Posts tagged with "Elton John"

Elton: Jewel Box

Elton John announces the forthcoming release of Elton: Jewel Box. Released on November 13th via UMe / EMI, Elton: Jewel Box is an unrivaled collection containing 148 songs spanning 1965 to 2019 on 8CD, 4LP, 3LP, 2LP, digital download, and streaming formats.

The ultimate exploration into Elton’s extensive back catalog, Elton: Jewel Box covers deep cuts, rarities from the earliest stages of his and Bernie Taupin’s musical journey, B-side spanning 30 years, and songs discussed in his best-selling, critically acclaimed 2019 memoir Me. The 8 CD boxset of buried treasures comes in a beautiful hardcover book with the discs housed in the back, all wrapped in an outer slipcase. Each section comes accompanied by extensive notes, including a track-by-track commentary by Elton for Deep Cuts. Three different LP collections are also available to pre-order now – a 4LP gatefold black vinyl set of Deep Cuts (curated by Elton himself), a 3LP gatefold black vinyl set of Rarities and B-side highlights, and a 2LP gatefold black vinyl set “And This Is Me…”. All audio was mastered at Abbey Road Studios by GRAMMY-winning mastering engineer Sean Magee. With an unprecedented number of previously unheard and unreleased tracks painstakingly excavated from deep within the UMG archives, this is the ultimate treasure trove for Elton John fans.

As a first taster of some of the many gems gathered within Elton: Jewel Box, “Sing Me No Sad Songs” is today unveiled for the very first time. Listen here. Previously unreleased, the track was written and recorded as a band demo in 1969. “Sing Me No Sad Songs” is a fascinating first taste of what was to come from Elton and lyricist Bernie Taupin, and one that mentions not one, but two, future smashes in its lyrics – “Sad Songs (Say So Much)” from 1984’s Breaking Heartsalbum and Elton’s first UK chart-topping single “Don’t Go Breaking My Heart” from 1976.

Speaking of the release, Elton says, “To delve back through every period of my career in such detail for Jewel Box” has been an absolute pleasure. Hearing these long lost tracks again, I find it hard to comprehend just how prolific Bernie and I were during the early days. The songs just poured out of us, and the band were just unbelievable in the studio. I always want to push forward with everything I do and look to the future, but having time during lockdown to take stock and pull these moments from my memory from each era has been a joy. As a devout record collector myself, this project has really excited me, and I couldn’t be happier with the level of craft involved in such a carefully curated, lovingly constructed boxset. I’m sure my fans will enjoy it as much as I have.”

Available to pre-order hereElton: Jewel Box compromises of the below formats:

Disc Guide

Discs 1 & 2: Deep Cuts – A selection of personal favorites, curated by Elton. The box set book includes a track-by-track commentary by Elton.

Discs 3, 4, and 5: Rarities 1965 -1971 – Elton’s much sought-after 1960s and early 1970s demos and music that cemented the foundations of the iconic Elton John / Bernie Taupin writing partnership. The compelling, previously unreleased, missing piece in his illustrious career. Daryl Easlea narrates this fascinating story with contributions from those who were there at the time. These discs encompass 65 songs, all but a few of which have been stored in the vaults for more than 50 years. Most of these demos were recorded during sessions before Elton was signed to a recording contract or released his first album. Also included are the first song ever written by Elton and his debut appearance on a record (both “Come Back Baby” – 1965), Elton and Bernie’s first composition (“Scarecrow” – 1967), and newly-unearthed piano/vocal demos of some of Elton’s most acclaimed songs from his early albums. The packaging appropriately contains rare archival artwork and select original lyric sheets.

Discs 6 & 7: B-Sides 1976-2005 – Non-LP tracks and flipsides, never before compiled together. 36 gems that are now given another chance to sparkle – 17 previously only available on vinyl, resulting in all of Elton’s studio B-sides now being offered digitally for the first time in his career.

Disc 8: And This Is Me . . . – To coincide with the release of the updated paperback edition of Me, the final collection celebrates the songs mentioned by name by Elton in his acclaimed autobiography, closing Jewel Box with the 2020 Academy Award-winning duet with Taron Egerton, “(I’m Gonna) Love Me Again.”

Elton: Jewel Box is yet another marker in an incredible few years for the world’s favorite singer-songwriter. Since the release of the ultimate greatest hits album Diamonds in 2017, Elton has undertaken a breathtaking 3 years of activity that are unmatched in their ambition, reach and impact across generations of music fans. Elton announced his record-breaking Farewell Yellow Brick Road tour at New York’s Gotham Hall in January 2018, with a typically forward-looking virtual reality spectacular. Encompassing 5 continents and over 300 dates, this 3-year-long tour started in September 2018 and marks his retirement from touring after more than 50 years on the road. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history. In 2019, the Farewell Tour was named Billboard’s Top Rock Tour and Pollstar’s Major Tour Of The Year. 2019 also saw the release of Elton’s critically acclaimed global bestselling autobiography, Me. The 2019 epic fantasy musical motion picture of Elton’s life, Rocketman, has been a commercial and critical hit, taking over $200m at the box office. It has won an Oscar, 2 Golden Globe Awards, and a Critics’ Choice Award, and garnered BAFTA nominations. Its soundtrack was also nominated for a GRAMMY Award. 2019 also saw Elton awarded the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS.  He was also honored with both a Royal Mail stamp collection and Royal Mint coin collection. Diamonds, the ultimate greatest hits package of Elton and Bernie, has spent a staggering 148 consecutive weeks in the UK album charts, including 29 weeks in the Top 20 in 2020 alone, selling over a million copies worldwide in the process and recently reaching double-platinum status in the UK.

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts, and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections, and the greatest hits. And now, with Elton: Jewel Box, fans finally have the treasure trove of previously unheard and unreleased tracks they have been waiting for from the world’s favorite singer-songwriter.

About Elton John:

Elton’s career achievements to date are unsurpassed in their breadth and longevity. Elton is one of the top-selling solo artists of all time, with 1 diamond, 40 platinum or multi-platinum, 23 gold albums, over 50 Top 40 hits, and he has sold more than 300 million records worldwide.

He holds the record for the biggest-selling single of all time, “Candle in the Wind 1997,” which sold over 33 million copies. Diamonds, the Ultimate Greatest Hits album, reached the Top 5 of the UK album charts on its release in November 2017, becoming Elton’s 40th UK Top 40 album in the process. This release celebrated 50 years of his songwriting partnership with Bernie Taupin. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history, having logged 67 entries, including nine No. 1 singles and 27 Top 10s.

Among the many awards and honors bestowed upon him are six GRAMMYs, including a GRAMMY Legend Award, a Tony and two Oscars, a Best British Male Artist BRIT Award, induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, the Kennedy Center Honor, Legend of Live Award, 13 Ivor Novello Awards between 1973 and 2001, and a knighthood from HM Queen Elizabeth II for “services to music and charitable services.”

In 1992, Elton established the Elton John AIDS Foundation, which today is one of the leading non-profit HIV/AIDS organizations and has raised over $450 million to date in the global fight against HIV/AIDS. In June 2019, President Emmanuel Macron presented Elton the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS. Elton was awarded the Companion of Honour in the 2020 New Year Honours list. The highest acknowledgment in the list, Elton, became one of only 64 people to hold the honor. September 2019 saw The Royal Mail issue a set of 12 stamps as a tribute to Elton being one of the most popular and enduring music artists of all time. Elton is one of only two individual music artists to be featured in a dedicated stamp issue. In July 2020, the Royal Mint released an Elton John commemorative coin, the second in their music legends series, to celebrate “one of the most successful and enduring artists of all time.”

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Maria Soloman illustration of Elton John for 360 MAGAZINE.

Elton John × Stevie Wonder – Finish Line

Elton John and Stevie Wonder have unveiled “Finish Line,” the latest song to be released from forthcoming album The Lockdown Sessions. Listen HERE. A collection of collaborations recorded remotely over the last 18 months, The Lockdown Sessions is a dazzlingly diverse array of 16 tracks that celebrate togetherness and sees Elton collaborating with an unparalleled range of artists only he could draw together. It will be released on October 22nd via Interscope Records and is available to pre-order HERE.

Just last week Elton unveiled the second track to be taken from ‘The Lockdown Sessions,’ “After All” with Charlie Puth. A classic, soulful ballad, the track showed a delicious counterpart to previous single, and burgeoning global hit, “Cold Heart (PNAU Remix)” with Dua Lipa. And now, with “Finish Line” Elton and Stevie Wonder have revealed another fully realized side to the multifaceted ‘The Lockdown Sessions.’ A stunning gospel infused track, with Stevie’s unmistakable vocals and trademark harmonica, the song features The Sunday Service Choir, Kanye West’s renowned Gospel Choir. Previous collaborations between the pair have included “I Guess That’s Why They Call It The Blues” (featuring Stevie on harmonica) and the Burt Bacharach and Carole Bayer Sager penned “That’s What Friends Are For” (a 1985 charity record also featuring Dionne Warwick and Gladys Knight), but “Finish Line” is the first time that these two undeniable greats of popular music have dueted together. The resulting track is well worth the wait, a timeless song worthy of either man’s oeuvre. 

“Finish Line” is produced by GRAMMY Award winner Andrew Watt. In line with the rich and varied sonic palette that makes up ‘The Lockdown Sessions,’ the creation of the track was equal parts kismet and hard work, born out of mutual artistic respect and a fifty-year friendship. Watch HERE as Elton and Andrew Watt discuss the making of “Finish Line” in a preview of this Saturday’s Rocket Hour, airing on Apple Music 1.

Speaking of the collaboration, Elton said: “I couldn’t be more proud of ‘Finish Line’: I’d go as far as to say it’s one of the best records I’ve ever made. Stevie’s voice is as good as I can ever remember hearing him – he sounds like a 17-year-old again, he’s singing with a sheer joy and exuberance in his vocals. Andrew Watt has done an unbelievable job on the production. It was a magical process. I’ve always loved collaborating with Stevie, and I’m delighted that after fifty years of friendship we finally get to do a full blown duet. He has always been so kind and sweet to me, and his talent is beyond ridiculous. When you listen to what he does vocally and instrumentally on ‘Finish Line’ you think, this is a true genius here.”

Stevie Wonder said: “It is both a joy and honor to sing, play piano and harmonica for Elton! He has truly been one of the great spirits of music, life, friendship and love, who I’ve met on this life journey! True artistry and music like love equals a forever commitment lasting many lifetimes. And Elton, anyone who hears your voice singing “Finish Line”, will hear and feel your wisdom, your pain, your soul, your love, but also your resilience…  I love it!! Congratulations to you and our forever and never, never-ending music, friendship, life-song! Long live Sir Elton John!!! (big smiley face!)”

In further Lockdown Sessions news, Elton and Charlie Puth appeared together on stage at the Global Citizen event in Paris last weekend to perform their duet “After All.” Watch HERE. This global charitable 24-hour event saw some of the world’s biggest artists and global leaders come together to defend the planet and defeat poverty. This is a part of Global Citizens campaign, a Recovery Plan for the World, which focuses on COVID-19, ending the hunger crisis, resuming learning for all, protecting the planet; and advancing equity for all.

Dua Lipa image by Gregg Kemp from Christine Wolff at U Music for use by 360 Magazine

Elton John × Dua Lipa

The Blessed Madonna Remix of “Cold Heart” Unveiled

Listen Here

Watch Visualiser Here

Original Version of “Cold Heart (PNAU Remix)” Taken from ‘The Lockdown Sessions’, a Forthcoming Album of Collaborations Recorded in Lockdown Released on  October 22nd via Interscope Records

AVAILABLE TO PRE-ORDER NOW

Elton John and Dua Lipa have today unveiled The Blessed Madonna’s Remix of “Cold Heart” with Dua Lipa. The Blessed Madonna first came to Elton’s attention as a consistently uncompromising voice with the electronic music community, remixing a wealth of his favorite artists. Her music has become a regular fixture on Elton’s Apple Music Rocket Hour show and she has been high on his wish list of collaborators since. The Blessed Madonna is also no stranger to Dua Lipa, having co-curated Dua’s ‘Club Future Nostalgia’ album and remixed her global hit “Levitating.” It’s a combination that’s a completely natural fit and has been a long, long time in coming. The results do not disappoint. Listen here.

Already growing into a bonafide international hit record in its own right, the original album version of “Cold Heart (PNAU Remix)” is taken from Elton’s eagerly anticipated ‘The Lockdown Sessions.’ A 16-track album of collaborations recorded remotely over the last 18 months, ‘The Lockdown Sessions’ will be released on October 22nd via Interscope Records.

Speaking of the remix, The Blessed Madonna says: “Like just about everyone on the planet, I stand in awe of Elton John and Dua Lipa. It was such an enormous honor to be asked to be a part of their collaboration which is such a beautiful project. I immediately loved the song and I tried very hard to do it justice. It is nothing but pure joy to be in the orbit of these icons and their great big, warm beautiful hearts. I appreciate all of you listening.

The Blessed Madonna remix of “Cold Heart” is accompanied by a bespoke visualizer – with motion graphics artist James Stevens remixing the stunning official video for “Cold Heart (PNAU Remix)” created by Hamburg based animator and director Raman Djafari. Watch the visualizer here. A beautifully animated, trippy journey, the visuals form a fabulous counterpart to the video for the original song. 360 Magazine is really impressed by the beautiful graphic work in the music video which gives an animate feeling for the younger generation to be interested in. 

Also today, tickets for the London date of Elton’s ‘Farewell Yellow Brick Road – The Final Tour’ go on general sale to the public. BST Hyde Park will host this historic show on Friday, June 24, 2022.        

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections, and the greatest hits. And now with ‘The Lockdown Sessions’ available in digital formats, fans can enter Elton’s new world which is no doubt another fitting addition to his oeuvre.

The Lockdown Session Cover art via Rogers and Cowan PMK for use by 360 Magazine

Elton John – The Lockdown Sessions

Elton John has announced the forthcoming release of The Lockdown Sessions. An album of collaborations recorded remotely over the last 18 months, The Lockdown Sessions, will be released on October 22nd via Interscope Records.

Available to pre-order HERE

In March 2020 Elton was forced to pause his record breaking Farewell Yellow Brick Road tour due to the unfolding COVID pandemic. As the world began to shut down, different projects presented themselves with artists Elton had enjoyed getting to know through his Apple Music show Rocket Hour. This was the beginning of one of Elton’s boldest and most interesting records to date that he has billed ‘The Lockdown Sessions’. This album saw Elton coming full circle and returning to his roots as a session musician. While it was no easy feat recording during a pandemic, a completely new way of working for Elton, he leaned into the challenge with some magnificent results.

Kicking off with current single “Cold Heart (PNAU Remix)” with Dua Lipa, the album takes the listener on a heady journey through many different genres, all held together with expert finesse and understanding by one of the greatest champions of music of our time. Much more than a mere collaboration album, ‘The Lockdown Sessions’ is a dazzlingly diverse collection of 16 tracks with 10 brand new unreleased tracks that celebrates togetherness and sees Elton collaborating with an unparalleled range of artists only he could draw together. The enduring influence of his musical milestone with one of the most ambitious projects ever conceived. An unprecedented 20+ artists feature spanning an unbelievably vast range of genres, generations, cultures, continents and more, each contributing a unique style to the album that is sure to hold its place amongst one of pop and rock’s greatest songbooks. The Lockdown Sessions sees Elton collaborate with GRAMMY Award winning producer Andrew Watt on five of the tracks.

In Elton’s words: “The last thing I expected to do during lockdown was make an album. But, as the pandemic went on, one‐off projects kept cropping up. Some of the recording sessions had to be done remotely, via Zoom, which I’d obviously never done before. Some of the sessions were recorded under very stringent safety regulations: working with another artist, but separated by glass screens. But all the tracks I worked on were really interesting and diverse, stuff that was completely different to anything I’m known for, stuff that took me out of my comfort zone into completely new territory. And I realised there was something weirdly familiar about working like this. At the start of my career, in the late 60s, I worked as a session musician. Working with different artists during lockdown reminded me of that. I’d come full circle: I was a session musician again. And it was still a blast.”

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections and the greatest hits. And now with The Lockdown Sessions available on digital formats, fans can enter Elton’s new world which is no doubt another fitting addition to his oeuvre.

Tracklist

  1. Elton John & Dua Lipa – Cold Heart (PNAU Remix)
  2. Elton John, Young Thug & Nicki Minaj – Always Love You
  3. Surfaces feat. Elton John – Learn To Fly              
  4. Elton John & Charlie Puth – After All  
  5. Rina Sawayama & Elton John – Chosen Family
  6. Gorillaz feat. Elton John & 6LACK – The Pink Phantom
  7. Elton John & Years & Years – It’s a sin (global reach mix)
  8. Miley Cyrus feat. WATT, Elton John, Yo-Yo Ma, Robert Trujillo & Chad Smith – Nothing Else Matters
  9. Elton John & SG Lewis – Orbit                                 
  10.   Elton John & Brandi Carlile – Simple Things           
  11.   Jimmie Allen & Elton John – Beauty In The Bones            
  12.   Lil Nas X feat. Elton John – One Of Me
  13.   Elton John & Eddie Vedder – E-Ticket
  14.   Elton John & Stevie Wonder – Finish Line   
  15.   Elton John & Stevie Nicks – Stolen Car                   
  16.   Glen Campbell & Elton John – I’m Not Gonna Miss You

About Elton John

Elton’s career achievements to date are unsurpassed in their breadth and longevity. Elton is one of the top- selling solo artists of all time, with 1 diamond, 40 platinum or multi-platinum, and 23 gold albums, over 50 Top 40 hits, and he has sold more than 300 million records worldwide. He holds the record for the biggest-selling single of all time, “Candle in the Wind”, which sold over 33 million copies. Diamonds, the Ultimate Greatest Hits album, reached the Top 5 of the UK album charts on its release in November 2017, becoming Elton’s 40th UK Top 40 album in the process. This release celebrated 50 years of his songwriting partnership with Bernie Taupin. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history, having logged 67 entries, including nine No. 1s and 27 Top 10s. Elton announced the ‘Farewell Yellow Brick Road’ tour at New York’s Gotham Hall in January 2018.

Encompassing 5 continents, and over 350 dates, this 3-year-long tour started in September 2018 and marks his retirement from touring after more than 50 years on the road. In 2019 it was named Billboard’s Top Rock Tour and Pollstar’s Major Tour Of The Year. To date, Elton has delivered more than 4,000 performances in more than 80 countries since launching his first tour in 1970. 2019 also saw the release of ‘Rocketman’ and global bestselling autobiography, ME. An epic fantasy musical motion picture of Elton’s life, Rocketman has been a commercial and critical hit, taking close to $200m at the box office. It has won an Oscar, two Golden Globe Awards and a Critics’ Choice Award and garnered BAFTA nominations. Its soundtrack was also nominated for a GRAMMY Award.

image from Christine Wolff by Dave Bennett for use by 360 Magazine

ELTON JOHN × DUA LIPA × PNAU — COLD HEART

Elton John and Dua Lipa have today unveiled their new collaboration “Cold Heart (PNAU Remix).” The track is available now HERE.

A joyous and blissful dance cut, “Cold Heart” sees two of the world’s most celebrated artists come together on record for the first time. The seed of the collaboration was planted after Dua invited Elton for an Instagram live discussing his experiences with Studio 54 ahead of her remix album Club Future Nostalgia. A shared respect and subsequent friendship blossomed which saw Elton appear as a guest on Dua’s record breaking Studio 2054 live stream. Dua subsequently performed at The Elton John AIDS Foundation Academy Awards Viewing Party, which raised over $3 million for the Foundation. Driven by the restrictions of lockdown and a renewed passion for collaboration, Elton reached out to Dua to work on new music together remotely.

The results of those sessions certainly live up to the billing. “Cold Heart” is at once instantly recognizable and yet thoroughly contemporary—a modern dance floor filler based on four of Elton’s classic tracks expertly spliced together by Australian electronic band and producers PNAU—“Kiss The Bride” (originally from 1983 album Too Low For Zero), “Rocketman” (from 1972’s Honky Chateau), “Where’s the Shoorah?” (from 1976 double album Blue Moves) and “Sacrifice” (from 1989’s Healing Hands). PNAU previously achieved an acclaimed UK number 1 in 2012 with the Elton Versus PNAU album Good Morning to the Night.

Elton John says: “The last 18 months have been hard, but being off the road has meant that I’ve actually had time to get back to my roots as a session player and collaborate with some wonderful artists. And having the opportunity to spend time with Dua, albeit remotely has been incredible. She’s given me so much energy. She’s a truly wonderful artist and person, absolutely bursting with creativity and ideas. The energy she brought to ‘Cold Heart’ just blew my mind.”

Dua Lipa says: “Ever since we first ‘met’ online, we totally clicked. Elton is such an inspirational artist and also has the naughtiest sense of humor—a perfect combination. It has been an absolute honor and privilege to collaborate on this track with him. It’s so very special, with some of my very favorite Elton John classic songs combined—I loved being part of such a creative and joyous experience. Can’t wait to hear it everywhere this summer.”

PNAU say: “Setting a stage for the two greatest performers in the world today Sir Elton John and Dua Lipa, we knew we had to go in deep, take them into our world, the psychedelic laser black lit club. Where all of us can meet on the dance floor, forget the outside and lose ourselves in the healing waters of music and love eternal.”

The single is accompanied by a stunning video created by Hamburg based animator and director Raman Djafari. Watch the video HERE. The video sees animated versions of Elton and Dua stepping into a dynamic and euphoric world before separating as their planets drift apart. A beautifully drawn, wistful and, at times, trippy parallel to the last year and a half in lockdown, the video reaches its moving and joyous climax as the characters are reunited.

After 18 months when many artists have battened down the hatches and waited for the covid clouds to lift, Elton and Dua have continued to push boundaries and defy any expectations. And with the release of ‘Cold Heart (PNAU Remix)’ the world has the perfect optimistic and joyous summer anthem to usher back the good times.

ABOUT ELTON JOHN:

Elton’s career achievements to date are unsurpassed in their breadth and longevity. Elton is one of the top-selling solo artists of all time, with 1 diamond, 40 platinum or multi-platinum, and 23 gold albums, over 50 Top 40 hits, and he has sold more than 300 million records worldwide. He holds the record for the biggest-selling single of all time, “Candle in the Wind 1997,” which sold over 33 million copies. Diamonds, the Ultimate Greatest Hits album, reached the Top 5 of the UK album charts on its release in November 2017, becoming Elton’s 40th UK Top 40 album in the process. This release celebrated 50 years of his songwriting partnership with Bernie Taupin. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history, having logged 67 entries, including nine No. 1s and 27 Top 10s. Elton announced the ‘Farewell Yellow Brick Road’ tour at New York’s Gotham Hall in January 2018.

Encompassing 5 continents, and over 350 dates, this 3-year-long tour started in September 2018 and marks his retirement from touring after more than 50 years on the road. In 2019 it was named Billboard’s Top Rock Tour and Pollstar’s Major Tour Of The Year. To date, Elton has delivered more than 4,000 performances in more than 80 countries since launching his first tour in 1970. 2019 also saw the release of Rocketman and global bestselling autobiography, ME. An epic fantasy musical motion picture of Elton’s life, Rocketman, has been a commercial and critical hit, taking close to $200m at the box office. It has won an Oscar, two Golden Globe Awards and a Critics’ Choice Award and garnered BAFTA nominations. Its soundtrack was also nominated for a GRAMMY Award.

ABOUT DUA LIPA:

Since the release of her first single in 2015, Dua Lipa has become one of the music world’s hottest young artists. Her eponymous debut album has eclipsed 6 million sales worldwide, with overall global single sales reaching 80 million and with over 8 billion streams on Spotify alone. She made BRIT Award history in 2018 as the first female artist to pick up five nominations, with two wins for British Breakthrough Act and British Female Solo Artist. She then went on to receive two Grammy awards for Best New Artist and Best Dance Recording for “Electricity,” her collaboration with Silk City the following year.

Her sophomore album Future Nostalgia was released in March 2020. It has now exceeded 4 million sales worldwide, has been certified platinum in the UK, US, Brazil, France and many more territories and includes the massive worldwide hits “Don’t Start Now,” “Physical,” “Levitating” and “Break My Heart.” Dua currently tops Spotify’s artist chart as the most streamed female artist on the platform and is the fourth biggest artist overall with over 66 million monthly listeners. Future Nostalgia now has 7 billion streams across all platforms worldwide. Dua received 6 nominations at the 2021 Grammy Awards, winning the award for Best Pop Vocal Album. She also scooped ‘Best Solo Female’ & ‘Album of the Year’ at the 2021 BRIT Awards, making her a 5-time BRIT Award winner. Future Nostalgia has spent 50 weeks in the UK Top 10 since release.

ABOUT PNAU:

PNAU is the multi-platinum-selling, ARIA award-winning electronic act of Nick Littlemore (Empire of the Sun, Vlossom, Teenager), Peter Mayes and Sam Littlemore, famed for their extensive career born out of the underground clubs and festival dancefloors of Australia. PNAU also hold the acclaimed title of giving Elton John his first UK No.1 album in 22 years when they collaborated with the legendary Rocketman on the 2012 album Good Morning To The Night. With a catalogue of their own hits and multiple albums behind them, PNAU have enjoyed a powerful renaissance over the past few years, with multi-platinum hits “Go Bang” and “Chameleon” becoming inescapable on the airwaves in their home country of Australia and climbing the Billboard Dance charts in the U.S. 2019 singles “Solid Gold” and “All Of Us,” embedded PNAU as the most cutting edge electronic act to watch on a global scale, finding a loyal fan base amongst the most influential decision makers at BBC Radio 1, triple j and streaming services across the globe.

by KidRobot for use by 360 MAgazine

KIDROBOT × SDCC VIRTUAL CON EXCLUSIVES PREVIEW

KIDROBOT UNVEILS SDCC 2021 VIRTUAL CON EXCLUSIVES

Kidrobot is bringing the Comic Con Exclusives to you with the Kidrobot SDCC 2021 Virtual Con. This special online-only event starts July 23rd at 10am MT / 12pm ET.

Starting Friday, July 23rd at 10am MT, Kidrobot will begin pre-orders for 3 exclusives. Once they sell out, they are gone for good.  First to complete check out get them.

  • The Stars My Destination 8″ Astronaut Dunny

SDCC Exclusive ORION Edition

From the dawn of space exploration to current and ongoing missions… Here’s to space travel! This summer, Kidrobot takes one giant leap for DUNNY transporting us to a new destination with the first Astronaut The Stars My Destination “ORION” 8-inch Dunny. Dunny is prepared to explore the extraordinary in a fabric Kidrobot Dunny Astronaut space suit and shielded helmet. 3… 2… 1… Blastoff! Coming 2021 from Kidrobot.

Limited edition of 500 pieces, $100 each

  • Backstab Smorkin’ Labbit 14″ Plush by Frank Kozik
    SDCC Exclusive Black Edition

Perhaps he was involved in a hideous kitchen accident. Or maybe he was betrayed by his closest friend. Either way, this 14” plush Backstab Smorkin’ Labbit seems entirely unfazed by the (removable) knife protruding from his back.

Labbit is a smoking, unshaven rabbit character created by legendary pop artist & Kidrobot Chief Creative Officer, Frank Kozik. Originally featured in Kozik’s famous nineties rock poster art, Labbit and his signature butthole (pink satin-lined in this instance) were adopted by Kidrobot in 2003. This beloved chain smoker is a born classic. But who cares? Labbit doesn’t.

Limited edition of 1000, $34.99 each

  • Kidrobot x Elton John “Goodbye Yellow Brick Road” Satin Jacket SDCC Exclusive

Pulled from the cover of Elton John’s bestselling album to date, this bomber jacket inspired by the one on Goodbye Yellow Brick Road is a style sensation worthy of the legend himself! Shiny pink satin with dazzling glitter embroidery reads “ELTON JOHN” across the back and features 2 pockets plus green-and-white striped knit trim. Polyester, fully lined.

Limited edition of 900 pieces, $150 each

GET MORE INFO AND FAQS AT KIDROBOT.

ABOUT KIDROBOT
Founded in 2002, Kidrobot is acknowledged worldwide as the premier creator and dealer of limited-edition art toys, signature apparel, and lifestyle accessories. An innovative cross between sculpture and conceptual art Kidrobot offers not only a powerful medium for today’s international designers, illustrators, and artists, but also the creative canvas for emerging street trends and pop art. Our products can be found online and in select retailers worldwide.

by KidRobot for use by 360 Magazine

by KidRobot for use by 360 Magazine

by KidRobot for use by 360 Magazine

Music note illustration by Heather Skovlund for 360 Magazine

JIMMY JAM & TERRY LEWIS – JAM & LEWIS VOLUME 1

Jimmy Jam & Terry Lewis are no strangers to the top of the charts. However, this time they’ve returned as artists for the first time in their storied career!

This past weekend, the Grammy-Award winning legendary production duo recently turned artists took over Apple Music when their anxiously awaited debut album, Jam & Lewis Volume One [BMG], captured #1 on the Apple Music Overall Top Albums Chart. It is available here. The record is also on track for an impressive debut on multiple Billboard charts.

At the same time, the latest single “Somewhat Loved (There You Go Breakin’ My Heart),” [with the multi-platinum, multiple Grammy award winning, New York Times #1 Best Selling author and global superstar Mariah Carey] has risen to #16 at radio, according to Mediabase. Of the latter, Billboard wrote, “A subtle piano vibe before a heartbeat and finger-snap beat bubbles up. By the time the chorus kicks in, the song fattens up with a ticking, bass-heavy thump as Carey croons.” It followed on the heels of “He Don’t Know Nothin’ Bout It” [with Babyface], which held a spot in the Top 5 of the Billboard Top R&B Songs Chart for a staggering 16 weeks and has spent nearly a half year in the top 10.

Songs from the album have notably gathered 5 million-plus cumulative streams and counting thus far. Among its blockbuster guest list, Volume 1 also includes Mary J. Blige, Boyz II Men, Toni Braxton, Usher, and more.

Inciting unanimous critical applause, The New York Times attested, “Jam & Lewis Shaped Pop History. They’re Working on Its Future, Too,” and Variety claimed, “This first volume boldly takes the pair all the way back to their flashy, funky time with the Time in its use of Morris Day and Jerome Benton, as well as presenting Mariah Carey, Toni Braxton, Usher and Mary J. Blige in the most dramatic and elegantly soulful settings.” In a four-star review, The Guardian summed it up best as “worth the 40-year wait.”

In other chart news, Jam & Lewis currently hold four entries in the Top 20. As co-writers with H.E.R. on the Double Platinum “Damage.” from her recent #1 album Back Of My Mind, as well as the #8 song on the chart, “Cascade,” with former Mint Condition front man Stokley. Mariah Carey, Babyface, and Stokley’s songs are all affiliated with Jam & Lewis’ Flytetyme/ Perspective label, marking two songs in the Top 10 and three in the Top 20 of the Billboard Adult R&B chart.

Jimmy Jam & Terry Lewis have had an unprecedented career as producers, with five GRAMMY Awards, over 100 Platinum certifications, and 16 Billboard Hot 100 Number Ones. They’ve worked with legendary artists including Elton John, Lionel Richie, and Patti LaBelle, composed music for TBS and TNT networks’ NBA basketball broadcasts, as well as the theme to the opening ceremonies of the 1996 Summer Olympic Games. The duo has been inducted into the Songwriters Hall of Fame, received an NAACP Image Award, star on the Hollywood Walk Of Fame and were recently nominated for a Primetime EMMY Award in “Outstanding Music Direction.”

After 40 years, Jam & Lewis are just getting started!

JAM & LEWIS VOLUME ONE TRACK LIST:

  1. ‘Til I Found You (Ft. Ann Nesby, James “Big Jim” Wright, Lauren Evans & Sounds Of Blackness)
  2. Spinnin (Ft. Mary J. Blige)
  3. The Next Best Day (Ft. Boyz II Men)
  4. Somewhat Loved (There You Go Breakin’ My Heart) (Ft. Mariah Carey)
  5. He Don’t Know Nothin’ Bout It (Ft. Babyface)
  6. Happily Unhappy (Ft. Toni Braxton)
  7. Maybe I’ve Changed (Or Did You) (Ft. Heather Headley)
  8. Do What I Do (Ft. Charlie Wilson)
  9. Do It Yourself (Ft. Usher)
  10. Babylove (Ft. Morris Day, Jerome, & The Roots)

Follow Jimmy Jam & Terry Lewis:

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by Tom Odell for use by 360 Magazine

TOM ODELL – MONSTERS

Tom Odell new studio album monsters out now

2022 North American Tour Announced, Fan Pre-Sale Tuesday July 13 at 12PM EST

Away from all the noise of his various successes – three UK top 5 albums including the platinum-selling, chart-topping Long Way Down; two top 10 singles; a 2013 Brit award for Critic’s Choice – there’s one thing that’s always kept Tom Odell grounded: songwriting. A classic songwriter in the mould of Elton John (who’s a big fan, actually), Odell – who was awarded a prestigious Ivor Novello for Songwriter of the Year in 2014 – relied on his passion more than ever when it came to crafting his fourth album, the pop-leaning, emotionally-healing monsters out today, July 9 via Sony Music UK/RCA Records.

Today, Odell also announces that his 2022 North American tour dates will go on sale Tuesday, July 13 to fans via pre-sale at 12 noon EST/9am PST, with general tickets available for purchase next Friday, July 16 at 10 am local time. Visit the official website for more information.

Tom Odell’s new song out today “over you yet” has him lamenting a past relationship which he painfully cannot disconnect from. While the subject matter can be heavy, there’s a lightness of touch that means he is able to pull off pop’s greatest trick – hiding sadness in bright, joyful melodies.  The track is subtly embraced by his newfound love of DIY electronic pop with its beat-driven melancholic production.

After a dark period of mental health stalked most of his 2018 and 2019, Odell wrote his way through it, eventually letting down his guard and pouring his feelings on everything from anxiety to capitalism, toxic masculinity to politics, into a 16-track opus that feels like both a daring creative rebirth and a solidifying of Odell’s strengths. It’s all there in the opening song and album lead single, “numb” which opens with Odell’s unadorned vocal over sparse piano – “I hold my hand over the flame, to see if I can feel some pain,” he sings – before eerie, wheezing electronics and layers of clipped beats cloak the song in a sticky sadness.

“I was writing songs like I always did, but it wasn’t until I started writing about stuff that was contributing to my mental health problems that I felt like a record was forming,” he says of the album – his first since 2018’s 70s rock-leaning Jubilee Road, which was started in May 2019 and finished in Odell’s home studio between lockdowns in 2020. That thematic turning point came in the shape of the single “monster,” which like the album’s lead single “numb” confronts that sentiment head on. With the sky-scraping chorus (“you’re just a monster and I’m not scared”) initially inspired by Trump, and more specifically climate change activist Greta Thunberg staring him down at the UN Climate Summit in 2019, the song soon morphed into something more abstract, a self-help mantra for Odell’s ongoing battle with anxiety. “It’s about trying to tell myself that this thing I’m feeling is not real,” he says. “It always used to happen in bathrooms – I’d be out somewhere and then I’d walk to the bathroom and my heart would go at a million miles per hour and I’d feel like I was about to collapse, and I’d try to tell myself it was fine. That it will pass. That it’s a state of mind.”

Odell has been working as a musician in the public eye since he was 21 when self-penned debut album Long Way Down earned him a number 1 album, a top 10 single, the epic “Another Love and a Brit Award. Now, 30, it’s clear to Odell that the whirlwind around his debut kick-started a work ethic that eventually became an obsession. “Just wanting to completely lose myself in it but to a damaging extent I think.” It reached an apex in September 2019 when Odell, fresh off touring Jubilee Road, went straight to LA to start writing the next album. “Then this chronic anxiety that I’d had for a couple of years just got worse – I was very lonely, I was drinking way too much, and it just got really bad.” He takes a deep breath. “I was taking Valium every day to try and just not have a panic attack. I was seeing multiple psychologists over there.” Plans were made to fly to Nashville to work with producer Mike Elizondo (Fiona Apple, Twenty One Pilots) but were swiftly cancelled after Odell woke up one morning “and I couldn’t do anymore music.”  He knew something had to change. “It was like I’m going to end up with something terrible happening,” he sighs. “I used to sit on Santa Monica beach and look at the planes taking off from LAX and just dream of being on one.” In the end he flew back home, went straight to his parent’s house, and slowly got better. “That was the point I started writing these songs.”

Slowly but surely, Odell turned that challenging experience into a new album. He also realized his broader lyrical horizons needed to be matched by a musical expansion, with a lot of the songs on the album – created alongside songwriter Laurie Blundell and producer Miles James – leaning into a more electronic, bedroom pop sound that Odell has steadily become obsessed with over the last few years. It wasn’t always that way, mind you. “I really turned my nose up at anything that was made on a computer,” he laughs. “I just didn’t like pop music. Some of that was my issue and some of it was that pop music wasn’t that good four or five years ago – it’s so interesting now. I hear lyrical subjects that I don’t think anyone’s heard in pop music before. I felt like I was getting caught up in that fire and suddenly I was so excited.” This newfound love of DIY electronic pop chimed with the pandemic’s arrival and songs were crafted in a more threadbare way around instruments he had at hand, like Moog synths. It was a move underpinned by both necessity and a desire to explore.

“It was the inhibition of not being able to use a full band that pushed things forward,” he says. So eerie synths and head-rattling beats augment the frayed-around-the-edges, impassioned rallying cry of “fighting fire with fire” (“I’m sick of white messiahs”), while “money” – which rails against society’s obsession with capitalism, while also pointing at the reflection in the mirror – is built around a driving pulse of echo-laden beats and crunchy, metallic percussion. On “numb,” inspired by experimental musician Mica Levi’s soundscapes, synthetic textures are painstakingly fused with acoustic flourishes. “I would say there was this period before it all unraveled in LA where I was just disconnected,” he says of the lyrical inspiration for “numb.”  “I felt bogged down, like I was beginning to lose that sense of lightness.”

fighting fire with fire,” “numb” and “monster” also touch on ideas around prevailing toxic masculinity and its effects on body-image issues. “On ‘monster,” I like the idea that I’m singing the chorus to myself – this idea of body image and never being good enough. You look in the mirror and it’s like ‘you’re just a monster.’ Those low self-esteem moments that we all have.” That theme also permeates the fragile, heart-breaking piano ballad and future single, lose you again, which pores over a fractured relationship and rails at the stoicism that bleeds out of men being afraid to show their feelings. Continuing to hide sadness in bright, joyful melodies is the buoyant pop shimmer of me and my friends, inspired by a homeless person Odell met briefly in LA who called him out on his patronizing need to help her, and the pastoral, 60s-inspired guitar that flutters around the broken tales of the lush tears that never dry.

As a testament to his enduring popularity, Tom Odell was invited to perform on BBC1’s Graham Norton TV show, and  more recently he appeared on the The Late Late Show with James Corden with another intimate performance.  At the same time, Odell’s fan base continues to grow exponentially with his new sound and direction. He has gained over 4 million new monthly listeners since the start of the year, with two thirds of his audience under 25. Despite joining TikTok relatively recently, his heavily engaged videos have been viewed over 15 million times, and his first ever single “Another Love” has had a resurgence in popularity amongst a new generation, becoming a viral hit and entering the UK official singles charts again.

Four albums into his career and Tom Odell has made a record that feels free of expectation, free of other people’s perceptions of who he is as an artist. While it was darkness that inspired him, he has managed to transform that into a multi-layered, genre-bending pop album full of light, and hope, even in the strangest of times. monsters also represents the start of chapter two in Odell’s ongoing musical journey. “I feel like I’ll be doing this for as long as I can,” Odell smiles. “I also feel like I do it for the right reasons – because I love making music.” He’s confident, too, after a difficult few years lost in the wilderness. “I feel like I’ve got shit to say and I’m good at what I’m doing now.”

monsters track listing

  1. numb
  2. over you yet
  3. noise
  4. money
  5. tears that never dry
  6. monster v.2
  7. lockdown
  8. lose you again
  9. fighting fire with fire
  10. problems
  11. me and my friends
  12. country star
  13. by this time tomorrow
  14. streets of heaven
  15. don’t be afraid of the dark
  16. monster v.1

2022 North American Tour Dates

Tickets for Fan Pre-Sale starts July 13 at 12PM EST /9AM PST

General Tickets Sales on July 16 at 10 am Local Time

Thu/Mar-31                     Vancouver, BC               Commodore Ballroom

Fri/Apr-1                          Seattle, WA                    Neumos

Sat/Apr-2                         Portland, OR                  Doug Fir Lounge

Mon/Apr-4                      San Francisco, CA           August Hall

Wed/Apr-6                      Los Angeles, CA              The Fonda Theatre

Fri/Apr-8                          Salt Lake City, UT           The Complex – Grand Room

Sat/Apr-9                         Denver, CO                     Bluebird Theater

Mon/Apr-11                     Minneapolis, MN              The Cedar

Tue/Apr-12                      Chicago, IL                      Thalia Hall

Thu/Apr-14                      Toronto, ON                     Danforth Music Hall

Fri/Apr-15                        Montreal, QB                   L’ Astral

Sat/Apr-16                       Boston, MA                     Paradise Rock Club

Tue/Apr-19                      New York, NY                  Webster Hall

Wed/Apr-20                    Washington, DC               Lincoln Theatre

Thu/Apr-21                      Philadelphia, PA              The Foundry

Sam Ryder — July from Sarah Goldstein for use by 360 Magazine

SAM RYDER — “JULY”

Sam Ryder has debuted his stunning new single “July,” which is available now via Parlophone Records/Elektra Records.

“July” sees Ryder reunited with his “Tiny Riot” writing partners Amy Wadge (Grammy-award winning writer for Ed Sheeran’s “Thinking Out Loud”) and Max Wolfgang. The stripped-back piano intro perfectly showcases the full range of Sam’s powerful voice, which soars throughout the song.

Sam says of the track, “July is all about seeing the light after a period of darkness. Whether we’re watching the blooms waking up outside in nature or experiencing an inner awakening after the longest year, I think we’re all ready to say hello, July.

“July” follows the success of Sam’s previous singles “Whirlwind” and “Tiny Riot,” which topped iTunes charts worldwide and have racked up tens of millions of global streams and over 4.5 million YouTube views. He recently performed his debut show from London’s York Hall to an online audience of nearly 50,000 viewers.

Sam has spent much of his adult life touring, writing and performing in bands before embarking on this new chapter as a solo artist. As the world was being put into lockdown in March, he uploaded the first of his now infamous covers. They quickly caught the attention of some famous fans (think Justin Bieber, Sia, Alicia Keys and Elton John) with compilations of his videos appearing on The Ellen Show, BBC’s Newsbeat and more. As the videos kept coming, so did the fans—with his socials standing at over 13 million followers to date and hundreds of thousands of comments. Sam rounded-off his incredible year with TikTok crowning his account as the most popular UK artist account of 2020.

Sam has spent the last few months writing and recording original songs with some of the finest writers and producers from around the world as he prepares to release his debut EP, which is set to continue his meteoric rise.

Mary Wilson from Cathy Williams from UMe for use by 360 Magazine

Honoring Mary Wilson’s Memory – Black Music × Pride Month

Legendary artist/author and original and founding member of the Supremes, Mary Wilson was also known as a tireless advocate for the Black and LGBTQ+ communities. 

 

The Motown/UMe April release of Mary Wilson: Expanded Edition represented an ongoing effort to honor her memory and her passion for celebrating life through music. Her work to raise awareness of the need for tolerance and equality is especially poignant during June, which is dedicated to Black Music Month and Pride Month; her music provides a fitting backdrop to celebrations and events — from intimate events to large-scale community celebrations.  

 

Ms. Wilson believed in the power of music, especially the joy The Supremes brought to the world. She carried on that legacy throughout her career and right up to the days before her untimely passing in February, just weeks before the release of Mary Wilson: Expanded Edition.  

 

“The music was inclusive. It didn’t matter who you were, the music touched your soul. Music, to me, brought all the souls together. I’ve always said that Motown was an ambassador for love and for friendship because it brought people together.” – Mary Wilson in a 2015 interview with Pride Source.

Mary Wilson: Expanded Edition was originally announced to celebrate her 77th Birthday and honor her history and legacy with the first of her album projects. Ms. Wilson, who retained ownership of her solo recordings, wanted to make the album – and much more – available to her many fans around the world. Mary Wilson: Expanded Edition is a newly compiled version of her solo album, originally released by Motown in 1979, that will now be available on all digital platforms for the first time. Added to the album are eight incredible bonus tracks, four of them unreleased, including the legendary tracks recorded as a follow-up to the album produced by Gus Dudgeon (Elton John, Joan Armatrading, Chris Rea, et al). Featured as the lead single is a brand-new song, “Why Can’t We All Get Along,” produced by Richard Davis and co-written with Angelo Bond, who previously had great success as a co-writer with General Johnson and Greg Perry for “Bring The Boys Home.”

 

Mary Wilson, who had many fond memories around recording her solo debut, was so excited about the release of this album that, after finalizing details with UMe, she created an impromptu “teaser,” posting what was to be her final YouTube video. “I finally decided how to work with Universal, and they are going to release new Mary Wilson recordings,” she said. “Yes! At last! At last,” adding that the expanded version of the album, known by her and to fans as “Red Hot,” referring to its lead single, will include the Dudgeon productions – and something new. “It was four wonderful songs that were never released… and I also have some other songs, some surprising new songs… Thank you Universal for chiming in with me and helping this come true. Hopefully some of that will be out on my birthday, March 6th… I’ve got my fingers crossed.”

 

Sadly, the world mourned the sudden passing of Mary Wilson on February 8th, which also marked the 56th anniversary of The Supremes’ #1 hit, “Stop! In the Name Of Love.” She was a world-renowned singer, best-selling author, a humanitarian, artist rights advocate, philanthropist, cultural ambassador for the U.S. appointed by Colin Powell, but she was best known as a “Supreme.” She was the co-founder of the original Supremes, along with Diana Ross and Florence Ballard, which signed to Motown in January 1961, making this year their 60th anniversary. The group broke down barriers by becoming the world’s most popular female singing trio, with an unprecedented string of 12 number one hits, 33 top 40 singles, a record breaking 5 consecutive number ones, and the first number one album for a female group. Mary Wilson is the only member with the group from their signing in 1961 to their disbanding in 1977. Their legendary history is the foundation for dozens of books, movies, and even three Broadway musicals.

 

But the often-overlooked history is of the solo careers of Mary Wilson and Florence Ballard. Ballard had previously released an album on ABC Records while, upon leaving the Supremes, Mary Wilson released her self-titled solo album debut on Motown, her label for the previous 18 years. Mary Wilson had the potential of becoming a dance classic. Famed Motown Producer Hal Davis, known for #1 hits on the Jackson 5, Thelma Houston and Diana Ross crafted a lush disco album for Wilson, with six dance tracks and a mid-tempo ballad. Wilson recorded the album while pregnant with her youngest son, Raphael, and for the album’s cover shoot she was wrapped in a jacket to hide the pregnancy.

 

“Red Hot” was the obvious lead single. But just prior to the release of the album the infamous Disco Demolition Night took place at Comiskey Park in Chicago on July 12, 1979. The “Disco Sucks” movement impacted the release of Mary Wilson, and the single reached #85 on the dance chart and #95 on the R&B chart. This new collection retrieves for history the song’s rare 12” and 7” mixes, which were unique from the album’s version. Despite being loved by fans, and the release of a second single, “Pick Up the Pieces” in the U.K., the Mary Wilson album did not get the recognition it deserved.

 

In 1980, Mary Wilson headed to Europe to record with Elton John’s producer, Gus Dudgeon. The late Dudgeon, who started as Decca Records’ in-house recording engineer, became a key creative collaborator with Elton John, producing seven No. 1 albums, in addition to creating masterworks with David Bowie, Joan Armatrading, Chris Rea, and many more.

 

Wilson wrote in her second autobiography, Supreme Faith: Someday We’ll Be Together, “I was very excited about these four songs. It wasn’t the formula disco of my first album. Two of the songs were big ballads. The other two were rock and roll in the style of Tina Turner’s mid-eighties hits; I was certainly ahead of the time.” Three of the four songs were never released. The fourth song, “You Dance My Heart Around the Stars,” first made available in 2015 on a collection of the co-writer’s, Steve Kalinich, a frequent collaborator of the Beach Boys, is considered one of Wilson’s finest performances. 

 

In 1986 Mary Wilson wrote her best-selling autobiography, Dreamgirl: My Life As A Supreme, followed by two more books, Supreme Faith: Someday We’ll Be Together, and Supreme Glamour. Although Mary continued to record and release music through the rest of her career, fans have continually requested to hear this music. These songs remain among the most requested items in the Motown catalog.

 

While recording more music over the last 10 years, Mary Wilson reconnected with Richard Davis, executive of Gold Forever Music, a publishing company established by Eddie Holland after leaving Motown. In the early days of Motown, Holland-Dozier-Holland was the songwriting team responsible for The Supremes’ string of hit records.

 

While Mary continued to record, she kept a journal with her most personal thoughts, perspective, outlook, philosophy on life, beliefs based on her experiences and topics of the day. Richard Davis discussed this song with Wilson. Mary told Davis and Bond that their lyrics were able to capture and articulate her feelings into song and help her tell her story. As she was watching and writing about her feelings about the political unrest and the division in the country, Mary felt strongly about releasing “Why Can’t We All Get Along,” now in the hopes of spreading a positive message through music.

 

TRACKLISTING:

Mary Wilson

Mary Wilson: Expanded Edition

 

1.   Red Hot (6:06)

2.   I’ve Got What You Need (5:08)

3.   You Make Me Feel So Good (5:51)

4.  (I Love A) Warm Summer Night  (4:07)

5.   Pick Up the Pieces * (5:01)

6.   You’re the Light That Guides My Way (3:18)

7.   Midnight Dancer (3:08)

 

#1-7: Produced by Hal Davis

* Co-Produced by Hal Davis & Bobby Belle

Originally issued as Motown M7-927 R1 (1979)

 

Bonus Tracks

 

The Red Hot Singles

8.   Red Hot 7” Single Version (3:53)

9.   Red Hot 12” Disco Version – Remixed by Rusty Garner (7:12)

10. Red Hot 12” B-Side Promo Version – Remixed by Rusty Garner (3:53) – previously unreleased commercially

 

The Gus Dudgeon Sessions – previously unreleased except **

11. You Dance My Heart Around the Stars** (4:34)

12. Love Talk (4:05)

13. Save Me (3:53)

14. Green River (3:36)

 

The Richard Davis Sessions – previously unreleased

15. Why Can’t We All Get Along Single version (4:50)