Posts tagged with "Wonderland Magazine"

Sena Kana image shot by Shuya Nakano from Jenny Hossain at VMA Agency for use by 360 Magazine

Sena Kana x Ty Dolla $ign – Show Me

NOW PREMIERING VIA NYLON

FIRST SOLO FEMALE JAPANESE POP ARTIST TO HIT GOLD STATUS IN THE US

“Infusing pop and R&B to create a refreshing sound. Show Me is a soulful sonic fusion lifted by [Sena] Kana’s soaring, ethereal vocals.” NYLON

“Upon first listen, presents itself as an ethereal pop-infused love letter to perseverance. But, a production-heavy backing teases that there is more to the serene cut than meets the eye, and, rightly so.” WONDERLAND MAGAZINE

Sena Kana, the first solo female Japanese pop artist to hit gold status in the United States is back with the official video for new single “Show Me” linking up with mega-producer Poo Bear (Justin Bieber, Mariah Carey, Usher) as well as featured artist, hitmaker and multi-instrumentalist Ty Dolla $ign, also appearing in the video now premiering via NYLON.

On “Show Me,” the rising talent fuses the best of pop, R&B/hip hop, electronic, and classical. Sonics with her lyrics about sincerity, intentions, and commitment to your loved ones. She croons on the opening, “Don’t you want to show me what it’s like to be loved?” The final product transcends genre lines and offers up a story that is relatable to all, making the single an instant hit that can reach a wide audience.

Sena Kana explains, “Show Me’ is about the anxiety of not being able to convey what you want to say and highlights the importance of making an effort to show someone how you feel. It’s a song about the hope that comes from that effort of trying to connect with someone even when it is difficult.” She tells Wonderland Magazine,” The ultimate goal is to make people all over the world kinder and to make the world a better place through my music. To create a world where there are no more wars and conflicts, and where we can help each other even under disasters and hardships. I hope that my song can be a catalyst for each of us to show our true kindness, to not give up on finding new solutions, and to not become complacent.”

Ty Dolla $ign elaborates further, “Show Me’ is all about that magic that happens in collaboration. It was originally brought to me through my brother Poo Bear and with his incredible production merging with Sena’s one and only voice, I knew it was a hit the moment I heard it.” Sena Kana dishes to NYLON, “The collaboration with Ty Dolla $ign came about organically after I was introduced to him by my dear friend, Poo Bear. ‘Show Me’ started while Poo Bear and I were working on my debut EP last year. After we had finished writing the single, we felt like we should look to add another artist to the mix. Poo Bear connected me with his friend Ty, who was interested in the song after his first listen. We were also asking our friends, and in that time we asked around, Ty had written his part and recorded it, sent it over to Poo Bear and we both instantly knew that this was the perfect feature.”

Sena Kana knows the formula of collaboration well and has clearly mastered the art, bringing a one-of-a-kind flair to the table when working with creatives all around the world. Acclaimed by publications ranging from Billboard to HollywoodLife to HipHopDX, Sena envisions her music as a two-way emotional conduit. Honing in on her signature sound, Sena broke boundaries between borders and styles on the 2019 breakthrough “Up” featuring Sheppard and Wiz Khalifa. Uniting three genres and countries, the release possessed international appeal from Japan to Australia to the USA. Sena’s heavenly hypnotic delivery acted as the glue between genres with the fluttering vocal proclamation, “Nothing’s gonna bring us down. We’re going up, up and up and up.” The track’s uplifting message immediately resonated with listeners, resulting in a wealth of spins and a gold plaque from the RIAA. Amassing 100 million collective streams and counting across her discography, “Show Me” continues to present Sena’s introspection and affinity for community and connection. She states, “My goal for the project whether through recordings or live performances is to have people listen to my music and be able to feel the warmth through it. Despite whatever hardships, perhaps they can see a little silver lining in this.”

Born in Tokyo, Japan, music immediately called to Sena Kana, as if by destiny. She vividly recalls falling in love with musicals such as The Sound of Music. She became transfixed by the stories and sounds of that film. Inspired and invigorated, she spent her school days deeply involved in both music and the stage. She studied the foundations and techniques of classical music and learned compositions such as Mozart’s “Don Giovanni” and “The Marriage of Figaro,” to name a few. In 2017, Sena Kana made her musical debut with “Live Your Dreams,” which soared to #1 on EU iTunes and #1 on the France Digital Song Sales chart the following year, both achievements acting as the precursor to her global take off in 2019.

“I’d like to get past the boundaries of nationality,” she says as a closing note, “The kindness inside of people is what I want to share most through what I do. We can get up again, believe in our dreams again, and connect with people again. Those are the kinds of songs I want to sing. Thatߣs the kind of music I want to make. It’s really my dream to bring people together through music.”

image from Madi Florence for use by 360 Magazine

BAD CHILD — “ROYALTY REMIX”

Today, singer-songwriter, producer and multi-instrumentalist known as BAD CHILD reveals the ominous “Royalty Remix” of a previously released track in collaboration with LA-based indie-alterative artist No Love For The Middle Child through Capitol Records. You can listen HERE.

“Royalty” was originally released earlier this year as a track on BAD CHILD’s debut record Free Trial. BAD CHILD recalls on the original track, “‘Royalty’ is a song I want to scare people with, it’s about wanting too much and becoming enveloped in greed. It’s very angry and NIN inspired it heavily.” The intensity of the track is enhanced with the remixed version of the original.

Over the past three years, BAD CHILD has quietly been gathering momentum as an artist with only a handful of releases including his debut EP, Sign Up, a COVERS EP including reinterpretations of songs by Harry Styles, Bill Withers and Soundgarden plus his debut full length record Free Trial. He has quickly become one of the most exciting alt acts to watch; profiled in Complex, HillyDilly, Sidewalk Hustle, Atwood Magazine, Wonderland Magazine and Toronto Star.

His song “Candy,” featuring Ryan Chambers, was included on the soundtrack for the highly publicized Netflix film, To All The Boys: P.S. I Still Love You. And last year, BAD CHILD’s single “Blood” was featured in a global Apple Watch campaign.

BAD CHILD’s eccentric music and unique vision landed him on the festival circuit in the summer of 2019 playing some of the world’s most prestigious line ups including Lollapalooza, Glastonbury, Reading & Leeds and Osheaga.

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

KARL KANI REINVENTS HIMSELF… AGAIN

By: Clara Guthrie

At the junction of fashion and hip-hop lies the iconic and immortalized designs of Karl Kani. Coined the Godfather of Streetwear, the brand’s designer, born Carl Williams, first developed an interest in fashion when he watched his father, a Panamanian immigrant, have his clothing personally made by a tailor. In a conversation with Flaunt, Williams said, “Watching him make his own clothing inspired me to understand how easy it is to make clothing. […] so I decided I wanted to make my own outfits with my dad’s tailor.” This endeavor quickly became a small business of its own as friends would ask Williams to make them replicas of whatever styles he was wearing. But the real turning point moment was when an incredulous friend refused to believe that a certain jacket had actually been made by Williams, asking why his name was not emblazoned on the piece’s tag. The “street revolution”—as Williams calls it—then began, and every new design proudly had Williams’ name on it.

In 1989, at just 17 years old, Williams moved to Los Angeles to pursue fashion more seriously. He opened a store on Crenshaw Boulevard and continued to design, but this time under a new moniker, Karl Kani. According to the official Karl Kani website, the name came to being as the brand grew in recognition and demand, and consequently, Williams would always ask himself, “Can I do this?” It was with this incessant question in mind that he rose to his own challenge and legally changed his name to Karl Kani, an alternative spelling of both his birth name and “Can I?”

Since the brand’s electric inception, Karl Kani filled a void in the world of fashion and revolutionized the concept of streetwear. In the Flaunt interview mentioned above, Kani said, “Hip-hop needed a clothing brand; Karl Kani needed an industry, so we [could] combine together and [were] able to create success for everyone.” Karl Kani quickly became the “it” brand for the Golden Age of hip-hop that emerged in the late 1980s and commanded the music and pop culture scene through the 1990s.

The eternally cool streetwear brand became the paragon of and blueprint for a distinctive revolution in the world of fashion. In a white-dominated industry, Karl Kani clothing was unapologetically designed with black people, and specifically black creatives, in mind. “The only thing that really kept me striving was seeing black people being successful in the music industry,” Kani told The Los Angeles Times in 1994. “I wanted to be a part of that, but I knew I couldn’t sing or dance or rap. I couldn’t do all that, but I could provide clothing for the people who were out there, who could make me famous at the same time.”

Kani formed poignant and lucrative bonds with many of these black performers, most notably Tupac Shakur and Biggie Smalls. In 1994, Kani approached Tupac about shooting a campaign for the fashion company since the rapper often sported his clothing and asked how much he would charge for the favor. As Kani remembers it, Tupac responded, “No, I’m not charging you for nothing. You’re my people, you’re black. I got you.” His only request was that Kani put his song, “Thug Life” in the background of some of his advertisements. The Karl Kani × Tupac collaboration became iconic: a moment in which two art forms came together and the world stood by to watch.

Kani’s relationship with Biggie was solidified when the artist shouted out the brand in his song, “One More Chance,” rapping: “I got the funk flow to make your drawers drop slow, so recognize the dick size in these Karl Kani jeans. I wear thirteens, know what I mean?” (And by the way, Biggie really did wear a size thirteen in Karl Kani jeans. Kani consciously made clothing for men of bigger sizes who fashion largely ignored at the time.)

You can check out Tupac, Biggie and a collection of other celebrities wearing Karl Kani HERE.

One of Kani’s most resonant, popular and withstanding designs was the wide-leg jeans. The design came to being as Kani noticed that people would size up when purchasing jeans to achieve a baggier aesthetic but the waists would then be far too large on them. He ingeniously bypassed this problem by increasing only the size of the pant legs and never altering the waist.

If there is anything that defines Kani, though, it is his adaptable, trendsetting and forward-thinking mind. When his signature wide-leg jeans were co-opted by other brands, and as the streetwear look evolved past its earlier days, Kani ensured that his designs pioneered stylistic change, never to be left behind. “A lot of people are doing a lot of the things we used to do, and we want to look different,” Kani said in 1994. “By staying real and staying focused and always changing your style, you’re always going to stay ahead of the marketplace.”

Recently, Karl Kani has made a striking resurgence in the world of streetwear due to its on-point designs—including an entire collection of unisex pieces—and the rise of nostalgia fashion, now making the brand a multi-generational and inclusive powerhouse. This new wave of Karl Kani designs has been accompanied with a new troupe of black artists advertising the brand. For example, the rap group, Migos, formed a relationship with Karl Kani starting in 2015. “They wore it in all their videos and press and they were able to reintroduce my brand to a whole new young generation which was really cool because they were on top of their game,” Kani said to INDIE Magazine in 2019. Kani also told Wonderland Magazine that he sees artists like “Rihanna, Travis Scott, A$AP Rocky [and] Keith Powers” as dream collaborations and models for the brand: artists that represent the eternal spirit and vibe of Karl Kani.

It is safe to say that no matter who takes over the hip-hop scene next, or however the world of street fashion reinvents itself, Karl Kani will be a part of it.

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Headphones Illustration x Heather Skovlund x STACEY x Saturn Return for use by 360 Magazine

STACEY x Saturn Return

LA-based indie pop singer, songwriter and Wurlitzer enthusiast, STACEY, is sharing her retro-celestial, debut album, Saturn Return, with the universe this Friday, May 21. Saturn Return a time of aligning with one’s true path is a musical cruise from 60s psychedelic day-trips to glossy 70s daydreams, and STACEY crystallizes the nostalgic longing of golden age pop records into lyrical refractions for the modern era. With previous singles “The Songwriter,” “One Woman,” “D.M.T” and “Far Away,” the energy of “That 70s show chic” (LADYGUNN) and “Psychedelic pop with a modern twist” (Wonderland Magazine) has been illuminated in full technicolour already and tmrw Magazine says, “If the goal was to enchant us all into anticipating the upcoming album, it has certainly worked.”

Today, STACEY shares the final single before the album comes out. “Strange (But I Like It)” is the crux of STACEY’s Saturn Return journey – leaving one’s home planet in pursuit of finding oneself and also finding a few fellow alien friends. The official music video is STACEY’s directorial debut, a 60s space-age Barbarella-inspired voyage. It is weird, tripped out, fashion, and a totally fun ride. Strange, yet so likable, the video features a Playboy-inspired 1970s Futuro house, a band of STACEYs, an alien entanglement, and so much more.

On the latest single, STACEY says, “I’m so proud of this video as my directorial debut. Being an indie artist in a pandemic, I took on many roles to keep the team small and safe; I figured I’d just be my own band, so I learned all the instruments. I also produced, styled, art directed, and set decorated.

Stylistically, I borrowed elements from classic films like Barbarella (1968) and The 10th Victim (1965). I also got really into space age-era fashion designers like Pierre Cardin and Rudi Gernriech, styling each of the band characters in authentic pieces of theirs. The singer’s dress however I had custom made. I dove deep into space-age design and architecture and was over the moon to connect with the owner of the yellow Idyllwild Futuro home. It was a dream to shoot there.

I wanted to tell the story of traveling to a new place on your own, how it can be a bumpy start but eventually, you find your fellow weirdo alien friends and begin to feel at home in yourself and amongst your like-minded community. It represents one of the most pivotal journeys of my Saturn Return.”

Her face has graced 12 billboards in Los Angeles and her music has been heard on Netflix’ Spinning Out, Lucifer (x3), Orphan Black (x2), MTV Scream, Degrassi, Wynonna Earp, iZombie, Teen Mom: Young & Pregnant (x4) and more. She’s performed virtually for Home School by It’s a School Night x BandsInTown, and prior to the pandemic, she was playing with greats like Cameron Avery of Tame Impala, Tamino and Charlotte Day Wilson.

With over a million streams on Spotify last year, several handfuls of playlist placements (like New Music Friday x3, Fresh Finds x3 and more), and a cover spot of Spotify’s “Outliers” playlist, not to mention lots of love from Apple Music as well, it’s clear that STACEY is one to watch in 2021. In fact, Ones to Watch raves, “STACEY’s voice dazzles,” and Clash muses over her “Wistful, summer-fresh songwriting.” Well, in that case, her debut album is arriving right on time for Summer 2021. Stay tuned for more STACEY.

WATCH THE “STRANGE (BUT I LIKE IT)” VIDEO HERE

LISTEN HERE

Photo by Mikayla Miller courtesy of Big Hassle x STACEY x Saturn Return for use by 360 Magazine

photo of STACEY

STACEY x Saturn Return x Big Hassle x Leigh Greaney and Michael Eisele for use by 360 Magazine

Album Cover for STACEY’s new album Saturn Return

MK xyz illustration by Heather Skovlund for 360 Magazine

MK xyz × Sweet Spot

RISING R&B STAR MK xyz’s NEW EP SWEET SPOT OUT NOW

WATCH THE MUSIC VIDEO FOR “ONE TIME” HERE

After being discovered by Tricky Stewart , amassing nearly 10 million total streams, and garnering praise from BustleWonderland MagazineFLAUNT, and more, Florida-born triple-threat, R&B singer, songwriter and dancer MK xyz uncovers her highly-anticipated debut EP entitled Sweet Spot today. It showcases all her talents and makes an unapologetic statement from MK xyz as an artist who is here to stay.

Listen HERE via Epic Records.

She celebrates the arrival of the six-track project with the music video for the new single “One Time” directed by Madeline Kate Kann. The Hitmaka produced track has an accompanying visual full of throwback vibes between its scenes of skateboarding in the rain, showstopping dance routines, and fly nineties fashion. Meanwhile, she flexes her impressive range over skittering 808s just as the hypnotic hook takes hold and the energy heats up.

About her Sweet Spot EP, MK xyz said, “The XYZ is the Sweet Spot. No labels, no expectations, where we say FUCK the rules. A sexy, yet sweet balance of any and everything.”

Watch it HERE.

EP opener “Dennis Rodman” formally introduces the 22-year-old as she delivers sharp verses and dunks on the clever hook about dating and rebounds. She leans into bass on “Air It Out” with flirty fire, while “GEAUX” seesaws between a thick bounce and a propulsive chorus. Check out the full tracklisting below.

Making headlines and expanding her influence, MK xyz also starred in the new Beyoncé x Adidas#ImpossibleIsNothing campaign spot.

Check it out HERE.

MK xyz hits the Sweet Spot in 2021.

Dubbed by Wonderland as a rising R&B star “for her fierce lyricism and captivating dancing ability,” MK xyz is undoubtedly an artist to watch. After releasing her debut single “Pass It” with artist G-Eazy this past July, MK xyz has received critical acclaim from outlets such as WonderlandFlauntBustleLyrical Lemonade and more. MK xyz initially caught the attention of producer and songwriter Tricky Stewart after posting videos of herself covering songs like the Smokey Robinson’s “Cruisin'” and Daniel Caesar and H.E.R.’s “Best Part” in 2017. Now signed by RZ3 Recordings, the singer and dancer is poised for a breakout year in 2021.

TRACKLISTING

1.  Dennis Rodman

2.  Air It Out

3.  One Time

4.  She Knows

5.  GEAUX

About MK xyz

MK xyz has her eyes set on redefining R&B, and she’s doing it all on her own terms. The 22-year-old has already established herself as a triple-threat (she flips between rapping, singing, and dancing with ease) ever since the release of her 2020 singles “Lost” and “Pass It” featuring G-Eazy. Since then, she’s received praise from critics like BustleRated R&B, Flaunt and Wonderland.

The artist creates an addictive fusion of R&B, hip-hop and pop, which is best showcased in her debut EP, Sweet Spot. Anchored by the breezy lead single “One Time,” the EP reflects her feminine and masculine sides. There’s also production from OG Parker (Migos, PARTYNEXTDOOR, Chris Brown) and frequent collaborator Hitmaka (Drake, Chris Brown, Ty Dolla $ign). With the release of Sweet Spot and her future music, MK xyz hopes that her self-expression and push for queer inclusivity inspire others to realize their inner superpower.

James Bay

James Bay – Chew On My Heart

Today, three-time Grammy-nominated and BRIT Award-winning multiplatinum singer, songwriter, producer, and guitarist James Bay shares an acoustic version of his latest single “Chew On My Heart.”

“Chew On My Heart” continues to make waves. It vaulted to the Top 40 of Hot AC and Triple A, gathered nearly 9 million global streams, and entered rotation at BBC Radio 1. Rolling Stone noted it as a “Song You Need to Know” and wrote, “If ‘Chew On My Heart’ is any indication of what his forthcoming album is going to sound like, it seems like the musician is taking his sound in a more positive direction.

In talking about the song, Bay noted, “‘Chew On My Heart’ is a great example of releasing something positive about myself publicly for the first time,” he reveals. “It’s an outpouring of love, and that’s a huge theme across this new music. When I come home from tour, I burst through the door and throw my arms around my girl, and she’ll just say, ‘Okay, relax, cool’,” he laughs. “It’s cheesy, but I wrote it from that perspective. It’s the opposite of being guarded.”

Bay has remained busy during quarantine. Recently, James performed a virtual concert on YouTube in support of #SaveOurVenues, the UK crowd fundraiser started to protect music venues at risk for permanent closure due to COVID-19. In addition, James performed “Chew On My Heart” on The TODAY Show and the first full band performance of the song on Mahogany Sessions. Stay tuned for Bay’s upcoming album and tune into his free guitar lessons via Instagram Live on Wednesdays and Fridays.

Follow James Bay: Facebook | Instagram | Twitter | YouTube

JUSTINE SKYE REVEALS DATES FOR 2018 ULTRAVIOLET SPRING

JUSTINE SKYE REVEALS DATES FOR 2018 ULTRAVIOLET SPRING TOUR

FULL-LENGTH DEBUT ULTRAVIOLET OUT NOW

“Starting this month you’ll know her as your new playlist obsession.” – Marie Claire

“The tracks on Justine Skye’s first album, ULTRAVIOLET, are as infectious as her Brooklyn swagger.”  – Cosmopolitan 

ULTRAVIOLET finds the singer at her most confident.” – Elle.com

Today, singer, songwriter, fashionista, and actress JUSTINE SKYE announces the dates for her first headlining North American Tour this spring. Tickets go on-sale HERE beginning March 1st.

Check out the full confirmed itinerary below.

JUSTINE is on the road in support of her full-length debut ULTRAVIOLET [Roc Nation]—available in stores and at all digital retailers now. Get it HERE.

This past week, she brought the house down at an Apple in-store event in Brooklyn, giving fans a taste of what to expect on the road. Just prior, she led the return of the TUMBLR IRL series in New York City. Simultaneously, she garnered praise from the likes of Billboard.com, Allure.com, HapersBazaar.com, Elle.com, and more.

Additionally, her cinematic and high-energy video for  “Don’t Think About It” is quickly closing in on 1 million YouTube/VEVO views in under a month, while “Back For More” also recently eclipsed that milestone.

As she’s becoming known for knockout performances, don’t miss her on this upcoming tour!

JUSTINE SKYE has been quietly and diligently working on her craft since 2014. Produced exclusively by GRAMMY® Award-winning visionary The Dream, her 2016 EP8 Ounces earned praise from the likes of BillboardThe Fader, Genius, and more as Wonderland Magazine proclaimed her a “musical prodigy on the rise.” Her sphere of influence dramatically expanded yet again in 2017 as she became an ambassador for both True Religion and Forever 21 in addition to making her big screen debut in Green Dolphin.

TOUR DATES:

3/1       Washington, D.C.

3/22     Philadelphia, PA

3/23     Boston, MA

3/24     New York, NY

3/26     Chicago, IL

3/27     Toronto, ON

3/29     Detroit, MI

4/1       Atlanta, GA

4/3       Dallas, TX

4/4       Houston, TX

4/7       Los Angeles, CA

4/8       San Francisco, CA*

*Supporting Marc E. Bassy

ULTRAVIOLET

1 “Wasteland”

2 “Goodlove”

3 “U Don’t Know” [feat. WizKid]

4 “Back For More” [feat. Jeremih]

5 “Don’t Think About It”

6 “You Got Me”

7 “Heaven”

8 “Push Ya”

9 “Lil’ Boy”

10 “Best For Last”

JUSTINE SKYE RELEASES NEW SINGLE

Singer, songwriter, fashionista, and actress JUSTINE SKYE reveals her new single “Heaven” at all digital retailers.

Get it HERE.

Increasing excitement among fans, it lands just one week prior to the arrival of her hotly anticipated full-length debut, ULTRAVIOLET [Roc Nation/Republic Records], out next Friday January 19, 2018. Pre-order HERE.

“Heaven” shows yet another side of JUSTINE. Carried by her expansive vocal range and magnetic charisma, it lives up to its title with a definitive and divine energy.

Notably, it follows up a string of buzzing singles from ULTRAVIOLET“Back For More” generated over 2.5 million Spotify streams and counting, while “Don’t Think About It” clocked more than 1.1 million Spotify streams. Check out the high energy, nineties dance-inspired music video for “Don’t Think About It” HERE.

Get ready for ULTRAVIOLET!

JUSTINE SKYE has been quietly and diligently inching towards the top of pop since 2014. Produced exclusively by GRAMMY® Award-winning visionary The Dream, her 2016 EP 8 Ounces earned praise from the likes of BillboardThe FaderGenius, and more as Wonderland Magazine proclaimed her a “musical prodigy on the rise.” Her sphere of influence dramatically expanded yet again in 2017 as she became an ambassador for both True Religion and Forever 21 in addition to making her big screen debut in Green Dolphin.

ULTRAVIOLET

  1. “Wasteland”
  2. “Goodlove” [feat. PARTYNEXTDOOR]
  3. “U Don’t Know” [feat. WizKid]
  4. “Back For More” [feat. Jeremih]
  5. “Don’t Think About It”
  6. “You Got Me”
  7. “Heaven”
  8. “Push Ya”
  9. “Lil’ Boy”
  10. “Best For Last”

Justine Skye 

JUSTINE SKYE PREMIERES

MUSIC VIDEO FOR “DON’T THINK ABOUT IT”


DEBUT ALBUM ULTRAVIOLET OUT JANUARY 19, 2018

 

Singer, songwriter, fashionista, and actress JUSTINE SKYE just shared the music video for her latest single “Don’t Think About It” on Complex. Watch it HERE.

Helmed by renowned director and choreographer Laurieann Gibson and Life Garland, the clip evokes classic nineties hip-hop and R&B videos with its impressive dance choreography and futuristic visual sensibility. “Don’t Think About It” is shaping up to be a signature hit for the songstress. It’s quickly nearing 1 million Spotify streams and simultaneously heating up at radio.

It also sets the stage for the release of her highly anticipated full-length debut, ULTRAVIOLET [Roc Nation/Republic Records]—arriving in stores and online January 19, 2018.

JUSTINE SKYE has been quietly and diligently inching towards the top of pop since 2014. Her 2016 EP 8 Ounces (executive produced by The Dream) earned praise from the likes of BillboardThe FaderGenius, and more as Wonderland Magazine proclaimed her a “musical prodigy on the rise.” Her sphere of influence dramatically expanded yet again in 2017 as she became an ambassador for  Puma, was featured in Forbes’ highly coveted “30 under 30” list and landed her first lead in a feature film, the indie coming-of-age drama GREEN DOLPHIN.

ULTRAVIOLET Tracklisting:

  1. “Wasteland”
  2. “Goodlove”
  3. “U Don’t Know” [feat. WizKid]
  4. “Back For More” [feat. Jeremih]
  5. “Don’t Think About It”
  6. “You Got Me”
  7. “Heaven”
  8. “Push Ya”
  9. “Lil’ Boy”
  10. “Best For Last”

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.