About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

Letters Live

Star-studded British show announces the first wave of talent for its American debut.

Jake Gyllenhaal, Jarvis Cocker, James Corden, Minnie Driver, Stephen Fry, Mark Hamill, Anjelica Huston, Catherine Keener, Shirley Manson, Ian McShane, and Annabelle Wallis all confirmed for ‘LETTERS LIVE’ line-up in its US premiere with more guests to be announced.

LETTERS LIVE, in partnership with NET-A-PORTER and MR PORTER, is delighted to announce the first wave of performers for its first ever public performance in the United States on February 26th 2018, at the historic Theatre at Ace Hotel in Los Angeles, from 8pm PST.

LETTERS LIVE celebrates the enduring power of literary correspondence by inviting brilliant entertainers to perform remarkable and unforgettable letters to a live audience.

“Hear the best letters in the world read by the best voices” – The Observer

Past LETTERS LIVE shows have included letters written by the likes of David Bowie, Mohandas Gandhi, Maya Angelou, Elvis Presley, Janis Joplin, Kurt Vonnegut, Charlotte Bronte, Tom Hanks, Katherine Hepburn, Richard Burton, Patti Smith, Abraham Lincoln, James Baldwin, and Che Guevara, performed by an array of talent including Benedict Cumberbatch, Gillian Anderson, Ian McKellen, Kylie Minogue, Russell Brand, Thandie Newton, Riz Ahmed, Juliet Stevenson, LeVar Burton, Tom Hiddleston, Sally Hawkins, JJ Abrams, Noma Dumezweni, Oscar Isaac, Jude Law, Nick Cave and Sir Ben Kingsley.

To view a teaser video for the 26 February, click here.

As LETTERS LIVE producer and performer Benedict Cumberbatch writes “Letters Live makes us pause and imagine the lives behind the letters read and the circumstances of their origin. The relationship between the audience, reader and writer on a Letters Live night helps deepen our understanding of these inspiring artefacts of the human condition. They are windows into the love, beauty, pain, and humor of their creators and recipients. It’s a privilege to read this most ancient form of communication to a live audience.”

The February 26th performance of LETTERS LIVE in Los Angeles will be presented in partnership with NET-A-PORTER and MR PORTER. The event will be held in the historic Theatre at Ace Hotel in the downtown neighborhood of Los Angeles, from 8pm – 9:30pm PST.

Tickets for the 26 February LETTERS LIVE performance are available for purchase here.

Ticket prices range from $50 to $200 with all the profits from ticket sales being donated to the two partner charities for the night, 826LA, and Women for Women International.

About LETTERS LIVE

LETTERS LIVE first took place in December 2013 at the Tabernacle in London and quickly established itself as a powerful and dynamic event format that attracted outstanding talents to performing remarkable letters in front of a live audience.

Inspired by Shaun Usher’s international best-selling Letters of Note series and Simon Garfield’s To the Letter, LETTERS LIVE is a live celebration of the enduring power of literary correspondence. Each show always features a completely different array of great performers, reading remarkable letters written over the centuries and from around the world. One of the joys of Letters Live is that one never knows who is going to take to the stage or what letter they are going to bring alive.

The independent publishing house Canongate, who created and developed LETTERS LIVE, subsequently partnered with the film and television production company SunnyMarch to build Letters Live into an even more far-reaching and ambitious project. Their shared vision is to harness the power of letters through curated events of exceptional quality and to develop a multi-media platform that delivers the most memorable letters to people all around the world.

As well as celebrating the pain, joy, wisdom and humour expressed in letters, LETTERS LIVE has from the outset been committed to promoting literacy and to fund-raising for literacy charities. This remains an important part of its activities both in the UK and abroad.

About 826LA

826LA is a non-profit organization with centers in Echo Park and Mar Vista, a Writers’ Room at

Manual Arts High School in South LA, and relationships with Los Angeles public schools. 826LA’s mission is to support students ages six to eighteen with their creative and expository writing skills, and to help teachers inspire their students to write. Since 2005, 826LA has served 65,000+ students. 826LA’s free programs target economically disadvantaged students.

About Women for Women International


With over twenty brutal armed conflicts across the globe and unprecedented levels of violence against women, there’s never been a greater need to support women survivors of war.
Through Women for Women International’s 12-month programme, women learn about their rights, as well as key life, vocational and business skills to access livelihoods and break free from poverty.
Since 1993, Women for Women International has supported over 462,000 women in Afghanistan, Bosnia and Herzegovina, the Democratic Republic of Congo, Kosovo, the Kurdistan Region of Iraq, Nigeria, Rwanda and South Sudan. They also engage men in their work, to break down prejudices and practices which prevent women from reaching their full potential. To find out more visit: www.womenforwomen.org.uk

“BREATHE (ACOUSTIC)” JAX JONES FEAT. INA WROLDSEN

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February 16, 2018 – Grammy nominated artist, songwriter and producer Jax Jones delivers the acoustic version for his single ‘Breathe’ featuring Ina Wroldsen. ‘Breathe’, released December 1, 2017 on Interscope Records, has amassed over 37 million streams to date and was the most Shazamed track in the UK and Germany for 2 weeks running. Directed by James Slater (Major Lazer, Jamie T, Pixx), the video for ‘Breathe’ follows dancers, Shaadow Sefiroth and Shala Sarah Haruko as they run wild in London’s Natural History Museum. The video can be seen HERE. It follows the success of Jax’s recent worldwide smash hit singles ‘Instruction’ and ‘You Don’t Know Me.’

Jax’s choice of collaborators continues to set him apart from the current crop of dance hits, having previously collaborated with artists such as international pop queen Demi Lovato, BRITs Critic Choice nominee Stefflon Don and BBC Sound of 2017 nominee Raye. Jones recently added several new dates to the U.S. leg his tour:

3/17 – Beyond Wonderland- San Bernardino, CA
3/24- Nervo Nation, Miami Music Week- Miami, FL
3/25- In Bloom Music Festival- Houston, TX
3/30 – Output- New York, NY

For more information contact:
Rebecca Marlis
Interscope Records
Rebecca.marlis@umusic.com

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com

16YROLD, D SAVAGE, YUNG BANS, & TRACY : “YOUNG SCOOTER”

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NEW YORK, NY (February 16, 2018— Today, highly sought-after Soundcloud artist & producer 16YROLD turns up with another knockout single entitled “Young Scooter” featuring D Savage, Yung Bans, and Tracy.

Get it HERE.

16YROLD’s signature minimal D.I.Y. production provides the perfect backdrop for D SavageYung Bans, and Tracy to trade bars and adlibs. The track brings four of hip-hop’s hottest rising stars together on one banger.

Young Scooter follows up I Don’t See A Thing”—the last red hot collaboration between 16YROLD and D Savage. Additionally, it’s the string in a series of underground favorites including “No Romance” with Killy, which clocked over 6.4 million Spotify streams in under a few months’ time.

By his junior year in high school, Ohio-born and New York-based producer and rapper16YROLD had made a dent in the Soundcloud scene from his bedroom with hypnotic, airy, and unpredictable productions. After unofficially remixing countless prominent smashes, he scored a viral hit with “Rita Ora” featuring Aaron Cartier which racked up over 1.3M Soundcloud plays before going on to cook up beats for everyone from Famous Dex to Lil Yachty. The Fader described him best writing, “You can feel the passion in this bedroom trap. By 2017, he amassed a formidable catalog and logged miles on the road supporting both Desiigner and 21 Savage. The buzz for the 18-year-old had reached critical mass, and Victor Victor Worldwide signed him in late 2017.

FOR MORE INFO ON 16YROLDPLEASE CONTACT:
Matthew Bernal
Republic Records
Matthew.Bernal@umusic.com

Jay Rock, Kendrick Lamar, Future, James Blake in “King’s Dead”

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Jay Rock, Kendrick Lamar, Future, James Blake Release Video For “King’s Dead”

Watch here:

http://www.youtube.com/watch?v=VwAnsAUYnw4

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For more info:
Ray Alba
Ray.alba@umusic.com

BIRDMAN ‘BEFORE ANYTHANG’ ON APPLE MUSIC

Vaughn Lowery: “What advice would you provide to someone trying to start a label or to become a recording artist?”

Birdman: “Study your craft …. Know your business …. Stay focused, stay humble, always put God first …. Try to start the same way you finished …. Be prepared to die for what you believe in. It’s simple.”

Bryan “Baby/Birdman” Williams was in Los Angeles pushing his new biographical documentary during his birthday. Today, it was released exclusively on Apple Music.

The viewing was held on Thursday, February 15th at NeueHouse – a private community of leading entrepreneurs and creative teams. As we sipped on champagne and awaited the ‘Number 1 Stunna’ to introduce the opening instalment of a three-part series during his birthday, we were constantly reminded by the mere presence of security that we could be in for a ride. Over the last 21 years, Birdman has lead an army of hip hop prodigies, including Lil Wayne and Nicki Minaj. For decades, financial rumors and controversy surrounded Cash Money Records and we were hoping to find some answers. The initial episode delves into the CEO’s dark past from losing his mother at an early age to slanging drugs which in the end leads to incarceration. Throughout, we start to understand the attributes of how one becomes one of the most successful rap moguls of our time. His father was a former military man with a pile of small businesses in some of New Orleans’ seedier areas. He constantly hustled to keep his family fed with a roof over their heads. This boy “any means necessary” mentality trickled down onto his youngest child, which eventually contributed to him selling CDs out of his trunk and helming one of the most prolific indie labels in the world, Cash Money Records.

Before Anythang: The Story Behind The Cash Money Records Empire doesn’t disappoint; however, it may leave some leery as it was created by its star, sprinkled with his personal narratives, which could come across as being slightly contrived.

Nevertheless, this piece of work has earned a spot on our ‘360 Watch List,’ especially since we gain an insightful introspective into the life of Birdman.

G Herbo x Everything

G Herbo released the remix for the Southside-produced track “Everything” today, via Machine Entertainment Group/The Orchard. The turn-up track – premiered via  Pitchfork today – comes ahead of Humble Beast Deluxe Edition, an expanded version of G Herbo’s critically acclaimed debut album, Humble Beast (released September ’17), featuring ten newly recorded tracks. The Humble Beast Deluxe Edition is out tomorrow (Friday, February 16th).

Listen To “Everything” Remix Feat. Chance The Rapper and Lil Uzi Vert HERE.

G Herbo’s debut album, Humble Beast, landed at  No.21 on the Billboard 200, 5 on Billboard Hip-Hop, 7 on Independent, and 11 on Digital charts. Humble Beast is the first and only release to date from Machine Entertainment Group (via The Orchard), further underscoring the momentous debut and chart success. Throughout the album, G Herbo explores what effect his upbringing has had on him, both from a day-to-day perspective – as seen in “Red Snow,” – as well as his overall trajectory. The themes on the album highlight the chaos found in Chicago, and other beleaguered communities, in an effort to create a dialogue and inspire the youth to bring about change for themselves and their cities. XXL, The Boombox andDJ Booth considered the highly anticipated debut one of the best releases of 2017. Upon release, the album received critical acclaim from the likes of Pitchfork, Complex, XXL, Billboard and many more.G Herbo recently linked up with Mass Appeal for theirG Herbo: City Of Sorrow (mini-doc), a documentary chronicling the plight and vanquish of the Chicago prince.

Fatboy Slim x You’ve Come a Long Way Baby

FATBOY SLIM’S YOU’VE COME A LONG WAY, BABY

20TH ANNIVERSARY EDITION TO BE RELEASED ON

MARCH 16 VIA ASTRALWERKS

Available For Preorder Now On Amazon And Vinyl Me Please

Listen on Spotify HERE

Youߣve Come A Long Way, Baby available on deluxe edition CD and LP formats. Format packaging including 180g gatefold vinyl, 6 page 12 roll-fold booklet (LP), 12 display art card (LP) and 28 page booklet (CD)

Exclusive anniversary sleeve notes from Ralph Moore (Mixmag) and album timeline from Damian Harris (Skint Records)

Limited-Edition Blue Vinyl with Coffee Splatter Color Variant Available

Exclusively At Vinyl Me Please

Fatboy Slim announces today the forthcoming 20th anniversary reissue of Youߣve Come a Long Way, Baby, to be released on March 16 via Astralwerks. The preorder for the reissue is now available via Amazon and Vinyl Me Please. A limited-edition blue vinyl with coffee splatter color variant will also be released. Strictly limited to 2,000 copies worldwide, the blue vinyl is available for purchase exclusively at Vinyl Me Please. A limited edition Fatboy Slim Meal Deal product is available exclusively to Fatboy Slimߣs webstore which includes hand screen printed, branded pizza box set, signed and numbered by Fatboy Slim, Anniversary 2LP and CD and authentic Iߣm #20 So Why Try Harder XXL T-shirt. Watch the pizza box / meal deal video HERE

2018 marks twenty years since the release of the album that spawned era-defining singles Rockafeller Skank, Gangster Trippin Praise YouÉd; and Right Here Right Now. Youߣve Come a Long Way Baby reached Number One in the UK album album charts, breaking the US Billboard Top 40, creating a global superstar and putting a new wave of UK dance music on the global map.

First released in 1998, Youߣve Come a Long Way Baby become one of the defining records of the ߢ90s, irrespective of genre. Swinging from hip-hop, to reggae and jangle pop, with Youߣve Come a Long Way Baby,Norman Cook broke stylistic ground and delivered a wildly original album, filled with imagination, huge hooks and even bigger beats.

Bigger than being just a dance album, Youߣve Come a Long Way Baby was a genuine phenomenon,&#a0;enjoying huge critical and commercial success; it contains 4 UK Top 10 singles, earning Cook a BRIT Award for best producer and two further nominations (Male Solo Artist and British Single) along the way. Embraced by the rock and pop press equally, the album was included in a Q magazine readers’ poll of the 100 Greatest British Albums Ever, and provided a global breakthrough for both British dance music and the Big Beat sound. Singles Rockafeller Skank, Gangster Trippin and anthemic UK Number One single Praise You (which scored 3 MTV VMA awards with its iconic Spike Jonze directed video) pushed dance music into the stratosphere, resonating with music fans and breaking electronic music to middle America. Norman Cook had caught lightning in a bottle, and in one genre-defining moment, the seeds of the noughties EDM US boom were sown, paving the way for the next generation of global superstars.

TOKYO TEA

My heart beat with anticipation as the plane broke through the clouds as we approached Narita International Airport. The 22nd stop on my international checklist couldn’t have looked more picturesque from this view. Upon arrival, I advanced to customs where I was corralled through a maze-like queue I would liken to the old school snake game. Shortly after, I approached an automated kiosk attended by a customs official, who surprised at my stature jokingly remarked that the machine was made for Asians. Passport in hand, I stepped up to the counter at the final checkpoint and receive my stamp to enter Japan. With a quick smile and gesture to pass the attendant said “Arigatou! Welcome to Tokyo!”

My first morning in Tokyo started like any other. I woke up early, ready to seize the day. I lifted the curtain and popped out of my sleeping quarters to head for the showers. At 9 hours, an ultra-modern take on the traditional Japanese capsule hotel, living out of a locker for 4 nights somehow felt super trendy and posh. Exceptionally clean facilities, private bathrooms and showers and a super sleek, minimalist design explained the “Fabulous” rating on my booking website. As always, I strove to tour like a local, having accommodations that were authentically Japanese was paramount.

When exiting my hotel in Shinjuku I was quickly swept into the cadence of the crowd outside. The city has a true rhythm, a viable beat that you either get on or awkwardly exist outside of. Luckily my cultural metronome was in tune and I set out ready to embrace my week as a Tokyoite. Here’s the TEA on Tokyo.

Tour

Among the many quirky shops and unconventional things to pursue in the city, there are the famous cat cafes. They’re literally all over Tokyo and are just what they seem to be. I dropped into Calico Cat cafe in Shinjuku. I spent some quality time with my feline friends while enjoying a traditional Japanese milk tea with boba. At 1000 yen per hour it’s a welcome escape from the bustle of the city that won’t break the bank.
A visit to the tallest tower in the world will give you vertigo if nothing else. The Tokyo Skytree, standing at 350 meters, gives one incredible view of the city while providing equally heightening entertainment and shopping. The attraction starts with a massive shopping mall, chock full of retail and restaurants, (Tokyo Skytree town) to engorge the senses before leading to the attraction. After purchasing my ticket at the will call, I was ushered into a massive elevator that ascends the height of the tower in under a minute (your ears will pop). The top platform features a cinema, photo booth and of course the resident gift shop; however the real treat is the view. At night the metropolis is an endless sea of light rippling in all directions. For the more courageous, there is a portion of the floor that has a glass bottom. Don’t look down!

Eat
One of my favorite Japanese snacks and the ultimate street food in Japan, is takoyaki. The ball of dough is filled with grilled octopus and is fried to a crisp golden brown on the outside, leaving the inside a nice gooey consistency. Topped with a sweet soy sauce, mayo and bonito (fish) flakes, this makes the perfect snack if you’re in a hurry. It’s sold practically everywhere (convenience stores, street vendors, restaurants) however the perfect stop for me was Gindaco Takoyaki. A causal chain found all over Tokyo. Here they specialize in the treat and make them to order with a number of toppings and flavors. I stumbled upon the location in Kabukicho and spent a moment enjoying a Japanese highball (beer infused with liquor) while watching the busy square outside.

A trip to Tokyo without sushi? Unheard of. Although a novelty in the states, conveyor belt sushi restaurants are definitely worth a visit in Tokyo. I dined at Smart Sushi at the Shinjuku JR station and had a phenomenal experience. Have your pick of fresh sushi as it goes round on the belt or select made to order hot and cold dishes (and sake of course) from the tablet at your seat. I couldn’t help but think about the efficiency of the whole experience. Is this the future of dining?
Adventure
From Shinjuku Station I took the Keiko Highway bus towards the Fuji Five Lakes region and Kawaguchiko. The two hour ride is quite scenic, taking you west of Tokyo. It’s just the right distance for a perfect day trip. Buses are outfitted with WiFi and in-seat power outlets making for a comfy ride. As I left the city behind, I traded the tall compact skyscrapers of Tokyo for wide open spaces and countryside homes. On approaching to the final bus stop, the topography changed significantly as the mountains jut out before you and the winding roads lead into the small town before Fujikawaguchiko.

The snow capped peak of Mt. Fuji commands the skyline above Kawaguchiko Station, which is the closest one can get to Japan’s majestic active volcano during the off season. The terrain is only safe for driving and climbing during July/August; however the view from here is unparalleled on a clear day. The station was packed with tourists and locals alike, perusing the shops and attached cafe; while the train yard is full of photographers admiring the vintage trains and snapping away at Fuji-san. I ventured across the street to a very unassuming traditional Japanese restaurant, which is aptly named as such. While enjoying a fantastic Katsudon, I gazed out the window at the beauty that is Japan’s tallest mountain.
As I boarded the Narita Express train from Shinjuku, I longed for so many of the other fascinating experiences one can enjoy in the land of the rising sun. I assured myself that four nights in Tokyo could not have been better spent. The T, E and A of my trip made for some lasting memories and affirmed my return trip to Japan in the near future. Until the next chapter…
Arigatō gozaimasu!
Links:
http://yelp.to/qTKq/BXzSpEf8nK

Amazon Echo Look at NYFW with Prabal Gurung and Bella Hadid

Fashion Week went well! Below are photos from a first of its kind partnership between Prabal Gurung and Amazon Echo Look. On Sunday, they used Echo Look to create a digital version of the look book for Prabal’s (incredible) Fall 2018 collection. Enclosed you can see the images the device took of Bella Hadid along with several other models, as well as an image of Prabal being interviewed by E! – note that these have not been retouched, enhanced or otherwise altered. This partnership is an incredible example of the growing overlap between fashion and technology.

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