Posts tagged with "display"

Optimistic Vivacity via Tim Tadder for use by 360 Magazine

Interview with Tim Tadder

If you have ever seen photos of an Olympic athlete, you have no doubt seen Tim Tadder‘s work. As a photographer, he has captured the likes of Michael Phelps and Simone Biles. Recently, Tadder hosted an exhibition at Avant Gallery in New York City. 360 was given the opportunity to ask him about his artistic inspirations and his style.

How did you get into art? Was there a moment you realized you wanted to do art professionally?

I’ve always been involved in some capacity with art as a major thematic in my life. It was always what I most enjoyed in school, as a hobby, & just overall being creative. I left a career as a teacher and pursued photography as a craft and a creative expression form when I was 27, after realizing I needed to enjoy my occupation and creating was a massive part of that. 

When did you realize art was the career choice for you? Was there a moment when you realized you were gaining recognition and success in the art world?

People see me as a highly creative photographer and artist. The way that I see the world has a particular point of view that is sought after. I think embracing that as who you are and what you do and how you perceive and see has value and therefore is a viable career once you can monetize that vision. Everything else falls into place from there. 

People will collect and want to own a piece of your vision and hang it on a wall, which ultimately empowers you as an artist to continue to create and explore your vision knowing that you have the financial support in order to do so. 

When ‘Nothing to See’ first was shared as large format prints, the response was overwhelming. It was at that point that I knew there was serious traction in a new marketplace, one that I had always dreamed of being a part of and was fortunate that this particular series of images was embraced by collectors and galleries. 

How does knowing a multitude of art mediums help you with your artwork?

I come from a background of 20 years of creating advertising campaigns for the world’s biggest brands and our job is to create on demand art that sells a product. And in doing so, you learn to use all the tools at your disposal to make the most powerful image for that purpose. I have been able to use all of that skill and knowledge and channel it into my personal fine art work to create images that convey messages that are important to me and that should be heard around the world. 

What do you look at to get inspiration to create?

Pre-COVID I attended a lot of art fairs and contemporary museums to look at trends, masters, & to find inspiration on how people explore visual presentation. I found that going to those events and seeing the art in person really helped me refine my message and refine my voice. In a COVID world, I try to follow artists on IG and Twitter who I’m inspired by and keep abreast of their new work and from there I try to find my own lane to blend out, be distinct, and be noticeable. Right now there’s so many rabbit holes that one can go down to find inspiration, whether it’s instagram or twitter or the NFT space.

You use bright and vibrant color schemes in your artwork, when and how did that start? What’s your process when deciding about the colors you will use?  

I’ve always been attracted to bold use of color. It’s been a monochord in my commercial work since my career began. For me that’s an instinctual choice. To use bold colors to help story tell. In choosing, a lot of it comes from instinct and a lot comes from what those colors represent. For ‘Nothing to See,’ I chose the bed, black, & white hues because they were historically represented of fascist banners and that collection was born out of a desire to create iconic, anti-fascist imagery. 

You photograph both still-lives (mostly mannequins) and people. Is there one you prefer to photograph? What led to you choosing a humanoid inanimate object as your main subject in many photos/series? 

I choose to use real people and not mannequins. I select models that have very androgynous, mannequin-esque features because I want my images to represent humankind and not just a type of individual, which sometimes comes from casting talent with defining characteristics. It’s not a picture of someone, it’s a picture of something

You edit with high contrast, high-saturation as your signature style. What drew you to this editing style?

Instinctive choices. It’s how I see, it’s how I visualize, it’s what I as an artist feel is beautiful. It wasn’t a choice to follow a trend, it was my own visual aesthetic.

GMWB5000PB-6 image by Casio for use by 360 Magazine

G-SHOCK RELEASES TWO-TONED METAL TIMEPIECE INSPIRED BY TOKYO AT TWILIGHT

Latest Model Features Striking Purple and Blue-Gray Ion-Plating and Premium Metal Finish

Casio announces the latest addition to its G-SHOCK Full Metal 5000 collection with the introduction of the all-new GMWB5000PB-6. The new timepiece arrives in eye-catching purple and blue-gray ion plating and the origin case shape of the DW5000, reminiscent of the very first G-SHOCK, now in a metal case.

The two-toned IP finish, a new approach to G-SHOCK’s Color, Material, and Finish (CMF) design principles, is inspired by the beauty of Tokyo at twilight when light and darkness interplay. The bezel and band feature a brand-new purple IP hue, along with a deep and sophisticated blue-gray IP for a sleek and stylish look. The watch face is adorned with subtle splashes of orange, purple and light blue, reminiscent of Tokyo at twilight. The dial itself features a reverse LCD, while the bezel and band boast hairline and mirror-finishes which enhance the texture of the metal to create a timepiece that is truly unique.

The new GMWB5000PB-6 comes equipped with G-SHOCK’s premium technical features including smartphone pairing capabilities via Bluetooth®, Multi-Band 6 Atomic Timekeeping for self-adjusting and accurate hour / date display virtually anywhere on the globe, Tough Solar Technology, a phone finder function making for a functional yet fashionable timepiece as we head into fall.

Additional features of the GMWB5000PB-6 include shock resistance, 200M water resistance, super illuminator LED light, five daily alarms, and a STN-LCD digital display that makes the watch easy to read from any angle.

The GMWB5000PB-6 retails for $600 and will be available for purchase mid-September at select G-SHOCK retailers, the G-SHOCK Soho Store, and gshock.com

Speedway Motors illustration by Heather Skovlund for 360 Magazine

Speedway Motors Museum × Darryl Starbird

Speedway Motors Museum of American Speed & Darryl Starbird’s National Rod & Custom Car Hall of Fame Announce Merger

Speedway Motors Museum of American Speed and Darryl Starbird’s National Rod & Custom Car Hall of Fame announced their merger at Darryl Starbird’s National Rod & Custom Show in Tulsa, Olka.

“Darryl Starbird is one of the most prolific custom car builders and an artist who was consistently able to gain national recognition for his creations. His customs have been showcased in all of the popular car magazines for decades. This would have been difficult for any builder, but it was even harder to achieve for someone located in the Midwest. His car creations feature a space age futuristic style that people find exciting and memorable. He is certainly king of the bubble top, and like Toad in American Graffiti explains, any car as good as Starbird’s Superfleck Moonbird has to be amazing!” said Tim Matthews Curator, Speedway Motors Museum of American Speed. “Custom car fans now have two places to see Starbird’s fabulous creations.”

Speedway Motors Museum of American Speed, located in Lincoln, Neb., is home to over 150,000 square feet of display space over three levels. The museum was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history. Founded in 1992 by “Speedy” Bill and Joyce Smith, the collection results from their personal involvement in racing and hot rodding, and their lifelong passion for collecting and preserving racing an automotive history over the past 100 years.

“In addition to the collection the Smiths have built over the years the museum has also been the recipient of many generous donations from vehicles to important artifacts in racing and automotive history,” Matthews added. “The relationships continue to lead us to opportunities to acquire important pieces furthering our mission to preserve, interpret and display items significant in our industries history.”

The museum is currently home to four Darryl Starbird vehicles including the Li’l Coffin Car originally built by Dave Stuckey and restored by Starbird. The museum also features many other displays including the largest collection of vintage pedal cars, gas-powered miniature race cars, automobile themed toys, fine art, lunchboxes and more.

“Having my work on display at Speedway Motors Museum of American Speed has allowed it to be appreciated by even more people,” said Darryl Starbird, Founder of Darryl Starbird’s National Rod & Custom Car Hall of Fame. “Our conversations started over 15 years ago and I’m pleased to officially announce the merger giving fans two places to see my collection.”

Located in Afton, Okla. Darryl Starbird’s National Rod & Custom Car Hall of Fame is the home of over 50 one-of-a-kind full size exotic vehicles, including twenty-five of his own creations on display, as well as automotive artwork, photographs and auto memorabilia displayed throughout the 40,000 square foot facility.

The museum is also home to the National Rod & Custom Car Hall of Fame. Every year in June an anniversary celebration is held to recognize and induct two additional custom and rod builders into the National Rod & Custom Car Hall of Fame.

For more information about Darryl Starbird’s National Rod & Custom Hall of Fame please visit their website.

For more information about Speedway Motors Museum of American Speed, museum hours or displays visit their website.

About Speedway Motors Inc

Speedway Motors is a proud supporter of the Speedway Motors Museum of American Speed. Known as America’s Oldest Speed Shop, Speedway Motors was founded in 1952 by “Speedy” Bill and Joyce Smith. Their four sons Carson, Craig, Clay and Jason continue to run the family-owned business.

Speedway Motors is a manufacturer, retailer and distributor of high-quality automotive parts and racing products. Since 1952, Speedway Motors has been committed to providing a broad selection of high-quality, affordable automotive parts—delivered quickly, efficiently and without any hassles. Their products and expert advice are available to customers by calling 1.800.979.0122, online or at retail stores in Lincoln, Neb. and Tolleson, Ariz.

About Speedway Motors Museum of American Speed

The Speedway Motors Museum of American Speed is a federally recognized 501 (c) (3) private foundation located in Lincoln, Neb. Founded in 1992 by “Speedy” Bill and Joyce Smith, the Speedway Motors Museum of American Speed was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history.

About Darryl Starbird’s National Rod & Custom Car Hall of Fame

The National Rod & Custom Car Hall of Fame located in Afton, Okla. is set up as a national 501 (c) (3) nonprofit foundation & is a nationally recognized tribute to the leading street rod and custom car builders throughout the country.

Photo Credit:  Speedway Motors Museum of American Speed

Harley-Davidson Museum

The new year brings new reasons to visit the world’s only Harley-Davidson Museum. In addition to cutting-edge displays – such as the LiveWire prototype – the H-D Museum has you covered when it comes to fun and freedom with special events. From a celebration fit for “The King” to free admission on your special day plus the launch of the inaugural MKE Museum week, there’s no shortage of cabin fever cures to be found throughout the H-D Museum campus.

EVENTS / PROMOTIONS

$10 Tuesday are back!
Don’t forget: Museum admission on Tuesdays through April is just $10, no reservation required. Plus, a Hamilton gets you the juicy MOTOR Burger at MOTOR Bar & Restaurant.

Elvis’ Birthday Bash
Tuesday, Jan. 8, 10 a.m.-6 p.m.
Elvis loved his Harley-Davidson. To celebrate the King’s birth, we’re showcasing his beloved 1956 KH at the H-D Museum. While you’re here, stop in the Can Room where we’re serving up Banana Cream Pie in a jar topped with peanut butter drizzle and candied bacon. To truly personify the King, we’re giving out free Elvis glasses complete with sideburns to the first 100 H-D Museum visitors.

FREE Admission on Your Birthday
We’re not just celebrating Elvis’ birthday – we’re celebrating yours, too! New in 2019, you can explore the Museum for free on your special day.

#MuseumSelfie Day

Wednesday, Jan. 16, 10 a.m.-6 p.m.

Grab the selfie stick and put on a happy face because #MuseumSelfie Day returns to the Harley-Davidson Museum on Wednesday, Jan. 16. There’s no better backdrop for a selfie than the unrivaled collection at the H-D Museum. Visitors are encouraged to share their best pics on the Harley-Davidson Museum’s social pages. #HDMuseum @HDMuseum

Monster Jam Drivers Meet & Greet and Ticket Giveaway at the Harley-Davidson Museum®

Friday, Jan. 18, noon-1 p.m.
Get autographs and see a life-sized inflatable Monster Jam Truck up close. Plus, the first 100 folks to show up and donate to the MPS Mitten Drive will receive a free ticket voucher to Monster Jam Triple Threat Series and entrance into the Harley Davidson Museum® for Friday, Jan. 19.

Free Admission Friday

Friday, Jan. 18, 5-9 p.m.
Visit the H-D Museum for FREE on Friday, Jan. 18. Presented by the Historic Third Ward Association, Gallery Night & Day is the two-day premier art event in Milwaukee for both the experienced artist and beginning admirer. Tonight, be sure to check out “Taming the Road in Style,” a temporary exhibit that examines the pursuit of marrying styling and comfort. Free Friday night Museum admission from 5 – 9 p.m.; regular Museum admission applies on Saturday.

MKE Museum Week
Monday, Jan. 21-Sunday, Jan. 27
The Harley-Davidson Museum is proud to participate in the inaugural Milwaukee Museum Week January 21 – 27, 2019. This week-long celebration aims to highlight the meaningful ways that museums benefit Milwaukee community members, tourism, and the economy by showcasing Milwaukee’s broad and diverse cultural community.
All week long, the H-D Museum will offer a free activity sheet that will help visitors immerse themselves in the collection. Plus, on select days and times, your H-D Museum admission includes an optional curator-led tour that will shine a light on the connections between the Motor Company and Milwaukee during its 116-year history. Beginning with a 10-by-15-foot shed that was erected in the backyard of the Davidson family home on Milwaukee’s west side, the story of Harley-Davidson is one that could only happen in Milwaukee. Join our curatorial staff as they share stories of beneficial business partnerships, dedicated employees and fanatic customers that helped make Harley-Davidson a global icon.
These curator-led tours are free with your paid Museum admission. Visit H-DMuseum.com for times and more information.

NEW DISPLAYS

LiveWire™ 2015 Prototype
Hot on the heels of Harley-Davidson’s electric vehicle LiveWire unveiling at the Consumer Electronics Show in Las Vegas, the Harley-Davidson Museum is chronicling this piece of H-D history by displaying one of the original 80 demo bikes that Harley-Davidson took around the world for riders to try in 2015.
The LiveWire Project’s engineers and stylists were challenged not just to make an electric motorcycle, but to make a Harley-Davidson electric motorcycle. This prototype won praise for its power, quickness, and look, but it was still a work in progress.

The final version evolved after several years of gathering feedback from riders, data analysis, and redesign work. The result of an unprecedented development process, the 2020 LiveWire will be available in Harley-Davidson dealerships Fall 2019. See this landmark development in electric vehicle technology while it’s on display in the H-D Museum lobby.

Temporary Exhibit
Taming the Road in Style” (open now)
The earliest Harley-Davidson motorcycles had the same suspensions as bicycles of the time: none at all. The roads were a hodgepodge of dirt, stone, and other materials. Bumps were everywhere; suspension was needed. Comfort became a never-ending challenge for Harley-Davidson engineers. It was redefined by each new generation of rider and changing environments: over the decades, roads were paved, engine power and speed increased, and motorcyclists traveled faster over longer distances and craved smoother rides. In response, Harley improved the seats, redesigned many frames, or added new suspension systems. Sometimes these changes were small, sometimes dramatic. These tweaks and additions added up over the years. The first Harley-Davidsons resembled bicycles. Years later, bicycles and motorcycles looked nothing alike. The pursuit of comfort had transformed motorcycles.
The Harley-Davidson Museum’s newest exhibit, “Taming the Road in Style,” examines this history, drawing a line from the dawn of the bicycle to the launch of present-day Harley-Davidson Softail® models.

Save the Dates

Mama Tried Bike Night, February 14, 5-9 p.m.

Daredevils: A century of spine-tingling spectacles, June 15-Sept. 8, 2019, special summer exhibit

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

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Leila Jeffreys’ Feathers Pair with Fashion at Bergdorf Goodman

Olsen Gruin congratulates artist Leila Jeffreys on her magnificent window display at Bergdorf Goodman in New York.

Leila Jeffreys was raised in Perth, Australia, however thanks to her very adventurous parents, spent much of her childhood travelling. Jeffreys grew up surrounded by wildlife and forest both in Australia and abroad, sparking her interest in the natural world. Jeffreys began documenting birds by way of photographic portraiture in 2008, when she realised that it was because of their small size that the beauty in the commonplace was being missed.

Catch the works on view through June 5th!

Artworks are available at Olsen Gruin

VIZIO X ALEXA

 

VIZIO, Inc. announced the introduction of the VIZIO SmartCast skill for Amazon Alexa, enabling easy voice control of 2017 and 2016 SmartCast P-, M- and E-Series 4K display collections. VIZIO 4K Ultra HD display users with an Alexa-enabled device can now conveniently control volume, channel and input settings, as well as turn their VIZIO display on and off using only their voice1. The new VIZIO SmartCast skill for Alexa will also be available to 2018 VIZIO SmartCast Full HD and HD display customers in the coming weeks.
The VIZIO SmartCast skill for Alexa allows users with Amazon Echo, Echo Dot, Amazon Tap, Echo Show and other Alexa-enabled devices to ask Alexa to control their VIZIO SmartCast displays. Using their voice, users can incrementally adjust volume, to change the input of a playback device, switch a VIZIO SmartCast display on and off and even control playback functions such as fast forward, rewind and pause on select apps. The addition of a skill for Alexa to the SmartCast platform gives consumers with Alexa-enabled devices simple, hands-free control of key entertainment features on their VIZIO SmartCast display.
VIZIO SmartCast is an industry leader with voice control and mobile device integration, in addition to a traditional remote and SmartCast TV interface,” said Bill Baxter, Chief Technology Officer, VIZIO. “With the introduction of the VIZIO SmartCast skill for Alexa, we’re excited to expand voice controls, giving users with Alexa-enabled products a convenient way to control key features on their VIZIO SmartCast TVs and displays.”
In addition to controlling their VIZIO SmartCast displays with Amazon Alexa, consumers with VIZIO SmartCast TV-enabled displays can also browse and launch content directly from their displays with their remote.

For more information on VIZIO SmartCast TV visit VIZIO.com/SmartCast.