Posts tagged with "Belgium"

Radisson Hotel Group via Radisson Hospitality Belgium BV/SRL by 360 Magazine

Radisson Hotel opens in Belgium

Radisson Hotel Group is proud to announce the debut of its Radisson brand in Belgium with the opening of Radisson Hotel Liège City Centre, bringing the Group’s number of properties in the country to 15 in operation.

Situated in the heart of the city in the Sainte-Marguerite (Cadran) neighborhood, Radisson Hotel Liège City Centre is a stone’s throw from key historic and cultural landmarks, such as Saint-Lambert Cathedral, Montagne de Bueren, and Trésor de Liège. Liège is the third most populous urban area in Belgium, after Brussels and Antwerp, and is one of the most important river ports in Western Europe.

The hotel comprises 99 rooms and suites across six categories, ranging from cozy rooms to suites with balconies and kitchenettes. The wood and white décor of the rooms reflects Radisson’s signature minimalist Scandinavian style, blending comfort with functionality, with sporadic touches of color and local accents.

The hotel’s meeting facilities can accommodate small to medium sized professional gatherings and private events with up to 20 people. Meanwhile, the Radisson Bar welcomes visitors for a spot of relaxation or a laid-back business meeting, with a menu featuring regional products.

We are excited to introduce our first Radisson branded hotel to Belgium, and to Liège, and tap into the rising trend of bleisure travel. Radisson Hotel Liège City Centre reflects our local culture in Liège from the black and white photographs to the curated snacks and drinks on the menu, including Curtius, Val-Dieu, and Tripick beers. We hope that both our business and leisure guests will enjoy the Radisson experience“, explains Kevin Demarteau, General Manager of Radisson Hotel Liège City Centre.

Our aim is to develop real-estate projects exclusively in strategic locations. We conduct thorough market research beforehand and often, only one proposal out of 50 makes the cut. This was the case for Radisson Liège City Centre, which will add a new accommodation offering to the city of Liège.” says Thomas Lecluse, CEO of Unibricks and owner of the hotel.

As part of Nestia Group, Radisson Hotel Liège City Centre will join the Group’s three existing hotels, including amongst others Radisson Blu Balmoral Hotel, Spa.

With the health and safety of guests and team members as its top priority, Radisson Hotel Liège City Centre is implementing the Radisson Hotels Safety Protocol program. The in-depth cleanliness and disinfection protocols were developed in partnership with SGS, the world’s leading inspection, verification, testing and certification company, and are designed to ensure guest safety and peace of mind from check-in to check-out.

MEDIA CONTACTS

Sophie Clarke, Global Director of Social Media & Consumer PR, Radisson Hotel Group
sophie.clarke@radissonhotels.com

Katie Ollier Redman, Area PR & Communications Manager, Northern & Western Europe, Radisson Hotel Group
katie.redman@radissonhotels.com

ABOUT RADISSON 

Radisson is an upscale hotel brand that offers Scandinavian inspired hospitality, which enables guests to find more harmony in their travel experience. With natural surroundings and unexpected delights, Radisson inspires the art of being in the moment. We are committed to helping our guests find the right balance for their stay, removing the discomforts travelling may bring and enabling them to switch off and relax, using our Yes I Can! attitude to ensure satisfaction of every guest. Radisson hotels can be found in suburban and city settings, near airports and leisure destinations. Guests and professional business partners can enhance their experience with Radisson by participating in Radisson Rewards, a global loyalty program offering exceptional benefits and rewards. 

Radisson is part of Radisson Hotel Group, which also includes Radisson Collection, Radisson Blu, Radisson RED, Radisson Individuals, Park Plaza, Park Inn by Radisson, Country Inn & Suites by Radisson, and prizeotel brought together under one commercial umbrella brand Radisson Hotels. 
 
For reservations and more information, visit our website. Or connect with Radisson on: 

LinkedIn | Instagram | Twitter | Facebook | YouTube 

ABOUT RADISSON HOTEL GROUP 

Radisson Hotel Group is one of the world’s largest hotel groups with nine distinctive hotel brands, and more than 1,700 hotels in operation and under development in 120 countries. The Group’s overarching brand promise is Every Moment Matters with a signature Yes I Can! service ethos. 

The Radisson Hotel Group portfolio includes Radisson Collection, Radisson Blu, Radisson, Radisson RED, Radisson Individuals, Park Plaza, Park Inn by Radisson, Country Inn & Suites by Radisson, and prizeotel brought together under one commercial umbrella brand Radisson Hotels.  

Radisson Rewards is our international rewards program that delivers unique and personalized ways to create memorable moments that matter to our guests. Radisson Rewards offers an exceptional experience for our guests, meeting planners, and travel agents at over 640 hotels in Europe, Middle East, Africa and Asia Pacific. 
  
Radisson Meetings provides tailored solutions for any event or meeting, including hybrid solutions placing guests and their needs at the heart of its offer. Radisson Meetings is built around three strong service commitments: Personal, Professional and Memorable, while delivering on the brilliant basics and being uniquely 100% Carbon Neutral.  

The health and safety of guests and team members remain a top priority for Radisson Hotel Group. All properties across the Group’s portfolio are subject to stringent health and safety requirements, as outlined in the Radisson Hotels Safety Protocol. The in-depth cleanliness and disinfection protocols were developed in partnership with SGS, the world’s leading inspection, verification, testing and certification company, and are designed to ensure guest safety and peace of mind from check-in to check-out. The Safety Protocol is an integral part of Radisson Hotel Group’s Safety and Security program ensuring we always care for our guests and team members. 
  
More than 100,000 team members work at Radisson Hotel Group and at the hotels licensed to operate in its systems. For more information, visit our corporate website. Or connect with Radisson Hotels on: 

LinkedIn | Instagram | Twitter | Facebook | YouTube 

Attachments

Joy Crookes' Skin via Epic Records for use by 360 Magazine

Joy Crookes – Skin

BRIT Award nominated singer/songwriter Joy Crookes releases her highly anticipated debut album, Skin.  The 13 track body of work includes previously releases singles, “Feet Don’t Fail Me Now,” “When You Were Mine,” “Skin,” and the newest, “Trouble.” Get it HERE via Epic Records/Insanity.

With Crookes credited as an executive producer on the album, alongside the formidable Blue May (Blood Orange), Skin is a hugely personal, game-changing body of work from one of the UK’s boldest and brightest young talents. A collection of songs built and honed throughout her adolescence and into her early twenties, and finished last year within the most turbulent of circumstances, Skin touches on topics such as mental health, relationships, and politics all with grace and sensitivity. Crookes has created a truly special body of work that is both perfectly of the moment, and entirely timeless. Skin’s album artwork is shot by Carlota Guerrero, who has previously worked with Arca, Chloe x Halle, and Solange for all of her imagery for A Seat At The Table.

Already, the album has garnered Crookes a massive amount of acclaim worldwide. British Vogue has dubbed her, “undoubtedly one of the most exciting artists to emerge in the music scene this year,” while The Guardian has praised her “effortlessly nuanced and individual melodic sensibility.” I-D has praised her music as “powerful” while Complex has noted her “soul-stirring vocals,” and Billboard has similarly highlighted her “unfaltering vocal performance.”  The New York Times in a recent profile may have summed up Skin best:  “Crookes offers listeners a nuanced and candid exploration of her multiracial identity. At a time when many conversations about race in the arts and calls for change have only recently begun, Crookes’ commitment to vulnerability in her storytelling has helped her connect with a growing—and loyal—fan base.” 

Up next, Joy Crookes will tour the UK later this year in celebration of the new album; the run kicks off in November in Brighton and extends into next year when she will take the tour to Europe. Full list of dates below.

UK Dates

11/6/21 Brighton, England Concorde 2 SOLD OUT

11/7/21 Bristol, England The Trinity Centre SOLD OUT

11/8/21 London, England O2 Forum Kentish Town SOLD OUT

11/9/21 London, England O2 Forum Kentish Town SOLD OUT

11/11/21 Dublin, Republic of Ireland The Academy SOLD OUT

11/15/21 Glasgow, Scotland St Luke’s SOLD OUT

11/17/21 Leeds, England Leeds University Stylus

11/18/21 Birmingham, England The O2 Institute

 

European Dates

2/10/22 Paris, France La Gaîté Lyrique SOLD OUT

2/11/22 Amsterdam, Netherlands Melkweg SOLD OUT

2/12/22 Brussels, Belgium Ancienne Belgique SOLD OUT

2/14/22 Cologne, Germany Gebaude 9

2/15/22 Munich, Germany Strom

2/17/22 Berlin, Germany Heimathafen Neukoelln

2/18/22 Hamburg, Germany The Stage Club

2/20/22 Copenhagen, Denmark Pumpehuset

2/21/22 Helsinki, Finland Tavastia Club

2/22/22 Oslo, Norway Parkteatret

2/23/22 Stockholm, Sweden Nalen Klubb

2/25/22 Warsaw, Poland Hybrydy

2/26/22 Zurich, Switzerland Exil Club

art illustration by Gabrielle Marchan for use by 360 magazine

Parcours des mondes

Parcours des Mondes is the world’s largest international tribal art, Asian arts and archaeology fair. This year, the Parcours des Mondes will celebrate its 20th anniversary from 7th– 12th September in the Saint-Germain-des-Prés neighborhood, which has been home to the event since its beginnings.

To date, 40 French and international gallerists have confirmed that they will be participating. 42 galleries have confirmed their participation including two from the US, one from the UK and others from Australia, Belgium, Spain, Finland, Italy, Switzerland, the Netherlands, and, of course, France.

The Parcours des Mondes is the opportunity for all collectors and enthusiasts from the world over to gather in this multiple-venue event’s galleries on the rue de Seine, rue des Beaux-Arts, rue Visconti, rue Guénégaud, and a few other small streets in this beautiful neighborhood.

Parcours des mondes is pleased to announce that the Honorary President of this 20th anniversary edition of the fair will be Guy Delcourt, founder of the famous French publishing house Éditions Delcourt, specialized in comics, manga and graphic novels who is a passionate aficionado of Tribal Art and Art Brut.

The dates for your diary are 7th-12th September for this unmissable show, which is supported and produced by Tribal Art Magazine. It coincides with the magazine’s 100th issue in its 25 years of existence which will also be published this year.

Dev!s artwork from Jim Merlis, Big Hassle Media for use by 360 Magazine

DELV!S – REBELMAN

At 6’4”, with a full beard and a thick mop of jet black hair, Delv!s would stand out in any crowd. But it was due to his beautiful soulful voice he has found himself cast into the spotlight, a little under 10 years ago. It was during his college days that Delv!s first got to hear the great singers such as Nina Simone, Ella Fitzgerald, or Billie Holiday, who influenced his androgynous and generously deep vocal style.

Following a few show-stopping performances in Europe at Pukkelpop, Couleur Café, Gent Jazz or Lowlands, Delv!s released his debut EP, the irresistible disco-funk “No Ending”, fronted by the hit single “Come My Way”, that topped the radio charts in his native Belgium for 4 weeks in a row.

Deeply rooted in his love for music from the fifties, sixties, and seventies, “Rebelman” shows a more mature side of Delv!s. For this new track, his character is portrayed by a puppet, a symbolic prop used as a poetic and moving allegory.

If it can be labeled a protest song, it is the most sweetly mesmerizing one you’ll ever hear. The single, recorded in a small cabin by the lake, was put together using field recordings, a humble Squier guitar, an electronic organ, and that distinct Delv!s voice wrapped in guitar amps.

A breath of fresh air that promises to open a brand new chapter with “Rebelman” the first release taken from the Belgian singer’s debut album “Blablablue.”

Watch “Rebelman” here.

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Saint Motel - It's All Happening - Artwork from Sydney Worden from Glenn Fukushima from Elektra for use by 360 Magazine

SAINT MOTEL ANNOUNCES U.S. AND EUROPEAN TOURS

Elektra recording group Saint Motel have announced U.S. and European tours in support of their forthcoming album The Original Motion Picture Soundtrack. The band’s U.S. tour will kick off this September with three special hometown shows at Los Angeles, CA’s The Roxy Theatre, and wrap on Halloween at Madison, WI’s Majestic Theater. In March of 2022, the band will return to the road for a European tour. The upcoming dates mark Saint Motel’s first live shows since their sold-out U.S. tour wrapped in March of 2020. Pre-sale tickets for all dates will be available beginning tomorrow, and general on sale begins this Friday, June 11 at 10:00am local time here.

Saint Motel’s highly anticipated new album The Original Motion Picture Soundtrack will be released on June 25, 2021. The album is available for pre-order now here. The band recently unveiled an official music video for the album’s current single “It’s All Happening”, co-directed by Saint Motel front man A/J Jackson and Mario Contini. Watch it on the band’s official YouTube channel here.

On The Original Motion Picture Soundtrack the Los Angeles-based band dreams up their own cinematic experience in album form, as its songs cycle through stories of love, danger, and impossible triumph. The album also embodies an opulent sound true to its ambitious scope. Co-produced by front man A/J Jackson and Grammy Award-winner Mark Needham (The Killers, Dolly Parton, Chris Isaak), The Original Motion Picture Soundtrack continues the Saint Motel custom of joyfully blurring genres, bringing in elements of everything from symphonic pop to big band.

Audiences began experiencing the album with the release of a pair of EPs: The Original Motion Picture Soundtrack: Pt.1 and The Original Motion Picture Soundtrack Pt. 2. Among many highlights, “Van Horn” has amassed nearly 20 million streams, while the band performed it on ABC’s JIMMY KIMMEL LIVE! Receiving critical acclaim, Dujour described “Preach” as “a bop,” while American Songwriter poured over the album’s concept in an in-depth interview with A/J. Further looks came from Ladygunn, Hollywood Life, and more. Now, fans get the full picture of Saint Motel’s vision with the complete The Original Motion Picture Soundtrack studio album.

In the lead up to the album, Saint Motel made history as “the first band to open their own virtual metaverse” powered by Mozilla Hubs. The virtual world is designed as a motel with each room dedicated to a song on The Original Motion Picture Soundtrack. The quartet’s launch of “New World” welcomed fans to the virtual space where Jackson performed a live acoustic set. In this 3D VR chatroom enabled for all headsets and browsers, audiences can enter an exclusive, immersive environment to engage directly with the band through virtual meet-and-greets and intimate, live performances, consume exclusive video content, and much more. Additionally, it doubles as a space for fans to congregate and get to know each other. Saint Motel’s “New World” upholds what has become a tradition of engaging with groundbreaking technology for the guys. Visit Saint Motel’s website to explore the “New World.” In 2016, they dropped their Elektra full length debut saintmotelevision as the first-ever Virtual Reality album and first-ever Augmented Reality album and accompanied the record with the free saintmotel AR/VR app.

Saint Motel U.S. Tour Dates

September 30, 2021 – Los Angeles, CA – The Roxy Theatre

October 01, 2021 – Los Angeles, CA – The Roxy Theatre

October 02, 2021 – Los Angeles, CA – The Roxy Theatre

October 04, 2021 – San Luis Obispo, CA – Fremont Theater

October 05, 2021 – Santa Ana, CA – Observatory

October 07, 2021 – Salt Lake City, UT – Depot

October 08, 2021 – Boulder, CO – Boulder Theater

October 09, 2021 – Fort Collins, CO – The Aggie

October 11, 2021 – Omaha, NE – Slowdown

October 12, 2021 – Columbia, MO – The Blue Note

October 13, 2021 – Urbana, IL – The Canopy Club

October 15, 2021 – Nashville, TN – Brooklyn Bowl

October 16, 2021 – Athens, GA – Georgia Theater

October 17, 2021 – Knoxville, TN – The Mill & Mine

October 18, 2021 – Asheville, NC – Orange Peel

October 20, 2021 – Louisville, KY – Mercury Ballroom

October 21, 2021 – Charlottesville, VA – Jefferson Theater

October 22, 2021 – Harrisburg, PA – Harrisburg University

October 23, 2021 – Baltimore, MD – Baltimore Sound Stage

October 26, 2021 – New Haven, CT – College Street Music Hall

October 27, 2021 – Burlington, VT – Higher Ground

October 29, 2021 – Buffalo, NY – Town Ballroom

October 30, 2021 – Grand Rapids, MI – The Intersection

October 31, 2021 – Madison, WI – Majestic Theater

Saint Motel European Tour Dates

March 31, 2022 – Berlin, Germany – Franz Club

April 02, 2022 – Hamburg, Germany – Stage Club

April 03, 2022 – Cologne, Germany – Luxor

April 05, 2022 – Munich, Germany – Hansa 39

April 06, 2022 – Milan, Italy – Circolo Magnolia

April 08, 2022 – Amsterdam, Netherlands – Paradiso Noord

April 09, 2022 – Brussels, Belgium – Botanique The Rotonde

April 10, 2022 – Paris, France – La Maroquinerie

April 12, 2022 – London, UK – Islington Assembly Hall

April 13, 2022 – Manchester, UK – Academy 2

Projecting pop hooks through an alternative lens with a flair for dramatic presentation, Saint Motel make music worthy of the big screen. Streamed and viewed over half-a-billion times, the platinum-selling Los Angeles quartet magnify this vision with immersive live experiences and one unpredictable move after another. The group initially came together at film school before introducing themselves on 2012’s Voyeur. Signing to Elektra Records, their 2014 My Type EP boasted both the gold-certified title track “My Type” and fan favorite “Cold Cold Man.” In 2016, saintmotelevision yielded the smash “Move.” Flipping the script once again, the musicians reimagined the record with a series of history-making first-of-their-kind innovations: an award-winning Virtual Reality version and an Augmented Reality version. In 2019, Saint Motel launched their most ambitious undertaking yet, unveiling their third full-length album in three parts. First up, they uncovered The Original Motion Picture Soundtrack Pt. 1 powered by the shimmy and shake of Alternative Top 15 lead single “Van Horn.” Between packing houses coast to coast on headline jaunts and earning acclaim from People, Billboard, and more, the four-piece rolled out Pt. 2 throughout 2020. In addition to unforgettable sets everywhere from Coachella and Lollapalooza to Bonnaroo, the boys lit up shows such as NBC’s TODAY, ABC’s Jimmy Kimmel Live!, and CBS’ The Late Late Show with James Corden, among others.

Saint Motel is: A/J Jackson (vocals), Aaron Sharp (guitar), Dak Lerdamornpong (bass), and Greg Erwin (drums).

Connect With Saint Motel

Saint Motel Website

Saint Motel – New World

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Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Look Book Image Shot by Courtesy of Lennert Madou for Christian Wijnants for use by 360 Magazine

Christian Wijnants Fall/Winter 2021 Collection

If given the opportunity to explore an empty museum, how would you fill the space? This is the question that inspired Christian Wijnants’ Fall/Winter 2021 collection as he was given unique access to the Antwerp Royal Museum of Fine Arts, a place that has been so dear to him. Over the past 10 years, the museum has been closed for renovations, only previewing its restored 19th century structure and newly constructed minimalist addition to Christian, inviting him to fill the grandiose rooms and hallways with his creations. A poetic moment for the designer who first visited the museum as a student on the brink of his career, beginning his to-become namesake’s brand connection to art. However, this time, as the museum sits empty, Christian relied on his memories and vision to fill the space and walls that once held the same Flemish Primitives and Baroque paintings that have inspired him today.

The silhouettes are exaggerated, full of volume, designed to physically fill the oversized rooms and elongated, just like the art that used to hang on the walls and doors that welcome you in. There is a down cape and complimenting puffed bags that wrap around you like a blanket providing the feeling of safety and warmth, cocoon coats designed to appear as though they are cut out of woolen blankets, and peasant shapes that draw from medieval underpinnings. Heavy wool fabric is draped into skirts and swept by fringe, like a curtain grazing the old wooden floors. The knitwear brings in a Bicolor Plissé dress and the ottoman stitch, utilized as stripes. A long-sleeve floor length dress is styled with a down scarf worn as a hat, materializing the old paintings that stood out in Christian’s memory

Floral patterns feel like an ancient tapestry, overdyed and overlarge. Stripes are inspired by the chevron wood floors throughout the museum, construed in various ways, from quite fine lines cutting diagonally on down jackets and lengthening dresses to magnified stripes seen as a two-tone knit. The colors are strategically chosen to reflect the feeling of exploring the various rooms, misty yet bright and historic, but refreshed. It consists of cooler hues such as antique pink, mint, fresh lime, and pistachio, paired with warmer tones such as emerald, bronze and rust.

The hair is imperfect and reminiscent of historic times, a young girl’s modernized adaptation of the medieval knots and curls she has only seen in paintings and make-up is tonal and blurred, imagined to be misconstrued as just the reflection of the green walls. The Fall/Winter 2021 collection comes to life in the collection film, allowing you to explore Christian’s vision, hear the echo of footsteps wandering the space and escape to a feeling of serenity that being in an empty museum provides.

Credits

Makeup: Inge Grognard

Hair: Ed Moeland

Photography: Lennert Madou

Backstage Photography: Klaartje Lambrechts

Video: Erik Peiren

Music: Senjan Jansen

Models: Britt Ensink

Ilona Desmet

Laura Meier Hagestad

Marie-Ange Gueye

Sponsor: L’Oréal Paris

About Christian Wijnants

Christian Wijnants is a Belgian fashion designer praised for its vibrant colors, artisanal knitwear and rich graphics.

Christian Wijnants graduated in 2000 from the Antwerp Royal Academy of Fine Arts. His graduation collection won the Dries Van Noten Award and was awarded the Grand Prix at the prestigious Festival Hyères.

After working for Dries Van Noten and Angelo Tarlazzi, Christian launched his own eponymous label in 2003. His feminine, poetic collections are available in luxury department stores and boutiques around the world. Over the years, Christian Wijnants has been recognized with many prestigious awards, such as the Swiss Textiles Award (2005), the ANDAM Fashion Award (2006) and the International Woolmark Prize (2013).

In 2015, Christian opened his first flagship store in Antwerp: a unique place that celebrates the designer’s love of nature, art, and architecture. Four years later in 2019, he successfully debuted his first menswear collection.

Look Book Image Shot by Courtesy of Lennert Madou for Christian Wijnants for use by 360 Magazine

Look Book Image Shot by Courtesy of Lennert Madou for Christian Wijnants for use by 360 Magazine

Money illustration for 360 Magazine

Top Five Tech Billionaires Worth More Than 80 Poorest Countries Combined

The COVID-19 has played a significant role in wealth redistribution, with tech companies and their founders emerging as the biggest winners. While aviation, real estate, and hospitality industries have been pushed to the bottom of the global rich list, the tech industry billionaires have witnessed the largest wealth gains in the last year.

According to data, the combined net worth of the five wealthiest people in the US tech industry hit $567 billion in February, more than the gross domestic product (GDP) of the 80 poorest countries combined.

Jeff Bezos’ Wealth Surged by 65% Year-Over-Year (YoY) and Hit $187 billion in 2021

As the COVID-19 spread, the world has relied on many technological tools across different sectors­–from business and education to commerce and health care. Tech companies that have provided the best solutions amid the pandemic witnessed the most significant revenue surge, while their founders got richer, to the tune of billions.

Amazon products have become one of the most demanded in the world during the pandemic, as it keeps providing tech items, groceries, and entertainment to people amid lockdown. Because of the high demand for its services, the company had to hire an additional 175,000 workers to keep up with surging demand.

According to the Forbes billionaire list, the COVID-19 has helped Amazon founder and CEO Jeff Bezos to grow his wealth by $74 billion in the last year, with his net worth reaching $187 billion this month. The International Monetary Fund data shows this figure is closest to New Zealand and Iraq’s GDP, which ranked 52nd and 53rd globally with $193.5 billion and $178.1 billion, respectively.

Bill Gates, the Microsoft founder, is the second wealthiest person in the US tech industry, and globally. The net worth of the billionaire working with the WHO and drug makers to defeat the coronavirus is currently standing at $120billion. Statistics show Gates’ wealth grew by $22billion in the last year and is now closest to Morocco’s GDP, which ranked 59th globally.

As the fifth-largest tech company globally, Facebook has also witnessed impressive growth in 2020. The Facebook shares rose by 26% in the last year, pushing its CEO’s fortune up by $39 billion to $93.7 billion. This figure means that Mark Zuckerberg’s wealth is $700 million above Puerto Rico’s GDP, which stands at $93.9 billion.

The chairman, chief technology officer, and co-founder of software giant Oracle, Larry Ellison, and co-founder of Google, Larry Page, ranked as the fourth and fifth tech billionaires globally, with $84.9 billion and $80.4 billion in net worth as of this month. Their wealth is the closest to Sri Lanka and Dominican Republic’s GDP, which ranked 66th and 67th globally, with $81.1 billion and $77.8 billion, respectively.

Top Five Tech Billionaires Worth more than GDP of Sweden, Thailand or Belgium

According to Forbes and International Monetary Fund data, the cumulative wealth of the top five tech billionaires also surpasses the GDP of several countries considered to be economic powerhouses. For example, their combined net worth is bigger than the GDP of Austria, Norway, or United Arab Emirates, which ranked 28th, 33rd, and 35th globally with $432.8 billion, $366.3 billion, and $353.9 billion, respectively.

Statistics show that the five tech billionaires’ wealth is the closest to Poland and Sweden’s GDP, which ranked as the 23rd and 24th economies globally. The two countries’ gross domestic product stood at $580.9 billion and $529 billion in 2020.

360 Magazine, Wheelchair

‘UZ Leuven’ Minipacemakers

On Thursday May 28th, the Belgian university hospital UZ Leuven implanted a new type of wireless minipacemaker in a patient. This was a first in Europe. The new generation of minipacemakers allows two times as many patients to qualify, in comparison with the first generation.

The Micra pacemaker is a wireless minipacemaker that has been used in UZ Leuven since 2015. Surgery for such a small pacemaker is a lot less invasive than for a normal pacemaker. The device is placed in the heart via a small incision in the groin. The minipacemaker is invisible to the patient and in the first generation of the device, researchers found that the number of complications could be reduced with 63 percent.

Helping more patients

So far, the minipacemaker could only be used in 16 percent of the patient requiring a pacemaker. “The first generation of the device only measured the heart activity in one ventricle of the heart. Patients that needed to have the heart activity in the atrium measured as well, did not qualify. With this new type of pacemaker, we can also treat patients with a complete interruption of the heart activity between the ventricle and the atrium”, according to dr. Christophe Garweg, cardiologist in UZ Leuven.

With the new generation of the Micra pacemaker, up to 40 percent of the patients could qualify. Dr. Garweg: “The new pacemaker can also measure heart activity in the atrium and as such coordinate the electrical activity between atrium and ventricle. This restores the normal heart rhythm and improves the patient’s quality of life. The minipacemaker operates more or less like a conventional pacemaker, which is implanted under the skin and connected to the heart with two leads.”

First implants

UZ Leuven was actively involved in the development of the new pacemaker. At the moment the new type of pacemaker is only used in the context of clinical trials. At a later time, its use will be extended. In the meantime, the new pacemaker has been implanted in two patients. Both procedures went according to plan, and both patients are doing well.

A revolution for the pacemaker

The development of the wireless pacemaker in 2009 was a big revolution in the history of the pacemaker. It was the first big step forward since the clinical introduction of the pacemaker in the sixties. Worldwide, 35,000 Micra-systems have been implanted. UZ Leuven started with implanting the minipacemakers as the first Belgian hospital in 2015. In the meantime, for Belgium UZ Leuven is the hospital with the most expertise in Micra’s, in Europe it is in the top 5. In Belgium, the technology is not yet reimbursed so for now UZ Leuven finances the device for the patient with its own means.

Pacemaker and bradycardia

A pacemaker is required when a patient’s heart rhythm is too low (bradycardia) and medication is no longer sufficient. It stops the heart from pumping enough oxygenated blood through the body. Patients experience difficulty during physical exercise: they faint, tire quickly, and run out of breath more quickly. A pacemaker replaces the heart’s natural rhythm thanks to electrical impulses.

Citroën, 360 MAGAZINE

Citroën

Citroën has unveiled a 100% electric mobile solution, ami that intends to unleash urban mobility for all. The ami project has become a reality in barely a year, after its direct descendant AMI ONE Concept was first introduced at the Geneva Motor Show in March 2019.

ami has two seats, is 100% electric, compact, and customisable. It is accessible to all, with no licence required and offers a global 360° solution for urban mobility, to make freedom of movement easier and more suited to the greatest number of people. It comes with affordable “à la carte” offers, car sharing via Free2Move and long-term rental options, all through a 100% online customer journey.

Vincent Cobée, Citroën Brand CEO, said:

For 100 years, Citroën has always been innovative and creative in democratising freedom of movement. This year, Citroën has come up with a new urban mobility solution accessible to everyone: compact, protective, 100% electric, without driving licence and affordable. 

ami aims to be a real breakthrough in the access to urban mobility, a solution that is as close as possible to new modes of consumption. This great idea was a concept one year ago. We are proud that we have made it happen today!

ami is a practical response to new mobility expectations for short journeys: easier access to city centres, real alternatives to scooters, bicycles, mopeds, public transport, solutions at reasonable costs and new modes of consumption geared towards digital.
Pierre Leclercq, Citröen Head of Design, said:

It is a tradition at Citroën to want to contribute to a changing automotive landscape. The design of ami is a product design, not an automotive design. A design for which the form must define the function.

The opening of orders is scheduled for 30 March in France, and a few months later in Spain, Italy, Belgium, Portugal and then Germany.