New York is a popular and influential city for people around the world, with such an impeccable blend of cultures, customs and language. This new series delves into the crime scene of New York and the people that are doing work to put an end to these murder cases. Investigators take viewers through some of the most intricate cases with help from former and current detectives. The stories of each murder place focus on the families of the victims. Loved ones are able to communicate the impacts of each murder and show the investigation process that follows each homicide.
Some of the cases that are covered in “New York Homicide” include:
The Last After-Party – 26-year-old Joey leaves an exclusive Meatpacking District club at 3am and tells his friends he’s going to an after-party with some new people he met that night and is never heard from again. His loved ones join forces with the NYPD to solve the infamous case.
Deadly Spell – Mama Edna, resounding matriarch of the Haitian community in Brooklyn is found murdered in her home. NYPD dive deeper into the case, revealing a voodoo practice that leads to an unimaginable discovery.
“New York Homicide” comes from Good Caper Content and premieres Saturday, January 1 at 10:00pm ET/PT on Oxygen. New episodes air Saturdays at 9:00pm ET/PT. For a sneak peak, watch HERE.
“When people come to me, their love life has become stagnant, and they don’t know why. It usually means they are living in a belief system of fears and old trauma. I work to upgrade their belief system about what is available to them and what they think they deserve. When you don’t know how to love yourself you will end up settling for someone who doesn’t know how to love you either.”
Brianna Colette is an intuitive relationship healer and soulmate medium who helps guide her clients to connect with their inner self to focus more on a higher sense of self love to grow stronger connections and relationships, ultimately leading them to finding and experiencing the most preeminent of bonds: soulmate love.
We got the opportunity to speak with Brianna last week about what she does, providing insight and a chance to learn about the background to this profession.
What led you to this calling?
In 2017, I witnessed a violent murder of a family by their adult son. I was able to save the lives of two people, but I suffered mentally and emotionally as result. At the same time, the relationship that I thought would be my anchor abruptly ended and only further triggered my abandonment issues. I struggled with PTSD, depression, panic attacks, and anxiety. I had sunk so low I started having suicidal thoughts. It was then I knew I needed more than talk therapy. This near-death experience was the catalyst for my spiritual awakening and learning about different healing modalities. I started addressing relationship patterns and healing the relationship I had with myself.
Do you think your past relationships have helped you curate how you help others?
100%. Everything that I guide my clients through, I have personally healed and integrated for myself. From trust issues, attachment dynamics to abandonment trauma. Everything I share comes from real-life experience (negative, positive, etc.).
Do you recommend people who believe they are in solid and grounded relationships to come to see you?
If your relationship has a good foundation of trust, communication, love, and respect with no major issues, congrats! But even the relationship that looks good on the outside can have its issues. If you feel like you’re not getting your needs met, aren’t feeling heard like you’re constantly having the same fight over and over, lines are being crossed and you’re not sure how to shift it, come talk to me.
Do you think relationship issues lie mostly in their past?
Absolutely. Each of us comes to the relationship with a “template” so to speak. It is compiled of all our conditioning, trauma, belief systems, and ideas about love and relationships. And whatever we’re carrying around, whatever it is that’s unhealed ends up being dumped into the relationship.
What about the present?
New variables might come into the mix that is out of our control (loss of a job, family stressors, children, etc.), but how we deal with them is usually based on the tools that we have in our ‘emotional toolbox.’
How in-depth are your sessions?
They can go pretty deep, actually. But it all depends on how in-depth a client is willing to go. I always respect a person’s boundaries but will be as transparent as possible in a kind way if I see something. A lot of our issues are hiding in our subconscious mind- behaviors, patterns etc. And sometimes all that’s needed is the awareness around it to heal it and change the behavior.
Did your journey in helping other people find self-love begins first with finding your own?
For the longest time, I wanted so badly to love and accept myself. I was so critical of myself and had a lot of negative self-talk. I used to feel so unlovable. It’s sad but true. People were always talking about self-love, but I didn’t know how to ‘get’ there. Through my own process of healing my self-worth, I learned what self-love and acceptance really mean. I was able to really lock in a logical and tangible way to heal and create a ‘formula’ so to speak.
Do you think you found self-love by helping others?
No, the self-love came from digging deep and addressing why I had such a low opinion of myself. Why I was willing to accept less. I had to heal myself first before I could help others. In the healing world, we always say you must heal from the scar, not the wound. Meaning you must heal first before you go helping others.
Did you always believe this would be something you saw yourself doing in the future, or did it just kind of come to you?
Absolutely not! If you would’ve told me 5 years ago that I would be teaching and healing others something I had been painfully and quietly suffering with for years, I never would’ve believed you. This kind of work is a force you can’t ignore. It’s a purpose that keeps nagging in your ear until you do something about it.
Did this career always correspond with what you thought you were going to be growing up?
Looking back, yes it makes sense. I was a hairstylist for 15 years and always had a gift for helping people see how beautiful they really are. So many of my clients said sitting in my chair was like a therapy session that you left feeling good about yourself afterward. I’ve always been able to see someone’s inner beauty and potential and bring that to the surface. Help them discover the unique beauty and highlight that for the world to see. And to be honest I think there’s nothing more powerful than a woman who feels beautiful in her own skin.
No matter what form of love complications her clients may have, Brianna first establishes where their inability to achieve happiness stems from so that they may begin with most importantly repairing self-worth. Whether that be past traumas, personal frustrations, or unsuccessful work/life experiences, Brianna highlights the way her clients show up in non-romantic relationships because they can often reflect their limitations within their relationships in general. Examining her clients’ old belief systems allows Brianna to focus on any client’s possible wounds from childhood, inherited family dynamics, or fear surrounding vulnerability.
Once Brianna examines their past, she helps her clients make peace with old wounds and break free from any self-sabotaging toxic patterns, guiding them on how to release fear and create the right conditions for a higher frequency of love. Brianna’s passion stems from her own personal experiences and growth, continuously evolving her ability to intuitively heal and help clients enter a fulfilling relationship and their most aligned love life ever. By fusing modern therapies and energetic healing modalities, her clients can discover their authentic self and rewrite their futures to achieve and experience the kind of relationships & love that we all desire.
From our ancient Mother, we have stories of victory that give us light. We, as Higher Beings, grow as plants and trees to provide shade that we will never sit in. Today, Adversity comes from those with no roots who hate plants. They want to extinguish our sacred flame. Power from Profit, they are poisoning our souls one individual at a time. Individual liberty and equality are a memory?
I am one voice. I am a self-taught artist who has overcome autism and a decade of rape with Cannabis. Her manifestation within my mind and blood has given me peace. Freedom is within all of us. We just need to listen to the Voice of our Ancestor. Healing and loving kindness are just breath away. Using what grows from Mother Earth has given me a Spark of Determination to ignite and grow into a flame of passion. We must let our fire burn in the oven. Fire is universal. Fire stirs the essence of human artistry; it is the spark of the will to a higher frequency. That frequency is Love. Fire creates light and is not appreciated in our modern plastic society. Most humans are asleep and have lost interaction with real Fire.
Every human being is an individual, and every individual is a world like no other. We must become aware. Consciousness is awareness. We must make the subconscious conscious. Do you think Mother Earth is happy today? Is She proud of all the innocent blood seeping into her soil? Mother Earth is just, but Her actions can be terrible for those who violate Her. Why must we ask permission for freedom in this realm?
If cannabis plants could talk, we would arrest them! Exterminate them! I do not fear the system and its invented drug laws, because I defend Mother Nature. You can’t manipulate Love and Harmony. This war on people has gone on long enough. There is no liberty if the people have no voice. There is no justice where there is no truth. We need to stop putting people into boxes and view life as a unified whole. Don’t let the Oppressor be your Master. Face the light and know the Highest Consciousness of the cosmos is Love. Only truth awakens the morning of peace, and no law is higher than truth. There must be reparations for everyone who has lost freedom because of what grows beautifully from soil. We are a warm Light in this world and changing the world is NOW!
My art is growing marvelously like new buds on a healthy plant. I have always attempted what is out of the ordinary and have achieved the wonderful impossible. I have used all aspects of trauma to awaken the Divinity within my blood and devise my own style of art. I am a cosmic force, and my art is a tender plant being watered every day. Art is magic, and magic allows us to see what is hidden from our physical world. My spiritual roots are extremely strong and no plant lives without them.
History is within us; we just have to Remember. Our primal mother’s blood flows in our veins as we experiment meticulously with experience. There are so many people that need help, and every day is a chance to let our 420 Light shine! The energy within my vessel has passed through many transformations and stages of Alchemy to make me the electric individual I am today. Within my blood stirs centuries of fire! Out of the ashes the Phoenix will spread its wings and fly. Freedom is our battle cry!
We must not fear those who aim guns at plants because we are more powerful than they are. The wise ears of Mary Jane’s children seek truth. With patented grown food we are killing our youth. Humans eat and kill beings greater than themselves… And the kids still are not getting an appropriate number of vitamins and nutrients. The children are now the size of the cow. Maybe that’s bloody Karma? We are a Higher Frequency in a realm of polluted air that we must breathe every day. Resistance is part of this evolution. Oxygen is a wonderful gift from plants, that when within our vessels transforms into energy. Energy is Eternal. Plants are green energy. Plants Heal. We have a choice. I am screaming Can you hear my voice? One day your earth walk will end. Don’t let your fire die!
KO MÉDIA REVEALS A BOLD AND BEAUTIFUL NOVEMBER ISSUE OF ELLE CANADA
KO Média is excited to unveil the November issue of ELLE Canada featuring Billie Eilish. The singer-songwriter opens up about making music, directing her own videos and evolving her style no matter what people have to say about it. “You’re not even supposed to really know who you are until you’re at least my age or older,” says the 19-year-old, admitting she struggles with the vitriol from certain fans over her experimentation with fashion. “It’s very dehumanizing.” And now that her sophomore album has debuted at number one around the world, Eilish reflects on her creative process during lockdown. “The album came from a lot of self-reflection,” she says. “Happier Than Ever is really just me processing trauma. Making (it) was cathartic and freeing.”
Post pandemic freedom is fueling a new version of glamor for the 2020s that combines liberation and self-expression (with a priority for sustainable choices). When it comes to fashion trends, this edition runs the gamut — from playful, luxurious silhouettes and rebellious blends of punk and prep to plush accessories and denim everything. We even look back at futuristic wardrobes inspired by the cosmos. Plus, we reveal the cream of this year’s crop in makeup, skincare, hair care and body care products with results from ELLE’s Beauty Grand Prix.
For a dollop of inspiration, we talk to Top Chef host Padma Lakshmi about being an unapologetic voice of reason, paving the way for women in the media and publishing her first children’s book (about food, of course). Dame Helen Mirren reflects on being a L’Oréal Paris ambassador at 76 and why the word “swagger” should replace “beauty”; Shay Mitchell of Pretty Little Liars fame discusses her healthy approach to social media; and Toronto-based actor Bilal Baig talks about crafting the style of a gender-fluid character for prime-time television.
Women take center stage in articles about the rise of diverse female voices in the graphic-novel world and Canadian Black women in the film industry who are breaking the mold. But things also get dark as we explore the dangers of skin bleaching and involuntary celibacy among women driven by a toxic blend of misogyny and impossible beauty standards.
In design, creative director Willo Perron steers his multi-faceted career toward new territory with furniture; two architects take on the challenge of modernizing a 17th century canal house in the heart of Amsterdam without losing its character; and Montreal designer Jessy Colucci lets his intuition guide the slow creation of collections in an industry defined by fast-paced seasonal cycles.
And before the first snowfall, find out if ditching the city for life on the farm feels as enchanting in person as it looks on Instagram, and (re)discover how to get joy out of your running practice.
The November issue of ELLE Canada will hit stands and Apple News+ on November 18, 2021.
Johnny Yukon returns to the scene with a new single, Mystery.
Singer, songwriter, and producer Johnny Yukon has returned with new track Mystery, the first single off his Elektra Records debut project, Flight Plan 001.In anticipation of the project, Yukon also shared an official trailer, previewing new music as the artist explores a Yukon-branded futuristic airport. Flight Plan 001 arrives August 20th and Mystery is available now on all streaming platforms.
Doubling as an offshoot of his Installation concept, Flight Plan 001 speaks both to Yukon’s lifelong fascination with aviation and opens a different channel for his endless creativity. Following fan demand for proper release, Flight Plan 001 integrates previously released Soundcloud favorites—Grow, 81 Nights, Climate, Yes, and Night Like This—into the tracklisting alongside seven new tracks.
Johnny adds, “This project is like my airport. Last year, I went through a lot of relationship issues. Sitting in one place isn’t ever good for me mentally or creatively. I need to escape. So, I’m escaping isolation with these tunes. Every song is like a plane, and there’s a flight for everyone.”
Night Like This
Don’t Blame Me
ABOUT JOHNNY YUKON
Much like the recordings of an airplane’s black box, the music of Johnny Yukon chronicles a cloud-scraping personal journey. Spun through a jet stream of lo-fi beatcraft, vintage world-building, hip-hop malleability, and alternative pop eloquence, the Pennsylvania-born and Los Angeles-based singer, songwriter, and producer navigates through raw emotions with acute storytelling, head-nodding rhymes, and fits of cathartic falsetto. Even though the ideas often gestate from an intimate personal studio, he projects his vision on the big screen with ambitious scope. After making waves from behind the scenes with songwriting placements for Young Thug, Ty Dolla $ign, Camila Cabello, and Leon Bridges, he made his formal artist debut with Installation I in 2018. Johnny’s influence only amplified throughout the global pandemic, co-writing Internet Money’s multi-platinum mega-smash Lemonade [feat. Gunna, Don Toliver, & NAV], Skepta & Pop Smoke’s F9 soundtrack standout Lane Switcha [feat. A$AP Rocky, Juicy J, & Project Pat], and co-producing Trauma from PARTYNEXTDOOR’s Partymobile, which bowed in the Top 10 of the Billboard Top 200. Signing to Elektra in early 2021, Johnny continued to write and record at a prolific pace, distilling post-breakup feelings, isolation, and hope into the sonic architecture. Constructing a hub where his emotions and songs may launch from, Johnny Yukon charts a new course forward on his 2021 project, Flight Plan 001.
TIDAL, in partnership with influential politico, lawyer and advocate Angela Rye, is announcing the premiere of “Triumph Over Trauma: Black Wall Street Then and Now” – a one-hour long special commemorating the centennial of one of the worst attacks of racial violence in American history: the Tulsa Race Massacre. The special will premiere on Saturday, June 19 at 6 pm ET to also honor the Juneteenth holiday, which celebrates the effective end of slavery in the United States.
The Tulsa Race Massacre devastated the prosperous African-American business community in Tulsa, Oklahoma’s Greenwood District known as “Black Wall Street” and claimed hundreds of lives. Viewers will hear from three living survivors of the massacre – Mother Fletcher, Mother Randle, and Uncle Red – who will discuss memories of Black Wall Street, escaping the night of the massacre, their legacy, and much more. The hour-long special will also feature local politicians, business leaders, Black youth of Tusla, activists, writers, and more reflecting, learning, inspiring, and growing – and most importantly shedding light on untold history.
The special will be broadcast simultaneously on TIDAL’s YouTube channel as well as in-app – both members and non-members alike will be able to view. You can find a preview HERE.
Highlighting the historical moments that impact society is an integral part of TIDAL’s DNA. By celebrating how integral all voices are to culture and community, TIDAL continues its commitment to providing its members with culture-shifting content.
The film is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all-original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate to its creative LGBTQ community and showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.
The film is a noted love letter to Baltimore that uplifts the narrative of the city and is produced by Issa Rae and Deniese Davis through their management production company ColorCreative. In addition to the Netflix premiere, TT will also be dropping its soundtrack through Issa Rae’s Raedio.
The soundtrack, titled, Dark City Beneath The Beat Original Motion Picture Soundtrack is a fusion of Baltimore club music intermixed with poetry, hip hop, house, and soul. Executive produced by TT The Artist and Baltimore club music hero Mighty Mark, the eighteen track project features local artists on the rise from the “Charm City.” The soundtrack is available on all digital streaming music platforms including Apple Music, Spotify, Tidal among others. The documentary feature will premiere on Netflix April 15, 2021.
About TT The Artist:
TT The Artist is a multi-hyphenate filmmaker whose work is an intersection of music, art, fashion, and film. Her bold and colorful visual storytelling is influenced by her love for black cinema and narratives that expand the representation of women of color and LGBTQ stories on screen. TT The Artist has worked with influential DJs and producers in the music industry such as Grammy award winning producer Diplo. TT The Artist’s musical success in the television and the film sync world has secured her placements on The Chi, Twenties, Netflix’s Nappily Ever After, HBO’s hit series Insecure, and more. Stepping out of the recording studio and into the director’s chair, TT The Artist was selected as a shadow director for Insecure’ s highly anticipated season 4. TT has directed many of her own videos such as CENTER OF ATTENTION, PAYROLL, BLACK HERSTORY, and WOAH. TT The Artist is also a participant in Powderkeg’s 2020 FUSE Program, founded by Paul Feig. Most recently, TT shot WHEW CHILE for Dai Burger, which debuted on Paper Magazine.
After being miscredited as “Thandie” in her first project—a mistake that has continued for the rest of her career—actress Thandiwe Newton is insisting people use her whole name. All of her future films will be credited with her full name, Thandiwe, which means beloved in Shona.
“That’s my name. It’s always been my name. I’m taking back what’s mine,” Newton said in her May cover story for British Vogue.
Newton also spoke about her experiences with abuse in the film industry, which started when she was sexually abused by director John Duigan at the age of 16 while shooting her very first film, Flirting.
“There’s a moment where the ghost of me changed, you know, and it was then, it was 16. He derailed me from myself utterly. I was traumatized. It was a kind of PTSD for sure. I was so distraught and appalled that a director had abused a young actress, and that it was happening elsewhere, minors getting abused and how fucked up it was. I was basically waiting for someone to come along and say, ‘Well, what shall we do about this?’’’
Although Newton faced a great deal of backlash when she first came forward with her story of abuse, soon the #MeToo movement led to countless more women within Hollywood sharing their own stories of abuse and assault.
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FIRE IN LITTLE AFRICA SET FOR MAY 28 RELEASE VIA MOTOWN RECORDS/BLACK FORUM IN PARTNERSHIP WITH THE BOB DYLAN CENTER AND WOODY GUTHRIE CENTER
Album Brings Fresh and Important Perspective to the 1921 Tulsa Race Massacre and Celebrates the City’s Vibrant Hip Hop Scene
Fire in Little Africa a groundbreaking album of original material, written and recorded by a collective of Oklahoma hip hop artists to commemorate the 100-anniversary of the Tulsa Race Massacre will be released on May 28 by Motown Records/Black Forum in partnership with Tulsa’s Bob Dylan Center and Woody Guthrie Center.
The 21-track collection gets to the truth of what happened on May 31 and June 1, 1921 when a white mob descended on the streets of Greenwood then a prosperous Tulsa neighborhood known as Black Wall Street and burned down the business district, destroying roughly 1,500 homes, killing hundreds and leaving thousands of Black Tulsans homeless. For years, this historic, albeit dire, chapter was left out of classrooms and textbooks as the city attempted to erase this part of its past.The artists heard on Fire in Little Africa get to the truth through urgent songs, recalling stories told and stories lived in hope to usher in a new era for Tulsa as they help the community process this generational trauma through music.
Fire in Little Africa is a powerful and timely project that provides a platform and outlet for the incredibly talented and thriving music community of Tulsa, Oklahoma, said Motown Records Chairman & CEO, Ethiopia Habtemariam. Carrying the legacy of the Black Wall Street community, Fire in Little Africa is a body of work filled with purpose and prolific storytelling. I am honored and feel privileged to have Motown Records/Black Forum partner with Dr. View, the Bob Dylan Center and Guthrie Center to release this impactful hip-hop album.
Stevie, Dr. View, Johnson, PhD, Manager, Education & Diversity Outreach at the Woody Guthrie Center | Bob Dylan Center and the album’s executive producer, added, Fire in Little Africa has evolved into a communal hip hop movement and we’re excited that we get to share the flavor, history and legacy of Black Wall Street with the world, in collaboration with the amazing leadership of the Motown/Black Forum family. We’re grateful for Ethiopia’s foresight in providing us an opportunity to share our important stories with the world. There are Black Wall Streets across the diaspora, and we unequivocally know that Fire in Little Africa will inspire many people. In the words of Steph Simon, everything is us.
In this feature,Rolling Stone noted, Fire in Little Africa is poised to teach the world about that long-suppressed history, from locals who grew up in a community that still lives with the aftermath of the massacre. Just as important, the artists involved in the project also hope it serves as a launching-pad moment for Tulsa’s hip-hop scene, which has long flown under the national radar.
The album was recorded in Greenwood over a five-day period in March 2020. Studios were set up at the Greenwood Cultural Center and other locations, including the former home of 1921 massacre mastermind/KKK leader Tate Brady. The house is now owned by former NFL first-round draft pick and Tulsa native Felix Jones. The Tulsa World was on hand to speak with the artists involved in the historic sessions. Read the article HERE and check out the accompanying video HERE.
Fireside with Dr. View is a weekly podcast featuring Dr. View in conversation with thought leaders in activism, academia and culture, centered on the movement behind the Fire in Little Africa music. Listen to Fireside with Dr. View HERE. Hosts Ali Shaw and Doc Free sit down with Fire in Little Africa artists, Tulsa community leaders and national voices for conversations on music and culture in the Fire in Little Africa podcast, which can be found HERE.
Located in the Tulsa Arts District, the Woody Guthrie Center opened in 2013. The Bob Dylan Center is expected to open on the same block within the next year. Both are projects of the George Kaiser Family Foundation, the primary funder for Fire in Little Africa. The album is chronicled in a documentary film, which will be released later this year.
Fire in Little Africa marks the first new material released by Black Forum since the label’s relaunch earlier this year. Black Forum originally debuted in 1970 with Dr. Martin Luther King Jr.’s Why I Oppose the War in Vietnam, which won a GRAMMYAward for Best Spoken Word Album. The label reissued Dr. King’s influential speech earlier this year.
Early this week, a tragedy had occurred in Atlanta, Georgia. A total of eight victims were killed at the Georgia spa. Six of the eight victims were Asian, and when the suspect got caught, he claimed that “his actions were not racially motivated.” It was stated that it was too soon in the investigation to claim this shooting as a hate crime; however, the shootings were “aimed at a recent wave of attacks against Asian Americans that coincided with the spread of the coronavirus across the United States.” The suspect claimed that apparently “sex addition” drove him to commit these murders.
There were multiple incidents: the first occurred at Young’s Asian Massage Parlor in a mall off Highway ninety-two, about thirty miles north of Atlanta. When the police got the call, five people were shot, and two were dead while three were rushed to the hospital. An hour later, after this tragedy, two other shootings happened right across the street- one being on Piedmont, the other at the Gold Spa and Aromatherapy.
There were seven women and one man; most of them were Asian. The victims have been identified as Delainia Ashley Yaun, Paul Andre Michels, Xiaojie Tan, and Daoyou Feng.
Yaun and her husband, Mario Gonalez, were off work getting a couples massage at Young’s Asian Massage when the tragedy started. Her husband safely made it out of the salon, but he and his wife were in separate rooms when the shooting was started. They had a family together; a thirteen-year-old son and an infant daughter. It is sad to say that this woman was a victim in this shooting that not one person deserved -separating families, taking parents, taking siblings. It is a terrible, terrible thing that no one deserved. John Beck, Yaun’s manager, voiced to BuzzFeed News that “her heart was so big.” She would feed homeless people and offer them clothes and a place to shower. Hearing a person who is so kind and so pure as Yaun makes you ask the question, “why do bad things happen to good people.” It doesn’t make sense and is not fair.
Xiaojie Tan was the owner of Young’s Asian Massage as was another victim of the attack. She was known for being an extremely hardworking small-business owner and had such a big heart filled with love and kindness. Her client, Greg Hynson, stated that when he came for an appointment on his birthday a year ago, she had a birthday cake waiting for him. Another victim, Paul Andre Micheals, was a U.S Army infantry veteran married for more than two decades. He was a “dedicated, hardworking, loving man,” his brother stated.
These killings brought a “wave of outrage and attention to violence against Asian-American people.” As soon as social media was notified of the attacks and assumed to be focused on Asian’s, you could see all over the media celebrities, influencers, and people left and right posting regarding standing up for the lost lives and spreading awareness to this hate crime and all hate crimes in general. The media has been outraged and will continue to stand together.
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