Posts tagged with "3D"

New Meme Greeting Card Company: “Dirty Pop Cards” Finds Humor in the Risque

You all have that one friend — you know, the one who gets your perverse sense of humor, the one who busts a gut when your raunchy side stands up. This is the friend who deserves a Dirty Pop greeting card. In a world where everyone sends memes and gifs multiple times daily, some might think the act of mailing a card is a thing of the past. Well, if that card is a pop-up pair of ta-tas or a fully erect penis — game changer! Tell me you aren’t giggling a little thinking about your most twisted friend opening 3D boobies or unfolding that special package and watching it come to life.

So, who has the balls to launch a new company with such risque merchandise? It’s the same person who defied the business-crushing COVID-19 pandemic and started a company despite the risks. Inspired by the vulgar memes that match her sense of humor, Thao Lam, CEO of www.dirtypopcards.com is doing her part to spice things up with her out-of-the-ordinary, bawdy greeting card company, Dirty Pop Cards.  Lam decided what the world was craving in these trying times was a little more laughter. With the extra challenges 2020 is creating, who doesn’t need to literally lol right now?

Lam is not going it alone. She and husband Levi Gale are the masterminds behind this widely successful venture. When creating their cards, entrepreneurs Lam and Gale seem to dig into the unspoken innuendos of imagery and language and let their minds roam to the raw aspects of human nature. They take the dirty little thought-process that plays out in most peoples’ heads and put it on paper. The result is a crass but hilarious Dirty Pop greeting card.

When you have a racy sense of humor, not everyone will get you. And even if they do, some will not be as amused as others. These facts make no impression on Lam, who says, “Quite frankly, life is too short to really give a sh*t.”  And it’s this attitude that has successfully launched a uniquely spicey card company in the most challenging times. For Lam, Dirty Pop Cards is about making people laugh. She knows her bawdy brand is not for everyone, and she and Gale have had to defend their raunchy wit by developing a bold business philosophy — “F*uck ‘Em.” Lam explains, “So, every time we see someone laughing over a DP card, we do a little happy dance. And every time we hear someone complain, we still do a little happy dance and say, F*ck ‘Em.” 

So, what’s on the horizon for Dirty Pop Cards? Lam and Gale are currently looking towards the holidays. Knowing this is the time of year when more cards than ever are sent, they can’t help but see it as a huge opportunity to spread their particular style of holiday cheer. Some might think putting a dirty spin on a holiday card is offensive, and these two entrepreneurs are ok with that. Their goal is to bring laughter to the people who appreciate their humor and tantalize a curious few. They know one of their perverse pop-up cards won’t end up in just any stocking. They also know a Dirty Pop card is the best gift ever for the more vulgar crowd on the naughty list. And it’s this group of sordid folks they cater to. 

Dirty Pop offers an array of cards that range from borderline obscene to ones that definitely cross the border. Their content is fresh, funny, playful, and, of course, downright crude. Are you looking for a unique gift that will most certainly be a conversation piece among lewd like-minds? Do you want to send a gift with crude shock value? If so, take a risk on the risque and explore what Dirty Pop Cards has to offer. You will not be disappointed. 

'Bending Arc' by Janet Echelman. Photo Credit: by Brian Adams courtesy of Studio Echelman

Civil Rights Sculpture

On July 6, 2020, the new St. Pete Pier™ and its St. Pete Pier District debuted world-renowned artist Janet Echelman’s latest large-scale aerial sculpture. The work, which was inspired by both the destination and its connection to the Civil Rights Movement, incorporates materials and technology utilized by NASA. Entitled ‘Bending Arc,’ the aerial sculpture is composed of 1,662,528 knots and 180 miles of twine and spans 424 feet, reaching 72 feet at its tallest point. Named an Architectural Digest Innovator for “changing the very essence of urban spaces,” Echelman and her work defy categorization.

Echelman’s artwork offers visitors an oasis where they can seek a moment of calm sensory experience and heightened awareness of nature and our place within it. “The sky is the canvas for my artwork,” says Echelman.

Embracing change, the monumental sculpture gently billows above the Pier District, allowing the wind to create a choreography of constantly changing shape in the sculpture’s soft surface. The sculpture’s color also transforms at every moment while its surface interplays with natural and projected light. In daytime the sculpture casts shadow drawings on the park and people below, and at night it transforms into a glowing beacon of magenta and violet light. Images available here.

How It’s Made

The technical design process utilizes custom proprietary software that allows Echelman’s team to perform soft-body 3D modeling of the monumental design while understanding the constraints of the craft, and shows digital responses to the forces of gravity and wind.

First, the artist extrudes custom color PTFE (Polytetrafluoroethylene) into fiber. PTFE is a highly-engineered technical fiber that retains its strength under UV exposure, and for this reason has historically been used to coat astronauts’ spacesuits.

Then the artist mixes multiple fiber colors together and braids them into twine. The blended colors of twines are wrapped onto bobbins and loaded onto looms which knot lengths of diamond mesh netting. Mesh is hand-cut and hand-knotted together to sculpt complex geometric forms.

Separately, UHMWPE (Ultra-high-molecular-weight polyethylene) fiber is braided into ropes. This fiber is 15 times stronger than steel by weight and was used by NASA to tether the Mars Rover. These ropes are spliced by hand to create the 420 ft rope structure using a method that fishermen and mariners have used for centuries. Then the net is meticulously hand-knotted to the rope structure.

Cranes arrive on site to pull the ropes into tension at maximum force levels of 65 tons at top of masts. The net and rope structure has been engineered by Arup to withstand a design wind load of 150 mph.

The sculpture is illuminated with sustainable low-energy LED lights which project a combination of colors designed by the artist to transform the sculpture at night into a glowing beacon.

About ‘Bending Arc’ and Janet Echelman

The internationally-renowned artist, born and raised along the shores of Tampa Bay, was inspired by historical postcards depicting blue and white striped beach parasols together with the geometric forms made by colonies of barnacles growing on the underside of the pier itself. The sculpture’s design in aerial view can be read as three barnacle-like parasols nestled together.

As she continued her design process, she learned of the site’s important Civil Rights Movement significance, as the place where local citizens began peacefully challenging racial barriers, leading to the 1957 US Supreme Court case ruling which upheld the rights of all citizens to enjoy use of the municipal beach and swimming pool without discrimination. The sculpture’s geometry in section is composed of multiple arcs, which gently billow in the wind. The artist titled the sculpture Bending Arc in reference to MLK’s words: “The arc of the moral universe is long, but it bends toward justice.”

Echelman’s work has been celebrated for enlivening cities and have become focal points for urban life on five continents, from Singapore, Sydney, Shanghai, and Santiago, to Beijing, Boston, New York and London. Her experiential sculptures such as her permanent works in Porto, Vancouver, San Francisco, West Hollywood, Phoenix, Eugene, Greensboro, Philadelphia, and Seattle transform daily with colored light and the natural movement of wind.

About the St. Pete Pier

Janet Echelman was commissioned to create a monumental aerial sculpture for the Pier District which is also receiving multiple accolades for its future-forward design, an ambitious and sustainable infrastructure that not only embraces, but empowers St. Petersburg’s growth. It encompasses many things from economic development, urban resilience and environmental awareness to equity, access, enjoyment and recreation – designed to be as rich in use now as it will be in twenty years, fifty years and beyond.

Duckwrth Find A Way Art

Duckwrth – “Find A Way” Video

DUCKWRTH RELEASES NEW ANIMATED VIDEO FOR “FIND A WAY” FEAT. ALEX MALI, RADIO AHLEE AND BAYL 

Critically acclaimed Los Angeles rapper Duckwrth releases his new animated video for his feel-good anthem “Find A Way” feat. Alex Mali, Radio Ahlee and Bayli today.

Watch “Find A Way” feat. Alex Mali and Radio Ahlee Video: HERE

Directors Mark Rubbo and Chad Tennies developed the concept for a CGI
fully animated music video with 3D camera moves rendered in real-time,
creating stylized avatars for the inspirational song. The visual matches the ebulliently effusive energy, potent power and grooves of the track. A colorful animated interpretation of “Find A Way,” it plays out like a high-octane flick somewhere between Avatar and Black Panther. It also shows the scope of Duckwrth’s ever-expanding vision. The South Central sonic insurgent continues to garner acclaim.

On “Find A Way,” HYPEBEAST wrote, “The single serves as an uplifting anthem during these troubling times, featuring lyrics that showcase the artist’s ability to reminisce about the past and see a way forward.” Earmilk put it best, “The single plays as a welcome beam of light during a dark time.”

Over the last five years, LA-based wunderkind Duckwrth has quickly risen up the ranks as a promising star of the future of music. His collection of critically acclaimed projects including Nowhere (2015,) I’m Uugly (2016), Xtra Uugly (2017) and The Falling Man EP (2019), have transcended streaming platforms and landed in films, TV series, and brand ad campaigns and have received critical acclaim from a vast amount of outlets including NPR, The FADER, Complex, XXL and more.

This cumulation has led the rapper to become an international touring staple, headlining shows globally and performing at Austin City Limits and opening for superstars Billie Eilish and Anderson .Paak. Duckwrth’s music has appeared on shows like CW’s All American, HBO’s Insecure and Real Time with Bill Maher and his song “Start A Riot” was featured on the Spider-Man: Into the Spider-Verse soundtrack.

His music has appeared in campaigns for the likes of Cadillac, Microsoft, Peloton, Amazon and Apple Music, and he’s worked with fashion legacies like Levi’s, Vans and Fila, as well as high fashion men’s suit designer Paul Smith.

Follow Duckwrth:

Facebook | Twitter | Instagram

ABOUT REPUBLIC RECORDS:

A division of Universal Music Group, the world’s leading music company Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more.

Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money and others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises.

Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Lil Tjay – STATE OF EMERGENCY

LIL TJAY RELEASES STATE OF EMERGENCY MIXTAPE

FEATURES COLLABORATIONS FROM THE NEW CLASS OF NYC RAP POP SMOKE, FIVIO FOREIGN, SHEFF G, JAY CRITCH, SLEEPY HALLOW, JAY GWUAPO AND J.I. THE PRINCE OF NEW YORK

“STATE OF EMERGENCY” FULLY IMMERSIVE 3D EXPERIENCE MIXTAPE RELEASE PARTY TONIGHT AT 7PM ET ON TWITCH

DONATES TO BRONX DEFENDERS TO HELP FIGHT COVID-19 IN NYC

Bronx NY’s own Lil Tjay is celebrating his city with the release of his new project STATE OF EMERGENCY, out today via Columbia Records. The 7-track mixtape features collaborations with the new class of NYC rap including Pop Smoke, Fivio Foreign, Sheff G, Jay Critch, Sleepy Hallow, Jay Gwuapo and J.I. The Prince of New York. The project includes his latest release “Ice Cold,” along with a Fivio Foreign and Pop Smoke collaboration on the fresh New York anthem “Zoo York,” a fitting tribute to the late rapper’s legacy as one of the last songs he recorded. The JLShotThat directed video for “Zoo York” is coming soon.

LISTEN HERE

To celebrate the release, Lil Tjay has partnered with Twitch to launch The “STATE OF EMERGENCY” Experience tonight at 7pm EST. The fully immersive and one of a kind 3D listening experience will showcase NYC as Tjay moves through the city discussing and playing back the project. The event will offer a feature in which viewers will be able to donate to The Bronx Defenders. Tune in HERE.

Coinciding with his empire state-themed mixtape, Lil Tjay will be donating to The Bronx Defenders, an organization that is innovating and pushing boundaries of what a public defender is and fighting on the front lines for justice every day. The cause hits close to home and is a big passion of Tjay’s, as they once helped fight the system in a case that he was involved in. He will personally be donating gift cards to help the formerly incarcerated clients and their families buy essentials, along with masks for the defenders as they continue their fight for the release of people at high risk for health complications if they contract COVID-19. Since the onset of the health crisis, The Bronx Defenders have been able to secure the release of over 100 clients who were being held in jails and ICE detention.

“Since the start of the COVID-19 pandemic, low-income black and brown communities like the Bronx have been hit the hardest. This is a community that depends heavily on public transportation, encompasses countless essential workers, and is over criminalized into a legal system that crams people into jail cells where the virus is rampant. We are working tirelessly on behalf of our clients to stem the worst of this pandemic, but we can’t do it alone. We’re so thankful to have allies like Lil Tjay giving back to their community so that our clients can access basic necessities like protective masks, groceries, and medicine in this time of crisis. We will get through this if we continue having each other’s backs.”  – Justine Olderman, Executive Director of Bronx Defenders.

WEBSITE / INSTAGRAM / TWITTER

World’s First 3D Wooden Maps

Enjoy The Wood debuts on KickStarter the newest 3D wooden world maps (each map consists of 55 self-assembling pieces) for your home or office interior. Easy to assemble in less than an hour, the new edition includes additional wooden inscriptions, names of locations on the map in any language, gift keychains and illuminations. Rewards for the campaign are essentially a heavy discount for the 3D Travel Wooden Map and instructions for assembly. The difference lies in the sizes of the map, which come in Medium (M), Large (L), Extra Large (XL), and Extra-extra Large (XXL).

The maps are hand-made of birch plywood and have three-layered, stylishly designed pieces available in natural, gray, blue colors or any other color of your choice! The maps are made of very detailed, precision-cut wood using high-quality techniques as well as eco-friendly materials. The exclusive feature is that you can mark all countries you’ve visited or future destinations that you might have! Maps already have tiny holes, so that you can simply put a pin in any location on the map. The world’s 15 most popular sightseeing marvels, such as Taj Mahal, Big Ben, Eiffel Tower, and others are available as beautiful push pins.

It is a high-quality minimalist 3D wooden map, created with laser-cut precision and love of tender hands. You have an option of illuminating the continents. The neon RGB LED lights glow in seven main light options and a couple of illuminations. You can regulate the brightness of the light using a compact remote control. The trendy stylish design makes it a unique wooden wall décor for your home, office or as a gift for vivid travelers!

Key features:
– All pieces are handmade of birch plywood.
– Wooden wall compass, airplanes and boats are included.
– Easy installation in under an hour as each map piece has a number that matches a template, part of the included installation instructions.
– Includes special sticky tape / double-sided removable adhesive that doesn’t ruin your walls (however do not adhere to wallpaper).
– This is not a true geographical map in that we don’t include all countries and islands. However, if you wish to have certain islands or countries added, please contact us and we gladly add it to your order. Many islands are omitted due to the size of the map. You can order more islands as add-ons.
– Comes already gift wrapped, ready for gift giving.
– 3 layers for different countries.
– 4 different colors of wood pieces (light, brown, dark brown and light brown, blue, gray or any color of your choice).
– New wooden push pins of 15 different sightseeing from all over the world
– Ocean names options.
– RGB LED (Neon colors) option, lights that glow in 7 main light options and couple of its illuminations. You can regulate the brightness of the light using a compact remote control.
– Lights are behind the continents.
– Map is placed on the acrylic background ready to be placed on the wall. So you just have to place it on the wall and connect.
– Some of the islands (the smallest) are without acrylic background and without light. You will have to stick them with tape. (which is included)
– Easy installation under 2 hours with the instruction video. Everything, including framing nails, is included (only for LED option Map).
– Works on 110V/220V. EU/US electrical plugs are available.

Fun pins for landmarks:
– Coliseum
– Eiffel Tower
– Sagrada Familia
– Burg Khalifa
– Pagoda
– Pisa Tower
– Big Ben
– Pyramids
– Parliament of Budapest
– The Great Wall
– Taj Mahal
– Machu Picchu
– Statue of Liberty
– Sidney Opera House
– Statue Jesus

Availability: The maps come in sizes: M (100x60cm/39×24”), L (150x90cm/59×35”), XL (200x120cm/79×47”) and XXL (92x66x20 cm/36x26x8 in). The maps can now be ordered on KickStarter at 30-40% discount until June 9, 2019. The prices start at 129$.

Toyota Alludes to All-New 2020 Highlander

Toyota Partners with Brooklyn Artist to Create Illusion Ahead of NY Auto Show

Toyota has partnered with with augmented reality artist Michael Murphy to create an out of this world illustration that will have people guessing if what they are seeing is real at all. The 3D illusion of the fourth-generation 2020 Toyota Highlander will be debuted at the New York International Auto Show. as well as in the sky, projected on buildings throughout the city, on April 17.

Watch how it all came together in the time lapse video here.

The project took Murphy nearly 2 months to create in his Brooklyn studio. He painted each piece of the illusion by hand and later worked with a team to place the 200 pieces carefully to have them appear as if floating in air, reminiscent of a giant mobile.

The installation capitalizes on the design elements of the Highlander that will be sure to stand out. The piece captures the model’s power in a modern and sophisticated way.

Check out the 3D illusion in hidden areas all around New York City, online here, or on a livestream of the press conference here.

About Michael Murphy

Augmented reality artist Michael Murphy creates full-blown 3D illusions from pieces of paper and poster board. Ohio-born and working in New York City, Murphy’s “Perceptual Art” installations, can be seen around the world. His pieces play with viewers’ perception and forces them to investigate further.

Follow Michael Murphy on Social Media

Website I Instagram

BEYOND THE CAPE!

April 16 through October 6

Why call this new museum show Beyond the Cape? Compared to so many other exhibitions around the world about comic books, this original and unconventional take soars beyond just superheroes.

Beyond the Cape! Comics and Contemporary Art shows how some of the most currently sought-after contemporary artists are influenced by graphic novels and comic books.

The artworks in this pioneering show making its world premiere at the Boca Raton Museum of Art take viewers on a deeper dive into adult realms, tackling some of today’s thorniest issues: politics, divisiveness, immigration, racial prejudice, planetary climate armageddon, feminism, LGBTQ rights, religion, gender, and more.

Grouped together for the first time in this new way, the exhibition at the Boca Raton Museum of Art features prominent artworld superstars, including:

Kumasi J. Barnett, George Condo, Renee Cox, Liz Craft, Kota Ezawa, Chitra Ganesh, Mark Thomas Gibson, Trenton Doyle Hancock, Christian Marclay, Kerry James Marshall, Takahasi Murakami, Elizabeth Murray, Yoshitomo Nara, Joyce Pensato, Raymond Pettibon, Peter Saul, Kenny Scharf, William T. Wiley, David Wojnarowicz, and Michael Zansky.

Some of the most acclaimed underground comic book artists are also front-and-center, including: R. Crumb, Aline Kominsky-Crumb, and Mimi Pond.

Also featured in the exhibition are artists from The Hairy Who: Gladys Nilsson, Jim Nutt, and Karl Wirsum.

The show features more than 80 works by 40 artists: paintings, video, photography, sculpture, prints, drawings, and tapestries.

Rare comics will also be shown, plus contemporary animation and rarely seen historic cartoons from the early 1900s on vintage TVs.

This exhibition is curated by Kathleen Goncharov, Senior Curator at the museum. She recruited as her ‘muse’ for this exhibition Calvin Reid, the Senior News Editor at Publishers Weekly and a leading expert in the field of comics.

Reid was one of the first critics to recognize comics as a literary form for adults, and selected the comic books and graphic novels in the reading room where the public can comfortably lounge and enjoy reading (many from Reid’s own private library).

“Beyond the Cape delves into the world of comics and graphic novels and their influence on contemporary artists. Their work defies commonalities, but come together to present a boldly visual, eye-opening mirror of our contemporary world and present issues,” said Irvin Lippman, the executive director of Boca Raton Museum of Art.

Some of the surprising twists and turns visitors can see at Beyond the Cape!

Elizabeth Murray began working with comic imagery in the 1970s, when minimalism dominated the art scene. Her personal, colorful work proved that painting was still relevant and ripe for innovation, and set the stage for a return to figurative work in the 1980s. As a child she drew from newspaper comic strips, and even sent a sketchbook to Walt Disney.

Kerry James Marshall’s work is currently at the very top of the art market. Known for his flat, colorful paintings of contemporary Black America, for the past 20 years he has been working on his comic series Rythm Mastr (set in the Black community where his Chicago studio is located).

The genesis of Rythm Mastr began with the demolition of public housing and the spike of violence in Chicago in the 1990s. He grew up in the Watts area of South-Central Los Angeles, and the Civil Rights and Black Power movements impacted this artist’s work.

Most assume comics are primarily intended for children, usually featuring super heroes as evidenced by today’s popular films – but this exhibition is decidedly for adults.

The only references to superheroes in this show are by Renee Cox (whose Jamaican anti-racist avenger Raje does not wear a cape), and Luca Buvoli’s animation Not-a-Superhero.

Art that is flat, graphic and colorful (like the art in graphic novels and comics), is taking center stage in the Instagram age. Artists, galleries and collectors are turning to social media as the place to promote their art and find art to purchase.

Looking beyond the 1960s Pop Art movement led by big name New York artists, this show features the “other” art movements from the 60s and 70s such as Bay Area Funk Art and the Chicago Imagists (who called themselves Hairy Who).

These artists rebelled against the formalist New York style, and during their youth, they were belittled as ‘provincial regionalists’ by the New York-centric art world of the time.

The Chicago artists in Hairy Who (Jim Nutt, Gladys Nilsson, and Karl Wirsum) have greatly influenced younger artists of today.

A nod to Japanese Manga comics and graphic novels features two major artists: Takashi Murakami and Yositomo Nara.

Almost all of the artists in this exhibition are living artists, except for three: Elizabeth Murray, H.C. Westermann and David Wojnarowicz.

Two works by the Indian-American artist Chitra Ganesh. One is titled City Inside Her, (2014), and another is Manuscript, (2018),

a giant 3-D hand with projected henna designs used by women in India and the Middle East

Chitra Ganesh is an Indian-American artist who combines the iconography of Hinduism, Buddhists and South Asia pictorial traditions with the contemporary popular visual language of comics, illustration and science fiction.

Her work will include a giant 3-D hand with projected henna designs used by women in India and the Middle East. She will also show a series of work loosely based on the comic book series Amar Chitra Katha (Immortal Illustrated Stories).

Ganesh’s original comic book premiered in India in 1967 and was intended to teach children traditional historical and religious stories. Unfortunately, the original series reinforced the caste system with its attendant issues of race and gender. In her work, Ganesh flips the script by highlighting alternative feminist narratives.

California artist Peter Saul, 85, was not taken seriously outside of California until relatively recently. Today his work is in great demand and is a major influence on young artists. Similar to comics, his work is irreverent, idiosyncratic, colorful and political.

Koto Ezawa’s comics-inspired animation tells the story of the Isabella Stewart Gardner museum art heist.

Michael Zansky, the son of Louis Zansky who drew the early “Classic Comics” in the 1940s, is a painter and multi-media artist whose monumental large cut, burnt and carved wood panels feature mysterious hybrid creatures inspired by comics, ancient art and works from the Western art canon.

Another family connection is Jody Culkin who is a descendant of Harriet Hosmer, a prominent neo-sculptor who lived in Rome in the 19th century. Hosmer was a scholar, an inventor, writer and feminist. She wrote a play set in London and in the then-future (1977) in which mummies come to life in the British Museum. Featured in this exhibition is the rarely seen animated comic Culkin made about this play.

Kumasi Barnett uses actual comic books in his work to create new characters such as The Amazing Black-Man. His nine works featured in this show will be encased in plastic, the way rare comics are sold.

Moreover, there’s an emerging artist community within Mississauga, Ontario. Hopefully, these types of installations and many more will come with the assistance of Precondo.

THE IKEA READING ROOM

An extensive reading room designed by IKEA features hundreds of graphic novels and comics for the public to comfortably peruse in a relaxed setting.

Selected by Calvin Reid, Senior News Editor at Publishers Weekly, the 200+ comic books and graphic novels include many from his own personal library.

The public can enjoy reading works by Lynda Barry, Allison Bechdel, Roz Chast, R. Crumb, Aline-Kominsky Crumb, Mimi Pond, Trina Robbins, Art Spiegelman, George Takei and Ronald Wimberly, and many others.

Reid began writing in the 1980s, about the same time Art Spiegelman and R. Crumb, alumni of the underground RAW comics, emerged as serious figures in the comic world. Spiegelman’s MAUS is probably the first graphic novel to reach a wide audience.

A goal in providing the reading room is to inspire fans of graphic novels who may not be prone to visit a museum to take the leap, walk into a museum and experience works of art in person. Rare comics and a series of contemporary and historic animation works will also be on view.

Support for this exhibition is generously provided by the Museum’s Leadership Fund, with major funding from: Estate of Ardele L. Garrod, Isadore & Kelly Friedman Foundation, PNC Bank, Jody H. & Martin Grass, Anne & Scott P. Schlesinger, Jennifer & Marc Bell, Dalia & Duane Stiller, Susan & Eric Kane and Laurence W. Levine Foundation, Angela & John DesPrez III, El Ad National Properties and Alina Properties, Joy & Richard Blakeman and Lisette Model Foundation, Karen Mashkin, Patricia Savides, Schmidt Family Foundation, the Museum’s Friends Auxiliary, and those who wish to remain anonymous.

In-kind corporate support for the exhibition is generously provided by IKEA.

— Jellyfish Eyes, by Takashi Murakami, (2003), collection of Beth Rudin DeWoody

Bloom: Open Space

Open to the public now, Bloom: Open Space is a new mixed reality generative music experience created by musician, producer, visual artist, and thinker Brian Eno and longtime collaborator, musician/software designer Peter Chilvers. For just five days, guests to The Transformatorhuis (Trafo House) at Westergasfabriek in Amsterdam can explore this unique MR installation that blurs the lines between the physical and virtual.

 
Based upon their highly acclaimed, award-winning app of the same name, the installation explores uncharted territory in the realms of both applications and generative art. Guests can use the Microsoft HoloLens to physically experience Bloom – tapping the air around them to create elaborate patterns and unique melodies with the simplest of gestures.

 
Says Eno, “I have always been interested by the possibilities that new technologies offer, particularly that subset which falls under the heading ‘things nobody ever thought of doing before.’ This offer was an opportunity to explore the possibilities of Bloom further and augmented reality further.”

 

Bloom: Open Space seeks to inspire creativity in line with Brian Eno’s innovations, while the HoloLens allows the audience to directly participate and become part of the total experience. Eno has consistently pushed the boundaries of music, sound, and visual art, continually challenging both himself and those who experience his work. Eno and
Chilvers have been experimenting with generative systems for about 15 years, and as well as Bloom, have also released a number of other apps including Scape, Trope, and most recently, Reflection.

A part of the Microsoft Music x Technology program, this collaboration transforms the way we experience and create music. The installation is open to the public in Amsterdam through February 25th, 2018. For those unable to travel to Amsterdam, you can get an inside look at Bloom: Open Space here: bloomopenspace.com

 

Event Details :
Bloom: Open Space
A mixed reality installation by Brian Eno + Peter Chilvers
Open now – Sunday 25 February, 2018

The Transformatorhuis (Trafo House) at Westergasfabriek
Klönneplein 2
1014 DD Amsterdam

 

Luxury Architecture Firm IR Architects Launches Architecture VR/AR Studio AVR

Los Angeles-based architecture firm IR Architects today announced the launch of its sister company AVR (Architectural Virtual Reality) Studio, a virtual reality (VR) studio specializing in architecture. Led by CEO Ignacio Rodriguez and AVR’s team of professional VR developers, seasoned architects and interior designers, AVR will produce interactive VR walkthroughs of real-estate properties, ranging from concepts to in-progress previews, for their upscale clientele. The virtual renderings of properties will also incorporate detailed interior designs, providing a virtual staging of the space and most accurate representation of a finished blueprint. The VR property models allow clients to experience a new property prior to breaking construction ground, allowing for approvals, edits and additions, ultimately saving out-of-pocket costs and time on future revisions.

AVR Studio stems from the needs of IR Architects’ clientele, who required a better way to visualize their property beyond traditional renderings, in order to cut down on costly revisions. Clients, developers and financial investors can experience future properties at their leisure with a VR head-mounted display. Viewers are immersed in a fully interactive three-dimensional environment that provides a virtual representation of the building as a whole, including every room and hallway, down to pieces of furniture within. Some of the highest-level VR models allow viewers to maneuver throughout the property and open doors, turn on the television, experience future poolside and city views. With expert guidance and collaboration from the lead interior designer on a project, the virtual environment can also provide textile choices, countertops, floor designs, and other specific decor features that bring the space to life. AVR’s models will illustrate every detail of a property, from the countertops and floors to lighting and property planning, while also providing accurate scale, depth, and spatial awareness.

Click HERE to watch an informative video of AVR’s design and business practices.

“AVR Studio is going to radically change how client’s design, review, and approve projects in the future,” notes Founder of IR Architects and AVR Studio, Ignacio Rodriguez. “The challenge that many people feel when trying to understand two-dimensional architectural plans will no longer be an obstacle, as with VR, we are all speaking the universal language of volume and space.”

AVR Studio also collaborates with leading real estate agencies in the Los Angeles region to produce VR models of their current and future property listings to communicate the design to potential clients and beyond.

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About AVR

Fusing cutting-edge technology with luxury architecture and interior design, AVR Studio is a virtual reality (VR) studio generating comprehensive VR property inspections. Driven to showcase finished exterior and interior designs of high-end real estate models to clients prior to breaking ground, AVR leverages the power of immersive technology to benefit clients and ease the complex construction process. The futuristic company offers cost-saving efficiency combined with clarity on the proposed designs to clients, developers and financial institutions.

AVR Studio and its reality-based VR techniques are at the helm of the architectural industry, making them well poised to disrupt the status quo and make virtual inspections the new standard for development projects.

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com