Posts tagged with "Andy Warhol"

Award illustration by Heather Skovlund for 360 Magazine

NYC Scholastic Art × Writing Awards

New York City Scholastic Art & Writing Awards Exhibition

Now on View at The Met

Art and Writing by 2021 Gold Key Winners on Display in The Met’s Ruth and Harold D. Uris Center for Education

The nonprofit Alliance for Young Artists & Writers and The Metropolitan Museum of Art have announced the opening of the seventh annual Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met’s Ruth and Harold D. Uris Center for Education. This special exhibition is now on view and is free to the public through May 21, 2021.

The exhibition features more than 200 works of art and writing by New York City based Gold Key recipients participating in the 2021 Scholastic Art & Writing Awards, the country’s longest-running and most prestigious award and recognition program for creative teens. This year, students from all five boroughs in grades 7-12 submitted more than 10,000 works in 28 categories to the New York City regional program of the Awards, representing more than 300 schools.

Education has been at the heart of The Metropolitan Museum of Art’s mission since our founding in 1870, said Heidi Holder, the Frederick P. and Sandra P. Rose Chair of Education at The Met. Now, more than ever, we are committed to investing in education and supporting the creativity of New York City’s young people. It is an honor to present the 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition in partnership with the Alliance for Young Artists & Writers. This annual exhibition demonstrates the power of art to transform, uplift, and challenge us.

All works were blindly adjudicated by accomplished creative and literary professionals based on originality, technical skill, and the emergence of a personal vision or voice. This year, the exhibition will present framed prints of students’ work, due to ongoing restrictions related to the COVID-19 pandemic and to ensure equitable access for all the student artists.

The artworks on display at The Met received top regional awards and were eligible to receive national honors through a second round of judging, which can open further opportunities for exhibition and publication, as well as access to scholarships. The Awards have honored distinguished artists since 1923, including Andy Warhol, Cy Twombly, Kay WalkingStick, John Baldessari, Luis Jimenez, and Catherine Murphy, whose works are in The Met collection.

Chris Wisniewski, Executive Director, Alliance for Young Artists & Writers, said: The creativity of our city’s teens has continued to flourish despite a year of unprecedented challenges. It has never been more important to celebrate diverse student voices and encourage the artistic expression of a generation of rising leaders. The Alliance for Young Artists & Writers is thrilled to partner with The Met to showcase the exceptional young winners of the 2021 New York City Scholastic Awards.

The Alliance partners with Parsons School of Design at The New School and Eugene Lang College of Liberal Arts at The New School to present the regional New York City Scholastic Art & Writing Awards. The 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met is presented with generous support from The New York Times, the New York City Department of Cultural Affairs, The Maurice R. Robinson Fund, and Scholastic Inc.

To learn more about the Scholastic Art & Writing Awards, visit the Scholastic Media Room online.

About the Alliance for Young Artists & Writers

The Alliance for Young Artists & Writers, a 501(c)(3) nonprofit organization, identifies teenagers with exceptional creative talent and brings their remarkable work to a national audience through the Scholastic Art & Writing Awards. Founded in 1923, the Awards program is the longest-running, most prestigious initiative of its kind, having fostered the creativity and talent of millions of students through recognition, exhibition, publication, and scholarships.

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens, businessmen and financiers as well as leading artists and thinkers of the day, who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City: The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

The Most Scandalous Cases of Plagiarism in Art

By Judy Nelson

Art is generally connected to creativity and original work. The ability to design something that has not been seen before is the driving force behind most artistic minds. Unfortunately, some people choose to take advantage of the creativity of others rather than come up with their own content. 

To make matters worse, these people also fail to give credit where it’s due, instead trying to pass these reproductions off as their own. Plagiarism has become a growing problem in the pop art world, with many emerging artists having their work stolen by others looking to make a quick buck. Some of the more scandalous incidents that have happened in this genre include:

Andy Warhol vs. Patricia Caulfield 

Andy Warhol is considered one of the founding fathers of pop art culture. His works offered new forms of expression that connected art with the advertisement industry and celebrity culture. Because of his prominent position in the industry, the discovery of his plagiarism came as a shock to the world. 

In 1964, the artist released a new series known as “Flowers,” which took the industry by storm. The work consisted of a beautiful floral design printed on various silkscreens. It was soon discovered, however, that instead of creating an original portrait of flowers, 

Warhol had used a photograph by artist Patricia Caulfield –which had been published in a 1964 issue of Modern Photography. This shortcut led to Warhol’s first lawsuit, as Patricia lodged an official complaint in 1966. Any such situation leads to disgrace and as a student, you are also recommended professional plagiarism checker for students in the UK. It ensures 100% unique work and this instills confidence in you that you are writing plagiarism-free and then submit the academic work.

Zara vs. Tuesday Bassen 

In 2016, Zara, a prominent fast-fashion retail brand from Spain, clashed with Los Angeles based independent artist Tuesday Bassen. The dispute arose because of the global brand’s use of the illustrator’s pin designs without her consent. 

The designs had been added to a new line of Zara’s products, with Bassen only finding out when her fans contacted her after noticing the similarities. Zara showed no remorse for their actions, refusing to acknowledge any wrongdoing. 

The retail brand even pointed out that complaints related to the similarities in design were insignificant compared to the overall traffic that the company attracted. This callous response caused uproar within the artistic community. It also highlighted the struggles endured by independent brands and artists in the industry when going up against big corporations. 

Lili Chin vs. Kohl

In 2016, Lili Chin, another independent artist from Los Angeles, filed a complaint against mega retail store Kohl for the use of her work without permission. The lawsuits consisted of copyright infringement and unfair competition charges. 

Lili demanded damages that could have reached up to $1 million. The complaint was based on the retailer marketing her drawings of “Boogie the Boston terrier” on socks and t-shirts sold in their stores. The drawings were based on a 2011 poster designed by the illustrator, showing the dog in various poses. 

Lili Chin pointed out that she sold similar merchandise with the same designs on them. She also mentioned that part of her proceeds went to dog rescue organizations, with Kohl’s actions reducing the amount of charity she was able to give to this worthy cause. In the end, the two parties settled out of court. 

Modern Dog vs. Disney/Target  

Another dog-based design was at the forefront of artwork plagiarism in 2013, when Modern Dog sued commercial giants Disney and Target over the use of an image that had featured in one of their books. Unauthorized copies of the picture had been printed on t-shirts and sold by the two major corporations. 

The companies’ online plagiarism checker was found at fault when they tried to argue that the illustrations involved fell under a technical rather than creative category. The image in question was a collection of sketches of different small dog faces. 

In the summary hearing, the court ruled in favor of the complainant and awarded Modern Dog with broad copyright protection for all 26 drawings. 

Forever 21 vs. Valfré 

Ilse Valfré is the third Los Angeles-based artist to suffer plagiarism at the hands of a major corporation. In 2016, the Mexican-born designer created a cartoon-based design of a rainbow featuring pastel colors and white puffy clouds. Less than a year later, fashion giant Forever 21 released a similar design. 

Both emblems featured matching colors and were branded on the back of iPhone cases. Further investigations by the complainant found that Rue 21, another major retail corporation, had also plagiarized three other designs from Valfré – in the production of their stereo earbuds. 

Conclusion

These examples of plagiarism highlight the need for strict regulation policies when it comes to the protection of copyrighted work. Independent artists deserve recognition for their productions, and, unfortunately, some major companies would rather try and plagiarize these designs than pay the artists for their work. Luckily, the growing influence of social media has made it harder for companies to get away with this act. 

Author Bio:

Judy Nelson works for an NGO based in East Africa, where it runs programs to spread awareness about education for all. She is their lead content writer and editor and also works part-time as a thesis and dissertation writer for an online academic writing service. In her free time, she plays with her pets, drives to the countryside and learns caricature drawing. 

Covid-19 Impact on Artists

Story × Art: Alex Rudin

As we head into the eighth month of Covid-19, the distractions of apple picking, pumpkin carving, and outdoor dining are behind us. Lockdowns have long been lifted and social gatherings have become commonplace. The ominous inevitability of a deadly third wave looms. This guaranteed “dark winter” begs one to reflect on the early days of the pandemic. A time when fear, disinformation, and isolation plagued every household, no matter its inhabitants. 2020 has been a year of postponement, grief, isolation, and reckoning. Yet with struggle comes the opportunity for growth, change, and creation… If you let it. As Andy Warhol once said, “they always say time changes things, but you actually have to change them yourself.”

As a self-employed artist, uncertainty is a language I speak well. Prior to Covid-19 I spent my days in the School of Visual Arts printshop in NYC. From conceptualizing and prototyping new products for my business, Rudin Studios LLC, to fumbling around for an answer to the age-old question of “what to make,” it is clear I was lost in an artistic haze of looking for purpose. Then Coronavirus hit. Instantaneously everything turned upside down. Suddenly, I was in an unfamiliar town, without the ability to work (silkscreen), miles away from the studio I call home. I remained glued to the news awestruck by the infection and mortality rates. I racked my brain for something to do, how to help, what to make.

I became focused on those who were not as privileged as me. Those who were struggling to find housing, to feed themselves, to protect themselves from this deadly virus which was clearly and disproportionately hurting people of color. I began working on a series of paintings to be auctioned off, 100% of the proceeds going to homeless and trafficked youth in NYC. While the fundraiser was a success, I could not help but feel the conceptual aspects of the work were not important, relevant, or impactful. If I learned anything from my education at Parsons School of Design, it is that concept is king. My artwork slowly began to shift towards the idea of documentation. Buzzwords like “historical” and “unprecedented” flew across the airwaves and fueled my desire to capture and document the struggles of 2020. This was just the beginning.

Soon to follow were the atrocious murders of George Floyd, Ahmed Arbery, and Breonna Taylor, which brought racial justice to the forefront of the American conscience. While the President continuously fanned the flames of racism, the cries for equality and allyship were deafening. It was time to allow my artwork to reflect the times and struggles of our country which so deeply affected me and so many others. Black Lives Matter, and it is the white person’s responsibility to be educated allies; to use the privilege we are born into to advocate for our oppressed brothers and sisters. I wanted to help acknowledge, reflect, and correct the institutional racism that is so insidiously intertwined with our institutions and the American way of being.

Concurrently, the 2020 Presidential election was ramping up. Climate change’s incendiary winds pillaged the west. The wearing of masks became a polarizing political tool. And all the while, the current administration refused to acknowledge or accept responsibility for any of it. Rather shifting blame, denying, and lying became the governing practice. The global importance of what was taking place in the United States was apparent. Election 2020 was to be a reckoning. On the docket: racial justice, women’s rights, climate change, science, and healthcare, to name a few. A polarizing choice between Id and empathy.

For the first time in my career, my purpose seemed clear. I began making work that focused on the progression of human rights, equality, and fairness relying on my trusty formula of stylized portraiture and anecdotal commentary. I firmly believe that artists have a social responsibility to reflect the times we live in. The majority of my work has focused on uncovering and expressing truths about what it means to be a woman in 2020. However, one cannot comment on the feminine experience without addressing the current political situation and the oppression experienced by American minorities. While the Trump Administration continued to attack women’s rights, promote violence, ignore climate change, and fan the flames of racism, I relied on my creative voice to talk about the challenges we faced not only as women, but as a nation. That being said, I decided to devote my time to creating a series of posters for the 2020 election to help galvanize the female vote. This included partnering with Women for Biden Harris 2020, Women for the Win, and Article 3 among numerous other female-run organizations.

While the trials and tribulations of 2020 have forever altered the fabric of American reality, so has it altered me. A year such as this begs internal personal reflection if not metamorphosis. To find purpose, love, and empathy through the chaos of hate and violence is the silver-lining we all need. In a time where division is the name of the game, we must transcend the idea of the “other.” As the most recent Covid-19 wave surges across the country, I implore anyone with the creative impulse to say something, to do so. Pick up the pen. Document the times, the thoughts, the fears that come along with living through such tumultuousness. Follow the empathy, the creativity, and the voice inside telling you to advocate for those less fortunate. As Thomas Paine aptly stated, “The real man smiles in trouble, gathers strength from distress, and grows brave by reflection.” If you find yourself in a place of privilege, take it upon yourself to seize the opportunity in front of you. It is not an opportunity for financial incentive or career advancement, but for internal revolution. Soon, life will “go back to normal,” but there’s nothing normal about what we have witnessed. Allow the intensity of experience to alter you. For when the time has come and gone, and you reflect upon 2020, wouldn’t it be nice to say that through all the sadness, grief, and fear a better version of yourself was uncovered?

Four Seasons, FS NY Downtown, Tribeca, Four Seasons Downtown, Vaughn Lowery, 360 MAGAZINE, 360, 5 star, five-star, amenities, WTC, One World Trade Center, world trade center

The supreme design comes with Bobbleheads!

Bobbleheads are having the most innovative design you can have in dolls of their size and shape!

There are many persons who are fond of special design patterns. Most of them don’t have specific knowledge of what exactly they are looking for but bobblehead dolls are easily there to give their desks a special appearance.

If you click here you may find more information about the initial concept of the bobblehead dolls that keep on being the hottest artistic trend in modern America. Even from the times of Andy Warhol or the Bauhaus movement people were trying to find different design lines to decorate their homes.

Bobblehead designer is no more using straight lines for their dolls. The supersized head is satisfying your vision since it has the Gauss curve on its sides. That is why it is mathematically proved that bobblehead dolls are giving you more joy and satisfaction than any other artifact that may be given to you during the festivity seasons.

Additionally, you may have lots of options when you are ordering such dolls. There is always the chance to order these dolls in multiple sizes that can start from the mini bobbleheads and go on to the medium and large sizes which keep on being the most popular of all. Customers throughout America start placing their orders to the website of the bobblehead dolls way before Christmas. Even from the holidays of Thanksgiving bobblehead factories are stacked with orders that need to be delivered the earliest possible.

Hoe can all this demand be satisfied through the month of December? Are there any design requirements that Bobblehead dolls creators cannot satisfy? Which is the minimum number of days you could easily order a bobblehead doll online without the fear that it is going to be delivered after Christmas?

More questions are accumulated to eh FAQ section of the bobblehead dolls website but in this review, we are going to answer to the most persistent of all. There are people across the world that are sending the pictures of their favorite sports stars to the bobblehead dolls factory in order to create the particular hero they would like to have for their beloved ones.

How can a bobblehead doll get designed?

There has to be great accuracy and precision when people are trying to make a new bobblehead doll. In earlier stages, the molds were fixed by hand and couldn’t be used again for another bobblehead doll. However, this all belongs to the past. Now there is the chance to create these dolls using inputs from a 3D printer. The printer is connected to a powerful desktop computer that receives pictures in the form of JPG files.

Then the web designer is passing all the information to the 3D printer and the specific mold that can give the right size of the desired bobblehead dolls is created.

Special attention has been given to find the right proportion of the supersized head to the rest of the body. Some bobblehead dolls are having a slimmer body and these are the ones that don’t have the need for a bigger head. However, the fatter the body of your doll the larger the head should be in order to have the most impressive results in terms of design.

Then the materials of the bobblehead dolls are melted. They are mostly rubber and plastic coming from recyclable materials which is a great clue of these innovative dolls. When the bobblehead is finally taking its natural shape, the designers are passing it to the painters. These people are giving your bobblehead its final appearance according to the picture that you have provided them in the beginning.

All paints are natural and harmless for use among kids and pets. In other words, bobbleheads can be licked by toddlers and pets without the paints fade away from harm the body of your beloved ones. This is the general procedure that the bobbleheads are created in mass production that happens throughout the year. However, the busiest time around the year keeps on being the Christmas time since bobblehead dolls are created to be given as presents for friends and family.

Extreme design is always a plus for Bobblehead dolls

Bobblehead dolls are famous for their innovative and challenging design. They are not like the normal dolls that have a predictable shape and don’t give you the chance for laughing at it from the first time you lay your sight on it.

These dolls are having a natural movement that is depicted on their special shape. You will be amazed to find out that the bobblehead dolls have a different movement pattern depending on the profile side you are viewing them. Most of the people also know that their pigmentation is always representing the real facts of the famous star the dolls are depicting.

Additionally, the bold design is shown in the way these dolls are standing on their base. That is why these dolls are ideal to have them on your desk to show them off to your friends and colleagues. For all those reasons the bobbleheads are among the most desirable and collectible dolls that are sold in the online market. No doll is completely the same as any other one even though they depict the same famous hero. Uniqueness is something that keeps on selling massively and is the main feature of these tremendous handmade dolls.

Conclusion

People all around the globe are competing with each other to have a unique and original bobblehead doll. They are made in mass production to give people the joy to have their famous heroes on their desks.

For years they are adored for their extreme design that differs from anything else you have seen so far. The challenging way to produce these dolls is giving you the chance to collect them and have the assurance that you will have a great return on investment when you finally decide to place them in an auction.

Bobblehead dolls are the best gift for Christmas. Everyone will like their design and will keep memorable the time of your kind gesture!

Tom Burr at the Wadsworth Atheneum

Portraits by Tom Burr Propel MATRIX Exhibition Series at the Wadsworth Atheneum

Connecticut-born sculptor Tom Burr’s expansive body of portraiture takes a different approach to the relationship between the built environment, material, subjectivity, and historical personalities. Coinciding with the 50th anniversary of the Stonewall Riots and the museum’s presentation of two other portrait centered exhibitions, Tom Burr / MATRIX 182 / Hinged Figures unites a selection of the artist’s reclining figures, several of which are portraits of individuals from queer history and American Modernism. Burr began the series in 2005, and MATRIX 182 constitutes the largest museum presentation of the reclining figures to date. The sculptures will be shown both within the MATRIX Gallery and around the museum, in dialogue with specific artists and architectural spaces, and also at the Austin House.

“I wanted to see the figures spread throughout the different spaces in the museum–spaces that resonate with the history of 20th-century art being shown–but also in other, less expected settings, such as Chick Austin’s house,” says Tom Burr. “I wanted to create a constellation of figures and sites that would engage, in a sense, the museum and the house as a total stage set.”

Burr’s sculptures combine Minimalist forms with figures and material attributes, such as books, magazine pages, notecards, tinsel, and a Chanel dress. He is interested in the way certain figures shape and are shaped by the spaces they inhabit. In this MATRIX project, Burr directly addresses the Wadsworth’s prominent role in the history of Modernism in several portrait subjects, including former director A. Everett ‘Chick’ Austin, and two creatives, writer Gertrude Stein and composer Virgil Thomson. They were commissioned in the 1930s to make the opera Four Saints in Three Acts to inaugurate the newly completed Avery Memorial and its purpose-built theater. Two 33 rpm records of the opera and are featured in Burr’s Chicks, 2008

One foot in the grave (reclining), 2010 references photographer Robert Mapplethorpe whose career is embedded in the Wadsworth’s history.A MATRIX artist in 1984, Mapplethorpe’s work has also been presented in exhibitions in 1990, 2015 and will be included in Be Seen: Portrait Photography Since Stonewall opening June 22, 2019. Burr’s portrait of Mapplethorpe (below) includes a postcard featuring one of the photographer’s black-and-white flower images and a small pile of soil evoking a meditation on illness and the AIDS epidemic.

“Tom Burr’s continual engagement with queer historical figures and modernism identified him as a strong choice for an expanded MATRIX project for the summer of Stonewall 50,” says Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth. “Although most of these sculptures were made some years ago, the personas

they evoke resonate with the Wadsworth’s history in terms of collections, exhibitions, and programming. Burr has remarked on the noteworthy inversion of these departed figures’ ‘return’ to the Wadsworth as memories in the form of sculptures.”

Artist Biography

Tom Burr was born in 1963 in New Haven, Connecticut. Burr has exhibited in group and solo shows throughout the world since 1988, in institutions and museums including the SCAD Museum of Art, Savannah, GA; FRAC Champagne-Ardenne, Reims, France; SculptureCenter, New York, NY; Skulptur Projekte, Münster, Germany; Contemporary Arts Museum, Houston, TX; Nacional Centro de Arte Reina Sofia, Madrid, Spain; The New Museum, New York, NY, and the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY. The works of Tom Burr are included in numerous private & public collections, including the Art Institute of Chicago, Chicago, IL; Hammer Museum, Los Angeles, CA; The Israel Museum, Jerusalem, Israel; Lenbachhaus Museum, Munich, Germany; Museum of Contemporary Art, Los Angeles, CA; Walker Art Center, Minneapolis, MN; Whitney Museum of American Art, New York, NY.

Related Programs

Tom Burr / MATRIX 182 / Hinged Figures opens during Art After Dark, Thursday, June 6 from 5-8pm, and the artist will give a Gallery Talk at 6:30pm. A docent-led Art In Focus tour of Tom Burr’s Chicks (2008) will take place on Friday, August 21 at noon. Curator Patricia Hickson will lead a Gallery Talk on Thursday, August 29 at noon.

About MATRIX

Inaugurated in 1975, MATRIX is the Wadsworth’s groundbreaking contemporary art exhibition series featuring works by artists from around the world. From its inception, MATRIX has been a forum for art that is challenging, current, and sometimes controversial. Through clear explanation and thoughtful engagement with the viewer, MATRIX exhibitions call into question preconceptions about art and increase understanding of its possibilities. Many MATRIX artists, such as Christo, Sol LeWitt, Gerhard Richter, Cindy Sherman, Andy Warhol, and Carrie Mae Weems are now considered seminal figures in contemporary art.

Exhibition and Program Support

MATRIX 182 is generously supported by the Howard Fromson Exhibition Fund.

The MATRIX program is supported by the Wadsworth Atheneum’s Contemporary Coalition. Sustaining support for the Wadsworth Atheneum is provided by Newman’s Own Foundation and the Greater Hartford Arts Council’s United Arts Campaign

About the Wadsworth Atheneum Museum of Art 

Founded in 1842 with a vision for infusing art into the American experience, the Wadsworth Atheneum Museum of Art is home to a collection of nearly 50,000 works of art spanning 5,000 years and encompassing European art from antiquity through contemporary as well as American art from the 1600s to today. The Wadsworth Atheneum’s five connected buildings–representing architectural styles including Gothic Revival, modern International Style, and 1960s Brutalism–are located at 600 Main Street in Hartford, Conn. Hours: Wednesday-Friday: 11am-5pm; Saturday and Sunday: 10am-5pm Admission: $5-15; discounts for members, students, and seniors. Free admission for Hartford residents with Wadsworth Welcome registration. Free “happy hour” admission 4-5pm. Public phone: (860) 278-2670; website: thewadsworth.org.

 Image:

Tom Burr, Chick, 2008. Plywood, paint, steel hinges, canvas medical straitjacket, white rubber, steel drafting lamp, steel ashtray. Installation view. SculptureCenter, 2008. Collection of Shelley Fox Aarons and Philip Aarons. © Tom Burr.

BLONDIE’s Chris Stein’s Photo Book

Blondie’s Chris Stein has released POINT OF VIEW: ME, NEW YORK CITY, AND THE PUNK SCENE, his latest photo book – out now. Following in the footsteps of the successful Negative: Me, Blondie, and the Advent of Punk, this newest book is a highly personal and visually arresting collection of Stein’s photographs which captures an important, but fading chapter in Manhattan’s history – complete with candid photographs of pop-culture icons – through his insider lens. PRESS HERE to purchase.

 

For the duration of the 1970s-from his days as a student at the School of Visual Arts to founding member of the era-defining band Blondie and the architect of its success with lead singer Debbie Harry, to his subsequent reign at the epicenter of punk’s golden age-Chris Stein kept an unrivaled photographic record of the downtown New York City scene. Focusing mainly on a single decade in Stein‘s own world, the images presented here take us from self-portraits in his run-down East-Village apartment to evocative streetscape shots in all their most longed-for romance and dereliction.

 

An eclectic cast of cultural characters-from William Burroughs and Lydia Lunch to Debbie Harry and Andy Warhol to Basquiat and Shepard Fairey-is captured during this moment in time, juxtaposed with children sitting on stoops, torn-down blocks, the graffiti-ridden subway, and the burgeoning club scene of the Bowery.

 

At once a chronicle of one music icon’s life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, POINT OF VIEW captures the cultural and social ethos of the 1970s. While Stein is credited with helping to shape the sound and the look of pop culture for more than four decades, POINT OF VIEW is a thrilling reminder of Stein’s brilliance as a photographer and documentarian of the New York City music scene and beyond.

 

About the Author: Chris Stein is the co-founder, songwriter and guitarist of the iconic punk band Blondie. The band’s 11th studio album, Pollinator, was named one of Rolling Stone‘s 20 Best Pop Albums of 2017. Chris’ photographic work has been featured in galleries and press around the world, and published in the successful book Negative: Me, Blondie, and the Advent of Punk (Rizzoli). Beyond his era-defining music with Blondie, he has collaborated with a host of artists over the years, including Andy Warhol, Basquiat, William Burroughs, Devo, Glenn O’Brien, and Shepard Fairey.

Style + Technology = STYLNOLOGY

By Patrick T Cooper

Introduction
A black and white color palette is an imperative style component and GREEN (money) is a very necessary … really we mean the color. Life must be simple yet elegant. Who needs fussy and undo stress on the trot to the billionaire club? Not me and neither should you. If Elon Musk can put a Tesla into space surely you can follow our STYLNOLOGY guide to awaken your fashionable presence. Think less geek and opt for chic. We’ve rummaged the market to find high tech gadgets, fashion forward options and destinations to tickle your fancy. Your daily dash should be a dream. From sneakers that feel like you’re walking on air to shirts that are breathable, wrinkle free and odor resistant you will always be right on TIME and KNOWLEDGEABLE of what is current.

The Shoe
Who needs laces when you are on the move? Bzees makes lacing up a worry of the past which may add to your overall productivity. The Improv Slip-On’s built in cloud technology will cradle your feet for all day comfort so get ready to make a dash for it!
Price $69.00
Direct Link

The Watch
The Eterno Watch is traditional in soul, handcrafted in Switzerland and waterproof to 5 atmospheres. Produced in a limited quantity of 500 pieces this is definitely an exclusive. Add this accoutrement to your timepiece collection and watch your wrist dance in style.
Price $585.00
Direct Link

The Headphones
No need for compromise and no need for fussy wires anymore. The feather weight Studio 43 are designed for convenience and ease. Voice interactive capabilities allowing you to stay engaged, hands-free and alerts for incoming calls. So gear up and let this gadgets multi-function ease your burdens.
Price- $139.00
Direct Link

The Shirt
Thanks to the brilliant technology and performance properties that are woven into the Tahaanga dress shirt your investment will not wash away. Crafted in Italy with moisture control and quick dry fabrics, this garment will be a mainstay for any wardrobe.
Price $175.00
Direct Link

The Athleisure
The name alone is a reason to run toward IBKUL. IceFil technology will chill you. From perspiration to refrigerant your body will be cooled up to 5 degress to the touch. The Xylitol will literally keep you cool as a cucumber during golf, tennis, yoga or running daily errands

Price $98.00 – $106.00
Direct Link
Direct Link

The Jean
Comfort is key at Mugsy Jeans. It is a new day in denim design. Mugsy jeans are warp, shrink, and wrinkle resistant. Prepare to experience a new piece of mind. Synthetic silk make these pants highly flexible and as cozy as college sweatpants.
Price $98 – $120.
Direct Link

The Destination – Pittsburgh, PA.

Take A Bite Out of Pittsburgh

Photography by Terry A Sprunger

Introduction
Pittsburgh is oozing with food, style, steel, sophistication and tons of technology. Carnegie Mellon University and the University of Pittsburgh make this community a haven for research and development. Additionally, technology firms are sprouting up daily. There is an ingrained, humbled, and rhythmic work ethic that vibrates throughout the city. The Steel City gritty spirit is bridging the gap of past with present day. Did you know that Pittsburgh has more bridges than any other city in the world? Now you do. There are 446 bridges in Pittsburgh to be exact. Oh and as you prepare to experience this amazing destination we hope you are welcomed into the elite club of Uber’s driverless car experiment. Yes, that is correct an Uber without a driver. On fire, is an understatement. This American gem is bustling with culture, food and tons of activity. Here is glimpse of our “Bite Out of the Burgh”.

EAT
Pittsburgh’s food scene is growing astronomically and is an incubator for several rising stars in the culinary world. Feel your tummy in The Strip District you will not be disappointed. You can eat yourself into a coma but make 2 stops Enrico Biscotti Company and Smallman Galley

Enrico Biscotti Company
Hopefully you will get a chance to meet the incredible personality of Chef Roy Godin when you stop at Enrico Biscotti Company. The food is divine but it’s all in the personality that makes this dining experience unique and evergreen.

Smallman Galley
Tyler Benson is one half of the brilliant team behind the Smallman Galley. The galley serves as an incubator and an accelerator of young talent and artisans in food. Inspired by global travels your taste buds will be forever grateful as you indulge in innovative food and beverage concepts.

STYLE
Andy Warhol Museum
Who doesn’t know the name Andy Warhol? However, did you know that Andy was a native of Pittsburgh Pennsylvania. Spend the day in this beautiful presentation of Warhol’s oeuvre and become inspired to live larger than life.

SOPHISTICATION
The Duquesne Incline
Thanks to engineer Samuel Diescher and The Society for the Preservation of the Duquesne Heights Incline you can experience a moment in history. Preserving a piece of history… there is a level of sophistication in this. Climbing the steep incline offers a moment of reflection and gratitude for people that dare to dream. Upon arrival at the top of the incline prepare to go into selfie overload and to capture amazing landscape photography of Pittsburgh.

Do yourself a favor and adventure in person to see Pittsburgh’s STYLNOLOGY.

ARTEXPO NEW YORK

ARTEXPO NEW YORK CELEBRATES 40 YEARS OF EXCELLENCE IN ART


World’s largest international fine art marketplace returns to Pier 94, April 19—22, 2018

 Artexpo New York XL presents [MAGNIFY] as the Anniversary theme that takes a look at over four decades of the artistic canvas through a retrospective lens


Redwood Media Group, the nation’s leader in exhibitions and event production, media, and marketing for the global fine art community, announces its highly anticipated four-day annual showcase and most coveted fine art experience that marks an unprecedented 40-year anniversary milestone.  Artexpo New York returns to Pier 94, located at 711 12th Avenue in Manhattan, from Thursday, April 19th to Sunday, April 22nd. Exhibitor or trade registration and purchasing of show passes or general admission tickets is now open at www.artexponewyork.com.

The annual fine art destination will once again offer Three Shows Within One Venue at the heart of Midtown Manhattan, across 135,000 square foot of uninterrupted convention space, known as “The Art & Design Pier.”  Artexpo New York XL will host more than 400 innovative exhibiting artists, galleries and publishers from across the globe, showcasing original artwork, prints, paintings, drawings, sculptures, photography, ceramics, giclee, lithographs and glass works among other contemporary and fine art.

To celebrate 40 years of excellence in art, Artexpo New York presents [MAGNIFY] as the curatorial theme for 2018 – examining four decades of artistic expression through a retrospective lens.  During its 40-year history, Artexpo New York has hosted the likes of Andy Warhol, Robert Rauschenberg, Keith Haring and Leroy Neiman; intensifying the discourse on today’s most pressing industry challenges and magnifying the very best the fine art world has to offer. In addition to coming to see the world’s largest fine art trade show, more than 35,000 avid art enthusiasts and industry leaders will return to enjoy [SOLO] highlighting established and independent emerging artists and [FOTO SOLO] featuring fine art photography from some of the world’s finest abstract, contemporary and realist photographers.  Artexpo New York XL will also feature its annual lineup of interactive and educational programming covering the industry’s topics and trends.

“This year’s Artexpo New York commemorates a very special milestone within the fine art industry,” says Eric Smith, president and CEO of Redwood Media Group. “For 40 years and counting, Artexpo New York has been changing the way people buy and sell art. Our annual curated expo brings the biggest publishers, galleries and collectors face-to-face with hundreds of established and emerging artists. [MAGNIFY] as our curatorial theme for this year’s expo offers a retrospective lens through which four decades of artistic excellence will be represented, examined and immortalized during all three shows.  With giant canvases, monumental sculptures and immersive installations, Artexpo New York is going to be larger than life – both in scale and conception.”

Hosting more than 35,000 avid art enthusiasts, including 5,000+ trade representatives every year, Artexpo New York is the largest international gathering of qualified trade buyers—including gallery owners and managers, art dealers, interior designers, architects, corporate art buyers, and art and framing retailers. Attendees will have an opportunity to browse thousands of innovative new works of art and enjoy education seminars, cocktail parties, live entertainment and other special events. [SOLO] offers established and emerging independent artists the opportunity to showcase their work on an international stage. Over the decades, [SOLO] has become the ultimate venue for independent artists to be discovered—not only by gallery owners and art publishers, but also by collectors and enthusiasts. [FOTO SOLO] includes collections of fine art photography by some of the world’s most acclaimed independent photographers.  The show has continued to partner with industry publishing experts, Digital Photo Pro and Outdoor Photographer, to reinforce its philosophy of supporting career opportunities of independent artists.

As part of the interactive schedule of programming, this year’s Artexpo New York will include Art Labs, featuring specially curated site-specific projects by prominent galleries, art institutions, and art collectives within the show; Spotlight Program, providing collectors with a focused look at several prominent artists and galleries that will each be creating a site-specific exhibition, and the LaunchPad Artist Program, showcasing an emerging and unrepresented artist who is selected to create an exhibition at the show, resulting from a collaboration among local art institutions, galleries, and Artexpo New York. This year’s expo also features the Topics & Trends Education Program, which includes four days of complimentary seminars and conference classes offering expert perspectives on subjects ranging from art and the economy, small business management and art marketing to design and decor trends and social media management for artists. The full schedule of programming activity will be announced in April.

An addition to this year’s Artexpo New York will include an artists Sculpture Garden – a dedicated installation at the rear of Pier 94, with more than 10 of today’s leading sculptors exhibiting their most impressive work. This area will also provide seating, allowing attendees to relax while they browse a number of exhibition partner and vendor stands in the surrounding vicinity.

Some examples of exhibitors already confirmed for this year’s Artexpo New York include: Sammoun Fine Art, Quebec; Art Link International, Miami; Blink Group Gallery, Miami; Mecenavie Gallery, Paris; Gallery Edel, Osaka; Mattson’s Fine Art, Atlanta; Novem Fine Art, Ontario, Canada; Arte Collective, Miami/New York; Getty Images Gallery, New York; ADC Fine Art, Cincinnati; Artblend, Fort Lauderdale; Anna Art Publishing, Ontario, Canada; Contemply, Florence, Italy; Roka Art Gallery, Padua, Italy and Sarona Gallery, Tel Aviv, Israel.

Maison Louis Jadot, one of the most renowned Burgundy Houses, is a premium sponsor of the show and the exclusive wine sponsor.

Each year, thousands of art industry insiders flock to Artexpo New York in search of the art and the artists that will shape trends in galleries worldwide.  Over the past several years, Pier 94 has quickly become a recognizable event space in New York City, utilized for high end shows and large scale events. Artexpo New York XL will follow The Armory Show, completing the trendy convention center’s month-long critically acclaimed offering of exhilarating and prominent art fairs in New York City.

The annual Opening Night Preview Party for Artexpo New York will take place from 4 p.m. to 8 p.m. on Friday, April 20. Tickets for the Opening Night Preview Party are priced at $20. Tickets for Artexpo New York are priced at $20 for general admission. A multi-day pass that includes access to all three shows from Friday, April 20 to Sunday, April 22 is priced at $40. For further information on Artexpo New York or to purchase tickets, please visit www.artexponewyork.com.  For more information on Redwood Media Group, visit redwoodmg.com.

Antiques Roadshow 

HOW DID A MOSQUITO REVEAL A MASTERPIECE?   

ANTIQUES ROADSHOW APPRAISER BRINGS GUEST TO TEARS 

IN STUNNING SEASON OPENER!

Hit PBS Show Delivers Season 22 Surprises With 

Never-Before-Seen Treasures

New season premieres Monday, January 8 at 8/7c PM

After more than 20 years searching for America’s hidden treasures, ANTIQUES ROADSHOW finds sensational first-time objects in six cities featured as part of season 22. From eyewitness accounts of historic moments to items that are truly macabre, ROADSHOW appraisers, guests and locations make this a ground-breaking new season!

 

“I was amazed by the number of never-before-seen items discovered on this year’s tour,” says executive producer Marsha Bemko. “That mix of new treasures and sizzling stories along with our first event filmed at a Gilded Age mansion in Newport, RI fills this season with can’t-miss episodes!”

 

Along with discovering the mystery of the mosquito and the masterpiece, viewers will see other first-time items such as:

 

  • In Harrisburg, Pennsylvania, a head in a box! A plaster head, that is, of a convicted bank robber who fashioned the prop to aid in his attempted prison escape. Harrisburg episodes will air January 8, 15 and 22.
  • In New Orleans, Louisiana, a charming study of Andy Warhol painted by his friend, artist Jamie Wyeth, capturing Warhol with his beloved dog Archie. New Orleans episodes will air January 29, February 5 and 12.
  • In St. Louis, Missouri, a vintage Ozark Airlines poster, ca. 1960, featuring aircraft of the era and company logo illustrated through mid-century modern design. St. Louis episodes will air February 19 and 26, and March 26.
  • In Portland, Oregon, an eyewitness account of the assassination of President Abraham Lincoln captured in a letter written by the guest’s grandfather, who was at Ford’s theater that fateful night and captured a most remarkable description of John Wilkes Booth. Portland episodes will air April 2, 9 and 16.
  • In Green Bay, Wisconsin, a rare Cadillac “rain lamp,” ca. 1968, used to promote the famous auto brand through modern design and a unique mineral-oil-on-wire feature that simulated rain. Green Bay episodes will air April 23 and 30, and May 7.
  • In Newport, Rhode Island, a one-of-a-kind 1939 Royal typewriter, plated by Cartier in 24k gold and presented to the guest’s grandfather, who was vice president of sales at Royal during the period. Newport episodes will air May 14 and 21.

 

ANTIQUES ROADSHOW offers engaging ways to experience the season premiere and new episodes, including live tweeting with producers and appraisers Mondays at 8/7c PM; an after-show AR Extras LIVE broadcast on Facebook; the weekly AR Extras newsletter; and original feature articles, video archive and more on pbs.org/antiques.

 

Part adventure, part history lesson, part treasure hunt, 15-time Emmy® Award-nominated ANTIQUES ROADSHOW is a production of WGBH Boston. The series is the most-watched ongoing series on PBS and is seen by around 8 million viewers each week.

Rilke Guillén

Rilke Guillén 

Artist Plásticomexicanocatalán, spiritually and vitally grown and split between two ways of being, of thinking and feeling. He has exhibited his work in Spain and Mexico for many decades.

Artist statement

I believe to express my vision of this splendor-decadent world that witnesses our existence, to try to move in the emotion of the viewer, to make him see inside yes; by the right and the reverse of the same glove of what is and exists and of what is not and also exists. Like the dream inside the eye and the outside eye. Like the truth and vertigo of the depth of the fractal-cosmic spiral. As a picture, as truth, as the line that springs from my pen. Creating images and sculptures gives meaning to my existence and being me from the inside-out, so I can communicate with others. I am an insatiable explorer of the plastic techniques that I am encountering in my path, such as painting, watercolor, engraving, sculpture, design, etc. My search in these different lands has the same objective: to find the voice that is capable of taking out this animal-human being, who is thronging in my heart. The fine perfume of the flower of my spirit.

Biography

I remember as a child drawing horses and birds obsessively. The representation of images has always seemed to me as a matter that holds great power, as if in representing an object or being, somehow one was made with his skill, with his unique quality. I have always been surrounded by art. My father, in his poetic dimension, attracted artists from all disciplines to the house to share his presence and talent, some of them had a great impact on me. There was a very special one that made me the honor of taking me as a disciple for a short but unforgettable time: The great teacher Rodolfo Zanabria (who in peace rides in infinity with his maidens with long hair and beautiful faces). From him, I learned that the road is long and if you know how to walk you will reach the Magical Domain. Destiny had the willingness to be a Mexican-Catalan artist, spiritually and vitally grown and split between two ways of being, thinking and feeling. This has allowed me to exhibit and share my work on both sides of the Atlantic since my debut on the plastic scene, until today.

For more artworks, visit here.