Posts tagged with "Celine Dion"

"KATY PERRY: PLAY" AT RESORTS WORLD Las Vegas via 360 MAGAZINE

KATY PERRY: PLAY

GLOBAL POP SUPERSTAR KATY PERRY ANNOUNCES 2023 SHOW DATES 

TO HER ‘MUST-SEE’ HIT LAS VEGAS RESIDENCY 

“KATY PERRY: PLAY” AT RESORTS WORLD THEATRE

Tickets for 14 NEW shows FEB. 15 THROUGH APRIL 15, 2023 

go on Sale FRIDAY, Nov. 4 at 10 A.M. PT

Today, international sensation, Katy Perry, is giving music fans 14 more chances to see her in Las Vegas with the announcement of new 2023 show dates to her highly acclaimed Las Vegas residency “Katy Perry: PLAY,” at Resorts World Theatre. Tickets for the new shows scheduled Feb. 15 – 25 and March 3 – April 15 will go on sale to the public beginning Friday, Nov. 4, at 10 a.m. PT.

The new 2023 show dates kick-off the second year of the larger-than-life residency which premiered on Dec.29, 2021, in the newest theatre on the Las Vegas Strip. Since opening, “Katy Perry: PLAY ” has been embraced by fans and media alike, hailed as a “sensory explosion” by Billboard, “the complete confection” byVulture and “quintessential Perry” by Elle.com. Vogue noted, “Katy Perry is still the queen of camp,” and Rolling Stone declared, “‘PLAY’ time has begun in Las Vegas.”

The 14 new show dates going on sale to the public Friday, Nov. 4 at 10 a.m. PT are:

February 2023: 15, 17, 18, 22, 24, 25

March 2023: 3, 4

April 2023: 5, 7, 8, 12, 14, 15

American Express Card Members can purchase tickets to the new shows before the general public beginning Tuesday, Nov. 1 at 10 a.m. PT through Thursday, Nov. 3 at 10 p.m. PT.

Tickets and a limited number of VIP packages will go on sale to the public beginning Friday, Nov. 4 at 10 a.m. PT at rwlasvegas.com/entertainment/katy-perryand AXS.com/katyinvegas.

The newly opened 5,000-capacity theatre at Resorts World Las Vegas, exclusively programmed and operated by Concerts West / AEG Presents, is a state-of-the-art, multi-level venue designed by the award-winning international design firm, Sceno Plus. The intimate venue, with the furthest seat only 150 feet from the stage, features unparalleled comfort, unobstructed sightlines and an unmatched spatial audio experience through more than 200 L-Acoustics speakers powered by L-ISA Immersive Hyperreal Sound technology.

About Katy Perry

Katy Perry has racked up a cumulative 65 billion streams alongside worldwide sales of over 57 million adjusted albums and 138 million tracks. She boasts an impressive 46M + monthly listeners on Spotify with over 23M followers on the platform. She recently crossed the 1B threshold on Spotify for her smash single “Dark Horse“.Katy’s second studio album TEENAGE DREAM has been recognized by the RIAA as the highest-certified era of any artist ever making history as the first artist to have three singles certified Diamond and has reached the nine-times Platinum certification. “The One That Got Away,” and “Part Of Me” have each reached five-times Platinum status with “I Kissed A Girl” (6X) and “Hot n Cold” (8X).

Her 2019 single, “Never Really Over,” off her latest album SMILE, is certified Platinum and was the biggest streaming launch of Katy’s musical career. 2020’s SMILE release has sold 2 million adjusted albums, with nearly 3.5 billion combined streams to date. Its lead single “Daisies” is now certified Gold.

PRISM, which includes “Roar” and “Dark Horse,” is now five-times Platinum, with both videos surpassing three billion views – making Katy the first female artist to reach this milestone.

Katy’s 2015 Super Bowl performance is the highest-rated in the event’s history. She is one of only five artists in history to have topped 100 million certified units with their digital singles – and the first-ever capital Records recording artist to join the elite RIAA 100 Million Certified Songs club.

Aside from being one of the best-selling musical artists of all time, Katy is an active advocate of many philanthropic causes. In 2013, Katy was appointed a UNICEF Goodwill Ambassador and has used her powerful voice to ensure every child’s right to health, education, equality, and protection. Katy has also been a champion for LGBTQ+ equality, and has received numerous awards for her work, including the Trevor Project‘s Hero Award in 2012, the Human Rights Campaign’s National Equality Award in 2017, amfAR‘s Award of Courage in 2018, and Variety’s Power of Women distinction in 2021for her work with her own foundation, the Firework Foundation, whose mission is to empower children from underserved communities by igniting their inner light through the arts.

Katy has similarly focused her entrepreneurial flair towards her eponymous shoe line, Katy Perry Collections, as well as for selective companies working to improve health and wellness. She sits on the Board of Bragg, makers of the celebrated Apple Cider Vinegar, has been an early backer of Impossible Foods, the plant-based meat producer, and is an active investor in Apeel Sciences, a company focused on plant-derived shelf life extension technology for fresh produce that improves quality and reduces food waste, and Samsara, an enviro-tech company creating infinite recycling to end plastic pollution. Most recently, Katy co-founded De Soi, a line of sparkling ready-to-drink non-alcoholic aperitifs with natural adaptogens, in partnership with AMASS, maker of clean botanics.

She is currently performing her Las Vegas residency, PLAY. Show dates are available at www.katyperry.com/tour.

About Resorts World Las Vegas

Resorts World Las Vegas was developed by Genting Berhad, a publicly traded Malaysian corporation registered with the Nevada Gaming Commission. The company has affiliated operations in the Americas, Malaysia, Singapore, the United Kingdom and the Bahamas. In partnership with Hilton, Resorts World Las Vegas integrates three of Hilton’s premium brands into its resort campus, including Las Vegas Hilton, the resort’s full-service brand; Conrad Las Vegas, Hilton’s lifestyle luxury brand; and LXR, Hilton’s network of independent luxury properties, which operates as Crockfords Las Vegas, Genting’s internationally renowned ultra-luxury brand. Resorts World Las Vegas features 3,506 guest rooms and suites, an innovative, next-generation gaming floor, world-class food and beverage options, a 5,000-capacity theatre, distinct nightlife venues, a curated retail collection of designer and boutique shops and more. The integrated resort weaves time-honored traditions of the international Resorts World brand into the fabric of Las Vegas, introducing a bold, fresh take on hospitality to the city with stunning design, progressive technology and world-class guest service. Resorts World Las Vegas is Sharecare Health Security VERIFIED with Forbes Travel Guide, a verification that ensures the resort has appropriate health safety procedures in place. For more information, visit rwlasvegas.com or find us on Facebook, LinkedIn, Twitter and Instagram.

About AEG Presents

Combining the power of the live event with a focus on true artist development, AEG Presents is a world leader in the music and entertainment industries. Operating across four continents, the company has an unparalleled commitment to artistry, creativity, and community. Its tentpole festivals and multi-day music events – which include the iconic Coachella Valley Music & Arts Festival and the legendary New Orleans Jazz & Heritage Festival alongside British Summer Time at Hyde Park, Stagecoach, Hangout Festival, Electric Forest, and Firefly – continue to set the bar for the live music experience. AEG Presents promotes global tours for artists such as The Rolling Stones, Ed Sheeran, Elton John, Taylor Swift, Celine Dion, Justin Bieber, Kenny Chesney, Paul McCartney, and Katy Perry, in addition to – through its network of clubs, theatres, arenas, stadiums and renowned partner brands such as Goldenvoice, Messina Touring Group, Concerts West, The Bowery Presents, PromoWest Productions, Marshall Arts, Madison House Presents, and Zero Mile Presents – creating and developing an unmatched infrastructure for artist development and audience reach. More information can be found at www.aegpresents.com or find us on Facebook, Twitter and Instagram.

Grammy Award-winning producer Dave Audé via 360 MAGAZINE.

Dave Audé – Motions

Listen to Grammy Award-winning Producer, DJ and Remixer Dave Audé discuss his debut album and illustrious career with Vaughn Lowery on 360 MAG podcast HERE.

Los Angeles native Dave Audé is a Grammy Award-winning producer. Currently, he resides in Nashville with his loving wife and three kids. In the early 90’s, he was best known as the co-founder of Moonshine Music.

Audé has produced a plethora of highly acclaimed artists such as Beyoncé, Rihanna, Jennifer Lopez, Céline Dion, Lady Gaga, and Madonna. With 13 number-one singles on the Billboard Dance Music Charts, he has remixed hundreds of songs.

In 2010, Audé was nominated for a Grammy for his remix of Dean Coleman’s, “I Want You.” In 2016, he won for his Bruno Mars makeover of “Uptown Funk.” Dave admits the best part of the Grammy’s, “Knowing I’m nominated.” The DJ adds, ”Obviously winning as well and taking home the trophy, but really getting there first, being nominated by someone and everyone vote for you, and making it to the final five is really amazing.”

Dave Audé’s professionalism and and rhythms reflect his characteristic ease within the realm of mathematical electronic music. With twenty years plus experience, this vet maintains his methodology, “The real focus is on the artist and the song,” Dave confesses.

Audacious Records has produced a 120 as a remixer and 14 #1s as an artist. In 2015, the imprint was listed No.1-Independent Record Label. Of late, they continue dropping hits like, “This Is Our Time” and “Break Out.”

In 2008, he was named musical director for the Pussycat Dolls Tour. Today, he serves as the Grammy co-chairman of the Nashville chapter.

As the ultimate remixer, Dave provides the sonic solution. With a strong background rooted in artist development and musicality, he co-wrote and co-produced Selena Gomez’s Kill’em with Kindness as well as remixed Shaggy and Sting’s Just One Lifetime.

Throughout the decades, he built a reputation as a master remixer and producer, delivering chart-topping results. Audé constantly experiments with various genres, conjuring melodic magic for his fans across the globe. In 2021, Audé received his third GRAMMY nod for “Best Remixed Recording, featuring Ariana Grande and Demi Lovato on “Met Him Last Night.”

Subsequently, Dave Audé made a decision to manufacture his very own menu of music. According to Dave, ‘‘I just decided that I wanted to do my thing and have an album. I really wanted to sit down and write a bunch of music with my friends and put out an album of my own.’’ Audé’s chameleon-like abilities allow him to succeed in any genre, from pop to country and electronic to rock. Upon being asked about his best-loved tracks, “They are all my favorites for different reasons.” Further, for Dave, the dance genre isn’t strictly for the clubs, it’s life’s soundtrack. ”Nowadays dance music is heard in everything, it’s to brush your teeth, to wake you up in the morning, to prepare breakfast, etc.,” shares the megastar.

Some advice to aspiring music producers:

  • “Sometimes the long road is the road to take.”
  • ”You need to gain some experience and meet people.”
  • For all those people who want to work in music: “It’s really about knowing that you want to do something with music, you know, stick with it, keep in mind what your goal is, what your end goal is.”

Article: Andrea Esteban, Vaughn Lowery

Ne-Yo – You Got the Body

Ne-Yo brings the heat in his new single “You Got the Body” and his new album Self explanatory will be released on July 15th.

ABOUT NE-YO:

Ne-Yo, the three-time GRAMMY Award-winning R&B hitmaker, iconic songwriter, actor, entrepreneur, and philanthropist, has sold a cumulative 20+ million adjusted albums worldwide. His debut single, 2005’s “So Sick” hit No. 1 on the Billboard Hot 100 and was certified quadruple Platinum. Since then, the Motown Records/Compound Entertainment recording artist has racked up a collection of hits including “Sexy Love” “Closer” “Because of You” “Miss Independent” and “Push Back” [feat. Bebe Rexha and Stefflon Don]. Three of his albums have entered SoundScan’s Top Current Albums chart at No. 1. Ne-Yo has also proven to be as powerful with his pen as he is in the studio and on stage. The Las Vegas native quickly became known as a go-to hitmaker, penning bangers like Rihanna’s “Unfaithful” “Russian Roulette” and “Take a Bow” along with Beyoncé’s 2006 breakup anthem “Irreplaceable” and songs for such artists as Jennifer Hudson, Usher, Carrie Underwood, and Celine Dion, among others. Ne-Yo‘s film and television credits include NBC’s World of Dance, Empire, Stomp the Yard, Save the Last Dance, Battle: Los Angeles, George Lucas’ Red Tails, The Wiz Live! and Starz Step Up: High Water.

Most recently, Ne-Yo released a slew of new singles Stay Down[feat. Yung Bleu], “Don’t Love Me,” and “You Got the Body” paving the way for his anxiously awaited eighth album, Self Explanatory, due out July 15, 2022

Elena Brody "Rock Steady" image via Jon Bleicher for use by 360 Magazine

Elana Brody Q×A

By: Emily Bunn

Celebrating the beauty of human experience and the universality of dance, Elana Brody enchants fans with her exhilarating dance-pop music. Her most recent single, “Rock Steady,” showcases the singer’s joyous choreography and passionate songwriting ability. The “Rock Steady” music video can be viewed HERE. The bold, emotional ballad was produced by Max Martin protégé, Dominic Fallacaro. Brody spoke with 360 Magazine about the spirituality that courses through her songs, her music production process, and upcoming releases.

Your recent material was written during the pandemic. How did you manage to find inspiration during lockdown?

As a songwriter, lockdown – with all its grief and deep, life-changing themes- was a very fertile time for me. For one, I retreated from NYC to my childhood homestead in Virginia – in one of the most remote places East of the Mississippi. While there in the Appalachian Mountains of Virginia, with the music world at a stand-still, I found myself with very little to do but be in nature and play music. My then-partner had come with me, and we spent much of our time playing music together. I also felt called to offer musical prayer services online for those who needed inspiration and connection to Spirit. Because of this, I began by writing new prayer music – which felt right for the time. But, after my partner decided to split with me, as you can imagine – the folk songs started pouring out. This break-up, combined with being my original creative habitat, the pandemic, the Black Lives Matter uprising, the political election-year insanity, and a life far from community, took me the deepest I’ve been in my writing for a long time – especially as a lyricist. I think some of the lyrics you will hear on my upcoming EP are possibly my best yet.

What does your songwriting process look like?

It depends on the song. Sometimes snippets of lyrics, with a bit of their melody, come first. Sometimes a really awesome piano hook comes first. Over the last many years, I have found my songwriting process to be mostly a long-winded jam session where I sing out my heart for hours, creating spontaneous free-style lyrics. Many of those lyrics disappear forever, but at least a few of them make the cut! Once I get a sense of the general narrative of the song, I think about phrases that will help move the story along, and then build new lyrics around the original “spontaneous-gems” to flesh it out. Over the pandemic, lyrics were everything – and I found myself caring more about them than the music. The music could have been 3 chords, and I’d be totally okay with that, as long as the lyrics were telling the story. But, in other phases of my life as a writer, I would basically compose a piano concerto! And then, lyrics come in afterwards. I love and live music. And honestly, I don’t have to work hard to have music flow through me. I have found the best music and lyrics that I have written, have written themselves. It’s actually that simple. “Rock Steady” was a bit like that.

Are you still looking to release your EP eventually, or have you decided to shelve it in favor of tracks like “Rock Steady”?

Yes, to the EP! If all works out with piecing it together (because it was recorded in many different settings over the pandemic) then I would really like to release it in the late fall. But! Because “Rock Steady” is such a banger and I want to make more songs like that, I decided to quickly write and record a new song called “Quicksand,” which is another pop-influenced song, to release as a follow up – before I transition into my folk music.

Why did you choose Costa Rica as the location for the “Rock Steady” music video?

It chose me! My friend lives there and she invited me to come out to visit. I said I would, but under the one condition – that we film a music video! She is a great networker and knows so many people to reach out to and work with. She also happens to be an ecstatic dance facilitator and DJ and was planning a dance on the weekend of my visit. So, naturally, we organized to film the dance party at an already scheduled and high-vibe (to use a very Costa Rican term) dance party! It couldn’t have been more perfect. We also did all our beach filming at a beach called Roca Beach – aka Rock (Steady) beach!

How does your spirituality factor into the way you create music?

Once, after I auditioned for the first season of USA’s XFactor, I left the stage (a story for another time!) and was interviewed by a faceless producer speaking to me from behind a black curtain. This producer asked me, “When you sing, it seems as if you are connecting to some higher power. Is this true for you? And what is that higher power?” At the time, I wouldn’t have considered myself a prayer-leader or religious at all, but I knew the answer to that right away. I said, “Yes. God.”

God can bring up a lot for people. And for me too. Growing up in rural Virginia, the idea of “God” sometimes felt like some kind of angry, repressive, overpowering righteousness. But – in my family – and in my own experience – God was gentler than that. The spirit between things. As a youth, I was surrounded by the most beautiful, untouched nature – and witness to the seasons in their full force. With below-zero cold and windy winters, slow-to-pop springs, abundant green summers with my folks’ organic gardens in full bloom, and then the rainbows of colorful Appalachian autumns – I knew what Spirit had to offer us humans. And music had always been my human way to offer Spirit back to Spirit, if that makes sense. It’s a giving and receiving from the big, wild wonders of creation, and then music is my way to return it back. Now that I have dived into my Jewish roots, and studied the traditions, I would say that song is the modern equivalent of sending burnt offerings up to the Creator. Instead of smoke, we let our voices rise. And I don’t see prayer music and pop music as all that different. Different themes, different stories, but ultimately, what we sing or speak is all prayer. And, especially now that I am very involved in prayer-leadership, as I create more songs, I do think about that in my writing.

What do you anticipate the reaction to “Rock Steady” will be like?

A fun one! Hopefully one that makes people dance and dance some more! Because I haven’t released much of my other music yet on the bigger platforms, most people won’t know the difference. Like, how did that happen? All of a sudden, I’m a pop star! The truth is, I’ve always been a pop star. Christina Aguilera and Celine Dion were my first vocal idols, and all of the first music I ever wrote sounded like it could have been in a Disney Channel original movie. Anyhow, I had this thought that I should go about my career in the opposite way of other folk artists, a la Jewel circa “Intuition,” and drop in with the fun and danceable stuff first. I don’t see myself ever being too genre-confined, anyway. Life is too short not to write whatever you feel and whatever is coming through you! I did think, “oh, maybe I should sell this song to Rhianna or another artist who could do it amazingly.” But honestly, this route of self-producing is very fun, and maybe even better. Now I get to be heard singing like a pop star too!

What other artists, musicians, or bands serve as inspirations for your music?

It’s a long list…

Joni Mitchell is my in-utero and post-utero,songwriting teacher. I used to call her my piano teacher, because I learned to play by playing so many of her songs. Several other musicians of my parents’ 60s/70s era also come in close as primary inspirations – including Paul Simon, Bob Dylan, Carole King, and the Beatles. They have shaped what a well-written song could be for me.

It’s hard to decipher what is an influence now because it’s just one big, long-cooked stew or spicy mole at this point.

I have always liked lyric-forward music, with bands like Of Montreal (his candidness in writing was life-changing for me!) and Death Cab for Cutie (the simple metaphors and speaking-style of his writing) and the Decemberists (storytelling, bard-like songs.) And the orchestral and lyrical artistry of the Fleet Foxes is stellar.

I have also always liked some good classic, chunky, Rock’n’roll and music that gets ya’ dancing, like Led Zeppelin and CCR. And the blues, especially blues piano music, has played a role in my music education since early childhood.

Then, there’s the eternal list of female influences. My most listened to, other than Joni, from the beginning are Ani DiFranco and Sarah McLachlan. Then: Jesca Hoop, My Brightest Diamond, Regina Spektor and Kate Bush. And now: artists like Gillian Welch, Brandi Carlile, Sylvan Esso, and Sarah Jarosz have taken up a lot of my listening time. Sarah Jarosz’s album World on the Ground was really powerful to listen to last year during the pandemic. I hope that I can achieve that level of presence and intelligence in the instrumentation when I go to make my full-length album next year!

I also derive a LOT of influence from pop music. I can’t help it. I definitely fell in love with Ariana Grande’s album positions this year, and right now I am going down a Dua Lipa rabbit hole. I would say Rhianna is my number one, though. And I finally fell in love with Lady Gaga after seeing A Star is Born and listening to Joanne. Her belt has inspired me a lot. And I love vocalists in general. I have spent a lot of time really listening to vocalists like Ella Fitzgerald, Billie Holiday, Judy Collins, Barbra Streisand. These days, Elvis is my number one!

I will also never not want to listen to albums of bands like Nickel Creek, the [Dixie] Chicks, Bela Fleck, Mandolin Orange/Watchhouse, or the band Solas, to bring me the feeling of my early mountain roots and make me feel good.

I am truly a world music fan. I love to listen to the magic of music across the world. I am really inspired to hear virtuosity, no matter what genre. I love vocal virtuosos and am listening right now to the artist Nusrat Fateh Ali Khan. I am curious as to when I’ll be able to imitate him. (I’m really good at imitating!) Bobby McFerrin has also been a teacher in real life. He inspires me to become more accurate in my improvisations.

I also listen to prayer music, but mostly of the Sikh or Kundalini yoga genre. Sometimes you’ll find me jamming out to Jewish artists (many of them friends of mine) or Gospel music. Anita Wilson, a modern gospel singer, has been a vocal inspiration for me because she really sings with the lows of her range.

Musical theater music is also a major influence. That Roger and Hammerstein stuff pours out of me like it were an extension of my soul! Lastly, at this point, after spending time at Berklee College of Music, I have been greatly inspired by jazz and R&B.

Besides “Rock Steady” and the EP, can fans look forward to any other releases to come in 2021-2022?

Yes! I mentioned that I am wanting to get cracking on my full-length album that will be mostly in the Americana, New Orleans blues, Rock-and-Roll, and folk pop styles. I am really, really excited about it. But I’m not sure yet who I will work with on it. An exciting unknown. I imagine it will end up feeling like a magnum opus when it is finished because I’ve been with these songs for so long. Nothing will be more amazing than when they are out in the world surrounded by strings, the right instrumentation and arrangements. I also would like to produce my song “City of Man” in a big vaudevillian, brassy style. [I want to] make a little music-video theater piece out of it. I have also been sitting on this one for a long time. It sort of harkens to the fall of capitalism…that is going on in our world and the post-Trump era– it’s due time that I get that one out. Look out for it all!

"Best Driving Song" Survey Result image by Rita Azar for use by 360 Magazine

“BEST DRIVING SONG” SURVEY RESULTS

Insurance.com’s survey of the year’s most popular driving songs shows that most people get in touch with their inner disco dancer—with or without bell bottoms and platform shoes—while they’re on the road. “Dancing Queen” by ABBA shimmied its way into the top spot this year, knocking last year’s favorite, “Bohemian Rhapsody” by Queen, to fourth place.

This one-stop destination for expert advice on health, life and auto insurance asked drivers to name the best and worst road trip tunes, the genres most suited for driving, and the artists they’d rather not admit are on their playlist.

Find the complete survey results and detailed analysis on each category HERE.

Songs topping driving playlists this year include:

  • ABBA – Dancing Queen – 26%
  • Journey – Don’t Stop Believin’ – 25%
  • AC/DC – Highway to Hell – 23%
  • Queen – Bohemian Rhapsody – 23%
  • Carrie Underwood – Jesus Take the Wheel – 20%

Not surprisingly, “Dancing Queen” was most popular among drivers aged 45-54, who may be nostalgic about boogying the night away to the song years ago.

Survey participants also made predictions about what the next great classic road trip songs will be:

  • Bruno Mars – Uptown Funk – 34%
  • Taylor Swift – Shake it off – 27%
  • Justin Timberlake – Can’t Stop the Feeling – 26%
  • Florida Georgia Line – Cruise – 25%
  • Billie Eilish – Bad guy – 20%

Although a disco song topped the list, the genre itself did not rank among drivers’ favorites for road trips. Instead, they prefer classic rock (15%), followed by country (12%) and ‘80s music (11%). Those who want to let Jesus take the wheel reported Christian gospel music is their favorite road trip genre (8%). Among the least popular genres—all with 1% popularity—were heavy metal, Latin, K-pop and indie/folk. Punk rock was dead last with 0%.

Survey respondents also listed some tunes and recording artists that they are unlikely to listen to with their windows down. 

Some of the most popular artists in the “guilty pleasures” category are:

  • Britney Spears – 16%
  • Adele – 15%
  • Bon Jovi – 12%
  • Justin Bieber – 12%
  • Celine Dion – 12%

“This is the third year we’ve conducted this light-hearted study,” explains Les Masterson, managing editor for Insurance.com. “It’s an opportunity to remind consumers that we spend a lot of time in our cars and it’s important to have the best possible car insurance coverage in the event that anything goes wrong.”

“While background music can be a nice way to help pass the time, it’s important that people maintain full attention on the road and avoid distracted driving,” Masterson adds.

This survey explores who controls the music during a road trip, how parents handle their children’s music choices, and what solo drivers are most likely to do when their favorite song comes on.

To gather these results, Insurance.com commissioned a survey of 1,000 drivers and asked them to choose the best and worst songs for driving, what song will be the next road-trip favorite, and which artists represent the biggest guilty driving pleasures.

Will-Claye Press-Pic from Alex John from Red Bull Records for use by 360

Will Claye – Wee Hours

Today, hip-hop artist and Olympic medalist Will Claye releases his latest single, “Wee Hours,” out now via Red Bull Records. Written by Claye, “Wee Hours” was produced by Grammy-winning songwriter and producer DJ Khalil, best known for his work with Jay-Z, Kanye West, Drake, Kendrick Lamar, and more.

Drawing from his own experiences, the strength of “Wee Hours” lies in Claye’s introspective and poignant lyrics, which he delivers with a West Coast-influenced flair. As the opening melodies and subtle instrumentations float in and out of focus, the single’s smooth production is effortlessly juxtaposed against Claye’s heavy-hitting flow.

“This track is inspired by my city, my people, and the kids who are growing up where I come from,” says Claye of the release. “I wanted to speak for people whose voices have been suppressed. I want to inspire my people and show them that even through all the horrific things we have gone through as a people, we can make it through and rise above it all.”

The release of “Wee Hours” follows the announcement of Elevate, the forthcoming documentary from Red Bull, set for release on Tuesday, June 8. The short film follows Claye as he trains for the Olympics and records new music, working to make his mark on the world. As his moment in the spotlight parallels a cultural boiling point surrounding racial injustice, Claye seeks to use his voice to inspire his community’s youth, serving as a positive role model for the next generation. Watch the trailer here.

About Will Claye
Three-time Olympic medalist Will Claye started his path as a world-class athlete. By way of track and field, he was able to move into starting his brand ELEVATE, music, and philanthropy. Will’s brand grew largely at the London Games in 2012, where he earned a bronze medal in the long jump and a silver medal in the triple jump to become the first man since 1936 and the first American since 1904 to obtain medals in both events. The Phoenix, AZ native of Sierra Leone-descent solidified himself as the #3 triple jumper of all time in 2019 and at the same time released an EP, WEST SIDE STORY, and single “TMS.”

The catalyst for Will’s music career came from artist YG inviting him to the studio and them creating “IDGAF,” what is now known as a classic West Coast record. From there, Will began to create his own lane and his own sound, taking inspiration from Bob Marley, Andre 3000, Snoop Dogg, DJ Quick, Pharrell, Jay Z, Nipsey Hussle, Kendrick Lamar, and Nate Dogg. With a wide array of influences, Will has created a sound that is eclectic and diverse, based on how he is feeling and what is going on in life. He is a rare combination of talent and genuine humility, recognizing that he can use his status as an artist and professional athlete to help others.

About DJ Khalil
DJ Khalil is a thirteen-time Grammy nominee and three-time Grammy award-winning songwriter and producer from Los Angeles, CA. His career started as one-half of the acclaimed underground hip-hop duo Self Scientific alongside rapper Chace Infinite. After catching the ear of mega-producer Dr. Dre early on in his career, Dre signed him as an in-house producer to Aftermath Records, where he continued to develop and hone his skills. Over the years, he has gone on to write and produce songs and albums with Eminem, Jay-Z, Kanye West, Drake, Kendrick Lamar, Usher, Big Sean, Pink, Gwen Stefani, Logic, Anderson .Paak, A$AP Rocky, Celine Dion, and many others, winning his first Grammy for his work on Eminem’s 2010 album, Recovery.

Continuing his run of success, Khalil co-wrote and produced Aloe Blacc’s Top 5 pop worldwide single “The Man,” which has sold over six million units worldwide, and won a Clio Award for music innovation through its inclusion in the 2013-2014 Beats by Dre campaign that was featured in the Super Bowl broadcast as well as the NBA finals. In 2018, Khalil created the end title song “Elevate” for Spider-Man: Into The Spider-Verse. The film won the Academy Award for Best Animated Film, and the soundtrack album has sold over two million units, which has made him one of the most sought-after producers for film and television synchronization. Khalil recently topped the pop charts with two songs on Logic’s #1 album Bobby Tarantino II (“Iconic” and “Everybody Dies”), four songs on Nipsey Hussle’s Top 5 album Victory Lap, Eminem’s #1 album Revival, and two songs on Big Sean’s #1 album, Detroit 2.
Follow Will Claye
Instagram | Twitter | Facebook | Spotify

Follow DJ Khalil
Instagram | Twitter | Facebook

New Season Ticket Agreement between Sports Events

New Season Ticket Agreement between Sports Events 365 and Atletico Madrid will Allow Fans to Get Closer to the Team’s Football Stars.

Among other options, buyers of upgraded tickets from Sports Events 365 will be able to be part of the welcome team and arrive two hours before the match to receive the players.

Sports Events 365, the international provider of tickets for sports and music events worldwide, has expanded its existing season ticket agreement for the 2019/2020 season with Atletico Madrid, one of the leading clubs in Spain and Europe. This season is expected to be especially exciting due to the addition of Portuguese forward Joao Felix, the 19-year-old acquired earlier this year for 113 million Euro by the Spanish club. The wonderkid, who arrived at Atletico this summer, is already being dubbed the next Cristiano Ronaldo.

The expanded agreement offers fans new and unique opportunities before and after games. The options available include being part of the welcome team and arriving two hours before the match to receive the players; arriving four hours before the match for an exclusive guided tour through the Wanda Metropolitano stadium; a penalty shootout experience at the stadium 15 minutes after the end of the game and the midfield experience involving taking a picture on the field after the
match. The expanded agreement offers clubs additional sources of income.

“We are looking to offer this model first implemented with Atletico Madrid with other clubs interested in increasing their revenues,” says Sefi Donner, founder and CEO of Sports Events 365. He noted that demand for Atletico tickets witnessed phenomenal growth after the club won the 2018 UEFA Super Cup. Donner predicts “a further 15% growth in sales in the Spanish market in the coming year.”

Sports Events 365 also has season ticket agreements with other top La Liga clubs as well as with Italy’s AS Roma. The company is looking to sign similar agreements with other leading European clubs as part of its expansion strategy and direct contact with 60 major football clubs in Spain, Italy, England, France and Portugal. The season ticket agreements allow Sports Events 365 to cater to the needs of groups of tourists who are looking for a much larger number of tickets to
matches.

About Sports Events 365

Established in 2006, Sports Events 365 sells tickets to sports and music events which take place in 50 countries. Sports Events 365 has been selling tickets to customers from 150 countries to most of the 60,000 yearly events on its search engine. The company offers fully guaranteed tickets alongside personal and direct service seven days a week at competitive prices and selected technology tools for sharing content and online sales.

The range of sports events that the company offers includes tickets for football matches in major European leagues and international championships for teams. Sport Events 365 also offers tickets for prominent events in tennis, European basketball and rugby, along with American basketball (NBA), football (NFL), ice hockey (NHL) and baseball (MLB) events. The company’s website also offers tickets to concerts of world-class musical artists such as the Rolling Stones, U2
and Celine Dion. As a true global and multi-lingual organization, Sports Events 365 operates websites in 22 languages in addition to a large number of jointly branded websites with travel companies.

Please visit the Sports Events 365 site here.

CÉLINE FEATURED ON KO MEDIA’S FIRST ISSUES

CÉLINE FEATURED ON KO MEDIA’S FIRST ISSUES OF ELLE MAGAZINES

KO Média is proud to present its very first issues as the new publisher of renowned brands ELLE Canada and ELLE Québec. The new team hits the ground running with a cover, on both markets at the same time (a first), featuring the exceptional, brave, unforgettable, legendary and incomparable Canadian icon, Céline Dion!

In the cover story section, punctuated with breathtaking looks, you can read the captivating story about ELLE Canada editor-in-chief Vanessa Craft’s interview with the homegrown megastar!

Also in this issue, discover the season’s top fashion trends. This summer, we’re tripping for boho surfer style. The perfect aesthetic to transition from the beach to the boardwalk. And, we let the structured and soft trailoring of the pre-fall collections inspire our work wardrobe.

The summer issues of ELLE Canada and ELLE Québec will hit stands next week.

ELLE Canada : June 17th

ELLE Québec : June 20th

KO Média also publishes di Stasio, Édition Papier et K pour Katrine magazines.

About ELLE

The ELLE network today, including France and the international editions, reaches more than 33 million readers worldwide: 45 editions of ELLE in 43 countries, 25 editions of ELLE Decoration, 5 editions of ELLE à Table, 2 editions of ELLE Men and 1 edition of ELLE Girl.

It also represents 45 ELLE local websites, gathering nearly 100 million unique visitors per month.

Lagardère Group, owner of ELLE & ELLE Decoration brands, partners with prestigious publishing houses worldwide, through licence contracts:

  • With Hearst Magazines, publishing 15 editions of ELLE and 12 editions of ELLE Decoration, in 14 countries.
  • With Burda, Aller, Ringier and 21 other partners in 29 countries, publishing 30 editions of ELLE and 13 editions of ELLE Decoration.

The Lagardère Group is a global leader in content publishing, production, broadcasting and distribution,

About the Group KO

The Group KO is made up of Productions KOTV, Productions KO Scène, KO 24, KO Média and KO Éditions. Run by the screenwriter-humourist-comedian-producer Louis Morissette, the group is motivated by the desire to tell stories that captivate the public, and to do so by mastering each creative aspect that goes into doing that. Whether it’s television shows, performances, films or magazines, the mission of the group is very simple: conquer the world, and then entertain them. In an industry full of possibilities, the KO Group sees opportunities and takes them.

TITANIC II × 2022

If you thought the long-delayed project to launch a full-size replica of the ill-fated RMS Titanic was sunk in the water — think again.
Just like Celine Dion sang back in 1997, the travel project will “go on and on.”
Australian businessman and politician Clive Palmer, who is behind the controversial initiative, announced in September that work on the ship had recommenced — after a financial dispute with the Chinese government halted development back in 2015. The idea was first floated in 2012.
Allegedly the new ship will be an identical copy of the infamous liner, which sank in 1912 following a collision with an iceberg. 
To avoid a repeat disaster, Titanic II will apparently be outfitted with plenty of life boats — and will have a welded, not riveted hull — plus modern navigation and radar equipment.

Younk

A little over a month ago the world witnessed an unprecedented event – the Open Beta launch of the first community-based music label – Younk.com. The new platform connects artists, community, and music experts and aims to make the music industry more accessible and equitable for both artists and music enthusiasts. Younk, a decentralized community music platform using blockchain technology, is open to everyone, everywhere.

Younk’s mission is to establish the first community music label where artists gain recognition and support directly from the community in exchange for bonuses.

According to its founder, Andrey Dahkovskyy, Younk’s foremost goal is to modernize the music industry by facilitating direct artist access to the public. This ensures better compensation and community involvement in the funding of up-and-coming artists. Music fans also benefit through a unique opportunity to support their favorite artists and become co-producers of the artist’s tracks and earn YNK Bucks – internal currency of Younk ecosystem. YNK is an instrument that may be used to fund a Hit, get bonuses and purchase merchandise, services and goods on the Younk platform.

Don Grierson, the legendary music industry executive and Younk co-founder shared the platform’s vision as an accessible global marketplace where artists and HitHunting music enthusiasts can connect and support each other while mutually benefiting from the synergy and compounded contribution of the community – whether from a creative point or business wise. “We are entering a new era of making a Hit,” said Mr. Grierson, “the Younk platform is here to make it happen. In almost no time you will be able to listen to a tune that has been supported and directly funded by a community – by active listeners and those who want to make a change in the music industry. Our platform is open to Artists from all over the world, even if they’re not professional musicians. Everyone has a chance now to upload his or her original tune onto the platform and compete with other artists for community support and, further down the road, for their own place on some of the top music charts in the world.”

Unlike regular crowdfunding, which is called Hit Funding in Younk terminology, the new platform gives artists an opportunity to receive first-hand guidance from the professional music experts. It also provides the music fan community the option to be actively involved in creating music charts, to vote, and become co-producers of the the tracks they fund which may become Hits later. All of this helps us all make better music together.

The platform is designed to be user friendly. The process looks like this: an artist uploads a track; the community listens and votes, three tracks go to Hit Funding (two most voted on by the community and one selected by the experts) where YNK Bucks are used to support the community’s favorite tracks. The ones that reach a certain amount of YNK Bucks – soft cap – are then professionally produced by music industry experts. Once the final creative product is

released it gets promoted on approximately 150 digital music platforms. When a track generates revenue, artists receive royalty share in real money equivalent and the track supporters in YNK Bucks equivalent.

By employing innovative technology, Younk provides advanced features and allows for the transparent and decentralized distribution of royalty shares to artists through blockchain’s smart contracts.

“So far, Younk has 5 tracks in the production stage,” said Andrey Dakhovskyy, “ Every day we receive positive feedback from people in the music industry and beyond. This means we’re on the right track. Our platform opens up endless opportunities for both artists and fans – they can create better music together and this is awesome! Welcome to the universe of Younk!”