Posts tagged with "photographs"

Diana DeMuth — Photographs photo by Ashley Osborn from Leigh Greaney with Big Hassle Media for use by 360 Magazine

DIANA DEMUTH — PHOTOGRAPHS

“A euphoric must-listen” – Rolling Stone

“Diana DeMuth, a combination of old-soul songwriting and youthful optimism, brings a unique feel to her music that can sometimes feel like country-Adele while others a sound all to her own… there is much expected for DeMuth in 2020 and beyond.” – American Songwriter

“Diana DeMuth is something of an indie-folk fireball. The singer-songwriter has set the scene ablaze with her searingly honest songwriting that’s met by the richly poignant vocals through which she delivers it” – Pop Matters

Diana DeMuth shares a tearful, video for her single “Photographs” from her debut album, Misadventure, out now. The video provides an introspective look into a love DeMuth‘s romance with a woman that dwindled out. The face-to-face and heavy-hearted video shows DeMuth and her once-partner in the midst of a final goodbye and last embrace, closing out this chapter of their story together. Nicolas Sutton Bell (The Lumineers, Jeremiah Fraites) directed the video and invoked powerful visual metaphors to convey the intense emotions of the single. You can listen to Misadventure HERE. You can watch the music video for “Photographs” HERE.

On the song, DeMuth says, “Photographs is a very personal song for me, it’s about being in love with another woman – but I think the message rings true to any and all kinds of relationships. It’s really about having the courage to love someone, no matter what they are on the outside, and how these kind of rare loves can fall to ruins and leave haunting pictures tattooed in your mind’s eye.”

She adds, “This video was a very intimate and vulnerable one to shoot. It was important to me and my director Nick for my performance to reflect the raw and universal nature of a song about looking back on a love gone wrong. Being so close to another person after a year of isolation and singing directly at them ended up being an emotional experience for me and brought me back to the original feeling that inspired these lyrics.”

Director Nicolas Sutton Bell says, “With this video, I really wanted to portray the intimacy of the lyrics through the visuals. We thought it would be powerful to see two lovers facing off and letting the viewer place their own backstory on them. Diana carries the connection and history of these two lovers in the most amazing way, ending on the tears of truly letting a past love go.”

Simone Felice produced DeMuth’s 2020 debut album, Misadventure, along with David Baron. Felice was also named one of Billboard‘s Top 10 rock producers right now. Felice has also worked with The Lumineers, who DeMuth has announced tour dates with, as well as with Jade Bird, Vance Joy, Bat For Lashes, Noah Kahan, Phoebe Bridgers, Felice Brothers, Conor Oberst and Matt Maeson.

Expanding on the vision and story of the album, producer Simone Felice says, “Diana’s voice and her poetry always transport me to a teenage summer night, mischief and wonder down dark country roads, the northern lights dancing in the distance. Misadventure is the gateway drug into her world, I have a strong feeling it will be a long and winding road trip full of soul and mystery for years to come.”

With a few surprises coming, and stadiums that will soon be filled with DeMuth’s voice, melodies and story, 2021 will surely see her name stamped on new fan’s hearts. Stay tuned for more Diana DeMuth announcements, and be sure to check out the debut album, out now.

Biography by Ilana Kaplan:

Restless and ready to pave her own way, Diana DeMuth has burst onto the singer-songwriter scene with an arresting perspective about life, love and self-discovery.

Growing up on the coast of Massachusetts, DeMuth was immersed in a bohemian upbringing where she moved from place to place with hippie parents. That same restless spirit inhabited DeMuth: she always had a sense that there was something out there beyond where she grew up and that existence. After seeing The Avett Brothers from the front row when she was 13, DeMuth was enamored with their raw performance and hunger on stage. In that moment, she knew she wanted to be an artist one day. So at 19, after going to college for one week, DeMuth left because she was certain music was her path. For the past five years, she’s focused on just that, spending her time traveling and playing small gigs around America, while waitressing and honing her craft.

In her travels, she spent time in London. Feeling aimless, she ended up writing “Hotel Song,” which would become the lead track of her forthcoming album Misadventure. “I just busted out of this hotel/ Took all of my belongings/ And I ran for it,” DeMuth belts in the opening line over stark keys. For DeMuth, the song was a breaking point: a door opening into a new chapter of her life. The track’s vagabond chorus evokes the liberating feeling of driving down an empty road with nothing but your dreams, destiny and the windows down. You can watch “Hotel Song” HERE.

At the same time DeMuth began looking for a producer who would be a match for her music. Through her love of The Lumineers and Jade Bird, she stumbled upon multi-platinum record producer Simone Felice, who in a serendipitous twist of fate, had also in his past worked on The Avett Brothers’ seminal album I and Love and You. (Things fell even more into place when Scott Avett ended up penning one of the tracks on the record with DeMuth, “The Young & The Blind.”)

To record her debut album Misadventure, DeMuth and Felice teamed up with Felice’s longtime collaborator David Baron at a Catskill Mountain house overlooking the Ashokan Reservoir outside Woodstock where the music flowed quickly and freely, and together they began to record her record. Inspired by everything from the Bonnie Raitt that was playing in her house growing up to The Lumineers and Brandi Carlile, DeMuth’s penchant for evocative storytelling and folk sensibilities shine through the 10-track record. And through those songs, DeMuth tells the story of her journey to self-discovery.

On “Signs,” she contemplates her identity and what her path will look like: “All my life I’ve tried my hand at reading the signs/ But I’m still blind/ Still counting the things I need in the night.” In-between the ringing of tambourine bells, DeMuth confronts the constant need for something more. On “Photographs,” co-written by Felice, DeMuth further dives into the human condition, reeling from the raw, devastation in the aftermath of a breakup. With “Rose of Nantucket,” DeMuth returns to the restlessness of “Hotel Song,” her smokey vocals chanting the chorus, “If you get lost in the howling rain/Cause some fucker changed that sign post to lead you astray.” You can watch “Rose of Nantucket” HERE. “Into My Arms” picks up where “Rose of Nantucket” leaves off with a more upbeat DeMuth flaunting her sassy lilt on the chorus. You can watch “Into My Arms” HERE. You can watch another song, “Steady Rolling,” HERE.

For DeMuth, who struggled with ADD growing up, songs were her doorway into prose and fiction. Misadventure reads as a novel with each song an illuminating chapter of DeMuth’s life. What she’s created is a musical tapestry of what it’s like to go through the cycle of losing yourself, fumbling in the dark and ultimately finding your way.

TRACKLISTING for MISADVENTURE

01. Hotel Song

02. Into My Arms

03. Rose of Nantucket

04. The Young & The Blind

05. Steady Rolling

06. Signs

07. Photographs

08. All The Liars

09. Ivory White

10. Already Gone

Diana DeMuth — Photographs photo by John Huba from Leigh Greaney with Big Hassle Media for use by 360 Magazine

Photo Credit: John Huba

Speedway Motors illustration by Heather Skovlund for 360 Magazine

Speedway Motors Museum × Darryl Starbird

Speedway Motors Museum of American Speed & Darryl Starbird’s National Rod & Custom Car Hall of Fame Announce Merger

Speedway Motors Museum of American Speed and Darryl Starbird’s National Rod & Custom Car Hall of Fame announced their merger at Darryl Starbird’s National Rod & Custom Show in Tulsa, Olka.

“Darryl Starbird is one of the most prolific custom car builders and an artist who was consistently able to gain national recognition for his creations. His customs have been showcased in all of the popular car magazines for decades. This would have been difficult for any builder, but it was even harder to achieve for someone located in the Midwest. His car creations feature a space age futuristic style that people find exciting and memorable. He is certainly king of the bubble top, and like Toad in American Graffiti explains, any car as good as Starbird’s Superfleck Moonbird has to be amazing!” said Tim Matthews Curator, Speedway Motors Museum of American Speed. “Custom car fans now have two places to see Starbird’s fabulous creations.”

Speedway Motors Museum of American Speed, located in Lincoln, Neb., is home to over 150,000 square feet of display space over three levels. The museum was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history. Founded in 1992 by “Speedy” Bill and Joyce Smith, the collection results from their personal involvement in racing and hot rodding, and their lifelong passion for collecting and preserving racing an automotive history over the past 100 years.

“In addition to the collection the Smiths have built over the years the museum has also been the recipient of many generous donations from vehicles to important artifacts in racing and automotive history,” Matthews added. “The relationships continue to lead us to opportunities to acquire important pieces furthering our mission to preserve, interpret and display items significant in our industries history.”

The museum is currently home to four Darryl Starbird vehicles including the Li’l Coffin Car originally built by Dave Stuckey and restored by Starbird. The museum also features many other displays including the largest collection of vintage pedal cars, gas-powered miniature race cars, automobile themed toys, fine art, lunchboxes and more.

“Having my work on display at Speedway Motors Museum of American Speed has allowed it to be appreciated by even more people,” said Darryl Starbird, Founder of Darryl Starbird’s National Rod & Custom Car Hall of Fame. “Our conversations started over 15 years ago and I’m pleased to officially announce the merger giving fans two places to see my collection.”

Located in Afton, Okla. Darryl Starbird’s National Rod & Custom Car Hall of Fame is the home of over 50 one-of-a-kind full size exotic vehicles, including twenty-five of his own creations on display, as well as automotive artwork, photographs and auto memorabilia displayed throughout the 40,000 square foot facility.

The museum is also home to the National Rod & Custom Car Hall of Fame. Every year in June an anniversary celebration is held to recognize and induct two additional custom and rod builders into the National Rod & Custom Car Hall of Fame.

For more information about Darryl Starbird’s National Rod & Custom Hall of Fame please visit their website.

For more information about Speedway Motors Museum of American Speed, museum hours or displays visit their website.

About Speedway Motors Inc

Speedway Motors is a proud supporter of the Speedway Motors Museum of American Speed. Known as America’s Oldest Speed Shop, Speedway Motors was founded in 1952 by “Speedy” Bill and Joyce Smith. Their four sons Carson, Craig, Clay and Jason continue to run the family-owned business.

Speedway Motors is a manufacturer, retailer and distributor of high-quality automotive parts and racing products. Since 1952, Speedway Motors has been committed to providing a broad selection of high-quality, affordable automotive parts—delivered quickly, efficiently and without any hassles. Their products and expert advice are available to customers by calling 1.800.979.0122, online or at retail stores in Lincoln, Neb. and Tolleson, Ariz.

About Speedway Motors Museum of American Speed

The Speedway Motors Museum of American Speed is a federally recognized 501 (c) (3) private foundation located in Lincoln, Neb. Founded in 1992 by “Speedy” Bill and Joyce Smith, the Speedway Motors Museum of American Speed was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history.

About Darryl Starbird’s National Rod & Custom Car Hall of Fame

The National Rod & Custom Car Hall of Fame located in Afton, Okla. is set up as a national 501 (c) (3) nonprofit foundation & is a nationally recognized tribute to the leading street rod and custom car builders throughout the country.

Photo Credit:  Speedway Motors Museum of American Speed

BeBe Shopp illustration by Heather Skovlund for 360 Magazine

Miss America Partners with Rowan University

Miss America Partners with Rowan University for 100th Anniversary Archival Project

With an eye on history and ideals of beauty, students digitize Miss America archives

“There she is…”

One hundred years of artifacts from the Miss America Competition—from jeweled crowns and velvet capes to programs, photographs, judges’ books, oil paintings, films, and business records—tell more than the story of the competition.

They also provide a rich look at both American and New Jersey history and help illustrate how ideas surrounding beauty and women’s roles in society have changed over a century. 

Now, through a unique partnership with the Miss America Organization, Rowan University students are sifting through the organization’s expansive archives and digitizing the artifacts. Their work, currently underway in the Digital Scholarship Center at Campbell Library, will be the cornerstone of the new Rowan Digital Collections.

Scholars worldwide eventually will have access to the artifacts through the archive, hosted by Rowan Libraries.

Currently, the massive Miss America collection is tucked away in storage in South Jersey. The storage contains a treasure trove of floor-to-ceiling artifacts from the competition.

The Miss America Organization will continue to retain the physical artifacts. But the digitization, which began with program books and some oil paintings of former winners, will ensure the artifacts are categorized and documented–and available widely to future scholars.

The preservation partnership was orchestrated by University administrators, who were approached by the Miss America Organization.

‘An enduring feature of American culture’

“We’re excited Rowan is doing this, and we’re thrilled the University sees value in this project,” says Shantel Krebs, chair of the board and interim president and CEO of the Miss America Organization.

“This is New Jersey history. The digitization project will help others learn more about the quintessential competition and its evolution from a ‘bather’s revue’ into a nationally recognized non-profit that offers scholarship assistance and helps thousands of young women from America to improve their communities through service.”

The project will be a crucial resource to scholars and students, notes College of Humanities & Social Sciences Dean Nawal Ammar.  

“The Miss America competition has been an enduring feature of American culture, producing idealized images of female beauty and achievement,” says Ammar.

“However, the pageant also has been a space to challenge those images, both inside and outside the competition hall. This collection will be an invaluable source for the study of American history, culture, women’s history, business history, media studies, and many other topics.”

Project manager Katie Turner, a professor of history and American Studies, says Rowan students working on digitization are gaining first-hand experience of the archival process. 

“This is a great opportunity for our students to get their hands on history and to really see what goes into making a collection,” adds Turner. “Everything today is digitized for students. They often don’t get to see and touch historical documents. When you sift through paper and do research in an archive, there’s a real commitment to the work.”

Founded as a bather’s revue by businessmen in 1921 as a gimmick to lengthen the summer tourist season in Atlantic City by capitalizing on popular American ideals of female beauty, the competition in its early years was often a steppingstone for women who wanted to pursue show business careers. More than 100,000 people swarmed onto the Atlantic City Boardwalk the first year to watch 16-year-old Margaret Gorman be crowned.

Candidates in the 1920s were rated by judges on everything from the construction of their heads to their “grace of bearing” to their eyes, hair, torso, and hands. Every measurement—from ankles to biceps to head—was recorded by judges and assessed on a points system.

By the 1950s, the competition, under the leadership of Lenora Slaughter, the program’s director for more than 25 years, had been transformed into a source of scholarships for contestants. In 1958, more than $200,000 in scholarships were awarded.

A crown jewel for Atlantic City.

But the competition, a crown jewel for Atlantic City, has not been devoid of controversy. In 1968, it was the site of the first major women’s liberation protest in the United States, when the New York Radical Women, some 400 strong, protested on the Atlantic City Boardwalk. They maintained that the competition objectified women and upheld female stereotypes.

Protestors through the years also objected to the program’s exclusion of women of color. The first Black Miss America, Vanessa Williams, was crowned in 1983—more than 60 years after the competition’s founding.

That isn’t lost on Rowan senior English and writing arts major Destiny Hall, who is working on digitization. She started with the 1984 Miss America magazine, where Williams is featured prominently. Hall, a women’s and gender studies minor, says work on the project has been eye-opening as she explores her own views of feminism.

“Part of being a feminist is allowing women to be whatever they want to be. I have a complicated history with Miss America. In the beginning, I saw it as sexist. Now, I see it as a celebration of womanhood. Many of these women compete to further their careers,” says Hall, 22, who will attend graduate school at Columbia University in the fall as she pursues a career writing fiction for women.

“Through this project, I feel like I’m preserving history and I really appreciate that. It’s important to have this information and to have access to it.”

Freshman English major Grace Fox, who is pursuing the Thomas N. Bantivoglio Honors Concentration in the Honors College, is digitizing program books.

“I’m hoping I’ll find one nugget…something nobody knows about,” says Fox. “I’m definitely looking at the advertisements, the kinds of products they marketed, the images of fashion. There’s so much value in this work. It’s so applicable to things we talk about in class, including how societal views on women’s bodies are enmeshed in the culture we see.”

Robert Hilliker, interim associate provost and director of research engagement and scholarship at Rowan Libraries, and Michael Benson, digital scholarship specialist, are overseeing the digitization work. Additionally, Center for the Advancement of Women in Communication Director Julie Haynes, whose research focuses on depictions of gender in popular culture, is involved in the project.

About the collection

While programs, photos, and other ephemera are being scanned, other artifacts, such as crowns, trophies, and a Waterford scepter carried by winners, will be photographed. Scores of oil paintings and sketches of winners, including some sketches by renowned portrait artist Everett Kintsler, whose work includes official White House portraits of Gerald Ford and Ronald Reagan, will be digitized under the guidance of Rowan art historians.

Rowan’s Department of Radio/Television/Film may assist in digitizing hundreds of films and slides, some of which were donated by shore-area residents who religiously attended the annual Miss America parade on the Boardwalk.

“Prioritization of the digitization will be quite a project,” Hilliker notes. “The collection is so special from an archivist’s standpoint because it contains varied materials. That will make for some interesting research projects, but it also presents a lot of technical challenges. For our students, this project certainly will be an excellent apprenticeship in digital preservation.”

The collection is an eclectic mix.

The same storage that currently houses the unwieldy Golden Mermaid trophy, presented in the early 1920s to the winner, also includes the crown of 1955 winner Lee Meriwether, who went on to a successful television career. Then Miss California, Meriwether was the first Miss America to be crowned on television, an event that drew 27 million viewers.

Stars flocked to the competition over the years. Grace Kelly was a judge. Marilyn Monroe was the grand marshal of the parade in 1952. Eddie Fischer was a host before Bert Parks, famed singer of the “There She Is” Miss America theme, emceed for 24 years.

The collection also includes Slaughter’s personal scrapbooks. Some of her other papers are housed at the Smithsonian Institution.

Some of the artifacts, such as the film of Meriwether being crowned, were lost during an Atlantic City Nor’easter some years ago. That makes the digitization project particularly valuable, Krebs notes.

BeBe Shopp, Miss America 1948, says she’s delighted Rowan students are preserving Miss America’s legacy.

“This will make it easier for anyone to view our history and learn how Miss America has grown and become even more vital to young women today,” says Shopp, who represented Minnesota in the competition. “This is important. What an experience the students must be having combing through hundreds of thousands of documents and learning about our past. At my age, I’m thrilled that they are going to preserve me for ages to come.”

Supporting the archival work

The Miss America Organization has established a campaign to help fund the digitization project and preserve the thousands of artifacts in the organization’s 100-year history. Visit the organization’s funding site to learn more about supporting the work.

Bike Ride illustration by Heather Skovlund for 360 Magazine

Bike4Tourism × Cycle the World

Bike4Tourism Invites Would-Be Travelers to Cycle the World, Virtually

Seeking a Global Community to Bike Together While Apart and Share Images of Each Other’s Routes

Missing international travel?   Wishing you could host some out-of-town friends to show them your most beautiful locations? Then Bike4Tourism has an inspiring global event tailor-made for you this Memorial Day weekend, on Sunday, May 30th.

Bike4Tourism aims to promote healthy living and sustainable tourism. The goal of the event is to have as many participants as possible, in every country, riding bikes and sharing photographs to the global community of the most beautiful places near their homes.

In sharing each other’s images, cyclists will virtually visit cities, countries and continents, without need for a passport — just a helmet and the will to discover or rediscover the places that surround us and show them to others.

Organizers are hoping for more than 115,000 participants around the world to break the current record.  Proceeds will support environmental conservation charities and aid tourism businesses in financial need following Covid-19 travel restrictions.

It’s hoped that participants are left with even more desire to travel, sustainably, with a huge selection of photos of beautiful places from which to choose their next journey.

All are welcome to participate, and free tickets will be made available for children to encourage family bike rides.   Early bird tickets are available from April 20th.  For more information, visit Bike 4 Tourism, and Facebook.

Amy Winehouse illustration by Heather Skovlund for 360 Magazine

Amy Winehouse at the BBC

“I remember the first time hearing her voice…I instantly knew she was destined to be one of the greatest.” – NAS

“Jools loved Amy straight away – her honesty as a vocalist, songwriter, and Londoner…Britain has produced a lot of brilliant female singer-songwriters and vocalists in the last decade or so, many from Beth Gibbons to Adele, rooted in older black American forms, soul and jazz, and blues. But there was only ever one Amy Winehouse. She was frank and fresh and haunted. And we miss her.” – Mark Cooper BBC

Amy Winehouse At The BBC, a 3LP/3CD collection chronicling the many remarkable performances by arguably the greatest and most genuine talent to emerge in British music in decades, will be released on May 7, 2021, through Island/UMe. For the very first time, this updated release offers audio-only versions of the songs featured on ‘A Tribute to Amy Winehouse by Jools Holland’ and the ‘BBC One Sessions Live at Porchester Hall,’ and so a high proportion of these tracks will be completely new to digital music services. “Stronger Than Me,” “Tears Dry on Their Own” and “You Know I’m No Good” will be available on March 24 on streaming services, and the video for “Stronger Than Me” will be available on YouTube. This comprehensive collection captures the strong and enduring relationship that Amy enjoyed with the BBC and is further proof of quite what an extraordinarily talented, completely original, and truly engaging performer Amy was.

Amy Winehouse At The BBC includes Amy’s earliest BBC Radio sessions, music from her first-ever TV performances, as well as unheard gems, rarities, unique covers, and live versions of classic songs from “Frank” and “Back to Black.” The set also includes a beautifully illustrated 20-page booklet featuring rare photographs.

Disc 1 is a selection of recordings chosen by Later presenter, songwriter, and much-loved musician Jools Holland. Disc 2 is a 14-song audio selection dating from 2004 to 2009, while Disc 3 features the performances from Amy’s memorable Porchester Hall sessions. Like Amy’s three previous albums, this collection will prove, once more, a fitting tribute to her peerless artistry, phenomenal talent, and extraordinary powers as a songwriter, a singer, and an interpreter of classics.

Amy Winehouse At the BBC is available to preorder now:

DISC/LP ONE – A Tribute to Amy Winehouse by Jools Holland

  1. STRONGER THAN ME
  2. TAKE THE BOX
  3. TEACH ME TONIGHT feat. Jools Holland
  4. REHAB
  5. TENDERLY feat. Jools Holland
  6. TEARS DRY ON THEIR OWN
  7. MONKEY MAN feat. Jools Holland
  8. I HEARD IT THROUGH THE GRAPEVINE feat. Paul Weller and Jools Holland
  9. DON’T GO TO STRANGERS feat. Paul Weller and Jools Holland
  10. LOVE IS A LOSING GAME

DISC/LP TWO – The BBC Sessions

  1. KNOW YOU NOW (Leicester Summer Sundae 2004)
  2. FUCK ME PUMPS (T In the Park 2004)
  3. IN MY BED (T In the Park 2004)
  4. OCTOBER SONG (T In the Park 2004)
  5. REHAB (Pete Mitchell 2006)
  6. YOU KNOW I’M NO GOOD (Jo Whiley Live Lounge 2007)
  7. JUST FRIENDS (Big Band Special 2009)
  8. LOVE IS A LOSING GAME (Jools Holland 2009)
  9. TEARS DRY ON THEIR OWN (Jo Whiley Live Lounge 2007)
  10. BEST FRIENDS, RIGHT? (Leicester Summer Sundae 2004)
  11. I SHOULD CARE (The Stables 2004)
  12. LULLABY OF BIRDLAND (The Stables 2004)
  13. VALERIE (Jo Whiley Live Lounge 2007)
  14. TO KNOW HIM IS TO LOVE HIM (Pete Mitchell 2006)

DISC/LP THREE – Amy Winehouse- BBC One Sessions Live at Porchester Hall

  1. KNOW YOU NOW
  2. TEARS DRY ON THEIR OWN
  3. YOU KNOW I’M NO GOOD
  4. JUST FRIENDS
  5. HE CAN ONLY HOLD HER
  6. I HEARD LOVE IS BLIND
  7. REHAB
  8. TAKE THE BOX
  9. SOME UNHOLY WAR
  10. BACK TO BLACK
  11. VALERIE
  12. ADDICTED
  13. ME & MR JONES
  14. MONKEY MA
Emmett Till illustration by Heather Skovlund for 360 Magazine

Emmett Till × Mamie Till Mobley

National Trust Partners’ Advocacy Leads to Roberts Temple: Emmett Till and Mamie Till Mobley Senate Bill

Sen. Tammy Duckworth introduced a bill with Senate Majority Whip Dick Durbin (D-IL), Sen. Cory Booker (D-NJ), and Sen. Roger Wicker (R-MS) as co-sponsors to establish Chicago’s Roberts Temple Church of God in Christ as a National Monument. The move would offer the highest level of federal support for the church and would ensure that the National Park Service will preserve, protect, and interpret its powerful impact on American civil rights history for generations to come. Civil rights activist Mamie Till Mobley was a member of Roberts Temple Church of God in Christ, and the church played a historic role in the funeral of Emmett Till, her fourteen-year-old son killed on August 28, 1955, during a visit with relatives in Money, Mississippi.

Rather than cover up the brutality of the murder, Mobley bravely decided to hold an open casket funeral at Roberts Temple Church of God in Christ so people could witness the bitter consequences of racism. When tens of thousands of people came to view young Till’s mangled body from September 3-6, 1955, and photographs of his mangled face were published in journals around the country, it ignited the Civil Rights Movement of the 1950s and 60s, similar to the way George Floyd’s death has impacted movements today. TIME magazine named a photo of the Till funeral one of the 100 most influential images of all time.

Last year, the National Trust for Historic Preservation placed Roberts Temple Church of God in Christ on its 11 Most Endangered Historic Places list, recognizing its groundbreaking significance and the need to restore and preserve the site. Support has continued through Trust grants and technical assistance as well as through advocacy to gain federal support to maintain the site. The Trust has partnered in this work with members of the Till and Roberts families, The Emmett Till Interpretive Center, the National Parks Conservation Association, Latham & Watkins LLP pro bono program, and other interests committed to the longevity of this historic landmark. Efforts are also ensuing to obtain National Park status for Roberts Temple Church of God in Christ, as well as for important sites linked to Emmett Till in Mississippi.

“The Roberts Temple Church is both extraordinarily and heartbreakingly important to Chicago, our state, and to our country’s history,” Sen. Tammy Duckworth said. “It’s time we recognize how historic sites can not only teach us about our history – but provoke us to build a more just future. By designating this church a historic site, we will help ensure that this awful chapter is not erased and that generations of Americans to come can show respect to Mamie and Emmett’s stories.”

The National Trust’s Chief Preservation Officer Katherine Malone-France said, “Our nation will benefit tremendously when Roberts Temple is designated a National Monument, lifting up its profoundly important role in American history. It is imperative that our country appropriately honors the site of Emmett Till’s funeral and of Mamie Till Mobley’s remarkable courage. We are honored to support the Roberts Temple congregation, the Till family, and the local community as they advance this designation and determine how to carry forward the legacies of this powerful place, as a unit of the National Park system.”

Reverend Wheeler Parker, who witnessed his cousin Emmett’s abduction in 1955, and his wife, Dr. Marvel McCain Parker, said, “We are grateful for the introduction of legislation to preserve the legacy of Emmett Till and Mamie Till Mobley by making Roberts Temple a National Monument, which will help to fulfill Mamie’s request for my wife and I to continue her work to ensure her son’s death was not in vain.”

Roberts Temple Church of God in Christ was founded in 1916 and is known as the “mother of all of the Churches of God in Christ in Illinois.” With its founding, it became a central place of worship and political organizing for many who migrated to Chicago from the South during the early 20th Century.

Today, the building remains in use by the Church of God in Christ denomination, now led by Elder Cleven Wardlow who said, “On behalf of the congregants of Roberts Temple and members of the Roberts Family, we strongly support this endeavor as well as the ongoing efforts by racial justice and preservation organizations to obtain federal protection for Roberts Temple.”

Patrick Weems, Executive Director of the Emmett Till Interpretive Center stated, “What took place at Roberts Temple changed the world. We commend the Roberts Temple congregation, the Roberts and Till families, especially Rev. Wheeler Parker, Jr., Dr. Marvel McCain Parker, and Ollie Gordon for their commitment to telling the truth, and we want to thank Senator Duckworth for her leadership in bringing forth this legislation.”

“The time for turning away from this painful chapter in American history is long over” stated Alan Spears, Senior Director for Cultural Resources. “The National Parks Conservation Association applauds Senator Duckworth for introducing this very significant piece of legislation commemorating the legacies of Emmett Till and Mamie Till Mobley.”
For more information on the campaign to designate the Roberts Temple Church of God in Christ National Monument visit their website.

Copyright article illustration by Rita Azar for 360 Magazine

The Basics to Avoiding Copyright Strikes On Your Social Media Accounts

Creating content that fuel your social media needs has never been easier and the production of any output can be completed with a minimum of fuss. So whenever you are putting together a great video post or sending out a new podcast, you may not take adequate notice of what perils may lay in store.

Given that we are pretty much glued to our devices 24/7, we can sometimes get caught up in the moment. You may be looking to become a key influencer and feel that you need to jazz up your content with a great musical soundtrack or you may just post something with extreme haste because you want to be ahead of the curve, but beware.

Posting content that includes copyright protected material, be that music of video, could well lead to a great deal of pain and suffering. The financial penalties for doing so are pretty huge and in some cases you could be risking imprisonment. 

However there is the additional, more likely, scenario which would involve you receiving a copyright strike on your account.

What is a Copyright Strike?

A copyright strike is one that is issued by an organization, in this case a social media channel such as YouTube, Facebook or TikTok, and you’ll receive this if they either believe you have committed a copyright offence or they’ve been informed that you have done so.

A strike in this instance is most likely to come in the form of a DMCA notice, the DMCA in this instance stands for Digital Millennium Copyright Act. When receiving this strike you will be asked to prove you have the license needed to use the copyright protected media, such as music or video you may have used in your social media post.

On receiving these strikes, and some networks allow more than one before they act, you will be given a warning. However it’s likely that repeated violations will lead to your account being suspended and then deleted.

You Will Not Get Away With It

You may think that you can go ‘under the radar’ with your illegal use of copyright material but technology used by the likes of Facebook can single out these uses within a matter of seconds and the violations are dealt with on the spot.

Even if you feel you have been unfairly treated, perhaps believing that the music you are using was clear for use, the chances of you entering into a dialogue with any social media company are slim.

Most social networks make the prospect of reversing such copyright strikes next to impossible, they do so for two reasons. Firstly they know that entering into a conversation about potential violations would be hugely resource heavy for their site and secondly they don’t benefit from the resolution either way.

In other words the social media networks are more keen on avoiding any repercussions from mainstream music publishers of film production companies than assisting you in a case that is likely to fail.

How to Avoid a Copyright Strike?

The most common reason a social media user will use copyright protected music is that they feel that the use of a strong piece of music, or a sound effect, will increase the chance of their product being spread and virality achieved. 

However there are many great royalty-free music options where you can secure great songs and effects for a fraction of the cost of securing a license from recognized artists. 

Another additional benefit of subscribing to such a service is the vast libraries of great musical content that you have available, all to suit whatever need you wish to serve.

Royalty-free music providers essentially give you access, for a very small fee, to content that is free to be used as you wish and without any fear of a penalty or removal from the sites you use them on.

A big key to avoiding a copyright strike on the whole is the use of caution. Always be aware that whatever you post on your social media channels will be monitored and therefore behave with as much care as you possibly can.

A copyright strike isn’t something you can ignore and it’s something you should do your utmost to avoid. If you receive a strike it’s almost certainly justified and with any luck you may be fortunate to get away with a stern warning but more and more often this will result in a ban and possible additional censure and punishment.

If you are an individual who is seeking to become an influencer, or have a large audience who already follows your output, you simply can’t afford to be taken off the channels that you operate on, it’s simply not worth the risk or hassle.

Also, if you simply use social media for personal use, you still will greatly miss these channels if you are banned from using them. Always err on the side of vigilance when using any accompanying material for your posts, otherwise you may get a nasty surprise the next time you try to sign in to your accounts…

ZAZ10TS Artistic Billboards

ZAZ10TS has curated and presented a new concept of art called “In Between.”

This new exhibition can be seen on ZAZ Corner, right in the heart of Time Square. LED billboards are being used to display the artwork for 15 seconds at a time with commercial messages every two minutes. The display will showcase a new artist each month beginning September.

Tzili Charney, the founder of ZAZ Corner, is undertaking this project to display art different from the urban environment. Different artists, organizations, universities and cultural institutions will work together to achieve that goal by providing different art styles.

The initial featured artist will be Ben Hagari, whose “About Face” video series was shot entirely at home during the pandemic. Quarantine protocols forced Hagari to get creative with colors, space, subjects and composition. The result uses a faceless protagonist whose expressions are completely concealed by household items. The subject lacks features and stands and wears clothes backwards.

“The scenarios portray a mundane existence in a world whose marks have been erased. Books have no titles or words, photographs are blanked out, labels are removed; we are left with data. It generates a binary structure: backward and forward, front and rear, serious and funny,” Hagari said.

Artists who would like to participate in “In Between” can submit their art right here, and anyone looking for more information on the project can click right here.

Behind the lens of renowned Iranian cinematographers

Time Lapse is an exhibition of striking photographs by prestigious Iranian film directors. After enormous success in both London and Tehran, the exhibition will travel to the USA in November, to be shown at The Container Yard in Downtown Los Angeles.

Time Lapse features the work of Cannes Film Festival award-winning directors Jafar Panahi and Abbas Kiarostami, Cannes Film festival award nominee Nasser Taghvai, award-winning documentary maker Kamran Shirdel, San Sebastian International Film Festival award-winning director Majid Barzegar, World Press Photo award-winning Cinematographer Seifollah Samadian and celebrated actor and Cairo film festival award-winning director Hamid Jebeli. The exhibition celebrates Iranian cinema and its international reach, and simultaneously demonstrates the talent of the directors, stretching beyond dynamic filmmaking to the creation of fine art.

CAMA Gallery aims to provide a politically neutral platform on which to showcase the wealth of artistic talent in Iran. CAMA Gallery has three galleries in Iran, a gallery in London, and will soon open a permanent space in Los Angeles.

The exhibition opens with a private view on November 2 from 8pm and runs through November 14, 2018.

PORSCHE WORKS TEAM

Introducing an all new title from Delius Klasing, Porsche Works Team, that illustrates the true nature of 24-hour races – the tension, exhaustion, and the dedication. World-famous photographer, Frank Kayser followed the Porsche team for three years, detailing a world previously unseen by outsiders.

Kayser and his team were allowed where other press photographers were not: in the pit, in the pit lane during the change of tries and drivers, and in the closed off areas of the racers quarters. Every photo in this book shows the stress, the top performance, the eternal night and the success of perfection.

A special signed edition of the book, limited to 99 copies is also available for sale.

Book Available here