion. On the finale, she assures, “All I wanted is just you. Meanwhile, the project boasts fan favorites such as “CALI LOVE,” “DON’T PLAY WITH MY HEART, “TOO SWEET” [feat. Unknown Mortal Orchestra], “NOT TOO DEEP” [feat. 6LACK], and “MOVIN ON” [feat. Anderson .Paak].

ABOUT INDIA SHAWN
India Shawn is unfiltered and fearless. Listening to the rising R&B singer/songwriter’s music feels less like playing a record and more like catching up with an old friend. She bares all—nothing is off-limits. This vulnerable approach has informed all of the music she’s released over the last few years, but she applies it with a special focus on her new album Before We Go (Deeper). Over 14 songs, she reflects on emotional highs and lows, shares buried secrets, and traces the contours of world-shattering heartbreak. She projects these deeply personal musings through a kaleidoscope of old-school R&B and West Coast cool that is as heady as it is undeniable. Launching her career in famed writing collective Full Circle, Shawn initially made waves in the music industry by penning hits for Chris Brown, Diddy-Dirty Money, El DeBarge, and Keri Hilson. In between performing in Kanye West’s Sunday Service and touring with Anderson .Paak and The Free Nationals, the rising artist built a loyal — and rapidly growing — following with independent releases such as Origin and Outer Limits, which showcase her soulful and seductive approach. After garnering over 20 million streams and receiving critical acclaim from NPR, Billboard, HYPEBEAST, Noisey, and UPROXX, Shawn is finally ready to share all of herself and empower an even larger audience with her deeply personal anthems. “I’m a voice for women who know their worth and what they want,” she says. “And won’t settle for anything less.”

Photo of WILL HOGE via Big Hassle Media for use by 360 Magazine

WILL HOGE – JOHN PRINE’S CADILLAC

GRAMMY Award-nominated Nashville rock ‘n’ roller Will Hoge has shared the official music video for his triumphant single, “John Prine’s Cadillac,” on YouTube.

A celebratory nod to Hoge‘s songwriting hero ringing out with power chords and cymbal crashes, “John Prine’s Cadillac” heralds the veteran singer-songwriter’s eagerly awaited 12th studio album, WINGS ON MY SHOES, arriving Friday, August 26 on CD, cassette, and all digital formats; a standard vinyl edition follows soon after. Pre-orders are available now HERE.

WATCH “JOHN PRINE’S CADILLAC”

LISTEN TO “JOHN PRINE’S CADILLAC”

PRE-ORDER WINGS ON MY SHOES

Hoge will mark the arrival of WINGS ON MY SHOES with a typically busy live schedule, including headline dates and festival appearances getting underway tomorrow, July 15, at Dayton, OH’s Levitt Pavilion and then traveling into the summer. For more ticket information, please visit www.willhoge.com/shows.

WINGS ON MY SHOES marks yet another milestone on Will Hoge‘s two-decade-plus musical journey, an already remarkable career that has seen him logging countless miles on the road and crafting an ongoing body of work that has earned acclaim from media outlets spanning Rolling Stone and American Songwriter to NPR and Forbes, a GRAMMY Award nomination for “Best Country Song” (honoring the Eli Young Band’s chart-topping cover of his “Even If It Breaks Your Heart”), and an intensely loyal worldwide fan following.

Produced by Hoge during a week’s worth of live performances at Nashville’s Sound Emporium Studios, WINGS ON MY SHOES was preceded earlier this year by the powerful album-closing “Whose God Is This?,” available for streaming and download HERE. The album – which sees Hoge joined by his longtime backing combo, guitarist Thom Donovan, drummer Allen Jones, and bassist Christopher Griffiths, with guest multi-instrumentalist Joshua Grange contributing pedal steel and organ – features few overdubs and zero studio trickery, wearing its rough edges with pride to stand tall as a document of a hardscrabble band at work, sweating and stomping its way toward rock ‘n’ roll redemption.

Written largely during the pandemic era, WINGS ON MY SHOES is, at its core, a testament to Hoge‘s renowned gifts as a songwriter, highlighting the diverse perspectives of an expert craftsman whose songs turn Southern storytelling into universal sentiment. From the jubilant jangle of “It’s Just You” and the furious “All I Can Take” – the latter an inspired blast of bar band bombast recorded in a single take – to the stunning, string-laced “The Last One To Go” and the desperate narrative drive of “Dead Man’s Hand,” Hoge distills American roots music to its essential ingredients, carrying the torch for an enduring blue collar sound rooted in ringing guitars, anthemic songcraft, and steadfast lyrical integrity.

I always want to embrace change,Hoge says, “to accept new things artistically, but at the end of the day, I can try to run from this idea that I love good, guitar-based rock ‘n’ roll music or I can wear that badge of honor. I’m in the -wearing the badge of honor- phase now.

picture of SG LEWIS via Capitol Music Group for use by 360 Magazine

SG LEWIS’ 2022 NORTH AMERICAN TOUR

Following the release of his new double A-Side single, ‘Missing You’ / ‘Something About Your Love, London-based singer-songwriter, producer and DJ, SG Lewis, has announced a new run of North American Tour dates. The 20-date tour will kick off October 6 in Boston, making stops in BrooklynWashington DCTorontoChicagoAtlantaDallasSalt Lake CityLos AngelesSeattle and more, before concluding in Portland, OR on November 12.

Speaking about getting back out on the road, SG Lewis reveals, “After years of tentative touring and cautious planning, I’m unbelievably excited to finally announce my first full US tour since 2019. I’m buzzing to be playing in some cities I’ve wanted to visit for so long, and so excited to bring you a completely new live show.

The local presale begins tomorrow, Wednesday July 13th at 10 AM, through Thursday July 14th at 10 PM local time, followed by an exclusive Spotify Presale on Thursday, 10 AM – 10 PM local time. Tickets go on sale to the general public starting Friday, July 15th at 10 AM local time. For a full list of upcoming live dates and to purchase tickets, please visit www.sglewismusic.com.

These headlining dates will follow his previously announced live shows this summer, including his return to the beloved Palm Springs pool party festival Splash House on Saturday, August 13, and festival performances at Life Is Beautiful Festival in Las Vegas (TICKETS) on Friday, September 16 and the Portola Festival in San Francisco (TICKETS) on Sunday September 25.

Last week, SG Lewis returned with two brand new singles: the nocturnal dancefloor-filler ‘Missing You‘ and the italo-influenced anthem ‘Something About Your Love.’ Right out of the gate, ‘Missing You,’ which The FADER hailed as an “80s synth-rave carried on the back of a snappy Linn drum-sprinkled beat that would make Starboy-era The Weeknd salivate,” reaches for dancefloor glory with its shimmering synths and neon bass line, nodding to eighties new wave with a chantable chorus, “I’m not missing you like I’m supposed to.” On the flip side, ‘Something About Your Love‘ fuses a funk-inflected bass line and tambourine with a luminous refrain. The release was celebrated by Dancing Astronaut, who said “Altogether, Missing You / Something About Your Love affirms SG Lewis‘ status as a musical auteur with a knack for merging the sounds of earlier decades with today’s sonics in an ever novel, dance floor-facing fashion.” Both tracks are available to buy/stream as a double A-side single today via Astralwerks.

Listen to ‘Missing You / Something About Your Love’ HERE.

Ushering in a brand-new chapter, the 70s and 80s have provided a rich seam of inspiration for contemporary artists like SG Lewis (real name Sam Lewis) and nowhere is this more potent than today’s releases. Missing You‘ illuminates Lewis‘ unmatched ability to take underground club music somewhere fresh and towards a new generation and reaches for dancefloor glory with its shimmering synths and neon bass line, nodding to eighties new wave in timeless pop ecstasy. On the other end of the spectrum, the Daft Punk inspired Something About Your Love‘ showcases 70s-era drums, a funk-inflected bass hook, disco-styled groove, and a luminous refrain. Both tracks are classic but deeply contemporary cuts with one suited to the adrenaline rush of your wildest night out, and the other to the blissful ride home at sunrise. This duality is a theme that permeates SG Lewis‘ new era.

Speaking about ‘Missing You,‘ SG Lewis reveals, “Conceptually, it felt like the perfect introduction. It’s a story about temptation and dwindling fear. Your eyes are wandering.” On ‘Something About Your Love,’ SG adds “It’s no secret I’m a massive Daft Punk fan. It’s the closest thing I’ve ever made to a tribute to them. I was listening to Discovery a lot, and there’s a specific technique to it. I chopped up the sample of these seventies keys and drums. It came together easily. Lyrically, It’s a pure confession of admiration for someone. It’s the perfect contrast to ‘Missing You’.

The new tracks follow on from Sam’s debut record times, released during lockdown last year, which found one of modern pop’s secret weapons stepping out front and center, taking listeners on a voyage through soaring electronic dance and kaleidoscopic future disco with a blockbuster collection of guests. Features included Robyn and Channel Tres on ‘Impact‘ (“a house track so physical your feet may begin to move involuntarily,” according to NPR), Nile Rodgers on ‘One More‘ and Lucky Daye on fan favorite Feed The Fire.’ The album received widespread critical acclaim from the likes of Pitchfork (who hailed it as “a pristine album”), NPR, Billboard, NME, GQ and much more, with LP highlight track ‘Chemicals‘ amassing over 55 million Spotify streams and counting, catapulting SG Lewis‘ total stream count to over 1.4 billion.

SG Lewis has cemented his status as one music’s most sought-after producers and has collaborated with the likes of Elton John, Dua Lipa, Clairo, Tove Lo, Khalid, Aluna, Victoria Monet, Raye, Ray BLK, The Neptunes/N.E.R.D’s Chad Hugo, Gerd Janson, Conducta + many more. Louis Vuitton also launched their pre-Fall campaign with Soulwax’s remix of ‘Impact’ earlier this month and Sam is well regarded in fashion circles, attending, and performing an array of parties across his illustrious career. Behind the scenes, he also produced Dave’s seminal breakout track 100’M’s’ and co-wrote ‘Hallucinate‘ for Dua Lipa‘s record-smashing number one album, Future Nostalgia. Sam has sold out headline shows across the US, Asia, Australia, and Europe as well as multiple festival appearances including prime-time slots at Coachella and Glastonbury – his raucous live shows not only make him one of London’s hottest talents, but also a formidable artist capable of making a splash on both sides of the Atlantic and beyond.

Mullrat announces world tour via 360 Magazine

Mallrat – Tour

Multi-faceted artist and producer Mallrat announces her 2022 World Tour to take her brand new, critically acclaimed debut record, Butterfly Blue on the road, with headline shows and festivals across Europe, the UK, North America and Australia. The highly anticipated album was released on May 13th to praise from NPR, Teen Vogue, NME, PAPER, MTV and more, and marks a triumphant debut from Mallrat, solidifying her reputation as a master of clever, timeless pop.

Hot off the heels of an opening stint for Conan Gray in the UK and Europe, the new tour will see Mallrat playing new tracks from the album such as “To You,” which comes fresh off the back of the year’s most unexpected collaboration, “Surprise Me (feat. Azealia Banks),” and its much loved predecessors “Your Love,” “Teeth” and “Rockstar.”

Sweeping across vast, airy production, Butterfly Blue is often surprising, with samples and sounds tucked under the surface: chopped-up Gangsta Pat bars, a flipped recording of a children’s choir performing Lisztomania, and more. Distorted effects were recorded from discarded children’s toys – a sonic gift from producer Clams Casino. Layered like an instrument all their own, her signature breathy vocals are more assured than ever. 

Butterfly Blue is available at all digital retailers HERE.

About Mallrat

Prized producer, songwriter, and collaborator Mallrat – aka Grace Shaw – is a master of clever, timeless pop. Her trio of early EPs – Uninvited (2016), In The Sky (2018), Driving Music (2019) – are documents of an artist on the rise. Mallrat has garnered attention from the NY Times, NYLON, NPR, and more. PAPER named her in their “100 Women Revolutionizing Pop,” after making it onto the “Best of” lists by The Fader, Billboard, NOISEY, NME, Triple J, and Teen Vogue. At home in Australia, she continues to place Top 5 on Triple J charts. In the states, she made her late-night TV performance debut on the Late Late Show With James Corden, while in the UK, winning “Best Australian Solo Act” at the NME Awards. She has toured both at home and internationally, including European and North American support for Maggie Rogers, Post Malone, and King Princess, selling out headline shows from London to New York, and collecting fans in the likes of Mark Ronson and Azealia Banks along the way.

Website | Facebook | Instagram | YouTube | TikTok

Paris Jackson Lighthouse photo via Nas Bogado Rogers and Cowan PMK for use by 360 Magazine

paris jackson – lighthouse

Singer, songwriter, multi-instrumentalist, actress and activist paris jackson unveiled her brand-new single entitled “lighthouse” out now via Republic Records—listen to “lighthouse” HERE. The song was produced by singer, songwriter, musician and producer Butch Walker

The single is released alongside the official music video, which was inspired by the iconic video for Nirvana‘s “Sliver.” In the video, paris pays homage with a photo of Kurt Cobain—a full circle moment to the original video. Watch the “lighthouse” video HERE.

The song channels unbridled nineties rock energy as it harnesses the power of a classic alternative dynamic with a twist of its own. paris’ hypnotic verses give way to a chantable chorus, “I can feel the lights go low, but I don’t wanna let go now, maybe if I turn around you’ll see me, and what you used to be,” before a hummable guitar solo.

On the song, paris says, “I continued to write about this same old heartbreak that wilted is about. A lot of the new songs coming out are similar stories about the same person and heartbreak. I guess I’m just exploring different feelings. wilted was a more melancholy record, and now I’m exploring more of the anger…”

paris recently lit up SXSW with her debut performance at the festival, landing looks from Billboard, The Recording Academy’s Grammy U and more. Back in 2020, she delivered her debut album, wilted, joined by collaborators Andy Hull and Robert McDowell of Manchester Orchestra. Upon arrival, it captured #1 on the iTunes US Alternative Albums Chart and incited the applause of NPR, Rolling Stone, Associated Press, Entertainment Weekly, E! News, People, NME, NYLON, Refinery29, WWD and more. Additionally, she ignited late-night television with an emotionally charged rendition of “let down” on Jimmy Kimmel LIVE!. paris remained prolific in 2021 with The Struts’ collaboration “Low Key In Love,” before sharing the lost EP as a surprise gift for her fans in early 2022. Now, paris jackson re-introduces herself with an honest and raw signature sound.

Conan Gray Valentino via Taylor Vaughn for Universal Music Group for use by 360 Magazine

Conan Gray × Met Gala

Platinum-selling singer, songwriter, and Gen-Z pop king Conan Gray made his Met Gala debut wearing custom Valentino. The look was a dreamy white and silver embellished ensemble with a flowing chiffon cape and was accompanied by shoes by Valentino

The Valentino Custom Made look was specially designed for Conan Gray by Creative Director Pierpaolo Piccioli. Silver sequins are all over embroidered pants, with a white tulle embroidered shirt and a chiffon cape with Valentino Garavani platform white boots. 

Here is what Gray had to say on the look/inspiration: “It’s an honor to attend my first MET Gala dressed by Valentino. I wanted to create a look that felt simultaneously Gilded Age, yet modern Valentino. My main goal with Pierpaolo and Katie Qian was to capture the message of gilded age elegance and glamor. Above all, I wanted a cape.”

Stylist Katie Qian commented, “I think the final look really captures a modern take on the excess and extravagance of the Gilded Age, all while tying in Valentino’s bold elegance and Conan’s regal personal style.”

This is the third time Gray has teamed up with Valentino, as he made his Coachella debut wearing custom Valentino for both weekends. The looks were put on numerous best-dressed lists for the weekend and had Vogue saying “Conan Gray’s Hot Pink Valentino Look Shut Down Coachella.” Find the review HERE.

Up next Conan will be headed to Europe to continue his 2022 Conan Gray World Tour in support of his sophomore album, Superache, out June 24th. 

About Conan Gray

Since releasing original demos on his YouTube channel at the age of 15, Conan Gray has emerged as one of the pre-eminent pop superstars of his generation. Even after the commercial success of global multi-platinum hits “Heather” and “Maniac“, his music continues to maintain its unflinching authenticity and originality. Gray’s debut album, Kid Krow, crafted by Gray and longtime collaborator and producer Dan Nigro, reached #5 on the Billboard 200, #1 on the Billboard Pop Albums chart and became the biggest new artist debut of the year. In the summer of 2020, when “Heather” topped charts around the world, Sir Elton John publicly praised Gray for being the only artist on the Spotify top 50 to have written the song entirely on their own. With over 7 billion streams, Gray has attracted unanimous applause from a who’s who of tastemakers including Vogue, GQ, V Man, Paper, Fader, Billboard, NPR, MTV, I-D, Wonderland, Clash, Notion, and has delivered rapturous performances on television shows such as Late Night with Seth Meyers, The Late Late Show with James Corden and The Today Show. Gray’s much anticipated sophomore album is set for release on June 24th, 2022.