Posts tagged with "blue"

Jason Silva Global PR & Brand Marketing for use by 360 Magazine

Reebok × Pump Omni Zone II “90s Rules”

To honor the 30th birthday of Reebok comes one final Pump Omni Zone II drop for the year. The motor-city inspired “90s Rules” color up drops on New Years Eve in adult sizes from Reebok.com, Foot Locker, Finish Line and Champs, amongst other retailers.

The Reebok Pump Omni Zone II “90s Rules” (H01315) retails for $150. The shoe showcases an innovative take on the original high-top design made for Dee Brown in ’91 with pump technology that provides additional support.  The shoe displays a combination of red and blue colors, nodding ‘90s motor city hoops and the “bad” icons that originally wore the shoe.

Steve Aoki × End of the World

Steve Aoki

2x-Grammy-nominated artist Steve Aoki and Multi-Platinum Tokyo-based group End of the World released the brand new self-titled End of the World today Beautifully synchronizing the individual styles of both artists, the single sees End of the World lead singer Fukase’s whispery falsetto smoothly glide over Aoki’s signature electronic groove. The track pulses with positive energy from start to finish, leading with a universal message about tapping into the present. Listen here.

The End of the World’s origin story began with Aoki as a fan of the band, who are known for performing in Japan to stadium-sized audiences upwards of 140K fans. Sooner than later, Aoki reached out, and End of the World was excited to join forces. This intense exchange of energy and emotion between Aoki and Fukase inspired them to hit the studio to work on an original collaboration, which would ultimately become End of the World. During the process, the two finally met this summer in July, when Fukase appeared on stage at one of Aoki’s Las Vegas performances. The song’s refrain “Don’t tell me it’s the end of the world tonight” suggests a longing for the night to keep going and to feel hopeful again, energized by the return to live music and their shared experience being back on stage.

Aoki, who was recently announced as an Asian Hall of Fame inductee for the class of 2021, says of the project, “I’ve been a big fan of End of the World’s music for a while now, so when the opportunity came up to work with them, I was honored. It’s always fun for me to collaborate with Japanese artists given my heritage, and to bring that to the rest of the world. The song we made is special not only in its lyrical content, but in its uplifting melody, and I am so excited for it to be out for everyone to dance and sing along to.

End of the World’s Fukase adds, “As our first ever self-titled work, this song brings me back to the time in my life when I had lost everything that it literally felt like it was the end of the world. Thats how the band’s name came about, to remind all of us that it is never too late to start anything, even from the very end. Lyric-wise, this song sounds a lot like a normal love song, but I also feel like every word is meant for my old self in the past.”

About Steve Aoki

Steve Aoki, the two-time Grammy-nominated producer/DJ is one of today’s most successful American cross-genre artists, collectively counting 2.8 billion music streams on Spotify. As the founder of the trendsetting record label, events/lifestyle company, and apparel line Dim Mak Records, which he founded in 1996, Aoki has helped launch the careers of global acts like The Chainsmokers, Bloc Party, The Bloody Beetroots, The Gossip, and The Kills, among many others. Dim Mak today counts more than 1,000 official releases from the biggest acts and most buzzing newcomers across EDM, indie rock, hip-hop and beyond over its two-decades-plus discography. As a solo artist, Aoki boasts a lauded discography that includes: Wonderland (2012), his debut solo album, which garnered him his first-ever Grammy nomination for Best Dance/Electronica Album; hip-hop centric Kolony (2017), and the Neon Future series, which includes Neon Future I (2014, certified gold by the RIAA), Neon Future II (2015), Neon Future III (2018) and the recently released Neon Future IV (April 2020); which has rocketed in streaming to date and received praise from singles such as Maldad; ft. Maluma and Let It Be Me, ft. Backstreet Boys. Recognized by Forbes as one of the top 5 world’s highest paid DJ’s and the world’s hardest working DJ, Aoki is “one of the most in-demand entertainers in the world” (Billboard), counting more than 250 tour dates per year. In 2012, Aoki founded The Aoki Foundation, which primarily supports organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation, more information HERE. Most recently, Steve Aoki released his critically acclaimed memoir entitled, “Blue: The Color of Noise” published by St. Martin’s Press.

About End of the World

Since their debut in Japan, End of the World composed of 4 childhood friends Fukase, Nakajin, Saori and D.J. Love have swept the Japanese music scene as Sekai No Owari quickly gained momentum, touring sold-out arenas and stadiums all over Asia. In keeping with the ambition and desire to share music with a global audience, End of the World is completely reinvented as the band’s new moniker to take an innovative approach with their music. Their single Lost featuring Clean Bandit was play-listed on BBC Radio2 gaining 30M+ streams worldwide. After many years of making, End of the World released a debut album Chameleon reflecting the journey as End of the Word.

Steve Aoki Wikipedia HERE

360 Magazine Golden Cat Issue HERE.

Memorial Day illustration by Heather Skovlund for 360 Magazine

The Meaning Behind Memorial Day

THE MEANING BEHIND MEMORIAL DAY

By: Heather Skovlund-Reibsamen

“How important it is for us to recognize and celebrate our heroes and she-roes.” – Maya Angelou

Memorial Day, once referred to as Decoration Day, is an American holiday in the United States that honors military personnel along as well as mourn those that we have lost along the way. Decoration Day was for decorating graves with flowers, wreaths, and flags. Memorial Day is formerly observed on the last Monday of May each year. It is a solemn day, but it is also important to reflect upon, appreciate and be thankful for the freedom that we all get to enjoy every day in the United States of America.

Many gather with friends and family for barbeques and celebrating the beginning of summer while others visit cemeteries and memorials to remember their loved ones lost. Each year a national moment of remembrance takes place at 3:00 p.m. local time on Memorial Day. It is important to remember that we are not celebrating the wars, instead we are remembering those who served and those who gave their last breath in order to ensure that the freedoms of our country would be passed on to the next generations. We remember for the price they paid for the cost of our freedom – their lives given so ours could go on.

Memorial Day was originated after the American Civil War, where the United States faced the task of burying and honoring 600,000 to 800,000 Union and Confederate soldiers who died in the bloodiest military conflict in American history. The first commemoration of Memorial Day was held in Arlington National Cemetery on May 30, 1868. On this day, both Union and Confederate soldiers were laid to rest. Over the years, cities across the United States host Memorial Day parades that involve military personnel and members of veterans’ organizations. Americans sometimes wear a red poppy in remembrance of their loved ones, which is a tradition that was born from a World War 1 poem.  

In Flanders Fields” by John McCrae

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Memorial Day has a different meaning behind it for every American. Here at 360 Magazine, we were able to get a few opinions from veterans in the United States.

  • Kyle Skovlund: United States Air Force – Memorial Day has a different meaning for me. Growing up, my parents would travel to Brookings, South Dakota each year to put flowers on the graves of those they had lost. When my own daughter passed away, I began doing the same thing. Memorial Day, for me, is a day to reflect on those that have been lost.
  • Michael Miller: United States Air Force – Memorial Day means remembering and celebrating. Remembering the great men and women that gave their life for our great nation and celebrating the freedoms their sacrifices have given us.
  • J.M. Skovlund: United States Army  – “Memorial Day means exactly what it was intended for, to remember and honor our fallen. They went above and beyond for our country, for the soldier on their left and right, and that’s something not everyone can say.” “Go out and remember the fallen the way you see fit. Don’t worry about what everyone else is doing. If it’s having a drink in their honor, do that. If it’s going to their grave to chat, do that. Either way, remember the fallen the best way you can, don’t disgrace them.”

Emporium Arcade Bar x Las Vegas

Emporium Arcade Bar Las Vegas, the lively new bar known for its classic arcade games and colorful artistic ambiance, introduces Yoshi’s Island, a brand-new boozy slushie. Offering a refreshing mix of Ketel One Vodka, Clement Mahina Coconut Rum, Red Bull Tropical and pineapple, Yoshi’s Island provides the perfect seasonal refreshment served inside AREA15 this summer. More slushie cocktails will be added to Emporium’s summer menu soon.

Emporium Arcade Bar is open for guests 21 years of age or older Monday through Thursday from 4 p.m. to 12 a.m., Friday from 4 p.m. to 2 a.m., Saturday from 12 p.m. to 2 a.m. and Sunday from 12 p.m. to 12 a.m. Emporium Arcade Bar is free to enter but guests must reserve a general admission ticket to AREA15 at AREA15.com.

Yoshi's Island Boozy Slushy photo x Emporium Arcade Bar Las Vegas for use by 360 Magazine

Yoshi’s Island Boozy Slushy

Desenio and BLUE "Clean Sea" image by Desenio for use by 360 Magazine

Desenio × BLUE – Clean Sea

Desenio is partnered with Blue Marine Foundation (BLUE) in its mission to protect the oceans. In support of BLUE and its cause, Desenio continues to celebrate the beauty of our oceans through newly launched art prints. With Clean Sea, our newest collection of art prints, we want to help BLUE draw attention to the crisis in the oceans and support a solution that preserves life and beauty beneath the surface of the ocean.

 

The threats facing our oceans are not new. They have existed for a long time, and are escalating quickly. 90% of wild fish stocks are now overfished or fully exploited, wreaking havoc on marine ecology. When one fish species is overfished, the chain reaction is immense.

BLUE as a charity makes a difference by securing marine protected areas, developing models of sustainable fishing, restoring marine habitats, tackling unsustainable fishing and connecting people with the sea. These activities won’t only heal the ocean, they will change our future.

 

CLEAN SEA

 

Clean Sea is all about celebrating the beauty of our oceans, both above and below the surface. Slow down and bring in the peaceful clarity of seaside living to your home through shades of blue and beautiful ocean art prints.

“We wanted to create a direction of art prints highlighting being present with the ocean both above and under the surface. For this direction, we’re proud to be working in collaboration with Blue Marine Foundation to highlight their efforts to protect our oceans,”says Annica Wallin, Executive Creative Director at Desenio.

Desenio and BLUE "Clean Sea" image via Desenio for use by 360 Magazine

Photo by @earthquakemgmt

Q&A With Devault & BabyJake

Devault & BabyJake Release Double-Sided Singles ‘Tell Me’ & ‘Blue’.
Electronic deejay & producer Devault and rising star BabyJake have teamed together for double-sided dance singles titled ‘Blue’ & ‘Tell Me’ that are set to be released at midnight. The singles come fresh off a powerful year for both artists, as each released EP’s and collaborative singles in their respective fields. While Devault released a string of audio/visual experiences, most notably RUBY, and collaborations with Manila Killa and Griff Clawson, BabyJake teamed up with Dillon Francis for a small dance EP and debuted his first solo EP project ‘Don’t Give Me Problems, Give Me Wine.’
360 Magazine asked DEVAULT and BABY JAKE, who are also good friends, some questions about their collaboration.

Q&A WITH DEEJAY & PRODUCER DEVAULT AND MUSIC ARTIST BABY JAKE

How did you both get started in music? And when did you first meet?
Devault: I initially started DJ’ing around 12 years old when my older brother randomly brought home a small turntable set and I immediately fell in love. As the years went on and when I was around 18 years old, I decided to start producing, essentially with the mentality of making music that I couldn’t find in my library of current music. Making something exciting; and now we’re here. I first met Jake a few years ago through a mutual friend when he was visiting LA for one of the first times. He ended up crashing at my house for a period of time and we immediately connected.
BabyJake: I first started taking music seriously after I dropped out of college in 2016, but I’ve been flirting with it since I was 8 years old when I picked up a guitar for the first time. Sage (Devault) & I originally met through a mutual friend, Austin Tompkins, when I first arrived in LA. I ended up sleeping on Sage’s couch for 3 weeks, maybe longer, and we’ve been friends ever since.

How would you describe your friendship and the dynamic between you two, did you always had the plan to one day work together and make a song?
Devault: I think we have mutual respect for each other, as when we met we were both figuring out our own paths in the music scene. I think we’ve both evolved greatly as musicians and as people. We always had the desire to make music together, but couldn’t find the right timing. Luckily, covid was almost a blessing in disguise as it allowed us to jam together for a few days with no pressure and these songs came out of it.
BabyJake: Yeah for sure. We always wanted to do something together, we just needed to wait for a good time to do it. I’m sure we’ll make much more music together as well, I practically see Sage every other day.

Which music artists inspired you? Where did you find inspiration for the two songs ‘Tell Me’ and ‘Blue’?
Devault: Depeche Mode, Daft Punk, and Jamie XX are some of my biggest inspirations. Music that is immediately recognizable to them and them only and that has become a mantra of mine. For our songs, we wanted to just have fun really, get out of our comfort zone and just make genuine dance records, while still retaining our styles.
BabyJake: Honestly there are too many artists to count that inspire me. That being said, I think the inspiration for these songs was less about who we wanted it to sound like & more about what feeling we wanted to establish to the audience. Whatever that feeling is, I’d say we captured it.

What three words would you use to describe your sound?
Devault: Moody, Emotive, & Ethereal
BabyJake: Not sure what 3 words I’d use to describe the records… I’d say everything that comes from Devault is somewhat emotional & deep.

A lot has happened in the last two years for both of you. Baby Jake, you released your first EP and Devault, you did remixes for Rihanna & Maroon 5. What was your personal highlight?
Devault: My personal highlight was releasing my first EP ‘Stay’ in 2018. This felt like it was finally a moment to identify me as not just an electronic artist, but as a genuine musician who can paint an entire world.
BabyJake: My personal highlight was a deep album cut named “Anywhere.” Even though it didn’t do crazy numbers, the production & experience of recording a completely live song with a choir, organ, drums… you name it… was incredible. That was definitely a high I hadn’t experienced before.

What is the thing you missed most during lockdown?
Devault: Missing live shows dearly.
BabyJake: Live shows. I was supposed to be on tour so that’s a real bummer.

What other artists do you want to collaborate with in the future?
Devault: A dream would be working with Toro y Moi or Blood Orange.
BabyJake: Definitely want to keep working with Sage, also wouldn’t mind doing some more electronic features with some other talented producers. This is a hard question for me because I feel like collaborations just kind of happen with friends and/or artists you are close with. I never really force it or think about it, it just happens.

Finally, what’s next?
Devault: Next is my second vocal EP, it’s nearly done and looking to get it out at the beginning of next year. Very excited about it.
BabyJake: An album. Finally.
Their double-sided single ‘Tell Me’ and ‘Blue’ will be released tonight at midnight!!! You can download on all digital platforms and follow them on Instagram,@itsbabjake and @devaultmusic.

Photo of Devault and BabyJake by earthquakemgmt

Marchesa Donates Crazy Rich Asians Gown

Marchesa Donates Crazy Rich Asians Gown to the Smithsonian at Los Angeles Event

Dress Joins Collections in the National Museum of American History

Marchesa is donating the iconic blue dress that played an integral role in the Warner Bros. Pictures film Crazy Rich Asians to the National Museum of American History. The dress will be presented May 18 during “The Party: A Smithsonian Celebration of Asian Pacific Americans,” a Los Angeles event hosted by the Smithsonian’s Asian Pacific American Center at City Market Social House. “The Party” will celebrate and recognize the many contributions of Asian Pacific Americans to history and culture across industries, including music, film, sports and culinary arts. Tickets are available at Smithsonianapa.org.

This blue gown is part of a pivotal moment in the film’s plot in which Rachel Chu, played by actress Constance Wu, attends a high-profile wedding in defiance of her boyfriend’s disapproving mother Eleanor Young, played by Michelle Yeoh. The gown is a floor-length Grecian-style dress made of light blue tulle with floral applique, a deep V-neck and a cinched waist. The original version of the dress designed by Marchesa for its fall 2016 collection featured long sleeves, but they were temporarily removed by the film’s production for aesthetic purposes. The museum will receive the altered sleeveless version that appeared in the film.

“The film’s use of fashion is not merely decorative or secondary,” said Theodore S. Gonzalves, curator in the Division of Culture and Community Life at the National Museum of American History. “The cast’s clothing plays a crucial role in marking social class among its characters—from multi-generational moneyed elites of Peranakan (Straits-born Chinese immigrants), to the nouveau riche strivers of Singapore, to working class Chinese immigrants in the United States and their Asian American model minority progeny.”

Crazy Rich Asians is notable for having a mostly East Asian cast, the first Hollywood film to do so since The Joy Luck Club in 1993. The Warner Bros. film grossed $238 million worldwide, making it the highest-grossing romantic comedy in a decade. The Crazy Rich Asians Marchesa gown joins a rich collection of museum artifacts with origins in film and entertainment such as Dorothy’s Ruby Slippers from The Wizard of Oz, Batman’s cowl from Batman and Robin and a handmaid’s costume from The Handmaid’s Tale TV show. The museum’s Archives Center also has a number of other theatrical scripts, video and audiotapes in its Luther Davis Collection.

“Representation of Asian Pacific Americans in film and media is critical to the visibility of a community who has made many contributions to the arts,” said Lisa Sasaki, director of the Smithsonian Asian Pacific American Center. “By collecting the film’s iconic dress, the Smithsonian is better able to present these contributions to the world.”

Marchesa is an American brand specializing in women’s wear based in New York City. Georgina Chapman and Keren Craig established it in 2004.

From its establishment in 1997 as an initiative critical to the mission of the Smithsonian until today, the vision for the Smithsonian Asian Pacific American Center has been to enrich the American story with the voices of Asian Pacific Americans. Asian Pacific America is the story of a vibrant, diverse and resilient set of communities that have been part of the American experience for more than 200 years. The center believes that people’s understanding of America and America’s standing in the world is richer, more compelling and more powerful when it includes the Asian Pacific American story. “The Party” also marks the launch of the Smithsonian Asian Pacific American Keystone Initiative, which is designed to rally support for the first permanent Asian Pacific American Gallery within the Smithsonian. The Smithsonian Asian Pacific American Center serves as a dynamic national resource for discovering why the Asian Pacific American experience matters every day, everywhere and all of the time.

Through incomparable collections, rigorous research and dynamic public outreach, the National Museum of American History explores the infinite richness and complexity of American history. It helps people understand the past in order to make sense of the present and shape a more informed future. The museum is located on Constitution Avenue N.W., between 12th and 14th streets, and is open daily from 10 a.m. to 5:30 p.m. (closed Dec. 25). Admission is free. For more information, visit http://americanhistory.si.edu. For Smithsonian information, the public may call (202) 633-1000.

Jonas Blue Video for “Wild”

JONAS BLUE EMBRACES LATIN SPIRIT IN VIDEO FOR NEW SINGLE, “WILD”

FEATURING CHELCEE GRIMES, TINI, AND JAY CORTEZ

“Wild” Taken From Jonas Blue’s Debut Album, Blue, Out Now On Astralwerks

Watch Video Here

Following the recent release of his video for “Desperate” featuring Nina Nesbitt, unstoppable hit-maker Jonas Blue has now unveiled the sun-soaked video for the release of his fresh anthem ”Wild.”

Taken from his debut album Blue, the melodic hit was directed by creative mastermind Daniel Carberry and sees Jonas embrace Latin American culture alongside Puerto Rican rapper Jhay Cortez, (best known for his J.Balvin collaboration “Estan Pa Mi”), Argentine actress and singer TINI, and UK songwriter Chelcee Grimes (responsible for several huge hits from the likes of Dua Lipa, Kylie Minogue and Olly Murs). “Wild” sees all four artists unite during the video amid a vibrant flurry of bold colors on a warm afternoon in the peak of summer.

Enjoying another truly stellar year in 2018, Jonas Blue launched his own record label Blue Future, releasing a flurry of huge hits from his debut album Blue, including Liam Payne and Lennon Stella collaboration “Polaroid.” With Jonas also racking up the sound of the summer on Jack & Jack collaboration “Rise” the anthem – which has amassed almost 1 billion global streams – has also been nominated for Best Video at the 2019 BRIT Awards.

Amassing 5 BRIT nominations in his career so far, Jonas has also accrued over 6 billion streams worldwide and 35 million single sales. Cementing his reputation as a true worldwide superstar, the latin-inspired video for Jonas Blue’s latest single, “Wild” is out now!

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Pirelli 2019 Tire Range Presentation for Formula 1

Next year, there will be just three P Zero colors at each race. These will always be the same – white, yellow and red – denoting the hard, medium and soft tire choices respectively at every Grand Prix. But that doesn’t mean that there will be only three tire compounds.

Instead, the hard, medium and soft tire compounds will continue to vary to suit the different characteristics of each track. For instance, a Red soft tire for Monaco will differ substantially from a Red soft tire for Silverstone or Suzuka. The precise number of tire compounds available, covering a wide spectrum from soft to hard, will be communicated in December after homologation from the FIA. Before every race next year, Pirelli will reveal which exact tire compounds form the hard, medium and soft choices for the weekend. This new system makes it easy for the casual fan to tell the difference between the tires, yet still allows people who want more detail to know which of the specific tire compounds available are being used.

The colors for the Cinturato intermediate tire and full wet tires remain unchanged next year – green and blue respectively. Mario Isola, Pirelli’s Head of Car Racing – “We’ve been talking about this with the Teams, FIA and Formula 1 for a while. The idea behind the change is to make all the tires more easily recognizable and explainable – especially for television – while still clearly denoting which specific tire compounds are being used at each race”.

Dedacs

“Set your own Paradigm.”

Our new collection entitled, “D#D@C$,” exudes authenticity and edge. This delivery will showcase what dedacs represents – uniqueness in style and fashion.
Available in yellow, blue and pink.