Posts tagged with "the lumineers"

The Lumineers – Brightside

THE LUMINEERS SHARE VIDEO FOR “BRIGHTSIDE”

VIDEO IS THE TITLE TRACK OF THE BAND’S UPCOMING FOURTH STUDIO ALBUM BRIGHTSIDE

BRIGHTSIDE THE ALBUM ARRIVES JANUARY 14, 2022

“BRIGHTSIDE” THE SONG IS #1 ADDED SONG AT ALTERNATIVE RADIO

WATCH HERE

PRE-ORDERS AVAILABLE NOW

The Lumineers share the first video for the title track of their upcoming album BRIGHTSIDE which is set to arrive Friday, January 14, 2022 via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now.

The poignant video, directed by noted documentarian filmmaker Kyle Thrash, explores love and relationships through real people of different ages, ethnicity, and orientations. The band appears in the video, performing at a dance in an American Legion Hall.

“The BRIGHTSIDEmusic video is like a documentary of the American love story, says the bands Wesley Schultz, “It features all real people ߝ none of the people that appear in it are actors.”

Released last Monday, the song “BRIGHTSIDE” is quickly making an impact with well over two million streams and is the #1 most added song on the Alternative radio this past week.

The album BRIGHTSIDE was produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Sun Mountain Studios in bucolic Boiceville, NY. BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.

Don't Start Now cover image via Jim Merlis for use by 360 Magazine

The Heavy Hours Announces Debut EP, Wildfire

The Heavy Hours releases cover of Dua Lipa’s Don’t Start Now, building anticipation for their debut EP which will be released August 3.

Hitting a mid-1970s pop-rock sweet spot, this fab debut from Cincinnati newcomers was produced by Simone Felice and co-written with Dan Auerbach of the Black Keys. The band more than lives up to such illustrious company.” – The Times of London

“Unbelievably catchy lines and effortlessly organic arrangement.” – American Songwriter

The Heavy Hours, from Cincinnati, OH, announced the August 3 release date of their debut EP, Wildfire. The band also shares their cover version of Dua Lipa’s Don’t Start Now. Both the EP and song were produced by Simone Felice (The Lumineers, Jade Bird, Matt Maeson) and produced and mixed by David Baron. Don’t Start Now, released through BMG, is available for streaming and download. 

The band said about the cover song, “Dua Lipa’s Don’t Start Now is the essence of pop music production; a cacophony of synthesizers, elaborate and squishy bass lines, and outer-space dipped vocals… however, it all comes down to the vocal melody, which – just STICKS in your brain. We’ve always worked at and wanted to re-imagine a pop anthem like this in our own production style – using acoustic guitars, upright pianos, shakers, and other analog technology. We’re really excited to release our cut of the tune to see if listeners enjoy our version just as much as Dua Lipa’s.”

The cover of Don’t Stop Now is not included on the Wildfire EP, which contains five original songs from the band and includes the previously released song Don’t Walk Away which was co-written with the Black Keys’ Dan Auerbach.

On top of the music announcement, the band is pleased to announce some tour dates, starting with an EP release day show at Madison Live! in Covington, KY, across the river from their hometown in Cincinnati.

Adopting the band’s name from a line in William Butler Yeats’ Autobiographies, The Heavy Hours emerged, eager to explore a long-standing fascination with time-honored songwriting and production. Their music soon made its way to Dan Auerbach, who invited his fellow Ohioans to visit his Easy Eye Sound headquarters in Nashville for a few days of collaborative songwriting. The sessions were both productive and a revelation, inspiring the band to strip away some of their previous artifice in order to touch a more universal chord. Armed with a cache of new songs and innumerable ideas, The Heavy Hours traveled to rural Catskills in New York state, to record under the aegis of producer Simone Felice. The winter sessions proved incredibly fruitful, yielding a collection of distinctive new music that serves as an undeniable milestone on The Heavy Hours’ ongoing creative journey.

THE HEAVY HOURS TOUR DATES

Aug 2 – Madison Live! – Covington, KY (EP Release Show)

Aug 28 – Denver Day of Rock – Denver, CO

Sep 4 – Dillon Amphitheatre – Dillon, CO

WILDFIRE EP TRACKLIST

Wildfire

Don’t Walk Away

Ache

Desperate Days

The Only One

Diana DeMuth — Photographs photo by Ashley Osborn from Leigh Greaney with Big Hassle Media for use by 360 Magazine

DIANA DEMUTH — PHOTOGRAPHS

“A euphoric must-listen” – Rolling Stone

“Diana DeMuth, a combination of old-soul songwriting and youthful optimism, brings a unique feel to her music that can sometimes feel like country-Adele while others a sound all to her own… there is much expected for DeMuth in 2020 and beyond.” – American Songwriter

“Diana DeMuth is something of an indie-folk fireball. The singer-songwriter has set the scene ablaze with her searingly honest songwriting that’s met by the richly poignant vocals through which she delivers it” – Pop Matters

Diana DeMuth shares a tearful, video for her single “Photographs” from her debut album, Misadventure, out now. The video provides an introspective look into a love DeMuth‘s romance with a woman that dwindled out. The face-to-face and heavy-hearted video shows DeMuth and her once-partner in the midst of a final goodbye and last embrace, closing out this chapter of their story together. Nicolas Sutton Bell (The Lumineers, Jeremiah Fraites) directed the video and invoked powerful visual metaphors to convey the intense emotions of the single. You can listen to Misadventure HERE. You can watch the music video for “Photographs” HERE.

On the song, DeMuth says, “Photographs is a very personal song for me, it’s about being in love with another woman – but I think the message rings true to any and all kinds of relationships. It’s really about having the courage to love someone, no matter what they are on the outside, and how these kind of rare loves can fall to ruins and leave haunting pictures tattooed in your mind’s eye.”

She adds, “This video was a very intimate and vulnerable one to shoot. It was important to me and my director Nick for my performance to reflect the raw and universal nature of a song about looking back on a love gone wrong. Being so close to another person after a year of isolation and singing directly at them ended up being an emotional experience for me and brought me back to the original feeling that inspired these lyrics.”

Director Nicolas Sutton Bell says, “With this video, I really wanted to portray the intimacy of the lyrics through the visuals. We thought it would be powerful to see two lovers facing off and letting the viewer place their own backstory on them. Diana carries the connection and history of these two lovers in the most amazing way, ending on the tears of truly letting a past love go.”

Simone Felice produced DeMuth’s 2020 debut album, Misadventure, along with David Baron. Felice was also named one of Billboard‘s Top 10 rock producers right now. Felice has also worked with The Lumineers, who DeMuth has announced tour dates with, as well as with Jade Bird, Vance Joy, Bat For Lashes, Noah Kahan, Phoebe Bridgers, Felice Brothers, Conor Oberst and Matt Maeson.

Expanding on the vision and story of the album, producer Simone Felice says, “Diana’s voice and her poetry always transport me to a teenage summer night, mischief and wonder down dark country roads, the northern lights dancing in the distance. Misadventure is the gateway drug into her world, I have a strong feeling it will be a long and winding road trip full of soul and mystery for years to come.”

With a few surprises coming, and stadiums that will soon be filled with DeMuth’s voice, melodies and story, 2021 will surely see her name stamped on new fan’s hearts. Stay tuned for more Diana DeMuth announcements, and be sure to check out the debut album, out now.

Biography by Ilana Kaplan:

Restless and ready to pave her own way, Diana DeMuth has burst onto the singer-songwriter scene with an arresting perspective about life, love and self-discovery.

Growing up on the coast of Massachusetts, DeMuth was immersed in a bohemian upbringing where she moved from place to place with hippie parents. That same restless spirit inhabited DeMuth: she always had a sense that there was something out there beyond where she grew up and that existence. After seeing The Avett Brothers from the front row when she was 13, DeMuth was enamored with their raw performance and hunger on stage. In that moment, she knew she wanted to be an artist one day. So at 19, after going to college for one week, DeMuth left because she was certain music was her path. For the past five years, she’s focused on just that, spending her time traveling and playing small gigs around America, while waitressing and honing her craft.

In her travels, she spent time in London. Feeling aimless, she ended up writing “Hotel Song,” which would become the lead track of her forthcoming album Misadventure. “I just busted out of this hotel/ Took all of my belongings/ And I ran for it,” DeMuth belts in the opening line over stark keys. For DeMuth, the song was a breaking point: a door opening into a new chapter of her life. The track’s vagabond chorus evokes the liberating feeling of driving down an empty road with nothing but your dreams, destiny and the windows down. You can watch “Hotel Song” HERE.

At the same time DeMuth began looking for a producer who would be a match for her music. Through her love of The Lumineers and Jade Bird, she stumbled upon multi-platinum record producer Simone Felice, who in a serendipitous twist of fate, had also in his past worked on The Avett Brothers’ seminal album I and Love and You. (Things fell even more into place when Scott Avett ended up penning one of the tracks on the record with DeMuth, “The Young & The Blind.”)

To record her debut album Misadventure, DeMuth and Felice teamed up with Felice’s longtime collaborator David Baron at a Catskill Mountain house overlooking the Ashokan Reservoir outside Woodstock where the music flowed quickly and freely, and together they began to record her record. Inspired by everything from the Bonnie Raitt that was playing in her house growing up to The Lumineers and Brandi Carlile, DeMuth’s penchant for evocative storytelling and folk sensibilities shine through the 10-track record. And through those songs, DeMuth tells the story of her journey to self-discovery.

On “Signs,” she contemplates her identity and what her path will look like: “All my life I’ve tried my hand at reading the signs/ But I’m still blind/ Still counting the things I need in the night.” In-between the ringing of tambourine bells, DeMuth confronts the constant need for something more. On “Photographs,” co-written by Felice, DeMuth further dives into the human condition, reeling from the raw, devastation in the aftermath of a breakup. With “Rose of Nantucket,” DeMuth returns to the restlessness of “Hotel Song,” her smokey vocals chanting the chorus, “If you get lost in the howling rain/Cause some fucker changed that sign post to lead you astray.” You can watch “Rose of Nantucket” HERE. “Into My Arms” picks up where “Rose of Nantucket” leaves off with a more upbeat DeMuth flaunting her sassy lilt on the chorus. You can watch “Into My Arms” HERE. You can watch another song, “Steady Rolling,” HERE.

For DeMuth, who struggled with ADD growing up, songs were her doorway into prose and fiction. Misadventure reads as a novel with each song an illuminating chapter of DeMuth’s life. What she’s created is a musical tapestry of what it’s like to go through the cycle of losing yourself, fumbling in the dark and ultimately finding your way.

TRACKLISTING for MISADVENTURE

01. Hotel Song

02. Into My Arms

03. Rose of Nantucket

04. The Young & The Blind

05. Steady Rolling

06. Signs

07. Photographs

08. All The Liars

09. Ivory White

10. Already Gone

Diana DeMuth — Photographs photo by John Huba from Leigh Greaney with Big Hassle Media for use by 360 Magazine

Photo Credit: John Huba

Save Our Stages

By: Gabrielle Archuleta

With Covid-19 making an impact on businesses, the live music industry has been among those hit the hardest. The loss in revenue is estimated to be $8.9 billion, along with the comedy and performing arts entertainment. More than 90% of independent venues are at risk of being permanently shut down. The National Independent Venue Association (NIVA) is working hard to get emergency relief funds out to these venues in dire need. With the help of YouTube, NIVA and Save Our Stages created a virtual concert to help raise money, which will benefit these independent venues. The list of venues is on their website. Artists from around the country have joined together in an effort to raise awareness and save the stages they once performed in.

These venues have supported many big artists and have even launched careers for many. Not only are the artists feeling the impact, but the employees behind the scenes are as well. From the sound to the stage crew, many of them are left without a job and fear what will come next. Fans are left with tickets to be refunded and the uncertainty of future shows to come. This leaves the music industry shaken when it comes to the revenue that concerts bring. Concerts generate more money than streaming music on popular platforms such as Spotify, Apple music and Pandora. Popular artists such as Drake have made $23.7 million in one year from streaming, yet his last tour, Summer Sixteen featuring Future, grossed $85 million. Save our stages is the saving platform for artists, fans and lovers of music to support the venues we know and love and keep the live music alive.

Kicking off their first ever virtual event, an exclusive trailer narrated by Neil Young released footage featuring various iconic artists performing in these at-risk venues and some of the earliest known footage of Neil Young performing at the American Shakespeare Theatre in Stratford, CT. This 3-day virtual event lasted from October 16th-18th. Day one started out with Alec Benjamin performing at Hotel Café in Los Angeles, CA. There was no audience, just the performers. Some talked of past show experiences and selling out venues. Following him was Billie Eilish’s brother, Finneas who is breaking out on his own, releasing his first single called Can’t Wait To Be Dead. Other artists for day one included, Sebastian Yatra, Dizzy Fae, Macklemore, YG, and Dillon Francis. Marshmellow and Demi Lovato hit the stage at the Troubadour in Los Angeles, CA. They performed their hit single together It’s Okay Not To Be Okay, as well as talked about their experiences in independent venues they’ve played in and seen other artists play in. Macklemore performed in Seattle, WA singing hits that included Ten Thousand Hours, Glorious, Good Old Days and a few others during his thirty-minute set. While G-Eazy took pieces of his hits and performed over a dozen songs in his set at The Independent in San Francisco, CA.

Day two kicked off with an even bigger list of performers. Sixteen artists each in their own independent venue to perform in. Jason Mraz was the first up, singing the best of his songs from I’m Yours to I Won’t Give Up out of the Belly Up Tavern in San Diego, CA. Rise Against brought the rock style back to the stage singing six of their hits from the Metro in Chicago,IL. Miley Cyrus played at the Whiskey-Go-Go in Los Angeles, CA wearing all black Rockstar attire. Though she had a short playlist, it was filled with fun energy. Also playing out of Los Angles from Troubadour, the Foo Fighters. Dave Grohl talks about his first experience at the Toubadour and meeting Bret Michaels for the first time. They start out with Skin and Bones continue with My Hero, These Days, Times Like These and end it with everyone’s favorite Everlong. The Roots performed a longer set list that lasted a little over an hour at the Apollo Theater in New York, NY. Wrapping up day two was Major Lazor performing out of Gramps in Miami, FL. He had a setlist similar to length of The Roots lasting a little over an hour and promoting Save Our Stages throughout his set. To many of these artists, the venues that are at stake are not only where they got their start in the music world but also where they discovered music. Demi Lovato mentions one of her first concerts was at an independent venue where she had seen Paramore.

The final day came with some big names. Little Big Town plays at the Exit/In in Nashville, TN. They talk about their first show and replayed one of their classic songs, Boondocks as an encore. The last song is a fan favorite, Girl Crush. Dave Matthews performs solo at the Jefferson Theater in Charlottesville, VA. His setlist includes a new song that is played for the first-time live called the Ocean and the Butterfly. The Lumineers wrap up this event, taking it back home to Colorado at the Boulder Theatre in Boulder, CO. Reminiscing on the songs they’ve played in small independent venues and how great songs such as Ophelia came from those experiences and performing them.

Save our stages is not just important to the artists, but to the fans and music lovers all over the nation. There are over 2,000 venues that have joined the National Independent Venue Association to help save theses venues and keep not only the jobs that come with it but the live music experience we love and miss. Though this virtual event is over, the fight is not. Save our venues has raised over $1,000,000 and has a set goal of $5,000,000. The funds will be administered by the Giving Back Fund, a non-profit organization. The money will go to the venues in dire need and in fear of being shut down. With the help of all the artists who participated along with Youtube, NIVA and every person who donated, we can only hope that enough money is raised to save these venues.

guitar, rock, strum, tabs, strings

Johnny Cash – A Night To Remember

Third Man Records, in partnership with Legacy Recordings, the catalog division of Sony Music Entertainment and the John R. Cash Trust, have announced the mystery artist for the A-side of the 7” single in the upcoming release of Vault Package #45: “Johnny Cash – A Night To Remember.”

The previously unreleased track is from The Lumineers and titled “Pretty Pictures In My Mind.” The B-side of the 7” single announced last month features a new track from Ruston Kelly, “Dark and Bloody Ground.” In addition to the 7” single, the Vault Package #45, will be released in September and includes a previously unavailable Johnny Cash 1973 concert at the Ahmanson Theatre in Los Angeles.

Vault #45 – “Johnny Cash – A Night To Remember” is available now for pre-order here. The deadline for orders is this Friday, July 31, 2020.

These two recordings are part of the continuation of Johnny Cash: Forever Words, a multi-year project by John Carter Cash, who has combed the Johnny Cash archive for unreleased poems, prose and lyrics. These new tracks by Ruston Kelly and The Lumineers will be included in a future installment of the next compilation.

Johnny Cash: Forever Words was released in 2018 and is comprised of Cash’s unknown poetry, lyrics, and letters, set to music by an all-star array of contemporary artists including Ruston Kelly & Kacey Musgraves, Chris Cornell, Rosanne Cash, Alison Krauss & Union Station, Kris Kristofferson & Willie Nelson, Brad Paisley, John Mellencamp, Carlene Carter, Elvis Costello, The Jayhawks and more.

“It is great to hear my father at such a prime place in his career and I am excited fans will be able to enjoy this never released concert,” says John Carter Cash. “I am even more excited to be continuing Forever Words with the release of these two new tracks. Dad’s lyrics transcend genre and defy easy definition. This is yet another example of his legacy continuing in diverse and groundbreaking ways.”

The Soundflowers Credit Desiree Mattssonn

The Soundflowers – Your Look (Glorious)

Today, The Soundflowers, featuring Paris Jackson and Gabriel Glenn, debuts the official video for “Your Look (Glorious)”—watch HERE! The full-length video was executive produced and shot by Prince Jackson via his production house King’s Son Productions.

“Your Look (Glorious)” is taken from the band’s self-titled debut EP, The Soundflowers, released last month to widespread acclaim via IMPERIAL. Billboard hailed “Your Look (Glorious)” as “simply romantic,” while Idolator proclaimed “The Soundflowers make a winning first impression” and Hollywood Life praised the EP as “five songs full of indie-folk goodness.”

This morning, Paris and Prince appeared on Good Morning America to discuss The Soundflowers, “Your Look (Glorious)” and more—watch their interview HERE. On collaborating with Prince, Paris says, “I was really comfortable working with my brother, it just felt natural.”

The Soundflowers’ five-track debut project eclectically blends indie acoustic and folk with influences of blues, soul, bluegrass country and beach reggae. The EP was produced by Mike Malchicoff (King Princess) with GRAMMY Award-winning mix engineer Rob Kinelski (Billie Eilish), and it is accompanied by video vignettes created by award-winning director Hannah Lux Davis (Ariana Grande, Demi Lovato, Nicki Minaj). The band is donating their net proceeds from merchandise sales to Black Women Lead, Black Voters Matter Fund, and BEAM through the end of this month. Merchandise is now available via thesoundflowersmerch.com.

The Soundflowers’ six-part Facebook Watch Original Docuseries, “Unfiltered: Paris Jackson & Gabriel Glenn,” is currently airing every Tuesday at 3AM PT/6AM ET through August 4th. The docuseries explores the band’s journey together beyond the music—watch the latest episode HERE and check out the band’s recent performance of “Geronimo” HERE.

The Soundflowers was born after Jackson and Glenn first crossed paths at Los Angeles’ Rainbow Bar and Grill during a TrashDögs performance, the rock ‘n’ roll band fronted by Gabriel. They quickly realized that their musical energies and passions aligned, as Paris recalls, “I started writing around 13 when I bought myself a guitar; I didn’t really start sharing or recording it until I met Gabriel.” Of their first time working on music together at Gabriel’s band’s rehearsal studio, he says, “We showed each other songs and even wrote a few on the spot. Everything fit together so naturally, from our voices to our songwriting style. I had never met someone who fit so perfectly with my sound.”

About The Soundflowers

The sound behind The Soundflowers is an eclectic take on indie acoustic and folk music, as the band attributes their songwriting to influences like The Beatles, Joe Purdy, Ray LaMontagne, Radiohead and The Lumineers. While Paris Jackson hails from one of the most successful families in music history, she is best known for her activism, acting and modeling work, the latter of which has seen her front campaigns for international brands like Calvin Klein, gracing the cover of top fashion magazines, including Vogue and Harper’s Bazaar titles and making her runway debut earlier this year at Jean Paul Gaultier’s final show. On the acting front, Paris has taken on several TV and film roles, collaborating with acclaimed industry professionals, including Lee Daniels, Charlize Theron, Joel Edgerton and Rachel Winters. Aside from music, Paris’ biggest passion has always been in using her platform to shine light on causes important to her, notably going off-script while presenting at the GRAMMY Awards and MTV VMAs, to highlight the Dakota Access Pipeline and events of racial injustice in Charlottesville, respectably. Paris also serves as an Ambassador for the Elizabeth Taylor AIDS Foundation (ETAF) and is passionate about continuing her godmother’s legacy of ridding the stigma and finding a cure for the HIV/AIDS pandemic.

Gabriel Glenn has always leaned into his musical talents, which first emerged while singing in the car with his mom on the way to school and further cultivated by forming bands with friends in his youth and studying music at the collegiate level in his home state of Louisiana. Upon moving to Los Angeles several years ago, Gabriel and a couple close friends formed the “desert rock ‘n’ roll” band TrashDögs, which has found local success performing at popular haunts along the Sunset Strip. Upon meeting Paris and forming The Soundflowers, Gabriel feels more complete as an artist: “She creates so naturally and honestly; it inspires me to be a better songwriter. I think having a unique spirit like hers allows us to channel things we’d never receive on our own.”

Follow The Soundflowers: Instagram | Facebook

Molly Tuttle × New Album

Compass Records is proud to announce an extraordinary new album from award-winning songwriter-guitarist Molly Tuttle. …but i’d rather be with you arrives everywhere on Friday, August 28. A collection of 10 striking covers recorded during quarantine, …but i’d rather be with you is heralded by her timely version of The National’s epic song “Fake Empire.” Tuttle made a compelling companion video that fiercely challenges the song’s fear of indifference and portrays a society that can no longer afford to be apathetic to the realities of our time. Both are available today.

“I am a huge fan of The National,” Tuttle says. “THE BOXER is probably my favorite album by them. This song has a super cool four-over-three polyrhythm throughout. The piano part is super fun on guitar if you can train your thumb to play in three and your index and middle fingers to play in four!” Watch Tuttle’s cover of “Fake Empire” by The National HERE.

“We created the Fake Empire video by projecting footage of activism in mid 20th century America onto me while I played the song,” Tuttle continues. “We contrasted that footage with forest fires, stars and dreamlike images. We wanted to leave the meaning of the video somewhat up to interpretation, just like the lyrics of the song. Matt Berninger commented that the song is about ‘where you can’t deal with the reality of what’s really going on, so let’s just pretend that the world’s full of bluebirds and ice skating.’ Right now a lot of people in our country are waking up to the realities of police brutality, racism, and bigotry all around us. I hope that people, like myself, who have the privilege to turn a blind eye to these injustices, can maintain this awareness and action to create a better society.”

 In March 2020, the Nashville-based Tuttle experienced the devastating tornado that tore through much of East Nashville, followed by the global pandemic. While sheltering at home, she found solace by revisiting favorite songs in an attempt to “remind myself why I love music.” An idea for an album emerged, to be recorded with Los Angeles-based producer Tony Berg (Phoebe Bridgers, Andrew Bird), despite being over two thousand miles apart.

Tuttle taught herself how to use Pro Tools and then recorded and engineered all of her parts alone at home before sending them to Berg in Los Angeles. The renowned producer enlisted a number of legendary session musicians – including drummer Matt Chamberlain and keyboardist Patrick Warren – to add instrumentation from their respective home studios, with guest vocals contributed by Dawes’ Taylor Goldsmith and Old Crow Medicine Show’s Ketch Secor. “This is how the astronauts do it!” Tuttle recalls Berg saying as they sent the files back and forth.

The result is a surprising and inventive collection of songs that cross the musical spectrum and the decades, from iconic artists spanning FKA Twigs to Cat Stevens, Rancid to Karen Dalton, all united by Tuttle’s clear, true voice, astonishing range, and incredible musicianship. With its remarkable scope and adventurous creativity, …but i’d rather be with you presents a further progression of Tuttle’s distinctive talent and musical ambition while hinting towards what is yet to come.

“I have been working on writing for another original album and am still planning to record that this year,” Tuttle says, “but in the meantime I wanted to share these covers that have lifted my spirits, in hopes that you’ll find some much-needed joy as well.”

A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle has garnered worldwide applause for her amazing flatpicking guitar technique and confessional songwriting. Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana, and traditional country communities – even as her own music pushes against the limits of those genres. A series of awards and accolades followed, including two consecutive International Bluegrass Music Awards as “Guitar Player of the Year” – the first female artist to achieve that historic honor.

Crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her acclaimed RISE EP, Tuttle affirmed her signature sound with last year’s boundary-breaking debut album, WHEN YOU’RE READY.

Produced by Ryan Hewitt (The Avett Brothers, The Lumineers), the album was hailed by NPR for its “handsomely crafted melodies that gently insinuate themselves into the memory,” noting, “Tuttle applies remarkable precision to her pursuit of clarity. That’s even a central theme of her lyrics: consciously reckoning with indecision or intuition, honestly acknowledging incompatibility, cultivating intimacy based on people seeing each other for who they are.”

“The bluegrass virtuoso’s first solo album blends emotional preparedness and long-demonstrated knowhow,” wrote the Wall Street Journal, while American Songwriter raved, “The production, playing and songwriting coalesce into a striking statement that shows an already developed artist well on her way to the next level of her still nascent career.”

Follow Molly Tuttle: Instagram | Twitter | Facebook | Youtube

Sheléa × Global Citizens

R&B/SOUL ARTIST SHELÉA PERFORMS LIVE FOR GLOBAL CITIZEN’S TOGETHER AT HOME SERIES THIS MONDAY, APRIL 13 AT 3PM PST

R&B/Soul artist Sheléa, a protégé of Quincy Jones, who stars in a Lifetime biopic based on iconic gospel group The Clark Sisters airing April 11, will perform live to support Global Citizen’s #TogetherAtHome series this Monday, April 13 at 3 p.m. PST  from her Instagram account @sheleamusic.

Sheléa will release a new single “You Are Enough” next month (date tbd). The unparalleled songwriter/pianist is intent on bringing back organic singing and songwriting, blending traditional pop, jazz, r&b, and soul, as she evokes the sultry energy of Whitney Houston and the piano chops and writing prowess of Alicia Keys.

Together At Home is a series of online performances hosted on artists’ social media platforms to fight coronavirus and promote social distancing. It is in partnership with Global Citizen, and hitting more than 120 countries and growing.

Sheléa joins Coldplay’s Chris Martin, John Legend, Niall Horan, H.E.R., JoJo, the Lumineers and Hozier among others who have hosted intimate live shows on their Instagram profiles.

Tune into Sheléa‘s live performance this Monday, April 13 at 3pm PT

For more information on Global Citizen, visit here.

About Shelea

Sheléa is a powerhouse vocalist that is the epitome of class and style. She represents a return to true artistry that has garnered attention from numerous legends in the music industry, including Quincy Jones, Stevie Wonder and David Foster, among others.

She has performed at the White House with Wonder for President Barack Obama, Library of Congress, Carnegie Hall and the Kennedy Center, to name a few. She’s also appeared on several PBS specials, including ‘A Grammy Salute to Music Legends’ paying homage to Tina Turner.

Sheléa’s debut album Love Fell On Me was released in 2014, featuring heavyweights Stevie Wonder, Brian McKnight and Narada Michael Walden. The single “I’ll Never Let You Go” hit #22 on the Billboard R&B charts and charted for 22+ weeks.

She began as a songwriter/vocalist with legendary producers Jimmy Jam and Terry Lewis. Her early career experience led to writing and producing for Chanté Moore’s album Love the Woman and recording vocals on major motion picture soundtracks for Hotel Rwanda, Akeelah and the Bee and Be Cool.

In 2008, Sheléa teamed up with the Grammy Award-winning Take 6, singing “Someone to Watch Over Me” for their Grammy-nominated album The Standard.  She went on to compose and perform the theme song “Love Fell  On Me” for SONY’s Jumping the Broom (2011) starring Angela Bassett and wrote for the CW series Black Lightening.

THE LUMINEERS ANNOUNCE NEW ALBUM, III TO BE RELEASED SEPTEMBER 13TH

FIRST SINGLE “GLORIA” AVAILABLE TODAY

III: THE WORLD TOUR – FIRST DATES ANNOUNCED

Stream “Gloria” Here:

Watch “Gloria” Lyric Video Here:

The Lumineers will release their new album III on September 13th through Dualtone (an Entertainment One Company) in the U.S. and Canada and Decca Records for the rest of the world. The two-time GRAMMY nominated band has also released “Gloria,” the first single from the album, which is out today. Lead vocalist Wesley Schultz says the song “is about love between an addict and her family.” The new album III is audacious: every note, every syllable, and every moment of silence in between is emotionally charged. The album is darker in tone than previous albums and is presented in three chapters, with each one centering on one main character from a fictitious family known as the Sparks, who span three generations in the album’s storyline. III‘s concept began while the band was writing in the Catskill mountains, where producer Simone Felice works. Mixing raw emotional themes with their ear-catching melodies, expressive vocals and trademark acoustic sound, III moves masterly in artistic directions not yet traveled by the band. Written by the two founding members, Schultz and multi-instrumentalist Jeremiah Fraites, the album sees violinist/vocalist Lauren Jacobson officially joining the band. Her playing can be heard on the band’s previous two albums. She joins the touring lineup that includes pianist Stelth Ulvang, bassist/backing vocalist Byron Isaacs and multi-instrumentalist Brandon Miller. (After eight years, cellist/vocalist Neyla Pekarek left the group in 2018 to embark on a solo career.) The Lumineers have enjoyed substantial commercial success: their 2012 self-titled debut featured the hit single, “Ho Hey” and was certified triple-platinum in 2018, the same year their 2016 sophomore album, Cleopatra, was certified platinum and hit #1 on the Billboard Top 200. They’ve had 18 #1 hits on Triple A, Alternative and other radio charts, including “Ophelia” maintaining #1 for 13 weeks on Triple A. The Lumineers became only the second artist in history to hold the top slot on the AAA chart for that length of time. The band has sold out tours across the world, with over 300,000 tickets sold on 2017’s Cleopatra World Tour and ended with 27 sold out arena shows. The Lumineers have also supported icons and their musical heroes on the road, including Tom Petty and the Heartbreakers on his final tour and U2 on its Joshua Tree tour. This year, the band plans to tour across the U.S. and Europe, including their biggest ever UK shows at The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow, and dates across Europe including 3Arena Dublin, Le Zénith Paris and Verti Music Hall Berlin, following a string of festival dates that include Hangout, Bonnaroo, Outside Lands, Woodstock and more. Regarding the new album, Fraites says, “This collection of songs worked out in a beautiful way, and I feel with this album we’ve really hit our stride.”

Bahamas

Bahamas Release New Single “Way With Words” Today

New Album Earthtones Available January 19, 2018

On Tour Now

Check out “Way With Words” Here!

Today, Juno Award-winning Toronto singer and songwriter Bahamas—a.k.a. Afie Jurvanen—releases his new single “Way With Words” vie Brushfire/Republic Records.

Check out “Way With Words” HERE.

It heralds the arrival of his fourth full-length album, Earthtones [Brushfire/Republic Records], in stores and at all digital retailers on January 19, 2018. Pre-order it HERE.

On the song Jurvanen stated: “It was hard for me to get excited about this song. I have recorded it a few times and nothing has stuck. We started as a trio with Pino (Palladino) and James (Gadson) and I tried not playing guitar at all at first… Pino came up with this this crazy chordal thing on bass and the song started to come to life more. Added guitars from Christine Bougie and myself while we were on a break touring with The Lumineers and Felicity Williams, Robin Dann and Alanna Stuart added all the harmony parts last December.”

Merging sparse, chilled-out production, hummable guitar, and a sweeping hook, “Way With Words” is the follow-up to Bahamas’ recent single “No Wrong.Upon its arrival last month, “No Wrong” quickly racked up over half a million Spotify streams and ignited excitement among fans for the impending release of Earthtones.  Watch the music video HERE!

Most importantly, the album upholds a tradition of progression for the artist. Recorded in Los Angeles with the ultimate rhythm section—Pino Palladino [Adele, Ed Sheeran, The Who] on bass and drummer James Gadson [Herb Alpert, D’Angelo]—Earthtones represents another creative breakthrough for Bahamas as the sound becomes deeper and more dynamic than ever before.

Bahamas released his Juno Award-nominated full-length debut, Pink Strat, in 2009 followed by the 2012 fan favorite Barchords. Between supporting Wilco, The Lumineers and Jack Johnson on the road, he built an impassioned audience. 2014’s Bahamas Is Afie represented a watershed moment. Not only did it achieve the 2015 Juno Award for “Adult Alternative Album of the Year,” but he also garnered “Songwriter of the Year” for the singles “All The Time,” “Bitter Memories, and “Stronger Than That. A streaming juggernaut who averages nearly 2 million monthly listeners on Spotify, “All The Time” generated a staggering 32 million streams and counting as “Stronger Than That” cracked 9 million. Moreover, he popped up on playlists such as “Calm Down,” “Happy Folk,” “Indie Chillout,” and

many more.

Extensive Tour Dates Announced – Full details and all tour dates are listed below and available, here. Tickets go on sale Friday November 3rd at 10am local time.

December 1st           Sydney, NSW           Sydney Opera House Forecourt*
December 2nd          Sydney, NSW           Sydney Opera House Forecourt*
December 3rd           Brisbane, QLD         Riverstage*
December 4th           Sydney, NSW           The Basement ^
December 5th           Perth, WA                 Mojo’s^
December 6th           Perth, WA                 Kings Park *
December 8th           Melbourne, VIC        Sidney Meyer Music Bowl*
December 9th           Melbourne, VIC        Northcote Social Club^
December 10th         Auckland, NZ            Villa Maria ^
January 19th             Brooklyn, NY            Music Hall of Williamsburg^ (SOLD OUT)
February 13th           Detroit, MI                 El Club^
February 14th           St. Louis, MO            Delmar Hall^
February 15th           Oklahoma City, OK   Academy of Contemporary Music at UCO^
February 16th           Dallas, TX                 The Kessler^
February 17th           Austin, TX                  Antone’s^ (SOLD OUT)
February 19th           Denver, CO                Bluebird^
February 21st           Los Angeles, CA        Teragram^ (SOLD OUT)
February 23rd           San Diego, CA           Belly Up^
February 24th           San Francisco, CA     Independent^ (SOLD OUT)
February 26th           Portland, OR              Alberta Rose^
February 27th           Seattle, WA                Neptune^
February 28th           Victoria, BC                The Royal Theatre^ (SOLD OUT)
March 1st                  Vancouver, BC           Queen Elizabeth Theatre^
March 2nd                 Kamloops, BC            CJ’s Nightclub^
March 3rd                  Calgary, AB                Palace Theatre^
March 5th                  Edmonton, AB            Winspear^
March 6th                  Saskatoon, SK           3rd Ave Church^
March 7th                  Winnipeg, MB            Park Theatre^  (SOLD OUT)
March 8th                  Minneapolis, MN        Fine Line^
March 9th                  Milwaukee, WI           Turner Hall^
March 10th                Chicago, IL                The Metro^
May 3rd                     Boston, MA                Sinclair^
May 4th                     Philadelphia               WCL^
May 5th                     Pittsburgh, PA            Mr. Smalls^
May 6th                     Washington, DC        9:30 Club^
May 8th                     Carrboro, NC             Cats’s Cradle ^
May 9th                     Atlanta, GA                Terminal West^
May 11th                   Nashville, TN             Cannery^
May 12th                   Asheville, NC            Grey Eagle^

*Supporting Jack Johnson (previously announced)
^New headline tour dates

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.