Posts tagged with "LGBTQ community"

Illustration of a Booker by Kaelen Felix for 360 Magazine

Turf Shifts Modeling World

By Dana Feeney

The modeling industry has two very different faces. One side are supermodels, like Gigi and Bella Hadid, glamorously modeling, making millions of dollars, and traveling the world. The other are the unknown models working job to job, facing exploitation and manipulation by their agencies and clients, and trying to make their name in the industry. The mistreatment of models is as old as the industry itself. Skinny, cis, and white models experience this brutal reality. Working as a model is only worse for people of color [POC], LGBTQA+, and immigrants because of the lack of transparency or regulation and rampant misconduct.

New Players

The current push for diversity and inclusion has caused a much higher demand for POC, and LGBTQA+ models with different body types. In recent months, a few new players in the game are building their reputations on accountability and proper treatment of the models and creatives they represent. Three small agencies and one superpower are disrupting the model representation world: New Pandemics, Zandwagon, Community New York, and film and television power player Creative Artists Agency (CAA).
The way modeling deals traditionally work is that a model signs to an agency, such as Next Models, Ford Models, IMG Models, or Wilhelmina Models. The agency provides its models with certain services such as housing, transportation, portfolio shoots, and more. In most cases, anything an agency provides for a model they have to pay back to the agency, often at a high-interest rate. The interest rate means the longer they take to pay it back, the more they owe to the agency.

Although models sign contracts to agencies, they are not considered employees of those agencies and instead are independent contractors who the agency aids in booking jobs. The agencies do not keep models on their payroll. They do control the money that the models earn on a job and how their money models earn is distributed. Bad payment practices reach far beyond the agencies. The agencies are responsible for billing the client right after the model completes their job. Payment for jobs by agencies to their models is notoriously sketchy because clients are not required to pay upfront before shoots and can legally take up to 90 days to settle up. Most agencies take at least a 20% fee out of any money their models make and charge clients a “booking fee,” so for a $1000 job, they would charge $1200 but only pay the model $800. Worst of all, if a client does not pay the agency for work a model did, the agency does not owe the model the money they earned. The common practice in the industry is that the model only gets paid if the agency gets paid.

The film and television management world contrasts the modeling world in many ways. The modeling industry as a whole is riddled with misconduct, manipulation, and poor treatment of models by their agencies and brands. Many modeling agencies use contracts that include fees and costs they can pull out of the model paychecks and use debt, housing, and visas to keep their models dependent.

Agencies in other media such as film, only make money if their clients make money. In film, the percentage is around 10% because of unions. Although, none of these industries are flawless especially considering scandals in the film and tv world with predators like Harvey Weinstein and Matt Lauer.
Creative Artists Agency (CAA) has a long history of representing talents across film, tv, music, and more. In August of 2020, CAA announced their partnership with KCD Worldwide, a fashion services agency, which signaled CAA’s entrance into fashion model management for the first time in the agency’s history. CAA has a strong legacy of representing high-profile individuals and building their careers. They have also stated that they only take a 10% fee out of their models’ earnings, half of the general standard of 20%. Despite their claims for better treatment of models, CAA is not blemish-free when it comes to allegations of abuse and sexual misconduct. Multiple former CAA agents have faced lawsuits.

Additionally, CAA has previously represented multiple people accused of misconduct, including Shia LaBeouf, Chris D’Elia, and Marilyn Mason; all of whom are no longer represented by CAA.
On the opposite end of the spectrum are the smaller boutique agencies mentioned earlier, New Pandemics, Zandwagon, and Community New York. New Pandemics is “a casting and management agency dedicated to increasing LBGTQ+ visibility.”

Zandwagon is “a talent management company that could guide everyday life individuals who are breaking beauty standards daily” according to their website. Community New York is run by Butterfly Cayley, Moe Lamstein, and Richie Keoall, three first-generation immigrants from Laos, and “is founded on inclusivity and progressive values by changing not only the style but the very structure of management.” Cayley, Lamstein, and Keoall have impressive experience at agencies including DNA and Elite Model Management. Community New York now represents stars such as Hunter Schafer, who is well known for her work on the hit HBO show “Euphoria” and is now a brand ambassador for Shiseido.

With small diversity forward agencies up and coming, the existing modeling industry is under attack from all sides. All three of these agencies emphasize how much they value representation and inclusivity in this industry that has avoided breaking societal beauty standards for so long. They also claim they will be different from other agencies and provide better treatment for their clients. These agencies are sending the message that you’re either with them or against them, and they’re willing to think outside of the box to get proper treatment and equity for models from all walks of life.

Same Old Problems

Many of the biggest fashion houses in the world are still reckoning with the #MeToo movement. The fashion industry is known as a highly predatory business. Many of even the largest names in modeling have had to survive people abusing their power on sets and behind the scenes to become who they are. Household names, such as Kate Upton, Coco Rocha, and Cameron Russel, have all spoken out about their experiences with the abuse they’ve experienced while working as models.

Kate Upton spoke out against Paul Marciano in 2018, which led to a total of $500,000 in settlement agreements involving five individuals. He has remained an active participant at GUESS as a board member and chief creative officer, despite resigning from his position as an executive. At the beginning of February, the news broke that Marciano is once again being sued over sexual assault allegations by a woman who has chosen to remain anonymous. The allegations against Marciano are not an isolated incident. Similarly, allegations were brought against Alexander Wang in December of 2020 but began as early as 2017, yet some still chose his side despite the overwhelming corroboration of multiple individuals. If the word of a woman as successful as Kate Upton is not enough to oust a predator from power, it’s unclear what realistically can protect vulnerable individuals with less acclaim from the same experiences or worse.

The silver lining of these allegations coming to light is the industry supporting the individuals coming forward more than ever before. In the past, many models lost their careers before they had even begun due to the actions of predators and the mechanisms powerful people use to silence their victims. Accounts such as @shitmodelmgmt and @dietprada have been using their online platforms to expose predators and condemn their actions openly across Instagram and Twitter. Additionally, the Model Alliance, an organization dedicated to giving models a voice in their work, has also spoken out against Wang on their Instagram saying, “We stand with David Casavant, Owen Mooney, Gia Garison, and all the accusers of @alexanderwangny in their pursuit towards justice.”

The upheaval that began in 2006 with survivor and activist Tarana Burke’s creation of the #MeToo movement has continued into 2021. Slowly but surely survivors are taking their power back and pushing to create real change in media industries that have exploited them for far too long.

Illustration of models by Rita Azar for 360 Magazine

QxA Davis Mallory

By Vaughn Lowery and Hannah DiPilato

Davis Mallory from MTV’s The Real World, discusses his struggle with alcoholism as well as how far he has come in his career. 

360 Magazine recently had the opportunity to sit down with Davis Mallory, a contestant from The Real World on MTV. He is now pursuing a music career while educating others about alcoholism. As an openly gay Christian, he hoped to share his story with others as a television personality as well as a musician. 

What was it like being on MTV’s The Real World Season 18? Any regrets? Do you still stay in contact with other cast members?

I was a senior in college, 21-years-old, when I auditioned for and was cast on MTV’s 18th season of the Real World, located in Denver Colorado. I was a fan of the show and had just come out of the closet to my classmates that summer. I felt that I had an interesting story to tell – being a Christian and openly gay was not something I had not seen on TV before – and I wanted to prove you could be both, while also showcasing a more masculine image of homosexuality than was often shown on TV.

Immediately after the show ended I flew around to colleges in the USA discussing and often debating Biblical professors in front of a student body; dissecting Bible verses and their interpretations on homosexuality. My grandfather James Davis Mallory JR (whom I’m named after) is a Christian author and psychiatrist – and so I was raised very orthodox – Southern Baptist. I found this time to be very rewarding and something I’m proud of – to date I still receive messages from viewers of the show expressing their gratitude for my story on The Real World.

I of course have regrets during my time on the show – I think most people who have done that show in their 20s will tell you they regret things they did or said. We were all heavily fed alcohol which created chaos, confusion, fights and hookups. I’m still close with several cast members, two of them live in Nashville so I see them most often. Tori Hall, who was on Road Rules and married Brad Fiorenza (I attended their wedding) and Brooke Labarbera, who was on my season of the Real World are two people I remain close with and I spent much of this summer 2020 with both of them!

What led up to you having an issue with drugs and alcohol? How’s life after sobriety? Are there any triggers that make it difficult to remain sober?

When I was younger (before trying alcohol) my mother told me to NEVER drink, instead of teaching me how to drink. This was because my parent’s divorce was caused in part by my father’s alcoholism. When I went off to college, I got drunk for the first time and I quickly progressed into blacking out when I drank. I would sometimes wake up the next morning and hearing stories from my friends about stupid things I said or did the night before. I tried to get that under control by lowering the amount of alcohol I drank and by not drinking hard alcohol.

I went through many chapters of my life taking breaks from drinking and reducing my alcohol intake. My father has now been completely sober for over a decade and his example is a big inspiration in my own decision to completely quit drinking. I’ve now been sober for 4 years. After reaching my 1-year mark of sobriety I had a big regret – that I hadn’t quit earlier. I felt so much better – I looked so much better and I just wished I had fully quit earlier in my life.

Thankfully, perhaps due to God or just growing up, I have ZERO temptation to drink anymore. I’m constantly reminded why I quit when I see other people’s struggles with alcohol. I have seen people wheeled off in an ambulance with alcohol poisoning, I’ve had close friends die from alcohol poisoning, a friend’s mother recently did; another close friend died from an overdose of drugs mixed with fentanyl recently. These everyday reminders keep me sober.

I really wish our society didn’t glorify drinking in movies/commercials/music, because the downfall from alcohol is not being taught to children: accidentally death, liver disease, the fighting it causes, relationships ruined, horrible, absent or addicted parents, job losses, physical damage it does to our bodies and faces are never shown in these alcohol commercials.

What was it like growing up with an uncle who had access to major recording artists like Wynonna Judd? Did that experience help shape you into the artist you are today? If so, how?

My uncle Chaz managed pop artist Amy Grant for many years and still manages Christian recording artist Michael W. Smith. My uncle John Mallory wrote songs for artists Wynonna Judd, Sixpence None the Richer, Ty Herndon and more. I  grew up in the music industry, attending a lot of these artist’s concerts and meeting them – I spent summers on Amy Grant’s farm in Nashville – I was a huge fan of her and Michael W. Smith.

As a kid I dreamt of being a singer and wanted to have careers like theirs – my positive message songs “Faith,” “Not That Far Away” “Lost” and “Somebody’s Watching” are examples of songs influenced by Amy & Michael’s music. I did not expect to become a songwriter. How songs were written was a mystery as a kid – I knew singers sang them but didn’t know how they were created. When I started out on this journey to becoming a recording artist I had to watch and learn from others in numerous songwriting sessions until I really got the hang of doing it myself.

During your first year in Nashville, one of your former cast members (Diem Brown) passed away from cancer. How did their loss impact your life at the time?

Diem Brown passed away in 2014 – I moved to Nashville at the end end of 2013 – so I had just started my journey into songwriting. My first original released song is titled “Beautiful Girl’s (Diem’s Song)”, a song I wrote about Diem with award-winning songwriters Ben Goldsmith and Tori Tullier. The song debuted in People Magazine, where Diem was a news reporter and received press in E! News, US Weekly and more outlets.

Diem and I grew up in nearby parts of Georgia (I’m from Marietta, she’s from Roswell – just 15 min away) although we did not meet until we did the show. Diem was a sorority sister with my mother’s best friend’s daughter, Carly Hartwick, who first introduced us over email prior to our meeting in person for the first time when Diem and I did an MTV Challenge together: The Duel II in New Zealand.

Diem and I gave a school speech together where she shared wisdom on pursuing one’s career goals by interviewing those with the same job, Diem becoming a News Anchor where she met her idol Katie Couric to ask questions on how to get to Katie’s place in life. Diem’s speech really inspired me as I chased after my own career dreams in music, so when she lost her battle to cancer I was deeply saddened and wrote the song to memorialize her through music. Her sisters’ often use the song on the anniversary of her death, which I’m always touched to see.

You grew up in Atlanta but now reside in Nashville. Do you prefer one city over the other? If so why?

I was born in Atlanta and raised in a suburb of Atlanta called Marietta. After attending college in Florida at Stetson University, I returned to Atlanta for 2 years before moving to NYC. I have not lived in Atlanta since 2009; however, I return every year to see my family who still live there. It’s changed a lot, the movie industry was not there when I left, and in my song titled “Atlanta,” the first song on my upcoming album Little Victory, I talk about my journey from Atlanta to New York and now Nashville with a longing for my hometown and noticing how much the city has changed.

I moved to Nashville to pursue a career in music, hearing it was a land full of songwriters. The things I really like about Nashville are the people and culture here. There are really great moralistic people here and I am thankful for that as it’s a safe great place to live. Nashville is like going to college in the music industry – people in all stages of their careers are here and many are willing to collaborate. I would not be where I am today if not for Nashville.

What are some of your musical inspirations? Can you name a few people that have inspired you or who continue to inspire you?

Aside from mainstream pop artists like Britney Spears, George Michael, NSYNC, Michael Jackson, Robyn, Prince, Mariah Carey, the real-life connections that have influenced my career include Parson James (vocalist on Kygo’s “Stole the Show”) who is one of the first people I wrote music with. We met in NYC in 2013, I followed him to Los Angeles to write with him and moved to Nashville prompted by advice from his then-manager who thought I sounded like a Country artist.

Roger Murrah (BMI Songwriter of the Decade and writer of several Country music #1s) is one of the first people I met when I moved to Nashville. At the time I was still learning how to write songs, so I watched him work in several sessions and I began to understand how to write the way he did.

Scot Sax (Grammy-winning songwriter for Tim McGraw/Faith Hill’s “Like We Never Loved At All”) is another person who was very influential on my songwriting journey – he taught me how the B52s recorded “Love Shack” in a go-as-you-flow style recording their ideas on the spot to build the song.

Aside from these few names, I have been in over 300 songwriting sessions, and I’ve traveled writing music in Europe (Berlin, Stockholm, Copenhagen, Malmo, London, Amsterdam), New York and Los Angeles. Everyone along the way has taught me something, a new trick or technique to writing music or producing music and I’m thankful for everyone who has worked with me.

As a songwriter, how do you come up with themes? Is your music based on an isolated experience or a chapter of your life?

I keep an ongoing note on my phone called Songwriting Ideas so that whenever I get an idea for a song I write it down there. I then bring these ideas into songwriting sessions to get something started. Sometimes I get a melody (occasionally during a dream) and record these on my phone, using it as another tool to get songs started.

In 2018 music publicist, Lyndie Wenner asked me what my most popular social media posts were – to which I replied: shirtless photos of myself. So she told me I needed to write a song called “Shirtless” and I did, releasing that song in 2019. This conversation with Lyndie changed the way I wrote songs. Before I was writing broader subjects, and after I began to write more about the things I saw my audience interested in. I still observe that the things I write about center around one of 4 themes: 1. God and my faith; 2. Love lost of found; 3. Partying and dancing, of 4. Overcoming addictions.

Another influential person in my songwriting career is PollyAnna (Dutch pop/EDM vocalist, songwriter of Paris Hilton’s new song “I Blame You”). I spent a summer writing with her in Nashville, Los Angeles and Berlin and  I observed her taking random phrases we said in conversations and writing them down for future songwriting materials. I now do the same, whenever something unusual is said in a conversation. PollyAnna and I wrote a song together in Berlin called “Without You, I Feel Good”, which has now been signed to Soave Records, produced by a DJ named Nexeri, and coming out on February 26, 2021.

What words of wisdom would you offer an emerging artist who is trying to break into the business?

The words “If you build it they will come” from the great baseball movie Field of Dreams, is a motto that holds a strong place in my mind regarding my strategy to release music and gradually having people discover your work. I have a business model of writing songs and selling them to DJ/producers and I think this is a great move for up-and-coming singers to build a name for themselves.

My first job after college (post-Real World) was a sales job that required reaching out to 100 potential customers every day with the expectation that between 1-10 would buy something – I now use this strategy in my music career in so many facets and find the same results.

Is there anything you would like to speak about that we didn’t already touch on? What can your fans look forward to?

2020 was set to have me perform in Germany, Boston, Chicago, Palm Springs, North Carolina but the shows were of course canceled due to the pandemic. I look forward to getting back to touring though and to meet more people who have been asking when I will be in their city. I have been spending the last year working on new music with DJs, finally releasing the sophomore album that I have been alluding to and even developing an idea for a third project of which some of the songs are ready 🙂

Little Victory is an upcoming single/video that you’re pushing. It’s an extremely inspirational piece of work about someone feeling like a fish out of water. What prompted such a piece?

I wrote “Little Victory” after returning from Israel where I had met and was at the time long-distance dating Israeli singer-songwriter Elhay Cohen, the song idea came from my co-writer: female Canadian producer and songwriter Robyn Dell’Unto. December 2020 French DJ RetroVision released a version of this song on Don Diablo’s record label Hexagon and the original version is going on my forthcoming album of the same name.

Retrovision, Davis Mallory – Little Victory 

Little Victory Music Video 

Little Victory single 

Pre-Save for the album Little Victory

Here is a private SoundCloud tracklisting for the “Little Victory” album:

  1. Atlanta –a song I wrote about my hometown, my journey to NYC and Nashville to pursue music – with nostalgia for Atlanta – the city where I had my first heartbreak and how much the city has changed since I left (it’s now a film industry).
  2. Ain’t Afraid – features a big name in the EDM industry Luma (Seven Lions, Nurko, Zack Martino) – who I co-wrote the song with – it’s about not being afraid to fall in love
  3. Little Victory– co-written with and produced by female Canadian artist Robyn Dell’Unto – a remix of this song made by French artist RetroVision released on Don Diablo’s label Hexagon. “Little Victory” is about a summer romance with my Israeli ex who I met after I opened for Eurovision winner Netta who told me I had to visit Israel.
  4. Fire Signs – features Miss Audrey the Katy Perry-inspired Best Pop Artist at the Nashville Industry Music Awards, I wrote this song in Sweden about zodiac chemistry compatibility – I’m a Leo and Miss Audrey an Aries, we’re both Fire Signs.
  5. Shirtless– this is a new Countrified mix of the song that aired on MTV’s War of the Worlds and became the theme song for men’s swimwear line: Poolboy
  6. Heavy – features an all LGBTQ identifying cast – with vocalist Blake Leider and rapper Daisha McBride – discusses why relationships have to be so heavy, produced by Danish Aren Anderson and Ukrainian Depdramez.
  7. Can You Tell Me?– produced by Canadian artist BLEM and written in Berlin with Vincent Stefansson and Valentin Glage – “Can You Tell Me?” is about being ghosted. Where does all the love go in this modern era when two people separate and the romance suddenly dies.
  8. Say You Hate Me– written in Sweden the same week as “Fire Signs” “Shirtless” and previously released single “Jane Fonda” – “Say You Hate Me” is a very Britney Spears/NSYNC-style Swedish pop song co-written with and produced by Magnus Funemyr about a relationship that has grown stale.
  9. Sink or Swim – with references to Madonna, Beyonce’s “hot sauce,” and Whitney Houston’s “receipts” – “Sink or Swim” is about a cheating partner and the end of a relationship, produced by Option A. Music video coming by Russian filmmaker Dmitry Zhitov.
  10. Forget You– co-written with Nashville female EDM vocalists Notelle & Luma, produced by artist Swiss DJ FENOX – “Forget You” is about the end of a relationship and having a hard time letting go of the memories.
  11. Broken Dreams– this unreleased version by Ukrainian producer Depdramez – was co-written with pop artist Drew Schueler – tells the story of all the hard work artists put into chasing their dreams of stardom.
  12. Faith – written in 2020 at the start of this pandemic with American Idol contestant Madeline Finn, “Faith” is an uplifting anthem giving hope for all to not lose their faith in these trying times, produced by Austrian producer Jakob Koller.

The music video for Can You Tell Me?” is scheduled to release on 2/19/2021

LGBTQ Illustration for 360 Magazine by Gabriella Archuleta

OUT CELEBRATES ANNUAL OUT100 ISSUE

Pride Media’s Out magazine is thrilled to release the 2020 Out100 presented by Lexus. The list remains the largest annual portfolio recognizing members of the LGBTQ+ for their ground-breaking, ripple-inducing, and culture-shifting impact nationwide. 

The coveted and anticipated Out100 issue features four covers including trailblazing actor Wilson Cruz, activist and BLM organizer Janaya Khan,  actor and director Joe Mantello, and artist and icon Janelle Monáe.

This year’s honorees make up one of the most diverse lists in Out magazine’s history, spanning several generations and a multitude of intersections. From 18-year-old rap sensation Kidd Kenn and 99-year old trans WWII U.S. Navy fighter pilot Robina Asti to MSNBC journalist Rachel Maddow, who in a year of political tension was a voice of reason for the LGBTQ+ community. 

From fashion legend André Leon Talley, headlining musician Lizzo, comedian Wanda Sykes, actors Jeremy Pope and Cheyenne Jackson to modeling industry heavyweight Ivan Bart, the creators of Queer Eye, and Joe Biden and Kamala Harris’s very queer team Jamal Brown, Reggie Greer, and Karine Jean-Pierre, inclusivity and progress are the driving force behind this year’s list. 

Each honoree represents not just the past but also the future. Leading into 2021, the LGBTQ+ community as a whole will undoubtedly reap the benefits of their accomplishments. This year might have brought an onslaught of challenges, but it also welcomed new opportunities to reflect on what matters to the LGBTQ+ community and what lies ahead in the fight for equality and justice.

Now more than ever, it’s vital to recognize the powerful voices leading the charge and sounding off the new vanguard of queer leaders. In a year of Pride celebrated at home instead of in the streets, community support from company partners like Lexus, Citi, Gilead, McDonald’s USA, Truly Hard Seltzer, and Stoli® Group USA, LLC has never been more important or helpful in amplifying these powerful Out100 voices moving the LGBTQ+ community forward. 

 “Community building has been the bedrock of the LGBTQ+ rights movement, and part of that is understanding the fact that we are not and have never been monolithic. All of us have a story and role to play in this fight. All of our experiences and lived realities are different, special, and integral in building a better world — together,” said Editor in Chief of Out, David Artavia.

“The Out100 list is a representation of this journey. For 26 years, it has stood the test of time and continues to empower the next generation of LGBTQ+ thought leaders, artists, and professionals to create a more inclusive future for all of us,” continued Artavia. 

This year, Out’s nationally recognized and respected Out100 issue extends beyond the brand’s print and online properties with two exciting virtual events. On Friday, November 20, the co-founder of Black Lives Matter Canada, Janaya Khan, will moderate a dynamic “How Do We Come Back From This?” symposium on what moving out of the last four years looks like for culture, politics, the movement, and ourselves, including Emmy-winning creator of Transparent Joey Soloway, trans activist Ashlee Marie Preston, and PR strategist Kelly Bush Novak.

On Saturday, November 21, the Out100 culminates in the first-ever 2020 Out100 Virtual Honoree Induction Ceremony, live at 5 p.m. Pacific (8 p.m. Eastern) at Out.com/Out100Live, and available on all Revry live channels and on-demand at 6 p.m. Pacific (9 p.m. Eastern) at watch.revry.tv.

Ashlee Keating, 360 MAGAZINE

Ashlee Keating’s “YASSS”

If quarantine has you feeling down, popstar Ashlee Keating’s new single is here to get you dancing and make you say “YASSS.”

The Billboard chart sensation, dancer, songwriter, and actress’s newest song, “YASSS,” racked up nearly 150K streams on Spotify, and now the anxiously awaited music video is out.

“YASSS,” which is a single from her upcoming EP (set to drop this summer), is a fun pop/dance track that emphasizes the importance of self-confidence. With its upbeat sound and catchy lyrics, “YASSS” is the perfect quarantine dance party track.

Ashlee is highly regarded in the LGBTQ+ industry as a supporter and activist, and she wrote this song with her LGBTQ+ friends in mind – she wants to give them the confidence through her music that they give her when she performs.

“We’ve gone through some tough times during the last few months, and I wanted to do my part to try and bring hope and happiness through my art. The world needed a pick-me-up, and I wanted “YASSS” to be that. I hope that the lyrics encourage empowerment and confidence, and the uptempo beat will help people forget about their worries for a minute. Creatively, I wanted the video to be colorful, poppy, and most importantly, fun! I wanted people to hear it and feel inspired to get up and do that in-home work out, have that dance party in the mirror with themselves or their quarantine buddy, or just feel the positive vibes for a few minutes, to help make it through another day at home,” said Ashlee.

Preceding “YASSS” is Ashlee’s single “Hurt Me So Good,” which skyrocketed up the Billboard Dance charts to #8 within days and has more than 1 million streams on Spotify. Following “Hurt Me So Good,” Ashlee’s “Bad Mistake” was released as her #1 breakout song and held its own on the Billboard Dance charts for weeks.

Watch the “YASSS” music video here.

ABOUT ASHLEE KEATING

Born in Southern New Jersey, Ashlee is truly an Italian, “Jersey Girl” at heart. She moved to Los Angeles in her early teens to pursue her career. The songstress got her debut at just six years old, landing the lead role of “Gretl” in The Sound of Music on Broadway, where she starred alongside Richard Chambarlain in the National Tour. Shortly after, she played the leading role of Annie at the famous Walnut Street Theatre in Philadelphia, PA – to which she was no stranger to – she had previously played the role of Molly in the same play at just four! Ashlee would go on to be selected as a contestant to be on CBS Star Search – which then lead to her selection for a spot as Radio Disney’s “up and coming artist” on their Incubator Program. Ashlee has opened up for artists like Demi Lovato, Keke Palmer, and Raven Symone.

With all this under her belt already, Ashlee is set to become a household name within the next few years. Not just as a popstar, but as a brand, entrepreneur, actress, and philanthropist. When Ashlee isn’t busy traveling to world, attending fashion week, writing chart-topping songs, or participating in gay rights productions, she enjoys working out and makes sure to meditate daily to keep her sanity.

FOLLOW ASHLEE: Instagram | TwitterSpotify

Kim Petras, Malibu, Press Here Productions, Vaughn Lowery, 360 Magazine

Kim Petras – “Malibu”

KIM PETRAS Joined by Demi Lovato, Paris Hilton, Jonathan Van Ness, Charli XCX, Madelaine Petsch, Jessie J, and many more for “Malibu” (At Home Edition) Fan Video

PRESS HERE to Watch

Kim Petras has released the star-studded, “At Home Edition” fan video for her brand new single “Malibu.” PRESS HERE to watch the video, which features Kim’s most spirited fans alongside some special celebrity friends including Demi Lovato, Paris Hilton, Jonathan VanNess, Charli XCX, Loren Gray, Madelaine Petsch, Jessie J, Pablo Vittar, Aquaria, Todrick Hall, NikitaDragun, Aly & AJ, Dorian Electra, Slayyyter, Brittany Broski, Teddy Quinlivan, Bowen Yang, and many more.

Following break-up banger “Reminds Me“, “Malibu”  is a glittering, sun-kissed bop with instrumental elements and raw vocals, inspired by the silver screen, Baywatch fantasy of Malibu. The track is the next in Kim’s string of undeniable singles which have racked up more than 320 million global streams, including “Icy“, “Heart to Break“, “Sweet Spot“, “Close Your Eyes“, “Broken“, “Hillside Boys” and “I Don’t Want It At All” and follows her critically-acclaimed, 12-track project Clarity  which dominated Spotify’s “New Music Friday” and Apple Music’s “Best of The Week” for ten consecutive weeks.

Kim recently performed as part of The Stonewall Inn Gives Back – A Livestream Fundraising Concert for the LGBTQ+ Nightlife Industry alongside Cyndi Lauper, Kristin Chenoweth, Troye Sivan, Rufus Wainwright, Betty Who, Allie X, Alan Cumming, and more. Kim performed a cover of Paris Hilton’s single “Stars Are Blind” Kim also recently received a GLAADOutstanding Music Artist award nomination for Clarity after being nominated last year for Turn Off The Light, Vol. 1.

MORE ON KIM PETRAS:

Fast-rising international pop sensation Kim Petras has become one of music’s most buzzed-about artists. She has racked up more than 320 million global streams, and her  critically acclaimed debut full-length project Clarity dominated Spotify’s “New Music Friday” and Apple Music’s “Best of The Week” playlists for 10 consecutive weeks with its acclaimed singles, including glacial hit “Icy” which landed her on Good Morning America for her national TV debut.

Selling her first ticket in 2019, Kim sold out her first-ever headline tour last summer in minutes during presale, and her international The Clarity Tour sold out The Shrine in LA and two back to back nights at Avant Gardner in NYC. Kim’s undeniable voice and imaginative artistry have skyrocketed her to international recognition and earned her major mainstream media acclaim from the likes of NY Times, NPR, Vanity Fair, People, Rolling Stone, MTV, Glamour, Elle, Variety, Harper’s Bazaar, Allure, Billboard, Cosmopolitan, Seventeen, Paper, V Magazine, Noisey, OUT, Pitchfork, i-D, Refinery29, and more.

First breaking out with her #1 Spotify Global Viral 50 bop “I Don’t Want It At All“, Kim launched into Top 40 radio with her pop hit “Heart to Break” opened for Troye Sivan’s nationwide Bloom Tour last year, revived and redefined Halloween music with her spooky project TURN OFF THE LIGHT, collaborated with Charli XCX, Cheat Codes, MAX, SOPHIE, Lil Aaron, and more, appeared on “How It’s Done” from the Ariana-Grande-produced Charlie’s Angels soundtrack, and has been featured on multiple billboards in New York, London, and Los Angeles as a Spotify RISE artist.

PRAISE FOR KIM PETRAS

“‘Outstanding… Clarity is full of songs that are stitched so tightly and varnished so brightly that they… transcend into something utterly new.” – New York Times

“One of pop music’s brightest talents.” – Pitchfork

“‘Clarity’ might be the best-constructed collection of R&B-inflected pop music by a female European singer.” -Variety

“Petras has slowly built a committed cult following thanks to pure pop bops like  “I Don’t Want It At All” and “Heart To Break.” – Cosmopolitan

“Petras demonstrates a robust knowledge of several decades of pop music” – Vice

“…the sparkling songcraft and knockout performances across Clarity prove her inherent talent.” – Billboard

“Kim Petras is making her pop dreams come true – on her own terms.” – People

“America’s Sweethearts shift old paradigms and inspire millions to work towards becoming them. Petras is on that track already…Clarity proves just how powerful and versatile Petras can be…” – Paper

“The next savior of pure unadulterated pop may be upon us…” – V Magazine

“It’s clear that Kim Petras is on the fast-track to stardom” – L’Officiel

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Kygo To Attend PrideFestival

Global superstar, producer and DJ, Kyrre Gorvell-Dahll – a.k.a. Kygo will take the stage for PrideFestival’s closing party, where all net proceeds will be donated to LGBTQ charities, on June 30th at Javits Center. Would love for you to attend, please let us know if you can make it and we will add you to the guest list.
KYGO HIGHLIGHTS 
  • Earlier this month, Kygo took his KygoLife brand to the next level by launching his new noise cancelling Kygo headphones.
  • He was recently named the newest global ambassador for Ralph Lauren’s Polo Red. 
  • Kygo recently teamed up with Rita Ora for the new single Carry On from the blockbuster POKEMON Detective Pikachu. The song eclipsed 83 million Spotify streams and over 59 million YouTube views (HERE).