Posts tagged with "Stereogum"

Wet Leg- Chaise Longue illustration by Anh Hoang use by 360 Magazine

Wet Leg-Chaise Longue

New UK band WET LEG is receiving a *huge* response to their debut single “  from the New York TimesNPR, etc., and is currently enjoying an enormous surge in radio play here in their native UK, Europe, and down under! If you haven’t heard it yet, here it is: “Chaise Longue”.  It is the sneakiest, most fun-loving, earworm of the summer. The song is being added at radio stations all around the country.

The band –  Rhian Teasdale and Hester Chambers – come from the Isle Of Wight, a sparsely populated island off the south coast of England accessible only by boat. They are old friends who share a penchant for French disco, effervescent imaginations, and a shared love of The Ronettes and Jane Birkin, through to Ty Segall and Bjork. Their recent UK live debut shows went with a huge bang and we’re hoping to have some information on their first US shows VERY SOON INDEED!

“They’re one of those new bands whose sound and aesthetic seem to have arrived fully formed, promising exciting if totally unpredictable things to come.” – New York Times   

“Immensely charming…The end result lands somewhere between Dry Cleaning’s wry, sardonic post-punk and Sports Team’s Pavement-obsessed alt-rock crowd-pleasers — though you can certainly hear stated influences such as the Ronettes, Jane Birkin, Ty Segall, and Björk in there too if you squint” – Stereogum

“The debut single from U.K. rock duo Wet Leg is a doozy…the ear-grabbing track is an undeniable introduction to Wet Leg.” – Paste

“by the time they double down on the earworm hook “on the chaise longue all day long,” you feel about ready to collapse onto titular seat and unload all your stresses.” – Beats Per Minute

“a real corker…There’s a coy wit here and, when the guitars kick in, the song recalls the heyday of Franz Ferdinand, The Futureheads and The Rakes. “Chaise Lounge” is even better when watched with its video that features excellent dancing from Chambers, as well as some high kicks.” Brooklyn Vegan

“Fueled by chugging drums and a boisterous guitar riff, the tongue-in-cheek track is whimsical and blithe, channeling the unfettered radiance of an island’s sun. It just might be your poolside song of the summer.” – Consequence Of Sound

image from Sasha Camacho for use by 360 Magazine

EST GEE — “5500 DEGREES”

Today, EST Gee shared the new music video for his raw and energetic single “5500 Degrees (feat Lil Baby, 42 Dugg and Rylo Rodriguez),” which has become a fan-favorite off the Louisville hip-hop artist’s debut label mixtape, Bigger Than Life Or Death.

On “5500 Degrees,” Gee joins forces with the Baby, Dugg and Rylo to put a fresh twist on Juvenile’s classic “400 Degreez” that was released in 1998. In the visual directed by Diesel Filmz, all 4 artists deliver dynamic bars that showcase their charisma and star power. Watch the video HERE.

Gee recently secured his first-career, Top-10 appearance on the Billboard 200 chart with Bigger Than Life Or Death, which was released via CMG/Warlike/Interscope Records and surged to No. 7 on the Billboard 200.

It has impressively gathered over 137 million streams globally to date as he continues to average nearly 4 million monthly listeners on Spotify. He also topped Rolling Stone’s Breakthrough 25 Chart and captured No. 1 on Apple’s All Genre chart. Stream Bigger Than Life Or Death HERE.

Last month, Gee made his major festival debut at Rolling Loud: Miami, where he performed several songs from Bigger Than Life Or Death and performed alongside labelmate 42 Dugg. He is also set to perform at Rolling Loud: New York and Rolling Loud: California as well as Made In America.

Bigger Than Life Or Death marks Gee’s label debut and the project was jam-packed with illustrious collaborations from Lil Baby, Future, Yo Gotti, Young Thug, Lil Durk, 42 Dugg, Rylo Rodriguez and Pooh Shiesty.

The mixtape went on to receive acclaim from several media outlets including XXL, OkayPlayer, BrooklynVegan, Complex, Fader and more. It also received rave reviews from VIBE who acclaimed, “…the Louisville native shines on this outing, as well as the entirety of his new project…” and Stereogum who recognized, “Even with all those big stars on the album… Bigger Than Life Or Death never loses its sense of personality.”  Gee was also recognized by Billboard who crowned him as “July’s R&B/Hip-Hop Rookie of the Month.”

PRAISE FOR BIGGER THAN LIFE OR DEATH:

“comprised of impressive bars, a fluid flow and vivid storytelling about his life coming up in Louisville, Ky” – XXL

“It’s no wonder Jay-Z and Drake have co-signed him” – Consequence of Sound

“one of rap’s most promising and closely watched new talents.” – FADER

“Every new verse from Gee feels like he’s trying to bring the house down, and this concoction of deeply vivid street tales and hard-nosed deliveries has anointed Louisville’s own as the next superstar in rap” – Lyrical Lemonade

“EST Gee has quickly become one of the hottest rappers out” – REVOLT

JAMES BLAKE FRIENDS THAT BREAK YOUR HEART album art by Miles Johnston from Republic Media Records for use by 360 Magazine

JAMES BLAKE NEW ALBUM – FRIENDS THAT BREAK YOUR HEART

GRAMMY® Award-winning UK singer, songwriter, multi-instrumentalist, and producer James Blake has announced his new album, Friends That Break Your Heart, due out September 10, 2021 – Available for pre-order here, via Republic Records. Blake joined Annie Mac on BBC Radio 1 for “Hottest Record in the World” to premiere the album’s first single, “Say What You Will”. The single was accompanied by the release of the official music video starring Finneas alongside James Blake – Watch here. Today, the artist additionally announced his 2021 Fall tour dates. Produced by Live Nation, the 15-show tour will kick off on September 16th in San Diego at The Observatory North Park, making stops at The Hollywood Bowl in Los Angeles, New York’s Radio City Music Hall, and more before wrapping up in Atlanta’s Tabernacle on October 15th. Tickets go on-sale to the general public starting Friday, July 30th at 10am local time on James Blake Music.

Of the single, James says, “The song is about finding peace with who you are and where you’re at regardless of how well other people seem to be doing. Comparison really is the thief of joy.”

Friends That Break Your Heart, follows the recently released Covers EP. A collection of Blake’s favorite covers, including his critically acclaimed cover of Frank Ocean’s “Godspeed,” which generated over 5 million views on TikTok.

This is James Blakes’ first new full-length album in three years. With Blake calling Friends That Break Your Heart a “concept album.”

James worked closely with artist Miles Johnston to design a cover reflective of the album. The result is a visual encapsulation of the emotions brought forth throughout the body of work.

FRIENDS THAT BREAK YOUR HEART Track List
1. Famous Last Words
2. Life Is Not The Same
3. Coming Back (feat. SZA)
4. Funeral
5. Frozen (feat. JID & SwaVay)
6. I’m So Blessed You’re Mine
7. Foot Forward
8. Show Me (feat. Monica Martin)
9. Say What You Will
10. Lost Angel Nights
11. Friends That Break Your Heart
12. If I’m Insecure

On Sale: Friday, July 30th at 10am local on time James Blake Music.

Tour Dates:

Thursday, September 16, 2021 – San Diego, CA – The Observatory North Park
Sunday, September 19, 2021 – San Francisco, CA – Greek Theatre*
Tuesday, September 21, 2021 – Portland, OR – Arlene Schnitzer Concert Hall
Wednesday, September 22, 2021 – Seattle, WA – Paramount Theatre
Saturday, September 25, 2021 – Los Angeles, CA – Hollywood Bowl*
Tuesday, September 28, 2021 – Denver, CO – The Fillmore
Thursday, September 30, 2021 – Minneapolis, MN – The State Theatre
Saturday, October 2, 2021 – Detroit, MI – Fillmore Auditorium
Sunday, October 3, 2021 – Chicago, IL – Chicago Theatre
Wednesday, October 6, 2021 – Boston, MA – Boch Center Wang Theatre
Friday, October 8, 2021 – Philadelphia, PA – The Fillmore Philadelphia
Saturday, October 9, 2021 – New York, NY – Radio City Music Hall
Tuesday, October 12, 2021 – Washington, DC – The Anthem
Wednesday, October 13, 2021 – Charlotte, NC – Belk Theater at Blumenthal Performing Arts Center
Friday, October 15, 2021 – Atlanta, GA – Tabernacle
*Not a Live Nation Date

About James Blake
The GRAMMY® Award-winning UK singer, songwriter, multi-instrumentalist, and producer unassumingly operates as the enigmatic engine behind some of the most influential albums of the 21st century. He produced choice cuts on Frank Ocean’s Blonde and Kendrick Lamar’s DAMN. as well as JAY-Z’s 4:44 and Beyoncé’s Lemonade—to which he also lent his voice in both cases. Feature appearances span “Stop Trying to Be God” with Stevie Wonder and Kid Cudi on Travis Scott’s epic ASTROWORLD and “King’s Dead” with Jay Rock, Kendrick Lamar, and Future from the chart-dominating Black Panther: The Album. The latter not only went triple-platinum, but it also earned Blake his first GRAMMY® Award in the category of “Best Rap Performance.” Simultaneously, he emerged as pop’s most celebrated outlier with his dynamic solo output. He introduced a singular sound on 2011’s James Blake. Awarding the record a rare 9.0-out-of-10 score, Pitchfork crowned it one of “Top 100 Albums of the Decade So Far (2010-2014).” On its heels, the 2013 Overgrown illustrated his rare magnetic ability to align the likes of Brian Eno and RZA on the same project. It notably received the 2013 Mercury Prize and secured Blake’s “Best New Artist” nomination at the GRAMMY® Awards. After 2016’s The Colour In Anything, he reached new critical and commercial peaks with Assume Form during 2019. It bowed at #21 on the Billboard Top 200, marking his highest entry to date. Beyond clocking 300 million cumulative streams in under a year, it garnered the GRAMMY® nomination for “Best Alternative Album” and graced “Best of 2019” lists for outlets including Time Magazine, Harper’s Bazaar, Stereogum, Consequence of Sound, Billboard, DJ Booth, and Esquire. Additionally, he oversees 1-800 Dinosaur, which spans a club night, record label, and radio show. As he prepares his fifth album, James Blake’s shadow over popular music only continues to grow.

About Live Nation Entertainment
Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit Live Nation Entertainment.

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

 

by Taylor Vaughn for use by 360 Magazine

Lord Huron – Love Me Like You Used To

Lord Huron released the official music video for their song “Love Me Like You Used To” off their critically acclaimed album Long Lost.

Watch Lord Huron’s “Love Me Like You Used To” official music video HERE

Stream Long Lost via Whispering Pines Studios Inc./Republic Records HERE.

The video shows a mysterious woman exploring the Whispering Pines Museum. As she explores the memorabilia, paying homage to Tubbs Tarbell and the artists of Whispering Pines Studios, the true purpose of her visit becomes clear.

Recently, the band announced new dates for their Long Lost fall 2021 headline tour, their first shows in support of Long Lost, including top billing at Ohana Encore Festival alongside Pearl Jam and Beck. The tour kicks off in Philadelphia on September 9th and hits a variety of outdoor venues in New York City, Los Angeles, Boston, Seattle, Portland and other markets across the country, with Allison Ponthier and Andy Shauf opening on select dates. See full list of tour dates below, click HERE for more info and ticket links.

Lord Huron continues to celebrate their success of recent album Long Lost, which has garnered nearly 50 million streams and counting, captured the #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart.

The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with Long Lost. Not to mention, it has captured a 88 score on Metacritic which summarizes all critical and user reviews of an album from across the globe.

Recently the band performed “Mine Forever” on The Late Late Show with James Corden,  “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, three songs on CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live! and a live set on NPR’s World Café.

Whispering Pines

Fans across the country have been noticing vinyl from the Whispering Pines back catalog showing up in various sections of record stores across the country. Notably, the artists who originally recorded the vinyl were seen in numerous episodes of Alive From Whispering Pines. This isn’t the first time that the merchandise, music and memorabilia from Whispering Pines studios has suddenly appeared, as fans have already found items for sale recently on CraigsList, Reverb, and Discogs.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Episode 3 included a long awaited performance of “The Night We Met,” “The Balancers Eye,” and fan favorite “Ghost on The Shore.” In case you missed the performances of “The Night We Met” Watch HERE. The final episode featured a performance of “I Lied” with Allison Ponthier herself and tied up the four episode story of Alive From Whispering Pines and set the stage for Long Lost.

In the beginning of this new era, Tubbs put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

About Lord Huron

Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after Strange Tales, which featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive provocative, and powerful rock, the record garnered praise from NPR, Time, Los Angeles Times, Spin, Stereogum, Refinery29, UPROXX, and more as singles such as “Wait by the River” (which the band performed on “Late Night with Seth Meyers”) and “When the Night is Over” generated tens of millions of streams. Their recent album Long Lost, featuring #1 song “Not Dead Yet” debuted #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart. The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with the album and its four part live event Alive From Whispering Pines featuring mysterious character Tubbs Tarbell. In addition, the band went on to perform “Mine Forever” on The Late Late Show with James Corden, “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live and a live set on NPR’s World Café. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo and more.

Alec Benjamin photograph by Matty Vogel from Collin Citron, Elektra Records for use by 360 Magazine

ALEC BENJAMIN TOUR × VIDEO – THE WAY YOU FELT

Multi-platinum singer-songwriter Alec Benjamin has unveiled an official music video for his latest single “The Way You Felt.” In the Miles & AJ-directed visual, Alec confronts a past relationship by revisiting stops along their shared history and reliving pivotal moments – even though he’s alone this time. Watch it on his official YouTube channel here.

“I love music videos that have the ability to tell the story beyond the lyrics of a song,” Alec shared. “When I wrote ‘The Way You Felt,’ I found myself thinking about an ex-girlfriend, so when it came time to shoot the video, I felt inspired to go back to all of the places where our relationship unfolded. I thought it was the perfect way to process some good and bad memories, and maybe get a little closure, which I obviously needed because I’m still writing about it.”

“The Way You Felt” is available to stream and download now here via Elektra Records. Upon release, Billboard praised, “The pain feels genuine, and Benjamin’s soothing delivery creates the impression that the shock hasn’t fully registered.” Alec recently delivered the song’s network television performance on The Late Late Show with James Corden. Watch the clip here. To celebrate Mother’s Day, Corden and his mother Margaret also welcomed Alec and his mother Janet onto the show for a special interview. Watch it here.

Adding further dimensions to the track, Alec also recently shared an acoustic version and a Mandarin version entitled “你的目光(The Way You Felt).” The song marked Alec’s first official Mandarin release, and debuted at #1 on NetEase Music’s Western New Music Chart in China, surpassing new releases from artists including Lorde and Maroon 5. Competing with both domestic and international releases, the track also climbed to #2 on the platform’s Viral Chart and #8 on the New Music Chart. After resuming his study of the language during the COVID-19 pandemic, he collaborated with Chinese actress and singer Zhao Lusi on a Mandarin version of his hit single “Water Fountain” earlier this year. Watch their duet on his YouTube channel here.

This Fall, Alec will return to the road for a North American tour with support from Harry Hudson. The 23-city trek kicks off on September 14 in Santa Cruz, CA, and wraps on October 21 in Pomona, CA. Due to overwhelming demand, he has already added second nights in multiple markets and upgraded his Dallas, TX show from Canton Hall to The Bomb Factory.

Remaining tickets for the tour are available now here.

The Way You Felt” follows Alec’s critically acclaimed 2020 debut studio album,These Two Windows. Generating nearly half-a-billion streams in under a year, it boasts the hit singles “Jesus In LA,” “Oh My God,” and “Mind Is A Prison.” Attracting widespread praise, People raved, “The album is a major milestone,” and Stereogum christened him “A fascinating voice in modern pop.” In addition to plugs from The New York Times, American Songwriter and more, Billboard noted, “The rising pop singer-songwriter succeeds in making the matter distinctive by how much his lyrics read like a heart-to-heart conversation.”

Alec Benjamin North American Tour Dates

September 14, 2021 – Santa Cruz, CA – The Catalyst

September 15, 2021 – San Francisco, CA – The Warfield

September 17, 2021 – Portland, OR – McMenamin’s Crystal Ballroom – SOLD OUT

September 18, 2021 – Seattle, WA – Showbox SoDo – SOLD OUT

September 19, 2021 – Vancouver, BC – Vogue Theatre

September 21, 2021 – Salt Lake City, UT – The Complex

September 22, 2021 – Denver, CO – Mission Ballroom

September 24, 2021 – Minneapolis, MN – Fillmore Minneapolis

September 25, 2021 – Chicago, IL – Riviera Theatre

September 26, 2021 – Royal Oak, MI – Royal Oak Music Theatre – SOLD OUT

September 28, 2021 – Toronto, ON – The Danforth Music Hall – SOLD OUT

September 29, 2021 – Toronto, ON – The Danforth Music Hall

September 30, 2021 – Montreal, QC – MTELUS

October 02, 2021 – Boston, MA – House Of Blues – Boston – SOLD OUT

October 03, 2021 – Boston, MA – House of Blues Boston

October 04, 2021 – Washington, DC – 9:30 Club – SOLD OUT

October 05, 2021 – Washington, DC – 9:30 Club

October 08, 2021 – Philadelphia, PA – Franklin Music Hall

October 10, 2021 – Nashville, TN – Marathon Music Works

October 11, 2021 – Atlanta, GA – Tabernacle

October 12, 2021 – Orlando, FL – The Beacham – SOLD OUT

October 15, 2021 – Houston, TX – House Of Blues – Houston*

October 16, 2021 – Dallas, TX – The Bomb Factory^*

October 17, 2021 – Austin, TX – Emo’s Austin

October 19, 2021 – Phoenix, AZ – The Van Buren – SOLD OUT

October 21, 2021 – Pomona, CA – The Glass House – SOLD OUT

^Upgraded from Canton Hall

*No Harry Hudson

About Alec Benjamin

As popular music gets more and more “genre-less,” Alec Benjamin has only gotten more and more era-less. You can’t pin his candid storytelling, warm melodies, sticky hooks, and natural production to any age. That’s why he’s quietly become his generation’s own troubadour. Thus far, he has amassed nearly four billion streams, 820 million YouTube views, and multiple gold and platinum singles. He has sold out shows on three continents and counts Billie Eilish and John Mayer among his most vocal and ardent fans. Not to mention, he’s collaborated with everyone from Alessia Cara to Chinese superstar Zhao Lusi. His 2018 mixtape, Narrated For You, picked up a gold certification, while the 2020 debut album, These Two Windows, arrived to widespread critical acclaim from Billboard, People, Stereogum, and more. After a Global Pandemic, a year of soul-searching, and countless hours writing, he returns with his new single “The Way You Felt.”

CONNECT:

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PLANET HER album cover by David LaChapelle from Jamie Abzug, RCA Records for use by 360 Magazine

Doja Cat – Planet Her

Global superstar Doja Cat hits #1 at Top 40 radio with “Kiss Me More” ft. SZA. The Platinum-certified track, which has continued to dominate the charts since release, already hit #1 at Rhythm radio and currently sits at #4 on the Billboard Hot 100 with over 765 million streams worldwide.

Planet Her (Kemosabe/RCA Records) debuts at #1 on the Billboard Top R&B Albums chart and #2 on the Billboard Top 200 and Billboard Top R&B/Hip-Hop Albums chart, marking Doja Cat’s career best and highest debut to date with 109K in total activity in the US alone. Spanning a range of genres Planet Her also generated the highest first day Spotify streams for an album by a female rapper, is the top Pop album based on consumption according to MRC data, and marks both the biggest debut for female rapper and the top female R&B debut of 2021.

The press is raving about Planet Her with Vulture saying “Like a runway show where every look clicks, Planet Her makes a case for Doja as our new ice-cool pop-queen supreme,” and Stereogum simply stating, “The new album slaps, everybody.”

NPR declares – “The artist known as Doja Cat is back this week with a vibrant, unapologetic celebration of youth and sex on Planet Her.”

Billboard says “Without missing a single beat, Planet Her is sexy, introspective, reflective, and celebratory.”

Rolling Stone proclaims “If her first two LPs presented Doja as a pop outsider, blissfully living in her own world, this one makes her the coolest girl in school.”

Alongside the release of Planet Her came the highly anticipated video for “You Right” – Doja Cat & The Weeknd. Which followed the much celebrated futuristic video for “Need To Know“.

About Doja Cat:

3-time GRAMMY nominee Doja Cat made her first upload to Soundcloud in 2013 at just 16-years-old. Having grown up in and around the LA area, she developed a knack for music by studying piano and dance as a kid and listening to the likes of Busta Rhymes, Erykah Badu, Nicki Minaj, Drake, and more. Soon, she went from obsessing over Catwoman (the Halle Berry version) to “crate digging” on YouTube. The budding talent taught herself Logic and how to compose on a midi controller. Signed to Kemosabe/RCA in 2014, she released her Purrr! EP and followed that with her debut album Amala in spring 2018, but it was her August 2018 release of “Mooo!” which catapulted her into the mainstream and was met with critical acclaim.

Doja Cat released her sophomore album Hot Pink in November 2019 to mass critical acclaim, the album was a platinum success with over 10.3 billion streams worldwide. Hot Pink features “Juicy” which hit #1 at Rhythm radio, “Say So” her Grammy nominated #1 smash record and “Streets”, the viral sensation that soundtracked the ‘Silhouette Challenge,’ one of the biggest TikTok trends to date.

The success of “Say So” which hit #1 on the Billboard Hot 100 and has been RIAA certified 4x platinum and streamed over 5.4 billion times catapulted Doja into global superstardom. She has taken home the Best New Artist Award at the MTV VMAs, the MTV EMAs, the AMAs (where she also won the Best Female Soul/R&B Artist Award) and the iHeart Radio Awards. She has been nominated for countless awards including 3 GRAMMY Awards, 5 Billboard Music Awards, 4 American Music Awards, 4 MTV VMA Awards, 2 BET Awards, and 2 People’s Choice Awards.

Doja’s creativity and showmanship as a performer have been praised time and time again, she has delivered unique and show stopping performances on nearly all the major Award Show stages including the GRAMMY Awards, the American Music Awards, the Billboard Awards, the iHeart Radio Awards and the MTV VMA and EMA Awards. Her last tour sold out in 10 minutes and she has played numerous festivals including Rap Caviar Live Miami, Posty Fest, Day n Vegas and Rolling Loud LA.

Doja Cat’s new album Planet Her is out now.

Get Planet Her here.

Follow Doja Cat at:

Instagram | Facebook  | Twitter  | YouTube

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Lord Huron Long Lost Album Cover (By Ben Schneider) of Republic Records for use by 360 Magazine

Lord Huron – Long Lost

LORD HURON ANNOUNCE NEW ALBUM LONG LOST OUT MAY 21ST

NEW SINGLE “MINE FOREVER” OUT NOW WITH OFFICIAL MUSIC VIDEO

Who is Tubbs Tarbell? (Letter)

After causing a whole lot of chatter amongst audiences and critics alike, Lord Huron have begun to unwind the little riddle they’ve been spinning over the past few months and announce their fourth full-length album, LONG LOST, out May 21st via Whispering Pines Studios Inc./Republic Records, featuring new single “MINE FOREVER.

Pre-orderLong Lost HERE, listen to “Mine Forever HERE, and watch the official music video for Mine Forever (Directed by Anthony Wilson) HERE.

At the same time, the news only raises more questions. What can fans expect? What did the band lose and how long has it been lost? And who the hell is WBUB’s Mr. Tubbs Tarbell? All these questions (and more) have been brewing as easter eggs from the upcoming album have been revealed during Lord Huron’s Alive from Whispering Pines series.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Last night on Alive From Whispering Pines, Lord Huron performed their triple-platinum single “The Night We Met,” as well as fan favorites “Ghost on The Shore” and “Never Ever.”

To help answer all these lingering questions, Tubbs has put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE and below.

Long Lostwill also include previously released track “Not Dead Yet.” The single has already racked up 1.5 million Spotify streams and 500K video views. Additionally, the guys hit the stage at Jimmy Kimmel LIVE! for a show-stopping television debut performance of “Not Dead Yet.” Watch it HERE. Spin claimed, “they sharpened their teeth, while UPROXX described the track as “driving. In addition to plugs from Stereogum and more, Brooklyn Vegan touted it among “Our Favorite Songs of the Week.” See full track list for Long Lost below.

The last episode of Alive From Whispering Pines will broadcast in April, with more surprises to come. Fans can purchase tickets to each episode, a season pass to all four shows, and exclusive merch at Lord Huron’s website.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

Long Lost Track List:

  1. The Moon Doesn’t Mind
  2. Mine Forever
  3. (One Helluva Performer)
  4. Love Me Like You Used To
  5. Meet Me in The City
  6. (Sing For Us Tonight)
  7. Long Lost
  8. Twenty Long Years
  9. Drops in the Lake
  10. Where Did the Time Go
  11. Not Dead Yet
  12. (Deep Down Inside Ya)
  13. I Lied
  14. At Sea
  15. What Do It Mean
  16. Time’s Blur

About Lord Huron
Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after released Strange Taleswhich featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive, provocative and powerful rock, the record garnered praise from NPRTimeLos Angeles TimesSpinStereogumRefinery29UPROXX, and more as singles such as Wait by the River (which the band performed on “Late Night with Seth Meyers”) and When the Night is Over generated tens of millions of streams. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo.

Tune Prism Cover Artist Spotlight: Lord Huron and the Long Lost Sounds of Yore Words and Memories by Tubbs Tarbell

Friends,

I been thinkin’ a lot about the past again. I guess if you know me, that’s nothin’ new. Yeah, I smell what you’re sniffin’ at: “Oh boy, here goes ol’ Tubbs again, ramblin’ about those good ol’ bygone days of yore.” Well, sure, I’ll allow you that’n. Maybe I do tend to take a good hard glance into the rearview before I step my boot on the gas. But don’t we all? Or shouldn’t we, in any case?

It just seems to me that, these days, the past is everywhere you look. Hell, take another peek at that sentence again. The first time you read it is already in the past. Funny how time just keeps clickin’ along. These days, anyway.

So, sometime in what’s now the not-too distant past, I was sittin’ in my usual seat inside Whispering Pines, cozied up to a glass of something cozy, when, from outta nowhere, this particular tune crept into my ear. It was a funny thing, because it immediately felt familiar to me, as a song that creeps into your ear usually has to be—’specially for somebody like me who don’t write ’em…I just roll ’em. (You’ve heard me say that one more than a few times, no doubt.) But then the more I thought about it, and the more I listened to this little tune janglin’ around upstairs, I realized that I couldn’t place it as somethin’ I’d ever heard before. (And take my word for it: the ol’ upstairs is a titanium steel trap for tunes, even now.) It was a conundrum.

That little number stuck with me for more than a few days. I’d be doing something mindless— scrubbin’ my cup, combin’ my hat—when all of a sudden, here it came again: It’s hard to make friends when you’re half in the grave, but I ain’t dead yet and I’ve got something to say. It was the loveliest thing, and dang me if it didn’t keep sounding chummier and chummier. It was sublime—that drivin’ jangle of the guitar, the steady thump of the drums, those breezy, liltin’ voices—but I just couldn’t place it. Could it have been that ol’ Tubbs here had somehow tapped into that cosmic eternal and unwittingly written his first tune without even knowin’ it?

A week (or was it a month?) went by and the tune never went too far from my head. There’s a stranger in my eyes again… It almost got to where I was more used to the tune bein’ there under my hat than my own face. …I swear to God I don’t know him. But then it happened, somethin’ I’ll never forget for as long as I live: My little tune came to life before my very eyes.

Now, be patient. I’ll tell you how.

That day, one of my all-time favorite acts happened to be booked in Whispering Pines for a recordin’ spell, those good-time bootscooters and rhythm rascals known as the Lord Huron. As always, the boys showed up early—but not earlier than ol’ Tubbs here—and made haste toward the studio’s live room.

“Howdy, fellers,” says I. “Headed for the big room, I see.” (If Whispering Pines was a church—it ain’t, mind you, but iffin’ it were—the live room would be the holy pulpit, I reckon.)

Ben (he’s the singer) just looked at me, touched the brim of his hat, and nodded. “Thought we might try somethin’ different this time, good buddy,” says he.

So I just gave him my grandest grand welcome and stepped aside, happy to have them back. Those boys know what they’re doin’, havin’ made quite a few of their records with us. But the live room, this was gonna be a first, and a real treat. I tried my best to keep my grin to a simmer, sat down at the board, and watched as Mark, Miguel, Tom, and Ben started tunin’ her up

If you’ve ever had the pleasure of recordin’ at the Pines, then you know that nothin’ in the place is off limits. Guitars, cymbals, pianos, pedal steel, mandolins, microphones, saxophones—what’s ours is ours, that’s my motto. And as the Huron boys are basically my own brothers by now— well, nephews, maybe, but who’s countin’—I was glad to see their hands on all of it. I even heard ’em talk about recordin’ a gigantic string and woodwind orchestra in some dang place like Sweden or somewhat…those fellers really shoot the moon, I tell ya.

I’d barely had time to pour my coffee and hit the big red button when they settled into a dusky groove so quick I could hardly believe it. Must have been all that time playin’ out on the road together—even headlined that dang Bowl they got out in Hollywood since last I laid eyes. Hell, they’ve known each other since grade school so it don’t surprise…that’s the rumor, anyway.

Now, I’ve loved all their hits—“The Night We Met,” “Time to Run,” “When the Night is Over”—but this new stuff they started in on just sounded…well, it just sounded like somethin’ eerily familiar, as it were. Like somethin’ from a past life I’d heard before, but brand new, all at once. Like a note plucked long ago that had moseyed through time to finally belly up to my bar once and for all. It was a conundrum.

The first number they called “The Moon Doesn’t Mind,” and I say it reminded me of one of those cowboy pictures where the lone horseman is singin’ his heart out to the audience from atop his brave steed. But somethin’ about the pang in Ben’s voice made it seem like that feelin’ was more lonesome than just simply lone—or maybe it was just my view from the sidestage, as it were. Maybe the light catches a singer a little different when you’re not starin’ at him head-on, or even through a lens. I always did wonder if those cowboys were really as rootin’ and tootin’ as they looked on TV. I gave the boys a good round of applause before they launched into a real sunset of a song they called “Mine Forever,” a swingin’, full-on heart-renderer with a bubbly sound. All of a sudden I heard handclaps and female voices—I swear those ladies must have risen up outta the floorboards! Never saw ’em come in, and didn’t see ’em leave. That’s just the magic of the Pines, I suppose. Door knockin’s for strangers.

The next one, “Love Me Like You Used To,” brought to ear of one of those classic lovelorn country ballads, like one sung by Handsome Scott or even ol’ Roy Casey himself. “Long Lost” and “I Lied” both slowed the tempo down a notch or two, but sounded no less grand. The boys were really firin’ on all cylinders that day, I tell ya, fillin’ the air of that grand live room—and my own soul—with those tales of hard luck, heartbreak, and redemption. It was as if the boys had become conduits for the spirits of the room and were usin’ them to tap into that same cosmic eternal I’ve always felt—known—was hoverin’ around inside Whispering Pines.

I was feelin’ pretty fine. Our old pine clock on the wall had long stopped tickin’ and the boys surely didn’t need any help from little ol’ me, so I helped myself to a little somethin’ cozy and kicked my boots up on the board. And it was then, in that instant, that I heard it…my tune.

All messed up with nowhere to go, I stare at myself in the mirror alone… It’s hard to make friends when you’re half in the grave…

That drivin’ guitar jangle, the steady drum thump, those breezy, liltin’ voices…it was all unmistakable. My tune! It had somehow crept out from that titanium trap I keep under my hat and sneaked into the live room to serenade me from behind the glass studio wall. Time seemed to stand still, even more than it usually does around here. It was like some long, lost dream come to life, a forgotten classic from a parallel dimension, the echo of a memory that wasn’t mine. But the feelin’ was real.

“Say, boys, what’s that one called?” I hollered into the talkback, trying to seem casual.

They looked at one another, laughed. “Well, I’m not sure,” Ben replied. “What does it feel like it’s called to you?”

As he spoke, I caught a glimpse of myself in the unpolished studio glass, and somethin’ hit me, somethin’ I’ve never been able to explain. “Well, I reckon it’s called ‘Not Dead Yet,’” I reckoned. And wouldn’t you know it? Turned out, it was.

The Huron kept at it for a little while longer that day, but I must have drifted off peaceful-like in somethin’ of a cosmic slumber, with my tune—all of the tunes, in fact, as all of them were now mine—janglin’ heavy and happy in my heart. When I woke, the light from the next day was just startin’ to ease into the Pines, and I was alone. I stood up, stretched my creaky back, scratched a little stubble. As I turned to grab my leavin’ hat off its peg, somethin’ caught my eye: A hand- scratched note bound to a faded vinyl record sleeve was layin’ on the floor.

I bent down to snatch it up. The record was called “Long Lost,” and it looked as if it had been layin’ there on the floor since before Whispering Pines was even a whisper itself. I brushed the dust off the cover and saw that the artist was none other than the boys themselves—Lord Huron.

“Say, Tubbs,” the note read. “Time washes aways what man creates, but ‘Long Lost’ might convince you that a note can live on. Be good now. The Boys.”

And just like that, they were gone.

As ever, friends, may you live until you die, Tubbs

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Elle King and Miranda Lambert "Drunk" PR image for Sony music by Kimberly Manfre, uploaded by Sarah Weinstein Dennison, for use by 360 Magazine

ELLE KING × MIRANDA LAMBERT – “DRUNK (AND I DON’T WANNA GO HOME)”

ELLE KING AND MIRANDA LAMBERT’S “DRUNK (AND I DON’T WANNA GO HOME)” CRASHES INTO THE #1 SPOT ON BOTH THE BILLBOARD ROCK AND COUNTRY DIGITAL SONG CHARTS THIS WEEK.

Listen/Watch HERE

Elle King and Miranda Lambert’s brand new collaboration “Drunk (And I Don’t Wanna Go Home)” is clearly the party everyone has been missing. The single debuted at #1 on Billboard’s Country Digital Song Sales Chart and #1 on the Rock Digital Sales Chart. Listen/Watch the Video HERE.

The song was co-written by Elle King with Martin Johnson, who also produced the track, and was recorded in Nashville and New York pre-pandemic.

This is the second time the two female powerhouse performers have recorded together with their first release “Fooled Around and Fell in Love” (along with Maren Morris, Ashley McBryde, Tenille Townes and Caylee Hammack) going on to win the 2020 ACM Award for “Music Event of The Year.”  Elle also was a special guest on Miranda’s 2019 Roadside Bars & Pink Guitars tour.

To accompany the track, the pair met up in Nashville to film an 80s-inspired wedding video starring Elle as the bride and Miranda as her Maid of Honor complete with a cameo from Elle’s real-life fiancé as the groom. The video was shot in January by directing duo Running Bear using strict COVID protocols.

Watch the video HERE.

Check out what the press is saying about “Drunk”:

“’Drunk’ is a fist-pump, feel good, girl-power anthem from these two country power houses, with a nostalgic, pastel music video to match.”

360 Magazine

“This may be end up being a top-10 pop song, country song, and rock song of 2021.”

“Brilliant stuff here at the intersection King’s sassy roots-rock shtick, Lambert’s sassy country shtick, and the Nashville mainstream’s constant drift toward arena rock.”

Stereogum

“…a euphoric collaboration…exhilarating new duet.”
“When the chorus hits, it’s neon-spattered, banjo-flecked euphoria that fits perfectly with the idea of blowing off steam well into the wee hours.”

Rolling Stone

“Firebrands King and Lambert hit one out of the bar with this singalong ode to handing your keys to the bartender and drinking all night because you don’t want to go home. The song will fuel a thousand karaoke nights and a million bridal parties, but it’s the cotton candy-colored video that really sells it, with King as a feisty bride and Lambert as the maid of honor who’s the first to spike the punch.”

“… an enjoyable glass-raising anthem, but it’s the way that the ‘Ex’s and Oh’s’ singer and country veteran complement one another on the track that denotes a longstanding bond, and an opportunity to listen in on their fun.”

Billboard
“Elle King and Miranda Lambert’s Duet ‘Drunk’ Is an ‘All-In’ Party of an Event”

“Drunk” is a memorable, feel-good anthem.”

CMT

“…a rip-roarin’ good time!”
“…this catchy tribute to a blackout night, complete with a fun-filled, wedding-themed music video…”

“Go Behind the Scenes of Their Gender-Bending Music Video (Exclusive)

Miranda Lambert and Elle King’s ‘Drunk’”- Watch HERE

Entertainment Tonight

“…hilarious music video…”
People

“Country superstar Miranda Lambert and rocker Elle King let loose for a wild-night duet …up-tempo anthem…features a driving rhythmic stomp and maxed out country-rock edge, mixing rolling banjos with party-all-night vocals. Lambert leads the rebellious second verse and also blends her vocal in with King’s gritty delivery throughout, and King says track’s devil-may-care attitude suits them both well.”
Sounds Like Nashville

“It’s a wild wedding — and Miranda and Elle are there to party.”
The Boot

“the badassery levels are off the charts. Co-written by King and Martin Johnson, it’s a fun tribute to staying out till dawn and drinking the night away (remember that?).”

Whiskey Riff

“…unapologetic anthem…a first pumping, banjo-led party song to rule any dance floor.”

“’Drunk’ is coasting at the top of the charts right now because the track crosses any sort of existing genre barriers – the long hailing queen of country revenge tales and the rock/pop King belting out how they’re both not ready to leave the cash bar just yet. It’s a wedding party we all want to be a part of.”

Earmilk

“…a dizzying new party anthem”

“One-time tourmates Miranda Lambert and Elle King join forces once again for the genre-bending party banger…”

ABC Radio News

“Fun, upbeat…Exhilarating…a party anthem all about living your best life on the spur of the moment.”

iHeart Radio

HEY VIOLET debut new video for “CLOSE MY EYES”

Fresh off a headline mini tour of the U.S., Hey Violet premiere the video for their new track Close My Eye today on Vevo. Watch it HERE. Shot in Los Angeles, the video was directed by Marcella Cytrynowicz who also lensed the video for the bands recent single Better By Myself.

Close My Eyes, which was written by Hey Violet with Sean Kennedy, Tim Anderson, and Aron Forbes (the latter two who co-produced), is the second of four new tracks the band is set to release throughout the spring and summer. The first, Better By Myself, was released in April, along with an official video that can be watched HERE. Idolator called Better By Myself as catchy as it is relatable, while Celeb Mix says the song’s mid-tempo beat and addictive chorus will leave the listener singing [it] all day. Watch Hey Violet perform Better By Myself live at Capitol Studios HERE.

Close My Eyes is essentially about living in a fantasy land, says front woman Rena Lovelis. It’s about the idea of still wanting to be with an ex who has already moved on. There’s definitely a level of denial that goes into being in that sort of headspace because you’re basically rejecting the present reality and not allowing yourself to move forward. The song sounds very calm and chill but in the lyrical content there’s an air of tension because of that refusal to accept things as they are.

Hey Violet’s 2017 debut album From the Outside featured the singles Guys My Age, which has amassed over 250 million global streams, Break My Heart, and Hoodie which is approaching 200 million streams. The album racked up critical praise, including accolades from The New York Times, which called it one of this year’s best and most provocative pop albums. Stereogum noted that it has plenty of attitude thanks to Lovelis vocal and lyrical presence, and NYLON declared, I challenge you to find a debut album as explosive and technicolored as Hey Violet’s From The Outside(the album) pulses with cheeky hooks and middle fingers to the status quo. Lead singer Rena Lovelis’ voice is arena-shaking. You’re in for one hell of a ride.

Over the past few years, Hey Violet, which is Rena Lovelis, her sister Nia Lovelis (drums), and Casey Moreta (lead guitar) have steadily built an engaged fanbase with their powerful, immaculately crafted alt-pop songs. Guys My Age was named one of the Best Songs of 2016 by The New York Times, who called it teen-pop’s revenge: an urgent dark song about sexual rebellion and one of the 20 Best Songs of 2016 by V Magazine. In 2017, Hey Violet was also nominated for an iHeart Radio award for Best Underground Alternative Band, dubbed an Artist Primed For A Breakout by Billboard, and named Artist To Watch by The Guardian, PopCrush, and more. The band has racked over half a billion streams worldwide, sold out their North American headline tour and performed on both The Late Late Show With James Corden and Late Night With Seth Meyers.

Photo Credit: Valentina Cytrynowicz

For more on Hey Violet: