Posts tagged with "501(c)(3)"

Haunted Opera House

It is “spooky season” and nobody can resist a good ghost story this time of year, especially one that recently caught the attention of a group of fashionistas. STAAR Theatre at Antoinette Hall is situated in a town square on the margins of Nashville in Pulaski, Tennessee, USA. Antoinette Hall is the oldest surviving opera house in Tennessee and one of the oldest in the United States…and also one of the most haunted. The theatre has hosted many fine traveling entertainers, local productions and other events over the years. After a massive fire destroyed most of the town of Pulaski in the 1800s, a local man named Mr. Angenol Cox announced that he would be constructing a grand hall on the east side of the square replacing a large portion of the burned area. Named after Mr. Cox’s wife, Antoinette Hall opened on Christmas of 1868. 

Reports from the current opera house executive director, Tammy Pierchoski, show that groups and individuals have experienced cold spots, disembodied voices, shadow figures, equipment interaction, EVP’s, footsteps, batteries being drained, people have been made physically sick to the point of vomiting, people have been scratched, black mist seen, a piano playing on its own, smells of flowers, the feeling of your energy being drained, feelings of being watched and being touched by unseen hands.

When fashion designer, Tess Mann, with Tess Mann Haute Couture and Couture by Tess caught wind of these ghostly stories, she immediately wanted to plan a hauntingly romantic photo shoot to bring awareness to Antoinette Hall’s current restoration project. The two-story Second Empire building is owned by Southern Tennessee Area Arts Repertory (STAAR), a 501c3 nonprofit. The Antoinette Hall Preservation Society, a STAAR companion organization, has launched a major fundraising effort, which supports an extensive stabilization and restoration project. The ultimate goal is to have the STAAR Theatre serve as a regional multicultural arts center. 

During the planning process of this photo shoot production, Ukraine was devastated by the invasion of their beloved country. The styling team felt the right thing to do was show support for their country and use several beautiful Ukrainian wedding dress designs in the photoshoot.  

The architectural project to restore Antoinette Hall  is estimated at $12-15 million dollars in order to preserve its historic beauty and regain its function as a performing arts center. Fashion designer and bridal gown store owner, Tess Mann, has committed to donate $100 from every purchase of her Couture By Tess trademark label, and 5% of her boutique’s sales from selected bridal gowns sold such as Randy Fenoli Bridal and Robert Bullock Bride. This donation period begins January 1, 2023 and will run through December 31, 2024. 

One thing’s for certain, the spirits that haunt Antoinette Hall like their home. Would be a pity to have a bunch of homeless ghosts running around Pulaski, Tennessee, haunting the community. The philanthropic efforts of this creative team never ends. 

Barrett Dennison of El Osito Films in Pulaski shoots Halloween bridal story via 360 MAGAZINE.
Barrett Dennison of El Osito Films in Pulaski shoots Halloween bridal story via 360 MAGAZINE.

Photo Shoot Team Credits

Venue: Staar Theatre at Antoinette Hall 

Creative Direction and Gown Retailer: Tess Mann/Couture by Tess Bridal

Gown Designers:  Armonia and Ida Torez of Pollardi Fashion Group 

Photography: Barrett Dennison/ El Osito Films

Special Effects: Corey Austin Allen

Invitations/Graphic Designer: Porchlight Design Co.

Menswear Producer: Jim’s Formal Wear

Menswear Retailer:  Outlook Menswear

Models/Actors: Jenn Schiavonne-Whorton, Dan Whorton, Grace Coleman, Laura Cox, Krista Grover, Kerusso Coleman, Andy Sisk

PR Agency: Meredith Corning PR

Child illustration by Heather Skovlund for 360 Magazine

Child Friendly Faith Project

Child Advocacy Group Highlights Abuse in Religious Institutions for Child Abuse Prevention Month

With National Child Abuse Prevention Month underway, the Child-Friendly Faith Project (CFFP), a national nonprofit that educates the public about religiously enabled child maltreatment, is raising awareness of crimes against children perpetrated in religious institutions.

The CFFP is also drawing attention to a dangerous court decision that could prevent abusive institutions from being held accountable and offering a valuable resource to parents and guardians to help them determine whether they should enroll or continue to enroll their children in certain religious institutions.

The little-known ecclesiastical abstention doctrine (EAD) guides courts in deciding First Amendment, religious matters. While historically the EAD has been raised in cases relating to claims of wrongful termination, in recent years religious schools facing lawsuits involving allegations of child harm have pushed courts to interpret the EAD very broadly to get cases dismissed. In one recent case, the Episcopal School of Dallas was permitted to ignore its own legal contracts with parents and the emotional harm suffered by a child never came to light.

Given this alarming legal precedent, parents and guardians of children who have been harmed by private institutions could lose their right to seek relief in court, while the institutions might never be held accountable.

Parents who have children enrolled in private, faith-based schools (or are considering enrolling them) should be aware of the potential harm posed by the EAD. With this in mind, CFFP’s campaign is offering parents valuable tips on how to determine whether they should enroll (or continue to enroll) their children in private, faith-based schools:

  • Determine whether the institution your child is enrolled in (or might be enrolled in) could claim to be faith-based. Some private schools have stretched the meaning of “faith-based” as a way to be shielded by the EAD in court. Even if an institution seems to operate in a way that appears secular, as long as a facility, school, program, or daycare operation can claim that it has some sort of faith-based or spiritual component, it could convince a court that it should be protected by the EAD and cannot be sued for child abuse or neglect.
  • Read the school’s contract carefully. Many schools specify in their contracts how legal issues must be resolved. For example, some require parents to agree to mediation. It’s important to know what legal recourses you’re agreeing to. However, be aware that if a case goes to court, the EAD does have the potential to make contracts of religious school’s moot.
  • Ask to see a school’s child-abuse prevention policies & procedures. Those that take abuse seriously and proactively develop and enforce comprehensive abuse-prevention policies are usually open to making these policies available and may even post them on their websites.
  • Research whether the school has a history of abuse allegations. Conduct an online search using the name of the institution and words such as “lawsuit,” “sued,” and “abuse” to determine if it has been accused of abuse or of covering up cases in the past. Be extremely wary if you find a pattern of abuse allegations, even if you do not find information about final court decisions.
  • Explore the educational programs of secular private or public schools. Children can receive a high-quality education and experience at many different types of schools. Consider the offerings of private secular schools or public schools, which would be unable to raise the EAD in court.

Recent abuse cases

The CFFP has previously exposed issues of religious institutional child abuse and offered support to survivors and affected families. An example is its efforts to make public the decades-long, egregious abuses perpetrated at Cal Farley’s Boys Ranch. Recently, other cases have also made the news:

  • Southern Baptist Convention (SBC) — Last February, the SBC’s executive committee voted to expel two member churches for employing pastors who were convicted sex offenders. One pastor, who had been with his church since 2014, had pleaded guilty to two counts of statutory rape of a minor in the 1990s. The other pastor led his church since 2018, despite having been on Florida’s sex offender registry since 1993. In 2019, the SBC published a report on preventing and responding to cases of sexual abuse and later launched its “Caring Well Challenge” that calls on all SBC churches to adopt the report’s recommendations. Unfortunately, the program is voluntary.
  • Circle of Hope Girls Ranch — The owners and operators of this faith-based boarding school in Missouri face more than 100 criminal charges of sexual, physical and mental abuse of girls in their care. Their arrests came after their estranged daughter, Amanda Householder, posted social media videos of former residents talking about the abuse they endured. In an interview with a Missouri TV station, Householder said that victims had been speaking out since 2007. “Why did it take ten years for anyone to do anything?” she asked.

A dangerous court decision

While it’s heartening that these cases are receiving public attention, it is possible that they, and many more like them, could be dismissed thanks to a legal precedent set by a Texas appellate court in 2018. The case involved the Episcopal School of Dallas which invoked a common-law doctrine known as the “ecclesiastical abstention doctrine” (EAD). The EAD provides guidance to courts when weighing in on First-Amendment, religious matters. However, in the Dallas case, in which a father alleged that his son had been wrongfully expelled and in violation of school policy, it was applied very broadly and used to shield the school from being sued.

In another case involving Trinity Episcopal School in Galveston, Texas, a district court, in recognizing the EAD, threw out a lawsuit filed by a mother whose son had endured repeated racist bullying by other students. The mother wanted the school to hold the perpetrators accountable after the school had only demanded a written apology and suspended them for one day. Despite emotional trauma suffered by the victim, the judge agreed with the school’s claim that a court should not “intrude upon a religious institution’s management of its internal affairs and governance.”

“The EAD allows courts to prioritize a religious institution’s desire for secrecy and avoidance of accountability over the wellbeing of children,” said CFFP founder Janet Heimlich. “In cases in which organizations invoke the EAD, the public may never learn what abusive or neglectful actions took place, and parents may unwittingly enroll their children in those schools.”

To schedule an interview with a representative of the CFFP, an affected parent or a survivor of religious institutional child abuse, contact Jeff Salzgeber  through email or (512) 743-2659 cell.

The Child-Friendly Faith Project (CFFP) is a national, 501(c)(3) nonprofit organization that seeks to end religious child maltreatment by raising awareness of this issue through educational programs that benefit the general public, survivors, professionals, and faith communities.

Award illustration by Heather Skovlund for 360 Magazine

NYC Scholastic Art × Writing Awards

New York City Scholastic Art & Writing Awards Exhibition

Now on View at The Met

Art and Writing by 2021 Gold Key Winners on Display in The Met’s Ruth and Harold D. Uris Center for Education

The nonprofit Alliance for Young Artists & Writers and The Metropolitan Museum of Art have announced the opening of the seventh annual Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met’s Ruth and Harold D. Uris Center for Education. This special exhibition is now on view and is free to the public through May 21, 2021.

The exhibition features more than 200 works of art and writing by New York City based Gold Key recipients participating in the 2021 Scholastic Art & Writing Awards, the country’s longest-running and most prestigious award and recognition program for creative teens. This year, students from all five boroughs in grades 7-12 submitted more than 10,000 works in 28 categories to the New York City regional program of the Awards, representing more than 300 schools.

Education has been at the heart of The Metropolitan Museum of Art’s mission since our founding in 1870, said Heidi Holder, the Frederick P. and Sandra P. Rose Chair of Education at The Met. Now, more than ever, we are committed to investing in education and supporting the creativity of New York City’s young people. It is an honor to present the 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition in partnership with the Alliance for Young Artists & Writers. This annual exhibition demonstrates the power of art to transform, uplift, and challenge us.

All works were blindly adjudicated by accomplished creative and literary professionals based on originality, technical skill, and the emergence of a personal vision or voice. This year, the exhibition will present framed prints of students’ work, due to ongoing restrictions related to the COVID-19 pandemic and to ensure equitable access for all the student artists.

The artworks on display at The Met received top regional awards and were eligible to receive national honors through a second round of judging, which can open further opportunities for exhibition and publication, as well as access to scholarships. The Awards have honored distinguished artists since 1923, including Andy Warhol, Cy Twombly, Kay WalkingStick, John Baldessari, Luis Jimenez, and Catherine Murphy, whose works are in The Met collection.

Chris Wisniewski, Executive Director, Alliance for Young Artists & Writers, said: The creativity of our city’s teens has continued to flourish despite a year of unprecedented challenges. It has never been more important to celebrate diverse student voices and encourage the artistic expression of a generation of rising leaders. The Alliance for Young Artists & Writers is thrilled to partner with The Met to showcase the exceptional young winners of the 2021 New York City Scholastic Awards.

The Alliance partners with Parsons School of Design at The New School and Eugene Lang College of Liberal Arts at The New School to present the regional New York City Scholastic Art & Writing Awards. The 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met is presented with generous support from The New York Times, the New York City Department of Cultural Affairs, The Maurice R. Robinson Fund, and Scholastic Inc.

To learn more about the Scholastic Art & Writing Awards, visit the Scholastic Media Room online.

About the Alliance for Young Artists & Writers

The Alliance for Young Artists & Writers, a 501(c)(3) nonprofit organization, identifies teenagers with exceptional creative talent and brings their remarkable work to a national audience through the Scholastic Art & Writing Awards. Founded in 1923, the Awards program is the longest-running, most prestigious initiative of its kind, having fostered the creativity and talent of millions of students through recognition, exhibition, publication, and scholarships.

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens, businessmen and financiers as well as leading artists and thinkers of the day, who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City: The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Award illustration by Heather Skovlund for 360 Magazine

BESLA Honored by Recording Academy

THE RECORDING ACADEMY HONORS THE BLACK ENTERTAINMENT AND SPORTS LAWYERS ASSOCIATION AT THE 23RD ANNUAL ENTERTAINMENT LAW INITIATIVE EVENT

Today, the Black Entertainment and Sports Lawyers Association (BESLA) earns recognition by the Recording Academy at the virtual 23rd Annual Entertainment Law Initiative Event & Scholarship PresentationBESLA stands out as a nationally recognized leader in legal education and professional development for lawyers and professionals in entertainment, sports, and related industries.

During a historic GRAMMY® Week among the nation’s most prominent entertainment attorneys, BESLA proudly received the 2021 Entertainment Law Initiative Service Award. This achievement highlights leading entities that have demonstrated a commitment to advancing and supporting the music community through service. Additionally, BESLA celebrated its 40th Anniversary in 2020 and commemorated the founding group of attorneys in Philadelphia during the First Annual Black Music Association Conference. Their actions sprung from a need to create a continual learning and networking environment for underrepresented attorneys in the entertainment industry, one that today reflects the incredible tenure adopted and developed over 40 years ago.

To continue elevating the trajectory for professionals of color, BESLA has recently committed to establishing an endowment that will support future generations of aspiring executives. This endowment serves as an acknowledgment of BESLA’s commitment to empowering and uplifting its community through service.

On the honorable mention, BESLAs Chairwoman Khadijah Sharif-Drinkard said, “We are honored that the Recording Academy has selected BESLA to receive the ELI Service Award for our commitment to creating an equitable, inclusive and diverse industry. While this award is in recognition of what we have accomplished to date, it is also a reminder that we must continue to create pathways for people of color to gain entry, access, and opportunities to excel in entertainment, media, and sports.”

As part of their mission to support and advance the excellence of professionals in entertainment and sports, BESLA has consistently opened doors for members via annual conferences, regional events, key initiatives, and most recently through the establishment of their endowment. Today, it continues to build on a 40-plus year legacy to advance people of color in the entertainment industry, as recognized by the 2021 ELI Service Award.

BESLA was founded by like-minded professionals who saw the need for an organization where collective experiences and knowledge could be shared for professional development, networking, and the advancement of people of color. Before BESLA, artists, athletes, lawyers, and professionals of color in the sports, entertainment, and legal professions were anomalies– exceptions to the rule. Black professionals like Muhammad Ali, Dizzy Gillespie, Ella Fitzgerald, Thurgood Marshall, and Hank Aaron all fought uphill battles for fair and equitable treatment and the rights of others, like themselves, who did not have the celebrity, platform, or voice to call attention to their respective struggles. They were agents of change. They challenged the status quo and forced society to reevaluate their preconceived notions of the skills, capabilities, and ‘place’ of people of color.

As a result, the Black Entertainment Lawyers Association (BELA), a 501(c)(3) nonprofit organization, was formed in 1980. To incorporate growing opportunities in the sports arena, the name was changed to the Black Entertainment and Sports Lawyers Association (BESLA) in 1986.

Keep up with BESLA on Facebook and Instagram

Playing Piano by Mina Tocalini for 360 Magazine

WAEL FAROUK JOINS NEW PHILHARMONIC

ACCLAIMED PIANIST WAEL FAROUK SHOWCASED IN UNPRECEDENTED CONCERT PROGRAM OF RACHMANINOFF PIANO CONCERTOS NO. 1, 2 AND 3

Concert to Be Recorded this April on the MAC’s Belushi Performance Hall Stage, Premieres April 17; Available on Demand Through June 15

Internationally acclaimed pianist, Wael Farouk, joins New Philharmonic, the professional orchestra in residence at the McAninch Arts Center (MAC) for “Rachmaninoff Piano Concertos.” This unprecedented concert program, conducted by Maestro Kirk Muspratt and recorded at the MAC’s Belushi Performance Hall stage, will premiere at 7:30 p.m. Saturday, April 17, then be available on demand through June 15.

The concert will include Rachmaninoff’s Piano Concerto No. 1 in F-sharp minor, Concerto No. 2 in C minor and Concerto No. 3 in D minor. Rachmaninoff’s Piano Concerto No. 3 in D minor is respected, even feared, by many pianists. It has been called “daunting” (Wall Street Journal), “a classical war horse” (New York Times) and “one of the most technically challenging concertos in the classical repertoire” (CMUSE). Piano Concerto No. 1, actually Rachmaninoff’s second attempt at a piano concerto, is very different from his later works. Piano Concerto No. 2, one of Rachmaninoff’s most enduring works, has been hailed as “an unassailably epic work of genius” (Classic FM).

Rachmaninoff’s Piano Concerto No 3 is extremely important to Farouk, who was born with shortened ligaments in his hands. His doctor suggested to his parents that he study the piano to help exercise his fingers. Farouk heard Rachmaninoff’s Piano Concerto No. 3 when he was 12 and it fueled his continuing interest in the piano. When he was 13, he mentioned his interest in Rachmaninoff’s Piano Concerto No. 3 to his piano teacher, who discouraged his interest in the work, citing that even the best of pianists with large hands found it a challenge so with Farouk’s small hands it was impossible. Farouk took it upon himself to prove the teacher wrong and, at age 19, played Rachmaninoff’s Piano Concerto No. 3 with the Cairo Symphony, as the first Egyptian to ever perform this concerto.

Farouk’s theme for this concert is “Climbing Beyond Everest: 3 Musical Mountains and 3 Systemic Injustices: Discrimination, Oppression, and Persecution.” Farouk sees the upcoming concert as a testament to the enduring strength of the human spirit and ability to overcome what appear to be insurmountable challenges. To prepare for this challenging concert, Farouk will build his stamina by playing the program three times a day leading up to the New Philharmonic concert. Herculean accomplishments are nothing new to Farouk, who was last seen at the MAC performing all five of Beethoven’s concertos in a single program, “Beethoven: Five Piano Concertos | One Pianist” (2018).

Farouk has garnered international acclaim as a concert pianist, performing on five continents in such venues as the White Hall in St. Petersburg, Schumann’s house in Leipzig, and Weill Recital Hall at Carnegie Hall in New York, where his solo debut performance in 2013 was described as “absolutely masterful” (New York Concert Review). Farouk is the Director of the Keyboard Studies Program of Wisconsin’s Carthage College and Piano Faculty at Chicago’s Roosevelt University. Using virtual technology, he instructs students as far away as China and Nigeria, Ukraine and Egypt. He also conducts international virtual lectures seen around the world.

Tickets

New Philharmonic: “Rachmaninoff Piano Concertos” premieres 7:30 p.m., April 17, and is the available on demand through June 15. Tickets are $40 per household. Special $10 tickets available for students with discount code TENTIX. For tickets visit AtTheMAC.org, email themac@cod.edu or call 630.942.4000. The McAninch Box Office is open remotely Monday – Saturday, noon – 5 p.m.

The MAC encourages everyone enjoying New Philharmonic: “Rachmaninoff Piano Concertos” to consider making a donation to support the MAC’s ongoing ability to continue to provide fun, creative and thought-provoking programming. For more information visit AtTheMAC.org or call 630.942.4000.

About New Philharmonic

New Philharmonic, the only professional orchestra based in DuPage County, Ill., has inspired classical music enthusiasts in Chicago and the suburbs for more than 40 years. It continues to thrive with the goal to give innovative treatment to both classic compositions and modern works while striving to make the music accessible to new audiences and youth through a variety of educational efforts. Today, under the direction of Kirk Muspratt, named 2018 Conductor of the Year (Professional Orchestra) by Illinois Council of Orchestras, New Philharmonic consists of more than 60 professional musicians and performs more than a dozen concerts a year, reaching more than 7,500 from the greater Chicago area annually. New Philharmonic was recently honored with the Illinois Council of Orchestras’ 2020 ICO Award in the category Programming of the Year.

About the MAC

McAninch Arts Center (MAC) at College of DuPage is located 25 miles west of Chicago near I-88 and I-355 at 425 Fawell Blvd. It houses three indoor performance spaces (the 780-seat proscenium Belushi Performance Hall; the 236-seat soft-thrust Playhouse Theatre; and the versatile black box Studio Theatre), an outdoor venue, the Lakeside Pavilion, plus the Cleve Carney Museum of Art and classrooms for the college’s academic programming. The MAC has presented theater, music, dance and visual art to more than 2 million people since its opening in 1986 and typically welcomes more than 100,000 patrons from the greater Chicago area to more than 230 performances each season.

The mission of the MAC is to foster enlightened educational and performance opportunities, which encourage artistic expression, establish a lasting relationship between people and art, and enrich the cultural vitality of the community. For more information about the MAC, visit their website, Facebook or Twitter.

Support for New Philharmonic is provided in part by the JCS Fund of the DuPage Foundation; Sullivan Taylor, Gumina & Palmer, P.C.; the Illinois Arts Council, a state agency; WFMT 98.7 FM, WDCB 90.9 FM and the College of DuPage Foundation.

Established as a 501(c)(3) not-for-profit charitable organization in 1967, the College of DuPage Foundation raises monetary and in-kind gifts to increase access to education and to enhance cultural opportunities for the surrounding community. For more information about the College of DuPage Foundation, visit foundation.cod.edu or call 630.942.2462.

Programs at the MAC are partially supported through a grant from the Illinois Arts Council Agency.