Posts tagged with "Phoebe Bridgers"

Mary Ellen Matthews for use by 360 Magazine

Taylor Swift × Red (Taylor’s Version)

Following the long-awaited release of Red (Taylor’s Version), Taylor Swift has yet again made history in the music industry. The ultimate version of her 2012 classic, Red (Taylor’s Version) has become Taylor’s 10th album to move over one million album equivalents during its release week.

Red (Taylor’s Version) consists of an astounding 30 songs, including nine unreleased tracks – “Better Man (Taylor’s Version) (From The Vault),” “Nothing New (Taylor’s Version) (From The Vault)” [feat. Phoebe Bridgers], “Babe (Taylor’s Version) (From The Vault),” “Message in a Bottle (Taylor’s Version) (From The Vault),” “I Bet You Think About Me (Taylor’s Version) (From The Vault)” [feat. Chris Stapleton], “Forever Winter (Taylor’s Version) (From The Vault),” “Run (Taylor’s Version) (From The Vault)” [feat. Ed Sheeran], “The Very First Night (Taylor’s Version) (From The Vault),” and “All Too Well (Taylor’s Version) (From The Vault)” [10 Minute Version].

Red (Taylor’s Version) debuted at #1 in the U.S. and marked the biggest album sales debut in the U.S. with 39k units, and the highest first week sales of any female artist in 2021. Total consumption reached an astonishing 605k units.

Taylor has become the only artist to successfully debut atop the Billboard 200 and Billboard Hot 100 for a third time, and in less than 16 months. The new version of “All Too Well” celebrates Taylor’s fourth #1 debut on the Billboard Hot 100. “All Too Well” also became the longest song to enter and reach #1 on the Billboard Hot 100.

After going live, Red (Taylor’s Version) surpassed Spotify’s biggest opening day streams of all-time for a female with over 90 million streams, a record earlier held by Taylor herself. Red (Taylor’s Version) is Taylor’s fifth successive album to surpass 50 million Spotify streams in only 24 hours. The album has accomplished the greatest streaming week of 2021 for an album by a female artist, surpassing 300 million streams.

The album has also attained the leading vinyl album sales week since tracking first began in 1991. Red (Taylor’s Version) topped the past record that was also set by Taylor in 2021 with Evermore. With the release of this album, Taylor has also now locked in the record for fastest accumulation of four #1 albums by a solo artist in history.

To celebrate the release of Red (Taylor’s Version), Taylor wrote and directed the short film All Too Well The Short Film, inspired by the 10-minute-plus song of the same name. The 13-minute film stars Sadie Sink, Dylan O’Brien and Taylor Swift.

Taylor continued to launch a full-scale television takeover appearing on an array of shows. Taylor performed on The Tonight Show Starring Jimmy Fallon (watch HERE), Late Night With Seth Meyers (watch HERE), Good Morning America (watch HERE) and Saturday Night Live (watch HERE) with a performance of the 10 minute version of “All Too Well.”

Festivity revolving the release continued with the release of the official music video for “I Bet You Think About Me (Taylor’s Version) (From The Vault)” [feat. Chris Stapleton]. The filmic release was directed and co-written by Blake Lively and stars actor Miles Teller and Taylor (watch HERE).

for use by 360 Magazine

ALLISON PONTHIER – LATE BLOOMER

ALLISON PONTHIER’S NEW SINGLE, “LATE BLOOMER,” IS OUT TODAY

WATCH THE VISUALIZER HERE 

Fresh off a tour with Lord Huron, a festival performance at Austin City Limits, and the release of her debut EP, Faking My Own Death (Interscope Records), Allison Ponthier returns with a simmering, swampy anthem for those who need a little time to come to terms with their sexuality. While her debut single, “Cowboy,” dealt with the difficulties of coming out, “Late Bloomer” portrays the process as a joyful one. Listen HERE.

“‘Late Bloomer’ is about how much fun coming out is. A lot of people describe it as going through a second puberty. You learn a lot about yourself,” explains Allison Ponthier. “That’s why when people come out, they often change how they look aesthetically. They try new things and make new friends. ‘Late Bloomer’ is really about celebrating that. It’s about the reward you get for finally being brave enough to be yourself. There’s no rush. There will always be people there who are ready for you whenever you’re ready.”

The 25-year-old Texas-born, Brooklyn-based artist wrote “Late Bloomer” with Ethan Gruska (Phoebe Bridgers, Trombone Shorty) and Dan Wilson (Adele, Leon Bridges), who also produced the song. The accompanying visualizer, which takes its inspiration from Little Shop of Horrors and “as-seen-on-TV” marketing, introduces a Muppet-like “late bloomer” plant, skilled at skateboarding, karaoke, tattoo art and more. View HERE.

“It’s basically just about being a bad boy, which I always wish I was,” she confesses.

Ponthier and Lord Huron are featured in the first video installment of Consequence of Sound’s new series, “Two for the Road,” which features conversations with artists who are touring together. View HERE. Check out their recent collaboration, “I Lied,” HERETipping Ponthier as one of the “Artists Guaranteed to Turn Heads at ACL Fest,” The Austin Chronicle said, “The touches of pop linger in a swaying haze that cabarets her country-leaning melodies, resulting in the kind of surreal Western pop that swells the sense of dislocation and uncertainty while beckoning warmly to follow.”

Growing up as a wide-eyed misfit in the Lone Star State, Ponthier dreamed of running away to New York City. When she made the move to Brooklyn at age 20, she felt out-of-place in a new way – like a goody-two-shoes Southerner in the epicenter of East Coast hipsterdom. The corresponding internal journey has inspired the string of reflective, idiosyncratic yet relatable songs found on Faking My Own Death, hailed as “stellar” by NME.

Sloppy Jane via Sara Cath for use by 360 Magazine

Sloppy Jane – Party Anthem

Haley Dahl, who records as Sloppy Jane, has released her new single, “Party Anthem”, marking the lauded musician’s first release as the newest signing to Phoebe Bridgers’ Saddest Factory Records. Dahl has also revealed details for her forthcoming new album, Madison, set for release on November 5th. “Party Anthem” is a soaring orchestral ballad that comes on like Kate Bush leading Sgt Pepper’s Lonely Hearts Club Band or Laura Nyro fronting Olivia Tremor Control. It’s accompanied by a captivating video shot in 16 mm and filmed inside the Lost World Caverns in West Virginia, the place where Dahl recorded all of Madison, bringing in 21 bandmates from all around the country to make an impressive and ambitious orchestral album recorded deep inside the caves. It’s the first time someone has ever recorded an entire album in a cave, and the results are sonically stunning; Madison is an astounding, glorious record of highest order melodrama. 

Sloppy Jane will celebrate the album release with a headline show in New York City at Baby’s Alright on November 7th. She will also be opening for Iceage in February. All dates below. 

On signing to Saddest Factory Records and crafting her latest album, Dahl shared, “Phoebe and I made friends in high school when I was goth and didn’t bathe and she wore dresses with little bicycles on them – we mistook each other for cool then, and it lasted. Phoebe is one of my closest friends, and is also someone who has always seen that the things that make my work different are what make it valuable. She played bass in Sloppy Jane. When I was moving to New York I talked about how I wanted to make the band bigger and incorporate chamber instruments, and a lot of people didn’t get what I meant, but Phoebe said, ‘Go get your orchestra.’

When I started talking about recording in caves, she was one of the few people to really get it immediately and thought it was the coolest thing. To work with someone who has so much personal context and enthusiasm was kind of a no-brainer. The label name “Saddest Factory Records” came from a joke I made on twitter, and I kind of think that’s representative of what my ideal professional trajectory looks like- me and my same friends who understand each other making the same jokes over and over again while our platforms expand.”

Phoebe Bridgers will join Dahl for an IG Live chat on Friday, September 10th at 3:30pm ET/ 12:30pm PT. 

Click HERE to watch the video for “Party Anthem.” Click HERE to buy/stream “Party Anthem.”

For Madison, Dahl spent three years exploring caves that could capture her vision for the album. Her search took her across the USA, obsessing over the different acoustics of each option,  before landing on Lost World Caverns. The result is a beautiful, personal labor of love; a sweeping grand gesture, a powerful statement about obsessive love, and about growing into yourself in the aftermath of a life-changing relationship.

Dahl and her 21 bandmates recorded all of Madison from inside the caves from 3pm to 8:30 am each day over the course of two weeks. To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave.

This album, so fully realized and diligently executed, is a long time coming for Dahl, who has been performing as Sloppy Jane since she was a teenager. In those days, Sloppy Jane was a three-piece punk band. Its earliest members were Phoebe Bridgers on bass, Sarah Cath on guitar, and Imogen Teasley-Vlautin on drums. Now the band has over a dozen members, and has transformed into a chamber pop project. Dahl also learned so much as a musician: on Madison, she learned how to write for chamber instruments and taught herself the piano. The record is difficult to categorize. It’s David Bowie but also when the song “Crying,” by Roy Orbison plays at the end of Harmony Korine’s Gummo. It’s My Chemical Romance meets Sgt. Pepper. Courtney Love and Queen. It’s a huge, flowery, velvety thing full of toy horses and stalagmites. It follows one major throughline: a grand gesture so large that it moves the whole Earth. 

Sloppy Jane Live Shows 

Nov 7th, 2021 – New York City, NY – Baby’s Alright^ 

Feb 12th, 2022 – San Francisco, CA – The Chapel*

Feb 13th, 2022 – Felton, CA – Felton Music Hall*

Feb 16th & 17th, 2022 – Los Angeles, CA – Zebulon*

Feb 19th, 2022 – Pioneertown, CA – Venue TBD*

Feb 20th, 2022 – San Diego, CA – The Casbah*

Feb 21st, 2022 – Tucson, AZ – Club Congress*

Feb 24th, 2022 – Houston, TX – The Secret Group*

Feb 25th, 2022 – New Orleans, LA – Gasa Gasa*

Feb 26th, 2022 – Jacksonville, FL – Intuition Ale Works*

Feb 28th, 2022 – Orlando, FL – The Social*

Mar 1st, 2022 – Atlanta, GA – Terminal West*

Mar 2nd, 2022 – Nashville, TN – The Basement East*

Mar 3rd, 2022 – Asheville, NC – The Grey Eagle*

Mar 4th, 2022 – Durham, NC – Motorco Music Hall*

Mar 5th, 2022 – Baltimore, MD – Ottobar*

Mar 7th, 2022 – Cambridge, MA – The Sinclair*

Mar 8th, 2022 – Providence, RI – Columbia Theatre*

Mar 9th and 10th, 2022 – New York City, NY – Bowery Ballroom*

Mar 11th, 2022 – Holyoke, MA – Gateway City Arts*

Mar 12th, 2022 – Kingston, NY – Tubby’s Kingston*

Image via Epic Records for 360 Magazine

Delilah Montagu – Baby EP

DELILAH MONTAGU RELEASES BABY EP

WATCH THE VIDEO FOR COMING FOR YA HERE

COLLABORATES WITH FRED AGAIN.. BENJY GIBSON AND TOWA BIRD

Woozy and glowing, but the London pop star packs seemingly endless, subtly insistent hooks into this surrender from a relationship’s dying days – The Guardian

The hotly tipped singer combines vocal nuance and restraint, nagging hooks, languorous slow-disco grooves and candid lyrics, with beautiful results – The Sunday Times Culture

Keep your eye on this one – L’Officiel

London based singer/songwriter Delilah Montagu today releases the 9-track ‘Baby’ EP. ‘Baby’ marks the 23 year-old’s third EP and signals a sonic departure from last summer’s brooding and melancholic This Is Not A Love Song EP.

LISTEN TO THE BABY EP HERE

Produced by Benjy Gibson, who co-wrote every song with Delilah, the EP steers away from the autobiographical nature of her previous releases, instead creating characters in a hedonistic, passion-fuelled fantasy world that the pair lived vicariously through as the world was at a standstill. The EP features additional production work by Benjy Gibson’s brother, BRIT Award winning producer Fred again.. on opening track BABY, as well as guitar lines from Billie-Eilish approved TikTok sensation Towa Bird on Coming For Ya

Current single Coming For Ya sees Delilah embrace a new sense of self and freedom as she becomes the narrator on this project born out of lockdown isolation. Delilah discovers a new acceptance in her own sexuality, whilst in the official video she explores real life couples of all sexualities and backgrounds; I’ve had girlfriends and boyfriends, but I don’t identify strongly with being gay, straight or bisexual, says Delilah. I now know that this fluidity can be freeing. It doesn’t mean I’m confused and I don’t need a label.

Above all, Delilah’s new EP Baby is about freedom, feeling and taking back control of your happiness. There’s been a huge shift for me in my ability to express myself, says Delilah. I used to be so afraid of being a woman, ashamed of feeling sexual, scared of falling in love, but I’m embracing it all with this EP.

Baby EP Tracklisting

  1. BABY
  2.  I’m All Yours
  3. Runaway Car
  4. Lost Keys
  5. Coming For Ya
  6. die 4 u
  7. I wanna FEEL
  8. bye bye
  9. Stay Here

About Delilah Montagu

Debut EP In Gold introduced Delilah in 2019 with its pensive soulful rumination on coming-of-age. This energy soon flourished further with the release of this year’s This Is Not A Love Song EP and it’s streaming hit Loud, produced with Robin Hannibal (Drake, Rhye, Anderson. Paak). Reeling from her performance of Drive (a collaboration with Black Coffee and the #1 most streamed domestic single on Spotify ever in South Africa) at the online Global Citizen concert, curated by Lady Gaga – Delilah then released singles Version Of Me, Loud and Us, all garnering critical acclaim from the likes of The Sunday Times Culture, i-D, The Independent, Wonderland, Numero, The Guardian and L’Officiel to name a few.

Influenced by the likes of Leonard Cohen, Phoebe Bridgers, Carole King, Arlo Parks, Lizzo, Bon Iver and St. Vincent, Delilah is taking a total departure from the melancholy, to “just fucking express yourself” on her latest project. Written and produced with Benjy Gibson, and featuring collaborations with Fred again… and guitarist Towa Bird, the ‘Baby’ EP will be the soundtrack to your post-lockdown freedom, as Delilah matures dramatically both as a songwriter and as a person.

Find more about Delilah by visiting her website.

Diana DeMuth — Photographs photo by Ashley Osborn from Leigh Greaney with Big Hassle Media for use by 360 Magazine

DIANA DEMUTH — PHOTOGRAPHS

“A euphoric must-listen” – Rolling Stone

“Diana DeMuth, a combination of old-soul songwriting and youthful optimism, brings a unique feel to her music that can sometimes feel like country-Adele while others a sound all to her own… there is much expected for DeMuth in 2020 and beyond.” – American Songwriter

“Diana DeMuth is something of an indie-folk fireball. The singer-songwriter has set the scene ablaze with her searingly honest songwriting that’s met by the richly poignant vocals through which she delivers it” – Pop Matters

Diana DeMuth shares a tearful, video for her single “Photographs” from her debut album, Misadventure, out now. The video provides an introspective look into a love DeMuth‘s romance with a woman that dwindled out. The face-to-face and heavy-hearted video shows DeMuth and her once-partner in the midst of a final goodbye and last embrace, closing out this chapter of their story together. Nicolas Sutton Bell (The Lumineers, Jeremiah Fraites) directed the video and invoked powerful visual metaphors to convey the intense emotions of the single. You can listen to Misadventure HERE. You can watch the music video for “Photographs” HERE.

On the song, DeMuth says, “Photographs is a very personal song for me, it’s about being in love with another woman – but I think the message rings true to any and all kinds of relationships. It’s really about having the courage to love someone, no matter what they are on the outside, and how these kind of rare loves can fall to ruins and leave haunting pictures tattooed in your mind’s eye.”

She adds, “This video was a very intimate and vulnerable one to shoot. It was important to me and my director Nick for my performance to reflect the raw and universal nature of a song about looking back on a love gone wrong. Being so close to another person after a year of isolation and singing directly at them ended up being an emotional experience for me and brought me back to the original feeling that inspired these lyrics.”

Director Nicolas Sutton Bell says, “With this video, I really wanted to portray the intimacy of the lyrics through the visuals. We thought it would be powerful to see two lovers facing off and letting the viewer place their own backstory on them. Diana carries the connection and history of these two lovers in the most amazing way, ending on the tears of truly letting a past love go.”

Simone Felice produced DeMuth’s 2020 debut album, Misadventure, along with David Baron. Felice was also named one of Billboard‘s Top 10 rock producers right now. Felice has also worked with The Lumineers, who DeMuth has announced tour dates with, as well as with Jade Bird, Vance Joy, Bat For Lashes, Noah Kahan, Phoebe Bridgers, Felice Brothers, Conor Oberst and Matt Maeson.

Expanding on the vision and story of the album, producer Simone Felice says, “Diana’s voice and her poetry always transport me to a teenage summer night, mischief and wonder down dark country roads, the northern lights dancing in the distance. Misadventure is the gateway drug into her world, I have a strong feeling it will be a long and winding road trip full of soul and mystery for years to come.”

With a few surprises coming, and stadiums that will soon be filled with DeMuth’s voice, melodies and story, 2021 will surely see her name stamped on new fan’s hearts. Stay tuned for more Diana DeMuth announcements, and be sure to check out the debut album, out now.

Biography by Ilana Kaplan:

Restless and ready to pave her own way, Diana DeMuth has burst onto the singer-songwriter scene with an arresting perspective about life, love and self-discovery.

Growing up on the coast of Massachusetts, DeMuth was immersed in a bohemian upbringing where she moved from place to place with hippie parents. That same restless spirit inhabited DeMuth: she always had a sense that there was something out there beyond where she grew up and that existence. After seeing The Avett Brothers from the front row when she was 13, DeMuth was enamored with their raw performance and hunger on stage. In that moment, she knew she wanted to be an artist one day. So at 19, after going to college for one week, DeMuth left because she was certain music was her path. For the past five years, she’s focused on just that, spending her time traveling and playing small gigs around America, while waitressing and honing her craft.

In her travels, she spent time in London. Feeling aimless, she ended up writing “Hotel Song,” which would become the lead track of her forthcoming album Misadventure. “I just busted out of this hotel/ Took all of my belongings/ And I ran for it,” DeMuth belts in the opening line over stark keys. For DeMuth, the song was a breaking point: a door opening into a new chapter of her life. The track’s vagabond chorus evokes the liberating feeling of driving down an empty road with nothing but your dreams, destiny and the windows down. You can watch “Hotel Song” HERE.

At the same time DeMuth began looking for a producer who would be a match for her music. Through her love of The Lumineers and Jade Bird, she stumbled upon multi-platinum record producer Simone Felice, who in a serendipitous twist of fate, had also in his past worked on The Avett Brothers’ seminal album I and Love and You. (Things fell even more into place when Scott Avett ended up penning one of the tracks on the record with DeMuth, “The Young & The Blind.”)

To record her debut album Misadventure, DeMuth and Felice teamed up with Felice’s longtime collaborator David Baron at a Catskill Mountain house overlooking the Ashokan Reservoir outside Woodstock where the music flowed quickly and freely, and together they began to record her record. Inspired by everything from the Bonnie Raitt that was playing in her house growing up to The Lumineers and Brandi Carlile, DeMuth’s penchant for evocative storytelling and folk sensibilities shine through the 10-track record. And through those songs, DeMuth tells the story of her journey to self-discovery.

On “Signs,” she contemplates her identity and what her path will look like: “All my life I’ve tried my hand at reading the signs/ But I’m still blind/ Still counting the things I need in the night.” In-between the ringing of tambourine bells, DeMuth confronts the constant need for something more. On “Photographs,” co-written by Felice, DeMuth further dives into the human condition, reeling from the raw, devastation in the aftermath of a breakup. With “Rose of Nantucket,” DeMuth returns to the restlessness of “Hotel Song,” her smokey vocals chanting the chorus, “If you get lost in the howling rain/Cause some fucker changed that sign post to lead you astray.” You can watch “Rose of Nantucket” HERE. “Into My Arms” picks up where “Rose of Nantucket” leaves off with a more upbeat DeMuth flaunting her sassy lilt on the chorus. You can watch “Into My Arms” HERE. You can watch another song, “Steady Rolling,” HERE.

For DeMuth, who struggled with ADD growing up, songs were her doorway into prose and fiction. Misadventure reads as a novel with each song an illuminating chapter of DeMuth’s life. What she’s created is a musical tapestry of what it’s like to go through the cycle of losing yourself, fumbling in the dark and ultimately finding your way.

TRACKLISTING for MISADVENTURE

01. Hotel Song

02. Into My Arms

03. Rose of Nantucket

04. The Young & The Blind

05. Steady Rolling

06. Signs

07. Photographs

08. All The Liars

09. Ivory White

10. Already Gone

Diana DeMuth — Photographs photo by John Huba from Leigh Greaney with Big Hassle Media for use by 360 Magazine

Photo Credit: John Huba

Harshest Critic Allison Ponthier artist courtesy of Interscope Records for use by 360 Magazine

Allison Ponthier – Harshest Critic

BUDDING SINGER-SONGWRITER ALLISON PONTHIER IS HER OWN HARSHEST CRITIC. WATCH THE CAPTIVATING VIDEO HERE. PONTHIER JOINS LORD HURON’S LONG LOST TOUR FOR SELECT DATES

Today, 25-year-old Allison Ponthier has released Harshest Critic, the dreamy, scars-and-all eagerly anticipated follow up to her debut single Cowboy. Harshest Critic is available here via Interscope Records. 

Written by Ponthier and collaborator Adam Melchor, Harshest Critic uses the relationship between performer and her audience as the lens through which the Texas native turned New York transplant can tackle her own insecurities. I’m terrified / Of the way I look when it’s through strangers’ eyes / Wish I had a way to peek inside their minds / But it wouldn’t fix the problems I see through mine, she sings over gauzy guitars and a steady drumbeat, mirroring the thumping of her heart as her thoughts unspool. The song further contextualizes Allison’s complicated journey from a young teen growing up in the bible belt and struggling with her sexuality. Harshest Critic is yet another feather in the cap of an artist on the verge of stardom.

I wrote ‘Harshest Critic’ around the time when labels were knocking on my door, and I kept wondering what it would feel like when other people were judging me and my work, says Ponthier of the song. It ended up being a song about how, when you’re an artist, everything feels like life or death. But in reality, it’s your happiness and who you are as a person that really matter. You might as well enjoy the ride, because no one’s ever going to be as hard on you as you are.

Directed by the visionary Jordan Bahat, who also helmed Ponthier’s Cowboy music video, the Harshest Critic video follows the singer-songwriter as she wears several hats. Tuning into a late-night show from a neon-soaked bedroom, she watches its host, performer, and cameraman all unpack their insecurities in front of a live studio audience. In every way an aesthetic fantasy, Harshest Critic peels back yet another layer to Ponthier’s full package, a fully realized vision playing out before our lucky eyes.

Harshest Critic follows I Lied, Ponthier’s recent heartbreakingly dreamy duet with Lord Huron, as well as her debut single Cowboy. The debut signaled the arrival of a fully baked new talent with the voice, the lyrics, and the vision of an artist twice her age. Cowboy, immediately captures and captivates as both a personal and professional coming-out story, Billboard says. A Phoebe Bridgers-style confessional wrapped up in the country-pop polish of Kacey Musgraves, declared The Guardian, while FADER called the track a bright slice of queer country-pop.

Ponthier joins Lord Huron on select dates for the Long Lost Tour which kicks off September 9th in Philadelphia and hits a variety of outdoor venues in New York City, Los Angeles, Boston, Seattle, Portland and other markets across the country. Check out the full itinerary here

Make sure to follow Allison on her Instagram, Twitter and TikTok.

Orson Wilds image shot by Calm Elliott-Armstrong for use by 360 Magazine

ORSON WILDS – DEBUT SINGLES, “KYOTO”

ORSON WILDS SHARE COVER OF PHOEBE BRIDGERS’ “KYOTO”

DEBUT SINGLES “STAND UP” & “MOTHERS DAUGHTERS” AVAILABLE NOW

Ahead of last week”s Grammys ceremony, Canadian duo Orson Wilds shared a performance of Phoebe Bridgers’ “Kyoto,” exclusively via Brooklyn Vegan. Today, the cover gets a wider release and is available across all streaming platforms.

“Phoebe Bridgers is the ultimate apocalypse music,” vocalist Eric Reid told Brooklyn Vegan. “It feels deeply personal and introspective but there”s also a level of nihilism and despair, which is frankly, everything I look for in an artist. “Punisher” was such a perfect soundtrack for the last year, and it helped both Brianna and myself get through some weird shit. “Kyoto” feels like the outlier on the album and felt the least voyeuristic to cover in terms of subject matter. It’s like a rock song, but super nuanced and not necessarily mixed the way you’d expect a rock song to be mixed, which is a huge part of what makes it so affecting. We approached it from a different angle and tried to keep it as live feeling as we could. We kept our takes to a minimum and sped it up a bit, I think it took like 4 hours to record.”

Orson Wilds’ debut studio singles, “Mothers Daughters” and “Stand Up,” were both recorded and produced by Will Yip (Panic! At The Disco, Turnstile, Title Fight), and will be included on the band”s forthcoming debut album expected to arrive later this year. Released in December, “Stand Up” is already closing in on one million streams globally. The track was commended by UproxxNorthern Transmissions, and The Alternative upon its release, with Uproxx declaring it “one of the most anthemic indie rock jams since Arcade Fire dropped “Wake Up.”” Both tracks are available now on all streaming platforms. Watch the official video for “Stand Up” here and “Mothers Daughters” here.

Orson Wilds, fronted by Eric Reid and Brianna Bordihn, have only played a handful of shows in the Southern Ontario area, focusing mainly on the honing of their craft and sound. This hard work paid off when Yip, an enthusiastic producer with bustling industry savvy, was so taken by the compositional strength of Orson Wilds’ songs that he took the band under his wing, helped them produce two new singles, and signed them to his imprint. Though Reid and Bordihn represent the core of Orson Wilds, an ever-evolving collective of friends and family round out the live iteration of the band with stomping, uplifting electric guitars, horns and woodwind sections, and thrashing, urgent percussion.

Kid Cudi – Heaven on Earth (Man on the Moon III: The Chosen)

Kid Cudi released his highly anticipated new video for “HEAVEN ON EARTH” (THE RAGER, THE MENACE PT. 2). Directed by Nabil, the video is part 2 of the narrative short film featuring music from his new album MAN ON THE MOON III: THE CHOSEN. The video premiered exclusively on Cudi’s Official YouTube Channel. Watch video here! She Knows This, was the first of the two-part narrative short film from his album, also directed by Nabil [Kendrick Lamar, Frank Ocean, Dua Lipa].

WATCH “HEAVEN ON EARTH” HERE! 
LISTEN TO “MAN ON THE MOON III: THE CHOSEN” HERE!

TRACKLIST
1. Beautiful Trip
2. Tequila Shots
3. Another Day
4. She Knows This
5. Dive
6. Damaged
7. Heaven On Earth
8. Show Out feat. Pop Smoke and Skepta
9. Solo Dolo, Pt. III
10. Sad People
11. Elsie’s Baby Boy (Flashback)
12. Sept. 16
13. The Void
14. Lovin’ Me feat. Phoebe Bridgers
15. The Pale Moonlight
16. Rockstar Knights feat. Trippie Redd
17. 4 Da Kidz
18. Lord I Know

Molly Tuttle × New Album

Compass Records is proud to announce an extraordinary new album from award-winning songwriter-guitarist Molly Tuttle. …but i’d rather be with you arrives everywhere on Friday, August 28. A collection of 10 striking covers recorded during quarantine, …but i’d rather be with you is heralded by her timely version of The National’s epic song “Fake Empire.” Tuttle made a compelling companion video that fiercely challenges the song’s fear of indifference and portrays a society that can no longer afford to be apathetic to the realities of our time. Both are available today.

“I am a huge fan of The National,” Tuttle says. “THE BOXER is probably my favorite album by them. This song has a super cool four-over-three polyrhythm throughout. The piano part is super fun on guitar if you can train your thumb to play in three and your index and middle fingers to play in four!” Watch Tuttle’s cover of “Fake Empire” by The National HERE.

“We created the Fake Empire video by projecting footage of activism in mid 20th century America onto me while I played the song,” Tuttle continues. “We contrasted that footage with forest fires, stars and dreamlike images. We wanted to leave the meaning of the video somewhat up to interpretation, just like the lyrics of the song. Matt Berninger commented that the song is about ‘where you can’t deal with the reality of what’s really going on, so let’s just pretend that the world’s full of bluebirds and ice skating.’ Right now a lot of people in our country are waking up to the realities of police brutality, racism, and bigotry all around us. I hope that people, like myself, who have the privilege to turn a blind eye to these injustices, can maintain this awareness and action to create a better society.”

 In March 2020, the Nashville-based Tuttle experienced the devastating tornado that tore through much of East Nashville, followed by the global pandemic. While sheltering at home, she found solace by revisiting favorite songs in an attempt to “remind myself why I love music.” An idea for an album emerged, to be recorded with Los Angeles-based producer Tony Berg (Phoebe Bridgers, Andrew Bird), despite being over two thousand miles apart.

Tuttle taught herself how to use Pro Tools and then recorded and engineered all of her parts alone at home before sending them to Berg in Los Angeles. The renowned producer enlisted a number of legendary session musicians – including drummer Matt Chamberlain and keyboardist Patrick Warren – to add instrumentation from their respective home studios, with guest vocals contributed by Dawes’ Taylor Goldsmith and Old Crow Medicine Show’s Ketch Secor. “This is how the astronauts do it!” Tuttle recalls Berg saying as they sent the files back and forth.

The result is a surprising and inventive collection of songs that cross the musical spectrum and the decades, from iconic artists spanning FKA Twigs to Cat Stevens, Rancid to Karen Dalton, all united by Tuttle’s clear, true voice, astonishing range, and incredible musicianship. With its remarkable scope and adventurous creativity, …but i’d rather be with you presents a further progression of Tuttle’s distinctive talent and musical ambition while hinting towards what is yet to come.

“I have been working on writing for another original album and am still planning to record that this year,” Tuttle says, “but in the meantime I wanted to share these covers that have lifted my spirits, in hopes that you’ll find some much-needed joy as well.”

A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle has garnered worldwide applause for her amazing flatpicking guitar technique and confessional songwriting. Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana, and traditional country communities – even as her own music pushes against the limits of those genres. A series of awards and accolades followed, including two consecutive International Bluegrass Music Awards as “Guitar Player of the Year” – the first female artist to achieve that historic honor.

Crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her acclaimed RISE EP, Tuttle affirmed her signature sound with last year’s boundary-breaking debut album, WHEN YOU’RE READY.

Produced by Ryan Hewitt (The Avett Brothers, The Lumineers), the album was hailed by NPR for its “handsomely crafted melodies that gently insinuate themselves into the memory,” noting, “Tuttle applies remarkable precision to her pursuit of clarity. That’s even a central theme of her lyrics: consciously reckoning with indecision or intuition, honestly acknowledging incompatibility, cultivating intimacy based on people seeing each other for who they are.”

“The bluegrass virtuoso’s first solo album blends emotional preparedness and long-demonstrated knowhow,” wrote the Wall Street Journal, while American Songwriter raved, “The production, playing and songwriting coalesce into a striking statement that shows an already developed artist well on her way to the next level of her still nascent career.”

Follow Molly Tuttle: Instagram | Twitter | Facebook | Youtube

Cardi B, Jorja Smith and MØ to play Roskilde Festival 2019

More than 180 music acts will play Roskilde Festival 2019. The Cure, Robyn, Travis Scott, Christine and the Queens, Tears for Fears and many more have already been announced, and they will be joined by 28 new artists from five different continents.

The queen of hip-hop
Straight out of the Bronx, 26-year-old Cardi B is set to headline Northern Europe’s biggest festival. The undisputed queen of hip-hop is responsible for chart-topping singles including Bodak Yellow and I Like It from her debut blockbuster album Invasion of Privacy. With seven Grammy nominations to her name, she is the first female rapper in 19 years to top the Billboard Hot 100 chart and the first ever to have three singles in the top 10 at the same time.

English R&B and pop revelation Jorja Smith is also heading for the stars: Having won the Critics’ Choice at the Brit Awards, Jorja Smith finally released her acclaimed debut album Lost & Found last year. The 21-year-old has worked with artists such as Kendrick Lamar, Kali Uchis and Stormzy, and it is no surprise that she is nominated for Best New Artist at the 2019 Grammys.

Early in her career, Danish superstar  enjoyed a breakthrough on Roskilde Festival’s talent stage. Off the back of her new album Forever Neverland, the Dane is ready to conquer the iconic Orange Stage once again.

Head of programme Anders Wahrén says:
“Cardi B, Jorja Smith and MØ are very different artists, but they’re all bonafide stars. From hip-hop to R&B to pop, they’re shaping the musical landscape, and we can’t wait to see them triumph at Roskilde Festival 2019.”

Bring Me the Horizon are back at Roskilde, this time for a rock lesson on the main stage. Reinvigorated stoner hip-hoppers Cypress Hill are also ready for a triumphant return, 23 years after their last visit, off the back of acclaimed new album Elephants On Acid.

All hail the songwriters of the future
Australian artist Stella Donnelly is one of the most hyped songwriters out there despite not yet having released a full album. Tackling very difficult subjects, her razor-sharp lyrics are personal and brutally honest. Julien Baker, equally, deals with tough issues such as sexuality and self-doubt. She is also part of the alternative supergroup boygenius together with Phoebe Bridgers and Lucy Dacus. The latter is also announced today, having released one of the most praised indie rock albums of 2018, Historian.

Virtually unknown outside of London, teenage quartet Black Midi are deemed the next big thing in the UK: Fans of math-rock and noise will have plenty to look forward to here. Plus there’s more from Sophie, Khruangbin, Girlpool and many more.

Roskilde Festival 2019 will be full of talents, and this is reflected in the festival’s Art Zone as well. Danish artists Alexander Tillegreen, Biba Fibiger and Ida Sønder Thorhauge are among the first to be announced for the arts programme along with acclaimed Brazilian artist Assume Vivid Astro Focus who will build a colourful, psychedelic stage in the Art Zone.

The following 28 artists are announced today:

CARDI B (US)
MØ (DK)
BRING ME THE HORIZON (UK)
CYPRESS HILL (US)
JORJA SMITH (UK)
THE ARMED (US)
BARSELONA (DK)
BLACK MIDI (UK)
FATOUMATA DIAWARA (ML)
GAYE SU AKYOL (TR)
HEAVE BLOOD & DIE (NO)
HUGO HELMIG (DK)
JPEGMAFIA (US)
JULIEN BAKER (US)
KHRUANGBIN (US)
LUCY DACUS (US)
NAKHANE (ZA)
SPEAKER BITE ME (DK)
STELLA DONNELLY (AU)
SOPHIE (UK)
SØREN HUSS (DK)
CARPENTER BRUT (FR)
GIRLPOOL (US)
ALEXANDER TILLEGREEN (DK)
BIBA FIBIGER (DK)
ASSUME VIVID ASTRO FOCUS (BR)
IDA SØNDER THORHAUGE (DK)

60 music acts have now been announced for Roskilde Festival 2019, including The Cure, Robyn, Travis Scott, Julia Holter, Tears for Fears and Christine and the Queens. A total of 180 acts will play across 8 stages at Roskilde 2019, which lasts for eight days between Saturday 29 June to Saturday 6 July. Find out more and book tickets at Roskilde-festival.dk.

  • Tickets to Roskilde Festival are on sale on roskilde-festival.dk.
  • Full festival tickets are DKK 2100 (approx. EUR 282) (including free access to camping).
  • More artists will be announced soon.
  • A total of 180 acts will play the festival’s eight stages.

ALL ACTS (A-Z)

ALEXANDER TILLEGREEN (DK)
ALMA (FI)
ASSUME VIVID ASTRO FOCUS (BR)
BARSELONA (DK)
BIBA FIBIGER (DK)
BLACK MIDI (UK)
BLAWAN (UK)
BRENN. (NO)
BRING ME THE HORIZON (UK)
BROCKHAMPTON (US)
CARDI B (US)
CARPENTER BRUT (FR)
CHRISTINE AND THE QUEENS (FR)
CONVERGE (US)
CYPRESS HILL (US)
DENZEL CURRY (US)
FATOUMATA DIAWARA (ML)
FLOHIO (UK)
FULL OF HELL & THE BODY (US) DOUBLE SHOW
GAYE SU AKYOL (TR)
GHETTO KUMBÉ (CO)
GIRLPOOL (US)
HEAVE BLOOD & DIE (NO)
HUGO HELMIG (DK)
IDA SØNDER THORHAUGE (DK)
JOEY PURP (US)
JON HOPKINS (UK)
JORJA SMITH (UK)
JPEGMAFIA (US)
JULIA HOLTER (US)
JULIEN BAKER (US)
JUNGLE (UK)
KARKHANA (EG)
KHRUANGBIN (US)
KONSTRUKT (TR)
LUCY DACUS (US)
MAURICE LOUCA ENSEMBLE (EG)
MØ (DK)
NAKHANE (ZA)
NENEH CHERRY (SE)
OCTAVIAN (UK)
PARQUET COURTS (US)
POWER TRIP (US)
RIVAL CONSOLES (UK)
ROBYN (SE)
ROSS FROM FRIENDS (UK)
SCARLET PLEASURE (DK)
SOPHIE (UK)
SØREN HUSS (DK)
SPEAKER BITE ME (DK)
SPIRITUALIZED (UK)
STELLA DONNELLY (AU)
TEARS FOR FEARS (UK)
TESTAMENT (US)
THE ARMED (US)
THE CURE (UK)
TIRZAH (UK)
TRAVIS SCOTT (US)

About Roskilde Festival:
Roskilde Festival is 100% non-profit. All profits are donated to social and cultural charities by the Roskilde Festival Charity Society. The festival is right next to the Danish capital of Copenhagen and easily connected by train, bus and flight (Copenhagen Airport).

With more than 180 music acts in the line-up performing on eight stages and over 130,000 passionate music lovers gathered for a full week, Roskilde Festival is among the most unique music festival experiences in the world. A position the festival has held since the early 1970s.

The full festival journey in Roskilde is an eight-day exploration of music, artistic expression, delicious food, sustainability, love, community and party.