Posts tagged with "beatles"

Sheri Miller for use by 360 Magazine

INTERVIEW WITH SHERI MILLER

Singer-songwriter Sheri Miller releases her new single “Born To Love,” a tender, instant classic from her 6-song collection, Waking Up To This Miracle Life, out November 19. Recorded with GRAMMY-winning producer Jeff Bova, Miller’s timeless collection is at once ecstatic and incisive, brimming with joy even as it reckons with struggle and heartache.

The songs here are radical acts of self-love and empowerment fueled by raw emotion and explosive energy, and Miller’s mesmerizing performances are utterly transcendent to match, her voice shifting from hushed intimacy to soaring grandeur with the preternatural ease of Ann Wilson or Brandi Carlile. Add it all up and you’ve got a rich, cinematic masterpiece about embracing the beauty and magic of being alive, a celebratory ode to love itself from an artist who passionately lives to create. I got the opportunity to speak with Sheri Miller about her upcoming EP.

  1. What inspired this album?

When writing this record, ‘Waking Up To This Miracle Life,’ I felt inspired how it’s a miracle to be alive; especially at this time. To wake up every morning with a heart beating of its own independent accord, lungs breathing oxygen without us turning on a power switch, seeing beautiful blue skies with our open eyes, smelling delicious fragrances of trees, roses, jasmine, freshly-baked soft chocolate chip cookies, hearing glorious notes resounding from orchestras, brass bands or finely crafted pianos, guitars, drums, listening to golden-throated voices, touching luxurious silk fabrics, and feeling magnificent emotions of love, appreciation, happiness, fun, exhilaration!

How being alive in our physical bodies is such a gift; what an extraordinary miracle we have our genius cells working symbiotically in mysterious harmony. Though I don’t understand electricity or the miracle of being born, I’m glad to be here! This record celebrates life passionately. Especially after pandemic, it feels so good to focus on the magnificence of being alive. We did it! We made it. How blessed and lucky we are. No matter what struggles you’ve gone through (we all have), there’s always hope, fun, and even joy waiting closely; You’re never alone. If you believe in yourself, trusting there’s unseen help available to us- closed doors open, our timing gets good, and avalanches of beautiful opportunities flow like rivers into our experience. Your tiny extra bit of optimism cracks the door open to success, love, and more of your dreams realized. I choose to keep waking up to this miracle life.

  1. When did you start making music?

I started making music at eight, taking classical piano lessons with a strict teacher. My free, wild, creative spirit rebelled against the boring confines of practicing already written music, when I wanted to compose and paint new melodies, paired with new words and lyrics, creating new musical paintings. So, I spent much of my practice time composing dozens of new songs, pouring out complete melodies, lyrics, chords. Anthems about rocking the nation, songs about eternal, everlasting, pure love and world peace, love songs to my mother, and “The Lost Tribe,” a song about a wandering tribe in the desert, buffalo and surviving. I still have these handwritten 8-year-old songbooks, and I’ve written hundreds of songs since age 8. I consider myself a ‘music lifer,’ writing songs and performing for the sheer feeling of joy and pleasure; as I evolve as a human, so does my music, songs, and art. I am my best masterpiece.

  1. Who are your musical inspirations? 

My musical inspirations started with my mom, who’s a magnificent opera singer, classical pianist, composer, and storyteller. I love the Beatles, Paul McCartney, John Lennon, Joni Mitchell, Ray Charles, Etta James, Ella Fitzgerald, Stevie Wonder, Carole King, Paul Simon, Rodger & Hart, Duke Ellington, Beach Boys, Rickie Lee Jones, Bob Dylan, Coldplay, Mozart, Tchaichovsky, Piazolla, Alicia Keys, India.Arie, Prince, Queen, Freddy Mercury, Tom Petty, Bob Marley, James Brown, Gershwins, Rumi, and brilliant musicians I work with Jeff Bova, Kate Baker, Will Lee, Tim Pierce, Chris Lord-Alge, Frank Filipetti, Joe Zook, Dave Eggar, Paul Shaffer, Steve Cropper. There are endless musicians who inspire me, flowing through every time I create. I appreciate all who’ve come before, paving this golden trail of delights.

  1. Did any of these musical influences specifically inspire this album?

Writing “Gold Hearted Man” on my big acoustic-electric 1969 sunburst Guild hollow body guitar, I felt the presence of blues legend John Lee Hooker. It almost felt like he was guiding my hands and heart to new undiscovered places within me, creating a song ship sailing to unchartered territories in my musical landscape. There are traces of Joni Mitchell in “Empty Sky” and hints of the Beatles in “Everybody Feels This Way Sometimes.” Honestly, I believe every note, sound, visual, smell, every idea that’s ever touched us, is interwoven into the gorgeous colorful, rainbow fabric quilt of art, we create.

  1. What made you decide to become a singer songwriter?

I never made a conscious decision to ‘become’ a singer-songwriter. Thank God, for me it was a natural, easy, gradual, ‘gentle push’ of spirit; my soul led me to this choice. It chose me, I chose it, I decided to answer the calling. I believe we are all called to something, and it’s never too late, no matter what age, circumstances, to answer this calling, following your bliss. My story is magical, powerful synchronicity at work. While in college, I was secretly writing lyrics in my bedroom and taking jazz piano lessons 20 minutes away. I started receiving the thought ‘wouldn’t it be nice to have a little keyboard in my bedroom, so I could write songs easily? I can’t fit a piano, I don’t have lots of money, wouldn’t a little keyboard be nice?’

I started dreaming up this idea for months, until it exploded vividly one Sunday morning. I woke up in a surreal, groggy state, having passionately dreamt of owning a little Casio keyboard the night before. Instead of walking to the library, taking the faster, straight-shot city street path, I felt magnetically drawn, with a strong impulse, to take the longer, beautiful, winding path across campus. While on this scenic route, I passed a one-day church sale, selling the exact Casio keyboard I dreamt the night before!  It was $20, and ecstatic by this little miracle, I began joyfully composing songs in my bedroom on this Casio keyboard. It felt like my soul gave me the gentlest, loving push and wink, to trust myself; sometimes the longer, winding path has magic. Faster isn’t always more rewarding or satisfying. From that day forward, I’ve been composing and performing. The Casio keyboard manifesting was a tiny miracle of magic. Miracles exist everywhere, if you choose to open your eyes, and allow yourself to dream.

  1. Are there any special moments you’d like to share while making this EP?

For “Gold Hearted Man” basking in the afterglow of a soulful kiss, inspiration poured through me, and I composed this song in a hurricane flood of emotion. Initially I felt uncomfortable channeling this sensuality in the studio, but when the recording light blinked, BOOM, we cut vocals lightning speed. I’m proud of how we captured the passionate feeling in this recording.

For “Born To Love,” Day 1, I thought we had the “perfect” vocal after comping. The next day, after singing for 5 hours, the producer asked me to sing one last take. I said “sure” to humor him, though thinking “there’s no way we can use it, I’m too tired.” So I let go, singing effortlessly, easily, naturally, without trying. I got out of my own way, allowing the song to speak, my soul to speak. When I opened my eyes, thinking everyone would say it’s a throwaway vocal, instead they said “that was a Grammy-Award winning performance!” Stunned, I listened back, and realized MAGIC HAD FLOWED, when I surrendered, letting go of getting an “amazing vocal.” This live vocal became our “final vocal.” I learned sometimes “magic” is better than “perfect.” I trust the magic now.

  1. Is there a specific flow/genre to this EP that you’d like the audience to follow?

However your heart and soul calls you to listen. Follow your instincts.

  1. If you had to describe the “story of this release” in one paragraph, what would you say?

“Luminous, passionate, triumphant, love-filled collection of artistic songs inspires the hearts, connects with the souls of many, to remember and awaken to the brilliant, magnificent miracles in their own lives.”

  1. What’s next for you?

I’m thrilled with the new, inspired songs I’ve been composing and writing. I have endless new records in me, and I am happily, eagerly anticipating recording the new songs, and performing them. What’s next? More fun. More joy. More treasure chests of glittering new songs. More inspired new records. More exhilarating live performances. More artistic discoveries of wonder. More magnificent miracles revealing themselves, as we keep waking up to this miracle life.

Presave Waking Up To This Miracle Life here.

Tracklist
1. Gold Hearted Man
2. Waking Up To This Miracle Life
3. Born To Love
4. Joyful Love
5. Everybody Feels This Way Sometimes
6. Empty Sky
7. Gold Hearted Man (Chris Lord-Alge Radio Edit)
8. Gold Hearted Man (Joe Zook Radio Edit)
9. Waking Up To This Miracle Life (Chris Lord-Alge Radio Edit)
10. Empty Sky (Radio Edit)

Image via Universal Music Group for 360 Magazine

George Harrison Returns to Billboard Charts

GEORGE HARRISON’S ALL THINGS MUST PASS RETURNS TO TOP 10 AS 50TH ANNIVERSARY EDITION DEBUTS AT NO. 7 ON BILLBOARD 200

No. 1 On Rock, Catalog And Tastemaker Charts; No. 2 On Top Albums Sales And Vinyl Albums

Bows At No. 6 In The Uk Plus No. 2 In Germany And No. 3 In Belgium And Switzerland

Iconic Album Cover Brought To Life With Stunning Public, Living Art Installation In London, Paying Tribute To Harrison’s Timeless Music, Spirituality And Humor

Watch Mini Documentary About Gnome Installation Featuring Olivia And Dhani Harrison

Five decades after it was released, George Harrison’s All Things Must Pass is back on the charts, with the new 50th anniversary edition, released August 6 via Capitol/UMe, landing at No. 7 on the Billboard 200. The album’s additional charting achievements include No. 1 placements on the Top Rock Albums, Catalog Albums, and Tastemaker Albums charts and the No. 2 slots on the Top Albums Sales and the Vinyl Albums charts, just behind Billie Eilish on both. ­Upon release in 1970, Harrison’s first post Beatles solo album was met by unanimous critical acclaim and spectacular commercial success, spending seven consecutive weeks at No. 1 on the Billboard 200 and eight weeks atop the UK’s official albums chart. All Things Must Pass’ return to the Top 10 marks the first time since 1971.

The album has been incredibly well received around the world with impressive charting in several countries, including No. 6 on the Official UK Albums Chart, No. 2 in Germany, No. 3 in both Belgium and Switzerland, and #5 in the Netherlands.  

UMe is honored to be entrusted by the Harrison Estate with celebrating such an important and influential album, said Bruce Resnikoff, President & CEO of UMe.

In celebration of its 50th anniversary, All Things Must Pass has been reissued in an array of formats, from the lavish and incredibly limited edition Uber Deluxe to the expansive Super Deluxe Edition box set to a variety of CD and vinyl configurations, in addition to streaming and download configurations. Harrison’s masterwork has been completely remixed from the original tapes and expanded with 47 (42 previously unreleased) demos and outtakes, allowing listeners to enjoy and explore the album and the legendary recording sessions like never before. Decades in the making and lovingly crafted by the Harrison family, the album was remixed to fulfill Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller and better than ever.

To coincide with the release of the anniversary editions, the iconic cover of All Things Must Pass, depicting Harrison and his garden gnomes, has been recreated in larger-than-life fashion as a public, living art installation in London’s Duke Of York Square, King’s Road, Chelsea. The installation opened August 6th and will be available to visit until this Friday, August 20th. Designed by world renown floral artist Ruth Davis, of All For Love London, the beautiful, interactive installation features gigantic versions of two gnomes which have been created out of flowers and foliage. The oversized gnomes, the largest measuring five meters, sit atop a large circle of turf, and are surrounded by the seasonal, impermanent beauty George embraced during his life. In the center is a wooden stool and an exaggerated pair of rubber gardening boots, similar to the ones seen on the cover, inviting people to take a seat, put their feet in the boots and create their version of the classic album photo while enjoying the garden.

The gnome installation is detailed in a new video released today that includes Olivia and Dhani Harrison talking about the historic cover and what went into the making of the tribute. Watch here.

Reviews for the 50th anniversary editions

People used to argue whether this triple album should have been edited down to one or two records – but this edition makes you believe it should have been a quadruple album. – ROLLING STONE

George Harrison’s ‘All Things Must Pass’ 50th Anniversary Edition Proves It’s the Best Beatles Solo LP – VARIETY

The Beatles guitarist’s most enduring solo album—tweaked and repackaged with bonus material—sounds better than ever at 50-plus.

Spector’s fingerprints remain, but the album now sounds warmer, punchier and more energetic, and the surround-sound mix is seductively immersive. – WALL STREET JOURNAL

Remixed by Grammy Award-winning engineer Paul Hicks, the deluxe edition of ‘All Things Must Pass’ is chock-full of musical revelations. In Hicks’ hands, the original album shimmers into life with the wider sonic palette made possible by technologies that would have been unimaginable five decades earlier. – SALON

This new mix updates his finest work for today, in greater detail than ever before, while still managing to retain the atmosphere that binds these 106 minutes together. – UNCUT

The original mix’s misty distance has gone, replaced with a clarity and definition that Harrison and Spector didn’t achieve (or seek) the first time around. Previously, one had to, like Spector during the playbacks, turn it up very loud to get the full effect. Not anymore. These mixes come to you. – MOJO

These five-decade-old tapes sparkle with renewed life and a depth partially obscured by Spector’s heavy hand… it’s impossible to find fault with the obvious care and attention to detail dedicated to the end product.

All Things Must Pass is a landmark set; one that sounded timeless 50 years ago and will have the same effect 50 years from now. Even, perhaps especially, those who have lived with it for decades will enjoy this appropriately classy, beautifully crafted, refreshed/remixed, and likely definitive version. – AMERICAN SONGWRITER

Hailed by Rolling Stone as the War and Peace of rock and roll and an intensely personal statement and a grandiose gesture, All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s Top LPs chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY® Award nomination for Album of the Year, while My Sweet Lord earned a GRAMMY nod for Record of the Year. What Is Life, the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY® Hall of Fame and inclusion on The Times of London’s The 100 Best Albums of All Time and Rolling Stone’s 2020 listing of The Top 500 Albums of All Time. Pitchfork declared it to have changed the terms of what an album could be.

For more information, configurations, and track listings, please visit George’s website.

50th ANNIVERSARY CREDITS

Executive Producer: Dhani Harrison

Product Producer: David Zonshine

2020 Re-Mixed & Produced in Stereo & Atmos by: Paul Hicks

Creative Director: Dhani Harrison

Book curated by: Olivia Harrison and Rachel Cooper

Art Direction: Darren Evans

Archive Research: Don Fleming, Richard Radford and Ryan Williams

Image via Big Hassle Media for 360 Magazine

George Harrison – Isn’t It a Pity (Take 27)

PREVIOUSLY UNRELEASED GEORGE HARRISON OUTTAKE ISN’T IT A PITY (TAKE 27) FROM LEGENDARY ALL THINGS MUST PASS SESSIONS OUT TODAY

TRACK FEATURED ON UPCOMING ALL THINGS MUST PASS 50TH ANNIVERSARY EDITION DUE AUGUST 6 VIA CAPITOL/UMe

WATCH/SHARE VIDEO FOR ISN’T IT A PITY (TAKE 27)

ANNIVERSARY EDITION RECEIVES PERFECT SCORES IN BOTH MOJO AND UNCUT

Pre-Order All Things Must Pass 50th Anniversary Edition

Watch/Share Album Trailer

Watch/Share Lyric Video For Cosmic Empire

Watch/Share Run Of The Mill (Take 36) Video

Listen/Share All Things Must Pass (2020 Mix)

Recorded and released in the wake of The Beatles’ April 1970 dissolution, George Harrison’s landmark solo album, All Things Must Pass, is a fully realized statement by a bold and audacious artist. Co-produced by Harrison and Phil Spector, the 23-track All Things Must Pass stands tall a half-century later as an epic, ambitious expression of Harrison’s remarkable gift for sheer songcraft, powerful spirituality, and a celebration of both his inimitable individuality and unique camaraderie with his fellow musicians.

One of Harrison’s most beloved songs, Isn’t It A Pity, which features twice on the original 1970 triple album with two uniquely different versions, is presented on the upcoming 50th-anniversary edition of the album in three additional incarnations, which have never been released, the original studio demo and two outtakes. While the demo allows listeners to hear how fully developed the song was melodically in its earliest form, Take 27 provides an exciting insight into Harrison’s creative process and the different arrangements and instrumentation attempted in pursuit of the perfect take. Released today and accompanied by a surrealistic, painterly, animated video, directed by Alan Bibby and Jonny Kofoed of New Zealand-based creative house, Assembly, Isn’t It A Pity (Take 27) is more akin in spirit to Version 2 on the original album with a slightly slower tempo and a simple, but exquisite, arrangement.

WATCH/SHARE VIDEO FOR ISN’T IT A PITY (TAKE 27)

Isn’t It A Pity (Take 27) is one of 17 outtakes included alongside the two days worth of studio demos being released for the first time in honor of five decades of All Things Must Pass on the new 50th anniversary Super Deluxe Edition box set, due August 6 via Capitol/UMe

Decades in the making and lovingly crafted by the Harrison family, All Things Must Pass has now been completely remixed from the original tapes for a stunning suite of 50th-anniversary releases that fulfills Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller and better than ever before. In their perfect 10/10 review, Uncut wrote, This new mix updates his finest work for today, in greater detail than ever before, while still managing to retain the atmosphere that binds these 106 minutes together. Mojo’s equally perfect review raved, The original mix’s misty distance has gone, replaced with clarity and definition that Harrison and Spector didn’t achieve (or seek) the first time around. Previously, one had to, like Spector during the playbacks, turn it up very loud to get the full effect. Not anymore. These mixes come to you.

All Things Must Pass 50th Anniversary Edition will be available in a variety of formats.

SUPER DELUXE EDITION

The Super Deluxe Edition box set, presented on 8LP (180g) or 5CD + 1 Blu-ray audio disc, explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes. The collection contains a beautiful 60-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more. It also includes a replica of the original album poster.

All Things Must Pass will be released in multiple physical and digital configurations, including as a 5LP or 3CD Deluxe Edition that pairs the main album with the session’s outtakes and jams. The main album will be available on its own as 2CD, 3LP, or limited edition 3LP color vinyl. All versions are available for pre-order now.

UBER DELUXE EDITION

Exclusive to George Harrison, uDiscover, and Sound of Vinyl, All Things Must Pass 50th Anniversary Edition will be available as a very limited Uber Deluxe Edition box set, which includes the album on 8LP (180g) and 5CD + 1 Blu-ray audio disc housed in an artisan designed wooden crate (approx. 12.4’ X 12.4’ X 17.5’). The collection explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes, offering an inside look into the creative process. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes.

The crate contains two books, an elaborate and expanded 96-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more; while a second 44-page book, curated by Harrison archivists Don Fleming and Richard Radford, chronicles the making of All Things Must Pass through extensive archival interviews with notes is also contained herein. The elegantly designed book pays homage to Harrison’s love of gardening and nature. The book also contains a wooden bookmark made from a felled Oak tree (Quercus Robur) in George’s Friar Park. This truly unique box will also contain 1/6 scale replica figurines of Harrison and the gnomes featured on the iconic album cover, a limited edition illustration by musician and artist Klaus Voormann, as well as a copy of Paramahansa Yogananda’s Light from the Great Ones and Rudraksha beads, contained in individual custom-made boxes.

Since the 50th-anniversary stereo mix release of the title track to my father’s legendary All Things Must Pass album in 2020, my dear pal Paul Hicks and I have continued to dig through mountains of tapes to restore and present the rest of this newly remixed and expanded edition of the album you now see and hear before you, says Dhani Harrison. Bringing greater sonic clarity to this record was always one of my father’s wishes and it was something we were working on together right up until he passed in 2001. Now, 20 years later, with the help of new technology and the extensive work of Paul Hicks we have realized this wish and present to you this very special 50th Anniversary release of perhaps his greatest work of art. Every wish will be fulfilled.

Hailed by Rolling Stone as the War and Peace of rock and roll and an intensely personal statement and a grandiose gesture, All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s Top LPs chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY Award nomination for Album of the Year, while My Sweet Lord earned a GRAMMY nod for Record of the Year. What Is Life, the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY Hall of Fame and inclusion on The Times of London’s The 100 Best Albums of All Time and Rolling Stone’s 2020 listing of The Top 500 Albums of All Time. Pitchfork declared it to have changed the terms of what an album could be.

GEORGE HARRISON

ALL THINGS MUST PASS

SUPER DELUXE EDITION

(Capitol/UMe)

RELEASE DATE: AUGUST 6, 2021

For more information and other configurations go to George Harrison’s website.

50th ANNIVERSARY CREDITS

Executive Producer: Dhani Harrison

Product Producer: David Zonshine

2020 Re-Mixed & Produced in Stereo & Atmos by: Paul Hicks

Creative Director: Dhani Harrison

Book curated by: Olivia Harrison and Rachel Cooper

Art Direction: Darren Evans

Archive Research: Don Fleming, Richard Radford and Ryan Williams

summer of sorcery image provided by Tim Plumley and Capitol Records for use by 360 MAGAZINE.

Summer of Sorcery Live!

Professionally filmed and recorded before a sold-out crowd at New York City’s historic Beacon Theatre on November 6, 2019, the live concert extravaganza, Summer Of Sorcery Live! At The Beacon Theatre, expertly captures Little Steven, aka Rock and Roll Hall of Famer Stevie Van Zandt, bringing the house down with his band the Disciples of Soul as they showcase their acclaimed 2019 album, Summer Of Sorcery, a 12-track record about the first rush of summer and the electric feeling of unlimited possibilities.

The full two-and-a-half-hour concert – the triumphant hometown culmination of the Summer of Sorcery’s European and U.S. tours – is out now via Wicked Cool Records/UMe in a variety of formats including Blu-ray video as well as audio-only versions on 3CD and as a limited edition 5LP 180-gram “Psychedelic Psorcery Pswirl” color vinyl box set, which is exclusively available via uDiscoverMusic  and LittleSteven.com. The Blu-ray features the entire concert in HD video with the audio offered in both stereo and 5.1 surround sound to provide the next best possible experience to being at the rock ‘n’ soul revue. The live album, which was mixed by Bob Clearmountain and mastered by Bob Ludwig, both career-long collaborators, includes thrilling performances of every song from Summer of Sorcery alongside tracks from throughout Van Zandt’s solo career, songs he wrote for Southside Johnny and the Asbury Jukes, and some souped-up covers.

Little Steven and the Disciples of Soul were joined throughout the Summer of Sorcery tour by an array of legendary friends and family. Summer of Sorcery Live! At The Beacon Theatre is highlighted by a surprise appearance by the one and only Peter Wolf, who lends his inimitable vocals to powerhouse versions of J Geils Band’s “Freeze Frame” and Artists United Against Apartheid’s landmark protest anthem, “Sun City.”

Summer Of Sorcery Live! At The Beacon Theatre is rounded out with nearly an extra hour of live music featuring seven previously unreleased bonus performances recorded throughout 2017-2019, including with such superstar special guests as Australian music legends Jimmy Barnesand Peter Garrett, longtime friend and E Street Band bandmate Nils Lofgren, and the legendary Nick Gravenites, who joins Van Zandt for a spectacular rendition of the Electric Flag’s“Groovin’ Is Easy.” In addition, Peter Wolf returns for an explosive cover of The Showstoppers’hit, “(Ain’t Nothin’ But A) Houseparty,” recorded during the Soulfire Tour but, according to Van Zandt, “too good to leave on the shelf.” The festivities come to a rousing conclusion with a star-studded version of “Sun City,” which edits together performances with Jimmy Barnes, Jake Clemons, Sam Fender, Peter Garrett, Courtney Hadwin, Garland Jeffreys and Bruce Springsteen.

“We were born freaks, misfits, and outcasts,” Van Zandt writes in the album’s liner notes, which also include personal comments about each performance. “We got into this business because no other would have us. While we were here we figured we might as well create a world of our own, because we didn’t fit in the one we were being offered. Being on the road with a band is the ultimate manifestation of that fantasy. Together you travel, you perform, you dispense joy, and you get to see the world while avoiding it at the same time.

“Such was the case with the troubadour missionaries and part-time exorcists known as the Disciples of Soul as they sprinkled enlightenment to a dark world from May 27, 2017 to November 6, 2019. First as the Soulfire was lit in the overture and finally as the Summer of Sorcery played out its magical denouement. Herein embodies the still sparkling evidence of the latter, that which began as stranger’s prayers imagined and ended as a family’s promise fulfilled. Enjoy it at as much as we did at whatever volume is required to force your neighbors to call the cops.”

Arranged and produced by Van Zandt, with production assistance by GRAMMY® Award-winner Geoff Sanoff (Bruce Springsteen, Stephen Colbert). Summer of Sorcery Live! At The Beacon Theatre kicks off with a very special introduction from counterculture icon Wavy Gravy and from there traverses across Little Steven’s genre-smashing body of work, from Summer of Sorceryand 2017’s acclaimed solo return, Soulfire through classic songs and fan favorites from the songwriter, guitarist and band leader’s illustrious career, including an incendiary three-song salvo celebrating his work with Southside Johnny and the Asbury Jukes (“Little Girl So Fine,” “Trapped Again,” and “Love On The Wrong Side Of Town”). Further highlights include spectacular covers of The Youngbloods’ “On Sir Francis Drake,” The Dovells’ “Bristol Stomp,” The Animals’ “Club-A-Go-Go,” and Bruce Springsteen’s “Tucson Train.”

Summer of Sorcery arrived in May 2019 and was immediately greeted by worldwide critical applause with Rolling Stone exclaiming, “it largely dispenses with protest songs and revels in the rock, soul and R&B of his Sixties youth,” adding it’s “the most eclectic record he’s ever made.” Van Zandt and his collaborators “pull out all the stops to make this sonic smorgasbord explode out of the speakers with passion and clout,” wrote American Songwriter. “Few artists have the artistic vision to pull off a thunderous production like this which is impressive in its scope and sheer booming audio audacity.” “A happy return for the Jersey Shore prince,” declared MOJO, while Classic Rock raved, “(Van Zandt’s) tangible labour of love defiantly captures old-school New York’s cross-pollinating melting pot with rich infusions of Latin (‘Party Mambo!’), blues (‘I Visit The Blues’), blaxploitation (‘Vortex’), classic rock ‘n’ roll (‘Superfly Terraplane’), Southside Johnny and the Asbury Jukes (‘Soul Power Twistin’’) and still making a social point on ‘Education,’” adding, “This unashamed celebration of endangered music and city life also makes a great party soundtrack.” “It’s all but impossible not to be impressed by the scope of Little Steven’s vision,” wrote All Music, “and the skill with which he and his collaborators bring it to fruition…Imagine Asbury Park, New Jersey encompassing an entire musical planet and you’ll have an idea of what Little Steven & the Disciples of Soul are doing on Summer of Sorcery, and if you dig rockin’ soul, this should be right up your alley.”

Van Zandt recently announced the publication of his first ever memoir, Unrequited Infatuations, due September 28 from Hachette Books; pre-orders are available now HERE. An epic tale of self-discovery, Unrequited Infatuations chronicles the twists and turns of Van Zandt’s always surprising life, from a bedroom in suburban New Jersey in the early ‘60s to the world’s largest stages in not only entertainment but activism as well. More than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock ‘n’ roll (not to mention a dozen other crafts), Van Zandt’s extraordinary odyssey shows how rock and soul has the power to change the world.

2021 has already seen the release of another live collection, Macca To Mecca!, a spectacular tribute to the Beatles available now via Wicked Cool/UMe on CD/DVD. The 14-track album/concert film – which includes a riveting performance of “I Saw Her Standing There,” recorded at London’s famed Roundhouse and featuring a special appearance by Paul McCartney – captures Little Steven and the Disciples of Soul’s extraordinary surprise set at Liverpool’s legendary Cavern Club during the band’s sold out 2017 European tour. The intimate lunchtime gig was a salute to the kind of shows the Beatles used to play in their early days when they would perform for local secretaries, clerks and shopkeepers during their half hour lunch break. Van Zandt decided to bring that unique idea back 50 plus years later for a rollicking, jam-packed daytime set filled that honored the band with rocking renditions of “Magical Mystery Tour,” “Good Morning, Good Morning,” “Got To Get You Into My Life,” and “All You Need Is Love,” alongside iconic songs famously performed by the nascent Fab Four, including “Boys” (originally by The Shirelles), “Slow Down” (by Larry Williams) and “Soldier Of Love” (first recorded by Arthur Alexander).

WATCH/SHARE “SUMMER OF SORCERY” (LIVE AT THE BEACON)

1500 Sound Academy x ASU — Music Program for use by 360 Magazine

George Harrison × All Things Must Pass

Pre-Order All Things Must Pass 50 Anniversary Edition

Watch/Share Album Trailer

Watch/Share “Run Of The Mill” (Take 36) Video

Listen/Share “All Things Must Pass” (2020 Mix)

Recorded and released in the wake of The Beatles’ April 1970 dissolution, George Harrison’s landmark solo album, All Things Must Pass, is a fully realized statement by a bold and audacious artist. Produced by Harrison and Phil Spector, the 23-track All Things Must Pass stands tall a half-century later as an epic, ambitious expression of Harrison’s remarkable gift for sheer songcraft, powerful spirituality, and a celebration of both his inimitable individuality and unique camaraderie with his fellow musicians.

All Things Must Pass was an overdue artistic release for George as a songwriter and musician. The first-ever triple studio album, All Things Must Pass overflows with a voluminous range of ideas, musical styles, and influences, spanning rock n’ roll, country, gospel, blues, pop, folk, R&B, Indian classical music, and devotional songs. Despite the album being wildly successful and Harrison’s affection for it, he would write in the liner notes for the 30 anniversary remaster, released in 2001, “I still like the songs on the album and believe they can continue to outlive the style in which they were recorded,” adding, however, “it was difficult to resist re-mixing every track. All these years later I would like to liberate some of the songs from the big production that seemed appropriate at the time.”

Decades in the making and lovingly crafted by the Harrison family, All Things Must Pass has now been completely remixed from the original tapes for a stunning suite of 50-anniversary releases that fulfills Harrison’s longtime desire. Executive produced by Dhani Harrison, a product produced by David Zonshine and mixed by triple GRAMMY Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller, and better than ever before.

Releasing August 6 via Capitol/UMe, All Things Must Pass 50 Anniversary Edition will be available in a variety of formats:

Exclusive to George Harrison’s website uDiscover, and Sound of VinylAll Things Must Pass 50 Anniversary Edition will be available as a very limited Uber Deluxe Edition box set, which includes the album on 8LP (180g) and 5CD + 1 Blu-ray audio disc housed in an artisan designed wooden crate (approx. 12.4” X 12.4” X 17.5”). The collection explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes, offering an inside look into the creative process. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes.

The crate contains two books, an elaborate and expanded 96-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more; while a second 44-page book chronicling the making of All Things Must Pass through extensive archival interviews with notes is also contained herein. The elegantly designed book pays homage to Harrison’s love of gardening and nature. The book also contains a wooden bookmark made from a felled Oak tree (Quercus Robur) in George’s Friar Park. This truly unique box will also contain 1/6 scale replica figurines of Harrison and the gnomes featured on the iconic album cover, a limited edition illustration by musician and artist Klaus Voormann, as well as a copy of Paramahansa Yogananda’s “Light from the Great Ones” and Rudraksha beads, contained in individual custom-made boxes.

The Super Deluxe Edition box set, presented on 8LP (180g) or 5CD + 1 Blu-ray audio disc, explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes. The collection contains a beautiful 60-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more. It also includes a replica of the original album poster.

All Things Must Pass will be released in multiple physical and digital configurations, including as a 5LP or 3CD Deluxe Edition that pairs the main album with the session’s outtakes and jams. The main album will be available on its own as 2CD, 3LP, or limited edition 3LP color vinyl. All versions are available for pre-order now.

“Since the 50 anniversary stereo mix release of the title track to my father’s legendary All Things Must Pass album in 2020, my dear pal Paul Hicks and I have continued to dig through mountains of tapes to restore and present the rest of this newly remixed and expanded edition of the album you now see and hear before you,” says Dhani Harrison. “Bringing greater sonic clarity to this record was always one of my father’s wishes and it was something we were working on together right up until he passed in 2001. Now, 20 years later, with the help of new technology and the extensive work of Paul Hicks we have realized this wish and present to you this very special 50 Anniversary release of perhaps his greatest work of art. Every wish will be fulfilled.”

The All Things Must Pass sessions began just six weeks after the April 1970 announcement of The Beatles’ break-up. Two days were spent recording thirty demos in Studio Three at EMI Studios, Abbey Road in St. John’ Wood, London. The first day, May 26, saw Harrison record fifteen songs backed by Ringo Starr and his longtime friend, bassist Klaus Voormann, beginning with “All Things Must Pass.” The next day, May 27, George played an additional fifteen songs for co-producer Phil Spector. The All Things Must Pass Uber and Super Deluxe Editions collect all 30 of these remarkable demo recordings, including 26 tracks never before officially released and several songs that didn’t make the album like “Cosmic Empire,” “Going Down To Golders Green,” “Dehra Dun,” “Sour Milk Sea,” and “Mother Divine.”

The scope of Harrison’s songwriting remains breathtaking his deeply personal introspection and striking wit are matched by the album’s boldly extravagant production. With its densely orchestrated textures and eclectic embrace of myriad genres, Harrison and Phil Spector’s groundbreaking sonic approach set a grand blueprint for countless artists to follow.

George had been stockpiling material for nearly half a decade, with a number of songs including “Isn’t It A Pity” and the title track rehearsed with, but not recorded by, The Beatles. Further songs evinced Harrison’s growing frustration over those preceding years, including “Wah-Wah,” the dramatic “Beware of Darkness,” and “Run Of The Mill,” the latter named by both George and Olivia Harrison as one of their all-time favorites.

Written by George while producing Billy Preston’s 1969 Apple Records solo debut but saved for his own album a year later, the glorious “What Is Life” highlights the artist at his most exultant. At the album’s heart were songs like “My Sweet Lord,” “Awaiting On You All” and the impassioned “Hear Me Lord,” each of which epitomized Harrison’s lifelong inner journey.

An anthem weaving a chant of the Hare Krishna mantra and “hallelujah,” “My Sweet Lord” proved a worldwide smash upon its November 1970 single release, making history as the first solo single by a former Beatle to reach #1 in the UK or the US. Inducted into the GRAMMY Hall of Fame in 2014, the indelible anthem of spiritual and religious unity has remained one of the world’s most beloved songs, named among the “Greatest Songs of All Time” by both Rolling Stone and NME. Last year saw a limited edition clear vinyl 7 of “My Sweet Lord” released by the George Harrison Estate in partnership with Record Store Days Black Friday event on November 27, 2020 the official 50 anniversary of All Things Must Pass’ original release.

Harrison’s close friendship with Bob Dylan begat two songs: the album-opening “I’d Have You Anytime” was co-written with Dylan, while the classic “If Not For You” was at the time an unreleased Dylan composition. The All Things Must Pass Super Deluxe Edition includes previously unreleased demo recordings of both songs as well as “Nowhere To Go” and “I Don’t Want To Do It,” another original Dylan song later recorded by George for a 1985 soundtrack but remains unrecorded by Dylan himself.

George brought together a stunning roster of friends and fellow musicians to record All Things Must Pass, including Ringo Starr, Klaus Voormann, and Billy Preston, along with Eric Clapton and his new American bandmates, Carl Radle, Bobby Whitlock, and Jim Gordon (soon to be known collectively as Derek and the Dominoes). Badfinger’s Pete Ham, Tom Evans, Joey Molland, and Mike Gibbons contributed additional acoustics and percussion. Phil Spector’s desire for multiple pianos, layers of acoustic guitars, and more drums saw the addition of Peter Frampton and Jerry Shirley from Humble Pie, Spooky Tooth’s Gary Wright, Plastic Ono Band veteran and future Yes drummer Alan White, Traffic’s Dave Mason, Procol Harum’s Gary Brooker, and the in-demand horn section of Bobby Keys and Jim Price. Pete Drake, legendary Nashville session musician provided pedal steel guitar on several tracks. Arrangements for strings and horns came from longtime collaborator John Barham.

The original release of All Things Must Pass collected 18 songs over two LPs alongside a third LP dubbed “Apple Jam” showcasing four improvised instrumentals including a pair recorded as part of Derek and the Dominoes’ first-ever official recording session in June 1970. In addition, the “Apple Jam” disc includes “It’s Johnny’s Birthday,” sung to the tune of Cliff Richard’s 1968 hit “Congratulations” and recorded as a gift from Harrison to mark John Lennon’s 30 birthday.

The All Things Must Pass session tapes created in 1970 include over twenty-five hours of music on forty-nine 1” eight-track tapes, four 2” sixteen-track tapes, and forty-four stereo tapes. Richard Radford, Archivist for the George Harrison Estate oversaw the preservation of the tape collection, with the original analog multi-track and stereo tapes transferred to 192 KHz/24bit digital preservation copies.

Hailed by Rolling Stone as “the War and Peace of rock and roll” and “an intensely personal statement and a grandiose gesture,” All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s “Top LPs” chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY Award nomination for “Album of the Year,” while “My Sweet Lord” earned a GRAMMY nod for “Record of the Year.” “What Is Life,” the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY Hall of Fame and inclusion on The Times of London’s “The 100 Best Albums of All Time” and Rolling Stone’s 2020 listing of “The Top 500 Albums of All Time.” Pitchfork declared it to have “changed the terms of what an album could be.”

Ariana Grande illustration by Heather Skovlund for 360 Magazine

Ariana Grande × The Voice

Multi-platinum global recording artist, Grammy Award winner, and talented actress Ariana Grande will join the upcoming Fall 2021 cycle of NBC’s “The Voice” as a coach.

Grande, a powerhouse vocalist whose international fan base of “Arianators” has enabled her to rapidly become one of the biggest pop superstars of our generation, will be joined by returning iconic coaches Kelly Clarkson, John Legend, and Blake Shelton, along with host Carson Daly, on the four-time Emmy Award-winning musical competition series.

With her most recent album, “Positions,” recently breaking the record for most songs to debut at #1 on the Billboard Hot 100 and cementing her as Spotify’s most-streamed female artist of the past decade, Grande, a self-proclaimed fan of “The Voice,” claims a red chair at a pivotal point in her career.

“As an undeniable force in pop music, Ariana’s inimitable success in the music industry is extraordinary,” said Jenny Groom, Executive Vice President of Unscripted Content for NBCUniversal Television and Streaming. “We were thrilled to learn that she is a true fan of ‘The Voice’ and know that this enthusiasm will add to her impact as a dynamic coach. Ariana is a visionary with over a decade of experience in the music industry. Her unmatched vocal skills, creativity, and unique expertise on all facets of the industry will make her an invaluable coach to the next generation of artists.”

Said Grande, “I’m so honored and excited to join ‘The Voice’ family! I have been a huge fan of the show for such a long time. I can’t wait to go head-to-head with the incredible coaches, get to know these new artists, and help to take their craft to the next level.”

A Grammy-winning, multi-platinum recording artist and international superstar, Ariana Grande was the first artist to hold the top three Billboard Hot 100 spots since the Beatles in 1964 with “7 Rings,” “Break Up with Your Girlfriend, I’m Bored,” and “Thank U, Next.” In 2020, she became the first and only artist to have five singles debuts at #1 in the chart’s history. At age 27, she has delivered five platinum-selling albums and surpassed 35 billion streams – she’s Spotify’s most-streamed female artist of the past decade – while rapidly becoming one of the biggest pop stars of our generation with her powerhouse vocals and unmatched presence both on stage and with her fans. She recently won a Grammy for Best Pop Duo/Group Performance for “Rain on Me” with Lady Gaga.

The Battle Rounds for Season 20 of “The Voice,” with current coaches Kelly Clarkson, Nick Jonas, John Legend, and Blake Shelton, continue Monday, April 5 and April 12 at 8 p.m. ET/PT on NBC.

For the 2020-21 season-to-date, “The Voice” is the #1 alternative series among total viewers. The show has ranked among the top 5 most-watched alternative series for each of its 11 broadcast seasons on the air.

Season 20 marks the 10-year anniversary of “The Voice.”

“The Voice” is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who serves as an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson, and Adam H. Sher.

Instrument illustration by Ivory Rowen for 360 Magazine

Noah Cyrus × Ant Clemons

Noah Cyrus and Ant Clemons drop visualizer for “Wonder Years” following the release of “The End of Everything” EP

Following the release of her acclaimed EP “The End Of Everything” in May, multi-platinum artist Noah Cyrus releases another visual for her Ant Clemons collaboration for “Wonder Years.”

“We were working together one night and he pulled up this melody he’d been working on that was an interpolation of ‘With A Little Help From My Friends’ by The Beatles and I was like ‘WOAH, shit.’” Noah reveals. “I went in the booth and hummed some melodies of my own, and then we just worked on the lyrics, production, structure, etc. It’s funny because I don’t think we ever knew how this song would even come out. Like, who gets a Beatles record cleared? Us I guess.”

Watch Noah Cyrus and Ant Clemons’ “Wonder Years” (Visualizer) here and check out “The End of Everything” EP here.

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Peter Manos Debut EP

Peter Manos’ debut EP – Do You Turn Red? – will be released by Capitol Records on June 10. The set will include his new single, “Tennessee,” and five other tracks he recently recorded in his L.A. home studio, plus Manos’ 2017 debut single, “In My Head.” View the trailer for Do You Turn Red? HERE. See below for track listing. Fans who pre-order the digital EP will instantly receive “Tennessee.” Do You Turn Red? is also available for pre-order in CD, cassette and opaque blue vinyl editions. The New York Times said, “Peter Manos is from Texas,but ‘Tennessee’ is no country song. It’s an electronic lament, Auto-Tuned and steeped in James Blake and Frank Ocean; it also hints at the Beatles’ chromatic chord progressions…even as programmed arpeggios swell to support him, he’s left uncomprehending and alone, pure male angst.” Idolator observed, “this is the kind of song that casts an uneasy spell on the listener – commanding a spot on any respectable late-night playlist.” Variance praised the “tender yet moody cut.”

Released earlier this month, “Tennessee” has already amassed nearly one million combined streams. View Do You Turn Red? is both a guidepost pointing toward what may come and a snapshot of this moment. Here is Manos at the front of his career, full of ideas, and all of them tangibly intimate. Despite joining Capitol in 2019, and relocating from the outskirts of Dallas to the heart of Los Angeles, Manos still makes music in a vacuum of sorts. He works almost exclusively solo out of his downtown apartment, in a bedroom-turned- recording-den. Manos has a knack for carving out his own space within something familiar, as these songs make clear. His taste dovetails perfectly with his skills as a one-stop shop singer, songwriter, guitarist, pianist, and producer. There’s the slyly sexy groove topped by his delicate falsetto on “You Don’t Know Me.” There’s the hypnotic cascade of guitar and odd samples that underpin “Zach’s Ballad.” And the way that “At Night” starts as a solitary psych-soul excursion but ends in a hail of live drums and ghostly oohs. “Do You Turn Red?” arrives after five songs of blue mood like a sudden rush of blood. It plays like a confession and feels as raw. Taken with his lyrics – equal parts diaristic share and poetic scrawl – it all feels deeply personal. “If it feels like looking in on something private, it is,” says Manos. “Growing up, no one knew I was playing music. I did sports, went to parties, and had great friends, but it was a secret.”

Manos wound up at Nashville’s Belmont University with the goal of studying music until music allowed him to drop out. That happened during his second year, when over a couple days in the moments between classes and coursework, Manos made “In My Head” in his dorm room – the same fully realized version that appears on Do You Turn Red? A buddy who helped him record warned him, “Remember, people’s first songs don’t usually do anything.” Yet “In My Head” found its way onto numerous playlists, from Spotify’s Pop Rising all the way to Today’s Top Hits.

Combined global streams of the track now top 300 million. Hailing “In My Head” as a “Song You Need to Know,” Rolling Stone observed, “In aworld largely ruled by speedy trap tempos, ‘In My Head’ proves that ballads can still surprise.” Ones To Watch praised “You Don’t Know Me,” one of Manos’ follow-up tracks, as “truly breathtaking.” Manos produced the EP’s six new tracks with Sam Ricci (SZA, Kendrick Lamar). Do You Turn Red? was mixed by Jeff Ellis (Frank Ocean) and mastered by Dale Becker (Khalid). “There’s a lot of emotion and thought in these songs,” says Manos. “I’m completely obsessive about making music and getting it right — having every piece sound exactly the way I want it.”

Track Listing – Do You Turn Red?

1. My Mind

2. You Don’t Know Me

3. At Night

4. Tennessee

5. Zach’s Ballad

6. Do You Turn Red?

7. In My Head