Posts tagged with "Hollywood Bowl"

by Taylor Vaughn for use by 360 Magazine

Lord Huron – Love Me Like You Used To

Lord Huron released the official music video for their song “Love Me Like You Used To” off their critically acclaimed album Long Lost.

Watch Lord Huron’s “Love Me Like You Used To” official music video HERE

Stream Long Lost via Whispering Pines Studios Inc./Republic Records HERE.

The video shows a mysterious woman exploring the Whispering Pines Museum. As she explores the memorabilia, paying homage to Tubbs Tarbell and the artists of Whispering Pines Studios, the true purpose of her visit becomes clear.

Recently, the band announced new dates for their Long Lost fall 2021 headline tour, their first shows in support of Long Lost, including top billing at Ohana Encore Festival alongside Pearl Jam and Beck. The tour kicks off in Philadelphia on September 9th and hits a variety of outdoor venues in New York City, Los Angeles, Boston, Seattle, Portland and other markets across the country, with Allison Ponthier and Andy Shauf opening on select dates. See full list of tour dates below, click HERE for more info and ticket links.

Lord Huron continues to celebrate their success of recent album Long Lost, which has garnered nearly 50 million streams and counting, captured the #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart.

The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with Long Lost. Not to mention, it has captured a 88 score on Metacritic which summarizes all critical and user reviews of an album from across the globe.

Recently the band performed “Mine Forever” on The Late Late Show with James Corden,  “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, three songs on CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live! and a live set on NPR’s World Café.

Whispering Pines

Fans across the country have been noticing vinyl from the Whispering Pines back catalog showing up in various sections of record stores across the country. Notably, the artists who originally recorded the vinyl were seen in numerous episodes of Alive From Whispering Pines. This isn’t the first time that the merchandise, music and memorabilia from Whispering Pines studios has suddenly appeared, as fans have already found items for sale recently on CraigsList, Reverb, and Discogs.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Episode 3 included a long awaited performance of “The Night We Met,” “The Balancers Eye,” and fan favorite “Ghost on The Shore.” In case you missed the performances of “The Night We Met” Watch HERE. The final episode featured a performance of “I Lied” with Allison Ponthier herself and tied up the four episode story of Alive From Whispering Pines and set the stage for Long Lost.

In the beginning of this new era, Tubbs put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

About Lord Huron

Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after Strange Tales, which featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive provocative, and powerful rock, the record garnered praise from NPR, Time, Los Angeles Times, Spin, Stereogum, Refinery29, UPROXX, and more as singles such as “Wait by the River” (which the band performed on “Late Night with Seth Meyers”) and “When the Night is Over” generated tens of millions of streams. Their recent album Long Lost, featuring #1 song “Not Dead Yet” debuted #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart. The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with the album and its four part live event Alive From Whispering Pines featuring mysterious character Tubbs Tarbell. In addition, the band went on to perform “Mine Forever” on The Late Late Show with James Corden, “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live and a live set on NPR’s World Café. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo and more.

Trey Anastasio Band tour image via Ken Weinstein for use by 360 Magazine

Trey Anastasio Band Announces US Tour Dates

Trey Anastasio Band released fall tour dates, including a two-night-stand at Radio City Music Hall.

Trey Anastasio Band (TAB) announces its long-awaited return to the road with an upcoming series of live dates. The tour begins September 17 at Thompson’s Point in Portland, ME and then travels through a two-night-stand at New York City’s Radio City Music Hall on October 2 and 3. The upcoming run marks the first TAB tour for new bassist Dezron Douglas, who joins the band following the recent passing of original member Tony Markellis. Presales begin Wednesday, July 14 at noon ET. Tickets will go on sale to the general public on Friday, July 16. 

Last year saw Trey Anastasio Band release a new live album, Burn It Down, a three-dimensional sonic time capsule that captures the explosive eight-piece band on their January 2020 tour. Produced and mixed by Vance Powell (Phish, Chris Stapleton, Jack White), the 15-song collection shows TAB at the peak of its powers, combining their trademark tight musicianship with unbounded performances. Burn It Down is available now at all digital outlets and vinyl will be available on August 20. 

TOUR DATES

Sep 17 – Portland, ME @ Thompson’s Point

Sep 18 – Boston, MA @ Leader Bank Pavilion

Sep 19 – New Haven, CT @ Westville Music Bowl

Sep 21 – Philadelphia, PA @ The Met

Sep 22 – Charlottesville, VA @ Ting Pavilion

Sep 24 – Wilmington, NC @ Riverfront Park Amphitheater

Sep 25 – Charlotte, NC @ Metro Credit Union Amphitheatre

Sep 26 – Asheville, NC @ Rabbit Rabbit

Sep 28 – Columbus, OH @ Express Live Outdoors

Sep 29 – Pittsburgh, PA @ Stage AE Outdoors

Oct 1 – Washington, DC @ Anthem

Oct 2 – New York, NY @ Radio City Music Hall

Oct 3 – New York, NY @ Radio City Music Hall

TREY ANASTASIO BAND

Trey Anastasio – Guitars / Vocals

Cyro Baptista – Percussion

James Casey – Saxophone / Keyboards / Percussion / Vocals

Natalie Cressman – Trombone / Vocals

Jennifer Hartswick – Trumpet / Vocals

Russ Lawton – Drums

Dezron Douglas – Bass Guitar

Ray Paczowski – Keyboards

ABOUT TREY ANASTASIO

Over the past three decades, composer/guitarist/vocalist Trey Anastasio has forged a multi-faceted career, winning acclaim in rock, classical and theatrical circles. He is a founding member of Phish, one of today’s most successful and innovative rock bands. In the summer of 2017, Phish completed a residency at the world-renowned Madison Square Garden in New York – an unprecedented 13-night run known as The Baker’s Dozen. Phish’s total number of performances at the famed arena currently sits at 64.

Anastasio has received GRAMMY® nominations for his recordings with Phish and for his solo work. He has collaborated with such artists as Dave Matthews, Herbie Hancock, Carlos Santana, Toots and the Maytals, B.B. King and The Roots, and – as part of the trio Oysterhead – Les Claypool (Primus) and Stewart Copeland (The Police). He co-wrote the music for the Broadway musical Hands on a Hardbody, which received a Tony nomination for Best Original Score in 2013. In the summer of 2015, Anastasio joined the surviving four members of the Grateful Dead for five stadium shows, which celebrated the band’s 50th anniversary and served as their farewell shows.

Anastasio has performed his original compositions with numerous symphonies. The New York Times hailed his Carnegie Hall performance with the New York Philharmonic as “that rarest of rarities, a classical-rock hybrid that might please partisans from both constituencies.” In 2014, he debuted a new piece for guitar and orchestra, entitled Petrichor, on a West Coast orchestral tour that concluded with a performance at the Hollywood Bowl, marking his second performance with the Los Angeles Philharmonic. In April 2019, Anastasio released his 14th solo album, Ghosts of the Forest, which Rolling Stone said was “built around psychedelic guitar liftoffs, ambitious arrangements, and extremely personal lyrics.” Between Me and My Mind, a film documenting Trey’s creative process debuted at the Tribeca Film Festival and played a sold-out limited-run engagement in theaters this past summer.

Lord Huron Long Lost Album Cover (By Ben Schneider) of Republic Records for use by 360 Magazine

Lord Huron – Long Lost

LORD HURON ANNOUNCE NEW ALBUM LONG LOST OUT MAY 21ST

NEW SINGLE “MINE FOREVER” OUT NOW WITH OFFICIAL MUSIC VIDEO

Who is Tubbs Tarbell? (Letter)

After causing a whole lot of chatter amongst audiences and critics alike, Lord Huron have begun to unwind the little riddle they’ve been spinning over the past few months and announce their fourth full-length album, LONG LOST, out May 21st via Whispering Pines Studios Inc./Republic Records, featuring new single “MINE FOREVER.

Pre-orderLong Lost HERE, listen to “Mine Forever HERE, and watch the official music video for Mine Forever (Directed by Anthony Wilson) HERE.

At the same time, the news only raises more questions. What can fans expect? What did the band lose and how long has it been lost? And who the hell is WBUB’s Mr. Tubbs Tarbell? All these questions (and more) have been brewing as easter eggs from the upcoming album have been revealed during Lord Huron’s Alive from Whispering Pines series.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Last night on Alive From Whispering Pines, Lord Huron performed their triple-platinum single “The Night We Met,” as well as fan favorites “Ghost on The Shore” and “Never Ever.”

To help answer all these lingering questions, Tubbs has put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE and below.

Long Lostwill also include previously released track “Not Dead Yet.” The single has already racked up 1.5 million Spotify streams and 500K video views. Additionally, the guys hit the stage at Jimmy Kimmel LIVE! for a show-stopping television debut performance of “Not Dead Yet.” Watch it HERE. Spin claimed, “they sharpened their teeth, while UPROXX described the track as “driving. In addition to plugs from Stereogum and more, Brooklyn Vegan touted it among “Our Favorite Songs of the Week.” See full track list for Long Lost below.

The last episode of Alive From Whispering Pines will broadcast in April, with more surprises to come. Fans can purchase tickets to each episode, a season pass to all four shows, and exclusive merch at Lord Huron’s website.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

Long Lost Track List:

  1. The Moon Doesn’t Mind
  2. Mine Forever
  3. (One Helluva Performer)
  4. Love Me Like You Used To
  5. Meet Me in The City
  6. (Sing For Us Tonight)
  7. Long Lost
  8. Twenty Long Years
  9. Drops in the Lake
  10. Where Did the Time Go
  11. Not Dead Yet
  12. (Deep Down Inside Ya)
  13. I Lied
  14. At Sea
  15. What Do It Mean
  16. Time’s Blur

About Lord Huron
Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after released Strange Taleswhich featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive, provocative and powerful rock, the record garnered praise from NPRTimeLos Angeles TimesSpinStereogumRefinery29UPROXX, and more as singles such as Wait by the River (which the band performed on “Late Night with Seth Meyers”) and When the Night is Over generated tens of millions of streams. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo.

Tune Prism Cover Artist Spotlight: Lord Huron and the Long Lost Sounds of Yore Words and Memories by Tubbs Tarbell

Friends,

I been thinkin’ a lot about the past again. I guess if you know me, that’s nothin’ new. Yeah, I smell what you’re sniffin’ at: “Oh boy, here goes ol’ Tubbs again, ramblin’ about those good ol’ bygone days of yore.” Well, sure, I’ll allow you that’n. Maybe I do tend to take a good hard glance into the rearview before I step my boot on the gas. But don’t we all? Or shouldn’t we, in any case?

It just seems to me that, these days, the past is everywhere you look. Hell, take another peek at that sentence again. The first time you read it is already in the past. Funny how time just keeps clickin’ along. These days, anyway.

So, sometime in what’s now the not-too distant past, I was sittin’ in my usual seat inside Whispering Pines, cozied up to a glass of something cozy, when, from outta nowhere, this particular tune crept into my ear. It was a funny thing, because it immediately felt familiar to me, as a song that creeps into your ear usually has to be—’specially for somebody like me who don’t write ’em…I just roll ’em. (You’ve heard me say that one more than a few times, no doubt.) But then the more I thought about it, and the more I listened to this little tune janglin’ around upstairs, I realized that I couldn’t place it as somethin’ I’d ever heard before. (And take my word for it: the ol’ upstairs is a titanium steel trap for tunes, even now.) It was a conundrum.

That little number stuck with me for more than a few days. I’d be doing something mindless— scrubbin’ my cup, combin’ my hat—when all of a sudden, here it came again: It’s hard to make friends when you’re half in the grave, but I ain’t dead yet and I’ve got something to say. It was the loveliest thing, and dang me if it didn’t keep sounding chummier and chummier. It was sublime—that drivin’ jangle of the guitar, the steady thump of the drums, those breezy, liltin’ voices—but I just couldn’t place it. Could it have been that ol’ Tubbs here had somehow tapped into that cosmic eternal and unwittingly written his first tune without even knowin’ it?

A week (or was it a month?) went by and the tune never went too far from my head. There’s a stranger in my eyes again… It almost got to where I was more used to the tune bein’ there under my hat than my own face. …I swear to God I don’t know him. But then it happened, somethin’ I’ll never forget for as long as I live: My little tune came to life before my very eyes.

Now, be patient. I’ll tell you how.

That day, one of my all-time favorite acts happened to be booked in Whispering Pines for a recordin’ spell, those good-time bootscooters and rhythm rascals known as the Lord Huron. As always, the boys showed up early—but not earlier than ol’ Tubbs here—and made haste toward the studio’s live room.

“Howdy, fellers,” says I. “Headed for the big room, I see.” (If Whispering Pines was a church—it ain’t, mind you, but iffin’ it were—the live room would be the holy pulpit, I reckon.)

Ben (he’s the singer) just looked at me, touched the brim of his hat, and nodded. “Thought we might try somethin’ different this time, good buddy,” says he.

So I just gave him my grandest grand welcome and stepped aside, happy to have them back. Those boys know what they’re doin’, havin’ made quite a few of their records with us. But the live room, this was gonna be a first, and a real treat. I tried my best to keep my grin to a simmer, sat down at the board, and watched as Mark, Miguel, Tom, and Ben started tunin’ her up

If you’ve ever had the pleasure of recordin’ at the Pines, then you know that nothin’ in the place is off limits. Guitars, cymbals, pianos, pedal steel, mandolins, microphones, saxophones—what’s ours is ours, that’s my motto. And as the Huron boys are basically my own brothers by now— well, nephews, maybe, but who’s countin’—I was glad to see their hands on all of it. I even heard ’em talk about recordin’ a gigantic string and woodwind orchestra in some dang place like Sweden or somewhat…those fellers really shoot the moon, I tell ya.

I’d barely had time to pour my coffee and hit the big red button when they settled into a dusky groove so quick I could hardly believe it. Must have been all that time playin’ out on the road together—even headlined that dang Bowl they got out in Hollywood since last I laid eyes. Hell, they’ve known each other since grade school so it don’t surprise…that’s the rumor, anyway.

Now, I’ve loved all their hits—“The Night We Met,” “Time to Run,” “When the Night is Over”—but this new stuff they started in on just sounded…well, it just sounded like somethin’ eerily familiar, as it were. Like somethin’ from a past life I’d heard before, but brand new, all at once. Like a note plucked long ago that had moseyed through time to finally belly up to my bar once and for all. It was a conundrum.

The first number they called “The Moon Doesn’t Mind,” and I say it reminded me of one of those cowboy pictures where the lone horseman is singin’ his heart out to the audience from atop his brave steed. But somethin’ about the pang in Ben’s voice made it seem like that feelin’ was more lonesome than just simply lone—or maybe it was just my view from the sidestage, as it were. Maybe the light catches a singer a little different when you’re not starin’ at him head-on, or even through a lens. I always did wonder if those cowboys were really as rootin’ and tootin’ as they looked on TV. I gave the boys a good round of applause before they launched into a real sunset of a song they called “Mine Forever,” a swingin’, full-on heart-renderer with a bubbly sound. All of a sudden I heard handclaps and female voices—I swear those ladies must have risen up outta the floorboards! Never saw ’em come in, and didn’t see ’em leave. That’s just the magic of the Pines, I suppose. Door knockin’s for strangers.

The next one, “Love Me Like You Used To,” brought to ear of one of those classic lovelorn country ballads, like one sung by Handsome Scott or even ol’ Roy Casey himself. “Long Lost” and “I Lied” both slowed the tempo down a notch or two, but sounded no less grand. The boys were really firin’ on all cylinders that day, I tell ya, fillin’ the air of that grand live room—and my own soul—with those tales of hard luck, heartbreak, and redemption. It was as if the boys had become conduits for the spirits of the room and were usin’ them to tap into that same cosmic eternal I’ve always felt—known—was hoverin’ around inside Whispering Pines.

I was feelin’ pretty fine. Our old pine clock on the wall had long stopped tickin’ and the boys surely didn’t need any help from little ol’ me, so I helped myself to a little somethin’ cozy and kicked my boots up on the board. And it was then, in that instant, that I heard it…my tune.

All messed up with nowhere to go, I stare at myself in the mirror alone… It’s hard to make friends when you’re half in the grave…

That drivin’ guitar jangle, the steady drum thump, those breezy, liltin’ voices…it was all unmistakable. My tune! It had somehow crept out from that titanium trap I keep under my hat and sneaked into the live room to serenade me from behind the glass studio wall. Time seemed to stand still, even more than it usually does around here. It was like some long, lost dream come to life, a forgotten classic from a parallel dimension, the echo of a memory that wasn’t mine. But the feelin’ was real.

“Say, boys, what’s that one called?” I hollered into the talkback, trying to seem casual.

They looked at one another, laughed. “Well, I’m not sure,” Ben replied. “What does it feel like it’s called to you?”

As he spoke, I caught a glimpse of myself in the unpolished studio glass, and somethin’ hit me, somethin’ I’ve never been able to explain. “Well, I reckon it’s called ‘Not Dead Yet,’” I reckoned. And wouldn’t you know it? Turned out, it was.

The Huron kept at it for a little while longer that day, but I must have drifted off peaceful-like in somethin’ of a cosmic slumber, with my tune—all of the tunes, in fact, as all of them were now mine—janglin’ heavy and happy in my heart. When I woke, the light from the next day was just startin’ to ease into the Pines, and I was alone. I stood up, stretched my creaky back, scratched a little stubble. As I turned to grab my leavin’ hat off its peg, somethin’ caught my eye: A hand- scratched note bound to a faded vinyl record sleeve was layin’ on the floor.

I bent down to snatch it up. The record was called “Long Lost,” and it looked as if it had been layin’ there on the floor since before Whispering Pines was even a whisper itself. I brushed the dust off the cover and saw that the artist was none other than the boys themselves—Lord Huron.

“Say, Tubbs,” the note read. “Time washes aways what man creates, but ‘Long Lost’ might convince you that a note can live on. Be good now. The Boys.”

And just like that, they were gone.

As ever, friends, may you live until you die, Tubbs

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Halsey, 360 MAGAZINE

Halsey: Soaring Success for “Manic”

January 28, 2020

Global Sales To Date Of HALSEY’S Manic Surpass 2.75 Million Adjusted Albums Manic Is No. 1 On Billboard’s Top Current Albums Chart Halsey Performs New Single “You Should Be Sad” – On “Saturday Night Live” – Watch HERE Tickets On Sale Now For North American Tour Download / Stream Manic HERE

Halsey’s new album, Manic (Capitol Records), has sold over 2.75 million adjusted albums globally to date. Manic entered Billboard’s Top Current Albums chart at No. 1. Earning more than 239,000 equivalent album units during its first week of release, it marks her biggest-selling U.S. debut. During her appearance as the first musical guest of 2020 on “Saturday Night Live,” Halsey  gave her new single, “You Should Be Sad,”  its television debut. She also performed an acoustic version of “Finally // beautiful stranger.”

View her performances below:

“You Should Be Sad”

“Finally // Beautiful Stranger”

“Slow Skit” featuring Halsey

“Cheerleading Show” skit featuring Halsey

Both songs are from Manic (Capitol Records). Last week, she also paid a fun visit to “The Tonight Show Starring Jimmy Fallon.” View highlights HERE.

Manic includes the hits “Without Me” and “Graveyard” and features interludes with guest artists SUGA from global superstars BTS, Alanis Morissette and Dominic Fike. Exclusive album/merchandise bundles are now available at Halsey’s online store. Manic is Halsey’s third studio album and the follow-up to “hopeless fountain kingdom”, her chart-topping, Platinum-certified 2017 release. The GRAMMY®-nominated, multi-Platinum artist will support her new album with an extensive headline run. Tickets are on sale now for the North American leg of the Manic World Tour. Produced by Live Nation, it will include shows at the Hollywood Bowl in Los Angeles (June 10), Forest Hills Stadium in New York (July 15), Nashville’s Bridgestone Arena (July 24) and Colorado’s Red Rocks Amphitheatre (July 27). See below for itinerary. The supporting acts will be CHVRCHES and Omar Apollo (June 2 – July 5) and blackbear and PVRIS (July 12 – August 1).

Visit www.ManicWorldTour.com for more information. All tickets for the North American headline dates will include a CD copy of Manic.

Since 2015, Halsey has amassed over 25 billion streams worldwide and sold more than 11 million adjusted albums globally. She has played sold out dates on five continents (including New York City’s Madison SquareNGarden), been nominated for a GRAMMY® and appeared on a wide variety of magazine covers, including Rolling Stone, Cosmopolitan, NYLON, Forbes, Playboy and Billboard. Her 2015 debut album, BADLANDS, was certified Platinum by the RIAA within one year of its release. Halsey claimed the No. 1 spot on the Billboard 200 with 2017’s Platinum-certified “hopeless fountain kingdom”, which contained such hits as the 2x Platinum “Now or Never” and the 4x Platinum “Bad at Love.” The success of the 6x Platinum “Without Me” has made Halsey the first and only female artist to have at least three songs chart on the Billboard Hot 100 for 50 weeks each. Rounding out the trio of songs are the 4x Platinum “Eastside,” her collaboration with Benny Blanco and Khalid, and The Chainsmokers’ 11x Platinum “Closer,” which she featured on. “Without Me,” which took Favorite Song, Pop/Rock honors at the American Music Awards, spent two weeks at No. 1 on the Hot 100 in early 2019, marking her first solo single to reach the top spot. It now ranks as the longest-running Billboard Hot 100 top 10 hit by a female artist of thisNcentury. She is the first artist to rank at Nos. 1 and 2 simultaneously on Billboard’s Hot 100 Pop Songs radio airplay chart.

In March 2019, Halsey became the first artist in history to replace herself at No. 1 twice on the U.S. Pop Songs Airplay chart when “Without Me” returned to No. 1, bumping “Eastside” from the top spot. “Without Me” was the most-played song of 2019 at U.S. radio. She featured on BTS’ Platinum hit, “Boy With Luv,” and, more recently, alongside Future on “Die for Me,” a track from Post Malone’s new album. Halsey continues to push creative boundaries, expanding her influence and impact beyond music.

After making her film debut in the animated 2018 summer movie Teen Titans GO! as the voice of Wonder Woman, she was seen in A Star is Born, starring Bradley Cooper and Lady Gaga. She continues to use her voice to speak up for causes she passionately believes in, including disenfranchised youth, women’s rights, mental health and the LGBTQ community. GLAAD honored her in 2018 as “Outstanding Music Artist.” In 2019, she has won an AMA, the Hal David Starlight Award, presented by the Songwriters Hall of Fame, a VMA and two Teen Choice Awards.        

Halsey – Manic World Tour – North American Leg

6/2 | Seattle, WA | White River Amphitheatre

6/4 | Portland, OR | Sunlight Supply Amphitheater

6/6 | Mountain View, CA | Shoreline Amphitheatre

6/7 | Sacramento, CA | Golden 1 Center

6/10 | Los Angeles, CA | Hollywood Bowl

6/13 | Phoenix, AZ | Ak-Chin Pavilion

6/15 | Dallas, TX | Dos Equis Pavilion

6/16 | Houston, TX | The Cynthia Woods Mitchell Pavilion

6/18 | Charlotte, NC | PNC Music Pavilion

6/21 | Cleveland, OH | Blossom Music Center

6/24 | Atlanta, GA | Cellairis Amphitheatre at Lakewood

6/26 | Detroit, MI | DTE Energy Music Theatre

6/27 | Chicago, IL | Hollywood Casino Amphitheatre

6/30 | St. Paul, MN | Xcel Energy Center

7/1 | Kansas City, MO | Sprint Center

7/3 | Milwaukee, WI | Milwaukee Summerfest

7/5 | Boston, MA | Xfinity Center

7/12 | Toronto, ON | Budweiser Stage

7/15 | Forest Hills, NY | Forest Hills Stadium

7/18 | Holmdel, NJ | PNC Bank Arts Center

7/19 | Columbia, MD | Merriweather Post Pavilion

7/22 | Tampa, FL | MIDFLORIDA Credit Union Amphitheatre

7/24 | Nashville, TN | Bridgestone Arena

7/25 | St. Louis, MO | Hollywood Casino Amphitheatre

7/27 | Morrison, CO | Red Rocks Amphitheatre

7/30 | Salt Lake City, UT | USANA Amphitheatre

8/1 | Irvine, CA | FivePoint Amphitheatre

FOLLOW HALSEY 

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KANYE WEST – Mary

Kanye West will bring his original opera Mary to New York City’s famed David Geffen Hall at Lincoln Center. Directed by Vanessa Beecroft, Mary was first staged at Art Basel Miami, and follows Nebuchadnezzar, West’s first opera, which premiered last month at the Hollywood Bowl. 
 
Mary is an original opera, based on the biblical story of the miraculous events surrounding the birth of Jesus Christ. The Books of Matthew and Luke recount the story of Mary, who was divinely chosen by God to bring forth the Messiah.    
 
West’s Mary brings together elements from different worlds – including opera, fine art, modern dance, and gospel music – to create a new visual interpretation and innovative performance structure. Mary is performed by the Sunday Service collective, a ministry formed in January of 2019. With the Sunday Service collective working alongside a cast of professional opera singers, Mary represents an innovative interpretation of West’s own music, gospel standards, and traditional opera alike.
 
For ticket information visit HERE

Andy Vargas Goes Solo

SANTANA LEAD VOCALIST ANDY VARGAS TO RELEASE DEBUT SOLO SINGLE

“THE BEAT” ON MARCH 29TH

ESPN “Music Of The Month” To Feature “The Beat” In April

Watch the video HERE.

Santana lead vocalist Andy Vargas struck world-wide fame over a decade ago when he became the lead-singer for the iconic rock band, led by 12-time GRAMMY Award-winning artist Carlos Santana. Twenty world tours later, Vargas is now stepping out on his own with an up-tempo, soul-rock single, “The Beat,” out March 29th on Hip Spanic & Souleros Records. “The Beat” showcases Vargas’ signature Latin R&B sound – Souleros – a blend of “soul” and “boleros” influenced by classic funk and R&B/soul music. Souleros is also the name of his band.

“The Beat” will also be featured by ESPN’s “Music Of The Month” this April. 

“It is such a privilege to be recognized by the world as the voice for the legendary Santana. For many years, I have performed alongside my mentor, Carlos, who has always taught me to reach greater lengths in my career. I have learned so much about music through world cultures and have been influenced by world class artists I’ve had the privilege of collaborating with over the years. It’s an honor to now showcase my own music, which I consider to be the sound of the ‘New Chicano Soul,’ alongside my band Souleros,” says Vargas

2019 will be an exciting and action-packed year for Vargas. In addition to releasing the English and Spanish versions of “The Beat,” he releases his full-length, solo debut album in August (date tbd), preceded by several singles (including a guest appearance from Carlos Santana on a new version of “Oye Como Va”).

Vargas also will embark on a worldwide tour with Santana in celebration of 50 years of Santana’s music, the 50th Anniversary of Santana’s Woodstock performance (including a performance on the iconic Woodstock Stage at Woodstock 50), and the 20th Anniversary of Santana’s ‘Supernatural’ album.

The “Supernatural Now” tour with the Doobie Brothers kicks off June 22 and includes headlining dates at the Hollywood Bowl on June 24th and a series of New York area dates in late August.

His masterful soul-tinged voice has also graced stages with Enrique Iglesias, Patti Labelle, Taboo of the Black-Eyed Peas and Yanni, among others.

For more on Santana’s upcoming tours: http://tour.santana.com/

Queen Latifah and Common at the Hollywood Bowl

Queen Latifah & Common

Wednesday August 22nd

Hollywood Bowl | 8:00 PM

The ever-versatile Queen Latifah returns to her throne for a soul-driven set showcasing the emotional power of her voice and her sophisticated presence as a singer. Fresh off his second Academy Award® nomination for Best Original Song – an award he won in 2013 for “Glory” – rapper, poet, and actor Common fuses social justice and large-hearted positivity for a highly charismatic performance.

Click here to get tickets now!

High As Hope Tour

High As Hope, the immensely anticipated new album from Florence + The Machine, is out today on Republic Records—get it here. Co-produced by Florence and Emile Haynie and featuring contributions from Kamasi Washington, Sampha, Tobias Jesso Jr, Kelsey Lu, Jamie xx and Thomas Barlett, the album includes previous-released songs “Hunger”—currently #1 at AAA radio and Top 10 at Alternative radio, “Big God” and “Sky Full of Song.”

Furthermore, Florence will embark on a 23-city North American fall headline tour, including two nights at Los Angeles’ Hollywood Bowl September 25 & 26 and Washington, D.C.’s The Anthem October 5 & 6, with further stops at New York Barclays Center and in Seattle, Portland, Nashville, Philadelphia, Chicago and more. Tickets are on sale now, visit florenceandthemachine.net for more information.

Watch the video for “Big God,” directed by Autumn de Wilde and choreographed by Akram Khan and Florence, here.

FLORENCE + THE MACHINE—HIGH AS HOPE

1. June
2. Hunger
3. South London Forever
4. Big God
5. Sky Full of Song
6. Grace
7. Patricia
8. 100 Years
9. The End of Love
10. No Choir

DREAMS x SILENCE

Highly danceable, super-sticky, deceptively simple blend of electrified pop” – LA Weekly

No One Defeats Us’ funky dance-rock groove” – Stereogum

Booming electro-anthem” – Idolator

Following their explosive debut song “No One Defeats Us,” DREAMS have dropped their new track “Silence” today via Astralwerks. On the day of their first ever live performance at Coachella, “Silence” reveals a darker side and pulse to DREAMS, led by the brooding vocals of Daniel Johns. The duo also shares a striking video for the track, which can be viewed HERE.

Purchase or Stream “Silence” HERE.

A much-anticipated debut live set at Coachella this weekend promises high drama and a truly unmissable performance. The only band ever to be booked for the festival before releasing any music, the duo is the highest-billed Australian band. DREAMS will perform tonight at 8:40pm on the Mojave Stage. The duo will also perform next Friday, April 20. Fans can view their performance via the live stream on the Official Coachella YouTube Channel.

“Silence’ is a song which came to us after the Charlottesville riots. It broke our hearts to see the violence and hatred that occurred. We wanted this song to elevate the people, let their voices be heard, inspire them with courage and bravery.” Luke Steele (aka Miracle) says of the track. Daniel Johns (aka Dr Dreams), says “The live version is out of this world and we cannot wait to debut it at Coachella. »

DREAMS is the realization of a long-time friendship and musical kinship between these two iconic Australian artists. Daniel Johns is best known as the front man of Silverchair whilst the enigmatic Luke Steele fronts Empire of The Sun and The Sleepy Jackson. The artists first met in 2004 when Luke’s band The Sleepy Jackson supported Silverchair on their sold-out Diorama tour.

With over ten million albums sold worldwide and an undefeatable twenty-nine ARIA Awards won between both of their respective acts, the pedigree of Daniel and Luke’s new collaboration is unquestionable.

Since Silverchair’s debut release “Tomorrow” in 1994, Daniel has taken home a record twenty-one statues, the most of any Australian artist in ARIA history. Daniel has also won APRA Songwriter of the Year three times, and impressively, Silverchair is the only Australian act to have all of their studio albums, five in total, debut at #1 on the ARIA chart.

Sweeping the ARIAs clean in 2008 was Luke Steele’s Empire of the Sun, taking home gongs for Best Album, Best Single, Best Group and Best Pop Release. With a total of eight ARIAs and two APRA song writing awards to date, Empire of the Sun has gone from strength to strength internationally, including a spectacular sold out performance at Hollywood Bowl in 2015, in front of an audience of 17,000 US fans.

FOLLOW DREAMS:

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www.dreams.band