Posts tagged with "Jimi Hendrix"

Bob Marley 3-Dimensional Layered sculpture via Tara Ink for use by 360 MAGAZINE

CAMOWORKS – CAMO 3DLA

CAMOWORKS is proud to announce the launch of the CAMO 3DLA™ ICON SERIES – Original, Limited Edition, 3-Dimensional Layered Artforms of music icons AC/DC, Bob Marley, The Grateful Dead, Jimi Hendrix, Miles Davis, and The Notorious BIG. An industry first, CAMO’s Officially Licensed Collectible Art will go on sale July 19 HERE.

The CAMO 3DLA™ ICON SERIES is the debut collectible art series created by CAMOWORKS, a collaborative Los Angeles, CA-based design studio of multi-faceted and detail-obsessed artists, illustrators, and industrial designers, all superfans themselves. A limited-edition run of only 500 pieces per icon will be produced. Each CAMO 3DLA™ collectible is fully authorized by the artist or their estate. 

CAMO’s proprietary, patent-pending CAMO 3DLA™ design – more than two years in the making – reflects the finest of both traditional and cutting-edge craftsmanship. CAMO 3DLA™ sculptures are finely crafted and assembled by hand, with premium materials, including laser-cut acrylic in an array of rich hues and finishes that create dimensionality. When arranged with precision, these layers create an illusion that, when viewed from the proper vantage point, magically reveal a 3D representation of the Icon. Each piece is finished with a numbered metal badge before being packaged in a thoughtfully constructed collector’s box. Integrated into a custom ball-bearing base that turns 360 degrees, each officially licensed, limited edition piece is as satisfying to turn as it is to view, revealing new dimensions of a layered illusion when seen from every angle, all with the touch of a fingertip. 

Icons symbolize freedom, define a generation, evoke emotion, question authority and influence lifestyle and art. Inspired by music legends across a variety of genres, the CAMO 3DLA™ ICON SERIES is a way for fans to bring inspiration into their everyday lives. Each CAMO 3DLA™ measures 10” x 10” x 12.2-13.7” (L x W x H), and fits easily on a bookshelf or tabletop. 

“We’re building a foundation of creativity, art, and hand-construction,” says Brad Beckerman, Founder, CEO, and Brand Chief of CAMOWORKS, and creator of CAMO 3DLA™. “Music is our focus because it’s the life force of everything we do.” 

A high-energy entrepreneur with a successful track record of creating disruptive lifestyle brands in the sports, music, entertainment, and spirits industries, Beckerman pioneered the licensed luxury music merchandise market when he founded TRUNK Ltd., a music-inspired, lifestyle brand which was fully acquired by Live Nation in 2007, at which time Brad became Chief Creative Officer of the global entertainment company. Beckerman went on to create STILLHOUSE, a spirits company whose rule-breaking stainless steel packaging was an industry game-changer; the multi-award-winning brand was acquired by Bacardi in 2019. Beckerman’s unique vision and business acumen are now revolutionizing the Collectible Art category with CAMO 3DLA™.

CAMO, which is an acronym for “Culture, Art, Music, and Originals,” is created for the diehard fan, the pop culture enthusiast, and lovers of great art. “CAMO is a DTF platform – Direct to Fan,” says Beckerman, whose personal playlist includes an eclectic rotation of John Legend, Nas, Led Zeppelin, English rock band The Heavy, Willie Nelson, and the Grateful Dead.

“The superfan is an integral part of the CAMO culture,” Beckerman continues. “CAMO gives fans a way to not only celebrate the genres and icons they love, but be emotionally connected to their music every single day – even if the volume’s down.” 

Priced individually at $800 USD, the CAMO 3DLA™ ICON SERIES will be available worldwide on July 19 at HERE.

About CAMO 

CAMO is a Collectible Art brand whose ethos is centered around Culture, Art, Music, and Originals, with an emphasis on the emotional connection fans have with their favorite artists. CAMO creates original, officially licensed art inspired by global icons. Learn more: HERE.

ABOUT CAMOWORKS 

CAMOWORKS is a Los Angeles, CA-based collaborative design studio of highly skilled and detailed-obsessed artists, illustrators, and industrial designers. Its Founder, CEO, and Brand Chief is serial entrepreneur Brad Beckerman, who created the studio’s signature design concept, CAMO 3DLA™. Learn more: HERE.

ABOUT CAMO 3DLA™ 

CAMO 3DLA(3-Dimensional Layered Artform) – CAMO 3DLAis a patent-pending, proprietary artform created by serial entrepreneur, Brad Beckerman. Each 3-Dimensional Layered Artform is designed to capture the icon’s incandescent spirit in a layered form that can be viewed from multiple angles, and when viewed from the proper perspective, the image of the icon magically appears. The exclusivity and limited production status of CAMO 3DLAguarantees that each piece will remain rare and collectible for years to come. 

ABOUT BRAD BECKERMAN 

Brad Beckerman is Founder and CEO of CAMOWORKS – a Los Angeles-based Collectible Art brand whose ethos is centered around Culture, Art, Music, and Originals, with an emphasis on the emotional connection fans have with their favorite artists. Beckerman is creator of CAMO 3DLA™, a proprietary, patent-pending 3-Dimensional Layered Artform which is an industry first in the officially licensed collectible art category. A hands-on serial entrepreneur, Beckerman is the creator of successful disruptive lifestyle brands in the sports, music, entertainment, and spirits industries, including TRUNK Ltd., a music-inspired, licensed luxury merchandise company which was fully acquired by Live Nation in 2007 – after which he became Chief Creative Officer of the global entertainment company. Beckerman later created STILLHOUSE, a spirits company whose rule-breaking stainless steel packaging was an industry game changer; the multi-award-winning brand was acquired by Bacardi in 2019. Beckerman’s unique vision and business acumen are now being applied to revolutionize the collectible art category with CAMO 3DLA™. For more information: HERE.

Reckless in Vegas via Erika Pope for The Vox Agency for use by 360 Magazine

Reckless in Vegas × SAHARA

Reckless In Vegas, whose utterly distinctive sound offers a modern twist on Vintage Vegas, announced tickets are now on sale for its ongoing engagement at SAHARA Las Vegas, beginning June 30. Performing in the Las Vegas Strip’s fabled resort-casino, which recently completed a $150 million renovation and where Louis Prima, Bobby Darin, Buddy Hackett and Don Rickles once graced the showroom stage, Reckless In Vegas will appear in the SAHARA Las Vegas Theatre on Thursday and Friday evenings at 8:30 PM. Audiences can look forward to rocking out to the power trio’s exhilarating original renditions of beloved classics by the Rat Pack, Elvis Presley and more.

Reckless In Vegas steals audiences away to the bygone days of Las Vegas when the drinks were strong, the entertainers were charismatic and the music was intoxicating. The show combines the imagery, comedic banter, glamorous showgirls and classic music from Sin City’s 1960s “glory days” with a contemporary rock band aesthetic.

Members Michael Shapiro (band founder, lead vocals, guitar), Jack E. Roth (drums) and Chris Nichols (bass, vocals) have created a high-energy show incorporating live performances of modern versions of songs by artists such as Frank Sinatra, Dean Martin, Elvis Presley, Sonny & Cher, Frankie Valli, Neil Diamond, Johnny Cash and Bobby Darin with dynamic production-show elements.

Whether audiences remember the swinging Vegas lounge-era days or were born much later, Reckless In Vegas brings something for everyone. Video montages, dialogue, humor, modern hard-rocking grooves and tender moments of balladry combine to create a truly original take on this classic genre. Think The Rat Pack meets Green Day.

“Performing at the historic—yet completely reimagined—SAHARA Las Vegas on the Las Vegas Strip represents a dream come true for me,” says Shapiro. “There exists no better venue for our band, which reinvents and reinvigorates classic Las Vegas entertainment for contemporary audiences.”

About Michael Shapiro

Shapiro was raised in Las Vegas and, after stints in Oregon and California, returned to his hometown in 2015. He picked up his first instrument at age 13, and trained hard in guitar, vocals, piano and trumpet, attuning his ear to classical opera as well as rock. A chance encounter with a family friend struck the right chord and paved Shapiro’s way into music. At age 16, he had the opportunity to jam with Bruce Springsteen. The rocker’s energetic marathon performances spurred Shapiro to develop a taste for a raucous stage presence. After playing in various cover bands in his teens, Shapiro formed the band Trip, released several albums and toured. Being part of the VH1 Rock Across America Tour, Trip opened for such artists as Edwin McCain, Duncan Sheik, The Romantics and Cheap Trick. It was during an ill-fated gig opening for Great White when a tragic fire struck, that moved Shapiro to deeply reflect on life’s vagaries and whims.

He bounced back, releasing his first solo album, Somehow, Someway, and toured nationally, opening for the alt-rock band Live. After moving to San Rafael, Calif., he formed the power trio: Reckless in Vegas.

Shapiro’s style yields insight into his influences: Jimi Hendrix‘s relentless guitar riffs, Journey‘s Neal Schon, Carlos Santana and the melodic and powerful vocal styling of U2′s Bono

About Jack E. Roth

With more than 35 years’ experience, Roth has played drums and percussion on hundreds of projects associated with major labels and otherwise (including work with MCA, Universal, Interscope, MTV, VH1, Artisan, EA Sports), resulting in an extensive knowledge of playing, recording, production and engineering techniques.

Roth has performed all over the United States, headlining and opening for Guns N’ Roses, Aerosmith, Puddle of Mudd, Chickenfoot, Buckcherry, Corey Taylor (Slipknot/Stone Sour), Fuel, Living Colour, Trapt, Adelita’s Way, Steel Panther, Deep Dark Robot, Cold, Smashmouth, Danzig, Static-X, Fear Factory, Slaughter, Vince Neil, Dokken, Ratt, Eddie Money, Michael Angelo, Rick Derringer, Michael McDonald, Dennis DeYoung (Styx), The Commodores, The Romantics, Al Stewart, Starship, Berlin, Mark Farmer (Grand Funk), The Family Stone, Pat Travers, Edgar Winter, Canned Heat, Ten Years After, Steppenwolf, Marshall Tucker Band, Three Dog Night, War, The Fixx, Vixen, Shotgun Messiah, Kik Tracee, Gilby Clark, Life, Sex & Death, Bang Tango, Gary Hoey and Love/Hate, among others.

He has also played in backing bands for Randy Jackson (Mariah Carey, Journey, American Idol), Dee Snider, Meat Loaf, Sabastian Bach (Skid Row), Nick St. Nicholas (Steppenwolf), Deborah Gibson, Sheri Belafonte, Frank Hannon (Tesla), Tony Fredianelli (Third Eye Blind), Steve Plunkett (Autograph) and Paul Revere & the Raiders.

Roth is endorsed by Ayotte Drums, Aquarian Drumheads and Gibraltar Hardware and is a proud member of ASCAP.

About Chris Nichols

Born in Newark, Ohio, as the son of a piano teacher, Nichols studied the piano, cello, guitar, drums and bass. His early years led him to Nashville where he toured with several artists throughout the nation. His desire to “Go West” led him to Las Vegas when the mob still owned the town. He saw the Sands and the Dunes casinos fall to their demise. Since moving to Sin City, he has recorded on several records both as an artist and an engineer.  Nichols actually shared the stage with Shapiro in Trip as they ascended to the height of that band’s career. With the help of several bands, he has also shared stages with Willie Nelson, Chris Isaak, Toto, Peter Frampton, Rick James and Lifehouse, to name just a few.

Mike Mattison via Kailey Wolcott for use by 360 Magazine

POETIC SONG VERSE: Blues Based Popular Music and Poetry

While accepting the Nobel Prize for Literature in 2016, Bob Dylan quoted The Odyssey: “Sing in me, muse, and through me tell the story.” In their new book, POETIC SONG VERSE: Blues Based Popular Music and Poetry (University Press of Mississippi, November 9, 2021), renowned musician Mike Mattison and literary historian and beloved Catholic University professor Ernest Suarez offer an enlightening look at the artform that artists like Dylan, Jimi Hendrix, Joni Mitchell, Gil Scott-Heron, Lucinda Williams and others used to tell their stories. Mattison and Suarez lay out the contours of what they see as a unique literary genre they dub ‘poetic song verse.’ This form was inspired by blues music and poetry, nurtured in the beat coffee houses of the 50’s and 60’s, and fully bloomed as it cross-pollinated with rock and roll. It goes far beyond the borders of popular entertainment, using voice, instrumentation, arrangement, and production to highlight evocative lyrics that resemble poetry. 

Synthesizing a wide range of writing and thinking, as well as their own experiences, (Mattison is a vocalist and songwriter for the Grammy-Award-winning Tedeschi Trucks Band; he wrote hits like “Midnight in Harlem,” “Bound for Glory”), the authors train a powerful lens on some of the most well-known songs of the 20th and 21st centuries. By demonstrating how the blues and poetry came together to birth a whole new genre of artistic expression, they shift the thinking on how we categorize lyrics—as literature, as music, or as a combined, innovative, new art form.

Q&A W/ Mike Mattison × Ernest Suarez 

What is poetic song verse, and how has studying and writing about it changed your appreciation of the artists who practice it?

We use the term “poetic” to describe lyrics that have literary intent and that consciously strive for aesthetic impact: linguistically rich compositions that operate on many levels simultaneously, incorporating image, metaphor, narrative, and play in ways that often deliberately correlate to broader cultural conversations. We’re talking about lyrics that seek to transcend the grasp-and-release mechanism of pure entertainment, lyrics that prick our curiosity and invite repeated visits and renewed scrutiny. Poetic song verse isn’t poetry set to music, like the Beats’ poetry with jazz accompaniment, but it sometimes takes a hybrid form in recordings like Gil Scott-Heron’s or Leonard Cohen’s. The distinction we draw rests on the symbiotic relationship that most often occurs when potent lyrics and sonics are developed together. By “sonics” we mean every aural dimension of song, including voice, instrumentation, arrangement, and production. In poetic song verse, sonics combine with verbal techniques often associated with poetry—imagery, line breaks, wordplay, point of view, character, story, tone, and other qualities—to create a semantically and emotionally textured dynamic.

The book argues that artists like Dylan, Joni Mitchell, and Jimi Hendrix were transformative in the development of poetic song verse, but there were allusions and poetic phrasing in lyrics long before them. What did they do that wasn’t being done previously?

Songs from many periods and in different styles contain compelling verse, but in the late fifties and the sixties blues-based popular music and the new American poetry—especially the work of the Beats—came into close contact, resulting in a concentration of songwriters who transformed songwriting from entertainment to art-that-entertains. 

Poetic song verse sprung from a confluence of the blues and contemporary poetry.  Both forms emphasize the sound of the human voice.  Poetry’s turn toward more accessible language and the blues’ origins in the sound of the human voice helped rock absorb poetic language and techniques, and provided a catalyst for Dylan and others to change rock into a more lyrically and sonically sophisticated art form. Think about it this way: If you were a reasonably intellectual young musician who had been turned on to the blues, traditional metrical verse, or high modernist poetry such as T. S. Eliot’s The Waste Land, this might provide an idea of how to use allusions in a song, or provide strategies for intermingling certain types of imagery (as in some of Dylan’s, Van Morrison’s, and Joni Mitchell’s verse). But the language in most traditional and modern poetry tends to be very different from the type of language that characterizes blues-based popular music. However, when that same blues-enthralled young musician heard Howlin’ Wolf or Willie Dixon and read and heard Beat and other contemporary poets, he or she was exposed to rich, sophisticated language based on rhythms of speech (i.e., material that could serve as a powerful source for lyrics). With different twists and turns this essentially was the case for Dylan, Mick Jagger, John Lennon, Paul McCartney, Jim Morrison, and many others.  By examining the confluence of blues and poetry in various artists’ work, and by considering the creative practices of various seminal artists and the cultural conditions and landscapes in which they worked, we identify a relatively specific subgenre of song that’s also a form of literature.

What role did the coffee houses of the 50’s play in creating this genre? What does instrumentation add to the artform?

In the late fifties and the sixties Beat coffee houses, bookstores, and nightclubs sprang up across the United States and spread to Western Europe. Bob Dylan, Mick Jagger, John Lennon, Paul McCartney, Jimi Hendrix, Van Morrison, Jim Morrison, Joni Mitchell, David Crosby, Neil Young, Stephen Stills, and others embraced the blues and Beat coffeehouse culture, where they encountered contemporary poetry, rural blues, and folk music.  After putting rock ’n’ roll of their youth aside for a handful of years, many sixties songwriters returned to the rebellious rhythms of fifties rock ’n’ roll and wedded it with verse inspired by contemporary poetry. In the mid-sixties Dylan’s rock ’n’ roll–Beat poet persona strengthened his already active sense of the possibilities between poetry and music and led to Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde on Blonde (1966), albums that ignited an explosion of poetic song verse. Instead of portraying themselves as the descendants of Woody Guthrie, Bukka White, and Pete Seeger, artists returned to the theatrics of Chuck Berry, Little Richard, and Jerry Lee Lewis but retained the cerebral, self-consciously artistic emphasis that characterized songs and poetry in Beat coffeehouses. This combination released Dylan and others from songwriting conventions that ranged from the length of individual songs to how albums were conceptualized, recorded, and produced. In essence, the Rolling Stones, the Beatles, the Doors, the Who, Jimi Hendrix, the Kinks, and others followed Dylan’s lead and expanded fifties rock ’n’ rollers’ sounds and emphasis on performance, assuming often extravagant yet artistically resonant personae that resulted in songs and albums replete with ambitious wordplay and sonic arrangements.

Is poetic song verse a uniquely American invention? How did America’s history of slavery, Jim Crow, war, and sexism affect its creation?

Poetic song verse sprung from a confluence of the blues—a quintessential American art form—and various types of contemporary poetry that developed in the United States.  That said, artists around the world quickly started to write songs in this mode, largely due to blues artists’ popularity in England and other countries, and to Dylan’s influence on the Beatles, the Rolling Stones, and others.

The history of slavery had a profound influence on the blues, which grew out of nineteenth-century spirituals and work songs, much like those styles grew out of various African musical traditions.  Nineteenth century work songs and blues songs written during the era of Jim Crow often contained “coded” lyrics that indirectly commented on topics that would have raised the ire of their oppressors.  This practice melded with techniques employed by contemporary poets in the work of songwriters from Dylan to Joni Mitchell to Marvin Gaye to Bruce Springsteen to Grandmaster Flash to Lucinda Williams.

The War in Vietnam also had a strong influence on many songwriters.  They often combined surrealistic imagery that they encountered in contemporary poetry with imagery from various African and Western metaphysical traditions.  This combination led to songs like the Stones’s “Gimme Shelter.”

What artists do you see as the contemporary and future upholders of this new tradition? 

Lucinda Williams, Steve Earle, Kendrick Lamar, Norah Jones, Dave Grohl, Fiona Apple, Lorde, Aimee Mann, Fantastic Negrito, Josh Ritter, Lyle Lovett, Luther Dickinson, Jason Isbell.

Geppi Gems via Library of Congress for use by 360 Magazine

Geppi Collection Opens at LOC

A new exhibition at the Library of Congress explores how comic books have permeated popular entertainment and influenced U.S. culture, highlighting selections from the Stephen A. Geppi Collection that was generously donated to the national library in 2018.

“Geppi Gems” is now open in the Library’s Graphic Arts Gallery through mid-March 2022. A second rotation with different items is planned for spring 2022. The exhibition now features 33 items from the collection of more than 3,000 cartoons, comic books and related items in the Geppi Collection.

The wide range of rare comics on view span genres including Walt Disney’s iconic characters, westerns, superheroes, science fiction, horror, sports, music and entertainment.

Popeye, Superman, Wonder Woman, Black Panther — some cartoon characters have become both instantly and internationally recognizable, but they didn’t get their start on television or in the movies, but rather on the pages of newspapers and comic books,” said Sara Duke, curator of popular and applied graphic arts, who wrote about the exhibition on the Library’s Picture This blog.

The exhibition explores the role of early newspapers in the development of comic books and characters. As a nod to the collection’s founder, the exhibition also represents the major themes of the former Geppi Entertainment Museum in Baltimore, which operated between 2006 and 2018.

“It’s so gratifying to see more of the Geppi Gems collection made available to the public in this exhibition,” Geppi said. “This and future displays will continue to expose new fans to the rich artistic history of pop culture started here in the United States. I’m more excited than ever and want to take this opportunity to express my appreciation to my dear friend and Librarian of Congress, Carla Hayden, for her vision, as well as the curators and conservators who have worked so hard to make this possible.”

Over the years, Geppi has amassed one of the largest individual collections of vintage comic books and pop culture artifacts in the world.

Highlights of the exhibition include:

  • Popeye in an early syndicated newspaper comic strip from 1931 when the character’s popularity was exploding.
  • Mickey Mouse and Donald Duck during their rise in popularity as animated characters. Walt Disney understood the role of marketing his characters so that they would be instantly recognizable.
  • Annie Oakley, Wyatt Earp and Steve McQueen as characters from America’s Wild West translated from Western novels to radio, comics, film and television.
  • Superman’s history with Action Comics and the birth of the comic book superhero from DC Comics, along with examples from the history of Batman and Robin and Wonder Woman.
  • Black Panther’s self-titled debut from Marvel Comics in 1977 and the story of Captain America in The Avengers before he became one of the most popular comic book characters today.
  • Science fiction’s history in comics with examples of dramatic visual expression, including Weird Science and Science and Invention.
  • Terrifying creatures of horror that were brought to visual life through comics in magazines like Creepy.
  • Sports as represented through comic books and cartoon art, including Babe Ruth Sports.
  • Pop culture represented in posters, magazines and collectibles promoting musicians through graphic art, including Elvis Presley, Jimi Hendrix, The Jackson 5 and more.

Free timed entry tickets are available for visitors to the Library’s Thomas Jefferson Building on Wednesdays, Thursdays, Fridays and Saturdays between 10 a.m. and 4

p.m. To plan a visit and reserve tickets, go to loc.gov/visit. Tickets will be released on a rolling 30-day basis. For online versions of the Library’s exhibitions, visit loc.gov/exhibits.

Geppi is the founder, owner, chairman and CEO of Geppi Family Enterprises, a Baltimore-based network of pop culture companies including Diamond Comic Distributors, Diamond UK, Gemstone Publishing, E. Gerber, Baltimore Magazine, Diamond International Galleries, Diamond Select Toys, Alliance Game Distributor, Diamond Book Distributors, Hake’s Auctions, Art Asylum, Gentle Giant, Sapphire Studios and the recently acquired Collectible Grading Authority.

About the Library of Congress

The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.

Frank Sinatra – Volume Five Go Digital

FRANK SINATRA CLASSICS GO DIGITAL TODAY WITH ‘RARITIES VOLUME 5

Frank Sinatra, one of the popular culture’s most captivating singers, was also a label founder, and the 60th-anniversary celebration of his Reprise recordings continues across all streaming services today with the release of Frank Sinatra: Reprise Rarities Volume 5 from Frank Sinatra Enterprises and UMe.

Showcasing 14 Reprise tracks spanning 1962-1981, Frank Sinatra: Reprise Rarities Volume 5, available HERE, completes this digital-only series, which focuses on the legacy of “The Chairman of the Board” founding Reprise Records and features rarities available via all digital streaming platforms.  Most of the songs on each volume have made their digital debut, and today’s collection follows Volume 1 (HERE), released December 2020 in honor of Frank Sinatra’s birthday; Volume 2 (HERE), released in February 2021 for Valentine’s Day; the spring release of Volume 3 (HERE) in May and the summer release of Volume 4 in August (HERE).

Volume 5 features Frank singing with musical legends such as Bing Crosby, Dean Martin, Keely Smith, Nancy Sinatra, Rosemary Clooney, and Sammy Davis Jr. Several of the tracks are from Sinatra’s acclaimed Reprise Musical Repertory Theatre project. Taken together, all five volumes, now available on all streaming services, present non-LP singles, alternate versions, and bonus tracks from previous box sets.

Hailed by The New York Times for an “extraordinary voice [that] elevated popular song into an art,” Sinatra realized a long-time dream by forming his own record label, Reprise, in 1960. At the time Sinatra’s business model was highly innovative in the recording industry; the very first of its kind, he pioneered the concept of having artists create and control their recordings.

“Untrammeled, unfettered, unconfined” is how the early advertisements described Sinatra on Reprise.

Throughout the years, artists including Dean Martin, Sammy Davis, Jr., Bing Crosby, Nancy Sinatra, Jimi Hendrix, The Kinks, Duke Ellington, Count Basie, Frank Zappa, Joni Mitchell, Neil Young, Eric Clapton, Tom Petty, Green Day, and Michael Bublé, among others, have recorded albums for Reprise.

Siriusly Sinatra (SiriusXM Ch. 71) will air an exclusive ‘Sinatra: Reprise Rarities’ special in September with additional 60th-anniversary highlights through 2021.

Auction illustration by Heather Skovlund for 360 Magazine

Kruse GWS Auctions September 2021

ELVIS PRESLEY’S FAMOUS MADISON SQUARE GARDEN EYELET JUMPSUIT AND CAPE – IS HEADING TO THE AUCTION BLOCK AS PART OF AN UNPRECEDENTED COLLECTION OF RARE & ICONIC MEMORABILIA

The Artifacts of Hollywood & Music Auction Includes Some of the Rarest Personal & Career Items from Elvis Presley, Les Paul, Jimi Hendrix, Marilyn Monroe, Peter Fonda, John Wayne, Steve McQueen, Ben Affleck, Jack Nicholson, Tom Hanks, Leonardo DiCaprio, Carmen Miranda, Mae West, Audrey Hepburn, Elizabeth Taylor and More

Kruse GWS Auctions – Over 320 Lots – Saturday, September 4, 2021

Kruse GWS Auctions, the world-record breaking auction house specializing in entertainment memorabilia, Royal artifacts and fine jewelry has announced an unprecedented offering for auction of iconic Elvis Presley memorabilia to be included in the Artifacts of Hollywood and Music auction to take place Saturday, September 4, 2021 beginning at 10:00 a.m.

In 1972, Elvis Presley marked his first live performance at Madison Square Garden in New York. The performances sold out and his iconic Eyelet jumpsuit and cape designed by the famous Bill Belew quickly became one of the most photographed and iconic costumes of Elvis’ career. Fans packed the famous venue to hear songs including Love Me Tender, Heartbreak Hotel, Don’t be Cruel and so many others. Imagine being in the audience when Presley strolled out on stage in the custom made eyelet jumpsuit and embellished cape swooning the thousands of fans who came to see him perform. The Eyelet Jumpsuit has been in a collection for over 30 years and has not been offered for sale since. The jumpsuit was made by Bill Belew, who is famous for creating some of Elvis’s most iconic wardrobe. The most phenomenal thing is that the artifact also still contains the IC Costume, Hollywood California tag still inside. Presley was the first person in history to sell out four shows consecutively at Madison Square Garden at the time.

In 1968, Elvis Presley starred in the film Speedway opposite Nancy Sinatra. Presley played a racecar driver in the musical action film. The racing suit Elvis Presley wore in the film is among the other Elvis Presley highlights. One of the most surprising items in the sale is Elvis’s helmet that no one knew still existed that was worn by the superstar in the film Viva Las Vegas; his personal Schick Electric Razor and case; Presley’s personal rattail comb; Presley’s personal guitar pick; and an Elvis Presley signed 1956 Songwriter’s contract among other items from the private collection.

With over 320 lots being offered on September 4th, additional highlights include:

  • Les Paul’s personal guitar case which carried the very first 1952 Les Paul guitar
  • Jimi Hendrix’s personally owned red scarf and personally owned red crystal bottle
  • Marilyn Monroe’s black sleeveless Wiggle dress from the 1950s
  • Sharon Stone personally signed check made out to Tiffany & Co.
  • Ben Affleck’s Reindeer Games worn costume
  • Elizabeth Taylor’s National Velvet worn maroon dress
  • Elvis Presley’s personal guitar pick
  • An extraordinary celebrity autograph collection from a Denmark museum
  • Andy Warhol’s Polaroid SX-70 Land camera
  • Elvis Presley’s spent bullet from a Las Vegas suite
  • Barbra Streisand’s The Concert performance worn gown
  • Audrey Hepburn’s black woven wide brim hat
  • Peter Fonda’s The Wild Angels denim biker vest
  • James Dean 12” Columbia Records pressing
  • Star Trek memorabilia from Gene Roddenberry
  • Even vintage Playboy Playmate puzzles from the 1960s and so much more.

The auction represents the most important and historically significant assets Kruse GWS Auctions has ever had the distinction of representing at public sale.

The collection of Presley memorabilia alone is an exemplary assemblage chronicling some of the most outstanding moments in his career. Collectors seeking historical items from the lives of the biggest stars will not only be able to bid on some of the most important artifacts of Hollywood from film and music, but also get the opportunity to own the most amazing items from stars who left us far too soon.

We are absolutely delighted to announce our upcoming September 4th sale event. The sheer volume of iconic pieces of memorabilia from legends such as; Elvis Presley, Jimi Hendrix, Les Paul, Steve McQueen, Barbra Streisand, John Wayne, Elizabeth Taylor and so many other icons from the Golden Era are incredible. This collection chronicles so many important moments in entertainment history. We hope you will join us beginning at 10:00 a.m. Pacific on Saturday, September 4th for an auction we are sure will always be remembered. The world is waiting to see where these iconic pieces of history end up. – Dame Brigitte Kruse, Founder & Lead Auctioneer, Kruse GWS Auctions

AUCTION DETAILS

Saturday, September 4, 2021

Beginning at 10:00 a.m. PDT

BIDDING DETAILS HERE

To register a bid go to their website.

ABOUT KRUSE GWS AUCTIONS, INC.

Kruse GWS Auctions is the world-record breaking auction house specializing in Hollywood Memorabilia, Fine Jewelry, Master Timepieces, Royal Artifacts, Luxury Vehicles, Antiques and Collectibles and the first auction house to announce the acceptance of all forms of global cryptocurrency.  Founder Dame Brigitte Kruse is the first auctioneer to be knighted by a Royal Family, the first female auctioneer to be recognized by the Guinness Book of World Records and is a member of the Forbes Los Angeles Business Council.  Fifth generation auctioneer Kruse recently co-founded iSynergy Network, a group of innovative industry leaders providing a platform and solutions for entrepreneurs within a network of professionals across interconnected industries for the betterment of all. The global auction house has been featured around the world for sales of such notable items as Elvis Presley’s personal jet, Marilyn Monroe’s famous black wool dress, Marlon Brando’s historic watch, Italian Renaissance philosopher Machiavelli’s estate in Florence, and the 14th century celadon bowl owned by the last Empress of Vietnam. Visit their website.

Woodstock At 50

Rock Hall Celebrates Woodstock’s 50th Anniversary with New Exhibit and Special Rock Hall Nights

Relive the Iconic Music Festival with Rock Hall Inductees and Woodstock Performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana on May 1st

The Rock & Roll Hall of Fame is bringing peace, love and music to fans during Woodstock’s 50th anniversary. On May 1st, fans can relive the iconic music festival with a new Woodstock 50 exhibit (open through Fall 2019) and special Woodstock themed Rock Hall Nights with Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana.

It’s been nearly 50 years since Woodstock generated legendary musical moments and catapulted an entire festival culture. Groups and artists such as Sly & The Family Stone, Jefferson Airplane, The Who, Janis Joplin, Jimi Hendrix and many others defined a new set of sound. Woodstock 50 celebrates the ambition and ingenuity of those who mounted the festival to the performers who played it gaining a deeper understanding of the various faces of Woodstock and how it changed the music industry forever.

The new Woodstock 50 exhibit features rare prints, performance outfits, video footage, tickets, original signage and more. Highlights include:

  • A photo exhibit with rare prints, contact sheets and never-before-seen artifacts from renowned photographer Jim Marshall’s archive including his earliest Leica M4 camera used to photograph Woodstock. Marshall captured the festival’s most raw and intimate moments from the three-day festival. The Rock Hall is the only museum in the country celebrating Woodstock with Marshall’s collection.
  • Jimi Hendrix (1992 Rock Hall Inductee) guitar strap used at Woodstock 1969 to deliver a mesmerizing set featuring his rendition of “The Star-Spangled Banner” to a dwindling crowd of 180,000 who toughed it through the last hours of Woodstock, along with his handwritten lyrics to “Voodoo Chile (Slight Return),” the last song he would ever perform live.  
  • Hand-drawn map of festival grounds with aerial views highlighting prominent locations and a telegram from festival organizer Michael Lang envisioning the event documented from every angle with plans to secure the filming and clearance for showing footage after the festival.
  • Rare video footage from the Rock Hall collection captured during Woodstock ’69 with candid moments offering new perspectives of festival goers.
  • John Sebastian (2000 Rock Hall Inductee) of the Lovin’ Spoonful performance outfit from his unscheduled appearance at Woodstock. He traveled to the festival as a spectator but was asked to appear when the organizers suddenly needed an acoustic performer after a rain break.
  • Billie Joe Armstrong (2015 Rock Hall Inductee) shoes worn at Woodstock ’94, nicknamed “Mudstock” partly due to Green Day’s performance. Days of rain turned the venue into a field of mud and as Armstrong taunted the audience with “I don’t care what you do, I don’t want to be a mud hippie like you,” an enormous mud fight ensued.

Woodstock 50 opens May 1 with a special Rock Hall Nights: Woodstock program that evening from 6 p.m. to 9 p.m. EST. Fan can meet Rock Hall Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana, challenge their friends to Woodstock trivia, explore artifacts from the Rock Hall’s Library and Archives, check out Woodstock 50, Hendrix and San Francisco exhibits, make a flower headband, take pictures in a festival photo booth, and enjoy screenings of Woodstock artist highlights from the Induction ceremony stage as well as a director’s cut of the documentary film Woodstock. This is the last Rock Hall Nights of the season. The monthly program will return in the fall with new themes and activities.

INSIDER TIP

Purchase a special $20 online only ($34 value) Rock Hall Nights ticket which includes access to exhibits between 6 p.m. and 9 p.m., a VIP check-in, complimentary drink voucher and free giveaways. Metered parking is available surrounding the Museum and is free after 6 p.m. daily. Rock Hall Members and City of Cleveland residents (ID required at box office) can attend for free.  

About the Rock & Roll Hall of Fame

Rock Connects Us. Our mission is clear: To engage, teach and inspire through the power of rock and roll. We share stories of the people, events and songs that shape our world through exhibits, innovative programs and concerts. Join the millions who love it as much as you do. Experience us live or online – Visit rockhall.com or Facebook, Twitter and Instagram. Long Live Rock!

Pardon My French Announce Epic Concert

When one of the hottest artist brands in dance music aligns with one of the world’s most beautiful concert venues, you’ve got the recipe for an event that’s truly monumental. This is certainly the case when Pardon My French – a collective of French DJ/producers DJ SnakeTchamiMalaa and Mercer – join together for the first time since 2016 at the famed Red Rocks Amphitheatre in Morrison, Colorado on April 26.

Red Rocks Amphitheatre is a geological phenomenon – the only naturally-occurring, acoustically perfect amphitheatre in the world. In over 75 years as a performance venue, Red Rocks has hosted some of the most significant artists in music ranging from The Beatles, Jimi Hendrix and The Grateful Dead to Radiohead and Daft Punk, among many others. You’d be hard pressed to find a more idyllic location for a night of the best that French electronic music has to offer.

The April 26 Pardon My French Red Rocks event will be highlighted by full live sets from DJ Snake, Tchami x Malaa and Mercer, custom production and a pristine backdrop that’s simply unlike anything else in the world. Tickets will be available via AXS Presale and AEG Presale from Thursday, January 31 @ 10:00 AM MT and General On-Sale from Friday, February 1 @ 10:00 AM MT. Click here to buy tickets (presale passcode: PMFRRX)

Pardon My French was created in 2015 with the aim of bringing French electronic music artists together to share their their vision and passion for music with the world.

SXSW 2018 – Artist Takeover

REPUBLIC RECORDS‘ ARTISTS TAKEOVER SXSW 2018

FULL SCHEDULES

DUCKWRTH

A multi-faceted creative, Duckwrth’s artistic outlets extend outside of music and into design, fashion and video. Along with creating unique artwork for his most ambitious body of work yet, an XTRA UUGLY Mixtape ,Duckwrth’s gender-fluid clothing designs have been featured everywhere from LA Weekly to Nylon. His music videos have earned placements from the likes of The Fader, NOWNESS, and Hypebeast, to name a few. Bringing a unique identity of masculinity and femininity to his music, Duckwrth’s vivacious and free-spirited approach has earned him comparisons to a millennial Prince or Jimi Hendrix.

SUNDAY, MARCH 11TH
TUMBLR // 9PM-12AM show time //Venue: Mohawk – 912 Red River Rd. Austin, TX 78701

MONDAY, MARCH 12th
CONSENSYS // Set time: TBD Event Time: 9:30 – 11:30 PM // Venue: Ethereal Lounge – 87 Rainey Street, Austin, TX 78701

TUESDAY, MARCH 13TH
PANDORA // Set Time: 5:20-6:00PM // Venue: Gatsby – 708 E. 6th St. Austin, TX 78701
VEVO // Set Time: 9:00PM // Venue: Pelons – 802 Red River St. Austin, TX 78701
TWITTER // Set Time: 10:45PM -Event Time: 9PM-12AM // Venue: Lustre Pearl – 4 Rainey St, Austin, TX 78701

WEDNESDAY, MARCH 14TH
SECRET SOUNDS // Set Time: 3:30PM // Venue: Sidewinder – 715 Red River St, Austin, TX 78701
REVOLT // Set Time: 7:20-7:35PM Event Time: 4PM-1AM – // Venue: Vulcan Gas Company – 418 E 6th St, Austin, TX 78701

THURSDAY, MARCH 15TH
TOMMY HILFIGER HOUSE // private // Venue: TBD

FRIDAY, MARCH 16TH
CLASH MAGAZINE // Set Time: 12:40-1:10AM //Venue: Empire Control Room – 606 E 7th St, Austin, TX 78701

SATURDAY, MARCH 16TH
C3 PRESENTS // Set Time: TBD – Event Time: 3 PM – 6 PM // Venue: Historic Scoot Inn – 1308 E 4th St., Austin, TX 78702

THUNDERPUSSY

If Thor’s Hammer of the Gods from “Immigrant Song” landed in the hands of four wise, willful, and wild women? Well, it would sound something like Thunderpussy. The quartet—Molly Sides [vocals], Whitney Petty [guitar], Leah Julius [bass], and Ruby Dunphy [drums]—do the most rock ‘n’ roll thing possible and quite literally fuck up every rock ‘n’ roll stereotype you know to be true, piercing the halls of Valhalla in the process. The Seattle-based group turned into a quiet phenomenon with the endorsement of Rolling Stone and Pearl Jam guitarist Mike McCready as well as a string of already legendary performances under their high-waisted belts.

Tuesday, March 13th
SXSW Official Showcase // Set Time: 1:00AM(Wednesday morning) // Venue: BD Rileys- 204 E. 6th St., Austin, TX

WEDNESDAY, MARCH 14TH
C3 Party // Set Time 1:45PM-2:30PM // Venue: Lambert’s 401 W 2nd St. Austin, TX 78701

FRIDAY, March 15th
Play Hooky At St. Elmo // Set Time: 3:45PM-4:30PM // Venue: St. Elmo Brewing- 440 E. St. Elmo Rd G-2, Austin TX 78745

BANDHUNTA IZZY

In 2017, Bandhunta Izzy blasted out of Baltimore, MD with the fieriest bars on the Mid-Atlantic. Songs like “BBB” [feat. Benjamin Blue Sleepy] amassed over 1.9 million YouTube views as his recent “Gummo Freestyle” (6IX9INE Remix) scored over 1.3 million views and earned widespread fan praise. His prolific output garnered the attention of Republic Records who signed him early last year.

THURSDAY, MARCH 15TH
FREE CULTURE // Set Time: within 5pm hour // Venue: TBD
WE THE PLUG // Set Time bet 6-8pm // Venue: Rainy Lounge 217 W 4th ST.
LEGALLY LOUD // Show Time 7pm-2am // Venue: Bat Bar 218 E 6th St

FRIDAY, MARCH 16TH
RAP CITY 2018 // Show Time: 7-8pm // Venue: 809 east 6th St (tentative)
DGB // SET TIME: 7:30-9pm (D1 block 30 minutes) // Venue: Texas Music Ranch 5220 FM973, Austin
WORLDSTAR // Show Time 8pm // Set Time TBD // Venue: Summit Rooftop 120 W 5th St

SATURDAY, MARCH 17TH
LVLUP MANSION PARTY // PRIVATE (Time: 9pm-3am) // Venue: TBD

WILLTHARAPPER

In 2013, WillThaRapper confidently stepped into the hip-hop ring sporting a controlled intensity matched only by his tireless quiet grind. The 20-year-old Southeast Washington, D.C. rapper carved out a burgeoning following with his breakout “Hang Wit Me” and a string of buzzing mixtapes: 17 N Savage and Beat Bully Vol. 1 in 2014 and 2015’s Street Runner, On Site, and Beat Bully Vol. 2. Glowing praise would come from XXL, Vibe,The Fader, and Noisey who dubbed him “one of [the DMV’s] newest rising stars.” 2017 saw him ink a major label deal with Republic Records as his fiery single “Pull Up Hop Out” racked up 5.4 million Spotify streams in under a month’s time.

THURSDAY, MARCH 15TH
WE THE PLUG // Set Time bet 6-8pm // Venue: Rainy Lounge 217 W 4th St

FRIDAY, MARCH 16TH
SKUMBAG SEASON // Set Time: TBD // Venue: Peckerheads on 6th – 402 E 6th St
DGB // SET TIME: 7:30-9pm (D1 block 30 minutes) // Venue: Texas Music Ranch 5220 FM973, Austin

D SAVAGE

D Savage quietly crawled from an underground phenomenon to the brink of mainstream disruption within the span of just two years, igniting a cult-like following in the process. Lighting Soundcloud up with no upload less than a million plays, his 2017 banger “I Know II” generated over 16 million streams in under six months, while his very first song “30 Round Clip” cracked 7.8 million and counting. Signed to Victor Victor Worldwide and Republic Records by industry leader Steven Victor, he undoubtedly will turn heads with every bar throughout 2018 and beyond.

FRIDAY, MARCH 16TH
THE FLEX FEST // 8PM – 2AM // Venue: 84 North Interstate 35 Frontage Road, Austin, TX, 78701

TWO FEET

Rising vocalist and multi-instrumentalist Two Feet is responsible for the viral track, “I Feel Like I’m Drowning.”Hailed by BAEBLE as “sultry,” and praised by Hillydilly as “one of his strongest tracks” watch and share the video here. The song follows the success of viral hit “Go Fuck Yourself,” streamed more than 80 million times to date. The video is Two Feet’s response to the organic spread of the track within the pole arts community, which has generated hundreds of videos sound tracked by the song—watch it here. After selling out all of his North American Tour Dates including Los Angeles’ El Rey and Brooklyn’s Music Hall of Williamsburg he is set to perform on numerous festival stages this summer including Bonnaroo, Austin City Limits, Lighting in a Bottle and makes his SXSW debut this year. Two Feet signed to Republic Records soon after and released First Steps, followed by another EP, Momentum, in June 2017.

WEDNESDAY, MARCH 14TH
StubHub // 11PM // Venue: Banger’s Sausage House & Beer Garden – 79 Rainey St, Austin, TX 78701

MARCO MCKINNIS

Marco first hit the scene when he released the single, “My Own” which premiered on Solange’s digital platform Saint Heron garnering wide tastemaker attention. As his buzz grew, he quit his day job and relocated from Virginia to Los Angeles where he began collaborating with various artists. He recently teamed up with Rex Orange County on the song “Nothing” off of his recent project “Apricot Princess” and with “Life of Pablo” producers DJDS on the track “Tree’s on Fire”. Marco is currently in the studio working on his highly anticipated debut EP.

THURSDAY, MARCH 15TH
FUTURE CLASSIC // Set Time: 12:00AM (Friday morning) – Event Time 7:00PM-1:30AM // Venue: Australia House @ SXSW- Lucille’s Patio Lounge- 77 Rainey St, Austin TX 78701

KAMILLION

KaMillion initially made her mark behind-the-scenes by co-writing Diddy Dirty Money’s “Your Love” [feat. Trey Songz & Rick Ross], Trey Songz “Already Taken”, Jordin Sparks’ “1000”, Rihanna’s “Watch N’ Learn”, and more. While working for FEMA in 2016, she quietly turned her attention towards solo music. In the midst of shaping her style, iconic Academy® Award-winning filmmaker Lee Daniels reached out to cast her in his series STAR. Meanwhile, she starred in the TV One movie When Love Kills: The Falicia Blakely Story. With her star rising across media, she inked a deal with Protect The Culture/LAVA personally signed by Philadelphia industry veteran Marc Byers and Jason Flom C.E.O. of LAVA. She’s just starting to show her true colors.

THURSDAY, MARCH 15TH
ICM Partners // 12:55 to 1:05 AM (Friday morning) // Venue; The Belmont – 305 W 6th St, Austin, TX 78701

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.

MORRISON HOTEL GALLERY CELEBRATES THE ERA OF PSYCHEDELIA

In the late 1960s, deep political unrest set the stage for a revolution of the mind: the psychedelic era. During this time of unbridled experimentation, writers, artists, and musicians unleashed limits and broke down boundaries with their work.

Timothy Leary explored the limits of consciousness, Allen Ginsburg wrote revolutionary poetry, and musicians like Jimi Hendrix, Janis Joplin and Jefferson Airplane brought the era to life through timeless music, still prevalent today.

Artists also worked in the psychedelic style, creating the brightly-colored, Art Nouveau-inspired rock posters so often associated with the 60s. Psychedelia also found its way into rock photography, and leading the way was legendary photographer Karl Ferris. Manipulating color and working with various filters and lenses, Ferris created images like the world had never seen.

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Photo by: Henry Diltz

On the 50th anniversary of Are You Experienced, the groundbreaking album  by Jimi Hendrix, Morrison Hotel Gallery is stepping through the looking glass into the “age of psychedelia” with an exhibition and sale featuring Are You Experienced album cover photographer Karl Ferris along with the work of some of the most talented photographers of that era such as Henry Diltz, Barry Feinstein, Herb Greene, and many others.

The photographs capture some of the most culture-defining musicians who led the way for a movement that changed how people heard and experienced music. The subjects are artists such as Hendrix, Donovan, The Hollies, The Doors, The Grateful Dead, Jefferson Airplane, Cream and many others.

The Psychedelic Experience exhibition will be at Morrison Hotel Gallery’s West Hollywood location, in the lobby of The Sunset Marquis Hotel, beginning August 24th and running until August 31st. Concurrently, the exhibit will be at the gallery’s New York location from August 24th thru September 6thDuring and after the exhibitions’ run, all photographs are available for purchase on the Morrison Hotel Gallery website. International shipping available. 

About Karl Ferris
An English photographer/designer who spent years photographing the British rock elite, Karl Ferris best known as one of the principle innovators of psychedelic photography. Ferris grew up in Hastings, England in the 1950s. He became interested in art at a young age, studying at Hastings College of Art. He focused on Pre-Raphaelite painting, which later influenced his photographic style of the 1960s. After serving two years with the RAF as an aerial photographer where he worked with infrared spy surveillance photography, he moved into fashion, shooting for 19, French Mode, Marie Claire, Harper‘s Bazaar and Vogue. Ferris’s most Iconic collection of photographs are those capturing Jimi Hendrix and The Jimi Hendrix Experience in what is now known as a “psychedelic style.” Hendrix invited Ferris to shoot the cover for a US version of his album Are You Experienced. It was during this shoot that Ferris began experimenting with color and lens applications. The use of the fisheye lens and his innovative infrared film photographic technique created a never-before-seen effect that landed Ferris his first exhibition with Kodak London. He went on to shoot a variety of Hendrix albums, as well as a selection for Donovan and The Hollies. Now based in Ibiza, Ferris has moved into film producing/directing, as well as record producing, while still shooting special photographic assignments. His upcoming record, entitled The Jimi Hendrix Ibiza Remix, is a mind-blowing fusion of Hendrix classics and electrifying dance beats.

About Morrison Hotel® Gallery

Morrison Hotel®Gallery (MHG) was founded in 2001 by former record company executive Peter Blachley, music retail industry professional Richard Horowitz, and legendary music photographer Henry Diltz. In 2012, author, director and photographer Timothy White joined the team, launching an additional West Coast gallery at The Sunset Marquis Hotel in West Hollywood. The partners just launched a new location at Mick Fleetwood’s General Store in Maui, Hawaii.

MHG is the world’s leading brand in fine art music photography representing over 125 of the world’s finest music photographers and their archives. Their vast catalog of photography encompasses jazz, blues, and rock imagery spanning several generations through to today’s contemporary music artists and now includes iconic photographs in the world of sports as well. MHG has a robust online presence, featuring over 100,000 images searchable by photographer, music artist, band or concert. www.morrisonhotelgallery.com