Ritt Momney released the music video for his version of Corinne Bailey Rae’s “Put Your Records On” Thursday. In the video produced by Overcast and directed by Daniel Jordan K, a young boy’s daydream is brought to life and he sees himself as a future pop star in a psychedelic dreamscape.
The audience sees the pop star in a field filled with colorful roses underneath a pastel sky. This scene then starts to morph back into reality as the tone of the song changes. The serene, yet exciting vibe of the visuals perfectly encapsulates the feel-good mood of the track.
The cover first gained popularity as part of a TikTok trend where creators would put random swatches of makeup on their face and then jump to a clip where they have designed a full look using those colors. Social media influencer Ian Roley was invited on set as a makeup influencer to recreate the trend’s butterfly look for the music video.
“In 2006, Corinne Bailey Rae released one of the greatest pop songs of all time with ‘Put Your Records On,’” said Momney. “It was one of my mom’s favorites. She’d blast it in the minivan on the way to soccer practice and we’d all sing.”
“Fast forward to March 2020 when I got the idea to do a fun little cover of this song I’ve loved my whole life to combat some of the dreariness I was feeling. With this being my first real music video, I was really lucky to work with a bunch of professionals who were also around my age. They did a really good job capturing the essence of the cover, and I’m stoked that I got to work with Ian, the makeup artist who started the TikTok trend.”
Momney plans to donate a portion of the music video’s proceeds to a charity of Rae’s choosing. His rework of the song has become the 21-year-old’s breakout hit of the year. It has earned him over 120 million global streams to date with over two million TikTok videos made with the sound. This also marks Momney’s first Billboard Hot 100 entry, currently holding the no. 82 spot, and his Pop radio debut, charting at no. 39 less than two weeks after its impact.
The song topped Spotify’s US and Global Viral 50 charts in September and currently holds the no. 17 and no. 23 spots on the Us and Global Top 50, respectively.
About Ritt Momney
Ritt Momney is the solo project of Salt Lake City native Jack Rutter. The project first began as an indie rock band with his high school friends, but later became a personal outlet for the 21-year-old after his bandmates left for Mormon missions and his girlfriend went to college. He began writing, recording and producing his upcoming debut album in his bedroom. In the LP, titled “Her and All of My friends,” Rutter struggles with loss, loneliness and a drift away from Mormon culture.
Harry Styles made history Friday as the first male to grace the cover of US Vogue. Styles defies gender stereotypes in the fashion magazine, which has become a point of controversy on social media in the days following its reveal.
On the cover of the December issue, Styles is photographed in a field wearing a pale blue, lace Gucci dress. He is featured wearing different skirts a number of times throughout the spread.
“Clothes are there to have fun with and experiment with and play with,” Styles says in the cover story. “What’s really exciting is that all of these lines are just kind of crumbling away. When you take away ‘There’s clothes for men and there’s clothes for women,’ once you remove any barriers, obviously you open up the arena in which you can play. I’ll go in shops sometimes, and I just find myself looking at the women’s clothes thinking they’re amazing.”
While most fans took to social media to praise the artist for his redefinition of gender norms in the shoot, some public figures shared their distaste for the photoshoot and Styles’ stereotypically feminine attire.
Coservative author and political activist Candace Owensquote-tweeted Vogue’s post promoting the cover story, saying “There is no society that can survive without strong men. The East knows this. In the west, the steady feminization of our men at the same time that Marxism is being taught to our children is not a coincidence. It is an outright attack. Bring back manly men.”
Styles’ supporters quickly called out Candace, posting TikTok videos of her wearing a pantsuit, citing her hypocrisy. Actress and filmmaker Olivia Wilde responded to Owens’ tweet with a simple, “You’re pathetic.” Styles is set to star in Wilde’s upcoming film Don’t Worry Darling.
Conservative political commentator Ben Shapiro had a similar reaction to that of Owens, saying “Outward indicators of masculinity and femininity exist in nearly every human culture. Boys are taught to be more masculine in nearly every human culture because the role of men is not always the same as the role of women. The Left knows this, of course. The POINT of style doing this photo shoot is to feminize masculinity.”
One of the most recent celebrities to jump to Harry’s defense has been internet personality Logan Paul. On the latest episode of his podcast “Impaulsive,” Paul showed his respect for Styles in his effort to challenge social norms. When his co-hosts questioned his stance on the issue and the “manliness” of the dress, Paul said “What is manly to you? What does it mean? Is manly like being comfortable in your own skin and being comfortable with who you are, regardless of what people think about what you’re wearing?”
On social media platforms like Twitter and TikTok, it is evident that more users praise Styles than criticize him for his bold statement in the cover. Many argue that fashion choices do not define a person’s identity. Despite his detractors, Styles remains one of the biggest names in pop culture and it doesn’t look like his widespread admiration is going anywhere with his first solo single “Sign of the Times” just re-entering the Top 100 US chart on iTunes.
Austin City Limits will spotlight renowned rock and country trailblazers The Mavericks on Nov. 21 at 8 p.m. CT/ 9 p.m. ET on PBS. The installment is part of the series’ 46th season and will showcase the band’s chart-topping, all Spanish-language album En Español.
The GRAMMY, CMA and ACM award-winning band reaches a career milestone with this being their first Spanish-language album, which debuted at no. 1 on Billboard’s Latin Pop Albums Chart. The genre-bending group return to their Miami roots to blend their eclecticism with a collection of Spanish language originals and traditional Latin songs that inspired them.
The four core Mavericks members— lead singer and songwriter Raul Malo, guitarist Eddie Perez, keyboardist Jerry Dale McFadden and drummer Paul Deakin— are elevated by horns, accordion and backing vocals for a powerful nine-musician combo. The band celebrates the diversity of cultures with their unique take on classic tracks from the vast Latin American catalog, starting off with the Cuban country track “La Sitiera,” which escalates to an exciting full-band bloom complete with horns and accordion.
Malo— who is a first-generation Cuban American— introduces his late grandfather’s favorite song, “Me Olvidé de Vivir” by Julio Iglesias, which the Mavericks made their own in a country rendition. He also salutes one of his own favorite artists with the mariachi-flavored spin they take on Juan Gabriel’s “No Vale La Pena.”
The group delivers thrilling performances of new originals, including “Recuerdos,” which is backed by horns, and “Suspiro Azul,” which is amplified by standout harmonies. In tribute to performing at the house that Willie Nelson built, Malo gives a solo acoustic take on Nelson’s “Blue Eyes Crying In the Rain.” The band also performed Latin-influenced tracks form their 2013 reunion album In Time, including the lush “Come Unto Me,” featuring dueling guitar and accordion solos, and the energetic, rockabilly-flavored “As Long As There’s Loving Tonight.”
“Showcasing The Mavericks first all-Spanish album on Austin City Limits during the same week as the Latin Grammy Awards is perfect timing,” said ACL executive producer Terry Lickona. “Since I became co-producer of the Latin GRAMMYs, I’ve made it my mission to bring the joy and beauty of Latin music to the ACL stage every year. This show is a great ‘primer’ for that!”
The Mavericks’ episode was recorded in September and will be the second no-audience taping of the program due to the coronavirus pandemic. This marks the group’s third appearance on the show, being their first in two decades.
During these tough times, ACL continues to provide viewers with a front row seat to live performances. The series airs weekly across the nation and full episodes are made available online for a limited time immediately following the broadcast. The second half of the Season 46 will be announced soon, with six new episodes to begin airing in January. Fans can also find exclusive songs, behind-the-scenes videos and full-length artist interviews on the ACL YouTube channel.
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
Stranger Things: The Drive Into Experience recently opened in downtown Los Angeles, giving fans the opportunity to enter the world of the hit Netflix series from the safety of their cars. Hidden on Alameda Street, the socially distant event transports you back to 1985 to attend the Hawkins High School Reunion.
The socially-distant experience begins as you pull into the illuminated parking lot of the Starcourt Mall and tune into the FM radio station where you can hear all of the audio for the event. The pre-show is hosted by Hawkins Middle School science teacher turned emcee, Mr. Clark. The event is immersive right from the start, with Mr. Clark engaging drivers and passengers in different activities such as trivia, a lip sync challenge and a best-dressed contest.
Eighties music blasts through car speakers as vehicles are directed by parking lot attendants disguised as Lynx employees from season three of the series. After guests have their tickets scanned, they are given a menu to order food and beverages directly to their car. Drivers and passengers can place their order online and will be helped by a server dressed as a Scoops Ahoy employee.
Every aspect of the event is themed, even with face masks being attributed to a “chemical leak” that had occurred in Hawkins. While you are waiting to get into the experience, you can watch Mr. Clark host the event from the stage, and you may even see Eleven or Max amongst the crowd. Mike, Lucas and Will weave through the cars on their bicycles and you might even get the chance to interact with them.
When it is your turn to enter the experience, you drive past the Starcourt Mall, and into a parking garage where the remainder of the event takes place. As you are entering, Chief Hopper and Murray can be heard over the radio discussing how they have to save Dustin who is stuck under the mall.
As you enter the experience, you are first greeted by Steve and Robin as Dustin tries to save them from the Russian soldiers who have infiltrated Hawkins and are stationed underneath Starcourt. In the process of doing this, Dustin accidentally released the demogorgon, who is chased through the cars until Steve is successfully able to trap it back into the Upside Down. The trio then enlists drivers and passengers to go and find the mindflayer.
The next scene brings guests into what looks like the Upside Down where cars are surrounded by eerie red lights and other-worldly sets. Screens depict the mindflayer leaving Will’s body at the end of season two and entering Billy’s during season 3. Soldiers then come around, searching throughout the cars and shining their flashlights into windows.
The third and final scene leads guests to the roof of the parking garage where the set is made up of a large stage and multiple screens. Billy emerges as the mindflayer from under the stage, and is joined by the other Hawkins residents who have also been “flayed.” Eleven then enters the scene and tries to fight the monster, as the audience is given a look at her past throughout the series.
After an intense battle where Eleven flies above the crowd, she is victorious in defeating the mindflayer and is embraced on stage by her friends, and greeted by her past self. As the characters exit the stage, the sound of a news station talking about the mysterious events at the mall plays through car speakers.
Just as you think the experience is over, Dustin and his long-distance girlfriend from science camp, Suzie recreate what is arguably one of the most iconic scenes from the series. From opposite ends of the stage, the couple sing the theme song from the 1894 film The NeverEnding Story, just as they do in the last episode of season 3, creating the perfect, feel-good ending to this one-of-a-kind experience.
As you exit the experience, guests are given the opportunity to purchase exclusive merchandise.
This event truly makes guests feel as if they have been placed in an episode of Stranger Things, caught up in the action of Hawkins and the Upside Down. It is the perfect way for super fans to come together safely as a community and feel that they are part of the beloved show.
The drive into experience is presented by Netflix and Fever with Secret Cinema. Prices for the event vary depending on which day and time customers are purchasing tickets for. Standard Access includes admission and access to the Hawkins Online Portal prior to the event where you can create your student profile. In addition to this, VIP Access includes a special welcome to the event, faster entry and a mystery box containing merchandise, snacks and beverages.
Guests remain in their car throughout the experience and masks are worn by employees at all times and by drivers and passengers when speaking to the staff. The event is currently scheduled to take place through Sunday, March 7.
Grammy Award winning, multi-platinum performer, songwriter, and recording artist Gwen Stefani released the music video for her new holiday song “Here This Christmas” today. The track was written and produced by Grammy Award winning songwriter, producer and singer, Ryan Tedder, and Grammy nominated songwriter, producer and musician, Brent Kutzle.
“Here This Christmas” serves as the theme song for the Hallmark Channel’s annual programming event Countdown to Christmas, where the network broadcasts holiday movies, specials and original programming from October through December.
The music video was filmed during various recording sessions Stefani and Tedder had for the song. Stefani is dressed in festive attire as digital snow falls around her in the recording booth and Christmas lights shine in the background.
This video follows the recent release of her fresh, modern take of the classic Christmas song “Sleigh Ride,” which was also produced by Tedder and Kutzle along with Brandon Collins. The two tracks are featured on a re-release of the Deluxe Edition of Stefani’s You Make It Feel Like Christmas holiday album. Originally released in 2017, the album debuted on Billboard’s Seasonal Albums chart and featured six original songs and six covers of beloved holiday hits.
You Make It Feel Like Christmas Deluxe Edition was first released in 2018 with five new songs including originals “Cheer For The Elves” and “Secret Santa,” written by Stefani, Justin Tranter and busbee. It also featured classics like “Santa Claus Is Coming To Town,” “Winter Wonderland,” and “Feliz Navidad feat. Mon Laferte.”
Smithsonian Channel has authorized an innovative new series that combines adventure with rich history to unveil the never before seen secrets of Viking society. The series, whose working title is ULTIMATE VIKING, will be hosted by Kristofer Hivju, who played Tormund Giantsbane in HBO’s Game of Thrones, and award-winning journalist Gry Molvær Hivju.
“We are very excited to host this living history adventure series set in our beautiful country Norway,” said Gry Molvær Hivju and Kristofer Hivju, the co-founders of Tindefilm. “We are proud to show the fjords, ocean and wild mountains that our ancestors saw. For us, this series is all about a genuine extreme experience based on Viking society, set deep in the heart of the land of the Vikings. It’s going to be exciting, ambitious and based on historical evidence.”
The series is also set to include a one-hour documentary slated to premiere in 2021 on Smithsonian Channel. Filming for the show has begun and production will take place in Norway and the UK, with a custom Viking settlement being constructed on the Norwegian coast. The adventure series will feature a diverse cast of contemporary, highly skilled men and women who will be challenged to see if they have what it takes to live as true Vikings.
Each episode is rooted in authentic Viking knowledge, exploring every aspect of the lifestyle to discover what it was truly like to live as a Viking over 1000 years ago. The show will follow ordinary people participating in remarkable expeditions under harsh Nordic conditions. The clans will compete against each other in a series of often extreme Viking survival expeditions, challenges and tasks based on historical facts, literature and archaeological evidence.
“We are always looking for innovative ways to re-invent the entertainment experience for our curious global audience,” said David Royle, EVP and Chief Programming Officer of Smithsonian Channel. “Vikings have long captured the public imagination and this brand-new format pushes boundaries to create a new way for our audience to be enthralled, sometimes appalled and often surprised by the challenges of Viking life.”
The series’ cast lives side by side in a Viking settlement, with every detail true to the era, including the buildings, clothes, tools and food. Participants will need to master tools like axes and swords, learn to forage and fish in Norway’s snow-capped mountains, and master the art of sailing a Viking ship while mentored by the world’s leading Viking historians.
ULTIMATE VIKING (w/t) is produced by Wildflame Productions Ltd., Zig Zag Productions Ltd. and Tindefilm for Smithsonian Channel. The Series is directed by Showrunner Stephen Shearman, with original music composed by Silvia Strand.
“ULTIMATE KING (w/t) aims to re-imagine living history for television audiences across the world,” said Llinos Griffin-Williams, the Executive Producer of Wildflame Productions. “Our new adventure history format pushes living history to another level. It is an extremely ambitious series and one we are thrilled to be making for the Smithsonian Channel.”
Smithsonian Channel™, a ViacomCBS Inc. network, is where curiosity lives, inspiration strikes and wonders never cease. This is the place for awe-inspiring stories, powerful documentaries and amazing factual entertainment, available in HD and 4K Ultra HD across multiple platforms. Smithsonian Channel, winner of Emmy® and Peabody awards for its programming, is the home of popular genres such as air and space, travel, history, science, nature and pop culture. Among the network’s offerings are hit series including Aerial America, America in Color, America’s Hidden Stories, Apollo’s Moon Shot, The Pacific War in Color and Air Disasters, as well as critically-acclaimed specials that include The Green Book: Guide to Freedom, Black in Space: Breaking the Color Barrier, Walk Against Fear: James Meredith and Princess Diana’s Wicked Stepmother. Smithsonian Channel is available internationally in Canada, Singapore, Latin America, the UK and Ireland.
About Wildflame Productions
Wildflame Productions creates extraordinary content for audiences throughout the world from its base in Cardiff. This UK nations and regions factual powerhouse works closely with the best creative talent and a wide range of production partners to produce content for the UK and the international markets. CEO Paul Islwyn Thomas has built a strong reputation for producing factual and specialist factual programming for a wide range of broadcasters, including the full range of national BBC channels, Channel 5, S4C, Discovery and many more. Wildflame prides itself on its excellence in storytelling, bringing great ideas and ambitious concepts and formats to audiences globally. In June 2020, the company returned to being wholly independent, after exiting the Flame Media Group.
Located on Norway’s wild and beautiful west coast, led by CEO Hilde Nerlund and DOP Tor Siverstøl. Tindefilm creates high quality, filmic content for the global market. Their first production, Lysleite, a creative documentary about the dwindling light in the polar regions won a Gullruten (Norwegian TV awards) and their second documentary, Bit – Ballerina Bulldog was nominated for best documentary at BIFF as well asGullruten for best original score.
About Zig Zag Productions
Zig Zag Productions is one of the UK’s foremost independent television production companies. With offices in London, New York and Northern Ireland, Zig Zag has produced over 700 hours of non scripted programming and has grown to become an internationally recognised, respected and award-winning television producer both in the UK, USA and internationally. Zig Zag has produced programming for broadcasters including BBC, Channel 4, ITV, Five, TLC, MTV, Fox, National Geographic, Discovery, OWN, Logo and Syfy. The company has also won numerous awards including the Rose D’or for Best Format.
Saxophonist Charlie “Bird” Parker is re-releasing five of his records for The Mercury & Clef 10-Inch LP Collection for his 100th anniversary, “Bird 100.” Bird was “an architect of modern music” and is widely known as the greatest alto saxophonist.
The LPs Charlie Parker With Strings (1950), Bird and Diz (1952), Charlie Parker Plays South of the Border (1952), Charlie Parker With Strings (Vol. 2) (1953), and Charlie Parker (1954) have been newly remastered, pressed to 10-inch black vinyl and packed in the original album covers. The collection will be available for purchase December 18 exclusively via uDiscover and the Official Charlie Parker webstore.
The boxed set serves as an ode to the 10-inch vinyl, which was a popular format in the late 1940s, between the 78 and the 12-inch. It includes an elegant booklet that contains rare photos, detailed recording session information and essays by pianist-journalist Ethan Iverson and author David Ritz. All of the albums, aside from Bird and Diz, have been out of print on vinyl since their original releases. These elements make the collection the most detailed presentation yet of Bird’s rich 1940s to mid-1950s streak before he passed in 1955 at the age of 34.
Bird’s Strings albums mark two peaks in his recording. Vol. 1 starts off with his version unforgettable version of Sam Lewis and John Klenner’s “Just Friends,” which contains a thrilling and technically brilliant improvised saxophone solo. Thomas Adair and Matt Dennis’ sorrowful “Everything Happens to Me” is lifted with the singing of Bird’s sax. Parker naturally channels a romantic ballad with his spin on Rodgers and Hart’s “I Didn’t Know What Time It Was.” Vol. 2 produces a nocturnal mood with tracks such as George and Ira Gershwin’s “They Can’t Take That Away From Me,” Arthur Scwartz and Howard Dietz’s “Dancing in the Dark,” and Cole Porter’s “Easy to Love.”
Bird’s most well-known collaborator was trumpeter Dizzy Gillespie. Bird and Diz provides a look at the pair and was the only joint session with Bird, Diz and revolutionary pianist Thelonious Monk. The album includes the toe-tapping “Bloomdido,” and the percolating “An Oscar for Treadwell.” Co-written by Parker and trumpeter Benny Harris, “Leap Frog” is dizzying in its velocity and quicksilver innovation.
Parker and Gillespie dabbled in Afro-Cuban styles, particularly with pioneering Latin vocalist and percussionist Machito. South of the Border demonstrates Bird’s transcultural connection. In Iverson’s essay, saxophonist Henry Threadgill notes “the rassling match when the modern jazz guys came in and tried to play with the Latin cats in the Forties.” He points out that Bird did this effortlessly: “Charlie Parker could bring the music together, but as soon as Bird stopped, the rassling match would begin again.” This is where Parker is in his element, especially on songs like Óscar Gómez and Albert Hammond’s “Un Poquito De Tu Amor,” Zequinha de Abreu’s “Tico Tico,” and Manuel Ponce’s “Estrellita.”
Bird recorded his self-titled album in 1952 and 1953 with two quartets including drummer Max Roach. One side featured bassist Percy Heath and Al Haig, while the other featured Teddy Kotick and pianist Hank Jones. This essential title is Bird’s only studio LP in a quartet setting, is a standout with the strength of its performances and its clean recording quality. Bird proves his power on esteemed tracks like “Now’s The Time,” “Laird Baird” and “Confirmation.”
The Mercury & Clef 10-Inch LP Collection completes an excellent year for Bird and indicates another great one to come. Prior to the hundredth anniversary, Verve/ UMe released The Magnificent Charlie Parker on vinyl and Jazz at Midnite for Record Store Day. Next year, the recording company will release a new collection title Bird In LA, which will offer a new perspective on a previously under examined part of Parker’s life. The collection will include unreleased songs that were recorded during Bird’s documented visits to Los Angeles in the mid ‘40s through the early ‘50s.
The set features David Stone Martine’s illustrated original sleeve art, which uDiscover is also offering as framed, archival-quality canvas prints. The wall art is available in various sizes and includes the albums Big Band, Machito Jazz With Flip & Bird, The Magnificent Charlie Parker, Charlie Parker With Strings and Charlie Parker With Strings (Vol. 2).
The Mercury & Clef 10-Inch LP Collection
LP1 – Charlie Parker With Strings (1950)
April In Paris
If I Should Lose You
I Didn’t Know What Time It Was
LP2 – Charlie Parker With Strings (Vol. 2) (1953)
They Can’t Take That Away from Me
You Came Along from Out of Nowhere
East of the Sun (and West of the Moon)
Dancing in the Dark
East to Love
I’m in the Mood for Love
I’ll Remember April
LP3 – Bird & Diz (1952)
My Melancholy Baby
Relaxing with Lee
An Oscar for Treadwell
LP4 – Charlie Parker Plays South of the Border (1952)
Un Poquito de Tu Amor
My Little Suede Shoes
Begin the Beguine
LP5 – Charlie Parker (1954)
Now’s the Time
I Remember You
I Hear Music (a.k.a. The Song is You)
Pre-Order The Mercury & Clef 10-Inch LP Collection Here
Coach unveiled its holiday campaign Tuesday with the central message “Holiday Is Where You Find It.” It emphasizes the message that holiday is a state of mind regardless of how you’re celebrating this year.
There is no doubt that 2020 has been a unique year for everyone. Coach acknowledges this through the campaign and underscores that during these unprecedented times, the meaning of the holidays remains the same no matter how different festivities may look this year. They encourage fans of the brand to “cherish the big things, celebrate the small things.”
“Holiday Is Where You Find It” highlights Coach’s belief in optimism, finding joy in the little things and seeking comfort in togetherness and family traditions. The campaign will be presented in a series of short vignettes and images showcasing the cast celebrating new and old traditions.
The cast consists of Jennifer Lopez and Michael B. Jordan and their families, as well as ambassadors such as Kiko Mizuhara, Jeremy Lin and Yang Zi. Other members of the Coach Family featured in additional content include Camila Morrone, Megan Thee Stallion, Quincy, Yuna and Ramla Ali.
Jordan is depicted celebrating Kwanzaa with his parents Michael B. Jordan Sr. and Donna Jordan, brother Khalid Jordan and sister Jamila Jordan-Theus. A video shows the family setting up the lights outside to spread holiday cheer. “Hanging out and giving back, honestly that’s at the top of my list,” said Jordan.
Lopez is seen on Coach’s Instagram with her mother Guadelupe Lopez, and her children Emme and Max Muñiz. “I find holiday in the smiles on my kids’ faces,” said Lopez. “Number one on my to-do list is to count my blessings.” She is photographed wearing the Beat Shoulder Bag and the Holiday Cityscape Intarsia Sweater.
Lopez’s involvement in the holiday campaign follows her first collaboration with the fashion brand for the Coach X Jennifer Lopez Hutton Bag which launched earlier this month. The bag was designed with Creative Director Stuart Vevers and inspired by Coach and Lopez’s shared values of authenticity and inclusivity. It combines Coach as a modern-day icon with Lopez’s unique approach to style.
The holiday campaign spotlights the Beat Shoulder Bag, inspired by the downtown attitude of New York. The purse has three compartments for organization and a secure snap closure. The crossbody strap allows for hands-free wear, while the interchangeable chain strap lets you carry the bag. Crafted with soft leather, the Beat Shoulder Bag is available in a variety of colors and patterns, with distinct embellishments accenting some of the versions.
Also presented is the new Hitch backpack and belt bag for men. Each comes in three different color variations. The backpack is available in solid black and patterned black/ gray, brown/ black and brown/ tan displaying Coach logos, while the belt bag is sold in solid amber and patterned brown and brown/ tan with logos. Made of leather and canvas, the backpack is spacious and has multiple pockets for accessories. The bag is durable and lightweight, making it multifunctional and perfect for anything from work to travel. The leather belt bag was created with a hands-free design, and the zip closures and exterior pocket make essential items easily accessible. The bag can effortlessly be dressed up or down.
A social series will feature the archive-inspired Swinger Bag, which was first introduced in the ‘80s and has been reimagined for today. The short-strap shoulder bag is available in both nylon and leather. The bag is sold in a number of solid colors and a patterned version containing Coach’s signature jacquard. It is secured with a zipper, along with the iconic turn-lock closure. The Swinger Bag also has a detachable strap for those who want to style it as a crossbody.
Coach worked with a global family of creatives to bring this campaign to life. This team included photographers and directors Ryan McGinley, Renell Medrano, Hao Zeng, Brad Ogbonna, Takako Noel, Gen Yoshida, Fan Xin, DJ Furth, Zhangmeng, Jian LV and Christelle de Castro.
Coach is a leading design house of modern luxury accessories and lifestyle collections, with a long-standing reputation built on quality craftsmanship. The brand approaches design with a modern vision, reimagining luxury for today with an authenticity and innovation that is uniquely Coach. All over the world, the Coach name is synonymous with effortless New York style.
Platinum-selling artist Kiana Ledé released seven brand new songs Friday to expand her critically acclaimed album KIKI. These tracks help the Phoenix-born and LA-based singer to show more seduction, spirit and soul than she has before.
The deluxe version includes the single “Only Fan” featuring Jacquees, on which lustful verses, airy guitar and a steady beat create a throwback R&B energy. The two artists sing back and forth as Jacquees’ falsetto reaches a hypnotic peak. The album now contains a bonus track, “Youth” featuring GRAMMY Award-winning blues rock artist Gary Clark Jr., who brings smooth vocals and a head-bobbing riff to the song.
KIKI was first released on April 3 and earned a spot in the Top 5 of the Billboard Top R&B Albums Chart, Top 5 of the Apple Music R&B/ Soul Albums Chart, Top 5 of the iTunes R&B/ Soul Albums Chart and Top 10 of the Apple Music Overall Albums Chart. It has garnered over 50 million streams and received praise from notable outlets such as ELLE, Billboard, Highsnobiety, Vibe and more.
Recently, Kiana Ledé teamed up with Usher for “This Day” from the Netflix original film Jingle Jangle: A Christmas Journey.
About Kiana Ledé
Just who is Kiana Ledé? On the one hand, you know her as a fierce and fiery force in R&B responsible for bangers such as the platinum-certified “EX,” “Mad At Me” and “Chocolate” feat. Ari Lennox and has received over 1 billion streams globally and praise from Complex, Vibe, Billboard, ROLLACOASTER Magazine and more. But, who is she? “KIKI,” she answers. On her aptly titled full-length debut, she reveals every side of herself: the vulnerability, the vitality, the anger, the lust, the loyalty, the joy, the darkness, and the truth as evinced on song.
Long before all of this, the songstress “from South Phoenix with Black, Mexican, Native American, and White ancestry” grew up between divorced parents. She played classical instruments and competed in pageants—but popped wheelies on dirt bikes and got under the hood to fix a car or two. Eventually, an adventurous spirit carried her from Arizona to Los Angeles where she began a journey that comes full circle in 2020.
As of late, 360 was able to spend some time with the newly reimagined Rolls-Royce Ghost at the illustrious Fairmont in Austin. Prior to our arrival, the staff and media representatives all tested negative for COVID-19.
Our room at the Fairmont was spacious and we had a gorgeous view of the city. The hotel was filled with modern art and had a number of amenities available for our enjoyment, including an outdoor pool which was fitted with chaise lounges alongside large cabanas which illuminated at night. The hotel compliments Austin’s identity as a city on the rise, and the Rolls Royce New Ghost is similarly ascendant. Both have been reimagined for an elevated, excellent future. Full of innovation and prosperity. During this event, we were ecstatic to be in the presence of friends, colleagues and advanced automotive architecture, and to be doing so safely. It was gratifying to come together and experience the Ghost’s artistry during this prolonged time of uncertainty.
The Rolls Royce New Ghost was designed with a client-centered approach and with technological advancements to drive with ease. It has been termed “future-focused with a minimal aesthetic.” CEO Torsten Müller-Ötvös describes this model as “the most technologically advanced Rolls-Royce yet.” It is offered in a variety of colors including Arctic White, Salamanca Blue, Tempest Gray and Gunmetal Gray. 360 had the experience driving Artic White, an electrifying yet brilliant shade certain to capture the attention of all.
360 Magazine President, Vaughn Lowery, said, “This vehicle is for an obsessive perfectionist, it’s a driver’s car – ergonomically fabricated for those who enjoy to drive or be driven.”
A team of specialists, engineers and craftsmen researched Ghost clients’ interests, opinions and taste patterns to meet drivers’ preferences. The style of the Ghost was created using the ‘Post Opulence’ philosophy, which designer Henry Cloke said is “about simplicity. [It’s] about something that doesn’t shout at you, but it whispers.”
Starting in the front, the bonnet has been lowered and tested for aerodynamics, which gives it a new look. The Spirit of Ecstasy hood ornament can be lowered or raised using controls from the driver’s seat, perfect for that personalized touch. The New Ghost’s dashboard is lighter than that of the first model, giving the vehicle an overall more spacious feeling. It features hundreds of illuminated lights that resemble a constellation surrounding the Ghost nameplate, lighting up an evening like stars do a night sky.
The interior contains open-pore wood accents, which create a relaxing and serene experience. The headliner is adorned with celestial fiber optic lights, which can be dimmed or brightened from the driver and passenger seats. Occasionally, you might catch a streak of light that mimics a meteor. It is truly a one of a kind visual experience.
The trunk is power-operated, completely carpeted (even under the lid) and provides ample space to store any and all belongings.
The 2021 Ghost is a new and improved style of its 2010 predecessor. Engineers combined dynamic highlights from the portfolios of numerous types of cars into this edition. It was formulated to remove as much energy transfer as possible from the road into the body with the goal of creating a smooth ride.
The Ghost was built with sound absorbing materials which reduced the level of noise inside. Touch enabled media screens fold in and out automatically from behind the driver’s and passenger’s seats, providing entertainment for those sitting in the back. Wooden trays emerge as well, ones that can be used with or without screens.
A bespoke audio design allows passengers to use dials on the rear doors to control the stereo volume to their preference. Beyond this, the back seats have headrest pillows and individual controls that allow you to move forward or backward, and design the back of the seat to your desired level of comfort. There is also a refrigerator located behind the center console in the rear seats, perfect for storing beverages on the go and the definition of opulence behind the wheel.
The inclusion of USB-C ports is another phenomenal addition, as well as the wireless charger in the arm rest. Though there is no AI system such as Amazon’s Alexa or Apple’s Siri, the tech was on-demand and had a hands-free bluetooth function, a wireless hotspot, and Rolls-Royce Assist at your beck and call. Rolls-Royce Assist connects to an emergency services call center if necessary.These are the standard technical features for the New Ghost, but each Rolls Royce can be configured to its unique driver to make it “a motor car that is yours, and yours alone.”
The New Ghost’s all-wheel drive and all-wheel steering makes driving easy, regardless of road conditions. The car is planted firmly to the ground and corners very well. It was built on Rolls-Royce aluminum spaceframe architecture, which has been adapted to make way for advancements. The steering is much stiffer and more precise than that of the first Ghost, and the braking is more powerful.
The Planar system increases agility through the Wishbone Damper unit above the front suspension assembly, which creates a secure and effortless ride; the Flagbearer system, which uses cameras to read the road and prepare the suspension system for any upcoming changes in the road surface; and the Satellite Aided Transmission, which uses GPS data to pre-select the optimum gear for approaching corners.
Furthermore, the New Ghost is equipped with a 6.75-litre, twin-turbo V12 engine. The doors open and close electrically, which made for an easy entrance and exit. Engineering Lead Jonathan Simms, said the team “pushed [their] architecture even further and created a car even more dynamic, even more luxurious and, most of all, even more effortlessly usable.”
The iconic Rolls-Royce logo on the wheels is weighted so that it is always facing upright. Also, the key color is customized to match the accents of the car, a note that will be appreciated by any driver looking for a personal touch. Other notes in the interior include the inside of the doors being completely leather and having an embossment of the Spirit of Ecstasy. A button on the rear doors allows passengers to shut them automatically from the inside, and a tap of the door handle will close them from the outside. There is also a hidden umbrella that pops out from the rear doors when needed.
With so many refined and client-centered designs, it is no wonder celebrities like Beyoncé and Floyd Mayweather have strong connections to the moniker. Beyoncé has her own 1959 Silver Cloud Rolls Royce convertible. In her most recent project, Black Is King — the musical film available on Disney+ for her 2019 album “The Lion King: The Gift” — the artist sits atop the hood of a cheetah print Rolls Royce to match the catsuit she is wearing in the scene. The boxing legend similarly showed off his automobile collection earlier this year, which includes at least six Rolls Royce’s. The Rolls-Royce is undoubtedly the most iconic brand in pop culture, including being the most mentioned brand in top-charting songs. The Ghost edition is particularly bold amongst Rolls-Royce’s many stars, and anyone seeking to solidify their luxurious lifestyle need look no further for their ride.
Experiencing this sophisticated and sleek model awoken all of our senses during this challenging time of introspection. The presence of beauty and craftsmanship gave us a feeling of hope as well as pride. Rolls-Royce has long set the bar on lavish vehicles, and the 2021 edition of the Rolls Royce Ghost is no exception. For those interested in a slice of the high life, the Ghost is the very definition of it.