Posts tagged with "indie rock"

Steve Aoki – End of the World

Steve Aoki

2x-Grammy-nominated artist Steve Aoki and Multi-Platinum Tokyo-based group End of the World released the brand new self-titled End of the World today Beautifully synchronizing the individual styles of both artists, the single sees End of the World lead singer Fukase’s whispery falsetto smoothly glide over Aoki’s signature electronic groove. The track pulses with positive energy from start to finish, leading with a universal message about tapping into the present. Listen here.

The End of the World’s origin story began with Aoki as a fan of the band, who are known for performing in Japan to stadium-sized audiences upwards of 140K fans. Sooner than later, Aoki reached out, and End of the World was excited to join forces. This intense exchange of energy and emotion between Aoki and Fukase inspired them to hit the studio to work on an original collaboration, which would ultimately become End of the World. During the process, the two finally met this summer in July, when Fukase appeared on stage at one of Aoki’s Las Vegas performances. The song’s refrain “Don’t tell me it’s the end of the world tonight” suggests a longing for the night to keep going and to feel hopeful again, energized by the return to live music and their shared experience being back on stage.

Aoki, who was recently announced as an Asian Hall of Fame inductee for the class of 2021, says of the project, “I’ve been a big fan of End of the World’s music for a while now, so when the opportunity came up to work with them, I was honored. It’s always fun for me to collaborate with Japanese artists given my heritage, and to bring that to the rest of the world. The song we made is special not only in its lyrical content, but in its uplifting melody, and I am so excited for it to be out for everyone to dance and sing along to.

End of the World’s Fukase adds, “As our first ever self-titled work, this song brings me back to the time in my life when I had lost everything that it literally felt like it was the end of the world. Thats how the band’s name came about, to remind all of us that it is never too late to start anything, even from the very end. Lyric-wise, this song sounds a lot like a normal love song, but I also feel like every word is meant for my old self in the past.”

About Steve Aoki

Steve Aoki, the two-time Grammy-nominated producer/DJ is one of today’s most successful American cross-genre artists, collectively counting 2.8 billion music streams on Spotify. As the founder of the trendsetting record label, events/lifestyle company, and apparel line Dim Mak Records, which he founded in 1996, Aoki has helped launch the careers of global acts like The Chainsmokers, Bloc Party, The Bloody Beetroots, The Gossip, and The Kills, among many others. Dim Mak today counts more than 1,000 official releases from the biggest acts and most buzzing newcomers across EDM, indie rock, hip-hop and beyond over its two-decades-plus discography. As a solo artist, Aoki boasts a lauded discography that includes: Wonderland (2012), his debut solo album, which garnered him his first-ever Grammy nomination for Best Dance/Electronica Album; hip-hop centric Kolony (2017), and the Neon Future series, which includes Neon Future I (2014, certified gold by the RIAA), Neon Future II (2015), Neon Future III (2018) and the recently released Neon Future IV (April 2020); which has rocketed in streaming to date and received praise from singles such as Maldad; ft. Maluma and Let It Be Me, ft. Backstreet Boys. Recognized by Forbes as one of the top 5 world’s highest paid DJ’s and the world’s hardest working DJ, Aoki is “one of the most in-demand entertainers in the world” (Billboard), counting more than 250 tour dates per year. In 2012, Aoki founded The Aoki Foundation, which primarily supports organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation, more information HERE. Most recently, Steve Aoki released his critically acclaimed memoir entitled, “Blue: The Color of Noise” published by St. Martin’s Press.

About End of the World

Since their debut in Japan, End of the World composed of 4 childhood friends Fukase, Nakajin, Saori and D.J. Love have swept the Japanese music scene as Sekai No Owari quickly gained momentum, touring sold-out arenas and stadiums all over Asia. In keeping with the ambition and desire to share music with a global audience, End of the World is completely reinvented as the band’s new moniker to take an innovative approach with their music. Their single Lost featuring Clean Bandit was play-listed on BBC Radio2 gaining 30M+ streams worldwide. After many years of making, End of the World released a debut album Chameleon reflecting the journey as End of the Word.

Steve Aoki Wikipedia HERE

360 Magazine Golden Cat Issue HERE.

by Dirty Hit for use by 360 Magazine

OSCAR LANG – 21ST CENTURY HOBBY

Oscar Lang Shares Video For 21st Century Hobby, debut album Chew The Scenery Out August 13 on Dirty Hit

“Oscar Lang’s lo-fi pop tunes will worm their way into your brain and take up residence for the foreseeable future” – The Fader

“Much-needed sonic sunshine” – Notion

“Oscar Lang is the nonchalant guitar nerd about to conduct a quiet coup of bedroom pop” – The Line of Best Fit

“Oscar Lang may just be the sound of the summer we are all hoping to have” – Clash

“Ethereal sunshine pop” – The Guardian

Fast-rising London based artist and multi-instrumentalist Oscar Lang has released the video for his latest single, 21st Century Hobby, off his debut album Chew The Sceneryout August 13 on Dirty Hit. The video sees Lang surrounded by a mirage of the elements and advertisements that inundate you on social media and the toxic effects it creates. 21st Century Hobby is currently featured on a variety of top playlists including Spotify’s All New Indie, The Indie List, and Today’s Indie Rock as well as Apple Music’s New Music Daily and New In Alternative.

21st Century Hobby is a tune based on the idea of society’s obsession with sharing your life online and comparing yourself to other people,” Lang shares. “There was one point where I was spending 13 hours a week on social media, which equated to about a month every year. That was a really dark time for me – I always thought that it would never affect me, but it took some time to realize that it was subconsciously affecting my mental health.”

21st Century Hobby joins Stuck, which was written to capture the emotions and complicated feelings that are often attached to the embarrassing situations we replay in our minds, and Are You Happy?, written about a friend having a really hard timein building on the cohesive blueprint of Lang’s debut album. Chew The Scenery is his most ambitious release to date, which spans topics such as growing pains, love, romance, friendships and the pitfalls of social media on our collective mental health.

All three singles demonstrate Lang’s versatility and growth as a songwriter, highlighting Chew The Scenery’s scuzzy indie rock dynamics, psychedelic flourishes, and orchestral grandiosity. “Over the past two years the sound of my music has changed a lot, from bedroom pop to rock” Lang explains. “We recorded the album over a month up in Liverpool. It was a nice break away from the tedious lockdown in the UK as I got to spend a month away with my mates doing what I love. I think you can hear that built-up boredom being released on the record.

Chew The Scenery furthers Lang’s rise following a momentous 2020 for Lang which yielded the release of three EPs, Antidote to Being BoredHand Over Your Head and Overthunk. Lang’s Apple Juice has been featured in EA Sports game FIFA 2021 while She Likes Another Boy has found an audience on TikTok – the platform where coffee, the track Lang produced for beabadoobee, has found viral legs in Powfu’s death bed (coffee for your head), which has collected over 998 million streams on Spotify alone. Along the way, Lang has also gathered praise from SPINOnes To Watch, All Things Go, BBC Radio 1’s Jack Saunders, Annie Mac, and Huw Stephens, The FADERThe Line Of Best Fit, NME, CLASH, The Guardian, The Sunday Times and others.

Oscar Lang Chew The Scenery 

  1. Our Feature Presentation
  2. 21st Century Hobby
  3. I Could Swear
  4. Stuck
  5. Yeah!
  6. Headphones
  7. Write Me A Letter
  8. Intermission
  9. Are You Happy
  10. Quarter Past Nine
  11. Take Time Out
  12. Final Call
  13. Thank You

Available for preorder NOW.

KDAP via Colin Medley for The Oriel Company for use by 360 Magazine

K.D.A.P. – Influences

You may know Kevin Drew as the leader of Toronto indie-rock ensemble Broken Social Scene but let’s imagine that he wasn’t. Instead, let’s imagine that the young man who spent his early 20s obsessing over Brian Eno’s ambient works, Morricone soundtracks, Chicago post-rock and the early Warp Records catalogue never left the basement, never met his future BSS partner Brendan Canning in 1999 and never discovered a wider community of musicians. Now take that kid, time-travel him to 2021, hand him a smartphone with a DIY beat-making app, and drop him in a forest somewhere in the south of England. The result would sound something like Influences.

The album is different from his previous works in that it’s more of an abstract electronic music album. Kevin shared the video for the album’s opening track, “The Slinfold Loop”. On the track he says: “We live in a society that’s based on selling yourself back to yourself. It’s created an underground battle to constantly be searching for ‘true identity’. We wanted to create a video presentation that promotes exploring over searching and brings the mystical slide-show of never-ending opinion to the forefront of this battle. We used available footage from the World Wide Web from other artists and cut together a blender of images to tell a love story about continuing to move forward amongst the never ending information of how one is supposed to live.”

Yes, like many records you’ll hear this year, Influences was a product of the pandemic. But it doesn’t so much capture the sound of lockdown as it does liberation, music unbound from the laws of traditional song structure and the crowd-pleasing pressures of fronting a popular rock band. The truth is, Kevin had been itching to make a record like this well before the world stopped turning in March 2020. After his two decades of playing with Broken Social Scene left him with a chronic back injury and a dearth of fresh songwriting inspiration, he longed for both a physical and aesthetic retreat, and to reconnect with the therapeutic powers of instrumental music that he first experienced as a teenager. The pandemic simply provided him with the time and space to finally make it happen, as he spent the summer of 2020 riding out COVID’s first wave in the London area. 

But while the aptly-named Influences marks a return to the early inspirations that first prompted Kevin to make music some 25 years ago, it expresses those old impulses through an entirely new language, and exercises them in a completely different environment. This isn’t a basement record; it’s an outdoor record, written in real time during long walks through the woods of Slinford and along the canals of Islington on the smartphone production software Endlesss. For Kevin, this app wasn’t some mere time-killing toy, but a tool that completely transformed his approach to making music, its simple interface presenting him with infinite new possibilities and reigniting a childlike sense of experimentation. Instead of jamming with musicians, he was now interacting with his natural environment, intuitively switching up his beats and arrangements in response to changes in environmental stimuli, be it the discovery of a new vista or a cyclist whipping by and nearly killing him. The easy-flowing, artistically freeing nature of the music’s creation is reflected in the alias Kevin eventually adopted for the project KDAP, a.k.a., Kevin Drew a Picture and by the time he returned to Toronto following his UK retreat, he had accumulated nearly 45 song sketches. 

Influences is positively pulsating with life, a kaleidoscopic constellation of strobe-lit electronics, rippling rhythms, and gleaming digital melodies that tap into a very 2021 feeling of existence.

Inhaler "It Wont Always Be Like This" album image. Photo Credit: Dan Kenny. Via Hillary Siskind at UMusic for use by 360 Magazine

Inhaler – It Won’t Always Be Like This

Inhaler released their new single “It Won’t Always Be Like This.”The song was featured as Annie Mac’s Hottest Record In The World on Radio 1 alongside a video directed by James Slater. Watch the video for “It Won’t Always Be Like This” HERE

Sharing its name with the band’s debut album, “It Won’t Always Be Like This” is a re-recorded version of an early single that the Irish rock quartet wrote years ago. The world is a different place to when singer and guitarist Eli Hewson, bassist Robert Keating, guitarist Josh Jenkinson and drummer Ryan McMahon formed the band as teenagers in Dublin seeking to emulate the big-thinking, big-chorused indie-rock bands they worshipped with some uplifting anthems of their own.

A run of euphoric singles had helped Inhaler gather thrilling momentum by the time the world went into lockdown in March 2020. Over the next year, as they crafted and honed their debut album–writing sessions over Zoom, quarantine conditions in the studio, no pubs open to reflect on a hard day’s tracking–it was the words of their early single that they kept coming back to: “It won’t always be like this.” Six words to hang on to. That sense of remaining hopeful, of pulling through hard times, seeing a light at the end of the tunnel, is the thread that ties this mesmeric collection of songs together. “There’s a sense of optimism on this album and the song ‘It Won’t Always Be Like This’ is the main catalyst for that,” says Hewson. “We kept coming back to that title.”

When the future looked uncertain, Inhaler kept the faith. It Won’t Always Be Like This is a coming-of-age record, an album about adolescence, love, getting lost and finding yourself again. It closes one chapter of the band’s life and opens another.

Inhaler will play an 18-date tour of the UK & Ireland later this year before heading to the states for their March 2022 North American headline tour. The dates in September, October and December include brand new UK tour dates alongside the band’s rescheduled tour of Ireland. Click HERE for a complete list of UK and Ireland tour dates.

Inhaler formed while still at school in Dublin, bonding over a love of Joy Division, The Stone Roses, Kings Of Leon, The Strokes, Interpol, The Cure and more. A string of captivating singles and their fevered live show have earned them a diehard fanbase. The band were originally meant to begin recording It Won’t Always Be Like This in March 2020 but their plans were derailed by lockdown. Instead of moping, they used the period as a time to rethink and reimagine what their debut album could be.

INHALER RELEASE DEBUT ALBUM IT WON’T ALWAYS BE LIKE THIS TODAY

DUBLIN QUARTET ANNOUNCE SELECT U.S. DATES FOR FALL 2021 

North American Tour Set For March 2022

Inhaler released their highly-anticipated debut album It Won’t Always Be Like This todayJuly 9, on Interscope Records.  Singer and guitarist Elijah Hewson, bassist Robert Keating, guitarist Josh Jenkinson and drummer Ryan McMahon have made a record that captures their evolution from exciting upstarts to refined songsmiths. It takes in a dazzling array of sonic textures, where huge, hooky choruses perfectly meld with intricate, dynamic instrumentation. It Won’t Always Be Like This is available now HERE.

The Dublin based quartet announce they will be coming to the states this fall for four intimate club dates – Nashville, Chicago, New York and Los Angeles. Tickets go on sale Saturday, July 10 at 10am PT. These dates are a preview to the band’s full length North American tour which is set for March 2022. See below for a complete list of dates. Visit HERE to purchase tickets

A Covid-enforced delay encouraged the four-piece to find new levels as a band, opening up both their sound and their lyrical themes. Songs about meeting girls turned into reflections on society and how to get through tough periods. “We started writing this when we were teenagers and now we’re adults,” says Keating. “I wanted the songs to feel positive,” adds Hewson. “Because… it won’t always be like this.”

The album shares its title with one of the group’s early singles – a storming, exhilarating singalong of the sort that has become their calling card. But its meaning has changed for the band over the past year, becoming something more hopeful in uncertain times. “There’s a sense of optimism on this album and the song “It Won’t Always Be Like This” is the main catalyst for that,” says Hewson. “We kept coming back to that title.”

Recorded with long-term collaborator and producer Antony Genn at London’s Narcissus Studios, it’s a coming-of-age record about losing yourself and finding yourself again, trying to make sense of the world when the world doesn’t make much sense. It charts a path of sonic exploration, from the sweeping urgency of the title track and “My Honest Face” to the lush synth-pop of “Slide Out The Window” to the lithe, space-y grooves of “A Night On The Floor.” It is a debut of depth and color.

Inhaler will play an 18-date tour of the UK & Ireland later this year before heading to the states for their March 2022 North American headline tour. The dates in September, October and December include brand new UK tour dates alongside the band’s rescheduled tour of Ireland. Click HERE for a complete list of UK and Ireland tour dates.

See below for a complete list of 2021/22 North American tour dates:

2021
Sept. 12 – Nashville,    High Watt at @mercylounge
Sept. 13 – Chicago, IL   Schubas
Sept. 16 – New York, NY   Mercury Lounge
Sept.  20 – Los Angeles, CA  Troubadour

2022
March 4 – Atlanta, GA  Terminal West
March 5 – Nashville, TN  The Basement East
March 7 – Washington DC  9:30 Club
March 8 – Philadelphia, PA Theatre Of Living Arts
March 10 – New York, NY  Irving Plaza
March 11 – Brooklyn, NY Warsaw
March 12 – Boston, MA  Royale
March 14 – Toronto, ON Phoenix Concert Theatre
March 15 – Detroit, MI  St Andrews Hall
March 17 – Chicago, IL   House Of Blues
March 18 – Milwaukee, WI Rave II
March 19 – Minneapolis, MN First Avenue
March 21 – Denver, CO  Summit Music Hall
March 22 – Salt Lake City, UT  The Depot
March 24 – Vancouver, BC The Commodore Ballroom
March 25 – Seattle, WA  The Showbox
March 26 – Portland, OR Wonder Ballroom
March 28 – San Francisco, CA The Fillmore
March 29 – San Diego, CA The Observatory North Park
March 31 – Los Angeles, CA The Belasco

INHALER RELEASE DEBUT ALBUM IT WON’T ALWAYS BE LIKE THIS TODAY

DUBLIN QUARTET ANNOUNCE SELECT U.S. DATES FOR FALL 2021 

North American Tour Set For March 2022

Inhaler released their highly-anticipated debut album It Won’t Always Be Like This todayJuly 9, on Interscope Records.  Singer and guitarist Elijah Hewson, bassist Robert Keating, guitarist Josh Jenkinson and drummer Ryan McMahon have made a record that captures their evolution from exciting upstarts to refined songsmiths. It takes in a dazzling array of sonic textures, where huge, hooky choruses perfectly meld with intricate, dynamic instrumentation.  It Won’t Always Be Like This is available now HERE.

The Dublin based quartet announce they will be coming to the states this fall for four intimate club dates – Nashville, Chicago, New York and Los Angeles. Tickets go on sale Saturday, July 10 at 10am PT. These dates are a preview to the band’s full length North American tour which is set for March 2022. See below for a complete list of dates. Visit HERE to purchase tickets

A Covid-enforced delay encouraged the four-piece to find new levels as a band, opening up both their sound and their lyrical themes. Songs about meeting girls turned into reflections on society and how to get through tough periods. “We started writing this when we were teenagers and now we’re adults,” says Keating. “I wanted the songs to feel positive,” adds Hewson. “Because… it won’t always be like this.”

The album shares its title with one of the group’s early singles – a storming, exhilarating singalong of the sort that has become their calling card. But its meaning has changed for the band over the past year, becoming something more hopeful in uncertain times. “There’s a sense of optimism on this album and the song “It Won’t Always Be Like This” is the main catalyst for that,” says Hewson. “We kept coming back to that title.”

Recorded with long-term collaborator and producer Antony Genn at London’s Narcissus Studios, it’s a coming-of-age record about losing yourself and finding yourself again, trying to make sense of the world when the world doesn’t make much sense. It charts a path of sonic exploration, from the sweeping urgency of the title track and “My Honest Face” to the lush synth-pop of “Slide Out The Window” to the lithe, space-y grooves of “A Night On The Floor.” It is a debut of depth and color.

Inhaler will play an 18-date tour of the UK & Ireland later this year before heading to the states for their March 2022 North American headline tour. The dates in September, October and December include brand new UK tour dates alongside the band’s rescheduled tour of Ireland. Click HERE for a complete list of UK and Ireland tour dates.

See below for a complete list of 2021/22 North American tour dates:

2021
Sept. 12 – Nashville,    High Watt at @mercylounge
Sept. 13 – Chicago, IL   Schubas
Sept. 16 – New York, NY   Mercury Lounge
Sept.  20 – Los Angeles, CA  Troubadour

2022
March 4 – Atlanta, GA  Terminal West
March 5 – Nashville, TN  The Basement East
March 7 – Washington DC  9:30 Club
March 8 – Philadelphia, PA Theatre Of Living Arts
March 10 – New York, NY  Irving Plaza
March 11 – Brooklyn, NY Warsaw
March 12 – Boston, MA  Royale
March 14 – Toronto, ON Phoenix Concert Theatre
March 15 – Detroit, MI  St Andrews Hall
March 17 – Chicago, IL   House Of Blues
March 18 – Milwaukee, WI Rave II
March 19 – Minneapolis, MN First Avenue
March 21 – Denver, CO  Summit Music Hall
March 22 – Salt Lake City, UT  The Depot
March 24 – Vancouver, BC The Commodore Ballroom
March 25 – Seattle, WA  The Showbox
March 26 – Portland, OR Wonder Ballroom
March 28 – San Francisco, CA The Fillmore
March 29 – San Diego, CA The Observatory North Park
March 31 – Los Angeles, CA The Belasco

*Photo Credit: Dan Kenny

The Struts image shot by Photo credit: Gary Williamson via Collin Citron at Elektra Music Group for use by 360 Magazine

THE SNUTS ANNOUNCE FALL US HEADLINE TOUR

TICKETS AVAILABLE NOW HERE

CRITICALLY ACCLAIMED DEBUT ALBUM W.L. AVAILABLE NOW HERE

Rising Scottish indie rockers The Snuts have announced they will embark on their first ever US headline tour this Fall. The tour will kick off on October 5 in Baltimore, MD, and wrap on October 14 in San Francisco, CA. Girlhouse will provide support. Tickets for all dates are on sale beginning today HERE.

Last month, The Snuts released their critically acclaimed debut album W.L. The album debuted at number 1 in the UK, and marked the biggest debut from a British band in five years. Additionally, The Snuts became the first Scottish band to achieve a UK Number 1 with their debut album in 14 years. W.L. is available physically and digitally via Parlophone Records/Elektra Records now HERE.

W.L. is highlighted by current single “Glasgow, heartfelt ballad “Somebody Loves You,” the hip-hop driven “Elephants,” the anthemic “Always,” and festival-ready track, “All Your Friends.” Dork Magazine praised, “W.L. is a masterclass in ballads and risk-taking that proves music works best when it comes from the heart.” NME proclaimed “The Scottish rockers are creating an arsenal of anthems for festival season’s return.” Atwood Magazine hailed, “The four-piece have rewritten the song sheet for British indie bands with their open-ended and genre-merging record.”

Hailing from Whitburn, West Lothian, The Snuts have truly found their stride on W.L. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream, to becoming one of the UK’s most exciting new bands.

Adored for their uninhibited, sweat-drenched live shows, the band will also embark on a largely sold-out tour of the UK and Ireland this Fall. The massive trek will include a run of special unplugged dates, as well as three sold out hometown shows at Glasgow’s Barrowland. A complete list of upcoming live dates and ticket information can be found HERE.

The Snuts US Tour Dates – JUST ANNOUNCED

October 05, 2021 – BALTIMORE, MD – Metro Gallery

October 06, 2021 – PHILADELPHIA, PA – Underground Arts

October 08, 2021 – NEW YORK, NY – Music Hall of Williamsburg

October 09, 2021 – CAMBRIDGE, MA – The SInclair

October 13, 2021 – LOS ANGELES, CA – The Echo

October 14, 2021 – SAN FRANCISCO, CA – The Independent

The Snuts UK and Ireland Tour Dates

September 01, 2021 – GLASGOW – Oran Mor Auditorium (17:30)* – SOLD OUT

September 01, 2021 – GLASGOW – Oran Mor Auditorium (20:00)* – SOLD OUT

September 02, 2021 – GLASGOW – Oran Mor Auditorium (17:30)* – SOLD OUT

September 02, 2021 – GLASGOW – Oran Mor Auditorium (20:00)* – SOLD OUT

September 07, 2021 – EDINBURGH – The Caves* – SOLD OUT

September 08, 2021 – EDINBURGH – The Caves* – SOLD OUT

September 12, 2021 – MANCHESTER – Blues Kitchen* – SOLD OUT

September 13, 2021 – LEEDS – Wardrobe* – SOLD OUT

September 14, 2021 – KINGSTON – Pryzm* – SOLD OUT

September 20, 2021 – GLASGOW – Barrowland – SOLD OUT

September 21, 2021 – GLASGOW – Barrowland – SOLD OUT

September 22, 2021 – GLASGOW – Barrowland – SOLD OUT

September 28, 2021 – ABERDEEN – Tunnels* – SOLD OUT

September 29, 2021 – ABERDEEN – Tunnels* – SOLD OUT

September 30, 2021 – DUNDEE – Church* – SOLD OUT

October 03, 2021 – DUNDEE – Church* – SOLD OUT

October 16, 2021 – BIRMINGHAM – O2 Institute

October 24, 2021 – DUBLIN – Button Factory – SOLD OUT

October 25, 2021 – BELFAST – Empire

October 28, 2021 – EDINBURGH – Corn Exchange – SOLD OUT

November 02, 2021 – EXETER – Phoenix

November 03, 2021 – CARDIFF – Globe – SOLD OUT

November 04, 2021 – LONDON – O2 Forum Kentish Town

November 06, 2021 – DERBY – The Venue – SOLD OUT

November 07, 2021 – OXFORD – O2 Academy

November 08, 2021 – NORWICH – Waterfront

November 13, 2021 – HULL – Asylum

November 14, 2021 – LEEDS – Stylus – SOLD OUT

November 15, 2021 – BRISTOL – Fleece

November 18, 2021 – MIDDLESBROUGH – Town Hall Crypt – SOLD OUT

November 19, 2021 – SHEFFIELD – Leadmill – SOLD OUT

November 22, 2021 – BRIGHTON – Concorde 2

November 23, 2021 – COLCHESTER – Arts Centre

November 24, 2021 – BLACKPOOL – Waterloo – SOLD OUT

November 26, 2021 – MANCHESTER – O2 Ritz – SOLD OUT

* Unplugged with strings

The Snuts are: Jack Cochrane (vocals/guitar), Joe McGillveray (guitar), Callum Wilson (bass) and Jordan Joko’ Mackay (drums).

*Photo credit: Gary Williamson

The Snuts Fall North American tour poster image Photo credit: Gary Williamson via Collin Citron at Elektra Music Group for use by 360 Magazine

RITT MOMNEY – PUT YOUR RECORDS ON

By Cassandra Yany

Ritt Momney released the music video for his version of Corinne Bailey Rae’s “Put Your Records On” Thursday. In the video produced by Overcast and directed by Daniel Jordan K, a young boy’s daydream is brought to life and he sees himself as a future pop star in a psychedelic dreamscape.

The audience sees the pop star in a field filled with colorful roses underneath a pastel sky. This scene then starts to morph back into reality as the tone of the song changes. The serene, yet exciting vibe of the visuals perfectly encapsulates the feel-good mood of the track.

The cover first gained popularity as part of a TikTok trend where creators would put random swatches of makeup on their face and then jump to a clip where they have designed a full look using those colors. Social media influencer Ian Roley was invited on set as a makeup influencer to recreate the trend’s butterfly look for the music video.

“In 2006, Corinne Bailey Rae released one of the greatest pop songs of all time with ‘Put Your Records On,’” said Momney. “It was one of my mom’s favorites. She’d blast it in the minivan on the way to soccer practice and we’d all sing.”

“Fast forward to March 2020 when I got the idea to do a fun little cover of this song I’ve loved my whole life to combat some of the dreariness I was feeling. With this being my first real music video, I was really lucky to work with a bunch of professionals who were also around my age. They did a really good job capturing the essence of the cover, and I’m stoked that I got to work with Ian, the makeup artist who started the TikTok trend.”

Momney plans to donate a portion of the music video’s proceeds to a charity of Rae’s choosing. His rework of the song has become the 21-year-old’s breakout hit of the year. It has earned him over 120 million global streams to date with over two million TikTok videos made with the sound. This also marks Momney’s first Billboard Hot 100 entry, currently holding the no. 82 spot, and his Pop radio debut, charting at no. 39 less than two weeks after its impact.

The song topped Spotify’s US and Global Viral 50 charts in September and currently holds the no. 17 and no. 23 spots on the Us and Global Top 50, respectively.

About Ritt Momney

Ritt Momney is the solo project of Salt Lake City native Jack Rutter. The project first began as an indie rock band with his high school friends, but later became a personal outlet for the 21-year-old after his bandmates left for Mormon missions and his girlfriend went to college. He began writing, recording and producing his upcoming debut album in his bedroom. In the LP, titled “Her and All of My friends,” Rutter struggles with loss, loneliness and a drift away from Mormon culture.

Watch the music video here

Follow Ritt Momney:

Instagram | Twitter | Facebook

Healy – Back in Time

Memphis based singer/songwriter/producer Healy releases his latest track and accompanying visual for “Back in Time” ft. Public Library Commute today (listen/watch here).

“”Back in Time,” much like “Nikes On,” has the central theme of time,” says Healy of the track.  “I really overthink a lot and spend a lot of my energy reliving the past while trying to make it perfect. Time is relative–and sometimes I wish I could manipulate it by slowing it down and living a little longer inside certain moments–so I tried to convey that by slowing and warping the end of the song and offering this really saturated vignette. It only lasts 30 seconds, but it departs from the anecdotal nature of the rest of the song and exists as a really vulnerable portrayal of my core feelings that rarely see the light of day.”

In July, Healy released the track and music video for “Second Wind” which was the first track he wrote and recorded during his trip to Joshua Tree National Park.  The track has nearly 1 million streams.  Earlier this year, Healy released “Nikes On” as well as the music video for his track “Reckless” the latter of which was featured on his debut album Subluxe and has over 47.5 million streams on Spotify.  Healy reached over 1.4 million followers on his Spotify artist page. Healy released “Tuscon,” which has garnered over 2.7 million combined audio streams.  Keep checking for more music from Healy coming soon.

About Healy:

Performing under only his last name, Healy embodies cardinal themes of his work like self-discovery and non-dualism. He released his debut album Subluxe in 2017 in the wake of his second year of medical school.  The album has nearly 60 million audio streams.  The lead single, “Unwind,” caught the internet on its heels, helping to establish Healy’s fixed presence as a promising multidimensional artist in a mercurial musical climate. His work is a fearless transgression—a tonal gradient with origins in classic and indie rock, soul, and Memphis rap.

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Imagine illustrated by Mina Tocalini for 360 MAGAZINE.

Steve Aoki × Frank Walker × AJ Mitchell 

Today, two-time Grammy-nominated DJ/producer Steve Aoki, alongside rising fellow DJ/producer Frank Walker, and pop singer-songwriter, MTV Push/Vevo LIFT Artist, AJ Mitchell drop a refreshing high-energy summer collaboration “Imagine.” This new single calls us to imagine everything that comes with a relationship blending Aoki’s signature electro-pop sound with Walker’s dance-pop and Mitchell’s smoot breezy vocals, and is set to save the dancefloor this summer.

Aoki, Walker and Mitchell seamlessly blend their talents to create “Imagine”, a high-energy track that explores the highs and lows when imagining love. With catchy lyrics and a feel-good melody that combines underlying piano chords with sonic and techno beats, it transports you to your most desired state of love and the emotions felt in that ideal state. The chorus echoes “I want it with you” knowing that each listener can visualize their love and feel their own euphoria at the beat drop. The melody continually grows in strength as the lyrics confirm the power love can have in any situation…”if you imagine.”

“This track with Frank & AJ is something we poured our heart & souls into, and I’m so excited for it to be out just in time for Summer,” said Aoki. “The lyrics are something everyone can relate to, and the beat is something everyone can dance to. I wish we could bring it to you live in-person, but we have some special plans regardless to bring this to the world.”

“Imagine feels like such a game-changing song for me personally,” said Walker. “Creating a record alongside Steve has been incredible, he’s a legend in the dance scene and being a part of his creative process is unlike anything I’ve done before. Taking our production and adding AJ Mitchell into the mix took the record to a new level, he’s such a talented artist with a crazy voice. The three of us were able to come together with our own unique sounds to something truly special on Imagine. I can’t wait for the world to hear this one!”

“I’m very excited to be a part of such a fun record as “Imagine,” said Mitchell. “Steve has been one of my favorite people to work with. Him and Frank are both super talented and this is an awesome track you won’t be able to stop dancing to.”

Steve Aoki, the two-time Grammy-nominated producer/DJ is one of today’s most successful American cross-genre artists, collectively counting 2.8 billion music streams on Spotify. As the founder of the trendsetting record label, events/lifestyle company, and apparel line Dim Mak Records, which he founded in 1996, Aoki has helped launch the careers of global acts like The Chainsmokers, Bloc Party, The Bloody Beetroots, The Gossip, and The Kills, among many others. Dim Mak today counts more than 1,000 official releases from the biggest acts and most buzzing newcomers across EDM, indie rock, hip-hop and beyond over its two-decades-plus discography. As a solo artist, Aoki boasts a lauded discography that includes: Wonderland (2012), his debut solo album, which garnered him his first-ever Grammy nomination for Best Dance/Electronica Album; hip-hop centric Kolony (2017), and the Neon Future series, which includes Neon Future I (2014, certified gold by the RIAA), Neon Future II (2015), Neon Future III (2018) and the recently released Neon Future IV (April 2020); which has rocketed in streaming to date and received praise from singles such as “Maldad” ft. Maluma and “Let It Be Me” ft. Backstreet Boys. Recognized by Forbes as one of the top 5 world’s highest paid DJ’s and the world’s hardest working DJ, Aoki is “one of the most in-demand entertainers in the world” (Billboard), counting more than 250 tour dates per year. In 2012, Aoki founded THE AOKI FOUNDATION, which primarily supports organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation. Most recently, Steve Aoki released his critically acclaimed memoir entitled BLUE: The Color of Noise published by St. Martin’s Press. 

Following up on a massive 2019, Frank Walker has had a huge start to 2020. Touted as an iHeartRadio Future Star and a Billboard Rising Artist, this Toronto-native has captivated fans across the globe, owning main stages in Europe, Asia, and North America. Frank also supported Kygo on his “Kids In Love” worldwide tour. Backed by the industry’s best and fresh off a new record deal with Sony Music this producer is becoming a mainstay on Spotify’s Dance & Pop playlists. Destined for big things, Frank is coming off a collaboration with R3HAB and has had official remixes for Kygo, Marshmello, Chainsmokers, Alessia Cara, Bastille, and Loud Luxury. His recent singles ‘Heartbreak Back’ and ‘Only When It Rains’ both went top 10 on Canadian Top 40 radio, with the former gaining Gold status. Frank will be returning to Ultra Music Festival’s main stage this year and also secured a 2020 Vegas at Wynn where he will be playing 20 shows at Encore Beach Club & XS Nightclub.

Sporting a slick and show-stopping voice, sharp songwriting chops, and endless charisma, AJ Mitchell emerges as a stylish and soulful new leading man for pop R&B. Born and raised in Belleville, IL, he went from uploading highly-trafficked covers on social media to personally writing and recording his 2017 breakout single “Used To Be.” Clocking over 90 million Spotify streams to date, the song paved the way for a deal with Vol. 1 / Epic Records and saw AJ relocate to Los Angeles. 

With over 100 million-plus streams on tracks such as “I Don’t Want You Back,”Girls”, “All My Friends”, “Talk So Much”, and “Move On” and nearly 8 million monthly listeners on Spotify, he’s cemented himself as 2020’s fastest rising star. Named a 2019 MTV Push artist and a 2019 Vevo LIFT artist and acclaimed by Billboard, Idolator, and Seventeen, he’s sold out numerous headline shows and performed on The Today Show and Good Day New York. Over the past year, his rapid rise only accelerated. AJ flexes his star power and vocal prowess on the Slow Dance EP. Preceded by “Move On” and the Top 40 single and title track “Slow Dance” [feat. Ava Max], his songwriting and show-stopping spirit once again take center stage on upbeat and undeniable new anthem “Out My Mind.” To date, AJ has had three songs in the Top 40 Pop Radio charts: “Girls”, “All My Friends” (#20), and “Slow Dance”. This past spring, AJ released his collaboration with Rich The Kid called “Spring Break”, and most recently unveiled his uplifting new single “Burn” in June. Following its release, “Burn” ranked as pop radio’s most added song. Now, he sets his sights on pop domination with every move as he gears up to release his highly anticipated debut full-length album Skyview this year.

Follow Steve Aoki: Facebook | Instagram | Twitter | YouTube

Follow Frank Walker: Facebook | Instagram | Twitter | YouTube

Follow AJ Mitchell: Facebook | Instagram | Twitter | YouTube

Peach Pit × “Black Licorice”

PEACH PIT SHARES VIDEO FOR “BLACK LICORICE

SOPHOMORE ALBUM YOU AND YOUR FRIENDS OUT APRIL 3

Peach Pit has shared the official video for “Black Licorice” from their forthcoming sophomore album You and Your Friends, which will be released April 3 via Columbia Records. Directed by Lester Lyons-Hookham, the visual follows the band rocking matador outfits as they roam the streets attempting frivolous stunts. Watch HERE. Pre-order/pre-save You and Your Friends HERE () and see full track list below.

Peach Pit will be touring this spring in support of You and Your Friends. The upcoming headline tour will cross North America and Europe with sold-out shows in Chicago, New York, DC, and others. Tickets are on sale now, visit peachpitmusic.com for more information.

You and Your Friends Tracklist:
1. Feelin’ Low (F*ckboy Blues)
2. Black Licorice
3. Figure 8
4. Puppy Grin
5. Brian’s Movie
6. Camilla, I’m At Home
7. Second Life With Emily
8. Live At The Swamp
9. Shampoo Bottles
10. Thursday
11. Your Teeth
12. You and Your Friends

FOLLOW PEACH PIT
Website | Facebook | Instagram | Twitter

Peach Pit, Black Licorice, Columbia Records, Vaughn Lowery, 360 Magazine,

Local Natives Concert Review

On Saturday night, a five-piece-indie-rock band, Local Natives brought the energy to the Palladium with their symphonic tones, unique instrumentals, and airy soft lyrics. The LA native band played multiple songs throughout the night from their new album Violet Streets. This album explores adulthood, love, and friendships.

The band opened the show with a piece called “Vogue” from their album Violet Streets. The band then quickly livened up the audience by singing one of their older songs, “Sun Hands” in which lead singer, Taylor Rice jumped into the sea of screaming fans to crowd surf. 

The fans continued screaming throughout the show, especially once the band played the song, “Fountains of Youth”, which was a song released in November of 2016, right before the elections took place. 

The group finished their set with the song “When Am I Gonna Lose You”, which lead singer, Rice, explained was an ode to love. As the LA native boy band announced their last song, the crowd was in tears. The phrase “encore” could be heard from miles away. The band came back on to perform a few more songs until they had to say their last goodbye.

Complete with stunning light shows, seamless transitions, and phenomenal vocals, the Local Natives seemed to impress the crowd.

Follow Local Natives on Instagram