Posts tagged with "industrial"

Train illustration

Boom: The Fourth Saxon State Exhibition

On Saturday, July 11th, the Fourth Saxon State Exhibition called Boom will open to celebrate 500 years of Saxony’s industrial heritage. The substantial website allows you to also virtually enjoy Saxony’s amazing tribute to its high-quality global brands and industrial culture.

The southwestern region of Saxony was one of the first and most important centers of European industrialization. To this day, Saxons’ self-image still rests on the triad of natural beauty, cultural wealth and a broad industrial base. It is the success of these brands and Saxony’s entrepreneurialism that has allowed Saxony to build its extraordinary musical, artistic and architectural culture.

From July 11 to the end of this year, the Audi Building in Zwickau will host the central exhibition of the Fourth Saxon State Exhibition, Boom, while six other cities in the region will host additional and important parts of the exhibition, including the AutoBoom in the August Horch Museum in Zwickau; the Machine Boom in the Chemnitz Industrial Museum; the Railway Boom in the Chemnitz-Hilbersdorf Railway (outdoors); the Coal Boom in the Mining Museum in the Ore Mountains; the Textile Boom in the Cloth Factory in the Gebr Pfau Grimmitschau in Grimmitschau; and the Silver Boom in the Research and Teaching Mine in Freiberg.

These six topics are fleshed out in important locations where that “Boom” was most evident.

  • Auto Boom. is located in the August Horch Museum in Zwickau, which is next to the central exhibition in the Audi Building. The Horch museum is where the first models from major global automotive brands, including Horch and Audi, rolled off the assembly and Zwickau later was the birthplace of the legendary Trabant. August Horch was the founder of the company that would become Audi.
  • Machine Boom. is located in the Chemnitz Industrial Museum, where machines (such as the filigree clockwork at Glashütte to the high-tech machine center) have been designed and produced for more than 200 years.
  • Railway Boom. is on the site of the Schauplatz Eisenbahn (Railway Museum Chemnitz-Hilbersdorf) where you can see the industrial networking of people, raw materials and products in an open-air museum between historic steam and diesel locomotives in the sooty atmosphere of a roundhouse.
  • Coal Boom. is shown in the mining museum in Oelsnitz / Erzgebirg or the Ore Mountains where the coal industry, which was fundamental for the economic development of south-west Saxony, takes a look into the future of energy supply.
  • Textile Boom. is located in the originally preserved cloth factory Gebr Pfau in Crimmitschau. The machines and looms, some of which are 100 years old, are presented in a factory that has not changed since the doors were closed.
  • Silver Boom. is located in the research and teaching mine, Silver mine Freiberg, and provides deep insights into the history of ore mining and shows what role current scientific research plays in resource technologies.

In addition to these six geographic locations, the central exhibition in the Audi Building presents Saxony’s 500-year industrial booms in six time periods.It tells of an eventful history of the hard-working people of an early industrialized region with historical documents, objects, technical devices, photographs and through films and valuable works of art and spectacular media installations. The first period of the five hundred years of industrial culture was the Silver Rush (1470-1813) when the discover of silver in the Ore Mountains set off a clamor for mining not only of silver but also tin and copper. It was an unprecedented boom and attracted people from all over Europe. Augustus the Strong used this incredible wealth to build up the coffers of his state, buy art and collect treasures from around the world to build Dresden into one of Europe’s glittering capitals of art and architecture.

The second period from 1763 to 1914 was the emergence of the textile industry and mechanical engineering which drove development in Saxony and around the world. In 1914, Saxony was the most industrialized state in the entire German Reich. There was a third period from 1831 to 1914 when there was a rapid development in technology, science and machines. The fourth period from the eve of WWI to the end of WWII is marked by groundbreaking inventions and unprecedented, industrially shaped and organized violence.

The fifth period from 1945 to 1995 includes the industrial culture of East Germany and the Trabant is a symbol of the East German economic system. It
focuses on the working world and everyday life of people up to the political turn as well as the breaks and opportunities and structural changes that the fall of the wall brought about. The final period from 2020 to the future is all about what is to come and the future of technology in Saxony. Positive developments are emerging from Saxony’s keen entrepreneurial spirit, innovations based on research and knowledge and the ability to constantly change.

It is appropriate that the Saxon state has chosen the Audi Building in Zwickau as the place for the central exhibition as this was an assembly hall of Auto Union AG from 1938. The Auto Union was the coming together of four independent Saxon car manufacturers: Audi, DKW, Horch and Wanderer. Audi’s logo of four interlocking rings represents these original four members of the Auto Union. Audi is actually a Latin derivation of Horch’s name which means hark or Audi in Latin.

The Audi Building as well as the museum for Horch in Zwickau are a worthy one hour and fifteen-minute drive from Leipzig or Dresden. Even if you cannot visit in person in 2020, the museums in each of the towns will always be there and there is a book on the exhibition that you can order online.

Learn more about Boom here.

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book, reading, Vaughn Lowery, 360 Magazine

Purdue Ranks Top 20 For Patents

Purdue University ranks 13th globally for receiving U.S. utility patents during the 2019 calendar year in a report published annually by the National Academy of Inventors and Intellectual Property Owners Association.

The distinction marks the sixth straight year that Purdue has ranked in the top 20. Purdue ranked 12th in the rankings in 2018, 17th in 2017, 15th in 2015 and 16th in 2014. Purdue is among only a dozen U.S. universities to be rated in the top 20 in each of the past five years and one of only a few in the top 20 without a medical school. The rankings are based on data obtained from the U.S. Patent and Trademark Office.

“Purdue’s ranking in the top 20 in issued U.S. patents for the sixth straight year recognizes the renowned researchers at Purdue and their contributions to improving lives around the globe,” said Brooke Beier, vice president of the Purdue Office of Technology Commercialization, “It also demonstrates Purdue’s robust research and development ecosystem and ability to turn ideas from the laboratory into patents that are of interest to industry and the entrepreneurial community.”

The Purdue Research Foundation, which manages and licenses Purdue’s intellectual property through the Purdue Office of Technology Commercialization, received 136 utility patents in calendar year 2019 after receiving 126 utility patents in 2018. Arizona State is listed 12th with 137, Harvard is 11th with 156 and Michigan is 10th with 158 utility patents in the report. A complete list of the report’s Top 100 is online.

Graham Cooks, the Henry Bohn Hass Distinguished Professor of Chemistry and a member of the National Academy of Sciences, holds 100 patents. He also catalyzed the foundation of several companies to commercialize his innovations including Griffin Analytical Technologies and Prosolia Inc.; international companies acquired both.

“I am not surprised that Purdue does so well in the receiving utility patents. The recognition is reflects of the entire process, the support system and all the resources that the university provides for researchers to do their work,” Cooks said. “It’s a special place.”

The National Academy of Inventors and the Intellectual Property Owners Association have published the report annually since 2013.

In 2017, the Milken Institute ranked Purdue 12th in its list of best universities for technology transfer, ranking Purdue No. 1 in the Midwest and No. 1 nationally among public institutions without a medical school.

Purdue received the 2019 Innovation and Economic Prosperity Universities Award for Place from the Association of Public and Land-grant Universities for its work in entrepreneurship and technology-based economic development.

Cleanup of Contaminated Soil and Sediment

The U.S. Environmental Protection Agency (EPA) has announced that cleanup work will begin this summer to address soil and sediment contaminated with polychlorinated biphenyls (PCBs) at the Dewey Loeffel Landfill Superfund site in the town of Nassau, N.Y. The General Electric Company (GE) will remove contaminated soil and sediment, replace it with clean backfill, restore the stream channel, and re-plant trees and shrubs. The work will begin this summer and will be completed this fall.

“Superfund is at the very core of EPA’s mission and this important cleanup work will address one potential source of contamination at the Dewey Loeffel site,” said EPA Regional Administrator Pete Lopez. “EPA is working closely with the community and is expanding its efforts to involve stakeholders as we advance this cleanup forward working closely with our state and local government partners.”

EPA will hold a public information session on July 17 in Nassau to provide an overview of the recently completed field investigation activities and the upcoming cleanup. EPA will also discuss the opportunity for the formation of a community advisory group (CAG) for the site. A CAG is made up of members of the community and is designed to serve as the focal point for the exchange of information among the local community and EPA, the state regulatory agency, and other pertinent federal agencies involved in cleanup of the Superfund site.

A public information session will begin at 6:00 p.m., with a formal presentation beginning at 7:00 p.m. Members of the project team will be available to answer questions about current and planned project activities.

Public Information Session:

Tuesday, July 17, 2018

Open House: 6 – 7 p.m., Presentation: 7 p.m.

St. Mary’s Church

Parish Hall (behind the church)

26 Church Street, Nassau, N.Y.

Background:

The stream to be addressed, technically known as Tributary T11A, is a 1,900-foot stream which flows into the Valatie Kill. The sediment and adjacent shoreline soil of Tributary T11A is contaminated with elevated levels of PCBs, which serve as a potential ongoing source of contamination to downstream areas, such as Nassau Lake. In September 2017, the EPA, working with the New York State Department of Environmental Conservation (NYSDEC), reached an agreement with GE to conduct the T11A cleanup.

Between 1952 and 1968, an estimated 46,000 tons of industrial waste material generated by several Capital District companies was sent to the Dewey Loeffel Landfill site. The waste included industrial solvents, waste oil, PCBs, scrap materials, sludge and solids. From 1980 until the site was added to the federal Superfund list in 2011, numerous investigations and cleanup actions were performed at the site by GE and the NYSDEC. The cleanup work in Tributary T11A is an immediate action that is being taken to address contaminated soil and sediment in the tributary while the EPA’s long-term comprehensive study of the site continues.

For more information about the Dewey Loeffel Landfill Superfund Site, please visit www.epa.gov/superfund/dewey-loeffel-landfill.

Follow EPA Region 2 on Twitter at http://twitter.com/eparegion2 and visit our Facebook page, http://facebook.com/eparegion2.

HERON PRESTON x Off-White

VIRGIL ABLOH AND HERON PRESTON REVEAL “COLLABORATION” HANDBAG

For their first collaborative release, Virgil Abloh (Off-White ℅ Virgil Abloh) and Heron Preston present “COLLABORATION”, a concept carryall that incorporates the designers’ common exploration of industrial elements. This accessory is a living hybrid: its dual-colored strap is a fusion of Off-Whites graphic yellow Weight Securing System strap and Preston’s signature orange band with the branded word “Style” in Russian. The strap is a purposeful note of asymmetry in a piece with clean balance. The transparent body is printed with Off-White’s famed diagonal white lines, along with the words “COLLABORATION”. Black carabiner clips secure the strap, while inside, an industrial netting-inspired inner tote is a textural contrast to the sleek exterior. Substantial industrial hardware finishes the design, with metal nuts that cleanly secure orange leather straps.

“Heron Preston’s ability to think without limits comes to life in this bag we created together,” Abloh says. “The mix of the materials combined with Off-White DNA lead to a final product that suggests a different idea of a “handbag”.”

PRICING
“COLLABORATION” – Mini – $942.00
“COLLABORATION” – Medium – $1,232.00

ABOUT HERON PRESTON

Heron Preston is the true embodiment of an artist born of the post-internet generation. Multi-faceted and genre-bending, he is a cultural icon in youth culture, and emerging designer in high fashion. He founded his eponymous fashion brand in 2016, and in two short seasons has garnered an international following. The common thread among his impressive bodies of work is a commitment to innovation, experimentation, and unpredictability. Heron Preston finds particular joy in the unexpected; taking conventional themes and reinterpreting them. Take for example his “UNIFORM” project from 2015, the designer’s first major collection, in which he collaborated with the NYC Department of Sanitation on a series of zero waste themed clothes and accessories. He’s also served as the global digital producer for Nike and of course, creative consultant to Kanye West, most notably on his work for the Life of Pablo and Yeezy fashion label.

@HERONPRESTON

 

ABOUT OFF-WHITE ℅ VIRGIL ABLOH

Established in 2013, Off-White is defining the grey area between black and white as a color.  Under the brand name, seasonal collections of men’s and women’s clothing, objects, furniture, and publications are articulating a current culture vision. Collections embedded in a recurrent back story with an emphasis on creating garments that have an identity by design. With a design studio based in Milan, Italy the label harnesses the history and craftsmanship within the country yet offers a global perspective in terms of design and trends. With a clear vision of splicing the reality of how clothes are worn and the artistic expression of high-fashion, creative director and designer Virgil Abloh explores concepts in the realm of youth culture in the contemporary context.

@off____white

 

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