Posts tagged with "tradition"

Reb Czukoski for use by 360 Magazine

Go “BTS” w/ Dallas Black Dance Theatre

Dallas Black Dance Theatre welcomes the public to enjoy a free Behind the Scenes viewing of its two professional companies, as well as three performing academy ensembles through the Thanksgiving holiday. The performance allows viewers to get insight on the rehearsal process, get a first look at more upcoming works and a chance to meet the dancers. MUFG Union Bank is the presenting sponsor for the Behind the Scenes performances. Live performances begin on Monday and Tuesday, November 22-23, 2021 at Noon CST in the Dallas Black Dance Theatre at 2700 Ann Williams Way, Dallas, TX. 75201.

The experience has quickly become a holiday tradition for families during Thanksgiving break, and seating has swiftly reached volume. The Monday performance can still be viewed on-demand for free from Monday, November 22, 2021 at 3:00 pm until Sunday, November 28, 2021, at 11:59 CST.

DBDT and DBDT: Encore!
Monday, November 22, 2021

Dallas Black Dance Theatre and DBDT: Encore! will be presented in this free program. DBDT will showcase excerpts from its 45th season, along with rehearsal run-throughs and previews for what is in store for Cultural Awareness February 18-19, 2022. DBDT: Encore! will share a piece of works prepared for Black History Month and Rising Excellence April 22-23, 2022.

Dallas Black Dance Academy
Tuesday, November 23, 2021

Dallas Black Dance Academy will showcase the talents of students in three performing ensembles. The Allegro Performing Ensemble, DBDT’s premier academy ensemble, will provide a class demonstration. The Senior Performing Ensemble displays the choreographic process, and the Junior Performing Ensemble will perform an excerpt from one of their works.

If you would like to get on the waitlist for the free in-person performances, RSVP to ticketsales@dbdt.com with your name, the date you would like to attend, the number of tickets needed, and your cell phone number.

For more performance details visit www.DBDT.com.

NFT Trophy for Goal of Euro 2020

First NFT Trophy for UEFA EURO 2020 Goal of the Tournament presented to Patrik Schick

On 15 October, the first NFT trophy for the UEFA EURO 2020 goal of the tournament was awarded. The award was initiated by Gazprom, an official partner of the tournament, and was handed to the Czech national football team forward Patrik Schick. Russian calligrafuturism artist Pokras Lampas was invited to design the award.

“Gazprom is a modern and technological company. By combining sports, high technology and art, and creating the first sports trophy of this kind, we have drawn a clear parallel with our unique production technology,” Gazprom Department Head and Press Secretary of the Gazprom Management Committee Chairman Sergey Kupriyanov said.

“I found my inspiration in the idea of the project, with the common nine values we share with Gazprom and the “Football for Friendship” Programme. These values, as well as football itself, unite people all over the world”, said the artist Pokras Lampas.

During the award ceremony, the central fragment of the NFT trophy was presented – a black and gold soccer ball with orbits containing the name ​​of Gazprom’s International Children’s Social Programme “Football for Friendship” and its nine values: friendship, equality, justice, health, peace, loyalty, victory, tradition, and honour. Its hologram is located at the UEFA headquarters in Nyon, Switzerland.

“We welcomed the initiative shown by Gazprom, our long-standing UEFA partner, to bring a fresh outlook on such kinds of awards. Gazprom’s Goal of the Tournament trophy is a unique event in the history of world sports. We look forward to even closer cooperation with Gazprom and realization of new initiatives supporting and developing world football,” – emphasized Guy-Laurent Epstein, UEFA Marketing Director.

“I am very proud to be the first in the history of football to receive this kind of trophy. To be honest, I have never seen something like this before” – said Patrik Schick, the footballer who scored the EURO 2020 goal of the tournament.

Ballerina by Mina Tocalini for use by 360 Magazine

Bombazo Caribbean Skirts Featured at New York Fashion Week

By: Javier Pedroza 

Milteri Tucker Concepción is a busy and multi-talented Afro Boricua who holds degrees in Biology, Chemistry and a master’s in Dance Education. She is an author, a mother and was casted in Lin Manuel Miranda’s In the Heights the movie. As we approach #NYFW2021, Milteri puts on another hat, as designer.

Milteri is the founder of BOMBAZO and the artistic director of Bombazo Dance Co. The Puerto Rican-Bronx based non-profit dance organization’s focus is to educate, advocate, preserve and perform Bomba Puertorriqueña. As an author, educator and master Bomba dancer, she lectures across the United States and the world. I sat with Milteri and we spoke about Bomba, fashion and Puerto Rico.

Milteri, tell our readers, who is Milteri Tucker Concepción? 

Well, I was born and raised in Puerto Rico and grew up with a passion for dance since I was 5 years old. I  recall dancing in “la Sala”(the living room) with three of the most influential women in my life: my grandmother, mother and aunt. As part of my upbringing I remember dancing, planting and assisting my elders in the kitchen. I also vividly recall shopping for fabrics with my aunt and watching my grandmother Abuela Teresa, warmly referred to as “Mama” sewing. My aunt “Titi” Maria Concepción was a designer who attended FIT and designed clothes for top actors in Puerto Rico. I was blessed to have been raised in a household full of  love, and love for my culture!

As a teenager, I studied dance in La Escuela de Bellas Artes in Ponce, PR. At 17, [I] moved to NYC to pursue careers in dance and science. In 2006, I graduated with a dual major of Dance and Biology with a minor in Chemistry from Hunter College. I currently hold a masters degree in Dance Education from NYU Steinhardt. Today I am a renowned Bomba master dancer, choreographer, scholar, dance educator and author. [I wrote] the first bilingual Bomba children’s book, titled “Bomba Puertorriqueña” and illustrated by Boricua artist, Mia Roman.

I’ve had the privilege to perform in multiple venues across NYC and the world – from the prestigious Lincoln Center, Madison Square Garden, City Center, Summerstage, Pregones Theater, BAAD, The Latin Billboards Awards, dancing for Don Omar with choreography by Maria Torres O’Connor, to amazing community centers.

I am a cultural warrior (guerrera cultural) who safeguards our traditions of Bomba Puertorriquenas, via [my] 501c3 non-profit dance organization: Bombazo Dance Co, Inc and international brand of Caribbean dance skirts: Bombazo Wear-Bomba & Caribbean Dance Skirts®. I was recently  featured in Lin Manuel Miranda’s movie, In The Heights, as the Bomba representation.

How was your experience filming ‘In the Heights’?

Being invited to dance Bomba for In the Heights was a surreal experience and a dream come true! It was an honor to represent our African heritage through our traditional dances. However, one of my favorite memories came after the movie premiered…. I had the opportunity to open the 2021 Virtual National Puerto Rican Day Parade in NYC, where Lin and I danced Bomba together.

What is the history of Bomba?

Bomba is Puerto Rico’s oldest musical genre, dating back to the 17th century and created by the African enslaved and free people of color from the Caribbean. This was one of the ways they communicated in our coastal sugarcane and coffee plantations.  It is a secular practice, where the community gathers to sing, dance and drum.

Why did you create Bombazo Dance Company?

I founded Bombazo Dance Company to show the world that Puerto Rico has rich African ancestry, and that our traditions are very much alive. As a Bomba dance company, we communicate through dance and drumming. [This is] reflected in our traditional folk art dancers. It is also important to create a safe space to fuse Bomba with other forms of dance – such as ballet, contemporary, social dances and dances of the African and Caribbean diaspora.

What inspired you to create Bombazo dance wear? 

At the same time I started Bombazo Dance Company, I was teaching Bomba classes to the community and needed skirts. Believe it or not, it was hard to find a seamstress who could make Caribbean skirts or a location to purchase them. I wanted to create skirts that fit all Caribbean dance styles, because I am that dancer. And voilà – Bombazo Wear Bomba Caribbean Skirts was born! My mother, Dr. Margarita Concepción, and I are the CEOs and we sew the [skirts] too. Our skirts are handmade, custom[ized] and tailored to each client. A part of the funds go to aid families affected by the earthquakes in Southern Puerto Rico.

How does it feel to be invited to NYFW 2021 / Harlem Fashion Week?

It is an honor to have been invited to showcase for a second time in HFM! The organizers are truly showcasing diversity within their shows and providing  opportunities for designers of color to present their designs to the world. It’s important to me – as a woman of color, a Latina and AfroBoricua – [that] they understand my vision of dance as fashion. And my skirts have fashion written all over them!

Tell us about your upcoming collection “Resistencia y Libertá!” (Resistance and Freedom)

I am the creator of the Puerto Rican Bomba Flag Skirt®. A flag; its colors, represents a collective orgullo – pride for its people. Our flag was conceived and designed here in NYC. It was prohibited to fly The Puerto Rican flag in both Puerto Rico and New York at one time. Its pride is back after Hurricane Maria, [now] you see our colors in every town’s building and rinconcito (corner) in both Puerto Rico and the diaspora! Therefore, my new collection for 2021 is titled: “Resistencia y Libertá!” Where each skirt in the collection represents a social cause affecting Puerto Rico – such as the cultural resistencia by the people, No al Feminicidio, Boricua hasta en la Luna, Afroboricuaness, LGBTQ+ representation and support in the Bomba Community, ect. It is important to note that this is a brand and line designed and sewn by a Bomba dancer, a person from the community. These are skirts [are designed] with a mission. Part of the funds go to help families affected by the earthquakes in the South of Puerto Rico and organizations/community ensembles continuing the labor of safeguarding Bomba traditions in the island.

Any advice for the youth who want to connect and immerse themselves with their African roots and Culture?

Learn about all parts of you! That makes you unique and special. Speak to your elders: abuelas, abuelos, tias, tios and elders from your community. They have a lot of wisdom and years of experience you can learn from. Always connect to your culture, to your African roots! There is an African proverb I love : “Sankofa– in order to move forward you must know your past!” Know who you are, where you come from, so that you can pass the knowledge to your next generation! Ubuntu! (an African Proverb [that] means “I am because we ALL are!”)

For more information and to view images, please visit HERE.

Bazaar Pattern illustrated by Mina Tocalini for 360 MAGAZINE.

Istanbul Bazaars

Istanbul is famous for many of her cultural diversity, but the bazaars could be one of the oldest. Take the Grand Bazaar for instance, constructed back at 1461, this is the oldest and one of the largest covered markets in the world. For centuries, the Grand Bazaar of Istanbul has been the biggest marketplace of the world. Let’s follow the trails of this Istanbul tradition until today.

Grand Bazaar: Constructed in 1461, the Grand Bazaar (Kapalı Çarşı), The Grand Bazaar is a must-see attraction for all İstanbul visitors. A center of authentic jewels, exquisite textiles, finest silk shawls, pottery, famous Turkish carpets, antiques, spices, lanterns, leather goods and all sorts of souvenirs, the area consists labyrinthine streets, passageways and corridors featuring 64 streets, around 5,000 shops and 22 entrances at a total of 45.000 square meters.

Today’s Grand Bazaar is not only a unique shopping destination but also a great historical site that, by walking through its lively streets, you can enjoy an unforgettable day enchanting scents of the spices, impressive handicrafts, Turkish delight and the tempting smell of the Turkish coffee.

Spice Bazaar: The historical Egyptian Spice Bazaar (Mısır Çarşısı in Turkish) or simply the Spice Market is probably the second most famous historical bazaar of İstanbul. Built by the early 1660’s, the bazaar gets its name from the revenues collected from Egypt, which was an Ottoman administrative division of the time. Since its beginning the bazaar served as the main market of spices coming from all around Turkey and the world.

Eminönü coastal area, where the Spice Bazaar is located, has been a busy market area since the Byzantine period. Busy trade activity is not surprising in this region, which is one of the central points of the city wall in the historical peninsula of Istanbul for those times when the sea has an important place in trade. As Ptokhoprodromos (a famous Greek poet of the early 12th century) has stated in an article, there is a spice market called Makron Envalos in the same place as the Egyptian Bazaar in the Byzantine period. The Modern Egyptian Bazaar mixed all the goods. It is impossible to say that only spices, sweets, teas and herbs are sold here. Here you will find Turkish ceramics, jewelry, souvenirs, textiles, fish, cheeses and much more. 

Çiçek Pasajı: Today it may be known for its beer gardens and restaurants but the Çiçek Pasajı was built in 1876 had 24 shops designed in Parisian style, which was trendy at those times, and 18 luxurious apartments over the shops. The Passage formed by the shops was called “Hristaki Passage” and the building was called “Citè de Pera”. Acemyan’s tobacco shop, which was opened in the early stages of the Passage, Maison Parret and Valloury’s patisserie, Japanese shop, Natural florist, Pandelis’ flower shop, Schumacher’s bakery, Papadopulos’ bindery, Keserciyan’s tailor, Yorgo’s tavern and Sideris’ fur shop were a few of these 24 shops.

In 1908, when the ownership of the building was transferred to the Grand Vizier Sait Pasha, the passage took the name “Sait Pasha Passage”. In the years of the 1940 Armistice, florists began to settle in small shops in the passage. White Russian women, barons and duchesses fleeing the October Revolution were some of those who were selling flowers. When Cite de Pera started to be used as a flower auction area for a while, the florists in Beyoğlu gathered in the passage and the name of the passage was turned into the “Florists (Çiçekçiler) Passage”. After 1940, the beer and pubs took place in the passage; it gradually moved to a new apartment owners and florists to other places and only the name “flower” (çiçek) remained. The first tavern of the passage was opened by Yorgo Efendi. In the following period, the tavern was restored by taking into consideration the basic situation of the Flower Passage with the efforts of the Beautification and Survival Association. After the restoration in 1988, it was reopened as a tavern and in December 2005.

Arasta: Arasta Bazaar was also known as Sipahiler Bazaar at the time. The market with this name became ash as a result of a fire in 1912 because it was amongst the products for the Sipahis. As a result of the archaeological excavations carried out in the region in the 1930s, it was understood that the market was built on the structures dating from the Byzantine period. The market, which was restored by the General Directorate of Foundations in the 1980s, was reopened in line with its purpose.

Today, there are 70 shops in the Arasta Bazaar, although there are not as many shops and products as before. These shops also souvenir, Turkey Iznik tiles and describing the many products sold. What makes Arasta Market so important is not only shops. A museum, where the mosaics removed as a result of the archaeological excavations carried out in the 1930s are exhibited, opens its doors to the visitors in the market. You can see the most beautiful of the mosaic works in this museum, which is called the Great Palace Mosaic Museum or Arasta Market Mosaic Museum.

Sahaflar Çarşısı ( Sahaflar Bazaar / Used Books Bazaar): With a great selection of second-hand and antique books, The Sahaflar Bazaar, is located in the area between the Fesçiler Gate of the Grand Bazaar and the Beyazıt Mosque and is still known as Halicilar street (formerly Sahaflar street) in front of the Inner Bedesten in the Grand Bazaar. Antiquarianism began in Bursa around the time of Orhan Bey in the Ottoman period around great mosques and in the courtyards of these mosques. After a while, the state center moved to Edirne, its present location. Although Sahaflar Bazaar has lost its feature of being a cultural center today, it is often visited by book enthusiasts.

Turkey: Located in the Mediterranean and connecting Asia and Europe continents that are separated by the famous Bosphorus, Turkey is a unique destination that welcomed about 40 million tourists. The country that has always been a hub for cultural interaction and home to varying climates inspires the visitors today with its history, nature, and gastronomy that reflect the diversity of civilizations for centuries. Located at the crossroads of cultures, Turkey has a distinctive understanding of art & fashion which is the synthesis of tradition and modernity and its extremely dynamic shopping & entertainment life also attracts visitors from all over the world.

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Pirelli × Prada

Pirelli has signed an agreement with Luna Rossa Challenge for the constitution of a partnership aimed at the development of a multi-year project which will lead to Luna Rossa’s participation in the next edition of the America’s Cup, set for New Zealand in 2021.

Pirelli and Prada will be co-titled sponsors of the vessel and will detail their plans at a soon to be organized event.

Now in its 36th edition, the America’s Cup is the oldest trophy in the history of sport, which sees the participation of the most technologically advanced boats in the world.

The project will entail, over the 4-year period 2018-2021, a series of regattas, events and activities with the two brands as protagonists. In 2019, the first two regattas of the America’s Cup World Series will take place in the Mediterranean; in 2020 another three World Series regattas will be held in Europe, the United States of America and Asia; from January 2021, always in Auckland, there will be the Prada Cup, Challenger selection regattas, followed by the 36th edition of the America’s Cup Presented by Prada, scheduled for March 2021.

This will be Luna Rossa’s fifth tilt at the Trophy and in this edition it will be the Challenger of Record, that is, the first challenger of the last edition’s winning team, Emirates Team New Zealand.

Patrizio Bertelli, Chairman of Luna Rossa Challenge, said “Pirelli is the ideal partner for this new America’s Cup challenge. With over half a century’s experience at the highest levels of high technology world sports, it will be an important asset at the heart of our project. In this sense it is correct to speak of a real and true collaboration between the Team and Pirelli.”

“Pirelli – said Marco Tronchetti Provera, Executive Vice President and CEO of Pirelli – chose to be a part of this project because it represents both a sporting and technological challenge, able to bring Italy and the Pirelli brand to the attention of the entire world. The America’s Cup, as Formula 1 is to motorsport, is the most prestigious sailing competition, with a great history and tradition. It embodies values and is for a public of impassioned fans that perfectly match Pirelli’s, enabling the company to continue enriching its brand, reinforcing its positioning in high technology with clients around the world and its relationship with consumers through traditional channels and all the new digital platforms.”

See the video at this link: http://youtu.be/ATyWMPL5Y38

14 MINIMALIST TRAVEL POSTERS

Minimalism is all the rage at the moment thanks to writers like Fumio Sasaki, so why not apply that approach when planning your next vacation? There’s so much information out there that it can seem overwhelming when you start researching places to go, with so many offers, travel guides, blogs, photos, videos, podcasts and all the rest. Sometimes you just need to drown out the noise and focus on what’s important.

That’s why Expedia has created these minimalist travel posters to help you see the essential elements on 14 of the top vacation destinations in the world. They’ve picked out the most important aspects of each destination, namely where you should go first, what food you should eat and where you can get that one stunning and shareable photo for your Instagram or Facebook page.

If you go to Berlin, for example, a whistlestop tour using these posters would take you to the aptly-named Panoramapunkt for a panoramic view of the TV Tower, followed by a trip to the past at the historic Brandenburg Gate. For food options, currywurst is a spicy taste of Berlin life and culture, while you can finish your stay with an energetic and symbolic bike ride down the Mauerweg, which follows the route of the old Berlin Wall.

Swapping Germany for South Africa, Cape Town has plenty to offer, even in the snapshot form of a minimalist visit. Speaking of snapshots, Bloubergstrand is the place to go to get that iconic photo of Table Mountain while you’ll also want to keep your camera to hand when you’re at Boulders Beach so you can get a shot of the penguins. Yes, there really are penguins there. The Neighbourgoods Market in Woodstock is a good place to get souvenirs, while the recommended dish of the trip is potjiekos, a traditional meat stew.

As you’ll have seen from these two examples, there’s so much you can fit into even a minimalist travel poster if the destination is as exciting as Berlin or Cape Town. Others getting the minimalist treatment include Havana, London, Paris and even the Serengeti and Siam Reap, the Cambodian home of 800-year-old temple Angkor Wat. You can probably guess what the iconic photo from that trip would be.

So check out all 14 of these minimalist travel posters from Expedia and see which of the legendary destinations captures your imagination. Given that you can take in all the sights in just one day, you could even do a tour…

 

Guinness x St. Patrick’s Day

200 Years of Friendship and St. Patrick’s Days : In Time for Milestone St. Patrick’s Day, Guinness is donating $1 to charity for each adult that dons a ‘Stache

This year marks the  200th St. Patrick’s Day Guinness will share with America, the latest reminder of the two-century connection between a legendary brewery and its good friends across the Atlantic. Once again, in the days and weeks leading up to March 17, it’s time for us all to embrace the stories we tell,  the memories we make and the bonds we build over a pint of Guinness.

The Guinness brand is encouraging all Americans, 21 years and older, to make a simple pledge (assuming they’ve already promised to drink responsibly, of course): gather with friends, new or old, toast to the many things we all have in common…and give a ‘Stache. Indeed, this St. Patrick’s Day, the Guinness ‘Stache – that unmistakable hint of foam left behind on the upper lip after the first sip of stout – is back as a symbol of the goodness and the Irish-ness that lives within all of us.

 From now through March 31, 2018, when adult beer lovers share photos of their ‘Staches – self-grown and groomed, drawn-on, or Guinness-enhanced – on social media (tagging @GuinnessUS and using #StacheForCharity), Guinness will donate $1 (up to $100,000) to the Guinness Gives Back Fund*, which supports nonprofits that contribute to the common good in our communities, including Team Rubicon, a veteran-led disaster response organization.

“Over the past 200 years, so much has changed – yet so much has stayed the same, like people coming together to raise a pint of Guinness with their friends on St. Patrick’s Day,” said Guinness Brand Director Emma Giles. “We are proud to be part of such an enduring tradition that celebrates Irish heritage and, when it comes down to it, the power of friendship. The Guinness ‘Stache is a great way to bring that to life in a fun way for a great cause.”

The symbol of the ‘Stache will appear alongside Guinness brand activity at bars and restaurants and on social media throughout the St. Patrick’s Day season, including in some digital content that pays homage to 200 years of mustaches in America. To spread the word about the bonds a ‘Stache can build, the brand is releasing additional digital content that will help us all reflect on the friendships we cherish – and some very recognizable Guinness fans will also get involved in spreading the word.

In addition, it’s time for the latest limited-edition Guinness Draught cans, which will hit shelves in time for St. Patrick’s Day. The ongoing series celebrates the famed Guinness ad campaigns of the 1930s and ‘50s. While it doesn’t have a mustache, the kinkajou – which we thought was a sloth at first – will be featured on this version.

To keep an eye on everything the Guinness brand is doing and to get in on the ‘Stache action, follow @GuinnessUS on Twitter, Instagram and Facebook.

Whether you’re making a new friend or meeting an old one, having a Guinness Draught, or ordering up any other Guinness beer this St. Patrick’s Day, please respect the beer and drink responsibly.

beer

*The Guinness Gives Back Fund is a corporate donor advised fund administered by Fairfield County’s Community Foundation. The Fund’s mission is to support local charitable organizations which are classified under Section 501(c)(3) of the Internal Revenue Code that are aligned with the corporate focus areas of Diageo North America, Inc.

 

Media Contacts:

 

Dave Finn, Taylor

(212) 714-5792 

dfinn@taylorstrategy.com

 

Jim Sias, Diageo

(646) 223-2305

jim.sias@diageo.com

Santa Monica Pub Crawl 

The 9th Annual SANTA Monica Pub Crawl Brings the Holiday Spirit to Santa Monica Saturday, Dec. 16, 2017

 

6,000 Thousand Festive Crawlers Will Spread Holiday Cheer at the City’s Best Bars & Restaurants to Raise Money for the Westside Food Bank

 

(LOS ANGELES; December 5, 2017) – Santa Monica’s most festive day of the year returns with the 9th Annual SANTA Monica Pub Crawl, on Saturday, Dec. 16, 2017 at 5 p.m. Featuring more than 30 of the city’s best bars and restaurants and 6,000 crawlers, this popular fundraising event brings the community together to raise money for those in need through a partnership with the Westside Food Bank.  Attendees dress in their finest holiday garb and receive discounted food and drink specials at locations such as The Viceroy, Barney’s Beanery, Red O and Ye Old King’s Head. Over the last eight years, the SANTA Monica Pub Crawl has raised more than $125,000, enough money for a half a million meals.

 

Tickets are $15 in advance and available at www.santamonicapubcrawl.com.   

  

“There is a much stronger need for food for local families over the holidays and Westside Food Bank has been overwhelmed by the support of the SANTA Monica Pub Crawl for the past eight years,” says Genevieve Riutort, Chief Development Officer for the Westside Food Bank. “The event has helped to raise awareness about the issue of hunger in our community while also giving people the opportunity to make a difference while having a great time. In the past eight years, the Pub Crawl has made it possible for Westside Food Bank to distribute more than a quarter million pounds of food for local families in need.”

 

SANTA Monica Pub Crawl participants are encouraged to dress in Santa/holiday attire so the streets of Santa Monica are filled with merry cheer. There are santa hats for sale at each of the four starting/check-in locations. An Instagram costume contest will award the crawlers with the most impressive holiday gear with special prizes. Teams can sign up to participate in the Santa Scavenger Challenge to win big prizes such as gift certificates to the bars and restaurants.

 

In order to participate, crawlers must purchase a wristband, choose a route (Wilshire, Main Street, Promenade or Ocean Ave), download the official map and mobile app and start at their assigned starting location. The crawl includes special offerings all night, such as $5 Stella Artois, $5 well drinks, $7 Redemption Rye holiday cocktails and $3 draft beers.  All routes will collide at the Santa’s Secret Hideaway After Party at 1212 Santa Monica with DJs, photo booth and more holiday festivities. 

  

The SANTA Monica Pub Crawl is a community event and encourages responsible drinking. Freebird Rides will offer a $10 UBER credit for all crawlers who download and use the app to get to any of the locations on the crawl. 

 

Crawlers can visit the website for a complete list of bars, routes, specials, map, bus stops and updates at www.santamonicapubcrawl.com, or follow @SMPubCrawl on Instagram,Twitter and Facebook. 

 

2017 Bars and Restaurants: 1212 Santa Monica, Ashland Hill, Bareburger, Barney’s Beanery, Big Dean’s Oceanfront Café, Britannia, Cabo Cantina, CHAYA Venice, Circle Bar, Del Frisco’s Grille, Enterprise Fish Co., Finn McCool’s, JP’s Grill,  Lula Cocina Mexicana, O+O Sicilian Kitchen & Bar, O’Brien’s Pub, Plan Check, Rick’s Tavern,  Sonny McLean’s Irish Pub, Tacoteca, Wilshire Restaurant,  West 4th & Jane, Senator Jones, Makai, Viceroy, Ye Olde King’s Head & more.

 

2017 Sponsors: Freebird Rides, Stella Artois, Redemption Rye, Licor 43, Spin PR Group, Westside Food Bank, Santa Monica Chamber of Commerce, Buy Local Santa Monica, Lavinsky Law, 97.1 FM, Cruzan Rum, LA Weekly, Big Blue Bus, Santa Monica Daily Press & Santa Monica Free Ride.

 

About the Westside Food Bank:  

Westside Food Bank’s mission is to distribute as much food as possible to local agencies with food assistance programs and to reduce food waste on the Westside of Los Angeles County. As the food bank warehouse for the Westside since 1981, it annually distributes nearly four million pounds of food to the food assistance programs of 65 Westside social service agencies. It does not distribute food directly to individuals, only to agencies. www.WSFB.org

 

Capitol Records Continues Celebration of 75th Anniversary With Second Installment of Holiday & Seasonal Classics

Capitol Records’ celebration of its 75th anniversary continues with the release of A Capitol Christmas Volume 2, a collection of 24 timeless holiday and seasonal classics sung by the label’s unmatched list of legends. Available now digitally and on 2CD, and December 1 as a double LP in gatefold cover, the album brings together some of pop music’s most iconic holiday songs with extremely rare recordings originally issued in very limited release. Volume 2’s list of singers includes Glen Campbell, The Beach Boys, Wayne Newton, Lena Horne, Dinah Shore, Nancy Wilson, Johnny Mercer, The Louvin Brothers and many more, with each contribution lovingly chronicled in liner notes provided by compilation producer Jay Landers.

 

Order and stream A Capitol Christmas Volume 2: http://lnk.to/CapitolChristmas2

A fitting companion to last year’s timeless collection, A Capitol Christmas Volume 2 continues to mine Capitol’s deep reservoir of holiday and seasonal standards sung by millions of celebrants each winter. The album features Wayne Newton’s jubilant takes on the rockabilly Christmas classic “Jingle Bell Rock” and perennial favorite “Rudolph, the Red-Nosed Reindeer,” both originally released in 1966 on his first holiday album, Songs For A Merry Christmas, three years after his debut record on Capitol. Glen Campbell was one of Capitol’s most iconic stars of the ‘60s and ‘70s, recording a remarkable 40 albums for the label. In 1968, on the heels of a string of hit albums – the Grammy Award-winning By The Time I Get To Phoenix and Gentle On My Mind and the #1 record Wichita Lineman – Campbell teamed back up with Capitol’s in-house producer and arranger Al De Lory for That Christmas Feeling. The album is showcased here with Campbell’s exquisite rendition of the Elvis Presley-immortalized “Blue Christmas” and the lesser known “Old Toy Trains,” which was written by his good friend Roger Miller and shows off a different side of the singer. Second only to the Beatles, The Beach Boys were Capitol’s most popular recording act from the ‘60s until the end of the decade. For their fifth Capitol release, Brian Wilson turned his attention to the holidays, asking Four Freshmen’s arranger, Dick Reynolds, to write the charts for a 40-piece orchestra. The result was 1964’s The Beach Boys’ Christmas Album which featured their sunny take on “Frosty the Snowman” and Wilson’s original “Christmas Day,” which marked rhythm guitarist Al Jardine’s debut as a lead singer, both included here. 

 

The album spotlights some of the best of Capitol’s Christmas recordings from the 1940s, ’50 and ‘60s and transports listeners to a simpler time. Take thirteen-year-old Molly Bee’s “I Saw Mommy Kissing Santa Claus,” which caused a stir in 1952 when the song’s lyrics were condemned by the Catholic Church of Boston, but has survived to become a modern holiday classic, as easily recognizable as more traditional fare like “White Christmas.” Irving Berlin’s iconic song is represented here with a tranquil guitar and vocal-driven version by six-string legend Les Paul and his foil Mary Ford. Other chestnuts include crooner Al Martino’s lush, orchestral “Silver Bells” and Guy Lombardo and His Royal Canadians instrumental “Auld Lang Syne,” a song so ubiquitous it’s the soundtrack to New Year’s Eve around the world.

 

In addition to the beloved seasonal standards, the holiday compilation also features rare and interesting takes throughout like Nancy Wilson’s perfect interpretation of Frank Sinatra’s “The Christmas Waltz,” a true rarity that only appeared on a December 1968 limited-press promotional LP, The Capitol Disc Jockey Album. The incomparable Dinah Shore’s delivers a lightly swinging rendition of “Jingle Bells” originally issued on an unknown number of complimentary vinyl discs that were distributed as Christmas cards in Chevrolet dealerships around the country. Accomplished recording artist and movie star Lena Horne is spotlighted with the joyous “Have Yourself a Merry Little Christmas” and the beautiful, pensive “What Are You Doing New Year’s Eve?” That song was a rare non-musical theater entry by Frank Loesser, composer of “Guys & Dolls” and “How to Succeed in Business Without Really Trying.” In Horne’s hands, the song becomes an alluring jazz ballad. And “Away in a Manger” in the hands of Charlie and Ira Louvin is nothing short of miraculous, full of raw emotion and the unrelenting shadow of sin the Louvins were so great at conveying.

 

In the true spirit of the holidays, A Capitol Christmas Volume 2 collects two dozen magical recordings that have helped to make the season bright for generations, bringing joy to the hearts and ears.

 

A CAPITOL CHRISTMAS CD/DIGITAL TRACK LISTING

1. Jingle Bell Rock – Wayne Newton

2. Blue Christmas – Glen Campbell

3. The Christmas Waltz – Nancy Wilson

4. Frosty The Snowman – The Beach Boys

5. Christmas All Alone – The Lettermen

6. Jingle Bells – Dinah Shore

7. I Saw Mommy Kissing Santa Claus – Molly Bee

8. A Marshmallow World – Ray Anthony and his Orchestra

9. Winter Wonderland – Johnny Mercer and The Pied Pipers

10. I’ve Got My Love to Keep Me Warm – The Starlighters

11. Have Yourself a Merry Little Christmas – Lena Horne

12. Rudolph, The Red Nosed Reindeer – Wayne Newton

13. Christmas Day – The Beach Boys

14. Old Toy Trains – Glen Campbell

15. Away in a Manger – The Louvin Brothers

16. Silver Bells – Al Martino

17. I Heard the Bells on Christmas Day – Fred Waring and the Pennsylvanians

18. What Are You Doing New Year’s Eve? – Lena Horne

19. Do You Hear What I Hear? – Sonny James

20. Song of the Sleigh Bells – June Hutton & Axel Stordahl

21. Love Turns Winter to Spring – The Four Freshmen

22. White Christmas – Les Paul & Mary Ford

23. Count Your Blessings (Instead of Sheep) – Gordon MacRae

24. Auld Lang Syne – Guy Lombardo and His Royal Canadians

 

A CAPITOL CHRISTMAS VOL. 2 LP TRACK LISTING

SIDE A

1. Jingle Bell Rock – Wayne Newton

2. Blue Christmas – Glen Campbell

3. The Christmas Waltz – Nancy Wilson

4. Frosty The Snowman – The Beach Boys

5. Christmas All Alone – The Lettermen

6. Jingle Bells – Dinah Shore

 

SIDE B

1. I Saw Mommy Kissing Santa Claus – Molly Bee

2. A Marshmallow World – Ray Anthony and his Orchestra

3. Winter Wonderland – Johnny Mercer and The Pied Pipers

4. I’ve Got My Love to Keep Me Warm – The Starlighters

5. Have Yourself a Merry Little Christmas – Lena Horne

6. Rudolph, The Red Nosed Reindeer – Wayne Newton

 

SIDE C

1. Christmas Day – The Beach Boys

2. Old Toy Trains – Glen Campbell

3. Away in a Manger – The Louvin Brothers

4. Silver Bells – Al Martino

5. I Heard the Bells on Christmas Day – Fred Waring and the Pennsylvanians

6. What Are You Doing New Year’s Eve? – Lena Horne

 

SIDE D

1. Do You Hear What I Hear? – Sonny James

2. Song of the Sleigh Bells – June Hutton & Axel Stordahl

3. Love Turns Winter to Spring – The Four Freshmen

4. White Christmas – Les Paul & Mary Ford

5. Count Your Blessings (Instead of Sheep) – Gordon MacRae

6. Auld Lang Syne – Guy Lombardo and His Royal Canadians