Posts tagged with "Shepard fairey"

PFAW x Enough of Trump

People For the American Way and Amsterdam News, the oldest Black-owned news business in the country, are excited to announce the completion of a major public art installation on the exterior of the Amsterdam News’s historic Harlem building. 

The installation includes images from prominent artists participating in the Enough of Trump campaign, including some of the most influential Black and Brown artists in the country. The installation, which includes a permanent 30’x 70’ mural by world-renowned artist, Carrie Mae Weems, covers the full front facade and north facing wall of the Amsterdam News headquarters at 2340 Frederick Douglass Blvd, New York, NY. It also features pieces by artists Shepard Fairey, Beverly McIver, Amalia Mesa-Bains and Angelica Muro.

“Today, we are three weeks away from the most important election of our lifetime and for a historic Black newspaper to blanket their building in Enough of Trump art, in the middle of Harlem, sends a clear message to the nation and the world that people have had enough of Trump,” said PFAW President Ben Jealous. “The issues driving the mostly Black artists and artists of color who are participating in the Enough of Trump campaign, include his continued mismanagement of the COVID-19 pandemic, his blatant racism, and his unconscionable encouragement of violent and deadly policing. We are really excited that the historic Amsterdam News is supporting artists participating in the Enough of Trump campaign.”  

“Art has always been an influential tool in creating social change,” said Amsterdam News Publisher Elinor Tatum. “That’s why I’m thrilled to partner with People For the American Way and its Enough of Trump campaign at this critical time. Given the stakes in this historic election, it is more urgent than ever to inspire voters to transform their dissatisfaction over the increased polarization of this country, and the racism that this administration is perpetrating, into votes on Election Day.”

“America is at a tipping point,” said artist and project curator Carrie Mae Weems. “Either we move forward by electing Joe Biden, or we continue to regress with four more years of Donald Trump. It is that simple. Our hope is that this project serves as a reminder to residents of Harlem and Americans everywhere of the bigotry, hate and corruption brought on by four years of Donald Trump and the importance of voting him out next month.” 

The national Enough of Trump campaign, which is a project of PFAW, features work from 17 different artists whose pieces are being shared on multiple platforms. The campaign’s mission is to motivate people to share what they have had “enough” of in the Trump era, and to get out and vote in November.

The campaign’s focus is on battleground states but its scope is national. In addition to the Amsterdam News art installation, PFAW recently announced “Enough” themed billboards in Pennsylvania, Florida, Wisconsin, and Michigan locations, with more to come. 

The ENOUGH of Trump campaign website features a full gallery of artist images as well as a store for purchase of ENOUGH art, prints, and collectibles.

About People For the American Way

People For the American Way is a progressive advocacy organization founded to fight right-wing extremism and build a democratic society that implements the ideals of freedom, equality, opportunity and justice for all. We encourage civic participation, defend fundamental rights, and fight to dismantle systemic barriers to equitable opportunity. Learn more: http://www.pfaw.org.

See images of the installation HERE

Walking illustrated by Mina Tocalini for 360 MAGAZINE.

Limited Edition Walking Tours

In honor of the upcoming Mandela Day (July 18th), Walks has secured exclusive access to the Drakenstein Prison for a limited edition virtual tour, apart of their popular Spotlight Series, and it’s led by someone who was personally connected to Nelson Mandela and fought for his release, Moira Edmunds. 

Another special edition tour will be led by long-time street art guide, Ruddy Harootian, taking guests who tune in through NYC, featuring BLM / Black Trans Lives Matter artwork, black and latino artists and recognizable graffiti artists names as well. 

Walks is using their platform to be an educational tool, and celebrate the important influence black and marginalized individuals have on our society. I wanted to put these tours on your radar to see if they’re a fit for an upcoming story or you’re interested in pursuing. 

The first online Street Art Tour in NYC starts virtually this Saturday and the Nelson Mandela tour will kick off July 25th (due to some timing and a cold front recently; although in South Africa they tend to celebrate him month-long). More details on each tour are compiled below. 

The Black Lives Matter movement’s efforts to honor black voices is reverberating across the globe, and Walks is proud to utilize its virtual tours platform, Tours from Home, to contribute to the conversation. These tours are an educational outlet for impassioned supporters around the world, celebrating the important influence black and marginalized individuals have on our society. 

LIMITED EDITION TOURS 

Nelson Mandela: From Prison to President live from Drakenstein Prison in Cape Town, South Africa

Surrounding Mandela Day this July, join Nelson Mandela: From Prison to President Live from Drakenstein Prison in Cape Town, South Africa starts Saturday, July 25th, Sunday, August 2nd and Sunday, August 9th at 11 am ET / 8 am PT:  You will “walk” with individuals who were both in close proximity and served as Mandela’s allies. Your guides will include Manfred Jacobs, a warden at Victor Verster prison, where Mandela spent the last 14 months of his 27-year-long incarceration and Moira Edmunds, who fought tirelessly for Mandela’s release, and is involved with the Nelson Mandela Foundation. 

Each year on July 18th, the international community recognizes, commemorates, and celebrates the life of Nelson Mandela, affectionately known as Madiba. He forged the course of black Africans, leading by extreme example. Within the country of South Africa the entirety of July is dedicated to his life and his actions to end apartheid. In 2020, we celebrate 30 years since Nelson Mandela’s freedom and we invite you to join in the celebration.

Street Art from New York City: The Power of Urban Graffiti 

Features predominantly African American and Latino artists starts this Saturday, July 18th, Saturday, July 25th and August 1st at 5 pm ET / 2 pm PT, lead by incredible storyteller Ruddy Harootian: July 18th: This entire tour will focus on the Black Lives Matter/Black Trans Lives Matter related works that have recently appeared on the outside of FIT. Artists include: Miyah Bri, Lisette Nerveli, Sarah Haskell, Mia Rivera, Grace Springer, and more. 

July 25th: Artists featured live will feature well-known artists Tristan Eaton and D*Face (Dean Stockton). Some photography and focused on BLM will include Raddington Falls, Fumero, Irena Kenny, Konstance Patton, and more. 

Aug 1st: Artists featured live will be infamous Shepard Fairey, Beau Stanton, and B.D. White. Artists featured via photography and focused on BLM include Shaina Eve Cintron, Calicho Arevalo, Lady Jday and more.

Key Features of Walks’ Tours From Home: 

  • Open Q&A time at the end of each tour
  • Guides are screen sharing, using visual aids for their presentations, and on some tours, taking guests on live walks around important attractions
  • Focus on storytelling and little-known facts 
  • Each virtual tour costs between $10 and $15, and all guests receive a $25 travel voucher for a future live Walks tour (valid for two years), enable guests to explore in person when travel resumes 
  • When guests love their guide, digitally provide tips directly on the platform

“The pandemic presented an opportunity to bring our tours into your home, and even go outside our typical offerings to highlight amazing storytellers and touch on provocative subjects. The BLM movement is a poignant time to elevate stories of inspiring activists and revolutionaries such as Nelson Mandela, and modern-day thought leaders and artists like those featured in our street art tour around Manhattan,” said Stephen Oddo, CEO of Walks.  

Walks offers over 150 unique tours and cultural experiences in 15 iconic cities across Europe and the United States. From its head offices in Dublin, Ireland and Austin, Texas, USA, Walks operates some of the most exclusive tours around the globe, partnering with prestigious attractions to offer special access to the world’s leading landmarks, museums and galleries. A complete end-to-end tour operator, Walks curates unique experiences for small groups, while delivering hands-on customer support. Walks is proud to operate a portfolio of websites including takewalks.com and walksofitaly.com.

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Petersen Automotive Museum

The Kenford Truck by Von Dutch

On Saturday, September 29, 2018, the Petersen Automotive Museum will debut the first in a series of “California-themed” exhibititions to kick off its 25th anniversary in 2019. Titled “Auto-Didactic: The Juxtapoz School,” the display will examine a mix of art pieces and automobiles from the artists of “Juxtapoz Magazine,” who have helped redefine the role and imagery of automobiles in contemporary art.

Replacing “The High Art of Riding Low: Ranflas, Corazón e Inspiración” exhibit in the Armand Hammer Foundation Gallery, “Auto-Didactic” will feature more than 50 artists. Artists on display will include skateboarder, designer and OBEY Clothing Founder Shepard Fairey; famous pinstriper of the “Kustom Kulture” movement Von Dutch; and painter, cartoonist and “Juxtapoz Magazine” founder himself Robert Williams.

In addition to the selection of art pieces, the exhibition will highlight notable art cars including the 1932 Ford Roadster named “Prickly Heat” by Robert Williams, “The Orbiton” by Ed “Big Daddy” Roth, “The Kenford Truck” by Von Dutch and the 1959 Cadillac titled “The New and Improved Ultima Suprema Deluxa” by Kenny Scharf.

“Our new exhibit will be unlike any other exhibit we’ve ever curated at the Petersen during the last 25 years,” said Petersen Executive Director Terry L. Karges. “While the focus is still on the automobile, the range of artwork on display will appeal to both car enthusiasts as well as the progressive art connoisseur.”

Launched with the mission of connecting subculture genres such as psychedelic posters, hot rod art, street art and illustration with traditional “highbrow” mediums, “Juxtapoz Magazine” was founded in 1994. Since its inception, the magazine has continuously addressed themes deemed “unsavory” by staunch art critics. It was not until the Laguna Art Museum’s presented its “Kustom Kulture” exhibition in 1993 that the relative interests of underground artists and collectors were presented as a unified group, paving the way for the creation of the magazine.
Preceding the public opening, the Petersen will host a preview reception featuring opening remarks, music and food by Drago on Thursday, September 27, 2018. The VIP ticket includes early access to the exhibit and a copy of the exhibit book. To purchase tickets or learn more about the Petersen Automotive Museum, please visit www.Petersen.org.

Prickly Heat by Robert Williams

Robert Williams; Hot Rod Race, 1976; Acrylic on Board; Collection of Gwynned Vitello

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The Museum is located at 6060 Wilshire Boulevard (at Fairfax) in Los Angeles, California, 90036. Admission prices are $16 for general admission adults, $13 for seniors and students with ID, $8 for children ages 3 to 12. Active military with ID, personal care attendants and children under three are admitted free. Museum hours are 10 a.m. to 6 p.m. For general information, call 323-930-CARS or visit www.Petersen.org.

DANYSZ GALLERY

Shanghai | Gallery

Alain Delorme

Exhibition Murmuration

January 26 to March 16, 2018

Born in 1979, Alain Delorme lives and works in Paris, France. Graduated from the Gobelins’s school, he then pursued a master’s degree in photography at the University of Paris VIII. The photographic work of Alain Delorme is particularly concerned with depicting the phenomena of normalization and standardization conveyed by our consumer society. The artist delivers photographs in graphic and colorful worlds oscillating between realism and fiction.

A distant rustle, puffs of air : a swarm forms and rises in the breeze, drawing elegant arabesques in a sky full of shimmering reflections of light. At first, the works of Alain Delorme capture the magic of the first fleeting beauty of a flock of birds, a Murmuration. However, this initial charm soon vanishes when the viewer takes a closer look, notices the clever deception, and discovers what is really behind the graceful flocks, the sometimes aquatic, sometimes calligraphic shapes : thousands of plastic bags, meticulously arranged by the artist, their massive presence threatening to asphyxiate the horizon. This work is located at the crossroads between various visual cultures and diverse artistic heritage, primarily cinematic : Murmuration seems like an improbable blend of the sight of the plastic bag which in American Beauty (1999) swirls around almost hypnotically, and the vision of The Birds in Hitchcock’s great classic from 1963. Both play with the reversal of perspective: the Master of Fear builds his plot on the inexplicable aggression of actually harmless animals, while the scene captured by the amateur filmmaker seems to unveil the beauty and delicacy of an otherwise ungainly object.

More generally, Delorme’s digital creations echo land art installations – presenting natural spaces that have been physically transformed in order to question their fate and vulnerability. In this work, Alain Delorme revisits accumulation, a recurrent theme of the new realists also leveraged in Delorme’s previous series – using absurdity to bring attention to the excesses of modern society.

By choosing such a common and universal artifact, the commentary takes on a global relevance. The context of the images is only hinted at, without explicit geographic positioning. The outline of our proud industrial societies, factory chimneys and power lines stand out as shadows playing against a sky that is bathed in a twilight that seems to announce the end of an era. Because the plastic bag poses a truly universal threat : it invades urban surroundings, litters natural habitats, paves seabed, and takes over deserts.

Through this “trompe l’oeil”, Alain Delorme steps away from any militant position, favoring the process of gradual awareness. He cuts out, assembles and arranges the elements of both a fictional and probable reality into one image that projects the sunsets of our tomorrow.

Practical informations

January 26 to March 16, 2018

Danysz Gallery

256 Beijing East Road x Jiangxi Road – Shanghai

Singapore | Curatorial

Exhibition Art From The Streets

at ArtScience Museum

Exhibition since January 13 to June 3, 2018

ArtScience Museum – The world’s most iconic street artists present provocative works for the first time in Southeast Asia. From 13 January 2018, the galleries of ArtScience Museum will be invaded by some of the world’s top street artists in one of the boldest exhibitions to be shown at the museum in years. Art from the Streets traces 40 years of Street Art, from its countercultural beginnings to its extraordinary rise as a major phenomenon in contemporary art.

The show features the world’s best known street artists including Banksy, Shepard Fairey (aka Obey), Futura, Invader, JR, Blek le Rat, Swoon and Vhils among others .

Curated by Street Art expert and gallerist Magda Danysz, Art from the Streets reflects the evolution of street art, charting the diverse artistic techniques employed by artists through the decades and showing how technology has created new expressive avenues for artists.

One of the highlights of Art from the Streets will be a series of live paintings and installations created on – site by iconic names from the field. Nearly a dozen artists, including upcoming new street art sensation, Felipe Pantone from Spain, have been invited to take over the galleries of the museum, creating new art works especially for the show. Illustrating the vitality of and diversity of the movement, the show also includes large – scale mural paintings, installations, videos, prints, archival material, drawings and sketches.

As well as bringing some of the leading international names in Street Art to Singapore for the first time, Art from the Streets also shines a spotlight on urban art in South east Asia. The show includes major new works by local and regional artists, including Speak Cryptic (Singapore), Yok & Sheryo (Singapore) and Eko Nugroho ( Indonesia ) .

“ArtScience Museum is thrilled to be presenting some of the biggest names in Street Art in this daring and provocative new show. What started out as acts of rebellion on the streets of US cities in the 1970s, has since expanded into a major international cultural movement. Art from the Streets shows how street art has evolved beyond the early days of graffiti and tagging, and is now recognised as one of the most important artistic genres of the 21st century. Our visitors will see how artists have restyled the look and feel of cities around the world, through captivating, thought – provoking works that range from small interventions, to massive murals. This is an exhibition that celebrates the energy and dynamism of the streets, by encouraging some of the most exciting artists in the field to transform our galleries into living urban artworks,” said Honor Harger, Executive Director of ArtScience Museum, Marina Bay Sands.

“Street Art is one of the most important art movements to have emerged in the 21st century. This exhibition celebrates the vitality of a movement many of us can witness as part of our everyday experience. It is very important at this stage to mark the 40 year history of the movement and recognize Street Art as a coherent and valuable art movement,” added Magda Danysz, a curator and writer based in Paris and Shanghai. Having witnessed the rise of graffiti and urban art from its beginnings, Magda Danysz became an expert in the movement, writing books about the history of Street Art, curating major institutional group shows and over 50 solo shows with artists including Shepard Fairey (aka Obey), Invader, JR and Vhils.

Practical informations

since January 13 to June 3, 2018

Art Science Museum

6 Bayfront Ave – Singapore

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Rilke Guillén

Rilke Guillén 

Artist Plásticomexicanocatalán, spiritually and vitally grown and split between two ways of being, of thinking and feeling. He has exhibited his work in Spain and Mexico for many decades.

Artist statement

I believe to express my vision of this splendor-decadent world that witnesses our existence, to try to move in the emotion of the viewer, to make him see inside yes; by the right and the reverse of the same glove of what is and exists and of what is not and also exists. Like the dream inside the eye and the outside eye. Like the truth and vertigo of the depth of the fractal-cosmic spiral. As a picture, as truth, as the line that springs from my pen. Creating images and sculptures gives meaning to my existence and being me from the inside-out, so I can communicate with others. I am an insatiable explorer of the plastic techniques that I am encountering in my path, such as painting, watercolor, engraving, sculpture, design, etc. My search in these different lands has the same objective: to find the voice that is capable of taking out this animal-human being, who is thronging in my heart. The fine perfume of the flower of my spirit.

Biography

I remember as a child drawing horses and birds obsessively. The representation of images has always seemed to me as a matter that holds great power, as if in representing an object or being, somehow one was made with his skill, with his unique quality. I have always been surrounded by art. My father, in his poetic dimension, attracted artists from all disciplines to the house to share his presence and talent, some of them had a great impact on me. There was a very special one that made me the honor of taking me as a disciple for a short but unforgettable time: The great teacher Rodolfo Zanabria (who in peace rides in infinity with his maidens with long hair and beautiful faces). From him, I learned that the road is long and if you know how to walk you will reach the Magical Domain. Destiny had the willingness to be a Mexican-Catalan artist, spiritually and vitally grown and split between two ways of being, thinking and feeling. This has allowed me to exhibit and share my work on both sides of the Atlantic since my debut on the plastic scene, until today.

For more artworks, visit here.