Fresh off her recent Golden Globes win and Oscar nomination, Teyana Taylor continues to expand her influence across fashion, film, and culture with the debut of an official look and AJ3s tied to her upcoming Jordan Brand collaboration “Concrete Rose.”
This collection represents the evolution and maturity of a woman and her relationship with love – shaped by resilience, growth, and the work put in. It’s a celebration of owning her greatness – of getting everything she wanted beyond the status quo, all while staying true to her roots.
Teyana may be known as Harlem’s concrete rose, but it’s time we give her thorns their flowers. Teyana’s second Jordan Brand capsule is an ode to the spiky stems that preserve her softness and adorn her with edge.
Teyana and Jordan Brand’s relationship began 12 years ago, when she met Michael Jordan for the first time after singing the national anthem at the Jordan Brand Classic.
The look arrives at a pivotal moment in Teyana’s career, underscoring her evolution from multi-hyphenate creative to awards-recognized actress, while also highlighting Jordan Brand’s expanding influence beyond the court and into cultural storytelling.
With fashion, sports, and entertainment increasingly intertwined, Teyana’s rise on Hollywood’s biggest stages presents a compelling opportunity to further deepen her partnership with Jordan Brand.
Parker McCollum, has released the official music video for his track, “Killin’ Me,” off his critically acclaimed self-titled album, PARKER MCCOLLUM. Written by McCollum, Monty Criswell and Randy Rogers, “Killin’ Me” is a mid-tempo love song about being completely captivated by a woman who can “turn every head and stop a room on a dime.” In the official music video, directed by the award-winning Dustin Haney, we see a special feature from McCollum’s loving wife, Hallie-Ray Light McCollum, as the two take a spin across a smokey dance floor where the world seems to fade away.
Recently, McCollum announced the upcoming release of PARKER MCCOLLUM Deluxe Edition which will feature four additional tracks, including the massive fan-favorite track, “Big Ole Fancy House,” which was released on January 23rd. PARKER MCCOLLUM Deluxe Edition is out on March 20th.
Fans can see Parker out on the road through 2026 where he’ll be making his fourth consecutive appearance at the famed Houston Rodeo and will also be returning to Red Rock Amphitheatre where the captivating showman has performed to a sold-out crowd three consecutive years running. For additional information on show dates and tickets, please visit ParkerMcCollum.com.
Oakley’s core DNA is drenched in winter sports, pioneering goggle innovation in the early 1980s to vision development systems worn by athletes today. That legacy now returns to the slopes in Livigno.
Oakley partners again with Mottolino Snowpark, creating the Oakley Flowpark, a purpose-built terrain designed for progression, creativity, and unlimited vibes. Open to all riders, of all levels, whether it’s your first lap or your cleanest trick, the park is built around flow-driven lines and technical elements, including kickers, a solid lineup of rails and boxes, four quarter hips, and two wall rides. This one-of-a-kind Oakley park is designed to allow riders to build, link, and evolve their runs throughout the day.
At the base of the flowpark, the Oakley Outpost lands on the Livigno Mountain. A brutalist designed dome houses the physical expression of Oakley’s DNA, where past, present, and future collide in one immersive space. Through the bunker doors, an Oakley oasis takes shape, where industrial structure and organic elements flow together as one. Oakley artifacts from the past, present, and future are presented as cultural objects that trace the brand’s evolution in snow performance.
Team Oakley athletes and members of the Oakley family will train, ride, and vibe at the Flowpark alongside the community.
The Oakley Flowpark + Outpost will be open daily in Livigno from 10:00 AM–3:00 PM and is accessible to guests with a ski pass.
On Saturday, February 7th Authentic hosted an exclusive gathering during Big Game Weekend, convening influential figures across sports, entertainment, business, and culture.
Authentic Dinner Club kicked off at Authentic House in San Francisco, and was hosted by Founder, Chairman and CEO Jamie Salter (Authentic Brands Group).
The evening brought together a powerhouse roster of pro athletes, cultural leaders, and global tastemakers, including Kevin Hart, 50 Cent, Karol G, Russell Wilson, Ciara, Odell Beckham Jr., Ilona Maher, Drew Brees, Sam Hartman, Damar Hamlin, will.i.am, Machine Gun Kelly, Logan Paul and Nina Agdal, The Chainsmokers, and Livvy Dunne, and Zac Efron.
Authentic is a curator of culture across sports, media, entertainment and fashion, and Authentic Dinner Club convened the leaders and tastemakers defining today’s cultural conversations and business momentum.
Authentic Dinner Club with Zac Efron, Ciara, Kevin Hart, Jamie Salter, Karol G captured by Kevin Kwan via 360 MAGAZINE.
This Valentine’s Day, The Iberian Table Serves Romance, Longevity, and the Joy of Cooking Together
Author Robin Keuneke’s celebrated book offers the perfect Valentine’s gift — and inspiration for unforgettable Spanish-style meals made with love.
This Valentine’s Day, couples are invited to skip the clichés and embrace something deeper: time together, nourishing food, and the romance of a shared table. The Iberian Table: Healthy Cooking Secrets from the Land of Longevity – Introduction to the Spanish Mediterranean Diet (Kirkus Starred Review) is more than a cookbook — it’s a heartfelt love letter to Spain, to vitality, and to the enduring connection between food, culture, and the people we love.
Perfect as a Valentine’s gift or as inspiration for a home-cooked celebration, The Iberian Table offers elegant yet accessible ideas for intimate meals rooted in Spain’s Mediterranean traditions — dishes meant to be shared slowly, savored together, and enjoyed well beyond February 14.
Recent global attention on Spain’s remarkable longevity makes the book especially timely. When researchers studying María Branyas Morera, who passed away in 2024 at age 117 as the world’s oldest living person, revealed that her extraordinary lifespan was shaped by genetics and lifestyle, they highlighted daily habits centered on simple, nourishing foods and a Mediterranean way of life. Among them: yogurt, fresh produce, olive oil, and communal meals.
That research mirrors the central philosophy of The Iberian Table, written by author, fine artist, and health advocate Robin Keuneke — the first and only book dedicated exclusively to the Spanish Mediterranean diet.
“The Iberian Table is ultimately about love,” said Keuneke. “Love of food, love of culture, love of community — and love for the people you gather around the table. Cooking and eating together is one of the most intimate acts we share, and Spain understands that beautifully.”
Blending culinary history, modern health science, original recipes, and storytelling, The Iberian Table celebrates a culture where meals are not rushed, ingredients are respected, and connection is essential. Spain consistently ranks among the world’s healthiest countries, with diet playing a central role — a fact reaffirmed by CNN in 2025 and long reflected in Spanish daily life.
Already named Amazon’s #1 Hot New Release in Spanish Wine and Food, the book has become a go-to guide for readers seeking both better health and a more joyful relationship with food. From olive-oil-rich dishes and legume-based meals to probiotic-forward staples like yogurt, Keuneke shows how longevity-supporting foods can also be deeply sensual, comforting, and celebratory — ideal for a romantic night in.
With Valentine’s Day approaching, The Iberian Table offers couples a meaningful alternative to crowded restaurants: create a Spanish-inspired meal at home, pour a glass of wine, linger at the table, and reconnect — just as generations have done across Spain for centuries.
Spanning Six Decades of the Nationally Acclaimed Artist’s Work
The world premiere of Revelations: The Art of Leo Twiggsspans six decades of work by the nationally acclaimed artist and is the first major retrospective exhibition in his home state of South Carolina. On view at the Gibbes Museum of Art (Jan. 30 – May 3), with more than 40 works created by Twiggs between 1961 and 2020, this exhibition marks the 50th anniversary of Dr. Twiggs’ landmark solo show at the Gibbes in 1976 (during the bicentennial year). A half-century later, this new exhibition comes at a national crossroads as America commemorates its 250th anniversary. Twiggs was born in 1934, just 45 miles from Charleston, and will be celebrating his 92nd birthday during the run of the exhibition.
The award-winning artist has created an indelible impact on American art in unprecedented ways. Most of the works on view are emblematic of the artist’s signature prowess in batik artmaking, a multi-layered and arduous wax-resist dyeing process. The deep saturation of colors onto cotton reflects his subject matter’s gravity and historic undertones, often intertwined with his prevailing messages of hope.
“The whole point is that we are all on this boat together. We either sink, or we swim by making this experiment work. At this 250th anniversary, when we have come so far together in this country, this retrospective is not just about me — it’s about us, our shared American experience,” says Dr. Leo Twiggs. “I like to create questions with my work, which weaves in and out of this American narrative. And you cannot pass through the 250 years of American history without passing through Charleston. Forty percent of the slaves that came into this country arrived through Charleston, and seventy percent of African Americans can trace their roots back to Charleston.”
A full-color catalogue accompanies the exhibition, and describes in a powerful way the artwork entitled Conversation (shown above). In the catalogue, the guest curator Dr. Frank Martin writes: “This conversation is between two individuals covered in signs and signifiers, indicating likely polemical differences in their points of view. Twiggs’ painting is a reminder that the hope of our democratic republic is grounded in our capacity to sustain a discourse of oppositional, dialectical exchange as a national strength.”
The museum has created a robust series of programs surrounding this exhibition, for the public to enjoy.
The Gibbes Museum invited Dr. Frank Martin to guest-curate the exhibition, working in tandem with Sara Arnold, the Gibbes Museum’s Director of Curatorial Affairs and the curatorial team. Dr. Martin is an art historian, educator, writer and curator who has written extensively about Twiggs’ work. “Through talent, faith, ambition, intelligence and hard work, Leo Twiggs has emerged from the challenging obscurity of his early life in a small, segregated community to become one of the South’s most nationally significant and innovative visual artists,” says Dr. Frank Martin. “His singular creativity has transformed not only his life, but by his teaching and public service, has served as a beacon for thousands of students, fellow artists, and friends.”
Regarding his curatorial approach to the retrospective, Dr. Martin adds: “I wanted to anchor the exhibition with the work titled Conversation as the final piece that visitors will see. It raises all of the current polemics about the kind of discourse we are failing to have as a country. This work reminds us that even though we might come from very different experiences, we should explore our shared openings. Emotional openings, aesthetic openings, the kinds of shared openings that only art can create for us. To make people talk to each other. To be humane, person to person, sharing our understanding of our humanity. This exhibition takes important steps in that direction and can take us all on this journey toward the solution. The artist accomplishes this all within the narrative of America.”
“The Gibbes Museum of Art is honored to present this major retrospective of Leo Twiggs’ work, resoundingly and deservedly celebrating his impact for our time,” says Dr. H. Alexander Rich, the President and CEO of the Gibbes Museum of Art. “The artist’s powerful realignment of signs and symbols — tied inextricably to hate and to hope — drive a narrative of resilience, opening doors for each of us to reflect on the past. Fifty years ago, the Gibbes presented his landmark solo museum exhibition, and our museum team is thrilled to now be part of this first-ever career retrospective in his home state of South Carolina. This is a privilege and an honor for us at the Gibbes, and long overdue for Leo Twiggs. We can all only imagine what the world will say about his art fifty years from now.”
This retrospective is the first time since 2016 that all nine paintings from the series Requiem for Mother Emanuel are exhibited together in Charleston. Twiggs created this chilling series in the aftermath of one of our country’s most brutal hate crimes. In 2015, nine churchgoers were murdered by a mass shooter who attended their Bible study meeting at the historic Emanuel African Methodist Episcopal Church (AME), located less than a mile from the Gibbes Museum.
The church is affectionately known as “Mother Emmanuel” because it is one of the oldest Black churches in the South, formed in 1816. It is legendary for coming back from the ashes in 1822 when an angry mob burned it down, and 35 churchgoers were hanged, for their role in an attempted slave revolt. The shooting in 2015 occurred on the anniversaryof the thwarted slave uprising. The murderer, an Aryan supremacist, targeted members of this church because of its history and status.
The worshippers had unknowingly welcomed the shooter when he arrived, and invited him to join them. He sat with them through the entire Bible study, and when it was over, as the group was holding hands in a prayer circle, he fired 70 rounds at them. The massacre shocked the nation. In response to this horrific tragedy, Twiggs created the series of nine works as a commemorative tribute to the nine victims.
Shown here are four of the nine works. To learn more about the meanings behind the symbols that evolve through the progression of the nine paintings, watch the videos by South Carolina
Educational Television featuring insights by curators and art critics (watch the first video here; and the second video here). From their commentary: “Leo’s paintings are objects of lament, icons that call us to weep, but then to know we have camaraderie and kinship in this suffering” . . . “In the final painting we see that the church profile has been abstractly turned into a path, at the end of the series there is such hope” . . . “Twiggs believes we can find common ground, to cross over to a better understanding.” The series has traveled to museums and galleries across several states. Exhibition organizers in Charlotte, North Carolina created this powerful video featuring Twiggs discussing what it was like for him to create these paintings.
Through his masterful use of imagery and iconography associated with the South, Twiggs brings to light an awareness of cultural issues that goes beyond regional nuances. In the exhibition catalogue, Dr. Martin writes about how the artist has thoughtfully interrogated the implications of celebrated motifs of Southern culture: variations of the Confederate flag, railroad crossing signs that symbolize migration of people to the North, target symbols, and more. Dr. Martin writes about how Twiggs’ artworks are rich with symbols dating back to the American Revolution, the Civil War, through aspects of the Civil Rights Movement, and into 21st century issues we are all facing today.
Pictured left is the artwork Sarah Remembered (batik and paint on cotton mounted on board with mixed media, 1997). “This work was generated by family memories of my great-grandmother Sarah. She was 13 when freedom came. Sarah was born into slavery and lived in slavery for 12 years of her life. She went on to have 11 children, one of which was my grandmother,” says Twiggs.
Dr. Connie H. Choi is a Curator at The Studio Museum in Harlem. In the Gibbes’ exhibition catalogue, she writes: “Leo Twiggs’ New York exhibition of batik paintings opened at The Studio Museum in Harlem in 1978 (almost fifty years ago). His commitment to Batik painting over the past six decades is a testament to the affinity he found between the technique and his artistic voice.”
“One can see how the batik process — laborious with its layers of wax and dye — would intrigue the artist. The depth and saturation of colors, the symbolic choice of cotton, and the necessary precision of execution all reflect the heaviness of much of his subject matter. For Twiggs, who frequently confronts racism, violence, and what he calls the strange devotion to the Confederacy, batik can hold and carry the gravity of the issues he raises through his work,” says Dr. Choi in the catalogue.
“That the union of this technique and Twigg’s chosen subjects, born and perfected in South Carolina, was inspired by the artist’s formative time in New York and Chicago in the early 1960s, demonstrates the expansiveness with which Twiggs approaches his artistic practice,” adds Dr. Choi in her essay in the exhibition catalogue.
tandem with the looming presence of shadowy adult guardian figures — almost like ghosts who lurk in these images as an emotive presence. Reminders that these children are not abandoned or entirely alone, but are being watched and are indeed loved by both living relatives, and by spiritual, ancestral beings.”
Pictured above-right is the artwork entitled Targeted Man (Running) (batik on cotton, 2015). Twiggs created this painting as a response to the killing of Walter Scott. He was fatally shot in the back while fleeing, by a local police officer who had stopped Scott for a non-functioning brake light. “This painting is about my lifelong fascination of what happens to targeted people,” says Twiggs. “When I was growing up in the 1950s in the South — in the wake of Emmett Till — I was always aware that like others around me, I could be made to disappear. If somebody didn’t like me because of the color of my skin, or if they thought I said something I shouldn’t have said, I could suddenly be gone tomorrow.”
Twiggs was the eldest of seven children, and his father died when he was in the tenth grade. To help his mother make ends meet, he worked six days a week as the projectionist at the local movie theater in his hometown of Saint Stephen. The shows would end late at night, after 11:00 p.m. As a young African American man in a rural town in the Deep South, Twiggs recalls his mother’s concern. “I had to walk home on a long and lonely street, and after I passed the last white household, that was where the last streetlight was, and I would be plunged into darkness for the rest of my walk home,” says Twiggs. “My mother always stayed up until I got home, and she would leave the light on so I could see the light from our home across the field. So many Black mothers across America would wait for their sons to get home, and sometimes they didn’t.”
Pictured right is the artwork The Death of George Floyd (batik on cotton, 2020). “This painting represents the culmination of my career,” says Twiggs. “I was so struck by what we all saw on television. It was the ultimate expression of man’s inhumanity to man.After I saw it, I went into my studio for four days, creating this work. I needed to create this painting, I just had to do it.”
About the Artist
Dr. Leo Twiggs was in born in 1934 in Saint Stephen, South Carolina. The nationally acclaimed artist and educator was his family’s first college graduate; the first African American student to receive a Doctorate from the University of Georgia; and the first visual artist to receive the Governor’s Trophy for Outstanding Contributions to the Arts in South Carolina (the Elizabeth O’Neill Verner Award). Pictured left is the artwork The Swing (batik on cotton, 1970).
He has presented more than seventy-five solo exhibitions, and his work has been featured in numerous group shows nationally and internationally, including U.S. Embassies in Rome, Dakar, and Switzerland, among other venues.
His many accolades include: the Order of the Palmetto (South Carolina’s highest civilian honor); the 1858 Prize for Contemporary Southern Art/Gibbes Museum of Art; and was inducted in 2020 into the South Carolina Hall of Fame.
At South Carolina State University he taught from 1973 until 1998. During his tenure at the university, he started the Art Department and was instrumental in opening and directing the I. P. Stanback Museum and Planetarium on campus. Twiggs was named professor emeritus in 2000.
Twiggs received his Bachelor of Arts degree from Claflin University in 1956 (summa cum laude with majors in art, history, and English); studied at the Art Institute of Chicago; his Master of Arts degree from NYU in 1964; and earned his Doctor of Education from the University of Georgia in 1970. He retired from teaching in 1998 but retains the position of Distinguished Artist in Residence at Claflin University.
Watch the South Carolina Educational Television (SCETV) documentary about the artist at scetv.org/watch/arriving-leo-twiggsand-his-art. SCETV praises Twiggs as “the most influential Black artist in the southeastern United States.”
The retrospective at the Gibbes Museum will feature a special section with replicas of five of the nine stained-glass windows designed by Twiggs in 2007, commissioned for the James and Dorothy Z. Elmore Chapel at Claflin University (completed in 2008). The windows are a departure from his usual media. The intricate designs are based in part upon traditional patterns in Ghanaian fabric, combined with patterns taken from quilts by his grandmother. Added to these designs are images of intertwined single-helixical threads, a reference to art as a preservation of the pulse of life itself.
Revelations: The Art of Leo Twiggs via 360 MAGAZINE.
About the Gibbes Museum of Art
The Gibbes Museum of Art, a beacon in the American South for arts and culture since 1858 when the Museum’s art collection was founded as the Carolina Art Association, is heralded as one of the earliest and most longstanding arts institutions in the United States. The Museum’s collection spans 350 years, and features some of the country’s most celebrated artists ‒ including contemporary, modern and historical works. With world-class rotating exhibitions and a dynamic visiting artist residency program, the Gibbes is a southern museum with a global perspective. The Museum’s mission is to enhance lives through art by engaging people of every background and experience with art and artists of enduring quality, providing opportunities to learn and discover, to enjoy and be inspired by the creative process. Visitor info HERE.
Chevy collabs with rising country music star Brooke Lee to release a modern interpretation of the iconic song and appear in the new TV commercial
Chevrolet is kicking off the celebration of America’s 250th anniversary by honoring the brand’s values and its intersection with American culture. Throughout this year, Chevy will revitalize a number of iconic consumer campaigns and launch special edition vehicles. Today the brand is announcing a collaboration with rising country music star Brooke Lee to release a modern interpretation of the “See the USA in Your Chevrolet” song while returning to the top of Castleton Tower (Castle Rock), UT for the third time.
“Chevy is inextricably linked to the cultural fabric of America,” said Chevy’s Chief Marketing Officer Steve Majoros. “As brands compete to celebrate our country’s 250th, there are few who can authentically embrace, claim, and honor America’s historical milestones in an inspiring, modern way. Chevy is one of those few.”
The new TV commercial debuts on broadcast this Friday and features Lee singing from the tailgate of a 2026 Chevrolet Silverado ZR2 that has been airlifted to the top of Castle Rock in Utah.
Rising country music artist Brooke Lee sitting on the tailgate of the Chevrolet Silverado ZR2 on top of Castleton Tower in Utah.
360 MAGAZINE curated a list of entities that supply small batch, limited edition, and/or capsules for connoisseurs.
Nomadic State of Mind
This is a vegan-forward brand that offers an array of eclectic accessories for conscious consumers. All of their offerings are sustainable and made of recycled materials. This brand taps into the world of chic with its harmonious color palette.
Rocknot has a range of interchangeable bags and straps that can be customized to suit your personal style. The brand was born and blossomed from an individual who was a proud creative who enjoys DIY. If you consider yourself a culture curator and have an eye for art, then look no further.
With pearls and gemstones that sparkle with glitter, Ariel Taub is a glamorous brand that falls under almost every category: bridal, fashion, clutches, and jewelry. Besides its affordability, celebrities like Katy Perry, Halsey, and Carrie Underwood flock to this house because it has a wide deck of cards.
Meller is stellar. It’s a collection of eyewear that pushes the limits with sunglasses and sunnies at modest price points. An unprecedented range of frames, lenses, and optical accessories in an unrivaled color palette awaits you. With blue light protection, it’s a fashionable and functional line that will appeal to any design-forward enthusiast.
Bring art and inspiration to every coffee break with the bold and design-forward Pantone Mug in Red 2035 by Copenhagen Design. Each mug is made from high-quality ceramic and has a glazed finish, capturing Pantone’s world-famous color precision and becoming a must-have for designers, artists, and those who live in full color.
The Pantone Mug is versatile enough to be displayed on a studio shelf or filled with morning espresso, and every sip becomes a stylish statement. This product is available on Cribsi.
PUMA Hoops x LaMelo Ball Announce MB.05 Metallic Colorway
LaMelo Ball’s latest signature drop the MB.05 Metallic will be available for $130 at PUMA.com, the PUMA mobile app, the PUMA NYC Flagship store, Foot Locker, Kids Foot Locker, Champs Sports.
The latest limited-edition collection from Cambridge Satchel is now available for purchase!
The world’s most renowned satchel brand and a leading leather goods company has partnered with Swarovski to announce The Festive Collection.
A dazzling, limited-edition lineup crafted to be the companion of the season, each piece is meticulously embellished with scattered Swarovski Crystals that capture the twinkle of a starry night. Finished with silver hardware and refined craftsmanship, the result is timeless silhouettes reimagined with a festive, modern glamour.
The collection includes intricate crystal rivets in vintage rose and black diamond tones, with iconic shapes like The Mini Satchel, The Mini Sophie, and The Twist Lock Pouch, plus a brand-new star-shaped bag created just for the holidays. Each transitions effortlessly from daytime celebrations to nighttime festivities, glamorous yet elevated, never overstated.
A standout detail is the introduction of 8 Swarovski Crystal Intarsia stickers, inspired by Christmas and the City of London. These ultra-thin designs combine unfaceted micro-crystals with full-faceted stones to create a tactile 3D sparkle. They offer a playful yet refined way to personalize any bag or accessory and will be available in-store for mix-and-match customization.
The Festive Collection made with Swarovski Crystals will is now available for purchase in the United States exclusively in Cambridge Satchel stores and at https://us.cambridgesatchel.com/. The collection is priced between $25 – $755
CASEKOO Magicstand Pro case, with a built-in stand rotating 360 degrees, recommended by iJustine + Brandon Butch. Its sleek design offers protection with a pop of color and pizazz.
Cartier unveils Chapter III of the En Équilibre High Jewelry collection. It is notably expressed by the cleanness of the lines, the strength of the volumes, the palette of colors, the respiration between solid and void.
A vision of beauty that dares to explore every possibility to the extreme: from sophisticated simplicity to utter opulence, from subtle nuances to the most powerful accords, symmetry or asymmetry. It is always a matter of harmony, of being just right.
A sense of “rien de trop,” distinctive to Cartier and totally at the service of the stones.
Starter, the iconic sportswear brand is making Super Bowl history with the launch of the Starter x Bad Bunny collab jacket. This is the first time ever that Starter has collabed with a Super Bowl halftime performer, and the first time the NFL has released a Spanish-language Super Bowl jacket. In other words: this isn’t just merch, it’s a MOMENT.
Louis Vuitton Celebrates 130 Years of its Legendary Monogram
To mark the 130th anniversary of its Monogram canvas, Louis Vuitton launches a yearlong celebration honoring one of the most recognizable and enduring emblems in the history of luxury. The anniversary opened in January 2026 with a spotlight of the most iconic Monogram bags: the Speedy, the Keepall, the Noé, the Alma, and the Neverfull.
To coincide, Louis Vuitton is also unveiling three exclusive capsule collections: The Monogram Origine, the VVN Collection, and the Time Trunk Collection, each highlighting a distinct chapter of the House’s heritage while collectively reflecting Louis Vuitton’s ongoing commitment to innovation, beauty, and timeless design.
After announcing their newest partner KAROL G, Reebok unveils her full campaign ‘Born Classic.
Rooted in heritage and refined for modern wear, the offerings spotlight elevated material execution across our beloved lifestyle sneakers including: Club C 85 Vintage, Freestyle Lo, and Workout Plus.
What happens when you wake up the morning after leaving the most important rock band of all time? Paul McCartney: Man on the Run, the intimate new feature documentary by Oscar, Emmy, and Grammy Award-winning director Morgan Neville, explores Paul McCartney’s creative rebirth after The Beatles’ breakup. The film is released in cinemas for one night only by Trafalgar Releasing on Thursday, February 19th, 2026. Tickets are on sale today at manontherun.film. The theatrical trailer is now available to watch here.
In April 1970, Paul released his first solo album, McCartney. When asked what he’d do next, he said his only plan was to grow up. Paul McCartney: Man on the Run captures Paul’s transformative decade in the wake of The Beatles’ break-up and the rise of his new band Wings. Through stunning archival footage, Linda McCartney’s exceptional photographs, interviews with Paul, Linda, Mary, and Stella McCartney, a number of Wings band members, Sean Ono Lennon, Mick Jagger, Chrissie Hynde,and more, the film examines this time through a uniquely vulnerable lens.
Paul McCartney: Man on the Run is released theatrically in select territories worldwide. In addition to the film, each theatrical screening includes a bonus conversation between Paul McCartney and director Morgan Neville, exclusive to cinemas. All participating cinemas and ticket listings can be found at manontherun.film. Fans are encouraged to sign up to the email newsletter for event alerts.
Paul McCartney: Man on the Run is produced by Tremolo, in association with MPL Communications and Polygram Entertainment. Following the theatrical release, the film will be available on Prime Video from 27th February in more than 240 countries and territories worldwide. Producers include Morgan Neville, Chloe Simmons, and Meghan Walsh for Tremolo; Scott Rodger and Ben Chappell for MPL; and Michele Anthony and David Blackman for Polygram Entertainment. Executive producers include Paul McCartney and Caitrin Rogers.
The new film provides the essential latest installment in the Wings renaissance – a series of exciting new releases connecting with fans across the world. 2025 saw the publication of Wings: The Story of a Band on the Run by Liveright / W.W. Norton / Penguin. A landmark oral history of Paul’s musical reinvention in the 1970s, described by The Sunday Times as “the story of a man who climbed every mountain, then set out to do it all over again”. In tandem, the WINGS self-titled collection was released in multiple formats, from a 32-track 3LP box set to new Dolby Atmos mixes – a definitive self-titled anthology of hits, personally curated by Paul, charting the story of the band as it became one of the biggest-selling acts of all time. The start of 2025 celebrated one of Wings’ most revered albums, Venus and Mars, 50 years since the original release. Now available as a special edition half-speed master LP, and mixed in Dolby Atmos for the first time. All this in addition to another epic leg of Paul’s Got Back tour, which included shows in 18 different cities across the United States and Canada through 2025.
Louis Vuitton continues its legacy with the America’s Cup by renewing its commitment as Title Partner of the Louis Vuitton 38th America’s Cup, which will take place in Naples in 2027, setting the course for a new legendary journey.
This partnership celebrates a unique connection centred around innovation, performance and elegance, in which technical precision and handcrafted savoir-faire come together.
The America’s Cup and Louis Vuitton, respectively founded in 1851 and 1854, share a heritage defined by a daring spirit and a relentless pursuit of excellence. In 1983, the House sealed its first sporting partnership with the America’s Cup. It revolutionised the competition by introducing challenger elimination rounds, known as the Louis Vuitton Cup, which opened the race up to a larger number of teams. Today, Louis Vuitton is proud to support this new edition, marked by the creation of a new governance, the America’s Cup Partnership (ACP), a symbol of openness, modernisation and inclusivity.
Louis Vuitton Renews partnership w/ America’s Cup via 360 MAGAZINE.
