Posts tagged with "Brighton"

Joy Crookes' Skin via Epic Records for use by 360 Magazine

Joy Crookes – Skin

BRIT Award nominated singer/songwriter Joy Crookes releases her highly anticipated debut album, Skin.  The 13 track body of work includes previously releases singles, “Feet Don’t Fail Me Now,” “When You Were Mine,” “Skin,” and the newest, “Trouble.” Get it HERE via Epic Records/Insanity.

With Crookes credited as an executive producer on the album, alongside the formidable Blue May (Blood Orange), Skin is a hugely personal, game-changing body of work from one of the UK’s boldest and brightest young talents. A collection of songs built and honed throughout her adolescence and into her early twenties, and finished last year within the most turbulent of circumstances, Skin touches on topics such as mental health, relationships, and politics all with grace and sensitivity. Crookes has created a truly special body of work that is both perfectly of the moment, and entirely timeless. Skin’s album artwork is shot by Carlota Guerrero, who has previously worked with Arca, Chloe x Halle, and Solange for all of her imagery for A Seat At The Table.

Already, the album has garnered Crookes a massive amount of acclaim worldwide. British Vogue has dubbed her, “undoubtedly one of the most exciting artists to emerge in the music scene this year,” while The Guardian has praised her “effortlessly nuanced and individual melodic sensibility.” I-D has praised her music as “powerful” while Complex has noted her “soul-stirring vocals,” and Billboard has similarly highlighted her “unfaltering vocal performance.”  The New York Times in a recent profile may have summed up Skin best:  “Crookes offers listeners a nuanced and candid exploration of her multiracial identity. At a time when many conversations about race in the arts and calls for change have only recently begun, Crookes’ commitment to vulnerability in her storytelling has helped her connect with a growing—and loyal—fan base.” 

Up next, Joy Crookes will tour the UK later this year in celebration of the new album; the run kicks off in November in Brighton and extends into next year when she will take the tour to Europe. Full list of dates below.

UK Dates

11/6/21 Brighton, England Concorde 2 SOLD OUT

11/7/21 Bristol, England The Trinity Centre SOLD OUT

11/8/21 London, England O2 Forum Kentish Town SOLD OUT

11/9/21 London, England O2 Forum Kentish Town SOLD OUT

11/11/21 Dublin, Republic of Ireland The Academy SOLD OUT

11/15/21 Glasgow, Scotland St Luke’s SOLD OUT

11/17/21 Leeds, England Leeds University Stylus

11/18/21 Birmingham, England The O2 Institute

 

European Dates

2/10/22 Paris, France La Gaîté Lyrique SOLD OUT

2/11/22 Amsterdam, Netherlands Melkweg SOLD OUT

2/12/22 Brussels, Belgium Ancienne Belgique SOLD OUT

2/14/22 Cologne, Germany Gebaude 9

2/15/22 Munich, Germany Strom

2/17/22 Berlin, Germany Heimathafen Neukoelln

2/18/22 Hamburg, Germany The Stage Club

2/20/22 Copenhagen, Denmark Pumpehuset

2/21/22 Helsinki, Finland Tavastia Club

2/22/22 Oslo, Norway Parkteatret

2/23/22 Stockholm, Sweden Nalen Klubb

2/25/22 Warsaw, Poland Hybrydy

2/26/22 Zurich, Switzerland Exil Club

1931 Bentley 4.5 Litre Supercharged Sports Tourer car from Linden Bray, Influence Associates for use by 360 Magazine

A BOUNTIFUL COLLECTION OF BENTLEYS JOINS CONCOURS OF ELEGANCE

The Concours of Elegance – famed for gathering together the rarest cars ever created – will showcase some of the world’s most extraordinary Bentleys at Hampton Court Palace in this year’s ‘Main Concours’ display. Taking place from 3-5 September, the event is renowned as one of the top three concours d’elegance events in the world for the quality of cars it attracts; nowhere else in the UK can the public see such a high standard of rare historic vehicles.

Since it started manufacturing cars in 1919, Bentley has established itself as a pinnacle of both luxury and performance. Built upon the company’s racing pedigree – five victories at Le Mans in the 1920s, plus a sixth in 2003 – Bentley is known across the globe for creating cars with an unrivaled blend of speed and the finest craftsmanship and materials.

Among the earliest Bentleys on display is ‘YB 633’, a very original 1926 6 ½-litre Sports Tourer. The car is reputed to be the last 11 foot chassis with the original one-off aluminum body still on the car – a four-light drop head coupe with a dickey seat and wind-up windows, referred to as a “Simplex Coupe” by Coachbuilder H J Mulliner. In Bentley factory records the car is referred to as a “3/4 folding head coupe”. The car also features its originally installed engine.

Alongside it, is ‘YW 5758’ a 1928 Bentley 4 ½-litre Le Mans Team Car – the most decorated original-bodied car in existence – still featuring its original chassis number, engine number, body number and body. The car’s impeccable racing history includes second place in class at the 1928 Newtownards TT, fifth at the inaugural 1929 Irish International Grand Prix at Phoenix Park, and class winner and third overall, at the 1929 ‘Six Hour Race’ at Brooklands. The car also placed fourth at Le Mans in 1929. The car continued its successes into the 1930s, and is still used regularly at historic meetings today.

Also on display is another Bentley 4 ½-litre with a different kind of history. ‘GC 6002’ was originally delivered via Jack Olding & Co to a Mr Arthur Grout in 1930. Arthur was the landlord of The Southampton Arms which was at the centre of the ‘race track wars’ of the 1920s – recently made famous by the Netflix series ‘Peaky Blinders’. The car is a sports four seater by Vanden Plas with fully valanced wings finished in green. Unfortunately for Arthur, the car’s commanding looks would do nothing to ward off the creditors – his failure to keep up repayments meant the vehicle was returned to the factory in 1935, as denoted on the chassis record. The car has never been rebuilt, only maintained, and is in regular use today, having covered less than 100,000 miles in more than nine decades.

Also gracing the pathways of Hampton Court is an early example of a ‘blown’ Bentley – a 1931 Bentley 4 ½-litre supercharged. The addition of the supercharger was facilitated by then racing driver Tim Birkin who, in 1929, suddenly found himself hopelessly outclassed by the supercharged Mercedes cars that were running away on the straights. Birkin approached engineer, Charles Amherst Villiers, who had already made his name with Brescia Bugattis and the supercharged Villiers Vauxhall Special, and commissioned him to design a super-charger installation for the 4½-litre Bentley. Villiers also reworked the engine to cope with the strains imposed by the supercharger. The example on display at the Concours retains its original four-seater open sports body by Vanden Plas, and its original colour scheme of black with fine lining in red.

Rounding out the selection of 1930s Bentleys is ‘WD 4499’ which is a 1932 Bentley 8-litre, and the 64th of the 100 8-litre Bentleys built in 1930–31. The 8-litre was designed as a fast, powerful chassis capable of carrying heavy closed coachwork with sports car levels of performance. Indeed when the 8-litre was introduced at the 1930 Olympia Show it was the fastest production chassis in the world, capable of 103mph at 3,500rpm. This particular car is a long wheelbase model, with coachwork by H J Mulliner finished in black and green.

These are just some of the beautiful Bentleys that will be on display, with many more examples forming a line-up with the Bentley Drivers’ Club. This display is part of the additional content that makes up the near-1,000 cars on display during the Concours of Elegance, also including a collection of 95 British cars gathered to celebrate Her Majesty The Queen’s 95th birthday, and a 30UNDER30 Concours aimed at inspiring the next-generation of classic car enthusiast.

Special features for 2021 will also gather together a line-up of Future Classics, representing the potential concours d’elegance stars of the next 50 years, a celebration of 60 years of the Jaguar E-type and a Veteran Car Run display, gathering the pre-1905 motoring pioneers that each year make their pilgrimage from London to Brighton.

Away from the automotive displays, Concours of Elegance remains an occasion of pure luxury, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd, and a collection of art, jewelry and fashion displays. Presenting Partner, A. Lange & Söhne, recently confirmed to support the event for a further three years, will continue to showcase some of its most intricate timepieces. New long-term partners joining the event in 2021 include The Peninsula London Hotel and Residences, Gooding & Co and McLaren.

Tickets to the Concours of Elegance 2021 are available now ranging from standard entry tickets to full three-course hospitality packages from £288. Tickets can be bought from Concourse of Elegance.

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About the annual Concours of Elegance

Established in 2012, the inaugural Concours of Elegance was held within Windsor Castle to mark the diamond jubilee of Her Majesty The Queen’s reign. Organized by Thorough Events, the first Concours of Elegance set a new global benchmark for a classic car concours; winning prestigious awards in the process; unheard of for a ‘start-up’ event in its first year. The second Concours of Elegance was held in 2013 to equal fanfare at the historic Royal Palace of St James in London, with the widely acclaimed third Concours set in the stunning grounds of Hampton Court Palace in September 2014, before heading to the Palace of Holyrioodhouse in 2015. Only cars of the highest calibre are invited to the Concours of Elegance, from all over the world, painstakingly selected by the Concours Steering Committee; a respected team of authoritative historic car experts. A key objective of the annual Concours of Elegance is to raise significant sums for charity.

Historic Royal Palaces

Hampton Court Palace is cared for by Historic Royal Palaces, the independent charity that also looks after the Tower of London, the Banqueting House, Kensington Palace, Kew Palace and Hillsborough Castle in Northern Ireland. We help everyone explore the story of how monarchs and people have shaped society, in some of the greatest palaces ever built. We raise all our own funds and depend on the support of our visitors, members, donors, sponsors and volunteers. With the exception of Hillsborough Castle, these palaces are owned by The Queen on behalf of the nation, and we manage them for the Secretary of State for Culture, Media and Sport. Registered charity number 1068852. For more information, visit Historic Royal Palaces.

Isaac Gracie’s Debut Album

Isaac Gracie’s highly anticipated, self-titled debut album is out now via Virgin EMI/Republic Records. 

 

The album was largely produced by Markus Dravs at RAK Studios in London and features eleven tracks, including Gracie’s recent tracks, “Last Words,” “Terrified” and “The Death of You & I.” See the full tracklisting below.

 

Of his debut album, Gracie says, “Over the course of the two years it took to complete this record, I learnt more about myself and about music than I had in the entirety of my prior life. It was the biggest test I’ve ever undertaken and a winding journey that I won’t forget. To now have the record as a physical representation of a heavy and formative time in my life, that can be traced and re-remembered through listening to it, is an awesome and unique reward for the time and effort and love that was spent.”

 

In celebration of the album, Gracie is set to embark on a UK tour throughout April, followed by a European tour throughout May. See the full list of show dates below. Tickets are available now here.

 

23-year-old London-raised singer-songwriter Isaac Gracie has been finding his feet, working out who he is and discovering what he wants since the industry spotlight fell on him. The fuss was caused by a dusty-sounding, careworn home recording of “Last Words” that was uploaded online without expectation and any anticipation of what was to follow. The voice behind it was completely new to the premise of where writing a great song might lead him. Even now he’d tell you that he’s still slowly working it all out, but this debut collection sounds as fully-realized and confident as any of recent memory. Isaac Gracie is a new British voice, poetic in his placement of words and accomplished in their delivery.

 

Listen to Isaac Gracie here

 

Watch a live Mahogany session recording of “Last Words” here

 

Isaac Gracie Tracklisting:

1. “Terrified”

2. “Last Words”

3. “The Death of You & I”

4. “Running on Empty”

5. “Telescope”

6. “That Was Then”

7. “When You Go”

8. “Silhouettes of You”

9. “All In My Mind”

10. “Hollow Crown”

11. “Reverie”

 

Isaac Gracie Live:

April 13th – The Mash House, Edinburgh

April 15th – King Tut’s Wah Wah Hut, Glasgow

April 16th – The Crescent, York

April 17th – Leadmill 2, Sheffield

April 18th – The Rescue Rooms, Nottingham

April 20th – O2 Institute2, Birmingham

April 21st – O2 Academy2, Oxford

April 22nd – Arts Centre, Norwich

April 23rd – Thekla, Bristol

April 25th – The Haunt, Brighton

April 26th – Hackney Empire, London

April 28th – Le Printemps de Bourges Festival, Bourges

April 29th – Le Petit Bulletin Festival, Lyon

April 30th – Papiersaal, Zurich

May 2nd – Café de la Danse, Paris

May 4th – YUCA, Cologne

May 5th – Kranhalle, Munich

May 6th – ISC, Bern

May 8th – Bi Nuu, Berlin

May 9th – Lille Vega, Copenhagen

May 11th – Gleis 22, Munster

May 12th – Molotow, Hamburg

May 13th – De Oosterpoort, Groningen

May 15th – Club Nine,Groningen

May 16th – Doornroosje, Nijmegen

May 17th – Muziekgieterij, Maastricht

May 18th – AB Club, Brussels

 

ISAAC GRACIE: WEBSITE | FACEBOOK | INSTAGRAM | TWITTER

 

 

 

Guinness x St. Patrick’s Day

200 Years of Friendship and St. Patrick’s Days : In Time for Milestone St. Patrick’s Day, Guinness is donating $1 to charity for each adult that dons a ‘Stache

This year marks the  200th St. Patrick’s Day Guinness will share with America, the latest reminder of the two-century connection between a legendary brewery and its good friends across the Atlantic. Once again, in the days and weeks leading up to March 17, it’s time for us all to embrace the stories we tell,  the memories we make and the bonds we build over a pint of Guinness.

The Guinness brand is encouraging all Americans, 21 years and older, to make a simple pledge (assuming they’ve already promised to drink responsibly, of course): gather with friends, new or old, toast to the many things we all have in common…and give a ‘Stache. Indeed, this St. Patrick’s Day, the Guinness ‘Stache – that unmistakable hint of foam left behind on the upper lip after the first sip of stout – is back as a symbol of the goodness and the Irish-ness that lives within all of us.

 From now through March 31, 2018, when adult beer lovers share photos of their ‘Staches – self-grown and groomed, drawn-on, or Guinness-enhanced – on social media (tagging @GuinnessUS and using #StacheForCharity), Guinness will donate $1 (up to $100,000) to the Guinness Gives Back Fund*, which supports nonprofits that contribute to the common good in our communities, including Team Rubicon, a veteran-led disaster response organization.

“Over the past 200 years, so much has changed – yet so much has stayed the same, like people coming together to raise a pint of Guinness with their friends on St. Patrick’s Day,” said Guinness Brand Director Emma Giles. “We are proud to be part of such an enduring tradition that celebrates Irish heritage and, when it comes down to it, the power of friendship. The Guinness ‘Stache is a great way to bring that to life in a fun way for a great cause.”

The symbol of the ‘Stache will appear alongside Guinness brand activity at bars and restaurants and on social media throughout the St. Patrick’s Day season, including in some digital content that pays homage to 200 years of mustaches in America. To spread the word about the bonds a ‘Stache can build, the brand is releasing additional digital content that will help us all reflect on the friendships we cherish – and some very recognizable Guinness fans will also get involved in spreading the word.

In addition, it’s time for the latest limited-edition Guinness Draught cans, which will hit shelves in time for St. Patrick’s Day. The ongoing series celebrates the famed Guinness ad campaigns of the 1930s and ‘50s. While it doesn’t have a mustache, the kinkajou – which we thought was a sloth at first – will be featured on this version.

To keep an eye on everything the Guinness brand is doing and to get in on the ‘Stache action, follow @GuinnessUS on Twitter, Instagram and Facebook.

Whether you’re making a new friend or meeting an old one, having a Guinness Draught, or ordering up any other Guinness beer this St. Patrick’s Day, please respect the beer and drink responsibly.

beer

*The Guinness Gives Back Fund is a corporate donor advised fund administered by Fairfield County’s Community Foundation. The Fund’s mission is to support local charitable organizations which are classified under Section 501(c)(3) of the Internal Revenue Code that are aligned with the corporate focus areas of Diageo North America, Inc.

 

Media Contacts:

 

Dave Finn, Taylor

(212) 714-5792 

dfinn@taylorstrategy.com

 

Jim Sias, Diageo

(646) 223-2305

jim.sias@diageo.com