Posts tagged with "new art"

RUN DMC × 12on12 - limited edition vinyl

RUN DMC × 12on12 – limited edition vinyl

Following their acclaimed project with Travis Scott and fashion house Saint Laurent, 12on12 announced their latest collaboration with cultural icons and hip-hop legends RUN DMC.

The pioneering New York group have curated an exclusive limited edition 12″ vinyl-only compilation with bespoke artwork by rising LA artist Reena Tolentino, aka ‘RT’. 12on12 RUN DMC limited edition vinyl will be released on the 8th December by 12on12.

The 12on12 deluxe, double disc package is limited to 500 hand-numbered editions and embodies the story of RUN-DMC’s legacy within the handpicked iconic track-listing, featuring songs that inspired, affected and changed the ground-breaking group’s music.

The first release in celebration of the 35th anniversary of seminal 1986 album Raising Hell, RUN DMC pay tribute to their late bandmate Jam Master Jay and dedicate this project in his honour.

The release offers a fascinating insight into RUN DMC, one of the most influential groups of all time. Alongside tracks by early rap trailblazers The Sugarhill Gang and Afrika Bambaataa, the group have also highlighted songs that helped form the sonic foundations of the nascent hip hop sound as it emerged and evolved in New York in the early 1980s, including the breaks-goldmine of MFSB’s Love Is The Message and Kraftwerk’s game-changing Trans-Europe Express, a song rarely licensed for any compilation.

The unique work of art for the record has been designed by one of the most exciting names on the LA art scene, Reena Tolentino. A visual artist and actor, RT’s work rose to prominence after her acclaimed mural of late basketball icon Kobe Bryant. In addition to providing artwork and portraits of RUN DMC for the project she has also reinterpreted one of the most iconic hip-hop logo’s of all time with a rework of the classic RUN DMC logo.

The release continues to cement 12on12’s reputation for unique ‘vinylworks’ and bespoke collectors’ editions that live at the intersection of music, art and pop culture, providing a unique canvas for cultural icons to curate the soundtracks to their lives.

With global trends growing around nostalgia and legacy artists dominating consumption both within rising vinyl sales and across streaming platforms, 12on12 continue to prove themselves an exciting creative brand capturing an incresingly powerful part of the zeitgeist.

BTS ARTWORK CREATION : 

https://www.youtube.com/watch?v=9ll2QJACpMg

For more information on 12on12 visit:

TWITTER @12on12vinyl​

INSTAGRAM @12on12vinyl 

FACEBOOK @12on12vinyl

YOUTUBE – @12on12vinyl

 TRACKLISTING 

Side A

Superrappin’ by Grandmaster Flash & The Furious Five

Seven Minutes of Funk by The Whole Darn Family

Side B

Planet Rock by Afrika Bambaataa & Soul Sonic Force

Trans Europe Express by Kraftwerk

Walk This Way by Aerosmith

Rock Box by RUN DMC

Side C

Apache (Jump On It) by The Sugarhill Gang

Brand Nubian by Brand Nubian

Good Times by Chic

Side D

Love Is the Message by MFSB

The Look Of Love by Kenny G

You Bring Me Joy by Anita Baker

ABOUT RUN DMC​​

INNOVATORS. ORIGINATORS. RUN DMC’s influence on the music of the new millennium goes every bit as deep as that of Elvis Presley or The Beatles. With a career that has spanned over 30 years and 30 million record sales, the trio set the stage not only for themselves, but for an industry, for a generation and for generations to come.

Joseph “DJ Run” Simmons, Darryl “DMC” McDaniels, and the late great Jason “Jam Master Jay” Mizell roared out of Hollis, Queens with 1983’s “It’s Like That”/”Sucker MCs”, transforming R&B party funk with a new combination of sparse beats and hard production textures. Within a year, they took another giant step by combining rock guitar with hip-hop in the single “Rock Box.”

The huge popularity of RUN DMC produced rap’s first gold album (RUN-DMC, 1984) and its first platinum album (King of Rock, 1985). RUN DMC’s 1986 album ”Raising Hell” caused an even greater cross-cultural explosion with their hard-core hip-hop classic “My Adidas” and collaboration with Aerosmith on “Walk This Way” – a track that redefined genre boundaries and put rap in the Billboard Pop Top 10 for the first time ever.

RUN DMC have always been trailblazers, the first rappers to appear on MTV, American Bandstand, Saturday Night Live and the cover of Rolling Stone magazine. They were the first rap act nominated for a Grammy Award (Best R&B Vocal Performance by a Group, 1986 for Raising Hell). Tragedy struck the group when Jam Master Jay was murdered in his recording studio on October 30, 2002. Shocked and saddened by the loss of their band mate Run and DMC went their separate ways. As they told the media, “We lost our drummer, we’re not RUN DMC without Jay.”

In 2009 RUN DMC were inducted into the Rock n Roll Hall of Fame and in 2011 Rolling Stone named them one of the 50 Greatest Artists of All Time. Rev Run and DMC started performing together again at select shows to help bring attention and funding to the Jam Master Jay Foundation, continuing to inspire new generations of fans with the same verve they showed over three decades

ABOUT 12on12

12on12 is a music brand living at the intersection of Music, Fashion, Sport, Art, Visual Media and Pop Culture. Drawing on decades of experience in product ideation and creative execution, 12on12 invites notable figures in culture to select 12 songs that have had an influence on their life and collaborate with sought-after brands and visual artists to produce limited edition vinyl. Successful collaborations include creating records with burlesque superstar Dita Von Teese; Travis Scott x Saint Laurent and with Complex featuring artwork by Takashi Murakami.

www.12on12.com 

ABOUT RT

Reena Tolentino AKA “RT” is an American-Filipino Artist based out of Los Angeles. RT’s signature “stencil” style is hand painted in layers. Her vibrant and colorful palette explores narratives that include the symbolic and the reflective, while employing the duality between the negative and positive dynamism that brings life into each piece of work; each subject matter having a historical and contemporary cultural relevance. Learn more @reenatolentino.

The Inaugural Faena Festival

Faena Art presents Faena Festival: This Is Not America.

A New Annual Multidisciplinary Festival during Miami Art Week, from December 3-9, 2018.

The First Faena Festival explores the mythologies and narratives of ‘America’ and commissions new installations and performances that reflect the multiplicity of cultures, voices, and people across its physical, conceptual, and political borders.

Faena Festival: This Is Not America features commissions, installations, and performances by Derrick Adams, Cecilia Bengolea, Alfredo Jaar, Isabel Lewis, Luna Paiva, Tavares Strachan, and Wu Tsang and boychild, among others.

Faena Festival, This Is Not America, is keyed to Miami’s enduring role as a port that welcomes migrants, refugees, and tourists from across the US and the Americas, and from countries throughout the world. The festival engages with the multiplicity of communities and cultures and the palimpsest of histories that have created the Americas while responding specifically to Miami as its hemispheric hub. All programming is free and open to the public.

This Is Not America is anchored by Alfredor Jaar’s groundbreaking work, A Logo for America, and proposes a new curatorial format for presentation that occupies and engages the entire Faena District and extends beyond into public spaces of the city of Miami Beach as an experiential platform. The diverse venues of the Faena District Miami Beach will be activated, including the public areas of the street, sidewalk, and beach; the Faena Hotel, including its theater and screening room; and Faena Forum – the OMA-designed cultural centerpiece of Faena District Miami Beach.

“From the beginning my vision for Faena has been to create a cultural epicenter that draws artists and audiences from throughout the Americas and around the world,” stated Alan Faena, Founder and President of the Faena Group. “The annual Faena Festival will provide a new platform to explore ideas in contemporary culture that fosters engagement with the issues that define us individually and collectively. We are interested in site-specificity and universal impact – in creating a cultural movement without borders, we want to speak to the world. Artists are not limited by geopolitical divides, and ultimately, by celebrating these diverse artists and visions we find ways in which we are all connected.”

“This Is Not America addresses America as concept more than a piece, a contested and powerful idea that is greater than the waters and borders that frame it,” noted Zoe Lukov, curator of Faena Art. “Artists in the Festival have been invited to explore the concept of America as a myth and a narrative that has at times bound and divided us but ultimately has the power to unify. By occupying the interstitial zone between land and sea many of these site-specific installations seek to reimagine porous and transitional spaces as places of refuge and safe harbor that are representative of what our ‘America’ is and can become.”

KELSEY NAPIER

MAKAPUU

oil on canvas

36″ x 60″

Kelsey NaPier

I spent the first eighteen years of my life growing up on the south shore of Oahu. I learned how to surf at age three, feeling grounded by the constant blue horizon and the majestic Hawaiian mountains. Growing up on the most isolated land mass in the world I paid attention to every brilliant piece of nature unfolding before me with the changing tradewinds. I often use the colors of my childhood, lush green, cobalt blue, tangerine, and magenta as building blocks for my paintings. In Hawaii, the people, language, food, and customs are a mixture of the many cultures of people who came to the islands – Samoan, Native Hawaiian, Japanese, Chinese, English, Korean, and Filipino. Beauty comes in unexpected forms and from many points of view.

When I see something beautiful that I do not fully understand, I have an impulse to paint it. What I’m physically attracted to may be the sherbert clouds resting on steep Hawaiian mountains in Paka Nahele , the porcelain skin of a friend in Amber , or the ephemeral floating tentacles of a jellyfish in Float . I find something physically stunning because there is a certain spiritual element beckoning me to search for the sublime.

Heaven is that feeling when just for a second you have a glimpse past our physical world and into something else. Just after the sun has gone down in Makapu’u , the ocean becomes mercurial. In Erin Surfs , my sister effortlessly dances upon the waves and becomes one with the ocean.

In Float I explored a recurring dream of floating through nebulas in space with no gravity. Weightlessness, a feeling similar to the buoyancy when swimming in the ocean, flooded my heart with a sense of peace. I sought to capture that by making a photo collage of nebulas, jellyfish, and synapse firing. I painted loosely from the collage, pouring paint from one canvas onto another. Every time I liked an effect, I replicated it and enhanced it by adding drop shadows and pops of color. I painted over the parts that felt unnecessary and moved forward adding, subtracting, and refining my vision.

I enjoy painting large pieces because they are challenging and take the movement of the entire body- the feet, the arms, and the core. Painting large makes me feel like I’m dancing with a partner.

My purpose is to seek these beautiful moments and to relay them to other people. I believe that we are connected in ways that we cannot always immediately see. My time on earth will have been meaningful if I have felt gratitude for the beauty around me, engaged with the sublime, and allowed other people to feel that same joy. This world is inherently meaningful. Art is the seeking of this meaning.

PELE RISES

32″ x 72″

oil on canvas

MIXED

72″ x 96″

oil on wood

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For more artwork: http://www.kelseynapier.com