Posts tagged with "materials"

LHCA × Textile Exchange: Definition of "Leather" via 360 MAGAZINE

LHCA × Textile Exchange: Definition of “Leather”

U.S. Leather Industry Applauds Adoption of ‘Leather’ Definition by Textile Exchange 

The Leather and Hide Council of America (LHCA), the trade body representing the U.S. hide, skin, and leather industry, applauds fashion industry standards and certification organization Textile Exchange for its recent adoption of an official definition of “leather” as a material created from the hide or skin of an animal. LHCA encourages other organizations and companies in the fashion and footwear sectors to follow suit in order to encourage increased transparency in materials labeling.

According to a statement issued to its membership on Thursday, November 3rd, 2022, Textile Exchange adopted widespread legal terminology for the definition of ‘leather,’ noting that it is aligning  with the EU directive 94/11/EC, ISO 15115, and EN 15987:2015, which state that “leather” is defined as “a hide or skin with its original fibrous structure more or less intact and tanned so it does not rot.”  

“This is a significant step forward in market transparency and consumer labeling,” said Stephen Sothmann, President of the Leather and Hide Council of America. “For too long, fashion and footwear brands have hidden the true materials profile of their products from consumers by using ambiguous and misleading terms such as ‘vegan leather.’ We thank Textile Exchange for taking such an important step to promote truth in labeling and hope the organization’s member brands will embrace increased transparency in consumer marketing.”

Textile Exchange’s notice further stated “Materials that do not meet the definition above will not be described by Textile Exchange as leather, regardless of any past designation or common usage of the term.” This decision impacts the labeling of products on the market typically described a “vegan leather,” “mushroom leather,” “fruit leather,” and other derivatives made primarily of plastics, plants, fungi, and a wide range other materials that are often not disclosed to consumers.

A July 2022 consumer survey conducted in the United Kingdom found that 54% of consumers were confused by marketing terminology such as “vegan leather” and could not properly identify the material’s composition.    

ABOUT LHCA

The Leather and Hide Council of America (LHCA) is a full-service industry trade association representing the entire U.S. leather supply chain, including meatpackers, hides and skins processors, traders, leather tanners, finished leather goods producers, footwear companies, and more.  The association provides its members with government, public relations, and international trade assistance and support. LHCA is a cooperator organization under the U.S. Department of Agriculture’s foreign market development programs, assisting U.S. firms develop new markets for U.S. agricultural exports. 

Brittany Farinas of House of One image via Shaye Price of A Design Partnership for use by 360 Magazine

House of One Q×A

Brittany Farinas fiercely and fashionably has entered the world of interior design. The designer of both residential and commercial spaces resides in South Florida, where she launched her company, House of One. After graduating from the University of Miami with a degree in interior design, Farinas utilized her life-long passion to help others beautify their spaces. Streamlined, sleek, and polished, Farinas has an impeccable eye for style that makes her stand out. 360 Magazine spoke with the designer about her favorite interior aesthetics, House of One’s recent blog launch, and upcoming projects.

When did you first get into designing residential and commercial spaces?

About four years ago.

What type of look does House of One try to imbue in its clients spaces?

I try to make each of my client’s spaces very much a reflection of who they are, while creating a visually exciting yet timeless look. At House of One, we strive on creating unique spaces with bold moments.

How would you describe your personal favorite interior aesthetic?

My personal design aesthetic is minimal eclectic. I love sculptural elements in a space and I have a great appreciation for luxurious textures. When it comes to designing an interior space for myself- I like to neutralize the primary pieces (larger furniture items such as sofas, tables, cabinetry) and add character in secondary pieces (i.e accent chairs, pillows, accessories, accent lighting).

What visual design software does House of One utilize?

We use AutoCAD, SketchUp, and multiple rendering softwares.

What is the most important thing to consider when designing an interior space?

The most important thing to consider when designing spaces for our clients is to envision exactly how they will use their space daily and how the space will evolve through time.

 How does designing a residential space differ from designing a commercial space?

When designing a commercial space, it’s about promoting the brand image and creating a setting for productivity and growth for the company as a whole. It’s necessary to be conscious of how multiple groups of people might be using the space- whereas designing for a residential client is more specific and lifestyle driven. While designing residential and commercial spaces are targeted towards a different end goal, both need to be extremely functional while aesthetically pleasing.

On your website, I saw that you are launching a blog. That is so exciting! What type of content will be published on House of One’s blogspace?

Yes! I am extremely excited about the blog as well. This will be a place where I can elaborate more on the projects in different categories. For example, we will have a section labeled “Project Tours” where you will be able to get an in depth look at some of our recently completed work. I’ll also be featuring posts on different trends, and a behind the scenes look of our design process.

Where do you find interior design inspiration?

I find inspiration everywhere I go. However, I’ve always been inspired by fashion. When I go eat at restaurants I can’t help but touch the different fabrics and materials. I have always been so curious that way.

Did you always have an eye for detail, or are there ways in which you’ve sharped your interior design vision over time?

I would say I’ve always had an eye for detail. My mom worked at a furniture store when I was about the age of 3-15. I spent a lot of days with her hanging around the showroom. I always gravitated towards certain colors/details. At a young age I was very opinionated about what I liked and didn’t like when it came to design. Over time, I feel my eye for design has definitely evolved, and I know it will keep doing so over time. I think it’s just a part of life and growing as a person and designer.

Are there any exciting projects coming up for House of One that you can speak about?

Yes! We’re currently working on a 8500 square-foot office space that we’re all really excited about- the palette is gorgeous. We’ve also been working on restoring a Mediterranean home in Miami Beach, which will be completed in about two months. This project is very special for us, and we’re excited to get this one styled and photographed soon.

House of One image via Shaye Price of A Design Partnership for use by 360 Magazine
House of One image via Shaye Price of A Design Partnership for use by 360 Magazine
Mena Garcia illustration by Heather Skovlund for 360 Magazine

Mena Garcia

By: Katherine Fleischman

Argentine-born “it” girl, stunner, and globe trotter Mena Garcia is in the process of launching her sustainable, vegan, and cruelty free fashion and beauty brands, as she searches to keep mother nature at the top of her priority list. Gone are the days of harmful damage to our beautiful earth as we move towards ensuring a green future and Mena wants to play her part in proving that fashion doesn’t have to be harmful to the planet. “In the past technology and the science of materials was limited to just niche sectors such as medical clothing, technical clothing, and sportswear. I’m here to put my spin on things and bring the fantastic technology we have to the forefront and prove that we can all wear sustainable clothing,” said Mena.

As scientists, researchers and designers join forces to try to reduce the carbon footprint that the fashion industry currently stamps, independent designers like Mena will be crucial to leading the way and showing fashion giants that if she can do it, so can they. “I believe we can really make a difference by using our voice on social media platforms and by setting online trends to really catch the attention of the largest fashion brands around the world. Independent brands like mine can truly make the difference here.” Mena, who has been modeling since her teens, has almost three-quarters of a million Instagram followers and this platform will undoubtedly help her cause. 

She talks passionately about using “waste from oranges to make silk,” or “pineapple leaf for a leather alternative” and spectacularly “agricultural waste bacteria.” As Mena continues to learn more, she’s using her education to find out interesting new ways to create sustainable fashion in a term she coins as “trash fashion” – using literal waste to create something new. “One person’s trash is another person’s treasure certainly comes to mind!”

“I’ve been studying with expert Mila at Estudio MG in a special collaboration with Closet Sustenable in Argentina. I’ve learned so much, including some incredible things. One of the main focuses is creating materials inspired in nature where cells and proteins are being used to create different types of real leather but in a totally sustainable, vegan and cruelty-free way.”

However, it’s not all smooth-sailing or simple. To be true to the cause, it is essential to be sustainable throughout the whole process. Everything from material sourcing, grading, dyes, and packaging needs to be clean and green. Mena said “I want to also make sure that workers during the production process are treated fairly, with respect, are safe, and paid fairly. To be truly sustainable, the entire process needs to be true to the terms “sustainable, cruelty-free, and vegan.”

Mena is certainly one to watch in 2021 and 2022. She says “it will take some time because piecing it all together perfectly is crucial, but I’m ready for the challenge and encourage everyone to join the cause! You can follow Mena on Instagram or her website for more about her modeling, image-consulting, and her upcoming brands.

Mena Garcia image courtesy of  Do-Tell Publicity
Tyga, Mamacita, Mamacita of the dead, Yamishiro LA, Hollywood, Vaughn Lowery, 360 MAGAZINE, Columbia Records, Halloween

Choosing the Right Roof for Your Home – A User Guide

If you have recently looked at your roof and decided that it’s time for a change, you might be considering the option of having a new roof installed or carrying out a major repair or renovation. Since home roofs typically go decades without being replaced, homeowners can feel a bit clueless about the modern roofing options that are available because they haven’t shopped for a roof in so long, if ever. If that sounds like your current predicament, you’ve stumbled onto the right guide because below we’ll be discussing all of the fundamentals that you’ll need to know in order to start heading in the right direction with your roof comparison.

Choose the Right Roofing Company

Before you start researching the various types of roofs you can buy, it’s best to go ahead and decide who you’re going to hire to remove your old roof and install the new one. Try to opt for a contractor or company that has been doing business for a while and has plenty of positive reviews. You never want to trust your roofing installation in the hands of a questionable or newly established brand because there could be serious financial and liability-related consequences if anything goes wrong. 

According to Semper Solaris, a leading roofing company in Southern California, the quality of the installation will directly determine how long the roof will last and whether it will need premature maintenance in the near future. They’ve been working in the roofing industry for more than two decades and have performed countless roofing, HVAC, and solar installs, so their opinion that installation quality is just as important roof selection is a valid one that’s worthy of consideration. 

Consider All Costs & Risks Involved 

The roofing installer that you choose will have one of the biggest impacts on the overall cost of your new roof. Dealing with a reputable company will ensure that you’ll be given a fairly accurate quote estimate based on the size of your home, the total square footage of the roof space that needs to be installed, and the kind of roofing materials you select. 

Comparing multiple quotes is an advisable step, but don’t let the price be your only criteria. Selecting a roofing installer or material based solely on the fact that they have the lowest price is a surefire way to have a low-quality roof installed on your home.

It’s also important to confirm that your chosen roofing installer is adequately licensed and insured. If they’re not, and an injury or property damage occurs during the project, you could be held liable for the resulting expenses. This is generally a non-issue because being licensed and insured is a standard industry prerequisite, but it’s still worthwhile to double-check, particularly if you’re dealing with a newly established team of laborers. 

Select the Right Materials

While you may like the look of certain materials, it’s possible that they might not be ideal for or compatible with your home architecturally. Generally, lightweight materials are more universally applicable, whereas heavier roofing types like slate or tiles represent a significant weight burden on the structure of your home. In fact, a slate roof can weigh anywhere from 800 to 1,500 pounds. 

Take the time to learn the pros and cons of each material that you’re comparing. This is yet another reason why you should only deal with a reputable roofing installer, as you can be sure that they know what they’re doing and aren’t going to install incompatible materials on your roof. In fact, they should be able to help you decide which materials would be best suited for your roof based on its shape, size, slope, and the design style of the house below it. 

Thoroughly reviewing the defining features of each material option will ensure that you don’t regret your selection later on. Likewise, it could help you discover futuristic new roofing materials such as solar roofs and extended-life asphalt shingles. 

Compare the Durability & Maintenance Requirements of Different Shingle Types

Nobody can tell you what kind of roof shingle looks the best in your mind, but shingles do vary in their known durability and maintenance requirements, so those are the objective attributes that you can compare based on research. The two most popular kinds of roof shingles on the market are asphalt and metal. Other common material types include concrete, coal & tar, clay, and aluminum. In fact, there are at least 19 different kinds of roofing shingles that you can take into consideration during your comparison. 

The 5 most durable kinds of roofing materials are steel, aluminum, clay, slate, and 30-year asphalt. If you’re after the sweet spot between price and durability, your comparison should probably be between aluminum and asphalt. Concrete and slate are more durable, but like steel, they’re also very heavy, so those materials should only be used on larger homes that have strong supporting structures. 

While a reputable roofing contractor will have a designated structural engineer that they can consult with, if you’re spearheading the project yourself, then that’s definitely a consultation that you’d want to schedule. Installing a structurally unsafe roof is one of the costliest and most dangerous mistakes a homeowner can make, as it could lead to significant property damage or injury and leave you with a pile of burdensome liabilities. 

Opt for a Roofing Style That Complements Your Home’s Design

Finally, it’s important to base your roof selection on the existing design theme of your home in order to present the need for additional renovations and upgrades. Many homeowners will opt to paint the exterior of their home after a roofing project just to take care of any minor blemishes and add a fresh look to accompany the new roof. Still, beyond painting, you don’t want to feel obligated to change the entire architectural style of your home just to match your roof. 

You can use a roofing software to calculate the exact measurements and graphically compare roof styles against a backdrop photo of your home. That way, you can drag and drop design styles until you see one that looks like it would match your home. Once you have a style in mind and you know your roof measurements, you can contact local roofing companies to start comparing detailed quotes. 

Consult with Roofing Experts Before Making Your Decision

It’s important to note that no internet guide can substitute the services of a roofing professional. The advice given in this guide is meant to steer you in the right direction, but your actual decision will come down to the services that are available in your area. 

As a good rule of thumb, it’s wise to speak with 2-3 roofing companies in your area before you decide who to go with, as you want to give them a chance to compete for your business, and you also want to gather as much advice as you can in the initial planning stage. 

Finally, before you initiate a consultation, it would be wise to write down a list of questions that you’re going to ask. That way, you’ll get the most possible value out of the free consultation period that many roofing companies offer, as opposed to aimlessly wandering through the conversation with no particular goal in mind. 

Swatch Fall-Winter 2018 Collection

Telling stories of an ancient past and a faraway future and proving that reinvention is the best form of innovation while triggering both imagination and senses is the essence of Swatch’s latest Fall-Winter collection. The three different themes link urban trends with local handcraft, bright colors with simple designs and understated style with statement pieces, adding up to a powerful selection that proves to be as playful, colorful and joyful as ever.

In an ever-connected world, distance is shortened to a tap-away. The world is your neighborhood, a phenomenon that Worldhood puts on the wrist in many different ways inspirations from all over the globe have found their place in this collection, where fantasy becomes reality, well-known ideas mix with new states of mind, and art is in cahoots with handcraft. World-famous museums have opened their archives and paved the way for a swatchy recreation of historical art pieces; seem-to-be knitted watches make a contemporary wink to one’s own heritage; black-and-white models focus on the raw and substantial design, adding the story of the brand and sophisticated brushing techniques.

More color, more fun, more fantasy. Think Fun fully embraces the DNA of Swatch, where colors, shapes and stripes explode into vibrant designs. Bold styles go well with simplistic geometries; precious Swarovski stones set a glamorous tone on discreet-colored watches; pins and patches meet and mingle on denim looks. The red carpet is rolled out for Deep Wonder that makes colors shine with intensity and shades glitter into the night. Lavish colors mix with premium and alcantara materials, and sparkling crystals. It’s time to shine!

See more about the collection here and here.

Pirelli Supplier Awards 2018

Sustainability, innovation and quality of service were the key elements for the Pirelli Supplier Awards 2018, the annual occasion when the Company awards 9 suppliers from its global supply chain of over 10,000. The Supplier Awards reward those suppliers who shine for their ability to make the Pirelli supply chain even more sustainable and enhance qualitative excellence, making Pirelli’s products more High Value, in line with the Group’s strategy.

Today the awards for the suppliers who distinguished themselves over the last year were presented by Chief Purchasing Officer, Matteo Battaini and the Chief Sustainability and Risk Governance Officer, Filippo Bettini, at a ceremony at Pirelli’s headquarters in Milan. The awards were given to nine suppliers in the areas of raw materials, services and machinery.

In the 2018 edition, the most frequently seen factors include innovation, quality of service and sustainability, which had its own specific award. Pirelli’s supply chain has been constructed to guarantee product innovation, process digitalization and long term competitiveness, where respect for the environment and attention to the value of people are considered a primary levers of growth.

Pirelli’s efforts towards a sustainable purchasing strategy were recognized by the confirmation that Pirelli’s supply system was in compliance with the UNI ISO 20400 rule, conferred in February 2018 by SGS Italia S.p.A. – one of the leading companies globally for inspection, verification, analysis and certification services. Pirelli is thus the first company in the automotive industry to have received this confirmation of compliance. The ISO 20400 constitutes the most important international guideline in the matter of supply chain sustainable governance, where the economic, social and environmental responsibility are integrated into the Company’s strategies, organization and purchasing processes.

The winners of the Pirelli Supplier Awards 2018 include:

Glanzstoff Sicrem Spa (Italy), suppliers of textile reinforcements – awarded for the criteria of “Quality” and “Speed”, plus the prestigious Sustainability prize, which the company deserved because it produces rayon using only cellulose from plantations certified for sustainable agro-forestry management;

JSR Corporation (Japan), a supplier of synthetic rubber awarded for the criteria of “Innovation” and “Service Level”;

Thai Eastern Innovation Co., Ltd (Thailandia), PT. Kirana Megatara Tbk (Indonesia) and PT. Prasidha Aneka Niaga Tbk (Indonesia); all suppliers of natural rubber awarded for “Quality” and “Service Level”;

VMI Holland (Holland), a supplier of tire assemblers and machines for semi-processed components for the criteria of “Quality” and “Global Presence”;

MDM (Italy), an integrated marketing and communication agency awarded for the criteria of “Innovation” and “Speed”;

APPIAN (USA), a supplier of the Business Process Management platform and related consultancy services awarded for the criteria of “Innovation” and “Speed”;

Warehouse Service, Inc. (USA), a logistics services supplier awarded for the criteria of “Speed” and “Innovation”.

Matteo Battaini, Chief Purchasing Officer,commented: “Pirelli has built its business model, focused on High Value, on product innovation and process digitalization. To pursue this strategy it is not only necessary to choose suppliers that are leading companies, but also to build with each of them a partner relationship. It is essential that they share values such as innovation, quality, customer care, product and process sustainability and attention to brand value. And, in an ever more dynamic market context, goals must also be shared, such as cost rationalization, speed of adapting to new technology and implementation of best practices in sustainable management. Today Pirelli’s procurement involves the management of around 10,000 suppliers for a total expenditure of 3.2 billion euro in 2017, mainly on raw materials (46%), services (36%), machinery (13%) and consumption materials (3%).”

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

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HERON PRESTON x Off-White

VIRGIL ABLOH AND HERON PRESTON REVEAL “COLLABORATION” HANDBAG

For their first collaborative release, Virgil Abloh (Off-White ℅ Virgil Abloh) and Heron Preston present “COLLABORATION”, a concept carryall that incorporates the designers’ common exploration of industrial elements. This accessory is a living hybrid: its dual-colored strap is a fusion of Off-Whites graphic yellow Weight Securing System strap and Preston’s signature orange band with the branded word “Style” in Russian. The strap is a purposeful note of asymmetry in a piece with clean balance. The transparent body is printed with Off-White’s famed diagonal white lines, along with the words “COLLABORATION”. Black carabiner clips secure the strap, while inside, an industrial netting-inspired inner tote is a textural contrast to the sleek exterior. Substantial industrial hardware finishes the design, with metal nuts that cleanly secure orange leather straps.

“Heron Preston’s ability to think without limits comes to life in this bag we created together,” Abloh says. “The mix of the materials combined with Off-White DNA lead to a final product that suggests a different idea of a “handbag”.”

PRICING
“COLLABORATION” – Mini – $942.00
“COLLABORATION” – Medium – $1,232.00

ABOUT HERON PRESTON

Heron Preston is the true embodiment of an artist born of the post-internet generation. Multi-faceted and genre-bending, he is a cultural icon in youth culture, and emerging designer in high fashion. He founded his eponymous fashion brand in 2016, and in two short seasons has garnered an international following. The common thread among his impressive bodies of work is a commitment to innovation, experimentation, and unpredictability. Heron Preston finds particular joy in the unexpected; taking conventional themes and reinterpreting them. Take for example his “UNIFORM” project from 2015, the designer’s first major collection, in which he collaborated with the NYC Department of Sanitation on a series of zero waste themed clothes and accessories. He’s also served as the global digital producer for Nike and of course, creative consultant to Kanye West, most notably on his work for the Life of Pablo and Yeezy fashion label.

@HERONPRESTON

 

ABOUT OFF-WHITE ℅ VIRGIL ABLOH

Established in 2013, Off-White is defining the grey area between black and white as a color.  Under the brand name, seasonal collections of men’s and women’s clothing, objects, furniture, and publications are articulating a current culture vision. Collections embedded in a recurrent back story with an emphasis on creating garments that have an identity by design. With a design studio based in Milan, Italy the label harnesses the history and craftsmanship within the country yet offers a global perspective in terms of design and trends. With a clear vision of splicing the reality of how clothes are worn and the artistic expression of high-fashion, creative director and designer Virgil Abloh explores concepts in the realm of youth culture in the contemporary context.

@off____white

 

MEDIA CONTACT

UncommonGreen

Explore the World this Summer with City Maps Barware from UncommonGreen 


Remember your favorite vacation? Maybe it was that long-awaited trip to London, Dublin or Sydney; walking the streets, seeing the sights, living the culture. Or maybe it was a getaway closer to home in San Francisco or Boston. Feel like you’re right there again gazing at the Golden Gate Bridge or exploring Quincy Market every time you pick up a glass from UncommonGreen.

Each piece of this unique barware is engraved with maps from the great cities around the globe. You’ll see streets, neighborhoods and landmarks in stunning detail with maps that wrap around the glass and extend from top to bottom. UncommonGreen designs glasses for wine, pints, coffee and more, featuring nearly 100 cities and counting.

UncommonGreen’s glassware may transport you to far-away places, but they’re made right here at home in the USA. Because each design is etched into the glass, these timeless works of art are designed to last a lifetime.

They make one-of-a-kind gifts, fun conversation starters and essentials for your own glass collection. UncommonGreen’s glasses conjure up memories of adventures in far-away places and you won’t even have to buy a plane ticket!

Fun Picks From UncommonGreen:

City Glassware – From weddings in Washington to graduations in Gainesville, these glasses make unforgettable gifts. Choose from stemless wine glasses, rocks glasses, carafes and more, and add a personalized touch with custom-engraved text.

Island Collection – Relive the cool summer breeze from your Nantucket honeymoon or the magic of Martinique in the moonlight. Every time you pick up a glass from UncommonGreen’s Island Collection you’ll be transported to a place you won’t want to leave.

Hometown Collection – You can travel the world, but there really is no place like home. This collection enables customers to order custom glasses from ANY city, town or locale in the US!


About UncommonGreen:
UncommonGreen began in 2009, when designer Brian Johnson wanted to make everyday products that featured artistry paired with functionality, practicality, sustainability, and style. When his three college friends, Dave Reddy, Neil Angis, and Colin Woodworth came onboard, they decided to focus their vision on great design that can make the world a better place to live. Creating exceptional goods with a conscience, UncommonGreen uses materials and packaging from the US, and employs Earth-friendly practices to create their unique form of art.