Voyce Memos an indie group from Houston, Texas released their album Catching Me In Stride on April 19, 2019. With music similar to Tame Impala,Daft Punk, Phoenix, Radiohead and Death Cab For Cutie. The group is compromised of three people, Richard Borger, lead producer/audio engineer originally from Florida and currently working out of his own home studio (Meraki Recordings) in Houston, TX, began working shortly as a solo artist before meeting drummer, Stephen Mokulis, and multi-instrumentalist/producer, Akash Gupta. The group dedicated time primarily after their full-time work days and on weekends, turning casual jam sessions into a basis for songs and eventually recordings what would later become their first album.
Voyce Memos music captures the ideas of human changes and the decisions we make, especially in relationships, love, and self-understanding. Driving funky bass lines and guitar riffs, on top of ethereal vocals and mixed electronic/live drumming, meld into something to which everyone can relate and groove.
“This album, and musical endeavor in general stems from much introspection and self (and non-self) awareness. Sometimes a moment or series of events comes along in life that changes a lot of what you thought to be “true”, like the way things are supposed to be, or how you’re supposed to love, or where you’re supposed to work and live, etc. Opening a music studio, learning how to produce, and deciding to create an album was the result of that moment, and the album title “Catching Me in Stride” was the attempt at catching that type of emotion, especially when it came to relationships. The most exciting thing about it was that there was never a point where we decided to say “let’s stick to this type of music or sound or vocal.” We decided to let whatever came to mind and sound be exactly how it felt, and that lent itself to quite a variety of sounds on the album, while still being very much connected in theme. Us three, having various styles and influences growing up, ended up creating something we feel is quite it’s own. We know where we feel the influence when we hear it, but the end product always sounds unique and fresh. There are moments scattered throughout the album that bring out strong emotions, whether that belonging, confusion, sadness, anger, or understanding, and we believe it finally arrives at acceptance with the crescendo at the very end of the album on “Argentine.” This album has something for everyone in both musical taste and emotional connection and we hope you all enjoy it.”
The track list on the album includes:
3. Hard Knot
4. Better Island
7. Whelmed (Interlude)
8. Catching Me in Stride
9. Lazy Radio
12. Wake With Me
Watch the official Divisions music videohere Check out Voyce Memos website here. Listen to Voyce Memos on Spotify here.
When one of the hottest artist brands in dance music aligns with one of the world’s most beautiful concert venues, you’ve got the recipe for an event that’s truly monumental. This is certainly the case when Pardon My French – a collective of French DJ/producers DJ Snake, Tchami, Malaa and Mercer – join together for the first time since 2016 at the famed Red Rocks Amphitheatre in Morrison, Colorado on April 26.
Red Rocks Amphitheatre is a geological phenomenon – the only naturally-occurring, acoustically perfect amphitheatre in the world. In over 75 years as a performance venue, Red Rocks has hosted some of the most significant artists in music ranging from The Beatles, Jimi Hendrix and The Grateful Dead to Radiohead and Daft Punk, among many others. You’d be hard pressed to find a more idyllic location for a night of the best that French electronic music has to offer.
The April 26 Pardon My French Red Rocks event will be highlighted by full live sets from DJ Snake, Tchami x Malaa and Mercer, custom production and a pristine backdrop that’s simply unlike anything else in the world. Tickets will be available via AXS Presale and AEG Presale from Thursday, January 31 @ 10:00 AM MT and General On-Sale from Friday, February 1 @ 10:00 AM MT. Click here to buy tickets (presale passcode: PMFRRX)
Pardon My French was created in 2015 with the aim of bringing French electronic music artists together to share their their vision and passion for music with the world.
The third day of the BMI Stage at Lollapalooza gets underway with GRAMMY Award-winner Grace Weber, a go-to collaborator of Chance the Rapper and Kanye West. Soul standout DAVIE, who has been praised for embodying the passion and vitality of the genre, hits the stage next, followed by the female fronted rock’n’roll duo BONES (UK) and the infectious beats of fast rising electronic producer Melvv. Introspective alt-pop singer/songwriter morgxn promises to bring his trademark lyrical authenticity to the stage before Australian songstress Vera Blue closes out the day with her blend of folk/pop and moody electronica.
For more information on the BMI Stage, please visit, www.bmi.com/lollapalooza and follow @BMI on Twitter for updates on your favorite acts. To join the conversation, use #BMILolla.
“A talented artist who knows how to move you and your body with soulful grooves and real AF lyrics.” – Okayplayer
GRAMMY Award-winner Grace Weber is a star on the rise. An accomplished singer/songwriter, Weber collaborated with Chance the Rapper and Kanye West, co-writing and singing on “All We Got,” the opening track of Chance’s GRAMMY-winning Coloring Book. Her singles, “More Than Friends” and “Elated,” shot to the top of Spotify’s charts, and her performance at SXSW was compared to a “religious experience” byNylon. Beyond her flourishing success, Weber is the cofounder of The Music Lab, Inc, a non-profit organization that provides free music education, career preparation and performance programs to high-school students in her hometown of Milwaukee.
“There are many types of musicians; some look good, some move good, some are great songwriters, some are great singers. DAVIE is all of these. He has a sound that fits next to the biggest names in contemporary R&B and that can hang comfortably with the giants of the genre’s past, all the way back to his hero, James Brown.” – Ticketmaster Insider
Inspired by the passion of vintage soul and the emotional uplift of gospel, New Jersey native DAVIE cut his musical teeth singing in churches in a traveling gospel band. His vocal prowess led him to Los Angeles, where he found work singing back-up for artists like Chris Brown, Cee-Lo Green and Childish Gambino. But it wasn’t until he went back to the churches of his youth that he found the key to unlock his own path. His debut EP, Black Gospel Vol.1, is filled with both Davie’s fiery spiritual passion and the celebratory energy of contemporary R&B, making the euphoria his songs can generate palpable.
“This is Trent Reznor-level cool. BONES is doing the whole damn thing, middle fingers to the sky and in full control of their work. Rock on.” —NYLON
To hear them explain it, British duo BONES (UK) is “leading the charge of taking rock’n’roll firmly into the 31st century.” Comprised of vocalist Rosie Bones and guitarist Carmen Van Den Berg, the band has already racked up some serious cred to back up their claim. After hearing an early gig by the duo in London’s Camden Town, rock legend Jeff Beck asked Bones and Van Den Berg to collaborate—as both co-writers and players—on his 2016 album Loud Hailer. After gaining a massive following off of singles “Beautiful is Boring” and “Girls Can’t Play Guitar,” it’s easy to see why they have caught the attention and toured with the likes of: Highly Suspect, Band of Skulls, KOOKS, PVRIS, Skunk Anansie and Miyavi.
“[Melvv] has been thrilling listeners with his jazzed-up dance music for years now…continuing to cement his status as a dynamic provocateur.” – Dancing Astronaut
Melvv is the artist project of Milwaukee, WI producer/DJ Jeffrey Melvin. He started producing music at age 12 after being inspired by a video of Daft Punk’s 2007 Paris concert. Melvv is currently signed to Atlantic Records and has a new EP releasing in the fall, which he will be performing at his Lolla Set.
“Morgxn captivated fans with his infectious pop musicality that’s expertly infused with deeply personal, complex yet relatable lyrics. It’s in this honesty, vulnerability, and authenticity that morgxn’s music resonates and connects with his legion of fans.” -Ones to Watch
morgxn, at age 8, became the youngest member of the Nashville Symphony Choir, and at age 9 penned his fist song “I’ll Always Be There for You.” morgxn decamped from Nashville to Los Angeles, in order to find “space to think, breathe, and be with myself.” While at a party he was asked if he wanted to meet Stevie Nicks, who sagely told the young songwriter, “You have to keep moving. This world will walk all over you if you don’t just keep going.” This advice changed morgxn’s life and his career. His debut album inspired by loss, Vital, is filled with cascading synth-scapes and cool beats, celebrating the emotional complexities of the human condition. His breakout single, “Home,” has earned nearly 7 million Spotify streams, and even inspired a partnership with The Covenant House, a charity for young runaways.
“There are many things we can be grateful to Australia for…but topping the list must be new alt-pop queen Vera Blue, who is undoubtably on the path to world domination.” – Paper Magazine
Vera Blue is an Australian singer/songwriter who started off playing acoustic folk music before adding lush, sultry electronic elements to broaden her sound. The results are sometimes gentle, sometimes ferocious and always show-stopping, with her commanding vocals front and center. After some crucial collabs with artists like Illy and Slumberjack, she released her EP Fingertips in 2016, followed by her debut album Perennial the following year. Response to both her recorded work and live shows have been rapturous.
Launched by founder Perry Farrell in 1991 as a touring festival, Lollapalooza remains an innovator in festival culture 27 years later. Lollapalooza was the first festival to bring together artists from a wide range of musical genres on one bill, it was also the first to travel, the first to expand to multiple days, the first to introduce a second stage, the first to blend art and activism, the first to offset its carbon emissions, the first to put electronic dance music artists on the main stage, the first to create family friendly programming, the first to make its home in an urban city center and the first to expand internationally.
Lollapalooza has grown into an annual world-class festival in Chicago (2005), as well as culturally rich countries including Chile, Argentina, Brazil, Germany and France. Lollapalooza is one of the premier destinations both for music fans in the United States and abroad. The festival expanded to four days in 2016 in celebration of 25 years and continues to bring fans four full days of music and over 180 bands on 8 stages. In 2017 Lollapalooza brought in over 245 million dollars in local economic impact and has brought in over 1.2 billion dollars in total locally, since 2010.
Lollapalooza is produced by Perry Farrell, William Morris Endeavor Entertainment, and C3 Presents.
Celebrating over 77 years of service to songwriters, composers, music publishers and businesses, Broadcast Music, Inc.® (BMI®) is a global leader in music rights management, serving as an advocate for the value of music. BMI represents the public performance rights in nearly 13 million musical works created and owned by more than 800,000 songwriters, composers, and music publishers. The Company negotiates music license agreements and distributes the fees it generates as royalties to its affiliated writers and publishers when their songs are performed in public. In 1939, BMI created a groundbreaking open-door policy becoming the only performing rights organization to welcome and represent the creators of blues, jazz, country, and American roots music. Today, the musical compositions in BMI’s repertoire, from chart toppers to perennial favorites, span all genres of music and are consistently among the most-performed hits of the year. For additional information and the latest BMI news, visit bmi.com, follow us on Twitter @BMI or stay connected through Broadcast Music, Inc.‘s Facebook page. Sign up for BMI’s The Weekly™ and receive our e-newsletter every Monday to stay up to date on all things music.
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