Posts tagged with "Minneapolis"

Chloe Moriondo illustration by Heather Skovlund (photo credit: Jimmy Fontaine) for 360 Magazine

Chloe Moriondo × Blood Bunny

CHLOE MORIONDO DEBUTS NEW ALBUM BLOOD BUNNY RECORD CROWNED AS NEW YORK TIMES CRITIC’S PICK

BODYBAG OFFICIAL MUSIC VIDEO STREAMING NOW

NORTH AMERICAN FALL HEADLINE TOUR ON-SALE TODAY DATES KICK OFF SEPTEMBER 30TH IN CLEVELAND, OH

CHLOE MORIONDO BODYBAG OFFICIAL MUSIC VIDEO

18-year-old artist Chloe Moriondo has shared her major-label debut album Blood Bunny. The release is accompanied by an official video for track Bodybag, which is streaming now on Moriondo’s official YouTube channelBlood Bunny is available now on all streaming platforms via Public Consumption Recording Co./Fueled By Ramen.

In celebration of the record, Chloe Moriondo will embark on a fall headline tour, kicking off September 30th in Columbus, Ohio. The trek will make stops at The Roxy in Los Angeles, CA and New York City’s Bowery Ballroom before wrapping up with a home-state performance at El Club in Detroit, MI (tour itinerary attached). General on-sale begins today at 12pm local time. For up-to-date ticketing information, please visit the Chloe Moriondo website.

The New York Timescrowned the 13-track Blood Bunny a Critic’s Pick, and exclaimed On the robust and vividly plain-spoken ‘Blood Bunny,’ Moriondo is a pop-punk whiz, deftly hopping between musical approaches from spare to lushly produced, and emphasizing intimate, cut-to-the-bone lyrics. The Line of Best Fit hailed the record as Moriondo’s boldest, brightest and most ambitious project to date, while Dork Magazine raved, it’s obvious that [Blood Bunny] is a big deal in a five-star review. FLOOD Magazine praised the record’s intricate production blending cozy pop and rock riffs and UPROXX declared, Blood Bunny is a departure from the sound on Moriondo’s previous work, employing a full band to create alternative rock songs that sound absolutely massive with excellent songwriting.

Blood Bunny was heralded by the release of April single I Eat Boys, a deceptively breezy track inspired by the queer cult classic film Jennifer’s Body, twisting an instance of street harassment into a cannibalistic daydream. In addition to Éc;I Eat Boys,Éd; the albumfeatures previously released singles Manta Rays, GIRL ON TV, and I Want To Be With You, the latter of which was lauded by The New York Times as acutely observed bedroom pop served with a side of arena-emo triumph. Recently labeled one of 2021’s Artists To Watch by PEOPLE and NME, Chloe has racked up praise from BillboardUPROXXRefinery29them., E!, and more. The artist has also become a sought-after collaborator, recently appearing as a featured artist on tracks with Frances Forever, mxmtoon and Ricky Montgomery.

At age eighteen, Chloe Moriondo professes to be an internet kid, yet she tackles overwhelming infatuation, listless daydreams, and first love with keen empathy that’s unsearchable online. With her relatable, confessional lyrics and idiosyncratic humor, the singer-songwriter has built a devoted fanbase of millions, sharing her authentic self to create a genuine connection with her listeners.

CHLOE MORIONDO 2021 HEADLINE TOUR DATES

Thu, SEP 30 Mahalls Cleveland, OH

Fri, OCT 1 Bottom Lounge Chicago, IL

Sat, OCT 2 7th Street Entry Minneapolis, MN

Tue, OCT 5 Lost Lake Lounge Denver, CO

Thu, OCT 7 Kilby Court Salt Lake City, UT

Sat, OCT 9 Holocene Portland, OR

Sun, OCT 10 The Vera Project Seattle, WA

Tue, OCT 12 Rickshaw Stop San Francisco, CA

Thu, OCT 14 The Roxy Theatre Los Angeles, CA

Sat, OCT 16 House of Blues San Diego San Diego, CA

Sun, OCT 17 The Rebel Lounge Phoenix, AZ

Fri, NOV 12 Antone’s Austin, TX

Sat, NOV 13 The Secret Group Houston, TX

Sun, NOV 14 Dada Dallas Dallas, TX

Tue, NOV 16 The Basement East Nashville, TN

BLOOD BUNNY Tracklisting:

Rly Don’t Care

I Eat Boys

Manta Rays

GIRL ON TV

I Want To Be With You

Slacker

Take Your Time

Bodybag

Favorite Band

Samantha

Strawberry Blonde

Vapor

What If It Doesn’t End Well

Art in the Garden illustration by Heather Skovlund for 360 Magazine

Calling All Art-Fanatics!

Calling All Art-Fanatics: 18 Exciting Art Happenings Across the Country

Destinations News:

California

  • Presidio “My Park Moment” Photo Contest: The Presidio in San Francisco has launched “My Park Moment” photo contest, where the public can submit a photo of their favorite park memory through May 28—a family picnic, a camping trip, their last hike in the Presidio or anything else they love to do in their favorite park. This fall, approximately 400 photos will be selected for a free and family-friendly outdoor photo show at the future home of the Presidio Tunnel Tops. Debuting in spring 2022, the Presidio Tunnel Tops project, comprising 14 acres of new national park land—will be an iconic “must see” San Francisco destination. 
  • LACMA Partners with Snapchat: Los Angeles County Museum of Art (LACMA) and Snapchat recently debuted the “Monumental Perspectives” experience, which brings together artists and technologists to create virtual monuments that explore some of the histories of local communities in an effort to highlight perspectives from across the region. Visitors can experience the augmented reality monuments online or at site-specific locations across Los Angeles including LACMA’s Wilshire Boulevard campus, Los Angeles Memorial Coliseum and more. 
  • Napa Wrap Art and Art Walk: Napa Wrap Art is a new outdoor public art project debuting this spring, featuring transformed utility boxes into works of art around Downtown Napa. Thirteen regional artists were selected to create diverse designs that provide an opportunity to turn ordinary objects into something special that both locals and visitors can enjoy. Later this summer, Downtown Napa will welcome a new rotation of the Napa Art Walk sculptures – a true outdoor treasure hunt for art that is a perfect activity for kids of all ages. 
  • Desert X: The third installment of the internationally acclaimed biennial desert art exhibition returned in 2021 through May 16. The 2021 Desert X artist lineup includes a diverse group of 13 artists ranging from locals like Kim Stringfellow to international representatives like Zahrah Alghamdi. Visitors can explore new outdoor art installations across the desert region for an exciting socially distant experience.

Texas

  • San Antonio’s McNay Art Museum just opened Limitless! Five Women Reshape Contemporary Art, which includes an ever-popular infinity mirror room installation. San Antonio Museum of Art opened No Ocean Between Us, featuring art from Latin American artists of Asian descent, while the Briscoe Western Art Museum will open Still in the Saddle: A New History of the Hollywood Western in time for Memorial Day Weekend.
  • Designed by Steven Holl Architects, the Nancy and Rich Kinder Building at the Houston Museum of Fine Arts completes a decade-long campus redevelopment project. Opened to the public in late 2020, the building finishes a trio of spaces that make up one of the largest art museums in the country. On the first floor is a black-box gallery dedicated to immersive installations. Second-floor galleries highlight photography, decorative arts, prints and drawings, and the top floor features thematic exhibitions on art from the 1960s onward. Additionally, the space features a 215-seat theater and a fine dining restaurant. 
  • The Dallas Museum of Art recently unveiled Cubism in Color: The Still Lifes of Juan Gris, the first US exhibition in over 35 years dedicated to the Spanish artist Juan Gris, this exhibition reconsiders the legacy of this important yet underappreciated modernist master. Co-organized by the Dallas Museum of Art and the Baltimore Museum of Art, Cubism in Color: The Still Lifes of Juan Gris highlights the artist’s pioneering and revolutionary contributions to the Cubist movement by focusing on his fascination with subjects drawn from everyday life.

Rapid City, South Dakota

  • “Legends in Light” Laser Show at Crazy Horse Memorial – Beginning Memorial Day weekend and occurring nightly through Labor Day, the “Legends in Light” laser show at Crazy Horse Memorial turns the carved mountainside into a 500-foot remarkable display. Each night at 9:30 p.m., viewers can take in the story and rich heritage of Native Americans.The show presents colorful animations and features music with choreographed lasers and sound effects.  
  • Gift From Mother Earth Art Show – Every June, Crazy Horse Memorial hosts The Gift From Mother Earth Art Show – an exhibition that celebrates a blend of arts and crafts that represent Native American cultures and the New West. From Friday June 18th – Sunday June 20th, artists of custom-made clothing, jewelry and other similar items will showcase their pieces starting at 8 a.m. each day. 
  • Native POP: People of the Plains – Featuring original Native work by established and emerging Native American Artists, Native POP is a one-day fine art show located in Main Street Square in downtown Rapid City. This cultural celebration will take place on Tuesday, July 20 from 9:00 a.m. to 8 pm. and will feature Native culture bearers sharing their Native knowledge and artistry. Visitors to Rapid City can also experience Native American art, culture and history at Prairie Edge or Journey Museum and open-air murals painted by local artists at Art Alley throughout the summer. 

St. Pete/Clearwater, Florida

From museums devoted to big-name artists to incredible street murals adorning the buildings around St. Pete’s Central Avenue, art—and the cultures it celebrates—is all around in St. Pete/Clearwater. Spring/Summer 2021 is an exciting season for St. Pete art, with new exhibitions, venues, and events to explore. 

  • From Margins to Mainstays at Museum of Fine Arts St. Pete – This exhibition, on display April 24 – September 26, features masterworks from MFA’s photography collection that were made by artists whose careers and personal lives were sidelined, ignored, or impacted by their gender, race, sexuality, or nationality. From Margins to Mainstays illustrates how the canon of photography has changed since the medium first began being shown in museums in the 1940s, with particular emphasis on rectifying the small percentage of women and artists of color historically acquired by and displayed in public collections. The exhibition includes works by Berenice Abbott, Lotte Jacobi, Carrie Mae Weems, Lee Miller, Cornelius Marion Battey, James Van Der Zee, and Manuel Álvarez Bravo.
  • Fairgrounds St. Pete at The Factory – Art enthusiasts will fall in love with The Factory, an 8-warehouse St. Pete arts center spread over 6.5 acres in the heart of the Warehouse Arts District. Fairgrounds St. Pete, opening Spring 2021 at The Factory, is a 15,000 square foot artist-made environment. Fairgrounds functions as an immersive, choose-your-own-adventure experience where visitors are invited to explore a world of playful art and technology exhibits that highlight weird, wacky, and wonderful Florida. The inaugural installation gives 60+ local and nationally recognized artists a platform to showcase their work and experiment with the unexpected. Fairgrounds aims to compensate artists fairly for their contributions by paying not only for their work, but also a portion of the profits from ticket sales while their work is on view. Through exhibits, events, workshops, and creative education programs, Fairgrounds will be a leader for arts innovation and an economic engine for local artists and craftspeople.

Hotel/Attraction News:

Estancia La Jolla Hotel & Spa

Kicking off in May, Estancia La Jolla Hotel & Spa has partnered with local artists and galleries to create the “Art in the Garden” exhibit. The gallery spread out across the property’s 10 acres of gardens will be open to both guests and the local community, free of charge, and Estancia will be providing a guided art brochure that showcases the various pieces and maps them out across the property. Art pieces including murals, statues and galleries have been created and provided by locals including Channin Fulton, Stefanie Bales, Billy Pease, Thomas J. Galleries and more.

New Orleans – The National WWII Museum

The National WWII Museum’s newest special exhibit “SOLDIER | ARTIST: Trench Art in World War II” explores the unique military pastime of creating art, souvenirs and tools out of the discarded materials and waste of war. Featuring more than 150 artifacts, many of which have never been exhibited, the collection also includes a background on the creators, providing a rare glimpse into the circumstances of war and the ingenuity and resourcefulness of servicemembers in the field. Such items range from souvenirs, such as ashtrays and jewelry made by servicemembers for their loved ones at home, to forbidden items like radios and musical instruments made by prisoners of war. The exhibition will be open to the public through January 2, 2022.

Daxton Hotel – Birmingham, Michigan

Daxton Hotel has opened its doors in the affluent community of Birmingham, a city 30 minutes north of Detroit. The hotel features a minimalist-luxe design with more than 400 original pieces of cutting-edge art curated from around the world by renowned  Saatchi Art. The incredible collection of mixed media brings whimsical and energetic flair throughout as vibrant colors flood spaces throughout the hotel, featuring a chartreuse lobby, deep-burgundy guest rooms and lavender parlors, an ideal composition juxtaposed with the art collection, avant-garde architectural lighting and furniture in bold shapes. Daxton Hotel brings a blend of provocative yet sophisticated style, offering artistic freedom of expression throughout the use of light rays, shadows and reflections creating an ethereal mood. The hotel offers a Beauty + Bubbles event, where visitors get an intimate tour of the public art collection curated by Saatchi Art on the first Friday of every month. The tour features work from 160 artists representing nearly 40 countries. The artwork crosses multiple mediums including painting, photography, collage, drawing and sculpture of some of the best international, national and regional artists.

The MC Hotel – Montclair, NJ

Located just 45 minutes outside of NYC, the 159 room MC Hotel is at the intersection of culture and community in the heart of Montclair’s thriving artistic community. With art curated from established and up-and-coming artists in every room, the hotel is part art gallery, part meeting place. Currently on display are pieces from painters Ryan Chin and Siona Benjamin-Kruge as well as mixed-media artist Basia Goszczynska to name a few. At guest check-in travelers will be met by a sculpture of a flower from Karen Kimmel that stretches across two walls. The sculpture features textiles that were meticulously hand-punched then painted onsite. On the lobby wall of the bar guests will see a sculpture from Goszczynska which is made from salvaged oyster farming bags, marine rope and steel wire. He also continues this unique interpretation of upcycling to shelves of the bar which displays Rainbow Collections, a piece featuring crowdsourced microplastics and salvaged baby food jars.

Crossroads Hotel – Kansas City, MO

With 2,000 square foot dedicated to public art, local artists and artists with historic ties to Kansas City, Crossroads is not just community-driven but art-driven. The gallery program is a thoughtful effort to reflect and contribute to the surrounding art district. Exhibitions, artist commissions, performances and unexpected artist-driven experiences intimately connect visitors to the creative scene thriving in the area. Along with the public gallery and local creative contributions to the interiors, amenities and delicacies, Crossroads is thrilled to support an artist in residence program. Curated by Hesse McGraw (director at Contemporary Arts Museum Houston) and Kansas City’s el dorado inc., the hotel’s architecture firm, the program provides another meaningful way for Crossroads to contribute to and support the artistic, social and cultural flourishing happening in the city. Current artist in residence Nick Miller is showcasing Wild Stallion, is a sculptural installation representing unseen and unstoppable algorithmic forces of technological innovation done with duct tape. Previous exhibits have come from Peggy Noland whose car makeovers are nothing short legendary and Glyneisha Johnson whose Watering Place paidhomage to the plants as a source of refuge for Black, Brown and Indigenous people.

Hewing HotelMinneapolis, MN

Since opening its doors in 2016 the 124-room luxury lifestyle Hewing Hotel has provided an unmistakable all-Minnesotan experience in the bustling North Loop neighborhood of Minneapolis. The former farm implements showroom and warehouse built in 1897 has been reborn as a cultural center for the community retaining its original brick and timber rustic charm. Immersing guests in Minneapolis, the hotel offers unique experiences with Minnesotan flair such as a monthly music series, Alley KAT! Perkins Pop Up Concert in the adjacent alley with season 6 The Voice semi-finalist Kat Perkins. The visual art of the area is on display through regularly rotating installations of local artists. The current collection includes works from Minneapolis-based artists Roko and Toni Gallo reflecting the beauty and talent within the area.

Rainbow Dreamland illustration by Heather Skovlund for 360 Magazine

Rainbow Dreamland Tour

VALLEY TO JOIN COIN ON RAINBOW DREAMLAND NORTH AMERICAN TOUR IN FALL 2021, TICKETS ON SALE NOW

LISTEN TO LIKE 1999 BY VALLEY HERE

PURCHASE TICKETS HERE

JUNO nominated, Canadian indie-pop band, VALLEY has announced their Fall 2021 North American tour in support of COIN. The 17-date tour run will begin on October 26 in Birmingham, AL, and go through November 21 in Houston, TX. The Rainbow Dreamland tour will be VALLEY’s return to the stage, bringing new music directly to their fans.

Most recently, VALLEY released their charmingly nostalgic single Like 1999 along with a video featuring TikTok star Boman. Fittingly, the track first gained momentum when the band posted a teaser of the song on their own TikTok. Since then, Like 1999 has garnered over 10 million global streams and become a form of escapism to fans waiting out the pandemic. Don’t miss your chance to see VALLEY live when shows return this Fall.

High-profile, high-octane – PAPER

A buoyant pop anthem full of emotion and fun, clever references, Like 1999 taps a sentimental vein Atwood Magazine

Taking the shape of a time capsule, the new track is an ode to the 1990s, shimmering with kaleidoscopic textures, sun-kissed melodies, and lush vocals that create an irresistible and dreamy sound. –  Gig Goer

In a world where, especially for artists, everything has been uncertain- VALLEY has cemented themselves as timeless. –  Unfiltered Zine

Tour Dates

October 26 – Birmingham, AL – Iron City Music Hall

October 27- Nashville, TN – Ryman Auditorium

October 29 – Chicago, IL – House of Blues

October 30 – St. Louis, MO – Del Mar

November 2 – Minneapolis, MN – Varsity Theater

November 3 – Kansas City, MO – The Truman

November 5 – Denver, CO – The Summit

November 6 – Salt Lake City, UT – The Complex

November 8 – Portland, OR – Revolution Hall

November 9 – Vancouver, BC Rio Theatre

November 11 – Seattle, WA – Showbox Sodo

November 13 – Los Angeles, CA – The Wiltern

November 15 – San Diego, CA – Observatory North Park

November 17 – Phoenix, AZ – The Van Buren

November 19 – Dallas, TX – South Side Ballroom

November 20 – Austin, TX – Emo’s

November 21 – Houston, TX – House of Blues

FOLLOW VALLEY

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Baseball illustration by Heather Skovlund for 360 Magazine

All American Grass

All American Grass at the Baseball Field

By: Lively Root

An American past time, baseball wouldn’t be quite what it is without the peanuts and popcorn and, of course, the field. Surprisingly, most fields don’t seem to give you any stats on the green so Livelyroot gives us the scoop:

Patterns
Most greens are taken care of by the groundskeepers at the park and, without a doubt, they take pride in the patterns they create. From checkerboards to logos, circles, and diamonds a-plenty, this process is known as lawn striping, and it’s done by using old-fashioned mowers that have a roller behind the blades. It’s this roller that bends the grass to create the patterns. To create a checkerboard, a mower would pass over the grass in side-by-side rows, first going north to south and then east to west, intersecting the stripes.

Varieties
At most ballparks, they use different types of grass depending on how they want to enhance the game and look of the field. Usually you’ll find fescues, rye, and bluegrass. If they use warm season grass, there’s likely less contrast to the patterns because they have to use Bermuda.


Learn more about the different types of grass at each stadium below.

Angel Stadium – Tifway 419 bermudagrass
A product of West Coast Turf, the playing surface used in Anaheim is the only one in MLB that is on native soil without a drainage system installed underneath it. The reason for the unusual distinction? The threat of a rainout is almost non-existent. In fact, the Angels have been rained out at home just once in the last 20 years (July 19, 2015). So, it doesn’t really matter that the grass here sits on top of soil rather than sand, as is the helpful for water drainage custom elsewhere.

AT&T Park – Tifway 419 bermudagrass
Grown in Stockton, CA by Delta Bluegrass Company. In the past, the Giants used a Kentucky bluegrass blend called “Blue Rye” that was provided by the same company to cover their field.

Busch Stadium – Kentucky bluegrass
Grown by Graff’s Turf Farms in Fort Morgan, CO, from where the first batch of sod used at the Cardinals’ stadium arrived in March 2006 via 28 flatbed trucks. The field has since been resodded multiple times using Graff’s grass.

Camden Yards – Kentucky bluegrass
Tuckahoe Turf Farms in Hammonton, NJ supplies the turf for Baltimore’s field and its sod farm, which is in center field, behind the batter’s eye. So, it’s from there where grass patches are pulled during the season when repairs are needed. And the Orioles haven’t always used Tuckahoe. For example, when resodding Camden Yards in November 2005 the team chose grass from Collins Wharf Sod Farm in Eden, MD.

Chase Field – Bull’s Eye Bermuda grass
Made by West Coast Turf, who commercially sells the stuff as BOBSod, a play on the nickname of Bank One Ballpark (BOB), the original name of Chase Field and what the D-backs’ home was called when Bull’s Eye Bermuda was installed in 1999. For its first season, the Phoenix ballpark used a zoysia blend called DeAnza, which browned badly over the summer. So, it was replaced by Bull’s Eye, which was designed to thrive in warm to hot climates and has the best shade tolerance of all bermuda grasses, therefore making it ideal for a desert-based retractable-roof stadium.

Citi Field – Kentucky bluegrass
According to Citi Field’s Twitter feed, the playing field consists of four different strains of Kentucky bluegrass. Apollo, Midnight Star, Moonlight and P105 are the specific strains.

Citizens Bank Park – Riviera Bermuda grass (outfield) and Kentucky bluegrass (infield)
To fully cover the Phillies’ field, 101,000 square feet of grass is needed, and all of it was provided by Collins Wharf Sod Farm of Eden, MD. In 2012, their Bermuda blend replaced entirely what had been an all-Kentucky bluegrass field partly due to its ability to better withstand Philadelphia’s weather extremes. However, in 2016 the thicker-than-Bermuda bluegrass was reinstalled in the infield, with the change made to slow down ground balls, which was desired by Phillies personnel, who made the request for the switch. Thus, two different types of Maryland-grown grass now cover the two distinct areas of Philly’s field.

Comerica Park – Kentucky bluegrass
Supplied by Graff’s Turf Farms in Fort Morgan, CO and was laid down in 2014, when Detroit’s field was fully resodded for the first time since 2007.

Coors Field – Kentucky bluegrass blend
The Rockies get their grass from a Colorado company, Graff’s Turf Farms, that is 75 miles northeast of where they play ball in Denver. The five-variety blend of dwarf type Kentucky bluegrass that is used at Coors Field is intended to have a lifespan of about six years.

Dodger Stadium – Tifway 419 bermudagrass overseeded with perennial ryegrass
Grown by West Coast Turf in Palm Desert, CA, where a Bermuda hybrid is overseeded with rye, which is better tolerant to the normally cool temperatures at the beginning of the season. By the summer months the more heat-tolerant Bermuda grass supplants the ryegrass.

Fenway Park – Kentucky bluegrass
The oldest ballpark in baseball gets its grass from New Jersey, and specifically Tuckahoe Turf Farms.

Globe Life Park – Tifway 419 bermudagrass
The Rangers’ grass is Texas grown, as it comes from Tri-Tex Grass, which appropriately has three Texas locations. The current Bermuda blend used in the infield replaced a zoysia in 2013. The outfield has been covered with the same Tifway 419 for a while.

Great American Ball Park – Perennial ryegrass mixture
Ryegrass replaced Kentucky bluegrass on Cincinnati’s field in 2007, when a five-way blend was laid down prior to the season, with the grass a mixture of stuff called Exacta II, Fiesta IV, Linedrive GLS, Panther GLS and SR4600. The original perennial ryegrass sod was used through 2012. When the Reds announced a new field of perennial ryegrass would debut in 2013, they noted it was grown at farms in southeastern Indiana.

Guaranteed Rate Field – Kentucky bluegrass
Really no information is available on the grass used on the South Side of Chicago, other than it’s tended to by “The Sodfather,” the nickname bestowed upon third-generation MLB head groundskeeper Roger Bossard, who assumed the White Sox job in 1983 after taking over for his father, Gene, who had been the head groundskeeper at old Comiskey Park since 1940. So the bluegrass sod at the Cell is watched over by the most experienced caretaker possible.

Kauffman Stadium – Grass blend that varies during the season
As the season progresses, the grass composition at the Royals’ stadium is altered. Its Bermuda is fine for the warm months but cooler times of the season see the grounds crew mixing in bluegrass, fescue or rye, choices which keep the field aesthetically pleasing when temperatures are not ideal for grass growth.

Marlins Park – Platinum TE paspalum
The ballpark debuted in 2012 with a field full of Celebration bermudagrass, began 2013 with an outfield of Tifway 419 Bermuda and infield of Platinum TE paspalum, and finally in 2014 the whole field was covered with the paspalum, which handles Miami’s hot and humid weather much better than the other two grasses the Marlins tried.

Miller Park – Kentucky bluegrass
The four-blend field of bluegrass that the Brewers use is covered during much of the offseason by a special tarp that helps it go through the proper growing cycle so that the playing surface is ready in time for Opening Day. The sod seen at Miller Park is a product of Robert Heath Farms in Coloma, WI.

Minute Maid Park – Seashore Paspalum
In late 2008, the Astros resodded their field with a new kind of turf grass called Platinum TE paspalum. Grown by Phillip Jennings Turf Farms in Soperton, GA, it was invented in 2007 by a company in Florida and is ideal for a retractable roofed stadium due to the lower sunlight requirements needed to maintain its dark green color. While what the Astros now get from Georgia goes by the name Seashore Paspalum, it’s not used on the ballpark’s most notable feature, Tal’s Hill, which is covered by zoysia grass.

Nationals Park – Kentucky bluegrass
When they played at RFK Stadium, the Nationals did so on a Bermuda grass field, mainly because that kind of sod was ideal for soccer and RFK was also home to a Major League Soccer team (D.C. United). When the Nationals finally got a home of their own in 2008, Kentucky bluegrass from New Jersey’s Tuckahoe Turf Farms was chosen for the baseball-only playing surface. The original crop lasted four years then was replaced by the same stuff, which the Nats say is a three-way blend of bluegrass, with Brilliant, Midnight Star and Princeton 105 the varieties used.

Oakland Coliseum – Kentucky bluegrass
The A’s (and Raiders) play on a field of Kentucky bluegrass and West Coast Turf grows what the Coliseum needs on one of their California-based farms. While the type of turf used in Oakland has changed over the years, because the Coliseum is the only venue to host MLB and NFL teams its field must be resodded every year, which happens about a month before the baseball season.

Petco Park – Bandera Bermuda
In 2014, the Padres made the decision to try a new type of Bermuda sod, replacing the “Bull’s Eye” variety that had always been used at Petco Park with what their grass provider, West Coast Turf, calls Bandera, a California-grown grass that doesn’t need much water to thrive.

PNC Park – Kentucky bluegrass
The sod that the Pirates use was grown in New Jersey at Tuckahoe Turf Farms, where four blends of bluegrass were mixed to produce the Pittsburgh playing field. As of the 2009 season, the varieties of bluegrass that comprise the Bucs’ mixture are: Brilliant, Midnight Star, Moonlight and P105. That’s different from when PNC Park opened, as strains with names such as Abbey and Ascot were a part of the Pirates’ original hybrid Kentucky bluegrass field, which came from Berrien Springs, Michigan and a place called the Magic Carpet Turf Farms.

Progressive Field – Kentucky bluegrass
The Indians are one of a handful of MLB clients of Tuckahoe Turf Farms, from whom they now get sod that is grown in New Jersey. The ballpark’s original Kentucky bluegrass came from a state much closer to Ohio, however, as it was grown in neighboring Indiana.

Rogers Centre – AstroTurf 3D Xtreme
The days of a fake field in Toronto are numbered, as the Blue Jays plan to install real grass inside their retractable-roofed home for the 2018 season. So, the now-used turf, which was first laid down in 2015, has only three baseball seasons to get through, although the Rogers Centre baseball field often must be rolled up so the floor underneath can be used for the numerous non-baseball events the venue hosts. The Jays’ current version of AstroTurf, which when removed equals 145 rolls, replaced the AstroTurf GameDay Grass 3D surface that debuted in 2010. AstroTurf is made in the “Carpet Capital of the World,” as Dalton, Georgia is often referred to.

Safeco Field – Kentucky bluegrass and perennial ryegrass mixture
The Mariners’ turf hails from the Washington state capital, as it’s grown by Country Green Turf Farms of Olympia. Except for as-needed repairs, the original playing surface went unaltered through the 2011 season, after which new 100% Kentucky bluegrass sod was installed in the infield. Elsewhere, the grass is a combination of four kinds of bluegrass and two types of perennial ryegrass.

SunTrust Park – Seashore Paspalum Platinum TE
The new home of the Braves is covered with 109,000 square feet of sod that was grown in Foley, AL at Bent Oak Farm before it was installed March 4-5, 2017 in the suburban Atlanta ballpark. SunTrust Park is about 15 miles northwest of Turner Field, where the Braves used the Alabama-grown paspalum grass only in the infield from 2012-2016, when the team used Tifway 419 bermudagrass in the outfield. Now the Braves’ field is completely covered with the same type of grass, which was grown a couple miles from the Gulf of Mexico, making “Seashore” an apt descriptive name for the type of paspalum used.

Target Field – Kentucky bluegrass
Graff’s Turf Farms grew the Twins their grass in Fort Morgan, CO, from where it was transported to Minneapolis in 19 refrigerated trucks. The team and manufacturer both refer to the sod that was installed at Target Field as a 4-way blend of Kentucky bluegrass.

Tropicana Field – TruHop Synthetic Turf
The Rays’ current carpet was installed in time for the 2018 season and was essentially a do-over for the previous surface, which was only used for the 2017 season, after which a replacement was deemed necessary for an aesthetic reason: the initial edition of the TruHop “Triple Crown” synthetic turf manufactured by Shaw Sports Turf didn’t look right on TV. So the 143,370 square feet of it was removed and replaced with a darker colored version of the same style of turf, which then became the sixth artificial field used in the Trop’s history. Prior to switching to a surface made by Calhoun, Georgia-based Shaw, the majors’ only remaining domed stadium had used a fake field supplied by another Georgia company, the well-known AstroTurf brand, as their GameDay Grass 3D was the field of choice for the Rays from 2011-2016.

Wrigley Field – Kentucky bluegrass
The Friendly Confines finds their grass in Colorado, where it’s grown for the Cubs by Graff’s Turf Farms. Since 2008, the sod at Wrigley has taken root on a level playing field. Prior to then, right field was uneven, and the field had a crown to assist in water drainage.

Yankee Stadium – Kentucky bluegrass
Since 2000, the Yankee Stadium grass has come from East Coast Sod & Seed in Pilesgrove, NJ. The sod farm there was purchased in 2000 by Long Island-based DeLea Sod Farms, from whom the Yankees had, on an on and off basis, purchased their field grass over the four decades preceding the opening of the current Stadium.

Field Facts

Kentucky bluegrass is easily the most popular type of playing surface found in major league baseball; it’s the full field grass of choice for 16 ballparks. Additionally, a 17th ballpark, Citizens Bank Park, has a Kentucky bluegrass infield. Eight ballparks have a bermudagrass field, with Tifway 419 the most common variety. Bandera, Bull’s Eye and Riviera bermudagrass are each used at a single ballpark. Tifway 419 bermudagrass gets its name from where it was developed: Tifton, Georgia. At least 10 grass farms provide sod for major league teams. Graff’s Turf Farms, Tuckahoe Turf Farms and West Coast Turf are each the grass growers for five MLB ballparks, which mean those three farms provide the sod for half of all ballparks. Fake grass, like AstroTurf and FieldTurf, has mostly become a field surface of the past thanks to the new generation of ballparks. Teams to directly move from a stadium with a turfed field into a new grass-filled ballpark are the Mariners (1999), Astros (2000), Pirates (2001), Phillies (2004) and Twins (2010). Outfield dimensions are what sets each ballpark’s playing field apart, since rulebook defined distances make all infields the same size and shape. As for the span of minimum and maximum measurements to straight away center field and the left and right field foul poles, they are: Left field: 310′ at Fenway Park to 355′ at Wrigley Field
Center field: 395′ at Dodger Stadium to 436′ at Minute Maid Park
Right field: 302′ at Fenway Park to 353′ at Wrigley Field

More about Lively Root

At Lively Root, the green spaces created have been instrumental in development as horticulturists, for an ideal green space. Lively Root’s plants are home-grown and full-scale fulfillment centers. They only sell eco-friendly products that are packaged and delivered right to your doorstep. Founding members have over a century of horticultural experience as growers, retailers, and landscapers, ranging from small plants to indoor plants, outdoor plants, large trees, and flowering shrubs. They have planted & maintained trees on residential and commercial properties. Plants improve health by purifying the air, soothing stress, making people feel happier, and offering style and ambiance. 

World Art Day illustration by Heather Skovlund for 360 Magazine

World Art Day Travels

In honor of World Art Day on April 15, 2021, here are some of the best destinations and hotels for curated art experiences from around the world. Whether it be an outdoor mural scene, a hotel’s private art collection, an artist-in-residence program, or new exhibits scattered throughout a country, there are many ways to celebrate World Art Day! And while safe travel may not be possible yet for everyone, virtual experiences are a great way to show appreciation and support. 

DOMESTIC

Hamilton Princess & Beach Club – Hamilton, Bermuda

Known as “The Pink Palace” from its iconic pastel exterior since 1885, it’s the interior of Hamilton Princess that is inside the hotel that makes it fit for royalty. A little-known secret is that the property is home to one of the most comprehensive contemporary art collections in the world. The vast and ever-evolving collection has an estimated multi-million dollar value. There really is no other resort where you can see an 18 ft tall KAWS sculpture or an original Banksy up close. Hamilton Princess has created the Escape Artist Package which includes a private tour of the contemporary art collection including pieces by Jeff Koons, Damien Hirst, Takashi Murakami, Banksy, KAWS, Julian Opie, Yayoi Kusama, and Ai Wei Wei ,  complimentary passes to the island’s art museums with private tours upon request, complimentary Twizy electric car rental to get to and from the museums, and an assortment of art-inspired amenities and gifts, including a limited edition Mari Andrew print. 

St. Pete/Clearwater

Quickly becoming a museum mecca with 30+ museums in the destination, downtown St. Pete also boasts over 500 outdoor murals created by local and international artists throughout the hip Central Arts District. The newest additions are showcased during the annual mural festival SHINE St. Pete and can be experienced with a guided walking tour. This alfresco art experience has also been modified for COVID-19 safety as travelers can now discover them independently with this comprehensive, ever-growing list and through the app, PixelStix. And not to be forgotten, the most popular museum in the destination, The Dalí Museum, will continue to host the immersive Van Gogh Alive exhibit through June 13, 2021. The exhibition features more than 3,000 Van Gogh images at an enormous scale, viewed through high-definition projectors and synchronized to a powerful classical score. Advanced-purchase, timed-tickets are required to visit. 

Providence, Rhode Island

Known as Rhode Island’s creative capital, Providence is one of the country’s most diverse and vibrant cities for the arts, due in large part as the home to The Rhode Island of School of Design (RISD) which cultivates a creative community. Providence’s artistic offerings are best experienced on foot via Avenue Concept, Rhode Island’s first privately funded public art program. They offer two self-guided tours offering comprehensive stops with dozens of murals and sculptures to visit in Downtown and South Side/West End. As of August, a new latinx-led public art banner project honoring the healthcare workers who have helped manage the COVID-19 crisis has launched throughout the city. 

New Orleans – The National WWII Museum

The National WWII Museum’s newest special exhibit “SOLDIER | ARTIST: Trench Art in World War II” explores the unique military pastime of creating art, souvenirs and tools out of the discarded materials and waste of war. Featuring more than 150 artifacts, many of which have never been exhibited, the collection also includes a background on the creators, providing a rare glimpse into the circumstances of war and the ingenuity and resourcefulness of servicemembers in the field. Such items range from souvenirs, such as ashtrays and jewelry made by servicemembers for their loved ones at home, to forbidden items like radios and musical instruments made by prisoners of war. The exhibition will be open to the public through January 2, 2022.

Daxton Hotel (Birmingham, MI) 

Opening in April 2021, Daxton Hotel features a monochromatic palette in rich, saturated color to showcase avant-garde lighting and furniture in bold shapes. This backdrop is juxtaposed with an art collection of over 400 pieces curated from across the world by Saatchi Art. The thoughtful collection is inspired by the street art found throughout the city of nearby Detroit and reflects the movement and energy of Motor City’s local scene. In addition to the distinctive art originating from across the world including Peru, Macedonia and South Korea, each guestroom is outfitted with a custom headboard backdrop from local floral muralist, Ouizi. Art in public spaces includes the restaurant Madam’s large-scale painting series of 12’ portraits in a feminine, a suspended wire installation in the conference room encouraging dialogue, a full-sized mechanical horse and 9’ pink metallic bunny. Art tours for the building are offered the first Friday of the month, providing the opportunity to engage and experience some of the Daxton Hotel’s significant works. 

The MC Hotel – Montclair, NJ

Located just 45 minutes outside of NYC, the 159 room MC Hotel is at the intersection of culture and community in the heart of Montclair’s thriving artistic community. With art curated from established and up-and-coming artists in every room, the hotel is part art gallery, part meeting place. Currently on display are pieces from painters Ryan Chin and Siona Benjamin-Kruge as well as mixed-media artist Basia Goszczynska to name a few. At guest check-in, travelers will be met by a sculpture of a flower from Karen Kimmel that stretches across two walls. The sculpture features textiles that were meticulously hand-punched then painted onsite. On the lobby wall of the bar, guests will see a sculpture from Goszczynska which is made from salvaged oyster farming bags, marine rope and steel wire. He also continues this unique interpretation of upcycling to shelves of the bar which displays Rainbow Collections, a piece featuring crowdsourced microplastics and salvaged baby food jars.

Borgata Hotel Casino & Spa – Atlantic City, NJ

Within a two-hour drive of New York and an hour drive of Philadelphia, head toward the Las Vegas of the East Coast known for its bustling boardwalk, glitzy high-rise resorts, five-star restaurants, four-mile-long boardwalk, and six-mile-long beach. In search of an indulgent escape, this fast-paced resort is an art lover’s dream. Borgata Hotel Casino & Spa features numerous extravagant glass sculptures that seem to drip effortlessly from the ceiling and rise majestically from the resort’s floor. Those colorful works of art are none other than world-famous Chihuly glass, created by master craftsman Dale Chihuly, and some of our guests come to our resort just to take in the signature pieces by the American artist. Borgata Hotel Casino & Spa houses a number of stunning Chihuly pieces across the property, from the main entrance of the casino to the corridor connecting Borgata to The Water Club. Take a look at the gallery of Borgata Hotel Casino & Spa’s Chihuly, and the next time you visit, play a game of trying to find all of the signature artwork throughout the resort. As the artist himself one said, “Glass has the ability, more than any other material, to bring joy and a certain happiness to people.” Chihuly, who was born in Washington in 1941, has had countless exhibitions of his work across the globe, from Venice to London to the Netherlands, and blew his own glass until he had a tragic car accident in 1976. Afterwards, due to challenges with his eyesight, Chihuly began serving as a director of a team of artists, who have created hundreds of massive glass installations found in buildings across the globe. 

Fitler Club, Philadelphia, PA

Fitler Club is Philadelphia’s ultimate “work/stay/play” destination, where hotel guests are granted exclusive access to all the club’s amenities for the duration of their stay. The club encompasses 136,000 square feet and includes a world-class gym and spa, a 14-room boutique hotel (The Rooms at Fitler Club), collaborative workspace (Offsite), indoor pool and a movie theater. Art lovers will enjoy the Fitler Club’s Collection, which has works by famous artists featured throughout the property. The collection includes pieces by Damien Hirst, Alex Katz, Hiroshi Sugimoto, Pamela Hanson, Mel Bochner and more. Fitler Club’s Artist In Residence program, bringing the work of Philadelphia artists, acclaimed and up-and-coming, to people’s everyday lives. Fitler Club assembled a vast collection by local artists, within a non-traditional gallery space that is Offsite, Fitler Club’s expansive workspace. Artists include King Saladeen, Eileen Neff, Elizabeth Osborn and more. Each of the artworks are on loan by the artists and every piece is for sale. In addition, those who are unable to visit the gallery in person can still enjoy the collection through an interactive virtual experience on the club’s website, which gives information on each piece located throughout the property. 

California

California is gearing up for a culturally enriching year, as various art happenings are slated to open throughout 2021. Peppered across the state, here are some key art events that visitors may enjoy for a uniquely artistic and local experience, showcasing the history and vibrancy of California:

  • Desert X + Outdoor Art in Greater Palm Springs: The third installment of the internationally acclaimed biennial art exhibition, Desert X, returns in 2021, starting March 12 through May 16. The 2021 artist lineup includes a diverse group of 13 artists ranging from locals like Kim Stringfellow to international representatives like Zahrah Alghamdi. Visitors can explore these new outdoor art installations across the desert region for an exciting socially distant experience. While in the region, be sure to check out the region’s booming art scene by walking or driving through various neighborhoods to check out artworks like the “PS I Love You” Sculpture, permanent pieces created for Coachella Music Festival, like “Etherea” and more. Find additional outdoor art in the Greater Palm Springs area here
  • The Oakland Museum of California (OMCA): The OMCA will unveil its newly refreshed garden and outdoor amphitheater space in spring 2021 as part of its multi-phased campus improvement project. This beautiful renovation will include updated outdoor sculptures, revitalized landscaping with native California plantings, new ADA accessible ramps and a permanent stage for outdoor performances- encompassing the Bay Area’s natural beauty. 
  • Santa Barbara Museum of Art:The Santa Barbara Museum of Art will reveal a new, multi-floor wing in spring 2021 that will be home to new photography and contemporary art galleries, as well as renovated galleries, as part of its multi- year, $50 million renovation. The museum hired Kupiec Architects’ Bob Kupiec, who is known for his projects at the Metropolitan Museum of Art in New York, Times Square, Bryant Park and more. 
  • Carmel Mission:To mark Carmel Mission’s upcoming 250th anniversary, the Carmel Mission Foundation is renovating the Mission’s main entrance and restoring a 100-year-old adobe museum that sits adjacent to the renowned Basilica. Additionally, The Harry Downie Museum at Carmel Mission is also planned to open in October 2021, showcasing “the Evolution of Carmel Mission” photography exhibit.
  • San Francisco Music Hall of Fame:Slated for this spring, the halls of the music-themed Music City Hotel will feature a gallery of transcendent local musicians including a curated collection of photographs from Getty Images, The San Francisco Chronicle and numerous local, respected photographers. A dozen local and national music writers were hired to create original one-of-a-kind gallery text that accompanies each photo. Visitors can listen to a playlist of songs by artists featured in the gallery, which includes a guided audio tour with local DJ Mike Waterman.

Texas

The art in Texas is top notch, specifically noting the art of the major cities along with other safe havens for creatives such as Marfa and which have recently gained traction. A few examples of the major cities and more of the unknown include: 

  • San Angelo, an oasis in West Texas off the beaten path, has quickly grown as a Texas art hub, with a lot of the art outdoors and accessible to the community at all times. Highlights like the Chicken Farm Art Center, where local artists are set up in refurbished farm buildings, as well as Paintbrush Alley, where over 50 artists have donated their time to create artwork in the downtown alley, are stand-alone destinations worth checking out when in San Angelo. Lastly, the Pop Art Museum which is also outdoor murals has been positively received by the community, with 31 pieces done by local artists throughout a former bowling alley, including a piece from James Gill who worked directly with Andy Warhol at the forefront of the Pop Art movement. 
  • The diversity and affordability of Houston has created an internationally acclaimed art scene, home to graffiti parks, modern museums and everything in between. Highlights include: 
  • James Turrell’s Skyspace Structure, an interactive installation which will test your perception of light and color. Wednesday through Monday weekly, the “Twilight Epiphany” sequence will take place, changing colors of lights from the built-in LED system. Guests can peer through the roof’s square-shaped aperture and into the darkening sky. Admission is free and seat reservation can be made in advance
  • Sawyer Yards, a creative campus located in Houston’s historic First Ward is set in a working train yard and made its home in a former industrial complex with several rice silos at the complex’s center. On the second Saturday of each month, the warehouses are open to the public allowing for individuals to meet the artists and explore their work, varying from paintings to sculptures to jewelry. 
  • Many people don’t often think of Dallas as an art-centric destination, but the cosmopolitan city is home to the largest contiguous urban arts district in the nation. Though to experience art in Dallas one never has to enter a gallery; during a quick trek through any of the city’s walkable neighborhoods murals and iconic sculptures will reveal themselves. Here are a few:
  • Fair Park is home to many well-known works of public art, but the Crystal Chandelier at the Music Hall, by artist William Martin is often cited as a favorite.
  • Dallas City Hall Plaza boasts the large bronze sculpture The Dallas Piece by renowned British sculptor Henry Moore. It was given to the City in 1978 by W.R. Hawn in memory of his wife.
  • Deep Ellum is known for its eye-catching murals. The murals give life to otherwise mundane walls and buildings and reflect the life and times of the residents. As a result, Deep Ellum has evolved into its own exhibition of sorts and visitors have enjoyed exploring and discovering them all. Click here for a look at some of the murals and this map provides directions.

Sensei Lāna’i, A Four Seasons Resort

Set within the secluded island’s 90,000 acres, Sensei Lāna’i, A Four Seasons Resort is a one-of-a-kind wellness retreat, founded by Larry Ellison and Dr. David Agus, with the goal of helping people live longer healthier lives. At the heart of the retreat is the Sensei Way, which distills preventive health science, data and research into three simple paths for everyday living: move, nourish, and rest. These principles go beyond just healthy eating and exercise, encouraging guests to nourish their mind, body and soul, starting with an extensive art collection that inspires a creative spirit and enhances relaxation. With design envisioned by Todd-Avery Lenahan of TAL-Studio, the resort blends a sense of seclusion with wide open spaces surrounded by the forests in the spiritual uplands of Lāna’i. Intentionally placed among expansive garden foliage, the retreat houses a premier outdoor sculpture garden that includes larger-than-life pieces from renowned artists like Botero, Plensa, Lobo and more. As guests venture further, Ju Ming’s “Tai Chi Arch” opens to an onsen garden and Robert Indiana’s iconic “Imperial LOVE” sculpture ignites a sense of joy and rejuvenation. The artwork throughout the hotel was commissioned expressly for the retreat and here, art-loving guests will encounter these pieces for the very first time, stimulating thought and reflection. Other featured artists include David Ellis, Miya Ando, Haure Shimomoto, Sky Pape, Brooks Shane Salzwedel and Lauren Collin.


Rapid City, South Dakota

In the small town of Rapid City, South Dakota, where there’s no shortage of bucket list outdoor art experiences, you’ll find Art Alley,a functioning alley that was transformed into a place for artists to create and share their work with the public. The walls are covered in pieces from local artists, many anonymous, and are constantly changing as new works pop up, providing a new experience every visit. Before this area became known as Art Alley, local artists used to hang canvas artworks on the walls and eventually this evolved into painting murals. It wasn’t until a group of passionate artists and community members worked with city officials to nurture this organic art form into the Art Alley we know today. Other art-centric experiences in Rapid City include the City of Presidents, a collection of life-size bronze sculptures of past presidents placed along the city’s streets and sidewalks, the Dahl Arts Center and more.

Hewing Hotel(Minneapolis, MN)

Since opening its doors in 2016 the 124-room luxury lifestyle hotel has provided an unmistakable all-Minnesotan experience in the bustling North Loop neighborhood of Minneapolis. The former farm implements showroom and warehouse built in 1897 has been reborn as a cultural center for the community retaining its original brick and timber rustic charm. Immersing guests in Minneapolis, the hotel offers unique experiences with Minnesotan flair such as a monthly music series, Alley KAT! Perkins Pop Up Concert in the adjacent alley with season 6 The Voice semi-finalist Kat Perkins. The visual art of the area is on display through regularly rotating installations of local artists. The current collection includes works from Minneapolis-based artists Roko and Toni Gallo reflecting the beauty and talent within the area. 

INTERNATIONAL

Costa Rica

Mesoamerican, South American and Indigenous influences are reflected in Costa Rica’s rich art history and colorful culture. Visitors can explore Costa Rica’s capital city and cultural hub of San José which is home to some of the country’s most important art museums, consisting of diverse collections of painting, drawing, sculpture, pottery, wood carvings and more. 

  • Museo de Arte Costarricense: The Costa Rican Art Museum offers free admission and boasts a permanent fine arts collection of over 6,000 pieces from Costa Rican artists, spanning almost two centuries. One of the most intriguing displays at the museum is the outdoor sculpture garden, where visitors can see works by renowned Costa Rican artists like Jorge Jiménez Deredia, Edgar and Francisco Zuñiga, José Sancho and Max Jiménez. 
  • Museo de Arte y Diseño Contemporáneo: Costa Rica’s Museum of Contemporary Art and Design (MADC) is situated on the site of the country’s old national liquor factory. MADC has four exhibition rooms for rotating and permanent collections of contemporary hispanic art, an auditorium and an open-air terrace for performances and events. There are approximately 900 pieces housed in the museum’s permanent collections. Currently on display at MADC is the “Inferno Tropical” special exhibition, which consists of works by six Latin American women artists from Costa Rica, Cuba, Venezuela, Panama and Brazil. Inferno Tropical is part of a series of exhibitions called “Female Voices of Latin America,” representing the largest mega-exhibition of living Latin American women artists in recent times.

Dominica

Presented by The Waitukubuli Artist Association (WAA) “WhoOosh!! 2” virtual exhibit is the first of its kind in Dominica, showcasing photography, sculptures and paintings created by local artists. The exhibit was filmed using a 360° camera in the abandoned Roseau Anglican Church, which was devastated by Hurricane Maria in 2017. The exhibit is an immersive experience that allows the audience to experience this real place from afar. Just like in a video game, virtual attendees can look around in any direction, interact with objects and people and examine the art up close. The exhibition is themed around the impacts that recent hurricanes have had on the artists’ way of life, interpreting their very own experience of resilience in various artistic forms. To attend, head to kubuliarts.com.

Victoria, Australia

With its brightly-colored bustling laneways, world-class theater district and inspiring art and cultural museums, Melbourne is a city fit to fulfill any art-lovers dreams. The city’s laneways are works of art in themselves while also leading inquisitive city strollers into quirky bars, old-school restaurants and hipster eateries, and hidden art galleries where there’s even more art to absorb. Those looking for a grander stage can find jaw-dropping performances in Melbourne’s theater and musical stages like the Princess Theater and Her Majesty’s Theatre in the East End Theatre District, or the inventive Malthouse Theatre. Melbourne’s art museums span the gamut – from Aboriginal art at the Birrarung Gallery or Ian Potter Centre, to modern and contemporary art at the Australian Centre for Contemporary Art or National Gallery of Victoria. When it comes to art – whether it be public, modern, Aborginal or performance – there’s always something inspiring to view in Melbourne, Australia.

Argentina

Known as South America’s capital of culture, Buenos Aires, Argentina, was appointed as UNESCO’s first City of Design with the opening of the Metropolitan Design Center.  Not only that, but the city was also the birthplace of Tango, which first originated in Buenos Aires dance halls in the 1880s. Now, travelers can witness world-class tango each year during the city’s International Tango Festival and World Cup. In 2013, Argentinian artist Alfredo Segatori painted what was then the longest mural in the world, located in Barracas. And, finally, if you didn’t need more artistic inspiration to visit this lively city, Buenos Aires also hosts the world’s most important collections of Latin American art. The Museum of Latin American Art is home to the Fundación Costantini art collection which consists of 400+ masterpieces including paintings, sculptures, photography, and engravings by famous 20-century Latin American artists. 

Ted Allen illustration by Kaelen Felix for 360 magazine.

Ted Allen × Subaru

Subaru of America, the famed brand and subsidiary of the Subaru Corporation of Japan, is hosting an event to fundraise for the HIV/AIDS community across the nation. The COVID-19 pandemic has forced dramatic changes to all lives and brought devastating challenges to the restaurant community, as well as to the healthcare organizations who support people in need. Subaru’s annual restaurant-based fundraiser, Dining Out For Life hosted by Subaru, sends crucially needed funds to HIV/AIDS organizations in cities across North America. This aide represents Subaru’s commitment to extending beyond the automobile realm to be an active and ethical member of communities.

Chopped! host Ted Allen joins with Subaru of America, Inc. in their continuing support for Dining Out For Life, and invites the public to join Allen and guests on Instagram Live on Thursday, September 24, 8:00-9:00 p.m. EDT, for a spicy, clean-food, cooking demonstration. The event will also be hosted by New York-based, award-winning Chef Ric Orlando, as well as conversation with Designer/HIV Activist Mondo Guerra, and actor/author, Pam Grier.

To join the event, go to @Subaru_USA. The nearly 3,000 restaurants that participate in Dining Out For Life need support now more than ever. On September 24, dining out and take-out events will be happening in several cities across the country: Oakland, California; Birmingham, Alabama; Chicago, Illinois; Louisville, Kentucky; Alaska; Minneapolis, Minnesota; and Seattle, Washington. Many more regions will hold in-person and virtual events in October and through December. Visit your community’s page on diningoutforlife to find participating restaurants and to support your community. Another way an individual can help is to reach out to the HIV/AIDS Service Organization that produces Dining Out For Life in your community to see how one can help the people they serve during the COVID-19 pandemic.

Last year, with support from Subaru of America, Inc., more than $4.2 million dollars was raised from a single day of dining in 60 cities coast to coast, the most funds raised since the event began in 1991. “A commitment to caring for the people in our communities is integral to our Subaru Love Promise, and our longstanding partnership with Dining Out for Life is a shining example of the importance of supporting causes that matter,” said Alan Bethke, Senior Vice President of Marketing, Subaru of America, Inc. “We are proud to help raise awareness and funds to fight against HIV/AIDS and benefit those who are impacted in our local communities.”

Funds raised through a city’s Dining Out For Life event stay in that region to provide HIV care, prevention, education, testing, counseling and other essential services to people living with or impacted by HIV/AIDS. This event, hosted by Subaru, truly represents the best of both worlds in supporting local communities in more ways than one.

Gabrielle Marchan illustrates Dianne Morales for 360 MAGAZINE

Dianne Morales

As of late, one of our team members had the opportunity to sit down with New York City mayoral candidate Dianne Morales for an interview. After eight years under Mayor Bill de Blasio, New York City will see someone new in the position in 2021, and Morales, a member of the Democratic Party, is jumping at the opportunity.

360: What are the major points of inspiration throughout your life, so far, that have led you to where you are today?

Morales: At my core is a commitment to community, and I learned community at home. I am the youngest of three girls and the daughter of Puerto Rican parents. My mother, a secretary for the Leather Workers’ Union, and my father, a building manager on the waterfront, created a working-class life for us in Bed-Stuy. But our home was not just for me and my sisters. My grandmother, Mami, lived with us my whole childhood. In fact, she and I shared a bed until the day that I left home for college. Our home was a resting place, a layover, a transition point for whoever needed it. There was always someone new sleeping on the couch or joining us at the dinner table. Whether they had just arrived from Puerto Rico, were in between jobs, had just returned from the military or from being incarcerated, there were always other people staying with us while they “got back on their feet.” My parents opened their arms and their front door to whoever needed it. I never questioned this way of life. I was taught, “If you have, then you provide.” We took care of each other. I saw, firsthand, the opportunity created when we each take responsibility, not just for ourselves, but for our neighbors and for our communities. This belief has spurred me on through 30 years in the public sector, as an educator, a foster care worker and a leader of nonprofits.

As I established my own home in Bed-Stuy as a single mom, my children and I recreated the dynamic my parents had built. We always have a few extra people living in our home – whom we often refer to as our “chosen family.” These extended family members have filled my home with love and reciprocal support. In a twist of fate, since the pandemic hit, I have shared my home with my parents and my children. I envision a New York City where we take care of each other, where everyone is welcome to the dinner table, where neighbors provide more support than extra sugar and all of us have a warm place to rest our heads. Although NYC is vast with diversity, we are all inextricably bound together and are only as strong as our most vulnerable link.

360: How can a mayor, as opposed to any other civic official, lead unique positive changes for equity?

Morales: Over the past several months there is a mantra I have been repeating consistently: a budget is a reflection of our values. The mayor has executive power over what gets funded in the city and by how much. Funding for services that contribute to true public safety (access to housing, medical/mental healthcare, economic stability, job training, education) will provide access and opportunity to those who have historically been left behind by our elected officials. Line by line, the budget reveals the values of a city and government. The NYC budget passed in June was a failure. It failed the residents of NYC, who have been raising their voices in protest and demanding a divestment from law enforcement since May 29. It failed those whose lives have been lost at the hands of the NYPD. It failed communities of color that have been disproportionately impacted by violence and brutality.

The budget highlights the need for NYC leadership to put New Yorkers first by investing in communities. The NYC Mayor also has the ability to work to desegregate public schools and impact the quality of education provided to over 1.1 million students, many of whom are students of color living in poverty. This alters the course of a student’s life and provides an entry point to economic mobility and a true career trajectory. New Yorkers deserve a bold, transformational leader who is unapologetically committed to prioritizing justice in the budget’s bottom line. I fundamentally believe that those closest to the problem are closest to the solution. Our city needs a mayor that is in tune with her people and provides a vision for and direction for what is possible.

360: What are some of the most pressing or urgent issues that need attention within New York City, and how would you address them?

Morales: New York’s problems all stem from structural oppression by Race, Gender and Class, so our solutions must go deeper, all the way to the root causes. Too many New Yorkers are living in a time of scarcity, and that’s been going on since long before the virus hit. The are working two jobs, just barely surviving and always one misfortune away from losing everything. Instead of this “Scarcity Economy,” we need a “Solidarity Economy,” and that requires bold action. First, transforming public safety in the city by providing access to the same critical resources found in wealthy communities will be a critical step toward creating the long-term change we need for all to live in dignity. True public safety includes ensuring that every New Yorker has access to “life essentials,” like quality transportation, affordable housing, excellent and equal education and human-centered healthcare. All New Yorkers deserve access to these fundamental resources in order to live in dignity, and it is the necessary floor needed to break through glass ceilings.

Next, we must enhance and overhaul vital infrastructure requiring multi-part, creative solutions that address the deeper issues embedded in the fabric of NYC. To break the racist cycle of poverty that divides our city into the “haves” and the “have-nots,” we will establish a guaranteed minimum income. We will push for universal healthcare and eliminate inequities in the health system faced by women, and especially women of color. We will work to address the persistent segregation of our schools and disrupt the school-to-prison pipeline by replacing school safety officers with trained mental health professionals. The driving force behind all policy initiatives is the experiences, needs and voices of women of color. Particularly, Black women. As the Combahee River Collective wisely wrote in its 1977 statement, “If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all the systems of oppression.” We know that if New York does right by Black women, the entire city will be better for it.

360: How can you use your personal experiences with serving as a single mother and observing the many other challenges that face New York City residents to enact policy reform?

Morales: So many of New York’s problems have impacted me directly, and so much of who I am and what I know comes from being a mom. My greatest joy is being the mother of my two children, Ben and Gabby. They constantly push me, teach me and nourish me. As a single parent, I share experiences with hundreds of thousands of other New Yorkers. A 2018 study found that single-parent households are the second largest household type in New York City. I navigated New York City’s systems – economic, health and education – on my own. I balanced a budget for my family each month, figuring out how to make it work. My greatest challenge was parenting my children through the NYC education system. The rigid and unforgiving education that my children received did not allow any space for their learning differences. They did not see themselves in the white-centric curriculum and we struggled to find support during their developmental years. Advocating for my children was a full-time job on top of my paying-full-time-job. Again and again I have stood with parents for a more equitable and life-affirming education for our kids. It is with this same community spirit of coalition building, advocacy and bettering of our social safety nets that I will push for policies that support all types of families in NYC.

360: What is one of the most significant components of your background or experiential knowledge that separates you from any other candidate?

Morales: I am, in so many ways, the average New Yorker. I was born and bred in Bed-Stuy. I am an Afro Latina single-mom of two children who survived the New York City public school system. I am a first generation college graduate who came back home to my city after school. I am a woman of color who discovered that I was not being paid the same as my white male counterparts. I’ve watched my neighborhood change, I’ve seen Starbucks replace the corner bodega, and I have spent my weekends marching side by side – 6 feet apart – with my fellow New Yorkers demanding justice for those killed at the hands of a racist policing system. Because I am the average New Yorker, my voice reflects the voices of thousands of others. We share our lived experiences, frustrations and joys. I love New York City because I see our full potential for all of us.

360: How does your previous extensive work with social service nonprofits inform your motivations and goals to serve as Mayor?

Morales: For decades, I worked within the community to address structural inequities burdening communities of color. I worked alongside those experiencing the symptoms of our broken system most acutely – poverty, lack of access to education, homelessness and mental health services. I witnessed firsthand the day-to-day struggles of New Yorkers that are perpetuated by cycles of poverty and oppression. I worked from the ground, up and from the inside, out. But as I hammered away, I recognized these structural and institutional barriers, and began to ask, “So how do we burn them down?” It felt as though I was only tinkering around the edges of the problem and providing Band-Aid solutions to deep, deep wounds. The core, perpetuating issues were centralized and foundational. I realized that if I want to create lasting, effective change, I must address these systemic and political problems at the root. As Mayor, I would carry with me the voices of those I have served.

360: In outlining your points of action and reform for New York City, how does the COVID-19 pandemic affect any of these potential strides for change?

Morales: As we know, COVID-19 is a catastrophe that illuminates all of the cracks and splinters in our broken systems. At first, many claimed the COVID-19 was a “great equalizer,” affecting all people, regardless of race, class or gender. Instead COVID-19 disproportionately impacts people of color and low-income communities. This is not a coincidence or personal failing, but rather the direct result of racist systems, putting structural oppression in stark relief. While some New Yorkers are able to escape crowded areas, arm themselves with personal protective equipment and work remotely, others, namely people of color, are on the front lines providing essential services to our city.

As COVID-19 has had devastating consequences that will leave a lasting impact for years to come, it has also provided us with a unique moment. As we saw after the murder of George Floyd by the Minneapolis police, being homebound and isolated forces us to pay attention. We have paused. We have slowed down. With fewer distractions and a center of focus, folks all across the country have had the veil lifted. People are noticing the interconnected webs of oppression I have lived with and that I have been fighting to dismantle my entire life. In this moment, we need leaders in office who are of, by and for the movement for social change. There is a momentum and hunger for justice that can no longer be ignored. As we overcome the challenge of the disease, I will never let the city forget who is truly essential. Together we will create a world in which front-line workers are truly valued as indispensable. A world where we accompany our applause and platitudes with a livable wage, unquestionable dignity and real community power.

360: What are some of the most rewarding takeaways you have gained from leading several momentous organizations?

Morales: I’ve learned firsthand about the barriers and challenges that people have to overcome in order to gain access to opportunities that are alleged to be available to everyone. I also have watched as community members care for one another to bridge the gaps in access to those opportunities. This is testament to the power of our communities to be true partners in determining the solutions they face when given the resources to do so. Finally, I have been able to bear witness to what is possible when people finally gain access and opportunity and how that has the potential to change the trajectory of people’s lives and transform families and communities.

360: Regarding the national and global movement, Black Lives Matter, how will you utilize your unique identity to empower minorities in the City of New York?

Morales: Like many people of color, I have lived years of my life trying not to take up space. I have seen the ways that my identities – my Blackness, my Latina roots, my politics, my womanhood – make people, namely white people, uncomfortable. In these spaces I would constantly ask myself, “Do I seem too opinionated, too articulate, too aggressive?” I would contort and deflate myself to fit into tight corners and small boxes. I would shrink myself so that others could feel big. When making the decision to run for Mayor of NYC, I decided it was important for me to run as my full, unadulterated, unapologetic, multi-hyphenated self. There would be no more shrinking, questioning or self-doubt. I recognize that by the very nature of stepping into this space, I am opening up a path of possibility. As the first Afro-Latina running for mayor of New York City, I recognize the awesome responsibility I hold. I know that when I speak, unfairly or not, I am representing all Afro-Latina women. Missteps become mass stereotypes. Accolades become communal achievements.

This is both beautiful and deeply terrifying. But in moments of fear, I am guided by a greater purpose to bring with me those whom have been devalued and made to feel small, as I have been; to elevate the voices of those with shared experiences and claim our rightful place in democracy and representation in leadership. People like me, individuals and communities of color, women of color, we must be at the forefront of our politics and policies. I am deeply committed to divesting from racist systems and investing in Black and Brown communities. I am committed to reimagining public safety on our streets and in our schools. I am committed to shifting wealth opportunities to those who have been historically marginalized. I am committed to redressing and repairing the wounds of oppression that scar our city. I am in this race to stand taller in the face of a world that tells me to shrink. I am here to tell them that Black lives are beloved. We matter today and every day forward.

360: To all of the NYC citizens following your efforts to better numerous communities, what are some of the best ways individuals can support your campaign?

Morales: The best way to help me is to join the campaign with a small contribution. I am not a career politician, and unlike other candidates, I have not spent decades cultivating a war chest of people, networks and resources to kickstart my run for mayor. I want to be responsive to the people, not the special interests.. My campaign was born out of my home in Bed-Stuy, out of conversations with my neighbors, friends and colleagues. Our campaign is 100% powered by the people, not the 1%. We are an intersectional coalition of Black and Brown, Latinx, LGBTQIA and working class New Yorkers. We are backed by the people being hit the hardest at this moment in time. I am so incredibly humbled that in the middle of a pandemic, without employment, people are finding a way to donate to our campaign. I know what is at stake and the choices they have had to make to do so. If donating to our campaign is not possible for you during this financially uncertain time, we understand. Visit my website, dianne.nyc, for information and volunteer opportunities. Spread our mission to your fellow New Yorkers. Reach out to join our team. Remember me in November 2021.

To learn more about Dianne Morales, you can click right here. To learn more about her stances and solutions, you can click right here. To support Morales through donations, you can click right here. You can also support her on Twitter and Instagram.

Alec Wigdahl – Summer is Over

Singer, songwriter and guitarist Alec Wigdahl releases his third single “Summer is Over,” out now via 10K Projects/ Internet Money Records. Following the release of past singles “Lipstick” and “Cologne,” “Summer is Over” is a pop-rock anthem that shows Wigdahl singing over a dance-floor ready, guitar-led beat. His recent breakout “Cologne” has gained over 2.4 million plays on Spotify and holds a coveted spot on its “Young and Free” and “Anti Pop” playlists, and his catchy July release “Lipstick” has been heralded as the song to “soundtrack your summer romance” by Earmilk. The release is also accompanied by a music video, directed by Molly Hawkins (Harry Styles, The xx, Kelsey Lu), featuring bright colors and trippy visuals.

Based in L.A. but originally from outside Minneapolis, Alec Wigdahl took up songwriting at the age of 15, initially using music as a form of therapy. After teaching himself to play guitar by watching videos of his favorite musicians, he put out a self-produced EP called On My Mind his senior year of high school. Upon graduating he headed to Boston to study at Berklee College of Music, but quickly dropped out and returned home to enroll at the University of Minnesota, compelled to continue with his D.I.Y. approach to music. Those instincts proved to be right on target when the Internet Money team reached out to Wigdahl after discovering his songs on social media. By the end of last summer, Wigdahl had signed his deal with 10K Projects, and soon set to work on Strawberry – released December 2019, the EP showcases Alec’s stripped-down sonic palette.

Alec kicked off 2020 with a brutally honest but infectious new single called “Cologne.” His most popular to date, the track was produced by Wigdahl along with Internet Money founder Taz Taylor, Nick Mira, and OkTanner and featured more elaborate pop production than his previous record, Strawberry. Despite the differences in its production, “Cologne” offers up the same raw emotion that Wigdahl has always brought to his songwriting. As Wigdahl explains, that fearless honesty ultimately serves as a vehicle for personal connection.

“I love the kind of songs that are incredibly specific to the artist’s life, but when you listen it hits you right in the chest — almost like it’s happening to you,” says Wigdahl. “In my own music I try to be as personal and vulnerable as I possibly can, so that everyone can feel like the song was made for them. I want them to feel like I’m narrating their story at the same time that I’m narrating mine.”

Tyga illustration done by Mina Tocalini of 360 MAGAZINE.

Tyga Bites

Grammy-nominated hip-hop artist, Tyga, joins forces with renowned restaurateur Robert Earl and Earl’s son Robbie, for the launch of TYGA BITES, a celebrity-owned virtual dining concept. Now available through Grubhub, TYGA BITES is a delivery-only concept that specializes in antibiotic-free, oven-baked, boneless chicken bites. Grubhub will be offering free delivery on orders of $15 or more for the entire month of August to new and existing customers on their first purchase of TYGA BITES*.

With the idea conceived by Tyga, Earl paired the artist with acclaimed chef, author, and TV personality, Eric Greenspan, to create a carefully crafted, bite-sized all-natural chicken that’s baked, not fried. Tyga curated TYGA BITES by adding his own specialty spice dusts that sprinkle the chicken with the right amount of sweet and spice, along with a wide variety of dipping sauces to further enhance the flavors.

“I wanted to make sure the whole menu, flavors, and even the packaging was on point,” said Tyga. “The bites are baked just right; choose a dip then take a sip! I even threw in some chocolate chip cookies for dessert.”

TYGA BITES’ online menu offers crispy, oven-baked chicken bites in three different spice dusts including Black Garlic, Lemon Black Pepper, and Peri-Peri, a mix of tangy, sweet and spicy. The bites will also be served with the option of twelve different dips, along with regular or sweet potato Tyga Tots, chocolate chip cookies, and beverages.

“Tyga has been an inspiration to collaborate with on this brand—his instincts are spot-on,” said Robert Earl, Founder of Virtual Dining Concepts. “Consumers can now enjoy TYGA BITES at home through our partnership with Grubhub, offering contact-free delivery for everyone’s added comfort and peace of mind.”

“Today begins the independent restaurant revolution,” Robbie Earl elaborates. “We have created a blueprint that restaurants can truly benefit from with our VACs (virtual additional concepts). We are offering restaurateurs the opportunity to operate a second brand within their existing brick and mortar location, increasing their bottom line by also becoming a virtual kitchen owner.”

“Working with our partners at Virtual Dining Concepts on the new TYGA BITES brand, we have the exciting opportunity to provide our diners a new variety to choose from when ordering in,” stated Kevin Kearns, Senior Vice President, Restaurant Network at Grubhub. “We’re thrilled to give independent restaurants on our platform the opportunity to increase their total business by working with TYGA BITES, and by adding new locations across the country for our diners to try – it’s a win, win for everyone.”

TYGA BITES is now available in more than 30 major markets across the country, and with the support of independent restaurants, it is projected to have contracts with up to 500 locations by the end of August. Consumers based in Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, Denver, Las Vegas, Houston, Washington D.C., Austin, Seattle, Salt Lake City, Pittsburgh, Albuquerque, Sacramento, St. Paul, Kansas City, Scottsdale, Columbus, Minneapolis, and Louisville are among the first wave with many additional locations opening soon.

A delivery-only virtual restaurant launched by Grammy-nominated recording artist Tyga and restaurateur Robert Earl, TYGA BITES taps into kitchens of existing brick-and-mortar restaurants located across the U.S. and is delivered to your door thru Grubhub. The menu features tender chicken that is baked and flavored with a choice of seasoning dusts, accompanied with a wide selection of dipping sauces, sides, and cookies. TYGA BITES initial rollout includes the following cities: Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, and Denver. Additional locations will be added regularly. Consumers looking for a location near them should search for TYGA BITES on the Grubhub app. For more information please follow us @eattygabites on Instagram, Twitter, and Facebook.

Grubhub is a leading online and mobile food-ordering and delivery marketplace with the largest and most comprehensive network of restaurant partners, as well as nearly 24 million active diners. Dedicated to connecting diners with the food they love from their favorite local restaurants, Grubhub elevates food ordering through innovative restaurant technology, easy-to-use platforms and an improved delivery experience. Grubhub features nearly 300,000 restaurants and is proud to partner with more than 200,000 of these restaurants in over 4,000 U.S. cities. The Grubhub portfolio of brands includes Grubhub, Seamless, LevelUp, AllMenus and MenuPages.

Follow Tyga Bites: Facebook | Instagram | Twitter

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George Floyd illustrated by Mina Tocalini for 360 MAGAZINE.

George Floyd Family Suing

By Eamonn Burke

The family of George Floyd will sue the city of Minneapolis, claiming his rights were violated during his arrest, consequently allowing racism and brutality to fester in the city’s police force. This comes as newly released body cam footage clearly shows Floyd pleading with officers and telling them he cannot breathe. The lawsuit will target financial reparations for Floyd’s children and siblings.

The family’s attorney, Mr. Crump, is calling the murder of Floyd “torture” and calling the disproportionate killing of black people by police a “public health crisis”. He cites “deliberate indifference” from the city of Minneapolis on this issue.

“Everything seems to have stopped and got shut down in America during the coronavirus pandemic except racism and discrimination and police brutality against Black and brown people.” says Crump. “This is the tipping point for policing in America.”

Crump is hoping this case will set a precedent for future lawsuits by establishing the damaging financial repercussions that the wrongful killing of marginalized people can incur. Additionally, he anticipates major changes in policing, which have already begun as Minneapolis takes steps to abolish the police

Meanwhile, the killers of George Floyd – ex-officers Derek Chauvin, Alexander Kueng, Thomas Lane and Tou Thao – have all been charged with aiding and abetting in 2nd degree murder, and await their trial date on March 8, 2021. Their lawyer declined to comment on the topic.