About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

S.O.S

“Bloodline” is the third single from this electro-pop singer’s latest album release, Edges Of The Mind.  With the emergence of Jazz/EDM recording artists like AlunaGeorge and Maty NoyesS.O.S is poised to excel.  “Bloodline” is an anthemic masterpiece. Lyrics speak volumes to the new age generation – the millennials. In unison, they can achieve anything.  S.O.S‘s ability to melodically enamour an audience with Sade-like vocals and provocative instrumentation is a win-win. This musician’s sophistication along with strong marketability has landed them on our #360WatchList.


In fact, 360 just experienced a premonition. There’s a Grammy in her path if she continues to sustain her momentum. After all, a clean new sound is the equation for success. Simply ask our current cover stars, Hey Violet.



Behind  S.O.S  is  Sophie  Debattista,  a  23-year-old  Anglo-Maltese  singer/songwriter.  She  was  originally  born  in  Malta  and  at  the  age  of  18,  the young  songstress  embraced  her  British  heritage  and  followed  her  love  of  music  to  the UK.  By  2013,  Sophie  was  awarded  a  scholarship  at  The  Institute  Of  Contemporary Music  Performance  (ICMP)  in  London  which  enabled  her  to  study and  graduate  with  a  first-class  BA  (Hons)  in  Songwriting.  This  played  a  major  role  in Sophie’s  growth  within  the  UK  so  far  and  five  years  down  the  line,  she regularly  performs  around  the  music  circuit  in  London  and  plays  many  festivals across  the  country.  Moreover,  Sophie  works  hard  at  self-funding  her music  through  busking  on  the  TFL  network  and  loves  that  she’s  given  the  chance  to meet  new  people  in  an  unconventional  way  and  bring  some  positivity  into  their  day through  her  music. Towards  the  end  of  2015,  Sophie’s  music  took  an  exciting  turn  as  she  began  to delve  into  the  world  of  music  production.  She  now  fronts  the  production  team  on  all of  her  releases  creating  a  combination  of  edgy  electronic  tracks,  warm  vocals  and intense  lyrics  drawing  influence  from  the  likes  of  Alessia  Cara,  NAO,  Halsey  and Lorde.  Sophie  was  recently  in  the  studio  recording  her  forthcoming  debut  EP Edges  Of  The  Mind where  this  distinct  sound  is  showcased.  The  first  two  singles from  that  EP, “Bittersweet” and  “Silent  Witness,” received  the  support  of  top  British media  including  BBC  IntroducingBBC  Radio  6  and  Clash  Magazine.  November 2017  is  set  to  be  an  exciting  month  for  Sophie  as  she  will  be  releasing  her  next, highly  anticipated  single  “Bloodline.”  She  asserts, “Music  is  my  world.  I  feel  extremely  fortunate  to  be  able  to  do  what I  love  doing  most  in  such  a  diverse  country  that  keeps  inspiring  me  everyday.  I  am continuously  influenced  by  some  incredible  artists  such  as  Ed  Sheeran, Beyonce, Ellie  Goulding  and  Lorde.  Recently,  my  music  has  entered  a  new  and  exciting phase  and  the  release  of  my  debut  EP  will  be  my  first  ever  collection  of  work  and  a chance  to  show  the  ‘real  me.’”

DAVE GROHL × RED BULL

​The Show Must Go On (courtesy of Red Bull)

  

Dave Grohl could be the world’s most zealous rock star. He never gives up, even after breaking his leg on stage. The Foo Fighter explains how he keeps the passion for his life’s work burning bright. 

In 1986, 17-year-old Dave Grohl quit school to tour Europe with punk band Scream. Since then, he has rarely been off the stage, first as the drummer of grunge icons Nirvana and since 1994 as frontman of his own band, Foo Fighters. Over the last 30 years, Grohl has sold more than 50 million albums and played thousands of shows. And don’t expect that pace to slow anytime soon. He talked to The Red Bulletin about what a 48-year-old father of three is doing still obsessing over music like a teenager. 

  

The Red Bulletin [TRB]: You broke a leg during a concert in Gothenburg in the summer of 2015 … 

Dave Grohl [DG]: I was so euphoric I lost my balance on the edge of the stage and fell into the photographers’ pit. It’s a miracle I survived the fall, actually. I could have just as easily broken my neck. 

  

TRB: And yet after a short break you got on with the concert, sitting down with your leg in a cast. Why didn’t you just call it off? 

DG: Because I can’t. 

  

TRB: What do you mean? 

DG: It’s down to my punk-rock past. In the old days, musicians were constantly breaking their nose on stage, getting electric shocks or falling flat on their face when they stage-dived. No one would have dreamed of canceling a gig because of it. You just rocked on! I internalized that philosophy—you just grit your teeth and get on with it. 

  

TRB: OK … but doing a whole European tour with a broken leg? 

DG: It soon became clear after the accident that I wasn’t going to be able to stand at the mic or sit in a wheelchair with a guitar for two hours. So a technician and I designed a throne that was also a guitar stand and a smoke machine. It meant I was able to do the remaining 50 concerts of the tour. Later, Axl Rose had a similar accident, and he asked me if he could borrow the throne for some Guns N’ Roses shows. 

  

TRB: Have you patented the throne?  

DG: People really did ask me if I wanted to do that, but it would be absurd for someone who had broken their leg to have to ask my permission in order to continue their tour. 

That kind of attitude will never make a good businessman of you. Hip-hop artists such as Jay-Z or P Diddy would monetize it … 

  

Like everything they touch, because that’s their main motivation. And that’s OK because they come from a world where it’s about survival. And you only survive if you earn money. The more the better. 

  

TRB: What’s wrong with having some healthy business acumen? 

DG: Nothing, but it’s never been my approach. I may not come from a rich family but I’ve never had to worry about survival. In that sense, fun has always been the priority for me, along with things that help me move forward as a person and as a musician. I don’t need even more money, cars and gold chains—they don’t make you happy. And I’d rather be happy than stinking rich. OK, I might be rich, but I don’t stink. 

  

TRB: You wanted to reward yourself with a longer break after the tour. How come you’re now releasing a new album much earlier than planned? 

DG: At first I was really enjoying the time off, but then my daughters said, “Dad, why are you hanging around the house the whole time?” They didn’t like the idea of me always wanting to do stuff with them. So I started writing new songs. In six months I had enough material, and I didn’t want to hang around for ages, so I rounded up the band. Most of the guys were still on vacation. They were pretty surprised. 

  

TRB: So even after 30 years in the music business, you still can’t just switch off for long? 

DG: I think that’s why I’ve made it as far as I have: because I’m crazy about music— in a good way. After all this time, I still can’t get enough of it. If I just sat around at home pursuing odd hobbies, Foo Fighters wouldn’t be on album number nine, and we certainly wouldn’t be playing such big venues. You only get out of life what you’ve invested in it. 

  

TRB: Where would you draw the line between having a positive obsession with music and being a workaholic? 

DG: Before my music career, I did all sorts of crap jobs. It was music that gave me prospects and made a better life possible. Music is the love of my life; if I’m not doing something with music for a couple of days, I immediately get a negative conscience. In my first few months off, I was flirting with the idea of directing a film. But it felt weird right from the get- go, because I couldn’t be as enthusiastic about any film project as I am about Foo Fighters. It felt so much more like work, and that’s never been the case with music. I never have to look for inspiration with music—it’s just there. 

  

TRB: How do you maintain that passion for work? Do you have any tips? 

DG: The key is to do something fulfilling, for which you get respect. If you don’t find that in your day job, you need to look for another outlet. That could be theater, dance, sport, some nerdy hobby, whatever. Do what’s fun, and enjoy life—that’s all I’m doing. I play music with my friends and that gives me the energy to drive the kids to school, go grocery shopping and pick up the dog crap in my garden. 

  

TRB: Your 8-year-old daughter, Harper, went on stage with you recently as your drummer. Would you say she’s following in your footsteps? 

DG: Harper did great, didn’t she? Especially as she’d only been playing for two weeks by that point. She said to me, “Dad, can you give me drumming lessons?” I put on an AC/DC record and showed her a simple rock rhythm. She had to struggle through that before I taught her “We Will Rock You” by Queen, and she got that. When she came to see me at the Foo Fighters concert in Iceland, I asked her if we should do it on stage and she said yes straight away. It was magnificent! 

  

TRB: Can we expect to see a family band soon—The Grohls? 

DG: I hope my three daughters will play together someday. But for now they’re more into arguing with each other—and it’s constant. 

  

TRB: Would you like a son? 

DG: I’m not sure about that. The thing is, would he be like me? That could be quite a nightmare—a rebellious, uncontrollable child? No thanks. 

  

Foo Fighter’s new album, “Concrete and Gold” is out now; foofighters.com 

*For additional information regarding this Q&A visit The Red Bulletin.

Rolls-Royce Dawn tops list in 2017 Neiman Marcus Xmas Book

The 2017 Christmas Book and legendary Fantasy Gifts were unveiled today by luxury omni-channel retailer Neiman Marcus in Dallas. The 91st edition of this renowned book continues Neiman Marcus’ unmatched tradition of offering a selection of spectacular and unique holiday gifts that are sure to make even the wildest of dreams come true.

 

As the much anticipated annual tradition hits the mailboxes of luxury connoisseurs nationwide, for the first time ever, the leading name in luxury retail recognizes the pinnacle in luxury automotive excellence. The Rolls-Royce Dawn is the ultimate holiday gift for you and a loved one. Why settle for one when the fashion experts at Neiman Marcus have worked with the Bespoke Designers at Rolls-Royce Motor Cars to develop a stunning set of Dawns. As always, they can be further personalized to meet the exclusive taste of any patron of luxury.


In a Rolls-Royce Dawn, every journey is effortless, accompanied with powerful, yet silky smooth acceleration, light and accurate steering, and precise braking, all wrapped in unparalleled Rolls-Royce Motor Cars luxury and attention to detail. Built with care and precision by the skilled artisans at the Home of Rolls-Royce, Goodwood, United Kingdom, these highly personalized examples are inspired by two of the most glamorous locales in the world: Lake Como and Saint-Tropez.

 

The ‘Lago di Como Dawn’ features a crisp Selby Grey and Black interior of hand-sewn leather, complemented by a brushed aluminum fascia. The ‘Saint-Tropez Dawn’ has an equally sumptuous interior of Seashell leather, accented with bright orange Mandarin and sumptuous chocolatey Dark Spice, with a fascia and doors paneled in rich Canadel open-pore wood. 

 

Both Bespoke commissions are lovingly hand-crafted by artisans and each car is distinctly unique: they both feature lustrous Silver bonnets and sleek Silver fabric tops, which disappear, silently, in mere seconds. 


More about RR.


Detroit insiders share their passion for the city’s resurgence

The new Little Caesars Arena anchors a 50 block redevelopment in the heart of downtown Detroit
THOMAS WILMER
Detroit insiders share their passion for the city’s resurgence


Detroit’s street art symbolizes the city’s vibrant new urban beauty
CREDIT THOMAS WILMER

Detroit’s resurgence is propelling with a new light rail, the freshly opened Little Caesars Arena—an anchor of a 50 block downtown development project, the legendary Motown Museum’s expansion plans, and a visit with the owner of Michigan’s oldest licensed brewpub, Traffic Jam & Snug.
Join the conversation with Detroit Convention & Visitors Bureau staffers, Renee Monforton, Jennifer Ollinger and Stan Smith; Carolyn Howard owner of Traffic Jam & Snug; Brian Stevenson at Motown Museum; and Tom Wilson, President and CEO of Olympia Entertainment at Little Caesars Arena.
 


Journeys of Discovery with Tom Wilmer iTunes NPR podcast album art

CREDIT KORNREICH DESIGN, SAN LUIS OBISPO

You are invited to subscribe to the Lowell Thomas award-winning NPR Podcast travel show Journeys of Discovery with Tom Wilmer via: 
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Journeys of Discovery with Tom Wilmer winner of the 2016, 2015, 2013 Lowell Thomas Award

CREDIT SATW FOUNDATION

61st BFI LONDON FILM FESTIVAL ANNOUNCES 2017 AWARD WINNERS

LOVELESS (Best Film), THE WOUND (Best First Feature), KINGDOM OF US (Best Documentary) and THE RABBIT HUNT (Best Short Film) receive the Star of London

The 61st BFI London Film Festival in partnership with American Express® announced this year’s Festival Award-winners at its high profile Awards dinner, at Banqueting House, Whitehall, this evening. Hosted by James Nesbitt and with an address from BFI Chair Josh Berger, guests included Andrea Arnold, Hayley Atwell, Eric Bana, Jessie Buckley, Lily Cole, Jason Isaacs, Adrian Lester, Helen McCrory, Andrea Riseborough, Anya Taylor Joy and this year’s BFI Fellowship recipient, Paul Greengrass.

OFFICIAL COMPETITION WINNER – Best Film: LOVELESS, directed by Andrey Zvyagintsev (Russia, France, Germany, Belgium)

Recognising inspiring, inventive and distinctive filmmaking, the winner of the Best Film Award, went to Andrey Zvyagintsev’s LOVELESS, a powerful and eloquent film about a divorcing Russian couple whose son disappears. The award was announced by President of the Official Competition jury, previous Sutherland alumnus and Academy Award® and BAFTA-winning director Andrea Arnold:

The jury commented:

 “We felt that Loveless was a very poetic and beautiful film. Dark and told with a fierce passion. Although the film concentrated on the intimate story of one family in Russia, it felt like a universal tragedy; one that we recognized as one of the world¹s great sadnesses. The film-maker elevated the personal to a social and political statement. A critique of our current psychological and political moment. Some of us felt the film a cautionary tale. An angry warning. And some of us saw it as a rallying call for the opposite of what the film is called.  

We also commend Wajib. We found this to be a very honest, tender and beautifully acted story about a father and son delivering wedding invitations to their relatives. Sometimes funny and often sad we loved the glimpse into the lives of ordinary Christian Arabs in Nazareth. And through the intimacy between father and son, the film explored the clash of old and new in a fast changing world. A call for patience, respect and understanding”. 
Arnold’s fellow jurors were the BAFTA award-winning filmmaker Babak Anvari; the actor Eric Bana whose latest film THE FORGIVEN premiered at this year’s LFF; Ashley Clark, senior programmer of cinema at BAM Brooklyn; actor and social entrepreneur Lily Cole; previous LFF Best Film winner, the writer and director Alexei Popogrebsky and the BAFTA and Academy Award®-nominated producer Emma Thomas.

This is the second time that Andrey Zvyagintsev has won the Best Film at BFI London Film Festival having previously received the award for LEVIATHAN in 2014 which subsequently went on to win the Golden Globe for Best Foreign Language film and was nominated for an Academy Award and a BAFTA in the same category.

FIRST FEATURE COMPETITION WINNER – The Sutherland Award: John Trengove for THE WOUND (South Africa)

The long-standing Sutherland Award is named after the first Chairman of the British Film Institute, George Sutherland-Leveson-Gower, 5th Duke of Sutherland. The Sutherland Award is presented to the director of the most original and imaginative first feature in the Festival, and this year’s winner is John Trengove for THE WOUND, a powerful exploration of masculinity and unspoken queer desire set in the remote mountains of South Africa’s Eastern Cape. The winner was announced by the jury president, composer and producer, Melissa Parmenter.

About THE WOUND, the jury said:

“Among a strong field of debut features, we found ourselves enamoured by the urgency, vitality and originality of The Wound. Director John Trengove and his terrific cast have created a dynamic and inimitable coming-of-age story that takes a heart-breaking look at masculinity and sexuality. 

We would also like to give a special mention to the dreamlike Summer 1993, a beautiful and personal film, impressively and sensitively crafted. Its director and screenwriter Carla Simón is an exciting emerging filmmaker to watch”.

Parmenter’s fellow jurors were freelance film writer and editor Kaleem Aftab; the multi-award-winning actors Jason Isaacs and Helen McCrory and the filmmaker and Turner Prize-nominated artist Isaac Julien CBE.

DOCUMENTARY COMPETITION WINNER – The Grierson Award: KINGDOM OF US , directed by Lucy Cohen (United Kingdom)

The Grierson Award for the Best Documentary recognises outstanding feature-length documentaries of integrity, originality, technical excellence or cultural significance. Lucy Cohen’s documentary feature debut is a luminous exploration of grief, identity, family bonds and emotional recovery.. The award was presented by the jury President, the BAFTA & Academy Award®-winning documentary producer, John Battsek.

On behalf of the jury, John Battsek said:

“In a strong and diverse documentary selection, Lucy Cohen’s impressive debut Kingdom of Us equally fascinated and moved us all. It captures an extraordinary level of family intimacy in its delicate exploration of grief and memory.  

We would like to specially commend the poignant yet beautiful Makala, which examines third world poverty in simple and unflinching way, and also the thoroughly enjoyable, charming, inventive hybrid Before Summer Ends – this French road trip with three expat Iranians really touched and delighted the jury”. 

Joining Battsek on the jury this year were BAFTA and GRIERSON-winning editor and producer Paul Dosaj; creative director of UK Factual at Raw TV Liesel Evans; multi-award-winning directors Edward Lovelace and James Hall and the highly-accoladed documentary veteran Norma Percy.

SHORT FILM COMPETITION WINNER – Best Short Film Award: THE RABBIT HUNT directed by Patrick Bresnan (USA)

The Short Film Award is now in its third year at the Festival, and recognises short form works with a unique cinematic voice and a confident handling of chosen theme and content. Patrick Bresnan’s documentary short film THE RABBIT HUNT follows a family hunting rabbits in the sugarcane fields of the Florida Everglades during the harvest season. The Short Film award was presented by jury President, the Academy Award® and BAFTA-winning animation director and illustrator, Michael Dudok de Wit.

Of the winning film, Dudok de Wit and his jury commented:

“We were unanimously impressed by Patrick Bresnan’s verité documentary The Rabbit Hunt. The film is a thrilling look at one family’s otherwise everyday hustle, and is proof that farm-to-table eating doesn’t have to be a bourgeoisie exercise. We admired its agility, its confidence and its refusal to judge its enterprising subjects, and are excited to see what Bresnan does next.

We are also giving a special mention to Scaffold, for its assured simplicity and economy of storytelling; Martin Cries (Martin Pleure), for its inventiveness in transforming the ultraviolent video game Grand Theft Auto V into a tone poem about loneliness; and to Deborah Zebeda, for her magnetic performance in Laws Of The Game”.

Joining Dudok de Wit on the jury were film critic and culture writer, Simran Hans; BAFTA-winning producer Afolabi Kuti; one of the former BAFTA ‘Brits to Watch’ and director of the acclaimed feature debut LADY MACBETH, William Oldroyd and actor Chloe Pirrie, a former BAFTA Breakthrough awardee and Screen Star of Tomorrow.

BFI FELLOWSHIP Paul Greengrass (as previously announced)

This year’s BFI Fellowship was presented to BAFTA award-winning director, producer, screenwriter and former broadcast journalist, PAUL GREENGRASS by his frequent collaborator Tim Bevan.

Eili Harboe and Joachim Trier premiere Thelma

A college student starts to experience extreme seizures while studying at a university in Oslo, Norway. She soon learns that the violent episodes are a symptom of inexplicable, and often dangerous, supernatural abilities.

We spoke to the main actress Eili Harboe and director Joachim Trier who told us about his rumoured connections with director Lars Von Trier

Watch our interview here:

WATCH TRAILER HERE

Credit: Ana de Cozar

Malavika Mokanan, Ishaan Khattar premiere Beyond the Clouds

Beyond the Clouds is an upcoming Indian drama film written and directed by Majid Majidi with music composed by A. R. Rahman. The film stars Ishaan Khatter, actor Shahid Kapoor’s younger brother and Malavika Mohanan in the lead roles. Powerful coming-of-age tale about a brother trying to save his jailed sister.

We spoke to the cast at the world premiere at the BFI London Film Festival. Watch it here:

Credit: Ana de Cozar

Azazel Jacobs on directing The Lovers. BFI London Film Festival

A man and his wife, each embroiled in an extramarital affair, are sent reeling when they suddenly fall for the least likely person imaginable — each other.

Watch our interview with director Azazel Jacobs here:

WATCH TRAILER HERE

Credit: Ana de Cozar

Good Manners premiere at BFI London Film Festival

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana to care for and protect her son after he is born not looking like a human.

Watch our interview with the directors here:

WATCH TRAILER HERE

credit: Ana de Cozar

PROFESSOR MARSTON & THE WONDER WOMEN is NOW IN THEATERS

And to celebrate the release Annapurna Pictures has dropped a new easter egg trailer! Check out the trailer below and look for more hidden secrets from the film in theaters everywhere!
Watch the Easter Egg Trailer HERE:

Get tickets here

PROFESSOR MARSTON & THE WONDER WOMEN

Release Date: October 13, 2017

Genre: Drama

Director: Angela Robinson

Writer: Angela Robinson

Producers: Amy Redford, Terry Leonard

Cast: Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton
SYNOPSIS

In a superhero origin tale unlike any other, the film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her ‘sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston and their lover Olive Byrne, two empowered women who defied convention: working with Marston on human behavior research — while building a hidden life with him that rivaled the greatest of superhero disguises.