Posts tagged with "The Washington Post"

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

cruise illustration by Mina Tocalini for 360 Magazine

CruiseCompete Expands Cruise Offerings

CruiseCompete Adds 2 More Expedition Cruise Lines to Its Collection of Cruise Offerings

Expedition Cruise Ship requests are up 148% over 2019 according to the travel experts at CruiseCompete. The destinations offered by these expedition lines include Antarctic, Arctic, Asia, Africa, Canada, Europe and all the Americas (Central, North, South). To see a comprehensive listing of expedition, explorer and yacht types of ships visit All Things Cruise here.

CruiseCompete, the premier online cruise marketplace since 2003, lauded by the press and consumers alike, has added two more expedition cruise lines to its expansive offerings:

The lines added are Atlas Ocean Voyages and Lindblad Expeditions. Click to see Atlas Ocean Voyages Cruises’ expedition ship World Navigator.

See Atlas Ocean Voyages expedition cruise specials here.

About
Atlas Ocean Voyages is innovating the industry by focusing on authentic, active and adventurous experiences in some of the world’s most captivating destinations, such as Antarctica, Baltic, Mediterranean, and Central and South America. The line’s luxurious and intimate small ships will bring inspired travelers on exciting itineraries for invigorating at-sea and shoreside adventures, while employing the latest sustainability technology to help preserve the waters they ply for future generations to enjoy. Read more on their website.

Lindblad Expeditions and the Lindblad Legacy of Respectful Tourism

When Lars-Eric Lindblad set out with the first groups of expedition travelers in the late 1950’s, he was following his passion to discover unknown places and to share the unique cultural and environmental aspects of these places with others. These first adventure travel expeditions led many to define him as the father of “eco-tourism.”

CruiseCompete welcomes Atlas Ocean Voyages and Lindblad Expeditions to our collection of expedition cruises. Browse all cruise lines and expedition ships on CruiseCompete here. Expedition ships on CruiseCompete are designated with an (E) after the ship name to signify Expedition. Click here to search all cruises on CruiseCompete.

CruiseCompete member-advisors are the most well-educated, forward-thinking and trusted cruise specialists in the industry. It’s simple to use: Find the desired cruise. Request quotes. Compare personalized offers, prices, upgrades, cabin credits and more. Contact member-advisors with questions and to book. If you’d like more information or assistance planning a future cruise or a cruise tour, please visit CruiseCompete and try the Virtual Cruise Advisor™ or Live Help.

About CruiseCompete
CruiseCompete has been the premier online cruise marketplace since 2003 (see media praise here).

Consumers come to CruiseCompete to research and book cruise vacations. Almost 2 million users have generated close to 4 million requests from consumers, and member-advisors have delivered nearly 18 million quotes since 2003. They can compare offers from trusted travel advisors, see consumer reviews of advisors and agencies, and then contact travel advisors directly for more information and to book cruises. CruiseCompete is a member of the Family Travel Association, the leading authority and resource for family travel information, and is home to the Sea Tales 2020 Family Cruise Travel Planner at Travel Resources.

CruiseCompete CruiseTrends™ offers monthly stats for an inside look at consumer trends and what consumers want in cruise vacations.

CruiseCompete takes top honors in Travel + Leisure’s “Top 60 Best Apps and Websites for Travelers” with an honorable mention. The Wall Street Journal praised CruiseCompete as “Best Cruise Travel Site,” The New York Times says, “… independent travel advisors compete to offer you the best deal,” following similar praise from Travel + Leisure, Kiplinger and The Washington Post. The Street says, “Score luxury cruises at bargain prices.”

For more information, please visit their website. To check out group cruise options, click here.

CruiseCompete is an Iowa limited liability company, is not a travel agency or owned by a travel agency.

Morgan Wallen – 7 Summers

Big Loud/Republic Records’ Morgan Wallen has released the highly-anticipated official music video for his “dreamy, melancholy and unabashedly wistful” (Billboard) Top 30 single “7 Summers.”

Directed by Justin Clough and shot in Nashville, TN, the cinematic, eight-minute short film marks Wallen’s acting debut and depicts the song’s “nostalgic look back at a lost love” (Rolling Stone), reviving what happened “seven summers ago” on-screen.

WATCH “7 SUMMERS” HERE

This Wednesday (11/11), Wallen will perform his chart-racing Top 3 single “More Than My Hometown” while vying for New Artist of the Year on the 54th Annual CMA Awards airing on ABC.

KEEP UP WITH MORGAN WALLEN
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE

ABOUT MORGAN WALLEN:
Morgan Wallen has staked his claim as Country music’s next superstar with nearly 3 BILLION+ on-demand streams, MULTI-PLATINUM certifications, and three consecutive chart-toppers. “Unapologetically fresh and modern” (The Tennessean), the dynamic Tennessee native has been riding a red hot streak since 2017, collecting accolades including Best New Country Artist at the 2020 iHeartRadio Music Awards, Billboard’s #1 song of 2019 on both the Hot Country Songs and Country Airplay charts (multi-week #1 “Whiskey Glasses”), ACM, CMA and CMT Music Awards nominations, recognized on PEOPLE’s Ones to Watch and MusicRow’s 2019 Next Big Thing lists, plus high-profile features in the Los Angeles TimesAssociated PressThe Washington PostGenius, and more. Wallen proved his crossover appeal with 2X PLATINUM Diplo collaboration “Heartless,” and previewed his highly anticipated sophomore album with New Year’s surprise drop “This Bar,” current Top 3 single “More Than My Hometown,” and record-breaking hit “7 Summers,” which debuted at #1 on the Billboard Hot Country Songs chart and inside the Billboard Hot 100’s Top 10 while shattering first-day streaming records at Apple Music and Spotify.

The Intersection Between Chairman Warren Buffett & Chairman Mao Tse-tong

The Extreme Capitalism Hidden Deep Within Socialism

I had the most interesting Uber ride the other day.  My driver was named Ramon.  A very intelligent gentleman whose ingenuity resulted in a plexiglass wall erected between the front and back seats of his vehicle, I noted how clever his idea was in my mind.  He thanked me, then launched into an engaging and highly enjoyable conversation of which I welcomed.  I learned a lot about his life, his gratitude towards the United States as someone who had immigrated here as well as the challenges Covid-19 had placed on his recent marital union.  He hadn’t seen his wife in eight months.  A citizen of Nicaragua, their delay was Covid-19 made.  He missed her dearly but told me that they Facetimed daily.  Still he was grateful towards the United States.  I listened carefully, wondering for a moment, what it must be like to be him.

Ramon continued talking.  Then upon reaching my destination, he proceeded to ask me a question.  He stated that in all his years of driving for Uber, only one person had answered this question correctly.  Intrigued, I was determined to increase that number to two.  He said, “Do you know about Little Red Book?”  I racked my brain.  Unfortunately, the original title holder still stands.  I didn’t know.

Ramon would go on to explain to me what this book was all about then suggested that I read it.  We then went on to exchange Facebook information so that I might share my thoughts with him about it after I had.  Admittedly, before the day was out, I had the book in my hot, little hands.  I devoured it quickly.  A collection of statements, speeches, and writings by the former Chairman of the Communist Party of China, Mao Tse-tong, the book clearly explains the interlinking of Communism, Leninism, Marxism, and Socialism alongside the overriding core philosophies and goals. For those who never read it, pick up a copy.  The relevancy to the transformation our own nation has been undergoing within the last hundred years is clearly laid out, explaining how we arrived to the point that we are today, a time when Socialism sounds good to so many.

What jumped out at me while reading Little Red Book was the extreme Capitalism that lies beneath this philosophy, ideology, political agenda, and (make no mistake about it) religion.

Not unlike in this case, I’ve never known any kind of extremism that was good.  Suffice it to say, I liken Socialism to a triangle, whereby the top point of the triangle must compel the bottom two points to hop on board and work for them, which includes convincing everyone in the middle to do the same, all in the name of equality and safety.  Once this is done, the top point will grow extremely wealthy on the backs of the rest, justifying this by the very equality and security that opened the door to the treasure trove to begin with.  Equality and security among the rest will continue to remain so long as no one decides to question the vast differences in wealth between the upper most point and everyone else.  In corporate terms, the proprietor rally’s his workers. Then, when the company becomes a multi-million dollar entity, forgets who put him there, takes all of the profits, then fires his team one by one when they begin to ask questions instead of rewarding them for jobs well-done and incentivizing them.  Unlike earlier days when our corporate culture took care of its employees garnering loyalty and hard work as a result, so much of what has occurred since, in the form of unfairness and greed, has literally unrolled the welcome mat for Socialism to walk its way into and across our borders.  And yet the solution is just another version of the extreme Capitalism that compelled the outrage to begin with.  It is in the “extreme” that lies the true problem and needs to be changed, whether it be in business, government or human relations in all its forms and definitions.

And it seems another highly regarded Chairman agrees, the Chairman and CEO of Berkshire Hathaway, Warren Buffett.  A brilliant Capitalist whose wisdom remains steadfast among generations of capitalists, Buffett prizes human ingenuity and the deployment of resources, harboring a “we’ve only just begun” mentality.  However, he cautions against “Capitalism left unchecked” beyond just in the corporate world.  In an interview with CNBC, Buffett offers this solution to “government left unchecked,”

“I could end the deficit in five minutes. You just pass a law that says that any time there’s a deficit of more than three percent of GDP, all sitting members of Congress are ineligible for re-election. Yeah, yeah, now you’ve got the incentives in the right place, right.” — Warren Buffett, Chairman & CEO Berkshire Hathaway.

The idea of fair Capitalism, fair government, and fair human relations is what I think everyone in this nation is really fighting for, not equal even….just fair.  “Everyone” that is but those extreme Capitalists masked as Socialists (the ‘uppermost-point on the triangle’ crowd) who have been reading the room correctly for a very long time and in that capitalized on the very failures extreme Capitalism invoked, including generations of hardworking people who woke up everyday, went to work, then returned home feeling completely taken advantage of and resentful.  And you wonder where the pervasive foothold to Socialism in the United States began?

The reality is however that extreme Capitalism and fair Capitalism can not exist in the same room.  As Mao Tse-Tung put it in Chapter Four of Little Red Book,

 Before a brand-new social system can be built on the site of the old, the site must be swept clean. Invariably, remnants of oldideas reflecting the old system remain in people’s minds for a long time, and they do not easily give way. After a co-operative is established, it must go through many more struggles before it can be consolidated.”

I fear we are experiencing the “sweeping clean” phase of our national conversion with all of us just waking up to what’s been happening for some time now.  In our own greed and extreme Capitalism, we fell asleep at the wheel and are currently driving off a cliff because we lost our credibility with those who helped this country grow rich and their offspring.

Only they don’t realize that they won’t get any richer by allowing us to do so.  The wealth will just be diverted to those coaxing them along.

“People say that poverty is bad, but in fact poverty is good. The poorer people are, the more revolutionary they are. It is dreadful to imagine a time when everyone will be rich.” — Mao Tse-tung 

No doubt, things need to change but trading one master for another isn’t the way to do it.  But have we woken up too late?  I guess that answer lies in the question, “Will we opt for fair Capitalism going forward or extreme Capitalism by another name?”

For the second time in two days, I don’t have a clue.  The tale has yet to be written.  I am certain, however, that we will all soon find out…including Ramon, whose Uber I am darn happy I took yesterday.

“You are a gentleman and a scholar in all senses of the word,” my new friend.  “Thank you for compelling me to take this philosophical journey.  I am the better for it and so will many others be in reading this article.”

My Panama hat’s off to you! (an inside joke)

My Bio:

Laura J. Wellington is the Founder of THREAD MB.  A TEDx Speaker, Award-winning children’s television creator, and author, Wellington’s newest book “Be Careful What You Wish For” releases October 2020.  A Forbes Enterprise Award winner, Telly Award winner, and Buzz Award winner, Wellington has appeared on CNN, Fox News, NBC, ABC, CCTV, The Wall Street Journal, USA Today, The New York Times, The Washington Post, and more.

Ellen DeGeneres illustration done by Mina Tocalini of 360 MAGAZINE.

Ellen’s Reputation

By Eamonn Burke

The reputation of Ellen Degeneres and her show, The Ellen Degeneres Show, are unstable after employees of the production alleged there was a “toxic work environment.” This included citations of being fired after medical leave, bullying, racism, and sexual misconduct by producers. While there were rumors of Ellen’s toughness, this is the first time a proper investigation has been done internally. 

Of the report, released in July, Ellen said in a statement: “We all have to be more mindful about the way our words and actions affect others, and I’m glad the issues at our show were brought to my attention.”

This report is not the only scratch on Ellen’s reputation, as it is the culmination of multiple years of rumors. Back in 2018, in an interview response to the Hollywood stories of Ellen not being as cheerful and kind as she appears on television, she called the rumors an “outright lie.” In early 2019, she was criticized again for pardoning Kevin Hart of his previous homophobic comments in an interview with him. A photo of her talking with George Bush in late 2019 drew distaste again, though she defended herself and said that they were friends despite different political beliefs. 

The closer examination of Ellen started with a November interview with Dakota Johnson, in which Johnson awkwardly calls out Ellen for lying about not being invited to her birthday party. It led to a viral Twitter thread including ugly stories about Ellen’s meanness which further damaged her reputation. Lastly before the report was an April scuffle with Ellen’s audience as she insensitively compared quarantine to being in jail while she sat in her mansion. It was also reported that her employees had been told very little about the future of the show. 

Most recently was a Daily Mail article revealing that Ellen may leave the show or be “cancelled” and that employees are terrified of this scenario. “The show feels done” says a source, despite producer Andy Lassner asserting that “No one is going off the air” in a tweet. It is possible that James Corden will replace Ellen on her daytime television slot.

Conspiracy illustrated by Mina Tocalini for 360 MAGAZINE.

‘Wayfairgate’

By Mina Tocalini

Wayfair Conspiracy irrupts over Twitter and Reddit with #wayfair, accusing the company of being involved in a child trafficking scheme. The trend sparked after Reddit user, PrincessPeach1987, posted a speculation on the conspiracy subreddit last Friday. The post expressed concern over the high prices of cabinets found on Wayfair, and contemplated whether it was a front for the sale of missing children.

Conspiracy Claims:

Counter Claims:

  • Wayfair stated the high prices were accurate for commercial grade products, but the descriptions and images provided by the supplier did not adequately explain the price.
  • Wayfair explained to Reuters that the company’s algorithm uses first names, geographic locations and common words for naming purposes.
  • Newsweek reported that SKUs did not return images of a single child and the same results were presented using a random set of numbers.
  • The Wayfair employee walkout protested contracts with ICE, but no complaints were made regarding posting missing children for sale

Social media’s effective dissemination of information is a clear strength, but we must also acknowledge the fact that it has the power to sensationalize rumors without consequence. The 2016 ‘Pizzagate’ conspiracy accused a Washington D.C pizzeria of being linked to a child trafficking ring run by the Democratic Party. Specifically, it targeted Hillary Clinton, the Presidential candidate for the 2016 election and was yet another attempt to discredit her. ‘Pizzagate’  was widely debunked, but continues to be believed by social media users till this day. The Wayfair Conspiracy expresses similar concerns and is based on the inferences and connections derived from little and inaccurate evidence. Furthermore, its claims can be

considered to be a distraction from more concrete searches for missing children. Like any conspiracy, its influence lies more in faith. Regardless, we each have the right to our opinions. Considering the effect this may have on the welfare of the company and its employees, will you debunk the claims made? Or defend the possibility of children being trafficked?

Colin Kaepernick illustrated by Mina Tocalini for 360 MAGAZINE.

Colin Kaepernick × Disney

By Mina Tocalini

Civil rights activist and former football quarterback, Colin Kaepernick, partners with the Walt Disney Company via his production company Ra Vision Media. The collaboration will direct their projects towards elevating Black and Brown directors, creators, storytellers, and producers, in an effort to inspire today’s youth, announced Kaepernick on media. The first project will follow Kapernick’s life story in a docuseries.

While playing for the San Francisco 49ers, Kaepernick’s protest of the national anthem became the topic of national debate. Kaepernick began kneeling during the national anthem to draw attention to the social injustice and police brutality faced by African Americans every day in the United States. In light of the recent uproar of activism after the death of George Floyd, Kaepernick’s partnership with Disney will provide the much-needed stories and perspectives that have been denied in our society. 

The Undefeated will be working side by side with Kaepernick to develop future projects committed to create compelling stories that will educate, enlighten and entertain. The Undefeated is a platform established with ESPN that explores the intersections of race, sports and culture. Nonetheless, the partnership will work with all Walt Disney affiliates: Walt Disney Television, ESPN, Hulu, Pixar.

Follow Colin Kaepernick: Facebook | Instagram | Twitter

Follow Disney: Facebook | Instagram | Twitter

Follow The Undefeated: Facebook | Twitter

Vaughn Lowery, illustration, dating, 360 MAGAZINE, sara sandman

Danielle Allen Kluge Prize

By Brett Zongker
Website: John W. Kluge Center

Librarian of Congress Carla Hayden announced today that Danielle Allen, director of the Edmond J. Safra Center for Ethics and the James Bryant Conant University Professor at Harvard University, will receive the 2020 John W. Kluge Prize for Achievement in the Study of Humanity.

Allen will collaborate with the Library on an initiative she has designed, titled “Our Common Purpose—A Campaign for Civic Strength at the Library of Congress.” It will include programs to engage schools, universities, political leaders, and the American public in efforts to promote civic engagement. As Allen has said, “Civic education is our common purpose.”

“We are proud to honor Danielle Allen, a leading expert on justice, citizenship and democracy, with the Kluge Prize as she helps to lead a timely national conversation on how we find our common purpose,” Hayden said. “Now is an important moment to discuss ways we can all promote civic strength and engagement, which is at the core of our national culture.”

On July 2, at 7 p.m., join Allen and Kluge Center Director John Haskell for a virtual event: “Danielle Allen Takes on the Hard Questions about Democracy and Public Life.” Free tickets are available here.

Allen is the principal investigator of the Democratic Knowledge Project, a K-16 educational platform designed to identify and disseminate the knowledge and capacities required for democratic citizenship. She is also co-chair of a bipartisan commission, convened by the American Academy of Arts and Sciences, which on June 11 recommended 31 steps to strengthen American institutions and civic culture to help a nation in crisis emerge with a more resilient democracy.

Allen is the author of “Our Declaration: A Reading of the Declaration of Independence in Defense of Equality,” an analysis that reinvigorates public understanding of the founding document of the United States.

Her 2017 memoir, “Cuz: The Life and Times of Michael A.,” examines the way that racism in the justice system and mass incarceration impacted her own family. In it, she made a call for equality before the law and civic participation that animates all of her work.

Allen was a 2001 MacArthur “Genius Grant” recipient for her ability to combine “the classicist’s careful attention to texts and language with the political theorist’s sophisticated and informed engagement.”

As a frequent public lecturer, contributing columnist for The Washington Post, and regular guest on public radio, she discusses issues of citizenship and policy. In her role as director of the E.J. Safra Center, Allen has spearheaded an initiative helping to guide the U.S. response to the COVID-19 pandemic.

“I am deeply honored to be Dr. Hayden’s selection for the Kluge Prize and to be among the prestigious company of past winners,” Allen said. “I look forward to working with the Library of Congress in the coming months on Our Common Purpose – to promote civic education and engagement among Americans of all ages.”

The Kluge Prize recognizes individuals whose outstanding scholarship in the humanities and social sciences has shaped public affairs and civil society. The international prize highlights the value of researchers who communicate beyond the scholarly community and have had a major impact on social and political issues. The prize comes with a $500,000 award. Additional funds from the Library’s Kluge endowment, which funds the award, are being invested in Kluge Center programming.

Hayden selected Allen from a short list of finalists following a request for nominations from scholars and leaders all over the world and a three-stage review process by experts inside and outside the Library.

About Danielle Allen

Danielle Allen was born in Takoma Park, Maryland. She studied classics at Princeton, graduating summa cum laude. She earned M.Phil and Ph.D. degrees in classics from King’s College, University of Cambridge and A.M. and Ph.D. degrees in government from Harvard University.

Allen is an internationally-regarded political theorist with an extensive record of scholarship on justice, citizenship, and democracy in ancient Athens and modern America. From 1997 to 2007 she served on the faculty of the University of Chicago, rising through the academic ranks to become a professor of both classics and political science, as well as a member of the Committee on Social Thought. She spent the next eight years as the UPS Foundation Professor at the Institute for Advanced Study in Princeton, before joining the Harvard faculty as the James Bryant Conant University Professor and Director of the Edmond J. Safra Center for Ethics in 2015.

About the Kluge Prize

The Kluge Prize is administered by the Kluge Center in the Library of Congress. The Kluge Center’s mission, as established in 2000, is to “reinvigorate the interconnection between thought and action,” bridging the gap between scholarship and policymaking.

To that end, the Kluge Center brings some of the world’s great thinkers to the Library to make use of the Library collections and engage in conversations addressing the challenges facing democracy in the 21st century. For more information visit loc.gov/kluge.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

360 Magazine, Drugs, Pills, "Piracetam" by Arenamontanus is licensed under CC BY-NC 2.0

Coronavirus Slams Drug Cartels

By Jason Tayer

Now that the coronavirus has essentially inhabited every region around the world, countless businesses and industries have taken major financial hits. Not only have legal industries been suffering from the pandemic, but underground, illegal trade systems have also been experiencing declines. Specifically, drug cartels, illicit powers over the production and sale of narcotics, traveling between the Mexico-U.S. border are undergoing a significant collapse stage.

These drug cartels are primarily suffering from a lack of resources along with means to make drugs in the production phase. According to the Washington Post, many of the chemical precursors used to manufacture these narcotics are supplied by China, and specifically from the city of Wuhan. With previous, open trade systems halting and borders closing over the past 2-3 months, it is no surprise that global and local drug trade has been negatively affected. Even within different Latin American cities and countries, drug transportation is slowing at considerable rates. While drug cartels slow production, criminal investigators can now take advantage of this time to try to shut down many drug cartels.

Government officials may gain more traction than ever in terms of seizing drug money and honing in on busting certain drug cartels. According to NBC News, cash seizures have more than doubled this year around the Los Angeles area. Again, without as much contact and access to China’s criminal gangs, many Latin American drug cartels are less able to launder money and utilize bank wires in a clean, less traceable manner.

On the contrary, the National Post suggests that stress and anxiety within the U.S. are actually leading to increased demand for narcotics such as meth and fentanyl. This increasing demand is outgrowing meth withdrawal treatment programs, and obviously not meeting the current supply of these drugs, so the industry is subsiding from both sides.

New Beau Young Prince Music Video

BEAU YOUNG PRINCE DROPS VIDEO FOR “LET GO” FROM SPIDER-MAN INTO THE SPIDER-VERSE

“LET GO” AT OVER 13 MILLION STREAMS!!

WATCH HERE

“Beau Young Prince’s natural grasp of melody is his secret weapon. He rides producer Jailo’s candy-coated instrumental with ease and energy, switching flows on a dime.” – Pitchfork

“The kind of magnetic blab that flows cool and steady onstage, inside a recording booth or over a phone line.” – The Washington Post

“Beau Young Prince has emerged on the music scene with a refreshing sense of awareness of his place in hip-hop culture.” – office

Listen to Beau Young Prince’s debut EP Groovy Land HERE