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Craig Morgan photo via Monarch Publicity for use by 360 Magazine

Craig Morgan Performs on Fox & Friends

Tune in Friday, June 25 to see Craig Morgan perform on Fox & Friends.

Country Music entertainer and Army veteran Craig Morgan will perform his single Soldier during Fox & Friends’ virtual All American Summer Concert Series this Friday, June 25 on Fox News. Soldier, written by Gavin DeGraw, appears on Craig’s most recent album, God, Family, Country, out now on Broken Bow Records.

A multi-faceted entertainer, Craig Morgan has made a name for himself as a country music icon, TV personality, celebrated outdoorsman, and patriotic Army veteran. One of country music’s best-loved artists, Morgan has charted 25 songs on Billboard and thrills massive crowds with signature hits including Bonfire, Almost Home, Redneck Yacht Club, International Harvester, This Ole Boy, Wake Up Loving You, and the four-week No. 1, That’s What I Love About Sunday. Last year, Morgan released his first new music in over three years – God, Family, Country. The album combines five new songs – including The Father, My Son, and the Holy Ghost, Craig’s faith-filled tribute to his son Jerry, with remastered versions of some of the most powerful tracks he recorded for Broken Bow from 2002 to 2008, combining his past hits mixed with future signatures. Craig offers his take on Gavin DeGraw’s smash, Soldier. He also teamed up with active-duty Army Airborne Rangers Justin Wright and Andrew Yacovone to offer up the summary, Sippin’ On The Simple Life.

Craig received one of country music’s highest honors when he was inducted as a member of the Grand Ole Opry in 2008. Prior to becoming a country music star and TV sensation, Morgan spent seventeen years serving our country in the Army and Army Reserves. Morgan remains an avid supporter of America’s military personnel and has made 16 overseas trips to perform for our troops. He is a recipient of the 2006 USO Merit Award and in 2018 was awarded the Army’s Outstanding Civilian Service Medal, one of the highest awards the Department of the Army can bestow upon a civilian, in recognition of his significant dedication to our military men and women around the world.

Becky Hill and David Guetta press image via Hannah Flaherty for use by 360 Magazine

Becky Hill x David Guetta New Single Remember

Becky Hill released her new single Remember in partnership with David Guetta.

Today, show-stopping UK vocalist and songwriter Becky Hill released her brand new single Remember, a collaboration with the legendary David Guetta. Remember, which is co-written by Becky Hill and co-produced by David Guetta, is the most recent single to be lifted from Becky’s upcoming debut studio album out this summer.

“My whole career has built up to this moment!” says Becky. “I have a sure-fire single with David Guetta, and an album I’ve spent my whole adult life making is finally coming out. I’ve grafted and strived to reach this milestone for a few years now, and my patience has definitely been tested! But it’s definitely been worth the wait, as my creativity and vision for the album has now come to full fruition. It’s been an honour to collaborate with David Guetta on this release too. I feel so proud of the work I’ve created, and so thankful for the team around me who’ve stuck by me throughout this process. To the first of many, and to a very bright future ahead!”

David Guetta says, “Becky is becoming one of the very rare queens of dance music. She has an incredible voice and it felt so good to go back to house music for this record.”

Remember follows the release of Becky’s Better Off Without You ft Shift K3Y, (which is certified Platinum in the UK after accumulating over 600,000 sales), Heaven On My Mind, (which has accumulated over 65 million streams and is now certified Gold in the UK), and the recently released UK Top 40 hit, Last Time.

Becky Hill’s debut studio album will follow Get To Know, a collection of 13 singles Becky either released herself or wrote and guest performed on. Get To Know is now certified Gold in the UK after being confirmed by Official Charts as one of 2020’s top 5 most streamed albums by a female artist in the UK and peaking at No.16 on the Billboard Dance/Electronic Albums Chart in the US.

With an irrefutable aptitude for writing chart-smashing pop songs and a reputation as a pioneer in the electronic music scene, Becky Hill is one of Britain’s most in-demand musical exports of the moment. She has over 180 songs registered with ASCAP – no mean feat considering only 17% of PRS for Music’s registered songwriters are female – and an impressive string of hits to her name.  Having written and performed on twelve singles which charted in the top 40 of the UK Official Singles Chart, (including two top 10 singles, one number 1, and nine platinum records), Becky has now amassed over 2 billion streams on Spotify alone, and 1 billion streams in the UK. She has over 14 million monthly listeners on Spotify after being crowned the 2nd most-streamed British Female Solo Artist on Spotify UK in both 2019 and 2020.

Joel Peterson photo via Deseret News for use by 360 Magazine

Joel Peterson x My Road to Cancellation

Joel Peterson, Stanford Professor and former JetBlue Chairman, writes about his experience navigating the minefield of woke hostility in his piece My Road to Cancellation:

“Wokeism,” America’s new civil religion, draws on elements of neo-Marxism, critical race theory, social justice and identity politics. Its adherents believe it will lead to a more just society. Its detractors, on the other hand, believe its “cancel culture” will push civil society to the brink. And, for the “woke,” either will do.

The roots of my own unlikely cancelation go as far back as 1987, when Jesse Jackson marched Stanford students up Palm Drive to a rhythmic chant of “Hey, hey, ho, ho! Western Civ has got to go!” The next year, I joined the advisory council of its Graduate School of Business where I was soon invited to fill a one-year faculty vacancy. To everyone’s surprise (including my own), I returned every fall for the next three decades to teach four courses to a generation of exceptional MBA candidates.

Then, last year, before a student-politician boldly posted that “White people need to be eradicated,” I was summoned to respond to an equally disturbing complaint over having “triggered” woke students. Because I didn’t think I’d done anything worthy of the summons and because I had received the distinguished teaching award from students, a “Silver Apple Award” from alumni and been appointed to a faculty chair, I wasn’t worried. Alas, I’d misjudged my peril.

Years after Jackson’s campaign to eliminate Stanford’s requirement to study Western civilization, an Iowa-born, New York Times reporter, Nikole Hannah-Jones, developed what she titled “The 1619 Project.” In it, she presented America as founded on slavery and stained by perpetual bigotry.

With boosts from the Pulitzer Foundation and from George Floyd’s tragic death, her social justice message struck a nerve. However, when a number of historians debunked the pseudo-history, Hannah-Jones repositioned her essay as “a work of journalism that explicitly seeks to challenge the national narrative.” She followed up with a New York Times Magazine article headlined “What is Owed” making a case for reparations, consistent with her 1995 letter to the editor in Notre Dame’s “The Observer,” in which she likened Christopher Columbus to Hitler.

With police departments defunded, monuments vandalized and cities torched, Dr. Seuss was soon condemned as racist, Mr. Potato Head scheduled for gender reassignment, and free speech restricted by social media oligarchs. So, it wasn’t a surprise to see social justice warriors on the previously welcoming Graduate School of Business campus.

Content of character vs. color of skin

In a class I teach, students objected when guest CEOs claimed to have been “color blind.” When I volunteered that I, too, had resisted hiring based on skin color, gender or quotas, and had relied, instead, on character, competence and commitment, some students were offended. To understand why those “triggered” would object to standards of character and competence being added to the emergent holy grail of diversity, equity and inclusion (DEI), I turned to one of my own daughters.

Sensing my bafflement at the outrage, she immediately wrote back:

“I have known you my entire life, and I know by your words and deeds that you value all people of all races, ethnicities, and genders. I know you are constantly impressed and inspired by immigrants and their amazing stories of courage and perseverance. I’m proud of the work you’ve done. If this younger, ‘triggered’ generation pushes out of their lives all who seek to improve their understanding, teach them, and open their minds to broader ways of thinking, it will be to their detriment.”

I’d taught my kids – and, until now, my students — that talent, character, and competence are evenly distributed across every demographic. In response to my determination to be on the lookout for leaders without regard to identity, an offended gender-studies major wrote that she’d not known “whether to scream or throw up.” After all, it had been nearly 60 years since Martin Luther King had dreamt of the day when the content of one’s character mattered more than the color of one’s skin. But, by the time that day happily arrived, “wokeism” had hijacked his dream, re-elevating skin color over character.

As demands for skin-color diversity were broadened to include gender and sexual orientation, a student notified me that I’d called on more men than women in two (of four) classes. Knowing that I was no respecter of persons — whether by gender, race, sexual orientation, or anything else — I moved ahead with the course, suddenly aware that my interactions with students were being catalogued by identity.

Soon, a Black Lives Matter advocate asked, of all things, whether I would stand for the American flag. To provide context for my decision, I shared a story. As a toddler, I’d seen my mother take a call from the Department of Defense announcing that her fighter-pilot brother had been killed. Honoring her grief, I’d chosen to stand for the flag under which my only uncle had offered the ultimate sacrifice. The student’s response was presented as an irrefutable argument; my choice was “racist.”

Furthermore, in this woke new world, my professional experience was no longer relevant because of the race and gender I’d been assigned at birth. Despite having created tens of thousands of jobs, promoted women and minorities, and coached scores of entrepreneurs, I was deemed an “oppressor” in the catechism of “wokeism.” Furthermore, the penance for being raised in a “systemically racist” society — founded on millennia of Greek, Roman and Judeo-Christian antecedents, no less — was submission, and, if resisted, cancelation.

The reason behind such tyranny came into focus for me when Condolezza Rice, former secretary of state and current director of the Hoover Institution at Stanford, told me she’d shared with her students that the capture of Khalid Sheikh Mohammed (9/11’s architect) had felt like “having Erwin Rommel under lock and key.” The blank looks on the faces of her very bright students revealed that they had never heard of WWII’s famous Desert Fox.

Until then, I’d traced the enmity to activists like Jackson and Hannah-Jones. Now, I could see that it also stemmed from students having swapped an education for indoctrination. Those enlisted as social justice warriors had avoided the lessons of history, missed out on refining skills that might have allowed them to judge assertions, and denied themselves the insights required to make wise trade-offs.

Because such uninformed activism brought with it a minefield of woke hostility, I kept to myself any reservations I harbored about critical race theory, gender fluidity, and climate alarm. And, when Stanford’s math department proposed achieving “racial equity” by eliminating AP math (as racist, no less), I also kept quiet. Instead, I hoped my hardscrabble climb to CEO might inspire those who saw themselves as victims of inequity. Ironically, those who strained to label my uphill journey a product of “white supremacy” were often the very beneficiaries of woke preferences.

Oppressor-victim

To understand this recipe for canceling predecessor generations, I spoke next with Stanford military historian Victor Davis Hanson. Because Hanson had written the following, I wanted his help in gracefully handling the oppressor-victim theme:

“We should not… allow a current affluent, leisure, and pampered generation to hijack the past, and damn it to perdition. (They have) not earned the right to… cancel… those of the past who won Gettysburg, or built the Hoover Dam, or produced a Liberty ship every week.”

While Stanford had long nurtured a remarkably diverse and admirably inclusive community, it nonetheless rejected Hanson’s counsel in favor of a now fashionable “institutional racism.”

When Graduate School of Business faculty were further instructed to avoid “racist and xenophobic rhetoric and actions against the Asian American and Pacific Islander community,” I found myself wondering if the addendum were a virtue-signaling accusation, or if it were based on something I’d simply never encountered in all my years at Stanford. And, when the facts behind subsequent murders (of a Capitol police officer and 10 Colorado shoppers) contradicted de rigueur narratives, I wondered if the time had come to move beyond racial memes.

Apparently not. With free markets also labeled “racist,” those of us with responsibilities outside the ivory tower began to feel our “diversity of optic” (based on long experience) had been dismissed in favor of a “diversity of identity” (rooted in ideology). So, while I care deeply about Stanford University, and like and admire its president, provost, and business school dean, I was beginning to feel isolated.

Their deference to selective diversity led me to reflect upon a meeting I’d conducted in Berlin as chairman of JetBlue Airways. After the meeting, I’d taken a stroll down Unter den Linden to the Bebelplatz, 500 yards to the east of Berlin’s famous Brandenburg Gate. It was at that plaza, on May 10, 1933, that newly empowered Nazi officials had orchestrated the burning of “objectionable” books. Later dubbed “The Night of Shame,” the conflagration eventually contributed to Germany’s liberal democracy turning a blind eye to Kristallnacht, the Holocaust and an appalling rationale for war.

While loath to compare such a long-ago shame with how I was currently feeling in Palo Alto, of all places, I remembered being impressed that, in Berlin, the survivors of that era’s cancelation had later inserted “stumbling stones” between pavers to ensure that all who followed neither forget, nor repeat, that calamity.

As I traversed the once-riven capital city, the ground-level reminders had provoked in me a surge of optimism. Surely, the world would avoid the sort of conflict for which my own father had gone to war. Surely, everyone realized by now that banning books, restricting free speech and stoking fear would lead to tragedy. And, just as surely, America would eventually reject totalitarianism, even in its “wokest” form.

Yet, here I was, only three years later, 6,000 miles to the west of Berlin, sensing I was perilously connected to a prior generation’s intolerance. Adding to my anxiety was a discovery that my grandchildren’s generation were being scheduled to view an honorable heritage through a lens cleverly manufactured to provoke shame.

Forced to consider moving to a less hostile teaching environment, I heard from former students. One female “of color” offered that, of all her professors, I’d been the most supportive of women and minorities. Another confirmed that the majority of his classmates felt silenced by the threats of a racist label. One student even scolded me for having allowed “the slings and arrows” of the woke to achieve their hoped-for effect.

I smiled wanly to see that Prince Hamlet had somehow survived Jesse Jackson. I, on the other hand, had failed utterly to anticipate the distorting polemics of identity politics. The script advanced during America’s annus horribilis had pitted race against race, gender against gender, and generation against generation, all risking a degradation of spirit worse than any virus.

As a former CEO, it seemed to me that the narrative had gone well beyond gaining political or market advantage. It had even exceeded antifa’s hope for French-Revolution-style anarchy. In fact, by 2021, it looked like a bold attempt at a hostile takeover of mankind’s best hope for peace and prosperity.

This conclusion led me to contrast two Americans best known for their connections to societal breakdown — a mid-19th-century Abraham Lincoln and a mid-20th-century Saul Alinsky. I selected Lincoln because he’d guided America through a civil war, and Alinsky because his dream had been to provoke civil unrest by inciting those he called the “have-nots” against those whom he called the “haves.”

President Lincoln’s observation of America’s vulnerability mirrored community organizer Alinsky’s precondition for a successful revolution. Thus, the warning attributed to Lincoln that “America will never be destroyed from the outside; if we falter and lose our freedoms, it will be because we destroyed ourselves” was the basis for the race and class warfare Alinsky welcomed by rewriting history, inciting envy and “canceling” a large portion of the population.

Whereas Martin Luther King had called upon our “better angels” to subordinate our differences to shared values and, thus, to overcome what Condi Rice called our nation’s “birth defect,” Alinsky chose to repudiate King’s redemptive dream. If he could get people to ignore e pluribus unum (America’s motto since 1782), he might be able to overcome the spirit under which the nation had thrived.

By 2020, the pandemic had offered activists a unique opportunity to cleave the nation along identity and tribal lines, skirting the 238-year-old aspiration that had been Alinsky’s steepest obstacle. Using a fear of cancellation to silence half the population, SJWs dismissed the steady social progress that was the trademark of the world’s most successful multicultural society. Instead of celebrating the progress flowing from our commonalities, they fomented division by pointing to historical injustices.

Between a pandemic, racial tensions and the absence of a Lincolnesque figure to bind up our wounds and bring us together, America was, indeed, vulnerable. As its citizens awakened to the soft tyranny promoted during the pandemic, many felt betrayed by institutions they’d once admired and leaders they’d once trusted. And, for my part, I discovered that the experience I’d had with cancellation in the academy was being repeated all across the nation.

While I may well survive, America will not survive the rewriting of its history, the violation of its Constitution and the abandonment of the freedoms it has promised to citizens of all political persuasions, ethnicities, genders and orientations. No matter our differences, unless we preserve free speech, secure our Constitution and re-enthrone individual responsibility over victimhood, all the king’s horses and all the king’s men will be unable to put Humpty Dumpty back together again.

And Alinsky’s vision will have canceled Lincoln’s.

Joel Peterson Bio

Joel Peterson is the Robert L. Joss Professor of Management at Stanford University, the former managing partner of the Trammell Crow Company, the former chairman of the board of Overseers of the Hoover Institution, the former chairman of JetBlue Airways and the founder and chairman of Peterson Partners, a sponsor for a quarter century of more than a dozen funds covering private equity, venture and real estate investments in hundreds of companies and real estate projects across the nation and throughout the world.

Jessia Press Image by William Arcand via Republic Records for use by 360 Magazine

Jessia x I Should Quit

Rising Canadian pop star and songwriter Jessia released the official video for her new single, I Should Quit.

Directed by Nina Kramer, the carefree video highlights Jessia’s struggle to accept her friends’ advice to stop making impulsive bad choices, while knowing that she should quit but in reality admits she has no intention of doing so. On the track, Jessia says “I’m really good at giving advice but not always good at taking it. I know what I SHOULD do but what’s the fun in always playing it safe? Sometimes you just need to fully accept that you are a hot mess.” 

Recently, Jessia was featured as Billboard Magazine’s Chartbreaker for the month of June. Her CRIA Gold-certified body acceptance anthem I’m not Pretty is currently Top 5 at Hot AC radio in Canada and features GRAMMY® Award-nominated artist Bebe Rexha on the official remix version of the track released last month. “I’m not Pretty” recently crossed 100 million+ streams and this week tops the Billboard Canada Emerging Artists Chart for the SEVENTH consecutive week at #1. 

I’m Not Pretty initially exploded on Tik Tok when Jessia introduced the a cappella hook of the song by sharing, “I don’t know if this is total trash, or if it’s actually a bop.” Turns out it was the latter, as the clip racked up 1 million views in a day. The candid lyrics describe a journey towards self-love and the emotions one can feel while on its path – a message that has instantly resonated with audiences all over the world. 

In addition to early support from international tastemakers, Grammy award-winning singer, songwriter, and producer Ryan Tedder personally reached out to Jessia upon hearing the song to champion her work and collaborate. Together they are putting the finishing touches on more new music—due out soon.

2021 TOUR DATES

July 1 – Lights On Canada Day – Ottawa, ON

July 31 – Lollapalooza – Chicago, IL

October 30 – Outside Lands Festival – San Francisco, CA

ABOUT REPUBLIC RECORDS

Republic Records is Jessia‘s artistic home. A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Ry Ry World Album Image via Amanda Zimmerman for use by 360 Magazine

Mariah the Scientist x 2 You

Mariah the Scientist drops new track and video, 2 You, from her upcoming project, RY RY WORLD coming this summer.

Today, Atlanta-based R&B singer/songwriter Mariah the Scientist shares a new track and video 2 You via RCA Records. Marking her first release of 2021, the track’s trippy, bouncy beat flows seamlessly with Mariah’s clear, sleek vocals. The video transports you to space, displaying various scenes of galaxies and stars, while Mariah pours her feelings out through her vulnerable lyrics. “2 You” will be on her forthcoming project RY RY WORLD coming this summer, which is now available for pre-order.

RY RY WORLD is her first project release since her 2019 major label debut Master – a wry and profoundly personal collection of self-reflective ballads layered with sparse, cinematic instrumentals, which has garnered over 31 million streams worldwide and counting. Last year, Mariah released two tracks gearing up for her return – Always n Forever feat. Lil Baby, an iconic love song about loyalty and commitment, and RIP,  an ethereal slow-drip ballad about finding a way to end the pain of never feeling enough for someone else.

Pitchfork proclaims Mariah a “major new voice in R&B.” She’s an artist who embodies modern R&B through her fearlessness and unapologetic femininity while her songwriting is rooted in vulnerability and honesty. These variables combined into each song is what makes Mariah the Scientist relatable to anyone who listens to her music.

Mariah the Scientist is officially back and ready for a game-changing return. Her new releases are bound to be as iconic and powerful as her previous tracks.

Miami Design District Photo via Mission Baia for use by 360 Magazine

Miami Design District’s Current Art Programming

The Miami Design District announces the debut of several new installations and initiatives for their current season of art programming.

SPECIAL SUNSET PUBLIC ART TOURS  

Immerse yourself in the Miami Design District’s rich art and architecture. Experience the neighborhood like never before alongside resident expert Thom Wheeler Castillo. Visit Emmett Moore’s The Grotto, Apollo Projects ‘Landed’, April Bey’s Fringe Project installation, and more. 

LOCATION: Palm Court Plaza 140 NE 39th St, Miami, FL 33137

DATES: Takes place the first and last Sunday of every month at 6 PM

Sunset Public Art Tour Photo via Miami Design District for use by 360 Magazine

 

ARTLIFE GALLERY

ArtLife is an innovative contemporary art gallery and lifestyle brand with a focus on contemporary, pop and street art. The gallery was founded by veteran Art Advisor and Manager, Avery Andon in 2015, as one of the first online-only international Blue-Chip art galleries. Given the high momentum Miami is currently experiencing, the team felt it was the right time to debut this temporary pop-up in the Miami Design District. ArtLife has created a space where visitors can be immersed in works by some of the world’s most celebrated artists including Andy Warhol, Keith Hering, and Banksy. Additionally, ArtLife also provides the opportunity for visitors to experience works by a range of up-and-coming artists such as Cory Van Lew and Jannie Holmes.  ArtLife Gallery will be on view through the end of June.

LOCATION: 180 NE 40th St, Miami, FL 33137
DATES: Month of June 2021 (Sunday – Thursday 11am-6pm/ Friday & Saturday 11am-8pm)

Andy Warhol's Chicken Noodle Soup via ArtLife for use by 360 Magazine

QUINAZ STUDIO’S BAY STORE

Using only materials sourced from Biscayne Bay and the Miami River, artist/designer James Quinaz transforms trash into treasure for BAY STORE. Part exhibition, part performance, BAY STORE invites you to watch the design process as Quinaz navigates the detritus in our waterways to produce thoughtful, functional furniture before your eyes. BAY STORE asks the viewer to consider the cost of excess and reckon with a society that litters its priceless natural landscapes with cheap plastics, foams, and other harmful waste. Visitors will have the opportunity to watch the artist work, learn about the issues facing South Florida’s precious aquatic resources, and purchase one-of-a-kind pieces from the gallery. 10% of the proceeds will be donated to nonprofits working to keep our bay and ocean clean.

LOCATION: Sweetbird South, 92 NE 40th St, Miami, FL 33137

DATES: June 24th – July 25th

James Quinaz Bay Chair Photo via Lauren Gnazzo for use by 360 Magazine

 

NEW WORLD SCHOOL OF ARTS PRESENTS UNSPECIFIC VOID: 2021 BFA EXHIBITION

NWSA presents the 2021 Bachelor of Fine Arts Exhibition. Despite the challenges the pandemic has brought, the students persevered and continued to work in makeshift studios at home and produced an incredible body of work. The work included in the exhibition ranges from documentation of the pandemic to heartbreak to futuristic imagination, among other themes. The exhibition culminates these young artists’ academic training at the school and will present a wide range of media and themes. Twenty-eight recent graduates will participate in the exhibition. 

LOCATION: Moore Building, 191 NE 40th St, Miami, FL 33137

DATES: June 21st – July 11th

NWSA 2021 Exhibition via Lauren Gnazzo for use by 360 Magazine

“THE GROTTO” BY EMMETT MOORE

Part fiction, part reality, The Grotto is an immersive installation comprised of faux coral boulders sculpted into a secluded lounge, inspired by coral rock quarries and the mythology surrounding the fictional identities that form around these places, where the young and the marginalized gather to sequester themselves and share pleasures. The Grotto also takes cues from local sites such as the Coral Castle and the Venetian Pool where the quarrying of coral rock acquiesced to a mystical landscape, and a fantasy Venetian enclave. Each a tropical fantasy created by man in an effort to transport visitors to an otherworldly place. The Grotto is part pavilion, part folly, where one can escape from everyday life. Emmett Moore’s Grotto Lounge is on permanent display.

LOCATION: 3920 NE 2nd Ave., Miami, Florida, 33137

DATES: Permanent display

APOLLO PROJECTS ‘LANDED’

Apollo ‘Landed’ is the initial iteration of the first plant exhibition to take place in Miami Design District. All artists involved were invited to create, with nature as collaborator and muse, bringing attention to a living, shifting climate and all her inhabitants. From May to July, this pop-up will be hosting activations and installations, focused on reconnecting with the environments around us, where locals are invited to create art, with nature as their muse.

LOCATION: 151 Northeast 41st Street, Suite 12, Miami, Florida 33137

DATES: May 2021 – July 2021

JADE ALLEY FILMS 2021

A collaborative year-long art video feature, Jade Alley Films: 2021 features four artist video selections by the District’s key institutions, including Locust Projects, de la Cruz Collection, and ICA Miami. From April 1 to June 30, the Miami Design District will feature ‘Outage’ by Philadelphia-based artists: Jennifer Levonian and Eva Wylie. Originally commissioned and premiered by Locust Projects in 2019, Outage is a video that utilizes Levonian’s signature cut-paper animation technique, which incorporates deftly rendered watercolors into short films that wryly depict prescient social narratives and Eva Wylie’s unique printmaking techniques. The single-channel animation was made from over 3,000 frames and more than 275 screens were used to create pieces for the animation.

Locust Project Photo via Lauren Gnazzo for use by 360 Magazine

BREAKWATER BENCH BY AMLGMTD 

Ideated by design duo AMLgMTD, the Breakwater Bench is a system of individual benches inspired by the lapping ebb and flow pattern of waves. The slight shift in the repetition of a single element creates movement between the open and closed sections within the design. This simple use of geometry causes playful shadows to appear where the light filters through the open structure.

LOCATION: Palm Court, 140 NE 39th Street, 2nd Floor 

DATES: November 25, 2020 – ongoing

Breakwater Bench Photo via Lauren Gnazzo for use by 360 Magazine

Award Illustration by Heather Skovlund for use by 360 Magazine

Michael E. Jordan – Entrepreneur of the Year Finalist

From very humble beginnings, Michael E. Jordan has elevated the UNRL brand with core values, quality of product, and a spirit of giving back to the community.

UNRL announced that its founder and CEO, Michael E. Jordan, has been selected as a finalist for the prestigious Entrepreneur of The Year® Award, Heartland Region, presented by Ernst & Young. Based in St. Paul, Minnesota, UNRL is an athletic apparel brand that specializes in creating functional athletic clothing.

After an intensive nomination and selection process, Jordan was identified as one of 36 finalists within the seven-state Heartland region. This award honors game-changing business leaders who rise above challenges using ingenuity, courage, and ambition. Nominees are evaluated based on six criteria: entrepreneurial leadership; talent management; degree of difficulty; financial performance; societal impact and building a values-based company; and originality, innovation, and future plans. 

Jordan founded UNRL in his mother’s basement seven years ago with an investment of a mere $300 and has since grown the company exponentially year after year. Today, UNRL has 19 employees and is on track to reach 8 figures in annual sales. All of this was done with hard work and entrepreneurial spirit, without any outside investment or business loans. 

UNRL products are sold in various retailers throughout the country including Scheels Sporting Goods, PGA Tour Superstore, various NHL, and NFL Pro Shops. One of their most notable apparel partnerships is with the social media powerhouse Barstool Sports. UNRL takes great pride in the quality of their product and their attention to how business is operated. 

“It’s an incredible honor to be selected as a finalist for this award,” said Jordan. “I don’t view this as an individual achievement, this is a testament to my team. It’s been a collective effort with 100% buy-in from every member of our team. Without that, we wouldn’t be here today. I believe we are growing this business the right way, and it is meaningful to be recognized for that. I’m very grateful for all the support Ernst & Young has provided throughout this process.”

Jordan said that he has high expectations for the UNRL brand in the future; articulating plans to surpass the $10 million annual revenue marker within 12 months and reach the $100 million milestone by 2029. In doing so, continuing to donate 15% of net proceeds to nonprofits including the University of Minnesota Masonic Children’s Hospital.  

“I am very competitive by nature. I’ve been an athlete my whole life,” said Jordan. “I pride myself on continuous improvement and doing things the right way to leave a positive legacy on the industry. The Entrepreneur Of the Year® Award has my respect because it’s a challenge against the best in the business, and we have something to prove. I want to win this.”

Regional winners of the Entrepreneur of the Year Award will be announced in late July. The National Entrepreneur of the Year Award will be handed out on November 13.

ABOUT THE ERNST & YOUNG ENTREPRENEUR OF THE YEAR AWARD:

Entrepreneur Of the Year® is the world’s most prestigious business awards program for unstoppable entrepreneurs. These visionary leaders deliver innovation, growth, and prosperity that transform our world. The program engages entrepreneurs with insights and experiences that foster growth. It connects them with their peers to strengthen entrepreneurship around the world. Entrepreneur of the Year is the first and only truly global awards program of its kind. It celebrates entrepreneurs through regional and national awards programs in more than 145 cities in over 60 countries. National Overall winners go on to compete for the EY World Entrepreneur of The Year™ title. 

ABOUT UNRL:

UNRL is a clothing brand that bridges the gap between functional and casual. Their clothing is designed to take you from the office to the gym, or the airport to the golf course. UNRL creates all products with three principles in mind: style, comfort, and versatility. Everything is crafted from scratch with premium hand-selected materials and tailored for a great fit. UNRL is here to instill confidence in the athlete that strives to do more. 

Le Rouge Lounge Opening Weekend Image via Timur Tugberk for use by 360 Magazine

Le Rouge Lounge, Wynwood’s Avante-Garde Nightlife Destination

Le Rouge Lounge crushed its opening weekend with VIP appearances by Diplo & Cuba Gooding Junior and performances by Soul Brothers, Cris Cab & more.

Le Rouge Lounge is Wynwood’s ultimate avant-garde nightlife destination. The 7,000 sq. ft. venue opened June 11 to uproarious success and has taken a new spin on live performance entertainment.

Open Thursday through Saturday from 9 PM through 3 AM, this French-inspired enclave will serve as a destination for national music acts and world-renowned DJs, bringing a next-generation live music venue experience to the city.

Le Rouge Lounge is a meeting place where service is paramount and privacy guaranteed, where beauty in every form is nurtured and the unexpected is to be expected. It provides a luxurious and visually stimulating ambiance, highlighted by its vintage decor, state-of-the-art sound, video, and 3D mapping projection systems.

The lounge will be the first venue in Miami to be centered around a 360-degree DJ “in the round” booth, showcasing a diverse array of performers, DJs, bands, and solo artists in an intimate and upscale setting. It boasts a live stage draped in red velvet, spacious enough to accommodate a 10-piece band.

The opening weekend lineup featured renowned Miami-based artists Cris Cab and Oscar G, the brilliant Mexican duo “The Soul Brothers” and other local artists, followed by Luca Bachetti, Damaged Goods, and Manu Manzo in the following weeks. Cuba Gooding Jr. and Diplo also made an appearance at Le Rouge Lounge’s opening weekend, contributing to its successful debut.

At Le Rouge Lounge, mixology is an art form, with veteran mixologist Samer Abdallah crafting prohibition-era cocktails with an unexpected, modern twist. This intimate and upscale space allows publishers, influencers, decision-makers, movers & shakers to connect; it’s a space where synergies percolate, stars are born, and masterpieces are conceived.

With their dance card already booked with album release parties and city events including Swim Week Miami and Art Basel, Le Rouge Lounge promises to be the Magic City’s hottest destination for live entertainment and private events.

Le Rouge Lounge is located at 318 NW 23rd St. in Miami, FL 33127, and offers valet parking, as well as the largest self-parking lot in Wynwood.

Coheed and Cambria Tour Image via Ross Anderson for use by 360 Magazine

Coheed and Cambria X The Used Announce Tour

Special guests Meet Me @ The Altar and carolesdaughter will join the co-headlining tour on select dates.

Tickets on sale starting Friday, June 18 at LiveNation.com

Celebrated American rock bands Coheed and Cambria and The Used today announced their upcoming summer outdoor co-headlining amphitheater tour. The 18-city U.S. tour, produced by Live Nation, will begin on Friday, Aug 27 in Irvine, CA and make stops in Phoenix, Dallas, Cleveland, New Jersey, Worcester, and more. The late summer journey will feature special guests Meet Me @ The Altar and carolesdaughter on select dates, and will culminate with a performance at Daily’s Place in Jacksonville, FL on Sept 24.

Most tickets for the tour will go on sale to the general public beginning this Friday, June 18th at 10AM local time at LiveNation.com. A full listing of dates can be found below along with additional information on both CoheedAndCambria.com and TheUsed.net

It’s been over two years since Coheed and Cambria’s 2018 album, Vaxis I: The Unheavenly Creatures, was released as the band’s “return to concept” album. After stepping away with a more introspective album in 2015, frontman Claudio Sanchez and the band returned to the sci-fi universe of The Amory Wars in what was said to be the first of a 5-part series of albums. With 2021 upon us, and a major summer tour now announced, the volume of fans’ chatter for Vaxis 2 and what that will entail are loading up the band’s social media pages.

Coheed and Cambria is a rare band whose music can transcend scenes and effortlessly cross genres of rock – from indie to progressive, to metal and pop-punk to classic rock. The band is frequently compared to progressive, operatic rock bands of the ‘70s, ala Queen, Supertramp, or Rush due to their thrilling concept albums which take you on a grand journey of sounds and often clock-in around 110 mins, but still somehow include sugary pop-laden hooks.

The group’s following has grown steadily every album, partly due to their ferocious live show that brings fans to their knees with an equally expansive light show. This summer, the band will be performing songs from their expansive catalog, and we can only imagine they’ll pull a few new tricks up their sleeves.

Both bands began their careers 20 years ago this year and last toured together in 2003.

Painful and perverse, intimate, and obnoxious, aggressively heavy and irresistibly catchy, confusingly profound and primitively pedestrian – The Used transforms songs into anthems. The reckless honesty and unrelenting dedication that saw The Used kick down doors at radio and MTV, for a generation of disenfranchised post-hardcore provocateurs, persists today. It is newly remade with a sly shimmer that never sacrifices the band’s enchanting anarchy or restless soul.

Heartwork, the band’s eighth studio album (2020), arrives with the unbound spirit of the pair of platinum albums that first introduced The Used to the world, mixed with the dramatic flair of their gold-certified third. The emotion, sincerity, and vulnerability found on The Used (2002) and In Love and Death (2004) are more urgent and insistent than ever on Heartwork, a diverse 16-song offering filled with double entendre upon triple entendre. It traverses a thematic gamut of self-examination, hyper-literate exploration, political pyromania, and keenly self-aware yet unrestrained whimsy.

Coheed and Cambria and The Used will be making the following appearances across the U.S. this August and September.

TOUR DATES

Aug 27: Los Angeles, CA @ FivePoint Amphitheatre*

Aug 28: Phoenix, AZ @ Mesa Amphitheatre*

Aug 30: Salt Lake City, UT @ The Complex – Outdoors*

Aug 31: Denver, CO @ Levitt Pavilion Denver*

Sep 02: Irving, TX @ The Pavilion at Toyota Music Factory

Sep 04: Austin, TX @ Germania Insurance Amphitheater*

Sep 05: Houston, TX @ The Cynthia Woods Mitchell Pavilion*

Sep 07: Wichita, KS @ WAVE – Outdoors*

Sep 08: St. Louis, MO @ Saint Louis Music Park*

Sep 11: Columbus, OH @ Express Live! – Outdoors*

Sep 12: Cleveland, OH @ Jacobs Pavilion at Nautica*

Sep 14: Cincinnati, OH @ The Andrew J Brady ICON Music Center*

Sep 15: Indianapolis, IN @ TCU Amphitheater at White River State Park*

Sep 18: Worcester, MA @ The Palladium – Outdoors*

Sep 19: Holmdel, NJ @ PNC Bank Arts Center*

Sep 21: Baltimore, MD @ MECU Pavilion^

Sep 22: Raleigh, NC @ Red Hat Amphitheater^

Sep 24: Jacksonville, FL @ Daily’s Place^

* with special guest Meet Me @ The Altar

with special guest carolesdaughter

Tycho ISO50 Event Image via Ken Weinstein for use by 360 Magazine

Scott Hansen, AKA Tycho, Launches ISO50 Event

Tickets go on sale Friday, June 18.

Scott Hansen, aka Tycho, will launch his inaugural ISO50 branded event on Friday, July 23 at the Brooklyn Mirage in Brooklyn, NY. The Tycho-curated evening will feature six acts over six hours, outdoors in the heart of Brooklyn. The show will be headlined by Hansen himself and the East Coast debut of the new TYCHO: ISO50 show, an audio-visual immersive experience with 360-degree projection mapping. Tickets go on sale this Friday, June 18 at 10am ET.

The other artists on the lineup have all collaborated, remixed, toured with, and/or been staples of Tycho’s seminal sunrise Burning Man DJ sets: RAC, Com Truise, Roosevelt, Heathered Pearls, and Nitemoves. It’s going to be a one-of-a-kind event. In keeping with the visual aesthetic of the festival, the digital event poster will be tokenized and made available as an NFT, a non-fungible token. All attendees will have the exclusive opportunity to purchase the NFT for only the cost of minting and gas fees.

“I’m very excited to announce a special event I’ve put together featuring artists whom I greatly respect and admire,” says Hansen. “This will be the East Coast debut of a new set I’ve developed incorporating elements from all three eras of Tycho and return to a focus on the immersive audio-visual experience.”

Based in San Francisco, Tycho is known for his futuristic, lo-fi composition style and his mixed mediums of live instrumentals, electronic synths, and vintage sampling clips. His inaugural event is sure to be as unique and moving as his music.

TYCHO : ISO50

JULY 23 – BROOKLYN MIRAGE

TYCHO

RAC DJ SET

COM TRUISE DJ SET

ROOSEVELT DJ Set

HEATHERED PEARLS

NITEMOVES